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Live from London, this is Strictly; It Takes Two. Please welcome your | :00:47. | :00:51. | |
host, Zoe Ball. CHEERING AND APPLAUSE. | :00:52. | :01:00. | |
Hello and welcome to It Takes Two. What a weekend! Greg Bench pressed | :01:01. | :01:07. | |
Natalie above his head, Ed Balls slayed a dragon. Amazing. And Ore | :01:08. | :01:12. | |
scored the highest week full marks in the history of Strictly when he | :01:13. | :01:17. | |
got three 10s from the judges for an unbelievable jive. Amazing stuff. | :01:18. | :01:22. | |
What the judges giveth with one hand they take awayth with the other. On | :01:23. | :01:28. | |
last night's results show they opted to send home the love Li Na goo and | :01:29. | :01:33. | |
Pasha. But it's OK because they are here with us today. Naga and Pasha. | :01:34. | :01:39. | |
Also with us tonight after sizzling rumba, Daisy and Aljaz join us. And | :01:40. | :01:44. | |
how good were they with the quickstep, Laura and Giovanni are | :01:45. | :01:50. | |
here. Over in choreography corner this week we have the lovely Chloe | :01:51. | :01:54. | |
and Neil, the new byes, double trouble. First, their mermaid themed | :01:55. | :01:59. | |
charleston had us hook line and sinker, sadly though it wasn't | :02:00. | :02:02. | |
enough to blow the rest of the competition out of the water. Before | :02:03. | :02:05. | |
we say our final goodbyes and have cuddles, this is Naga and Pasha's | :02:06. | :02:07. | |
last dance. Give it up and show some love for | :02:08. | :02:40. | |
Naga and Pasha. APPLAUSE. | :02:41. | :02:43. | |
My darlings, I'm so sorry that your Strictly add venture is over. You | :02:44. | :02:48. | |
looked so devastated, your little face there, I really felt that. How | :02:49. | :02:51. | |
are you feeling today, the day after the day before? Pretty bad. | :02:52. | :02:58. | |
Sweetheart! Bit heart broke, gutted. Use that word a lot gutted today. | :02:59. | :03:02. | |
But that's fine. Have there been some tears? No. Because if it starts | :03:03. | :03:07. | |
it won't stop. So there's just no point. No point in starting to cry. | :03:08. | :03:14. | |
Have you cried Pasha, are you OK? They're there if you need them! I | :03:15. | :03:18. | |
have to say, your charleston was so much fun, it was brilliant. You did | :03:19. | :03:22. | |
everything the judges asked you to do, brought that character into it | :03:23. | :03:25. | |
and worked so hard. It was your absolute favourite. Is it good to go | :03:26. | :03:29. | |
out on a good dance like that, one you loved? Absolutely. I had so much | :03:30. | :03:37. | |
fun, we had so much fun in rerehearsals during the week, I went | :03:38. | :03:41. | |
out and enjoyed it. They said they hadn't been seeing that I had looked | :03:42. | :03:46. | |
unnervous or confident, I just went out and enjoyed it and loved it. I | :03:47. | :03:52. | |
was really, really happy. Pasha, how happy were you with her performance? | :03:53. | :03:56. | |
Amazing, the thing was always let's get out there and have fun and if | :03:57. | :04:00. | |
that's happening, like yeah! You want to join in at home with your | :04:01. | :04:04. | |
broom and stuff like that. How surprised were you to be in the | :04:05. | :04:08. | |
bottom two? You never really know. Always when you are standing and | :04:09. | :04:12. | |
waiting for your name or somebody else's name you're like, please, no, | :04:13. | :04:19. | |
no, no. Breaking finger time. Nail marks. You've always got a smile on | :04:20. | :04:24. | |
your face. I know you'd really worked on your confidence here | :04:25. | :04:28. | |
because the judges had said that every week and it is terrifying, the | :04:29. | :04:32. | |
whole experience and, did you feel much more confident when you went | :04:33. | :04:36. | |
out and did the dance on Saturday? Yes, I knew the steps, I really had | :04:37. | :04:40. | |
enjoyed doing it and yes, felt confident. I felt not confident we'd | :04:41. | :04:44. | |
get through, you just can't tell what is going to happen, but I knew | :04:45. | :04:47. | |
that we were going to go out and do it and do it well and I think we | :04:48. | :04:52. | |
