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Please welcome your host, Zoe Ball... | :00:59. | :01:00. | |
It might be gloomy outside, but we've got plenty of Strictly | :01:01. | :01:04. | |
Well, take a look at the stars we have brightening up | :01:05. | :01:09. | |
It's the radiant Anastacia and Brendan! | :01:10. | :01:12. | |
Plus, they're back for a second round of Choreography Corner, | :01:13. | :01:19. | |
our newest Strictly pros - the illuminating Chloe and Neil! | :01:20. | :01:24. | |
But first, their foxtrot saw them graduate Strictly College | :01:25. | :01:27. | |
at the weekend, with headmaster Len calling their footwork "terrific". | :01:28. | :01:31. | |
In the words of Bruno, they're our "teenage dream team" - | :01:32. | :01:33. | |
I was not expecting you to be able to travel and create that glide, and | :01:34. | :01:49. | |
what's also stunning is your top line. It lacked for me grace and | :01:50. | :01:56. | |
elegance, it wasn't for me I'm afraid. I thought your footwork was | :01:57. | :02:01. | |
terrific. Overall first rate, well done. It is our high school | :02:02. | :02:09. | |
sweetheart! Welcome, Claudia and AJ. Was your foxtrot fun? Yes, I really | :02:10. | :02:17. | |
enjoyed it. I was stressed at the beginning of the week because of the | :02:18. | :02:22. | |
footwork and I got confused with it but I was so pleased to nail it. I | :02:23. | :02:27. | |
know, the footwork for the foxtrot is so... The rise and fall, the heel | :02:28. | :02:36. | |
turns, the three stab, the finishes. And you didn't hold back with that, | :02:37. | :02:41. | |
AJ. She's learning so fast so I thought we can get more and more. | :02:42. | :02:49. | |
The thing is, the judges really liked it, but Craig said it | :02:50. | :02:53. | |
misrepresented the foxtrot and he was grumpy. What did you make of | :02:54. | :03:05. | |
those comments? I loved Len's, Darcey's and Bruno's comments. Nice | :03:06. | :03:14. | |
for the charleston to get a six from Craig, do you take it on the chin? | :03:15. | :03:20. | |
How do you cope with it? I obviously focus on the negative is more than | :03:21. | :03:27. | |
the positives! I did think I tried my absolute best. Obviously I only | :03:28. | :03:34. | |
had three or four days to learn the whole dance. For him to give me | :03:35. | :03:39. | |
that, I was like, it's all right. Concentrate on the positives, he | :03:40. | :03:44. | |
says. It is difficult when people say negative things, it doesn't | :03:45. | :03:48. | |
matter what positive things people say, but anyway we loved it. You had | :03:49. | :03:54. | |
a lot of love online, you are so popular, you two. | :03:55. | :04:02. | |
"You're a power-house at gymnastics but such a graceful performer | :04:03. | :04:05. | |
Thank you, that's so nice. Have you found the transition from gymnast | :04:06. | :04:17. | |
the ballroom dance are an easy one? When I started off and I did the | :04:18. | :04:22. | |
walls I found it so hard, but doing the foxtrot is so much easier now | :04:23. | :04:27. | |
and I'm starting to get the move of everything now. As soon as AJ says | :04:28. | :04:41. | |
he'll turn, I know what that is. -- heel turn. I'm looking forward to | :04:42. | :04:49. | |
seeing your gymnastics incorporated and a further finish. For me I can | :04:50. | :04:55. | |
start to talk to her in my dance language. She says it is like alien | :04:56. | :05:00. | |
but she starting to understand my alien language now. Have you taught | :05:01. | :05:07. | |
him any gymnastics? When he came to my gym, he learnt the free | :05:08. | :05:11. | |
cartwheel, which is a cart wheel with no hands. He can do a | :05:12. | :05:22. | |
butterfly. What is that? You are basically in this position, in | :05:23. | :05:26. | |
struggle, and you go around like a butterfly. It looks very pretty | :05:27. | :05:33. | |
