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Live from London, this is Strictly: It Takes Two. Please welcome your | :00:48. | :00:55. | |
host, Zoe Ball! Saturday's show is still fresh | :00:56. | :00:58. | |
in our minds, but we've got And we're excited to announce that | :00:59. | :01:04. | |
Ask the Pros is back! We could be asking your | :01:05. | :01:09. | |
very question later Also on the show tonight, | :01:10. | :01:11. | |
we've got the Gene Kelly and Fred Astaire of Strictly - | :01:12. | :01:18. | |
they're great rivals, maestro is back for another | :01:19. | :01:20. | |
warm-up, it's Ian Waite! we must ExTENd our congratulations | :01:21. | :01:32. | |
to this conTENder. His dance won't be forgotTEN | :01:33. | :01:39. | |
in a hurry, let me tell you! Well, Ed Balls show stopping, | :01:40. | :02:01. | |
jaw-dropping, eye-popping jive. A star is born. You are the one to | :02:02. | :02:13. | |
beat in this competition. -- it was show stopping. Man alive, it's the | :02:14. | :02:17. | |
king of jive. Ore and Joanne, welcome! APPLAUSE | :02:18. | :02:24. | |
I still cannot get over your ace nurse at the weekend. You were | :02:25. | :02:28. | |
overwhelmed. Did you see it on the face? That was one of the best | :02:29. | :02:34. | |
nights of my life. I'm still in a state of shock at just what | :02:35. | :02:38. | |
happened. It's just all a blur. I don't know what's going on. The | :02:39. | :02:43. | |
greatest thing I think about it is that there were some in a great | :02:44. | :02:45. | |
dancers throughout the show, and we were like, yes, here comes Ore, | :02:46. | :02:53. | |
she's quite good, and then bang, it our minds. | :02:54. | :02:57. | |
Claudia said it was better than her own wedding. | :02:58. | :03:00. | |
Why would you ask that? I haven't cried as much since my own wedding. | :03:01. | :03:11. | |
I thought I cried a lot last week, singing in the rain, but I cried | :03:12. | :03:18. | |
even there. So no tears this week? You know what I'm like! Don't start | :03:19. | :03:24. | |
him off again! Jo, you must have known in training this is a little | :03:25. | :03:28. | |
bit good, but could you have ever imagined he would have been echoed | :03:29. | :03:32. | |
on a night? The thing about Ore is that in practice he is always good | :03:33. | :03:37. | |
and I can see he is enjoying it, but when we get to Elstree, it is a | :03:38. | :03:40. | |
little bit better and get to the performance every week and he just | :03:41. | :03:44. | |
steps up a gear, and I can see it in his eyes. Before the dance starts, | :03:45. | :03:50. | |
and they say" dancing the jive..." I can see it in his eyes, he really | :03:51. | :03:54. | |
wanted it. At one point in the routine, he shouts "Come on!". And | :03:55. | :04:02. | |
it's like, all right! I'm trying to keep up, love, but that's what you | :04:03. | :04:07. | |
need, that spirit inside you. You need something. We tried to do it | :04:08. | :04:10. | |
through watching it, and the shattered. Obviously a feud tears, | :04:11. | :04:13. | |
as mentioned. Ore, you couldn't hold back | :04:14. | :04:17. | |
the tears - though we've noticed a little habit you have to stop | :04:18. | :04:19. | |
yourself from completely losing it. The old thumb between | :04:20. | :04:22. | |
the teeth technique... Look at your little face! Oh no, | :04:23. | :04:27. | |
that's terrible. And look at his bendy some! It is called something | :04:28. | :04:32. | |
in particular and Icardi member we will look it up. | :04:33. | :04:35. | |
The online response was amazing. | :04:36. | :04:38. | |
Former Strictly star and tennis pro Andrew Castle | :04:39. | :04:40. | |
#Murray has another three or four years on the court...please take | :04:41. | :04:49. | |
ACE, what is he on about? The thing is, it does lead to the question, | :04:50. | :05:02. | |