did. Absolutely. You really, really did. So much love for you online. | :04:53. | :04:56. | |
Lots of people are very sad that you have left the competition. Daniel | :04:57. | :05:01. | |
rich ahhedson said he was seriously impressed with your lifts. Did you | :05:02. | :05:06. | |
enjoy them, the legs in the air? I'm wearing bruises as badges of honour | :05:07. | :05:12. | |
at the moment. Lily Olivia called you an actual goddess. Oh, thank | :05:13. | :05:15. | |
you. It must have meant a lot to have that support? People have been | :05:16. | :05:20. | |
so kind and so supportive and really generous with their comments on | :05:21. | :05:24. | |
social media and texts. Loads of friends have been texting me all | :05:25. | :05:28. | |
weekend, it's been brilliant. Here it is, sorry it's so soon, but it is | :05:29. | :05:32. | |
your Strictly story. Breaking news. Your partner is | :05:33. | :05:38. | |
Pasha! Really, really excited. I just hope Pasha is ready forwhat he | :05:39. | :05:42. | |
has to deal with. First dance you will be dancing is the waltz. This | :05:43. | :05:48. | |
is the dance I was dreading. That's me being elegant. I think I'm | :05:49. | :05:55. | |
getting there. Lyrical, elegant. You're such a beautiful girl, you | :05:56. | :06:00. | |
have a wonderful, wonderful potential. | :06:01. | :06:05. | |
This week we are doing cha-cha-cha. It's all about the hips. Hips, hips, | :06:06. | :06:15. | |
hips. I like the feel of it. I would have just liked you to have nailed | :06:16. | :06:20. | |
the routine better. You look absolutely stunning. I'm dizzy. I | :06:21. | :06:27. | |
think the tango is going to be really exciting. A whole new world | :06:28. | :06:36. | |
to discover. I loved the concept and I loved the drama to it. I think | :06:37. | :06:44. | |
that's your best dance to date. Good job. This week we are doing the | :06:45. | :06:49. | |
charleston. I love every moment where I'm learning something new and | :06:50. | :06:52. | |
I cannot tell you how much I'm enjoying it. Fun under water, a bit | :06:53. | :06:59. | |
slippery on dry land. You came out and gave it a good go. Well done. | :07:00. | :07:04. | |
The coupled I would like to save is Anastacia and Brendan. Anastacia and | :07:05. | :07:11. | |
Brendan. Anastacia and Brendan. Getting to know and work with Pasha | :07:12. | :07:15. | |
has been amazing, I've loved every minute of it, thank you so much for | :07:16. | :07:17. | |
being the best teacher I've ever had. | :07:18. | :07:20. | |
APPLAUSE. Stop, stop. You said you weren't | :07:21. | :07:25. | |
going to cry. She's so cool. So cool. What are you going to miss | :07:26. | :07:31. | |
most about this one? Everything. You can go over for tea, dance around | :07:32. | :07:35. | |
the living room. Ian and I if we ever go to a wedding or anything, we | :07:36. | :07:40. | |
do a little foxtrot because we miss that. We'd have to set up the | :07:41. | :07:45. | |
suspension. Couple of dressing gown belts, it will be fine! | :07:46. | :07:49. | |
Was there a dance that you really wanted to do that you haven't had | :07:50. | :07:54. | |
the chance to do? Every dance get bolter every week so I knew whatever | :07:55. | :07:58. | |
dance we were going to do the next week, I loved the dance we were | :07:59. | :08:02. | |
doing and I knew that when we started the training I would fall in | :08:03. | :08:06. | |
love with that dance a bit more. We did the tango which was amazing, I | :08:07. | :08:10. | |
wanted to do the charleston, I knew I could show my cheeky side a bit | :08:11. | :08:14. | |
more. We'll do that in the dressing room later. Would you persuade | :08:15. | :08:19. | |
Charlie Stayt or Dan Walker to have a go, continuing the Breakfast | :08:20. | :08:24. | |
theme? Of course. Who would you like to see the trophy, who are you | :08:25. | :08:27. | |
rooting for? All of them, everyone's working so hard and trying their | :08:28. | :08:32. | |
best and it's so unproductible? Everyone's going to keep fighting | :08:33. | :08:36. | |
and working and training hard. I've loved seeing you get better and | :08:37. | :08:40. | |
