Browse content similar to Episode 15. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Right ? as we know it's Lesley's birthday today. | :00:09. | :00:35. | |
Kevin! Put Petty down, bless her! Kevin and Betty for next year's | :00:36. | :02:10. | |
Strictly. It's Friday Night and I can | :02:11. | :02:12. | |
confirm we are only 24 hours away from the next | :02:13. | :02:21. | |
live Strictly show! A week between shows is far | :02:22. | :02:23. | |
too long - am I right?! So, sit back, relax and melt | :02:24. | :02:27. | |
into the weekend because Now, this show might be | :02:28. | :02:31. | |
called It Takes Two, but we can't be in two | :02:32. | :02:35. | |
places at once! Luckily, we've got a man | :02:36. | :02:37. | |
on the ground or should that be Yes, our Welsh rare-bit | :02:38. | :02:41. | |
of all right, Gethin Jones, spent Hello from the Strictly ballroom | :02:42. | :02:59. | |
where rehearsals are underway. At the moment it is aired and Katya | :03:00. | :03:04. | |
doing their paso doble. Let's see how Ed is getting on with his cape. | :03:05. | :03:15. | |
He is definitely taking it seriously. He is so big on attention | :03:16. | :03:21. | |
to detail. He chats to the floor manager, he wants the set to be | :03:22. | :03:25. | |
perfect and now he has got his Passover face on. I will be chatting | :03:26. | :03:30. | |
to some others to see how they are feeling ahead of tomorrow night's | :03:31. | :03:31. | |
show. -- his paso face on. There'll be more exclusives | :03:32. | :03:37. | |
from Gethin later on. Time now to welcome | :03:38. | :03:39. | |
our first couple. They quickstepped into the judges' | :03:40. | :03:41. | |
hearts last weekend and we think I love all the role-playing. I love | :03:42. | :03:54. | |
all the quirky character you put in. It was wonderful. It was erected, | :03:55. | :04:03. | |
fabulously cheeky, plenty of dance content all the way through. You | :04:04. | :04:08. | |
were a golden oldie from the silver screen and I thought you were great! | :04:09. | :04:26. | |
# happy birthday, happy birthday! Hello, you gorgeous ones. It is a | :04:27. | :04:31. | |
delight to see you in your gladrags. I'm glad your tooth has grown back. | :04:32. | :04:36. | |
There were some children who said why has Lesley lost out to the? The | :04:37. | :04:43. | |
make up is so clever. How did it feel to recreate that wonderful Fred | :04:44. | :04:48. | |
and Judy moment? It is the first time I have seen it. It was | :04:49. | :04:53. | |
absolutely glorious. It is an iconic number. You were thrilled, won't | :04:54. | :04:58. | |
you? You were busy looking at yourself. Stop talking, played | :04:59. | :05:04. | |
again! The judges could not get over the speed in which you cover the | :05:05. | :05:10. | |
floor, Lesley. Where'd you get this energy from? We thought we did not | :05:11. | :05:15. | |
have a big enough floor. We wanted a slightly big enough law to slide | :05:16. | :05:20. | |
across. What can I say? My mother played tennis at 96. It is in the | :05:21. | :05:27. | |
genes. Anton, Len was so pleased with the fishtail. I am not sure | :05:28. | :05:34. | |
what a fishtail is. Could you demonstrate? | :05:35. | :05:40. | |
It's a fabulous old step. The first step is on the slow. Forward on the | :05:41. | :06:29. | |
right foot here like this. From there, we do a couple of lock steps, | :06:30. | :06:38. | |
check, two, The costume and make up, they did | :06:39. | :06:52. | |
such a brilliant job. It is one of my favourite numbers from all of the | :06:53. | :06:56. | |
series. Every week I think this is my favourite dance, now that is my | :06:57. | :07:00. | |
favourite dance and this week we have the charleston. It is such fun | :07:01. | :07:09. | |
to learn all these different dances. And your gorgeous friends Linda and | :07:10. | :07:15. | |
Pauline were there. They get so emotional and I get so emotional | :07:16. | :07:20. | |
knowing they are there. They have been glorious. Literally, every day | :07:21. | :07:24. | |
all we discuss is Strictly Come Dancing. We have just been in Malta | :07:25. | :07:29. | |
filming the Christmas National for Birds Of A Feather. He had to come | :07:30. | :07:35. | |
out. You had to go to Malta, what a nightmare! I imagine you capturing | :07:36. | :07:42. | |
some raise in your budgie smugglers! Will he make a cameo appearance? He | :07:43. | :07:48. | |
might find a swimming pool. He will be cut out! The cutting room floor! | :07:49. | :07:58. | |
So it is the charleston for you two tomorrow. Have you had any time to | :07:59. | :08:04. | |
do any training? We have. We had a wonderful dance studio out there. | :08:05. | :08:09. | |
People are complaining that I am always training in the same trousers | :08:10. | :08:14. | |
but I do wash them at night. We have managed to get on top of it. Let me | :08:15. | :08:19. | |
just say this very quickly about Lesley. She is incredible to work | :08:20. | :08:24. | |
with. She is up at five o'clock filming Birds in the morning and we | :08:25. | :08:27. | |
are still training at eight o'clock in the evening. It is 1415 hour days | :08:28. | :08:33. | |
and then she is up at five o'clock the next day. She has incredible | :08:34. | :08:37. | |
enthusiasm and energy and she is wonderful to work with, such good | :08:38. | :08:45. | |