doing it. She looks pretty, I attempt it. Next week we will get a | :05:34. | :05:40. | |
crash mat in and you can show us. In the routine on Saturday, AJ, | :05:41. | :05:45. | |
admiring yourself, I'm wondering is he that vein off the dance floor? | :05:46. | :05:53. | |
Yes! I said to you, you look in the mirror more than me. He said, my | :05:54. | :05:59. | |
hair is all over the place! So he gets his hair band and ties it up in | :06:00. | :06:10. | |
a man bun. Look at him now, squirming! You have very strong sofa | :06:11. | :06:17. | |
skills, so we did some digging on your social media and it seems you | :06:18. | :06:25. | |
mastered your pose. Here he is! It is the head tilt and the lovely | :06:26. | :06:34. | |
grin. Amazing! Look, you are doing it now. We are all adopting the AJ. | :06:35. | :06:45. | |
Huge scores at the weekend for Ore and Danny, are you feeling like the | :06:46. | :06:52. | |
competition is hotting up? I felt it was fierce from the beginning, the | :06:53. | :06:58. | |
standard is so high. You come in, and at the beginning of the week it | :06:59. | :07:02. | |
is so hard and when it comes to the live show you are like, where did | :07:03. | :07:06. | |
that come from? Everyone is so competitive. Of course you love it | :07:07. | :07:13. | |
because that's what you do. She says I will take it all in and attack it | :07:14. | :07:19. | |
on the night. It looks like you are pretty tough on her in training. AJ, | :07:20. | :07:29. | |
have a look at this. It is a fine line to getting it right or going | :07:30. | :07:40. | |
very wrong. Yes! No. I'm always wrong! I just want to get it right. | :07:41. | :07:49. | |
No, I'm wrong, so it is all good. Apology accepted! I'm just taking a | :07:50. | :07:57. | |
picture of myself! Samba for you this week, what does she need to | :07:58. | :08:02. | |
master? She will have to be very quick on her feet. It is quite | :08:03. | :08:06. | |
extreme, we are travelling around the room quite a lot. Some | :08:07. | :08:17. | |
surprising props. Surprising props? Yes, an interesting start. I cannot | :08:18. | :08:22. | |
say too much but she's all on her own, but she's going to smash it, | :08:23. | :08:29. | |
she will go crazy. She always does. Good luck. Claudia and AJ! | :08:30. | :08:34. | |
Well, from one dream team to another. | :08:35. | :08:36. | |
They did such a good job critiquing our couples' dances | :08:37. | :08:39. | |
yesterday that we thought it was only right to invite them | :08:40. | :08:41. | |
It's time for Choreography Corner, with Chloe and Neil. | :08:42. | :08:53. | |
We did half the couples yesterday, it's only fair we do the other half | :08:54. | :09:06. | |
now. Last week they found themselves | :09:07. | :09:07. | |
in the bottom two with their salsa - do you think their quickstep | :09:08. | :09:12. | |
was an improvement? For me, I don't believe they should | :09:13. | :09:20. | |
have been in the bottom two. They came back fighting, a lovely | :09:21. | :09:24. | |
quickstep. I want to bring up her top line, it is out of this world. | :09:25. | :09:30. | |
How she gets into this position, and she just days... Is this nice? It is | :09:31. | :09:41. | |
getting their! She gets into this top line and she stays there, she | :09:42. | :09:46. | |
doesn't move and that is very difficult. You will see in a minute, | :09:47. | :09:51. | |
she comes out of that top line and go straight back into it again. He's | :09:52. | :09:59. | |
training her well. It is hard for a girl to stay in that position for a | :10:00. | :10:04. | |
long time, just the neck ache. Try it at home and hold it until the end | :10:05. | :10:11. | |
of this chat! You are biased because your lovely wife is dancing with Ed. | :10:12. | :10:21. | |
The paso doble, lots of fun. Their medieval-themed paso doble, | :10:22. | :10:28. | |
Craig said it was "riddled with mistake after mistake", | :10:29. | :10:30. | |