better and build up your confidence. Thank you. Everybody, Naga and | :08:41. | :08:47. | |
Pasha. I hate goodbyes. Now, as these two will tell you, Saturdays | :08:48. | :08:50. | |
on Strictly can be a highly stressful time. Couples need | :08:51. | :08:54. | |
complete peace and quiet to get their heads ready for the dances. | :08:55. | :08:59. | |
Each week we send the cameras to ask them loads of questions about how | :09:00. | :09:02. | |
they are feeling. Take a look at this. Another glorious Saturday | :09:03. | :09:08. | |
morning. Show time! Hello. I'm late. Shall we go in and | :09:09. | :09:19. | |
rehearse? Come on then, love. I'm taking him indoors now, put him in a | :09:20. | :09:21. | |
cupboard somewhere. Help, help, where's my hero? ! | :09:22. | :09:32. | |
Katya, no, I'm not saving you any more. | :09:33. | :09:37. | |
You did exactly what you did in rehearsals and that's all I could | :09:38. | :09:42. | |
wish for. I was hoping I could be better today. Yes yeah, you were | :09:43. | :09:46. | |
better... We had a secret hand shake that we do. Yes. And everything's | :09:47. | :09:51. | |
going to be OK. That jive is not for humans. OK. | :09:52. | :10:01. | |
What you have created is inhumane and that was just the rehearsal! | :10:02. | :10:07. | |
Hi, guys, come on in, I'll give you a Tour of My dressing room. | :10:08. | :10:14. | |
It's not huge but it's home for me on Saturday. They were my first tap | :10:15. | :10:19. | |
and ballet shoes from when I was four or five years of age. These | :10:20. | :10:24. | |
just remind me of loving to dance when I was a little girl. | :10:25. | :10:36. | |
It's week four and I think it's getting more difficult. Everyone is | :10:37. | :10:41. | |
so amazing and we all get on so well. I don't want to go home and I | :10:42. | :10:47. | |
don't want anybody else to go home. Anybody seen a cow here? Where's my | :10:48. | :10:54. | |
cow? I need to wear my high heels, look, she's really tall. Perfect. Is | :10:55. | :11:09. | |
it aneering? Look at that. Honestly. I'm not being funny, do you know | :11:10. | :11:13. | |
what you are wearing today? No. Guys, we need to go, please, live in | :11:14. | :11:19. | |
four minutes, folks. I'll tell you what I want, what I | :11:20. | :11:24. | |
really, really want. More of the same, a great show! Goodbye. | :11:25. | :11:36. | |
Last minute stitching. Never ready, always to the pyre wire, all the | :11:37. | :11:40. | |
teams are normally at the bottom of the stairs stitching everybody in | :11:41. | :11:44. | |
making sure it's secure. We always make the live. Wait, I'm going to | :11:45. | :11:49. | |
dance in front of millions of people. Uh-oh. Three, two, one, | :11:50. | :11:56. | |
zero... Live from the BBC, this is Strictly Come Dancing! | :11:57. | :12:03. | |
Our next guests set the floor on fire on Saturday with her rumba. I | :12:04. | :12:09. | |
didn't know a woman could do that. The candles burnt out and no-one got | :12:10. | :12:20. | |
hurt. So hot, Daisy and Ali! Your intent in the dance was just | :12:21. | :12:25. | |
spectacular. Long, languid moves. Very difficult to control and | :12:26. | :12:31. | |
sustain. Very impressive. Terrifically difficult dance and I | :12:32. | :12:34. | |
thought you did a terrifically good job. | :12:35. | :12:40. | |
Oh, Daisy and Aljaz, welcome! The rumba so difficult. I've always | :12:41. | :12:47. | |
loved the rumba, I have to say, but you smashed it and then some. It was | :12:48. | :12:52. | |
utterly delicious. Thank you. How much did you love this one? I loved | :12:53. | :12:56. | |
this one, the rumba was always something I really wanted to learn | :12:57. | :12:59. | |
how to do and actually it meant that last week I was in quite a state of | :13:00. | :13:06. | |
panic because I want I wanted to do it well. Great choreography and I | :13:07. | :13:11. | |
have the best teacher. I know. Look at his little face there. Absolutely | :13:12. | :13:16. | |
gorgeous. Everybody out there loving it, the studio audience loving it. | :13:17. | :13:20. | |
How crushed were you when Craig said he didn't think there was much | :13:21. | :13:26. | |