fun. Luckily it is your birthday! It is a joy. She is a joy and | :08:46. | :08:52. | |
wonderful! I have to instruct this broadcast for a very important | :08:53. | :09:00. | |
message. Lesley, happy 71st birthday today. We love you very much. We | :09:01. | :09:09. | |
know you will do well. Week -- we know you will do well. Could not be | :09:10. | :09:15. | |
a proper birthday without a sweet treat. We could not get Paul and | :09:16. | :09:20. | |
Mary. Lesley, what more could you want? Blow out the candles, Lesley! | :09:21. | :09:38. | |
It is all about Anton! We wish you a huge happy birthday, have a | :09:39. | :09:43. | |
wonderful night celebrating. Don't cut through my face, cut through the | :09:44. | :09:50. | |
edges! Happy birthday! Anton and that balloon! While we tuck into the | :09:51. | :09:58. | |
cake, it is important to remember that plenty of calories are learned | :09:59. | :10:05. | |
in the training. The charleston is a fast dance. It | :10:06. | :10:11. | |
requires a lot of stamina and precise arm and leg movements. I | :10:12. | :10:15. | |
have to coordinate both ends of my body which sounds easier than it is, | :10:16. | :10:24. | |
trust me. One and two. No. It is very, very fast but I love it. | :10:25. | :10:34. | |
Jive is one of my favourite dances, but I have quickly realised that | :10:35. | :10:40. | |
this is not for the faint-hearted. I am going to lose three stone this | :10:41. | :10:46. | |
week. You are going to need a lot of stamina to do this jive. It is 90 | :10:47. | :10:51. | |
seconds of full on energy. The more you suffer, the bigger the smile. It | :10:52. | :10:58. | |
is mad, it is crazy but it is brilliant. When it all comes | :10:59. | :11:05. | |
together, it will look so good! Looking pretty good. Now it is time | :11:06. | :11:06. | |
to get some bums on seats. Strictly super-fans, | :11:07. | :11:16. | |
Jodie Prenger, Jeremy Hello, my darlings! Welcome, ladies. | :11:17. | :11:36. | |
Jeremy, welcome back! You are now the most qualified person on that | :11:37. | :11:40. | |
sofa to comment, having gone through this process. How is it to watch the | :11:41. | :11:46. | |
show without you win it? I must say I was all set to support Will and | :11:47. | :11:51. | |
Karen so I am feeling the pain of that. My kids back home are big | :11:52. | :11:58. | |
Karen fans will stop Karen, we love you! She is coming on the show next | :11:59. | :12:05. | |
week. When the probe goes out like that, it is very hard. But I am | :12:06. | :12:10. | |
amazed that the standard of dancing. I find it terrifying! It is | :12:11. | :12:14. | |
ridiculous. Marian, what have you been up to since we last saw you? I | :12:15. | :12:22. | |
have a book out. It is not a novel, it is a collection of humorous | :12:23. | :12:28. | |
anecdotes and articles. It is called Making it up as I go along. Shall I | :12:29. | :12:36. | |
send you one? And Jodie, welcome back, looking gorgeous in perfect | :12:37. | :12:50. | |
velvet! Ribena, Ribena, Ribena! Other blackcurrant drinks are | :12:51. | :12:55. | |
available. What you think? The talent is really strong this year. | :12:56. | :13:00. | |
Really enjoying it. We are going to start with Laura and Giovanni. They | :13:01. | :13:05. | |
found themselves in the bottom two but they survived. They are doing a | :13:06. | :13:10. | |
quick step this week to Ballroom Blitz by sweet. Are you supporting | :13:11. | :13:17. | |
your fellow Irish lass? Of course, it is the Irish Mafia! It does help | :13:18. | :13:22. | |
that she is a brilliant dancer and really amazing and this looks really | :13:23. | :13:28. | |
good. Headrest looks quite modern as well. Will they come out guns | :13:29. | :13:36. | |
blazing do you think? I think so because it is really quick on the | :13:37. | :13:43. | |
feet. She is a great dancer. And she is a bonny girl. When you have been | :13:44. | :13:49. | |
in the dance-off panic sets in. That is the problem. You know you are | :13:50. | :13:56. | |
hanging by a thread. Does it affect your confidence? It really does. We | :13:57. | :14:03. | |
are going to talk about nag and passion now. It is no secret, | :14:04. | :14:09. | |
Marian, you are partial's biggest fan? -- Naga and Pasha. He is | :14:10. | :14:18. | |
marvellous. I am a bit cross with Naga. She is dancing with the most | :14:19. | :14:23. | |
beautiful man on earth and every day she is looking at his little face | :14:24. | :14:27. | |
and she is living the dream, she is living my dream! So be happy, Naga! | :14:28. | :14:35. | |
You want her to be happy. They will be dancing the tango. Is she looking | :14:36. | :14:47. | |
happy enough for you, Marian? Yes! Is that all right? Jeremy, what you | :14:48. | :14:53. | |
thinking? I think the charleston is the hardest dance of the lot and it | :14:54. | :14:58. | |
takes more than a week to learn. She looks really good there. She did a | :14:59. | :15:03. | |
thing on breakfast News this morning where she introduced Nicola | :15:04. | :15:06. | |
Sturgeon, did you see it and a picture of a gorilla came up | :15:07. | :15:11. | |
instead! She did this most beautiful Naga smile and that is what we want | :15:12. | :15:19. | |
to see. To see the joy. If someone holds a photo of a gorilla up. Or | :15:20. | :15:26. | |