but for Darcey, it was "the armography that | :10:31. | :10:32. | |
was most upsetting" - I think maybe him trying to be manly | :10:33. | :10:41. | |
and take control got to him a little which is a shame because in | :10:42. | :10:48. | |
rehearsal it went so well. Darcey's comment about the arms, I would have | :10:49. | :10:53. | |
to agree. If I demonstrate for you... Here we go. What we talk | :10:54. | :11:02. | |
about is the roundness through the arms, like you are holding a beach | :11:03. | :11:08. | |
ball. Very nice. What happened for me is it got very straight. No | :11:09. | :11:15. | |
beachball, the beach ball was nonexistent. So I just wanted that | :11:16. | :11:21. | |
curve, it was a little straight for me. But we still love Ed. | :11:22. | :11:27. | |
Daisy and Aljaz had a rumba this week, and Len said he loved | :11:28. | :11:30. | |
I think we are going to have a little picture, see how it looks. | :11:31. | :11:43. | |
Daisy has got the most amazing legs that go from here to Blackpool. This | :11:44. | :11:49. | |
is the moment he's talking about. Her action is outstanding, it is | :11:50. | :11:55. | |
good. That is the figure of eight we have been talking about. Whenever | :11:56. | :12:05. | |
you start talking about these things, I find myself writhing! It | :12:06. | :12:07. | |
is so off-putting! The judges awarded them | :12:08. | :12:09. | |
their highest score yet I would agree with the judges. | :12:10. | :12:21. | |
Louise is such a lovely person to watch, when she performs she has a | :12:22. | :12:25. | |
warm smile on her face and it makes people want to watch her from start | :12:26. | :12:30. | |
to finish. One thing I would have loved to have seen, the usage of | :12:31. | :12:40. | |
their heels and toes. But an amazing performance, and as you can see from | :12:41. | :12:44. | |
the clip that I picked, her arms were so grateful and fluid. I love | :12:45. | :12:51. | |
her. I love her footwork, I think it is beautiful. That's fine, we can | :12:52. | :12:54. | |
have a scrap and everything. Greg and Natalie opened | :12:55. | :12:56. | |
the show with their salsa. Craig said it "needed a lot more | :12:57. | :13:00. | |
figure eight rotation in the hip department" - | :13:01. | :13:04. | |
what do you think? I kind of agree and also disagreed | :13:05. | :13:16. | |
with Craig. When people are dancing salsa, it depends what area you are | :13:17. | :13:21. | |
from how you might dance it, so you might dance it with a rotation or up | :13:22. | :13:34. | |
ulceration. Up ulceration! -- pulsation. Can you put them all | :13:35. | :13:42. | |
together? I don't think I can take that! I just think, maybe where Greg | :13:43. | :13:50. | |
comes from, that's how they dance salsa. The one thing they missed | :13:51. | :13:59. | |
out, great leading. So in control of her body. There he goes, even with | :14:00. | :14:06. | |
the painful wrist. I think only redheads could do that! As soon as | :14:07. | :14:13. | |
he got her up there he was like, yes, I have done it! | :14:14. | :14:18. | |
Finally, let's talk about Judge Rinder and Oksana | :14:19. | :14:20. | |
There were mixed reactions from the judges about getting | :14:21. | :14:23. | |
the right balance between comedy and dance technique, | :14:24. | :14:25. | |
I think slightly, he's coming across as the comical one but he's taking | :14:26. | :14:35. | |
this competition so seriously and this is no comedy act for him so | :14:36. | :14:41. | |
he's likely being misjudged... Did you get that? So slightly he's just | :14:42. | :14:51. | |
being underrated for that little. Just one tip I would like to have | :14:52. | :14:55. | |
seen more of, just more of a finish from the hands. The clip I picked | :14:56. | :15:00. | |
here, there it is beautiful, then it goes to what I call spatula hands, | :15:01. | :15:09. | |
and he just needs to finish it off a little bit more. But he is a | :15:10. | :15:15. | |