chemistry? I was shouting at the television. I did think there was a | :13:27. | :13:31. | |
lot of chemistry and it was actually one of those dances that to me | :13:32. | :13:36. | |
rarely happens that you start it and then you're so into it so you're | :13:37. | :13:40. | |
pretty much realising that it's done. I thought we were in it the | :13:41. | :13:44. | |
whole time. I think Daisy played the romantic character to the whole | :13:45. | :13:48. | |
thing. But yes, maybe... There can always be more, yes. I have to say, | :13:49. | :13:53. | |
I couldn't take my eyes off you and quite often I can't take my eyes off | :13:54. | :13:57. | |
him. Sometimes with the dancers, you watch the boy or the girl or the | :13:58. | :14:01. | |
celeb and you were absolutely brilliant. Were you upset about the | :14:02. | :14:08. | |
comments? I was, but then also while training we were saying that I'm | :14:09. | :14:14. | |
much better at dancing when I'm not so nervous, so then maybe I thought | :14:15. | :14:19. | |
I've not done a proper job. No, but it's true, you do things better when | :14:20. | :14:23. | |
you are not nervous. I was quite nervous, it's natural. It's a rumba | :14:24. | :14:28. | |
and we had a little circle around us, we call it the circle of trust. | :14:29. | :14:33. | |
It actually literally felt like we were in that little bubble, the | :14:34. | :14:37. | |
Strictly bubble doing a rumba. All rumbas should be like that. Bruno | :14:38. | :14:42. | |
said that every single step in there that you would want in a rumba was | :14:43. | :14:48. | |
there and you did it so brilliantly. Obviously she can do it all can't | :14:49. | :14:52. | |
she? Yes, that was my plan at the beginning of the week. I came with | :14:53. | :14:56. | |
the choreography and was thinking, we are going to take a cupful of | :14:57. | :15:01. | |
things out but we didn't. I didn't forget all the steps, I did all the | :15:02. | :15:06. | |
steps. Yes, I struggled to find any more. The it's such a slow dance and | :15:07. | :15:12. | |
you are so exposed and dog so much basic, so many proper rumba steps, | :15:13. | :15:19. | |
it can be a tricky situation -- doing so much. Daisy handled it so | :15:20. | :15:23. | |
well. I'm so, so proud because it was a difficult dance to do. Utterly | :15:24. | :15:26. | |
gorgeous. You said that you were having the time of your life. Was | :15:27. | :15:30. | |
there anything that could make that better? If I could stop panicking. | :15:31. | :15:43. | |
This week no more panic is allowed. OK. It is the charleston. You said | :15:44. | :15:53. | |
your ankles already hurt. I've got charleston ankles, yes! Walking down | :15:54. | :15:55. | |
the corridor in heels was quite tricky. It's so happy and up and so | :15:56. | :16:02. | |
much fun and we had such a laugh today. I love it. Can you tell us | :16:03. | :16:07. | |
anything about what you have in store? It will be very dark at the | :16:08. | :16:15. | |
beginning. Oh, yes. I love the idea and concept. It sounded really cool | :16:16. | :16:19. | |
in my head so I hope it looks cool on the camera. We hope it | :16:20. | :16:23. | |
translates! Lots of things seem cool in alias should's head! Top of the | :16:24. | :16:28. | |
Leader Board in week one. It is getting quite busy at there. How | :16:29. | :16:32. | |
keen are you to get back up at the top or is it all right to be sort | :16:33. | :16:36. | |
of...? I'm just grateful I'm still here. I mean, everyone is so | :16:37. | :16:46. | |
brilliant that aiming for the top is slightly impossible. You know what, | :16:47. | :16:50. | |
I don't think it's bad to berate you are. Then there is always a few | :16:51. | :16:56. | |
weeks' time... We shall see. Go week by week. It's going to be the | :16:57. | :17:00. | |
charleston. I love the fact that when you hear this music it's one of | :17:01. | :17:07. | |
the worst bits about the show. Can I hide under the chair? We will scoop | :17:08. | :17:11. | |
you up later! Is the Results Show getting any easier? No. My hands are | :17:12. | :17:23. | |
getting clammy. I feel for you. Instant reaction. Everyone is so | :17:24. | :17:26. | |
brilliant and it's so incredible learning a new dance each week I | :17:27. | :17:29. | |