how did you manage to do those flicks and kicks so quick? And have | :05:03. | :05:10. | |
you picked up a racket? I am never far away from a racket, obviously. | :05:11. | :05:15. | |
Now, do you know what I have dreamt of doing that night, I said it on | :05:16. | :05:21. | |
Saturday, I have dreamt of doing the jive on Strictly. But I never dreamt | :05:22. | :05:24. | |
it as good as I did it last Saturday. It was beyond my wildest | :05:25. | :05:30. | |
dreams, not to get all cliche, but I could not have imagined it. I am | :05:31. | :05:34. | |
still a little bit like, did that happen? I'm with you there. | :05:35. | :05:42. | |
are you sure you haven't danced before this competition? | :05:43. | :05:46. | |
You've never been to a barn dance anything? I'm trying to get it out | :05:47. | :05:54. | |
of him as well. It is the nicest compliment, people have been asking | :05:55. | :05:57. | |
on social media as well. I have never trained to dance before. Thank | :05:58. | :06:01. | |
goodness we are seeing it all come out of you. | :06:02. | :06:04. | |
Bruno said you're now in the "holy trinity of Jives". | :06:05. | :06:08. | |
With Jay and Jill (McGuinness and Halfpenny of course). | :06:09. | :06:11. | |
He has put you with those three. That's amazing. When they mentioned | :06:12. | :06:19. | |
these two, that's when I went. I said before the show started that | :06:20. | :06:23. | |
the two people I have always looked up to our Gill and Jay. I just | :06:24. | :06:28. | |
wanted to try, and then to put me in the same sentence as them, it is | :06:29. | :06:33. | |
when things started to break down in here. He'll go again! Strictly stats | :06:34. | :06:39. | |
speak for themselves, you have broken all the records for Weekley. | :06:40. | :06:45. | |
Prior to your Jive, the highest ever Week 4 score | :06:46. | :06:49. | |
I love you, Chelsea, we miss you! Look at that, 39, ladies and | :06:50. | :07:10. | |
gentlemen! Worth noting that the Royal ballroom, except for Ore's. | :07:11. | :07:14. | |
Moving on to this weekend and you're slowing things down with a Waltz. | :07:15. | :07:16. | |
A very different feeling, I saw you having a practice with Paul, our | :07:17. | :07:23. | |
floor manager. How is it going? It's going right. It is so different from | :07:24. | :07:26. | |
what we did last week and we have had a couple of days to learn it. | :07:27. | :07:32. | |
I'm making the same mistakes all the time. And that's just frustrating. I | :07:33. | :07:37. | |
then think there's real pressure after we did last week, but all I | :07:38. | :07:41. | |
wanted to do on this show is just improved and not get the steps right | :07:42. | :07:46. | |
at this stage. She is trying to keep the positivity. Because I'm a | :07:47. | :07:50. | |
northern girl at heart, so I really drill you on the technique, don't I | :07:51. | :07:54. | |
rushed and not so I'm drooling him a little bit, it is a little bit hard. | :07:55. | :08:00. | |
If it was easy, it would be boring. You have got to really try and it | :08:01. | :08:05. | |
has been hard, I'll be honest. But hopefully we will have something to | :08:06. | :08:10. | |
show on Saturday. We can't wait now. We are all like that, my goodness | :08:11. | :08:14. | |
me. Jo, you have been complimented on your choreography because it is | :08:15. | :08:17. | |
beautiful to watch, week after week after week. What does he need to | :08:18. | :08:24. | |
watch with the belts? Said today, didn't we? Frame, mainly. We have | :08:25. | :08:28. | |
done a lot of footwork. Otherwise happy with this boy? Very. Good luck | :08:29. | :08:36. | |
this weekend. I think you are incredible, the two of you, aren't | :08:37. | :08:40. | |
they gorgeous? For now, Ore and Joanne. | :08:41. | :08:45. | |