Nicola Sturgeon. She did not look that happy. Eyes and teeth. | :15:27. | :15:35. | |
This can be an infamously famous dance. I think you were saying you | :15:36. | :15:55. | |
weren't keen. It's my worst dance. It brings me out in a full body | :15:56. | :16:21. | |
sweat. The song is lovely and I think she's great. The rumba is | :16:22. | :16:59. | |
This song is fabulous. Joanne Clifton is a brilliant teacher. She | :17:00. | :17:09. | |
is very good at working out what you need. Great choreography. Onto | :17:10. | :17:17. | |
Claudia and AJ. Onto the foxtrot. Did you love it last week? Yes! Glad | :17:18. | :17:24. | |
to hear it. Here they are in training. A potential ten pattern | :17:25. | :17:31. | |
here? It is slower than I expected but I never did a foxtrot. She did | :17:32. | :17:37. | |
an amazing move in the charleston, she'd jump vertically and then went | :17:38. | :17:42. | |
backwards. I have never seen that before. I get out of bed like that! | :17:43. | :17:51. | |
I just met AJ. He is a sweet, sweet guy. He is only 21, amazing. They | :17:52. | :18:01. | |
are getting stronger every week? These are the weeks when they really | :18:02. | :18:08. | |
start to come out of their shells. The dance-off is so unpredictable | :18:09. | :18:12. | |
now. Any one of the people we have seen could end up with a red light. | :18:13. | :18:20. | |
One of your favourites, Jeremy, Ed now. He and Katya have been doing a | :18:21. | :18:26. | |
paso doble. You have been showing a lots of support? I am big into Ed | :18:27. | :18:30. | |
Balls! LAUGHTER | :18:31. | :18:38. | |
I said learn the charleston early and then the judges watch your feet | :18:39. | :18:43. | |
but the audience watch your face. His first dance, the waltz, I said, | :18:44. | :18:51. | |
get out of the suit, Ed, because he did not look comfortable. And that | :18:52. | :18:58. | |
charleston, it was unbelievable. So paso, is this good? He is so into | :18:59. | :19:04. | |
it. I have never met her but she is clearly an amazing teacher. She is | :19:05. | :19:10. | |
really enjoying the experience as a first-time Strictly person as well. | :19:11. | :19:14. | |
I am going to make a prediction here, they will get to the final! We | :19:15. | :19:22. | |
will talk about the rest of our couples later on. Thank you our | :19:23. | :19:25. | |
Friday panel! The competition is heating up on the | :19:26. | :19:46. | |
floor. Have you ever wanted to experience the glamour of the | :19:47. | :19:51. | |
Strictly ballroom first hand? We have the opportunity for you to win | :19:52. | :19:55. | |
two tickets for the Strictly Grand Final. You have to answer the | :19:56. | :20:03. | |
following question correctly. In week three last year, Jay and Aliona | :20:04. | :20:10. | |
performed a pulp fiction jive but what was the score they receive from | :20:11. | :20:14. | |
the judges? Good luck and remember... Keep | :20:15. | :20:36. | |
dancing! The voice of the balls, Alan Dedicoat. | :20:37. | :20:44. | |
Now our next guest transformed her living room for Flashdance. It is | :20:45. | :20:54. | |
safe to say she got the part. It is Kevin and Louise. I loved it. Every | :20:55. | :20:59. | |
time you are given a style you make the most of it and I loved this. You | :21:00. | :21:06. | |
passed the audition and you were great! # Shiny happy people... | :21:07. | :21:25. | |
Kevin said you should end up on the safer in that position. He did it | :21:26. | :21:33. | |
for you. And happy birthday for yesterday, Kevin! We have got you a | :21:34. | :21:40. | |
cake with Anton's face on it! How did you celebrate yesterday? | :21:41. | :21:43. | |
Actually, Louise and Jamie took me out for dinner and also Frankie who | :21:44. | :21:48. | |
I danced with two years ago. And also Karen and a couple of my mates. | :21:49. | :21:55. | |
What presence did you get? I got a shirt from Louise and some boots | :21:56. | :22:02. | |
from Karen. What did Joe get you? The new Fifa game. OK, other games | :22:03. | :22:10. | |
are available. Let's cast your mind back, how was Flashdance? It was | :22:11. | :22:16. | |
great. For me it was a bit of a childhood dream. The cha-cha was | :22:17. | :22:23. | |
hard. I have loved that film since I was about 12. You looked incredible | :22:24. | :22:33. | |
in that outfit. Were you happy with the judges' comments and scores? The | :22:34. | :22:43. | |
seven came out and she turned around and said, I am really sorry. That is | :22:44. | :22:50. | |
because she is so lovely. But I loved it. She did an amazing job. | :22:51. | :23:00. | |
She looked amazing. You are a brilliant couple to watch. I don't | :23:01. | :23:06. | |
know if Darcey was talking about the curly perm or the steps! I think it | :23:07. | :23:14. | |
suits me more than the cha-cha. You have got to bend your legs to dance. | :23:15. | :23:19. | |
You are not allowed to bend them, you have to keep them straight and | :23:20. | :23:23. | |
keeping time. When you are in the training room you think I know what | :23:24. | :23:27. | |
I have to do, I have got this but when you go out there it goes pear | :23:28. | :23:32. | |
shaped. Kevin said I just want you to enjoy this, this week is just | :23:33. | :23:36. | |
about giving it all you can and do your best. The first foxtrot is of | :23:37. | :23:47. | |
the series, what is the most important thing and what are we | :23:48. | :23:56. | |