don't want to go home and also don't want anyone else to go home. We'll | :17:30. | :17:34. | |
just want to stay. We all want to be winners! | :17:35. | :17:39. | |
Good luck with training - Daisy and Aljaz, everyone! | :17:40. | :17:41. | |
Now, when Karen Hardy announced she would be taking a three-week | :17:42. | :17:44. | |
break from Choreography Corner, It Takes Two HQ was in crisis. | :17:45. | :17:47. | |
But there's no need to worry because this week we've lined up | :17:48. | :17:50. | |
a duo with more dance trophies between them than could | :17:51. | :17:52. | |
He is an undefeated four-time British National Champion | :17:53. | :17:56. | |
and three-time World Amateur Latin Champion. | :17:57. | :18:00. | |
She has won almost every National, British, and European Youth | :18:01. | :18:03. | |
It's two of Strictly's newest pros - Chloe and Neil. | :18:04. | :18:26. | |
Give it up for Chloe and Neil, everyone! | :18:27. | :18:31. | |
Are you having a wonderful time on your first year in a Strictly? | :18:32. | :18:39. | |
Loving it. What did you think the quality on Saturday night of the | :18:40. | :18:44. | |
dancing? The quality this year is such a high standard and everyone is | :18:45. | :18:47. | |
so competitive this year so everyone wants to beat everyone and make sure | :18:48. | :18:52. | |
they get the glitter ball at the end so it's exciting. It is an exciting | :18:53. | :18:58. | |
year. We will look at half of our performances. Anastacia and Brendan | :18:59. | :19:01. | |
with the rumba, they did an outstanding job. Craig felt that | :19:02. | :19:08. | |
fluidity was lacking. To the layperson like myself, what did he | :19:09. | :19:12. | |
mean by lacking fluidity? I did agree with the fluidity side that he | :19:13. | :19:16. | |
pointed out. The one thing I picked up on this video was the straight | :19:17. | :19:20. | |
legs and flat feet at times for me. With the rumba as a woman your legs | :19:21. | :19:25. | |
and feet are on show all the time so it's crucial to get that right. I | :19:26. | :19:28. | |
just felt that lacked slightly. She needed a bit of a strut? More | :19:29. | :19:33. | |
straightening of the lake at the not so much of a flat foot on the floor, | :19:34. | :19:37. | |
more use of defeat, would you agree? Totally agree. She looked absolutely | :19:38. | :19:47. | |
amazing. Gorgeous. Onto Danny and Oti's quickstep, I thought it was | :19:48. | :19:50. | |
amazing and I was surprised he didn't get some tens. Darcey praised | :19:51. | :19:57. | |
him for leading Oti so well. How difficult is that for a celeb | :19:58. | :20:01. | |
dancer? I've been dancing for years and I still don't think I've got it | :20:02. | :20:04. | |
right and I'm sure Katya would tell you I haven't got it right yet. It | :20:05. | :20:08. | |
shouldn't be possible but as you can see it is clearly possible, he is | :20:09. | :20:14. | |
leading her. I'm going to tell you, this is how it works, first he needs | :20:15. | :20:17. | |
to make sure he knows all of his own steps and movements and then needs | :20:18. | :20:21. | |
to be aware of Oti's movements and steps and then he can start leading | :20:22. | :20:25. | |
her. This is not easy. This is how I look at it. Demonstration. Some | :20:26. | :20:31. | |
encouragement please. I'm going to show you. If I'm the car, you are | :20:32. | :20:36. | |
going to be the caravan. She is a modern caravan with all of the mod | :20:37. | :20:43. | |
cons, she is amazing. Car and caravan, it's all about the body | :20:44. | :20:49. | |
moving the caravan, the car. Detach me where ever. I could be in | :20:50. | :20:56. | |
trouble! So you don't even need your hands, your body would guide her. | :20:57. | :21:00. | |
That is what would guide her around and that is what he has just shown | :21:01. | :21:04. | |
as. Have you ever been called a caravan before, Chloe? Never. Moving | :21:05. | :21:11. | |
on to Lesley and Anton's charleston. She is amazing, she blows as every | :21:12. | :21:15. | |
week, the judges said her stamina and timing was good and those high | :21:16. | :21:20. | |