Now, Strictly has made the long list for a National Television Award, | :08:46. | :08:48. | |
so if you love it as much as these two, head to the Strictly website | :08:49. | :08:51. | |
Now, as the nights grow colder we need a warm-up more than ever. | :08:52. | :08:57. | |
Please welcome the human hot water bottle that is Ian Waite! | :08:58. | :09:16. | |
Ian Waite, everybody! APPLAUSE Now let there be one the! Or you | :09:17. | :09:27. | |
want me to get it out. Oh! Lovely. Last week we had a lovely tribute | :09:28. | :09:32. | |
the key to the great Peggy Spencer, and you might recognise this very | :09:33. | :09:39. | |
useful dancer who made a cameo. We had to show it! I look like Crystal | :09:40. | :09:44. | |
Carrington with those shoulder pads! With the hair as well. So different, | :09:45. | :09:50. | |
you look absolutely bonkers. I was in the moment. Melanie Walker, I | :09:51. | :09:54. | |
danced with her the ten years, we were European champions together. | :09:55. | :09:59. | |
Please tell me you still have that outfit at home. Now, I bent it! It | :10:00. | :10:02. | |
is a shame. would have taken their foot off | :10:03. | :10:04. | |
the pedal after movie week but no. How much did you enjoy | :10:05. | :10:09. | |
the weekend's dances? Danny just blew me away, and Ore, | :10:10. | :10:16. | |
just the icing on the cake. Unbelievable, so good. This weekend, | :10:17. | :10:26. | |
Daisy and Aljaz follow with a charleston. How is she looking? It | :10:27. | :10:32. | |
is about good side-by-side movements and character., and as you can see, | :10:33. | :10:37. | |
she has got the swivel, inside and outside. There's some funny quirky | :10:38. | :10:41. | |
looking steps, the bird thing that you do, flying out with the arms. I | :10:42. | :10:46. | |
notice here that they have got this ice skating step. I think Aljaz | :10:47. | :10:51. | |
needs to step up a bit because he's not quite as hard as her. The arms | :10:52. | :10:57. | |
not quite matching there, that a thing for this early stage, she | :10:58. | :11:01. | |
looks really good. She is turning into a dancer. I would not have said | :11:02. | :11:05. | |
that at the beginning necessarily. She's surprisingly. I love the way | :11:06. | :11:11. | |
she is matching her outfit with the surroundings. I have heard about the | :11:12. | :11:15. | |
conflict -- the concept of what they are doing, it is amazing. Danny and | :11:16. | :11:31. | |
Oti, a rumba. At the moment he is just testing it out. What he needs | :11:32. | :11:36. | |
to do is have a lot more resistant in the body and in the arms. He is | :11:37. | :11:42. | |
kind of doing arm movements but there is no actual resistance in the | :11:43. | :11:45. | |
arm. You know when you finish something off, you have to finish it | :11:46. | :11:48. | |
off right to the end with resistance. Sometimes he uses his | :11:49. | :11:55. | |
arms and they flail around a bit. It is a very small thing because he is | :11:56. | :11:59. | |
so good in other places as well. And also the rumba, I would like to see | :12:00. | :12:05. | |
him a little bit more, oh, actually... What have you done with | :12:06. | :12:13. | |
your tools? This one, OK, he is into a line, but when he is doing his | :12:14. | :12:17. | |
strong rumba belts, he needs to have a bit more pressure, I can't do it | :12:18. | :12:22. | |
in these trousers, they are a bit tight. No one is complaining about | :12:23. | :12:29. | |
the trousers! Laura and Giovanni impressed with the very quick | :12:30. | :12:32. | |
quickstep, giving up the pace, a jive this week, can they keep the | :12:33. | :12:37. | |
points up? She has a nice little action and there is lots of jive | :12:38. | :12:41. | |
content in there, basic jive content, which will please learn. | :12:42. | :12:47. | |