contender. And with the competition heating up like this, the score is | :15:16. | :15:21. | |
getting better, how excited are you for next Saturday? I am super | :15:22. | :15:27. | |
excited. I feel like we will see more turn is coming up. I want to | :15:28. | :15:36. | |
see 20 ten is! I think that could happen. You two are an absolute joy. | :15:37. | :15:42. | |
And as a further treat for you all, former Strictly star | :15:43. | :15:45. | |
Camilla Dallerup will be taking on Choreography Corner next week! | :15:46. | :15:52. | |
It's safe to say, it is going to be a real Caulker. | :15:53. | :15:58. | |
Now we've only got 68 sleeps until the Strictly final, | :15:59. | :16:00. | |
but from the way the series has played out so far, it's safe to say | :16:01. | :16:04. | |
Here's your last chance to win tickets to TV's hottest | :16:05. | :16:09. | |
We are giving you the opportunity to win two tickets for the biggest | :16:10. | :16:18. | |
night of the year, the 2016 Grand Final. All you need to do is answer | :16:19. | :16:24. | |
the following question correctly... In week three last year, J and | :16:25. | :16:31. | |
Aliona did a pulp fiction themed jibe, but what was the total score | :16:32. | :16:33. | |
they received from the judges? To enter, please head to our | :16:34. | :16:41. | |
website. Now, the Strictly jukebox really | :16:42. | :16:56. | |
is the gift that keeps on giving. We've had all the greats - | :16:57. | :16:59. | |
Barbra Streisand, George Michael, But what bangers will our couples be | :17:00. | :17:01. | |
dancing to this week? There's only one way to find out - | :17:02. | :17:06. | |
it's time for Tunes on Tuesday! Load's of amazing tunes this week - | :17:07. | :17:18. | |
let's see what's up first. Is This The Way To Amarillo, | :17:19. | :17:23. | |
by Tony Christie! This song is the third best-selling | :17:24. | :17:29. | |
single of the noughties, and geography fans might | :17:30. | :17:44. | |
like to now that Amarillo It was chosen because it was | :17:45. | :17:48. | |
the only place that songwriter, Neil Sedaka, could | :17:49. | :17:57. | |
think of that rhymed So let's find out | :17:58. | :17:59. | |
who's dancing to it. They'll be taking on the American | :18:00. | :18:09. | |
smooth, but will they find their way Right, what's next | :18:10. | :18:17. | |
on the jukebox tonight? Oh, my god! Yes, it's a Ginger | :18:18. | :18:29. | |
Elvis! Always On My Mind, by The King | :18:30. | :18:37. | |
himself, Elvis Presley! Elvis has sold over 1 billion albums | :18:38. | :18:41. | |
and it's estimated there are over 85,000 Elvis impersonators around | :18:42. | :18:45. | |
the world - that's roughly the same A lot of people, right, | :18:46. | :18:47. | |
Elvis? But which of our couples will be | :18:48. | :18:53. | |
hoping to deliver a memorable We Found Love by Bajan | :18:54. | :18:57. | |
pop goddess Rihanna! The music video for this song | :18:58. | :19:26. | |
was meant to be shot However, the owner had a change | :19:27. | :19:30. | |
of heart at the last minute after seeing her raunchy outfits, | :19:31. | :19:38. | |
and told her and the crew Right, everyone, can | :19:39. | :19:43. | |
we stop with all this I'm on tenterhooks here - | :19:44. | :19:47. | |
who could it be? They'll be performing | :19:48. | :19:52. | |
a cha-cha-cha to this! If you want to find out what songs | :19:53. | :20:01. | |
the rest of our couples are dancing Here's what happened when we sent | :20:02. | :20:05. | |
Pasha, Oti and Giovanni to It Takes Two's photo booth | :20:06. | :20:19. | |
of truth - keep it snappy! Who is the best looking pro? I mean, | :20:20. | :20:43. | |
seriously, are we even going to ask the question? I'm surprised. | :20:44. | :20:49. | |
Ridiculous! I mean, the Italian stallion. Definitely Aljaz, come on | :20:50. | :21:01. | |