kicks, Len said it was the best dance to date. Is there room for | :21:21. | :21:25. | |
improvement? She is so great. Lesley impressed me from day one and there | :21:26. | :21:29. | |
is always room for improvement but I was so impressed with her swivels in | :21:30. | :21:33. | |
the charleston, they are a key point in the charleston style. She | :21:34. | :21:39. | |
executed them brilliantly and I was impressed. One tip I would like her | :21:40. | :21:43. | |
to do is lift her head a bit more because at times it can get a bit | :21:44. | :21:46. | |
down which lacks confidence. I would dance with her. The way this year is | :21:47. | :21:52. | |
going you might be dancing with her, if somebody leaves out a banana | :21:53. | :21:59. | |
skin. Claudia and AJ's foxtrot, another great performance. Three of | :22:00. | :22:02. | |
the judges loved it but Craig said he felt it lacked grace and elegance | :22:03. | :22:05. | |
and misrepresented the foxtrot entirely. This is tricky water, | :22:06. | :22:13. | |
isn't it? I have to disagree because they are dancing to I Really Like | :22:14. | :22:19. | |
You which is fun and modern and bubbly so they are dancing to that | :22:20. | :22:23. | |
type of music. If they were dancing to something like Fly Me To The Moon | :22:24. | :22:27. | |
I would agree but at that moment I don't. I would have to agree on one | :22:28. | :22:31. | |
moment and that is the sequence of lines. A little bit too many | :22:32. | :22:36. | |
positions. If there was a little more flour and energy between like a | :22:37. | :22:39. | |
flower blooming then I would agree with Craig straightaway. I love it. | :22:40. | :22:45. | |
Ian always says that, flour in a vase. And finally, Ore and Joanne. | :22:46. | :22:53. | |
The highest scoring dance of this series, three tens. Bruno says the | :22:54. | :22:58. | |
star is born. Bruno says Ore is the one to watch. Was it worthy of the | :22:59. | :23:05. | |
hype? I would say so, or read is a huge contender. His flicks and | :23:06. | :23:09. | |
kicks, he knocked it out of the park, for sure. -- Ore is a huge | :23:10. | :23:14. | |
contender. I would like to see more finish from the lake into the foot, | :23:15. | :23:18. | |
on his flicks and kicks they can be floppy on the end, I needed a bit | :23:19. | :23:24. | |
more tilt through to the toe. That would have been four tens. Can we | :23:25. | :23:30. | |
add to that, kickball changes downstairs, I don't even know if I | :23:31. | :23:34. | |
could do that. Could you do that if you trained for years? Maybe I | :23:35. | :23:40. | |
could, I will try it later. Try down those stairs and let me know how you | :23:41. | :23:43. | |
get on later. Will you come back tomorrow? Of course! We will. | :23:44. | :23:50. | |
Now, our final guests of the evening bounced back from last week's | :23:51. | :23:53. | |
dance-off with a fast and furious Quickstep that tore up | :23:54. | :23:55. | |
I think I felt they sonic boom. That was so fast, so complicated, it was | :23:56. | :24:11. | |
fantastic. You covered the floor well in the charleston section and | :24:12. | :24:16. | |
it was a standout -ish. If you are in the bottom two this week I will | :24:17. | :24:18. | |
pickle my walnut! Laura and I were comparing shoes, | :24:19. | :24:33. | |
having shoe chat. They are lovely, so shiny. No dance-off for you. | :24:34. | :24:43. | |
Condiments. Well done, you must have been so relieved. Yes but it is | :24:44. | :24:47. | |
weird, and after last week you never know and everyone is so good in this | :24:48. | :24:51. | |
competition so even though I went out and enjoyed you never know which | :24:52. | :24:55. | |
way it will go. I really enjoyed the dance. That is good, that is only | :24:56. | :25:00. | |
good. Giovanni, it was so fast-paced, you crammed the dance | :25:01. | :25:06. | |
with... I did it on purpose. After the dance-off I just thought, just | :25:07. | :25:13. | |
go there and smash it, do a quick routine, a fast routine. And | :25:14. | :25:18. | |
difficult as well. It was so fast. When we were rehearsing the studio | :25:19. | :25:21. | |
was quite small and we kept crashing into the wall and I was scared I | :25:22. | :25:25. | |