He'll be happy. And American spin, and then they did a lovely whip. | :12:48. | :12:54. | |
Here she does a backward place. Like a war one, obviously. You should | :12:55. | :13:01. | |
make sure that effort, the ball of that foot, stays on the floor. If | :13:02. | :13:06. | |
you are doing jive kicks, then I would say you can get them off the | :13:07. | :13:09. | |
floor, but other than that keep them on. Balls of the feet on the floor | :13:10. | :13:14. | |
of the time. Balls on the floor. Girls, all the time. As Greg and | :13:15. | :13:20. | |
Natalie are dancing a cha-cha-cha, the judges were so impressed with | :13:21. | :13:24. | |
his energy. Bruno was a bit worried that he lost a bit of time with | :13:25. | :13:28. | |
that. How has it been? As you can see from this footage, Natalie is | :13:29. | :13:33. | |
really working on his action. Straightening his legs nicely, but I | :13:34. | :13:36. | |
would say the back total needs to push off a little bit more. And when | :13:37. | :13:40. | |
I say push off a little bit more, I've started here, because as you | :13:41. | :13:44. | |
can see from Natalie, she's using the inside edge of the toe. Whereas, | :13:45. | :13:50. | |
actually, oh, that's the wrong one, whereas actually great is pushing | :13:51. | :13:54. | |
from the outside of his toe rather than the inside like Natalie, and | :13:55. | :13:58. | |
then the front foot needs to be turned out a little bit more. Just a | :13:59. | :14:03. | |
little bit more. Small degrees, but they can make you look not quite so | :14:04. | :14:09. | |
natural. Ed and Katya, we love aired so much, and Katya 's genius -- we | :14:10. | :14:22. | |
love aired. American Smooth. Who probably would have done a good | :14:23. | :14:25. | |
dance last week he just went wrong and could not pick it up again. He | :14:26. | :14:29. | |
was trying to match her and he was trying -- she was time to pull him | :14:30. | :14:33. | |
back on but it wasn't happening. In this, as you can see, a lovely bit | :14:34. | :14:38. | |
of foxtrot. Not a lot of foxtrot in ballroom hold, but when he gets hold | :14:39. | :14:43. | |
of her in shadow, he needs to keep the others up. My elbow? Your elbow. | :14:44. | :14:51. | |
He needs to keep them up so she has a shelf to hold onto. You always | :14:52. | :14:57. | |
need a shelf to hold onto. You know what I mean. Lesley and Anton, she | :14:58. | :15:05. | |
is just a joy. Every week she blows me away this lady, tango for them | :15:06. | :15:11. | |
this week, it will be good. Do you know what, he is throwing so much | :15:12. | :15:19. | |
content at her. Because it's fast, obviously, there's lots of intricate | :15:20. | :15:22. | |
choreography, it's amazing that she's actually picking it up. I did | :15:23. | :15:28. | |
here that if you look here, she's doing a bit of a tell lead. | :15:29. | :15:30. | |
Everywhere she has done heels. The only thing I want her to do is | :15:31. | :15:44. | |
show her neck and have a longer neck, the only way to do that is | :15:45. | :15:48. | |
bring their chest up and push it forward because she tends to lose | :15:49. | :15:52. | |
the chest and then she loses the Mac. Push the chest up and you will | :15:53. | :15:58. | |
get a long back. See that? Very nice too. Until tomorrow give it up for | :15:59. | :16:04. | |
this gorgeous man, Ian Wade! Will of the trousers. | :16:05. | :16:14. | |
quickstepped to the Sinatra classic "I Won't Dance". | :16:15. | :16:17. | |
They're a class act, it's Danny and Oti! | :16:18. | :16:25. | |
One of the best quick steps I have ever seen. You are on fire darling. | :16:26. | :16:33. | |
You look good, you dance good and by golly you did me good, well done! | :16:34. | :16:37. | |
Danny, you are such a superstar, that was one of my favourite quick | :16:38. | :16:47. | |