looking for? A nice shape out of the side, strengthen the feet and all | :23:57. | :24:00. | |
the technique has to be in place while looking like it is really | :24:01. | :24:05. | |
easy. Apart from that, just enjoy yourself! He is very good on | :24:06. | :24:11. | |
technique and detail, what do you think has been the most important | :24:12. | :24:14. | |
thing he has told you about the foxtrot? The heel. Go with the heel | :24:15. | :24:24. | |
and slide the leg back from the toe. And not step on his foot! Our little | :24:25. | :24:30. | |
spies did catch this moment this week. Have a look. | :24:31. | :24:52. | |
That looked really painful! Those ballroom shoes, the heels are | :24:53. | :25:04. | |
vicious. I couldn't stop doing it! The more he told me what not to do, | :25:05. | :25:10. | |
I was doing it more! Maybe some padding in your shoes. Last week you | :25:11. | :25:16. | |
were re-dancing welder from Flashdance. What character do you | :25:17. | :25:22. | |
have to be for a foxtrot? This week it is likely 60s inspired. It is a | :25:23. | :25:28. | |
nod to the 60s rather than actual character but I am changing my | :25:29. | :25:35. | |
apparently long-term husband into the perfect man. Jamie is on the | :25:36. | :25:47. | |
phone! I have a remote control. A transformation. Good luck tomorrow, | :25:48. | :25:56. | |
Louise and Kevin! Time now to head over to getting Jones at Elstree. | :25:57. | :26:05. | |
I have found some princesses of the ballroom. Anastacia and Daisy will | :26:06. | :26:11. | |
also be the rumba Queens tomorrow. Princesses to Queens in a matter of | :26:12. | :26:18. | |
15 seconds. Thank you! Have you been comparing notes? More panic notes. | :26:19. | :26:27. | |
There has been some panic. The rumba is so romantic and smooth it has | :26:28. | :26:30. | |
forced me to do the complete opposite, be really jumpy and | :26:31. | :26:36. | |
nervous. Every step is seen and it freaks us out because if it was fast | :26:37. | :26:42. | |
we would get through the one step that was not great to give you a | :26:43. | :26:47. | |
step which was awesome. And to add to the pressure, some might say it | :26:48. | :26:55. | |
is harder for the ladies because you have to finish. They are the ones | :26:56. | :27:03. | |
who are displaying. And I have always loved watching the rumba, it | :27:04. | :27:06. | |
is such a beautiful expression of dance. It is so special. I watch it | :27:07. | :27:15. | |
and I think, how odd a sing together? You say that every week | :27:16. | :27:22. | |
and you still pull it off. You have come straight from wardrobe. How was | :27:23. | :27:27. | |
the outfit? I very much care for the outfit. We appreciate the sparkles. | :27:28. | :27:33. | |
No Mary Poppins for you for the rumba? No Mary Poppins! Nope nuns. I | :27:34. | :27:41. | |
have not seen mine yet but I have heard it is floaty. They do not want | :27:42. | :27:49. | |
me to look too sexy. I have a feeling her dance is completely | :27:50. | :27:54. | |
sexy. She will give it all to you. What are you like 24 hours before | :27:55. | :28:00. | |
the actual night? Do the nerves kicking or IU quite calm? I am a | :28:01. | :28:06. | |
nervous wreck! You are a nervous wreck before the dance-off? The | :28:07. | :28:11. | |
lights make you very sweaty. I am just a nervous wreck. Aljaz gave me | :28:12. | :28:18. | |
a talk yesterday and he said we would be where we are now without | :28:19. | :28:23. | |
your panic all week so maybe I don't need to panic. This is the most | :28:24. | :28:27. | |
amazing experience of my whole life and I am loving it but I love it so | :28:28. | :28:31. | |
much I just don't want to mess it up. What about you? You are used to | :28:32. | :28:39. | |
this? No, this is so out of my comfort zone. I keep grounded most | :28:40. | :28:45. | |
of the time. I have had a lot of things in my life that are far worse | :28:46. | :28:49. | |
than dancing in the show so I look at the positive of possibly getting | :28:50. | :28:53. | |
through and enjoying the dance instead of concentrating on the fear | :28:54. | :28:56. | |
because I have learned to block fear out of it. Embrace the good. The | :28:57. | :29:03. | |
rumba tomorrow night, shall I give you some tips? You dipped a bit like | :29:04. | :29:12. | |
this. If you could comment on this. It is a lot of hands going on. There | :29:13. | :29:21. | |
are too many heels. You have to do to to heels. We call it at to lead. | :29:22. | :29:30. | |
Our next guest has a reputation for stealing from the rich and giving to | :29:31. | :29:34. | |
the poor but the judges were happy to turn a blind eye to that | :29:35. | :29:42. | |
behaviour. It is Greg and Natalie. Your storytelling was absolutely | :29:43. | :29:50. | |
gorgeous. The connection between you two tonight was absolutely wonderful | :29:51. | :29:57. | |
to watch. Greg, it was bull's-eye, well done! | :29:58. | :30:18. | |
You have been through so much. Last weekend it was a box office smash. | :30:19. | :30:27. | |
So good. How much did you enjoy the story you told out on the floor? | :30:28. | :30:31. | |
Loved it. It was our favourite dance. So many things we had been | :30:32. | :30:38. | |
working on, the lifts in particular finally came together. I kept | :30:39. | :30:42. | |