would fly into some body in the audience or a camera. Which you | :25:26. | :25:29. | |
didn't, thank goodness. We would love to have watched that on repeat | :25:30. | :25:33. | |
if you had. Joint third on the Leader Board, your best score so | :25:34. | :25:36. | |
far, great comeback from the week before. It was nice, you don't know | :25:37. | :25:41. | |
if nerves will take over and I have been nervous so far but every week I | :25:42. | :25:44. | |
feel I've been getting to grips a little bit better. It was so fast I | :25:45. | :25:49. | |
didn't have time to think. Don't think about the scores, think about | :25:50. | :25:53. | |
the dance, the comments and every week is different. Yes and you want | :25:54. | :25:58. | |
the judges to give nice comments but you also want people at home to | :25:59. | :26:03. | |
watch it and enjoy it. I've had some nice messages saying they enjoyed | :26:04. | :26:06. | |
watching it and it was entertaining. Unibet. You also got the first | :26:07. | :26:11. | |
pickled walnuts ferment of the season. I don't know what that | :26:12. | :26:17. | |
means! I don't know either, he will eat his pickled walnuts, let's hope | :26:18. | :26:20. | |
it doesn't come to that but when that comes out you know it means he | :26:21. | :26:24. | |
loves you. That should boost your confidence going into this week and | :26:25. | :26:28. | |
the next dance. I don't know because everybody is so good. It was fine if | :26:29. | :26:32. | |
I was doing the quickstep again but now I've got to do another dance. | :26:33. | :26:37. | |
Which is... The jive. Nice easy dance. Not like anyone has done that | :26:38. | :26:43. | |
before brilliantly. Not like anyone has got 310 is doing a jive. No | :26:44. | :26:48. | |
pressure! I thought the quickstep was fast but apparently that was a | :26:49. | :26:56. | |
walk in the park. -- got three tens. I must talk about somebody who could | :26:57. | :26:59. | |
not be here tonight, I'm talking about the one and only Mick Jagger, | :27:00. | :27:04. | |
the dog, not the rock star. There he is in the picture, he is so cute. | :27:05. | :27:11. | |
Lots of love for him online. More than for us. You should have | :27:12. | :27:13. | |
incorporated him into the jive somehow. | :27:14. | :27:17. | |
Stephen Poole said, 'Mick Jagger was such a star | :27:18. | :27:19. | |
Erica James said, 'Mick Jagger the dog wins it for me!' | :27:20. | :27:23. | |
How is he coping with his new-found fame? He must have a big head now. I | :27:24. | :27:28. | |
asked him to come here tonight but he had something else on. You said | :27:29. | :27:33. | |
you were scared of dogs. You don't really care about dogs much. We're | :27:34. | :27:38. | |
not the best friends. Now he runs to Giovanni before he runs to me now so | :27:39. | :27:46. | |
I'm not impressed with that one. We were like, come to me and he goes | :27:47. | :27:50. | |
straight to Giovanni. You've got it whatever it is. I love that you are | :27:51. | :27:53. | |
a big tough Italian and you are scared of dogs. I know you haven't | :27:54. | :27:58. | |
had any time to train for the jive but what have you got in store for | :27:59. | :28:03. | |
Laura? The jive is my favourite dance. So I will make sure it will | :28:04. | :28:10. | |
be absolutely brilliant. It is difficult. But we've just got to | :28:11. | :28:15. | |
enjoy it. He makes it sound like it's going to be so easy. It's not | :28:16. | :28:21. | |
because he messaged me after he made up the routine. Hopefully it's going | :28:22. | :28:27. | |
to be fine. It's going to be there and it's going to be here... Work on | :28:28. | :28:34. | |
that. Your stamina is strong after the quickstep and it will be utterly | :28:35. | :28:38. | |
brilliant. Bring in Mick Jagger some time. Laura and Giovanni! That is it | :28:39. | :28:44. | |
for tonight and a big thank you to our guests. Join us tomorrow at | :28:45. | :28:48. | |
6:30pm when I will talk to Anastacia and Brendan and Claudia and AJ and | :28:49. | :28:57. | |
the gorgeous Chloe and meal will be back in Choreography Corner and we | :28:58. | :28:59. | |
will exclusively reveal | :29:00. | :29:01. |