steps ever, it was incredible. How much are you in love with strictly | :16:48. | :16:53. | |
now? I can't explain how much I am enjoying it! That was the most fun I | :16:54. | :17:00. | |
have ever had. To get through that, it is the most enjoyable dance we | :17:01. | :17:06. | |
have done so far. It was just stunning. Oti, you looked so | :17:07. | :17:10. | |
beautiful. And you were compared to Fred Astaire. The don of dance. How | :17:11. | :17:16. | |
does that feel? The most amazing compliment but I let it go over my | :17:17. | :17:22. | |
head because you can't really... It's incredible. Absolutely | :17:23. | :17:26. | |
incredible. And you said you had always wanted to dress and dance | :17:27. | :17:31. | |
like that but had been scared to perhaps not having the opportunity | :17:32. | :17:37. | |
to. Any fear on Saturday before this one? No. He was excited! I was | :17:38. | :17:44. | |
excited. We had messed a vision muck things up in the dress rehearsal but | :17:45. | :17:48. | |
I knew I had enjoyed it and when you go out there what can you do but | :17:49. | :17:52. | |
your best? What ever happened was going to happen, it was the best I | :17:53. | :17:56. | |
had ever done it. I was so pleased with that at the end. He won't stop | :17:57. | :18:04. | |
talking about it! Everyday! The quickstep! Next week 's coming | :18:05. | :18:13. | |
years, but what about the quickstep! You should do that every week, we | :18:14. | :18:17. | |
would all be happy. Expectations were so high because you had scored | :18:18. | :18:27. | |
49s the week before. At home we were going, tens! Oti, I thought it | :18:28. | :18:33. | |
deserved and ten. Every week when we go out we tried to do the best dance | :18:34. | :18:37. | |
we can. We don't really do it for the marks, we just try to do an | :18:38. | :18:42. | |
amazing dance. The points are like, you did well, you did well but what | :18:43. | :18:47. | |
we want to do is a really good stance. But they know what they are | :18:48. | :18:51. | |
looking for and it is beyond what we can really comprehend. You do your | :18:52. | :18:56. | |
best and it is up to them what they see. 49s are amazing, I'm not | :18:57. | :19:00. | |
complaining! Len said you had | :19:01. | :19:03. | |
"a bit of sway going, How impressed we you with it? How | :19:04. | :19:05. | |
difficult was it? I always say, on Monday it is the | :19:06. | :19:24. | |
worst day but Danny works really, really hard. We put in a lot of | :19:25. | :19:32. | |
hours. We really work hard and every little step we do with repeated like | :19:33. | :19:37. | |
50 times, and we make sure it is really, really good, we put in a lot | :19:38. | :19:42. | |
of hard work so everything you see is 100% hard work. It is nice | :19:43. | :19:47. | |
because I think they make those comments towards Oti, because all | :19:48. | :19:51. | |
the professionals choreograph the routines, so I just go where I am | :19:52. | :19:55. | |
told to go. When Len says, you put in that and you put in this and it | :19:56. | :20:05. | |
was lovely... Good impression! I am oblivious but Oti... You were making | :20:06. | :20:06. | |
it look pretty good. Bruno asked if you missed something | :20:07. | :20:08. | |
and quickly said "Forget it". What might he have | :20:09. | :20:11. | |
been referring to? I did the choreography a little bit | :20:12. | :20:26. | |
differently than it was meant to be! You did it differently? Just like my | :20:27. | :20:29. | |
partner did another downside indifferently! We both did is | :20:30. | :20:35. | |
different choreography. We will leave it there, ladies and | :20:36. | :20:40. | |
gentlemen! I love that, Oti has just admitted she went wrong! | :20:41. | :20:43. | |
Well, as you know we love a stat here at It | :20:44. | :20:46. | |