finishing them in the wrong position so I would be facing the wrong way | :30:43. | :30:46. | |
but on this one it all came together. It is funny how it | :30:47. | :30:54. | |
happens. It often happens. For you to be leading me round the floor on | :30:55. | :31:01. | |
week three is unbelievable. She is so happy! I am so happy. The judges | :31:02. | :31:09. | |
are so full of praise for you two. All ats. I still think I am a bit of | :31:10. | :31:25. | |
a wally doing this. No way! Sub when we got a good response it was nice. | :31:26. | :31:32. | |
You have to believe in yourself. Doing what you are doing is amazing. | :31:33. | :31:37. | |
For someone who has never danced before, you are doing everything to | :31:38. | :31:41. | |
shine and on a Saturday night you always do your best performance and | :31:42. | :31:53. | |
that is all I can ask for. Darcey and Len said they could not see your | :31:54. | :32:00. | |
bottom. Was it a conscious decision? We have been working on it. We have | :32:01. | :32:04. | |
been working on the position which is rarely alien to me. It is | :32:05. | :32:10. | |
shifting all your weight forwards. To feel like your headway is going | :32:11. | :32:14. | |
backwards instead of forwards is a foreign feeling. We are working on | :32:15. | :32:18. | |
it and it is definitely getting better. A lot of the viewers and | :32:19. | :32:26. | |
judges were so great chemistry between you two. How important is | :32:27. | :32:31. | |
that? I think it is everything, dancing is about storytelling, the | :32:32. | :32:37. | |
partnership and the music. If that is believable then you get good | :32:38. | :32:41. | |
scores. We kind of knew each other before the show and we hit it off | :32:42. | :32:45. | |
straightaway so it is really important to keep that going. We | :32:46. | :32:53. | |
have so much fun in rehearsals. This week, salsa to Olly Murs but that | :32:54. | :32:59. | |
has been a bit of an injury, tell us more. I don't want to harp on about | :33:00. | :33:08. | |
these but this week it went very wrong. Annoyingly, while performing | :33:09. | :33:17. | |
one of the lifts I managed to test something in my wrist. That was not | :33:18. | :33:25. | |
fun. We went for a scam. There was fluid pouring out of the area. I had | :33:26. | :33:30. | |
hydrocortisone injection in it to deal with that. I feel like it is my | :33:31. | :33:38. | |
fault because we were doing the most epic lifts that anyone has ever seen | :33:39. | :33:43. | |
in a South because I have got someone I can do it with and you are | :33:44. | :33:53. | |
strong and amazing -- salsa. We had three epic lifts and I really pushed | :33:54. | :33:59. | |
you this week and an injury has happened. I feel gutted. Can you do | :34:00. | :34:08. | |
a lift now? We have removed it and there was one that we nailed so well | :34:09. | :34:13. | |
and it was so epic. I was so excited by it as well. I am not the greatest | :34:14. | :34:18. | |
dancer in the world that I am probably strong enough to do the | :34:19. | :34:22. | |
things that are quite cool. We have now had to chop them entirely, but | :34:23. | :34:28. | |
the final image you see of this dance I am hoping... Fingers | :34:29. | :34:34. | |
crossed! If your hand is OK we might be able to. Rest it, don't do | :34:35. | :34:44. | |
anything dangerous. Good luck, tomorrow, the gorgeous Greg and | :34:45. | :34:45. | |
latterly! Now, Gethin was once again let loose | :34:46. | :34:49. | |
in Elstree's corridors earlier, Backstage at Strictly towers, there | :34:50. | :35:00. | |
are clothes everywhere. What do you reckon? It is good, isn't it! This | :35:01. | :35:09. | |
is the quick-change area. It is very busy on a Friday getting the | :35:10. | :35:17. | |
costumes ready. How was it going, or a? You are half dressed. Is not | :35:18. | :35:24. | |
complete? I am just going out for a Friday night! What are you doing in | :35:25. | :35:32. | |
here? The girls get changed here as well stop I like the fact he is | :35:33. | :35:37. | |
wearing his khaki pants with a glitzy number. I know you love your | :35:38. | :35:43. | |
fashion, talk me through this outfit. Your toes get so sore. They | :35:44. | :35:58. | |
get cut up. Your whole body is struggling? I bruise easily but I | :35:59. | :36:06. | |
heal easily. And also my mum came over with a supplement of iron | :36:07. | :36:11. | |
tablets and magnesium. I just needed my mother. What is it like preparing | :36:12. | :36:23. | |
for a live show? It is so scary stop I cannot talk. Normally I would do | :36:24. | :36:31. | |
your job. Good luck for tomorrow. I love the outfit. | :36:32. | :36:35. | |
Now, our final couple of the night rocketed to the top of the leader | :36:36. | :36:39. | |
board with their cheeky Charleston last weekend - | :36:40. | :36:42. | |
in fact, they made it look easy as pie. | :36:43. | :36:48. | |
That was absolutely brilliant. It was made for you. Absolutely | :36:49. | :37:04. | |
outstanding! It was an amazing dance and you act beautifully. You really | :37:05. | :37:08. | |
are a double threat, my darling! I love it. Hello, you gorgeous two! | :37:09. | :37:23. | |
Lovely to see you. I cannot stop watching your charleston. It was | :37:24. | :37:29. | |
epic. I absolutely loved it. Just being there and soaking up the | :37:30. | :37:34. | |