now. That mouth, the teeth, and when you speak civilian! He's really... | :21:02. | :21:10. | |
Which Rowell has the most shoes? Me. I think every week I order a new | :21:11. | :21:17. | |
pair of shoes. I think it's Giovanni, every single time he comes | :21:18. | :21:21. | |
in, it's a new pair of shoes. Mate, I've got new shoes! Just everywhere! | :21:22. | :21:42. | |
When was the last time I told white lie? It was just the other day. Yes, | :21:43. | :21:43. | |
it's a beautiful colour! If it works for you...! The last time was | :21:44. | :21:51. | |
yesterday and I told him he was amazing. | :21:52. | :21:53. | |
Time now to catch up with our final couple. | :21:54. | :21:55. | |
They were "outta points" at the weekend, when their rumba | :21:56. | :21:58. | |
But thankfully they weren't "outta love", as the judges | :21:59. | :22:02. | |
It was like watching a series of movie stars. I felt it became | :22:03. | :22:16. | |
somewhat stilted choice I would have liked at had more rumba content in | :22:17. | :22:22. | |
there. I liked the speed of the privet - stop... And then move on. | :22:23. | :22:26. | |
Lovely jobless. Lovely jubbly indeed - | :22:27. | :22:27. | |
it's Anastacia and Brendan ! A second time for you two in the | :22:28. | :22:37. | |
bottom ready. Did you feel it was coming or not? I thought it was | :22:38. | :22:41. | |
coming the week before. So I was like... And then it didn't. And I | :22:42. | :22:47. | |
guess you just, when you're that low, and there's a few of you there, | :22:48. | :22:53. | |
you're just, get me out of here! Brendan, how are you feeling, by the | :22:54. | :22:58. | |
way, because you have not been very well this week? I have got a little | :22:59. | :23:01. | |
chest infection going on. I was actually hold in my microphone and | :23:02. | :23:04. | |
coughing. That's very thoughtful of you! Thank you! You should be | :23:05. | :23:10. | |
wearing a vest! Give the man a scarf! Obviously, you went home, | :23:11. | :23:17. | |
were you sent to see them go? I think it's very difficult to be in | :23:18. | :23:22. | |
the bottom, for the artist, and also for the pro as well. For me as an | :23:23. | :23:26. | |
artist, being next to another person who is trying to stay in this | :23:27. | :23:31. | |
competition, you don't want to dance better than them for them to go. But | :23:32. | :23:36. | |
you have to. So it's really ridiculously like two separate | :23:37. | :23:42. | |
world's. The shame for Naga and Pasha is that she found her mojo, | :23:43. | :23:45. | |
she did a really good dance on Saturday. I like the dance-off, in a | :23:46. | :23:54. | |
weird way. Once you get voted into it, its fight or flight mode. You | :23:55. | :23:59. | |
either want to stay all you want to go. I like the feeling you get, once | :24:00. | :24:04. | |
you're in bed. Not getting into it, it's horrible. You can really feel | :24:05. | :24:08. | |
the fight. All the judges say to you in the dance-off, and Bruno was | :24:09. | :24:14. | |
saying, it was cleaner, it was slicker, great words to hear from | :24:15. | :24:18. | |
them. What words of encouragement did you give to Anastasia, before | :24:19. | :24:25. | |
the dance-off? For me, it's just about making sure that everything is | :24:26. | :24:29. | |
how it should be. I did not want anything to be different to what we | :24:30. | :24:33. | |
had done in training and what we had fun on Saturday. I wanted her to do | :24:34. | :24:37. | |
herself proud. You don't want to leave knowing that you could have | :24:38. | :24:41. | |
done more. And she did it. And also last time, you did not get to do the | :24:42. | :24:45. | |
dance-off, so did you feel you had something to show? I think I may | :24:46. | :24:51. | |
have been a bit excited to be at the bottom at first! They are like, OK, | :24:52. | :24:56. | |
slow down, girl, this means you could be leaving! But it was because | :24:57. | :25:00. | |