And Strictly loves its Hollyoaks stars. | :20:47. | :20:48. | |
But how do you measure up against them? | :20:49. | :20:51. | |
We've taken all your scores for the first four weeks | :20:52. | :20:56. | |
and added them together, so let's look at the individual totals... | :20:57. | :21:08. | |
Ali Bastian had scored 124 by this stage. | :21:09. | :21:13. | |
Ricky was very good. This is what Ashley scored but how do you | :21:14. | :21:19. | |
compare? Look at your! That's all right, isn't it! | :21:20. | :21:26. | |
Everyone says, a tricky dance, how are you finding it? I am actually | :21:27. | :21:39. | |
really enjoying it. It is very hard not to look like a girl doing it. | :21:40. | :21:44. | |
Apparently I have got wide hips, they like to go off on their own! -- | :21:45. | :21:52. | |
wild hips. You feel that if you are moving them you're doing the right | :21:53. | :21:56. | |
thing, and Oti will look at me and say, no. Don't take my job, that is | :21:57. | :22:02. | |
my role! You have to use your hips in a masculine way in the stands. | :22:03. | :22:08. | |
And it is slow so it is exposed in terms of technicalities so I get | :22:09. | :22:11. | |
hung up on where does this needs to be exactly and why. When you are | :22:12. | :22:16. | |
moving arms, head, hips, head, that slowly and gets a bit much. We are | :22:17. | :22:21. | |
working with that. I am enjoying it much more than I thought I would. No | :22:22. | :22:27. | |
we had a moment when I thought, that was really good. If anyone can dance | :22:28. | :22:33. | |
the rumba, this man can. Good luck, we are enjoying the work. Danny and | :22:34. | :22:35. | |
Oti! Now it's not just luck | :22:36. | :22:41. | |
that gets you top Here's how Judge Rinder | :22:42. | :22:43. | |
Oksana, Louise Kevin and As it is a foxtrot American smooth | :22:44. | :22:52. | |
it will be important to get the gliding right across the floor. I've | :22:53. | :22:57. | |
never glided in my life. Casio has been trying to get me to dance like | :22:58. | :23:05. | |
Fred Astaire. As much as the technical side is important the | :23:06. | :23:07. | |
storytelling and performance will bring it all together. | :23:08. | :23:14. | |
The Rumba definitely would have been a dance I looked forward to doing | :23:15. | :23:22. | |
but know it is here I wish I had a few more weeks before I did it. The | :23:23. | :23:28. | |
Rumba is known as the dance of doom. The judges are going to be really | :23:29. | :23:33. | |
particular so I have to push Louise as hard as possible. I know it is | :23:34. | :23:37. | |
tough, I don't want this to be the week that I don't pull it off. I am | :23:38. | :23:47. | |
really scared of the Rumba! I am doing and jive this week, I'm not | :23:48. | :23:51. | |
struggling with the steps, it is remembering them. The faster you go, | :23:52. | :23:57. | |
the more steps, but we will get there. It is a challenge to dance | :23:58. | :24:05. | |
such an active dance around a busy work schedule and often when you get | :24:06. | :24:10. | |
tired you tend to be frustrated and I have been more frustrated this | :24:11. | :24:11. | |
week than I have ever been. Don't lose heart, Judge Rinder, we | :24:12. | :24:21. | |
love you. Now, like crop-tops, | :24:22. | :24:24. | |
scrunchies and everything else you wore in the nineties, Ask | :24:25. | :24:26. | |
the Pros is back for another outing, Please welcome back | :24:27. | :24:29. | |
our pros Joanne, Oti Less of the old! I am still younger | :24:30. | :24:37. | |
than some of them out there! Our lovely viewers | :24:38. | :24:54. | |
have been tweeting and e-mailing all week | :24:55. | :24:55. | |
so let's see what probing questions they have | :24:56. | :24:57. | |
for you tonight... High, professional dancers. I am | :24:58. | :25:10. | |