atmosphere was incredible. I was smiling, I was so happy. How many | :37:35. | :37:41. | |
times have you watched it back? I only watch my performances once. I | :37:42. | :37:47. | |
watch it a million times. I was so happy. Well done. A whopping four | :37:48. | :37:57. | |
nines from the judges. You are joint top of the Leader Board. How does it | :37:58. | :38:04. | |
feel? Absolutely incredible! And to get a nine from Craig I was amazed | :38:05. | :38:10. | |
because before he gave us a sixth. A bit of an increase so we were just | :38:11. | :38:15. | |
ecstatic! He was screaming the whole time! Calm down! Craig was rendered | :38:16. | :38:26. | |
almost speechless. He said you were technically brilliant. You could not | :38:27. | :38:32. | |
have done it any better? I just went out there ended my best. I loved it. | :38:33. | :38:37. | |
What was the trickiest of the tricks? For her to trust me. She | :38:38. | :38:48. | |
does her flips on her own but to trust me is a complete different | :38:49. | :38:54. | |
thing. I never dropped her. Some controlled lowers with some heart | :38:55. | :38:56. | |
attacks. That was the way this thing. For her to trust me and for | :38:57. | :39:05. | |
me not to drop her. Is the trust growing? A little bit. There was a | :39:06. | :39:11. | |
little pause there! Bruno said you were the double threat. He is loving | :39:12. | :39:17. | |
all the acting. Did you realise you were such an actress? Not at all. AJ | :39:18. | :39:25. | |
said before happy face, happy face. He kept drilling it into me. Dancing | :39:26. | :39:30. | |
was one thing, we have worked on the acting, especially for tomorrow. | :39:31. | :39:34. | |
First we have to talk about this little moment. Look at your face! | :39:35. | :39:44. | |
Did you nearly part I Len Goodman in the face? Yes! I said to AJ | :39:45. | :39:54. | |
beforehand, make sure you go on the top step and pie him in the face. It | :39:55. | :39:59. | |
went all over the judges and I thought they would under Mark me. | :40:00. | :40:04. | |
And I knocked all the props over. Youthful on knocked me -- youthful | :40:05. | :40:10. | |
on knocked me. I was all over the place! We could see Len cleaning up | :40:11. | :40:19. | |
the desk. The foxtrot, how has the training on this week? Not too bad. | :40:20. | :40:25. | |
I am finding it harder than the charleston. It is the footwork. It | :40:26. | :40:38. | |
is lots of heel turns. It is complicated choreography. I don't | :40:39. | :40:42. | |
want to make it simple. Simple is boring so go full out and make it | :40:43. | :40:47. | |
good. She does work well under pressure. That is being a | :40:48. | :40:53. | |
competitor, surely? What has been the toughest thing with the foxtrot? | :40:54. | :41:00. | |
I would say the footwork. Because I don't know what I am doing yet, he | :41:01. | :41:05. | |
has literally dragged me across the floor. Then I fall over. Good luck, | :41:06. | :41:17. | |
you are so brilliant the two of you. Claudia and AJ! | :41:18. | :41:20. | |
Now, we want you lot at home to get involved in the making of the show. | :41:21. | :41:24. | |
If you've got a question for our pro dancers, | :41:25. | :41:27. | |
All you have to do is video yourself asking the question and send it | :41:28. | :41:32. | |
So get filming - in portrait - so your video fits | :41:33. | :41:44. | |
You can tag us on Twitter using #ItTakesTwo or send them | :41:45. | :41:54. | |
Time for another training update now. | :41:55. | :42:03. | |
Here's Laura and Giovanni and Lesley and Anton in action. | :42:04. | :42:14. | |
In my head, a quick step is a darts with steps that are really quick! It | :42:15. | :42:25. | |
will be quick, quick, quick step. There are lots of things to think | :42:26. | :42:30. | |
about. I don't know why you are doing this. My head wants to do | :42:31. | :42:39. | |
this! Shoulder, look where you are going. I feel it is a work-out this | :42:40. | :42:48. | |
week. The charleston is going fine. It is very exhausting. What are | :42:49. | :43:05. | |
they? I am loving the charleston. I cannot wait to charleston my way | :43:06. | :43:07. | |
through the show. Getting there. Time to welcome back | :43:08. | :43:10. | |
my Friday Panel! First up are Greg and Natalie who | :43:11. | :43:15. | |
are doing the salsa this weekend. Greg has an injury in his wrist | :43:16. | :43:29. | |
which is such a shame. Can they make a salsa work without the lists? They | :43:30. | :43:38. | |
are dancing to Olly Murs. As long limbed man, you impressed, Jeremy? I | :43:39. | :43:44. | |
have just been talking to him. I said you are doing so well. I knew | :43:45. | :43:51. | |
he had not done any dancing before and just the power of the first | :43:52. | :43:56. | |
routine. He has a great partner, Natalie, who is such a brilliant | :43:57. | :44:02. | |
Strictly personality and veteran. But looked great to me. Marian, do | :44:03. | :44:11. | |
you think he will be all right? Is a grower. He was wonderful the first | :44:12. | :44:16. | |
week, not so good the second week and quite good the third week. But | :44:17. | :44:26. | |
what about his hand? Lifting Natalie will be a big part of what they do? | :44:27. | :44:34. | |
Maybe injections. Or save it to the last one. It is the point where you | :44:35. | :44:38. | |