I did not get to do the dance-off and I felt guilty about that for | :25:01. | :25:05. | |
weeks. I did not love being at the bottom but at the same time, I was | :25:06. | :25:09. | |
like, I can dance! OK, API should be a little... | :25:10. | :25:19. | |
Afterwards, you were speaking to Claud in the Clauditorium, and she | :25:20. | :25:24. | |
was like, are you happy? I felt like I had done more dancing arms than I | :25:25. | :25:30. | |
had ever done. I really concentrated, because that is where | :25:31. | :25:34. | |
my injury was. I was really trying to be giving it to everybody, with | :25:35. | :25:40. | |
my arms. I was trying to make it happen. But they are going | :25:41. | :25:48. | |
technical, I hit it. It's very difficult, there are obviously a lot | :25:49. | :25:52. | |
of high scores this year and you want to be in the mix. Adding that | :25:53. | :25:56. | |
low score, it does not fill you with, come on, let's do this next | :25:57. | :26:00. | |
week. It would be nice for us to get a slightly higher score, so we feel | :26:01. | :26:05. | |
we are going in the right direction. For all your hard work to be | :26:06. | :26:10. | |
rewarded as well? But if the technical stuff was not in there, I | :26:11. | :26:15. | |
get it and I understand that. We will bring it, we will bring it! So | :26:16. | :26:17. | |
excited! Jonathan from Northumberland | :26:18. | :26:19. | |
wrote online, saying... "I enjoyed that rumba from Brendan | :26:20. | :26:23. | |
and Anastacia - Probably her most confident | :26:24. | :26:26. | |
and assured routine to date." Thank you, Jonathan, that's very | :26:27. | :26:38. | |
nice. Onto the quickstep, you're not very well, Brendan, how is this | :26:39. | :26:41. | |
affecting your training? I will let you into a little secret - we have | :26:42. | :26:50. | |
someone stepping in for me for a few days whilst I try to recover. I | :26:51. | :26:54. | |
don't know how happy I am about it. He's Spanish, he's got a body that's | :26:55. | :26:59. | |
pretty much the best on the show. I hadn't noticed that! It was awful | :27:00. | :27:04. | |
today, I had an awful rehearsal. I kind of get the feeling it's going | :27:05. | :27:08. | |
to be going downhill for me. She is like, he did not do that! When will | :27:09. | :27:13. | |
you know if you're well enough to dance? I will see the doctor again, | :27:14. | :27:17. | |
he said take off until Thursday, Friday at least. He did the | :27:18. | :27:22. | |
choreography, it's his whole routine. We should have a link to | :27:23. | :27:28. | |
the hospital! For the record, I was not rushed to hospital, I just took | :27:29. | :27:33. | |
myself there. That's no story! You took yourself! I know, that's so | :27:34. | :27:38. | |
much more dramatic, right? I did not know that! What does she need to | :27:39. | :27:48. | |
focus on for the quickstep, Brendan? What does she need to focus on? I'm | :27:49. | :27:52. | |
one of these dancers, I really like somebody who moves around the floor. | :27:53. | :28:00. | |
I do not like this... I want her to really dance it with real passion | :28:01. | :28:09. | |
and drive. If we get that, great. I'm not sure, his legs are a bit | :28:10. | :28:14. | |
short, but... I love it! He's never got lower than 30 on a quickstep, | :28:15. | :28:21. | |
Brendan. Full marks in the final in 2008, with Lisa Snowdon. But that's | :28:22. | :28:27. | |
a good omen, surely? Well, if he's not dancing with me, it'll be great! | :28:28. | :28:35. | |
Listen, good luck. Enjoy dancing this weekend with your other | :28:36. | :28:40. | |
partner. We love you both. Anastacia and Brendan! | :28:41. | :28:43. | |
But don't worry, we'll back tomorrow at 6.30 getting all the gossip | :28:44. | :28:48. | |
from the weekend's highest-scoring couples, | :28:49. | :28:50. | |
Plus, Ian Waite is back for another Wednesday Warm-Up! | :28:51. | :28:54. |