Leora and I would like to know what is your favourite meal to have | :25:11. | :25:15. | |
before dancing. I like a peppered slice but I don't dance. I like good | :25:16. | :25:22. | |
old sausage and mash, a bit heavy but I still like it. Has soon before | :25:23. | :25:29. | |
you dance? A couple of hours. I cannot eat for at least three hours | :25:30. | :25:33. | |
before I dance. I would have something like fish, something | :25:34. | :25:38. | |
light. Having fish before you are dancing close to someone? Not | :25:39. | :25:47. | |
McEnroe! Nothing strong. Oti? I get so nervous, to calm me down before, | :25:48. | :25:56. | |
I have loads of chocolate. It gives the sugar. How close to the | :25:57. | :26:02. | |
performance? Really close. Just before, I go into a corner. No | :26:03. | :26:09. | |
wonder you are always liked... It's all the chocolate! The next question | :26:10. | :26:14. | |
is from Vanessa Adams, and she asks, do the couples rehearse their last | :26:15. | :26:24. | |
dance will is not planned? We did a dance, we needed all the time we had | :26:25. | :26:29. | |
to practice the dance so we did not realise that. You never want to go | :26:30. | :26:33. | |
into any assertion and say, in case we go out, this is the song. So I | :26:34. | :26:40. | |
don't tell Danny. Last week I did by mistake. I said, this is our last | :26:41. | :26:45. | |
dance. He asked, what do you mean? You don't tell them because you want | :26:46. | :26:48. | |
them to do the best they can without this thing hanging over them. I have | :26:49. | :26:54. | |
done quite a view last dance is! And I think sometimes you do lifts that | :26:55. | :26:59. | |
you plan to do the week after or in a couple of weeks, we think, will | :27:00. | :27:04. | |
try that out when we do the American smooth, so they say, this is our | :27:05. | :27:10. | |
last chance to do it. Show off what they missed! Time another question. | :27:11. | :27:14. | |
Time for another question, and this one is | :27:15. | :27:16. | |
from mother and daughter combo, Eva and Megan. | :27:17. | :27:18. | |
How do you teach your pupils to dance in a week? | :27:19. | :27:23. | |
Well done, they are a great double act, Jo, how do you do it? We all | :27:24. | :27:32. | |
have our different ways, I try to get through all the steps on the | :27:33. | :27:36. | |
first days they have an idea of the routine and the second day going to | :27:37. | :27:39. | |
the technique and keep going over and over it. On Wednesday and | :27:40. | :27:45. | |
Thursday I will do ten a row. That is why everyone is so good. Oti? I | :27:46. | :27:51. | |
always start with walking. It is important to start with that... That | :27:52. | :28:01. | |
they can walk? You do the legs! The heels, the steps, so they are used | :28:02. | :28:05. | |
to it already and then I do basic training. Also two different songs | :28:06. | :28:10. | |
so that they learn how to count. Then on Tuesday are going into the | :28:11. | :28:15. | |
choreography... Amazing, and that is how you do it in a week. I used to | :28:16. | :28:22. | |
have you walking up and down for hours. Four hours. | :28:23. | :28:26. | |
Thank you to everyone who sent in a question for our pros. | :28:27. | :28:29. | |
And Ask The Pros will return, so keep them coming! | :28:30. | :28:32. | |
And remember, if you're going to send in a | :28:33. | :28:34. | |
You can tag us on Twitter using #ItTakesTwo or | :28:35. | :28:40. | |
send them via email to | :28:41. | :28:41. | |
That's it, we're out of time for tonight. | :28:42. | :28:45. | |
I'll be back here tomorrow at 6:30 with Greg Natalie | :28:46. | :28:50. | |
Plus Ian is back with another warm-up - | :28:51. | :29:00. | |
And if that wasn't quite enough, Vicky Gill will be giving | :29:01. | :29:02. |