do need to do things like that to save yourself and make sure you get | :44:39. | :44:49. | |
through to the next week. Now Daisy and Aljaz and the rumba? This is so | :44:50. | :44:57. | |
steamy and amazing. She is a blood test. My husband is a little bit too | :44:58. | :45:04. | |
fond of her. That is all right because I have Mike Pasha will stop | :45:05. | :45:07. | |
they are a really lovely partnership and I love the song. Jeremy, you | :45:08. | :45:14. | |
never got to do a rumba, is that a blessing or a curse? She is | :45:15. | :45:21. | |
reminding me of Helen George from last year. She was dancing a waltz | :45:22. | :45:30. | |
and Karen Carol Kirkwood and I won the balcony and we said, we are in | :45:31. | :45:32. | |
trouble now. Judge Rinder and Oksana are dancing | :45:33. | :45:37. | |
the Viennese Waltz tomorrow. I love the way you all start smiling | :45:38. | :45:49. | |
when you hear his name. I just love him! And his hands. Why hasn't he | :45:50. | :45:59. | |
been doing this for years? Why doesn't he do a dance before his | :46:00. | :46:05. | |
programme starts? He is dancing with his mouth as well. I know it is | :46:06. | :46:14. | |
annoying Craig but don't stop! Will he hold it back for the Viennese | :46:15. | :46:16. | |
waltz? Please don't! Moving onto Louise and Kevin | :46:17. | :46:21. | |
who are dancing the foxtrot. From an angelic Viennese waltz | :46:22. | :46:23. | |
in week two to the wild haired cha cha cha last Saturday ? what | :46:24. | :46:26. | |
style do you think I think her confidence is going she | :46:27. | :46:40. | |
came in quite nervous and you can even see it in the evolution of what | :46:41. | :46:44. | |
she is wearing. She was all quite Victorian lady in the beginning and | :46:45. | :46:49. | |
now she is therein leotards and thigh boots, it is brilliant. What | :46:50. | :46:53. | |
an amazing outfit that was last week. | :46:54. | :46:54. | |
Consistently good marks each week ? can they maintain that standard? | :46:55. | :47:00. | |
I hope so because she is a beautiful dancer. That was my leotard she was | :47:01. | :47:10. | |
wearing last week! Has she washed it? She stretched it a bit! She's so | :47:11. | :47:17. | |
beautiful and she dances gorgeous. Next up it's Lesley and Anton who | :47:18. | :47:19. | |
are dancing the Charleston. Her energy is just something else? | :47:20. | :47:33. | |
Marian, what are you thinking? I love her with all my heart. She is | :47:34. | :47:41. | |
fearless and confident. She is wonderful. In her head she is 19 and | :47:42. | :47:50. | |
she dances like it. Just amazing. Jeremy, what do you think? I am | :47:51. | :47:57. | |
really inspired. We were celebrating her 71st birthday. It is so | :47:58. | :48:02. | |
inspiring for everyone watching TV. We come back to the thing that | :48:03. | :48:07. | |
everybody should be staying in that somebody is going to go and I will | :48:08. | :48:12. | |
be crushed if it is her. And the heavy workload she has an in the | :48:13. | :48:19. | |
vibrant energy, she is brilliant. And she has got Anton as well, not a | :48:20. | :48:33. | |
disadvantage! Danny and Oti are joint top of the Leader Board. They | :48:34. | :48:37. | |
are doing a quick step this week. Can they keep up the high standard? | :48:38. | :48:43. | |
I would really hope that they don't. Controversial. He is too good. The | :48:44. | :48:48. | |
first week I had to have the smelling salts. It was so fabulous. | :48:49. | :48:54. | |
The second week was equally fabulous and the third week was equally | :48:55. | :48:58. | |
fabulous and then, you know, I get bored with fabulous all the time. | :48:59. | :49:03. | |
This is the thing, the audience think they are safe and they don't | :49:04. | :49:10. | |
vote for them. I am now rethinking because I reckoned they were going | :49:11. | :49:14. | |
to win it but now I am thinking... But you said Ed Balls. No, you said | :49:15. | :49:24. | |
him for the final. The Mask was astonishing. Mess up a few of the | :49:25. | :49:39. | |
old fleckerls. I am going to speak up for Oti. She is having fun with a | :49:40. | :49:47. | |
guy who can really dance. Who do you think will go? Jodie? I am going to | :49:48. | :49:54. | |
say Danny because the audience think he is safe. Anastacia. I might go | :49:55. | :50:08. | |
Anastacia as well. You have said it. You have been absolutely glorious. | :50:09. | :50:10. | |
Our Friday panel! And a special shout out | :50:11. | :50:16. | |
to Jenny Lorigan who's having a little Strictly get together this | :50:17. | :50:18. | |
weekend with her family. Now, there's only one man who can | :50:19. | :50:20. | |
read this next link. Our dancing stars have fallen | :50:21. | :50:24. | |
hook, line and sinker for ballroom and latin - | :50:25. | :50:28. | |
as did I! Here they tell us how much the | :50:29. | :50:30. | |
Strictly experience means to them. You know what, secretly, I am | :50:31. | :50:45. | |
enjoying dancing more than I ever thought I would. I think a small | :50:46. | :50:55. | |
part of me has fully fallen in love with dancing. It is absolutely | :50:56. | :50:59. | |
incredible. I love coming in every week. I am loving every minute of | :51:00. | :51:05. | |
this. It doesn't matter how tired you are and what is going on in the | :51:06. | :51:10. | |
background, it all becomes white noise. I have definitely fallen in | :51:11. | :51:14. | |
love with dancing. I always wanted to be a dancer. When you watch | :51:15. | :51:21. | |
someone dance to a song it really brings it alive. I am loving every | :51:22. | :51:27. | |
single second of it. I don't want to pre-empt it but I think I am turning | :51:28. | :51:32. | |
into a sewer. I didn't think I could fall in love with dancing any more | :51:33. | :51:40. | |
but I have! Learning to dance has been physically exhausting. I can | :51:41. | :51:43. | |
move in a way I have never been able to before. I love the training. | :51:44. | :51:58. | |
Every day is a revelation. I had no idea ballroom dancing could be so | :51:59. | :52:04. | |
difficult and also so exciting. Is just the most beautiful expression | :52:05. | :52:09. | |
of creativity that I think there is. I am having the greatest experience | :52:10. | :52:16. | |
of my life. Daisy, you are making us all emotional! | :52:17. | :52:19. | |
Now, it's time to check in with Gethin for one last time. | :52:20. | :52:22. | |
Earlier today he nipped into the Star Bar on the hunt for | :52:23. | :52:25. | |
I am with Strictly's newest boy band, it is GAG, that is what I am | :52:26. | :52:37. | |
calling you. How are you doing? How is Tameka? Sarah-macro she left, she | :52:38. | :52:43. | |
was disappointed because she wanted to be longer in the programme. | :52:44. | :52:56. | |
Everything has changed so... How are you making him feel welcome? We love | :52:57. | :53:03. | |
Gorka, we love all the new prose. There are six of them this year. So | :53:04. | :53:16. | |
much love to give. We love Gorka. How has your week been? How has | :53:17. | :53:21. | |
Laura been from the dance-off? It is good. You then just fight again. It | :53:22. | :53:29. | |
is quite early for a Group Dance rehearsal, isn't it? It is early. I | :53:30. | :53:39. | |
want to sleep. It is always early. This week is supposed to be | :53:40. | :53:46. | |
fantastic. What can you tell us? Surprise. You don't know! It is a | :53:47. | :53:54. | |
tribute to James Brown and Motown. We have some cool people coming to | :53:55. | :54:01. | |
dance of us. We sit on a chair, wiggle around, do a couple of steps | :54:02. | :54:06. | |
and smile. That is what boy bands do. Are you guys having a bit of a | :54:07. | :54:12. | |
break from your partner now or will you chat to her or speak to her | :54:13. | :54:20. | |
tonight? How will Daisy be feeling? We are on the phone all the time. | :54:21. | :54:26. | |
Actually, she is right there! We do spend a lot of time together but | :54:27. | :54:31. | |
actually, last night we went to watch the dance competition to get | :54:32. | :54:39. | |
some inspiration and tips. It is good if they come and watch. This | :54:40. | :54:45. | |
year is completely different. They come, some on the tapes, quick step | :54:46. | :54:51. | |
tapes and then after two hours she left because she was so bored! We | :54:52. | :54:59. | |
get so inspired watching the dancers we have changed all the steps! You | :55:00. | :55:05. | |
have your group pro rehearsal. I will let you go. Can I have just | :55:06. | :55:18. | |
cameo? I have still got it! He has still got it. If Marian did | :55:19. | :55:25. | |
the show she would be dancing with Pasha. Who would be your partner? | :55:26. | :55:33. | |
Anton! It could happen! That is all we have time for tonight. | :55:34. | :55:36. | |
Sadly that's all we have time for tonight. | :55:37. | :55:38. | |
Don't miss tomorrow's Strictly Come Dancing | :55:39. | :55:39. | |
with Tess and Claud at 6:30 on BBC One. | :55:40. | :55:41. | |
I'll be back here Monday with the next couple to be | :55:42. | :55:44. | |
But now, singing us out with a world exclusive performance | :55:45. | :55:48. | |
of their new single All Night, it's The Vamps! | :55:49. | :55:50. | |
# Cause I feel like I'm always dreaming | :55:51. | :55:54. | |
# Cause I feel like I'm always dreaming | :55:55. | :56:11. | |
# Sometimes I tend to lose myself when I'm out here on my own | :56:12. | :56:18. | |
# I never seem to get it right, but I guess that's how it goes | :56:19. | :56:24. | |
# Ever since you came around, can't nobody hold me down | :56:25. | :56:31. | |
# You showed me how to find myself when I needed it the most | :56:32. | :56:37. | |
# Cause I feel like I'm always dreaming | :56:38. | :56:44. | |
# Cause I feel like I'm always dreaming | :56:45. | :56:51. | |
# Wide awake, that's OK, as long as I'm with you | :56:52. | :56:56. | |
# Cause I feel like I'm always dreaming | :56:57. | :57:18. | |
# The past is the past, today is today | :57:19. | :57:27. | |
# Tell the truth that I've been trying to hide | :57:28. | :57:38. | |
# I've been waiting for you way too long | :57:39. | :57:41. | |
# Oh I, I'm praying this ain't all a dream | :57:42. | :57:50. | |
# Can you, you, wake me up before you leave | :57:51. | :57:56. | |
# Cause I feel like I'm always dreaming | :57:57. | :58:03. | |
# Cause I feel like I'm always dreaming | :58:04. | :58:10. | |
# Wide awake, that's OK, as long as I'm with you | :58:11. | :58:17. | |
# Cause I feel like I'm always dreaming | :58:18. | :58:27. | |
# Cause I feel like I'm always dreaming.# | :58:28. | :58:44. | |
# Cause I feel like I'm always dreaming.# | :58:45. | :58:51. |