Browse content similar to Episode 19. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
From London, this is Strictly It Takes Two! Is welcome your host, Zoe | :00:48. | :00:55. | |
Bird Alex Mack Hello and Mack welcome | :00:56. | :00:58. | |
to It Takes Two! If you're after all the latest | :00:59. | :00:59. | |
Strictly news and gossip, congratulations - you have come | :01:00. | :01:02. | |
to just the right place. So let's see who we have gracing our | :01:03. | :01:04. | |
green room tonight... APPLAUSE | :01:05. | :01:08. | |
Hello, darlings. Plus, here to preview this | :01:09. | :01:15. | |
weekend's fabulous frocks, it's Strictly costume designer Vicky | :01:16. | :01:19. | |
Gill! Our favourite with the naughty | :01:20. | :01:25. | |
giggle. But first up, it's time to check in | :01:26. | :01:27. | |
on our couples' training progress. All I need is a little help | :01:28. | :01:30. | |
from my friend and yours. Thank goodness you are here. Right, | :01:31. | :01:53. | |
let's Vinesh will be started yesterday. | :01:54. | :01:56. | |
It's all you want before, isn't it? Ben Corbett is a naughty boy. | :01:57. | :02:07. | |
Let's start with Ore and Joanne - who blew the competition away | :02:08. | :02:10. | |
at the weekend with their incredible Jive. | :02:11. | :02:11. | |
There will be high expectations for their Waltz - | :02:12. | :02:16. | |
The bogey, Zoe, as you know when you arrive at the Leader Board you have | :02:17. | :02:25. | |
to maintain it because otherwise it is like where can you go otherwise | :02:26. | :02:31. | |
-- there will be, Zoe. His flow is good and he has quite a nice frame, | :02:32. | :02:37. | |
which is what I expect from Joanna's teaching. But sometimes he drops his | :02:38. | :02:41. | |
hips slightly back, and here there are two places I want to talk about. | :02:42. | :02:45. | |
So if he is in promenade position, he should really be looking towards | :02:46. | :02:51. | |
his hand, not towards Jo at all. So every time he's in promenade | :02:52. | :02:55. | |
position towards the hand. And then, with the hips, he needs to make sure | :02:56. | :03:00. | |
those hips stay facing his partner, rather than opening up. OK, nice | :03:01. | :03:02. | |
tips. On Saturday the judges said | :03:03. | :03:03. | |
he can actually dance - does that include this Jive | :03:04. | :03:07. | |
we're seeing here? How are his skills this week? Do you | :03:08. | :03:17. | |
know what he is very, very light on his feet, as you can see. He is | :03:18. | :03:22. | |
bouncing, locks of flicks and kicks. I would say to me it looks more like | :03:23. | :03:27. | |
a rock'n'roll jive. I don't know whether that is what they are going | :03:28. | :03:32. | |
for. Dancing the Bugle boy from company B, that one. So will be 40s | :03:33. | :03:38. | |
swing thing. But his legs are going out rather than underneath him. Now | :03:39. | :03:46. | |
the that is obviously to pick up the hitch, picking up from the Tanni, | :03:47. | :03:52. | |
picking up from behind, and then you can see that actually you can flip | :03:53. | :03:55. | |
down rather than flick out, you see what I mean? Even with your length | :03:56. | :04:01. | |
Ealing is and long shoes. That would actually make you get on the balls | :04:02. | :04:02. | |
of his feet. They slipped down the rankings | :04:03. | :04:05. | |
a little with their Foxtrot This weekend it is a samba, how's it | :04:06. | :04:15. | |
going? Pinzi they are just walking through it. I love these two, a nice | :04:16. | :04:21. | |
dynamic, a cute couple, and she has bags of talent and I think she is | :04:22. | :04:24. | |
slowly getting it. The only thing she is not doing is this forward and | :04:25. | :04:34. | |
back action in the stationary samba. We have close and back, close and | :04:35. | :04:41. | |
back. The hips should swing. There's never feels any natural, it always | :04:42. | :04:46. | |
feels a bit strange. You just have to feel that the hips swinging | :04:47. | :04:50. | |
forward and back. You have to go forward, sideways. It is more | :04:51. | :04:55. | |
forward and back, the other dances like Cacic and rubber side to side | :04:56. | :04:58. | |
were samba is forward and back. Just saying. And Louise and Kevin, Darcey | :04:59. | :05:05. | |
said last week she wants to see Kevin push Louise even more. They | :05:06. | :05:09. | |
have got a rumba this week, so is that really the dance to do that? I | :05:10. | :05:15. | |
can understand why, and no matter what dance it is you have to push | :05:16. | :05:19. | |
your celebrity to the limit. She produces gorgeous lines and her arms | :05:20. | :05:25. | |
are very lyrical and expressive. What I have doubts about is her leg | :05:26. | :05:29. | |
action and foot action. Her feet are nice, as you can see, pointed here, | :05:30. | :05:33. | |
but I would like to see her straighten her leg more often. | :05:34. | :05:37. | |
Rumba, you have got almost straight in the leg before you even stand on | :05:38. | :05:43. | |
it. -- straighten. You make it look so beautiful. LAUGHTER | :05:44. | :05:48. | |
Yes! APPLAUSE That's how you do it. Now I need | :05:49. | :05:53. | |
somebody to pour my trousers down because they have all written out. | :05:54. | :05:59. | |
Anastacia was saved by the judges on Saturday, she is dancing at the | :06:00. | :06:02. | |
moment with Caulker. Caulker. Lucky thing. How are they getting on? | :06:03. | :06:08. | |
Brendan is obviously recuperating. In practice mode, but I feel likes | :06:09. | :06:13. | |
she has a bit of a spring in her step answering with Caulker. It must | :06:14. | :06:22. | |
be nice -- dancing with Gorka. They have a bit of a gap going on between | :06:23. | :06:27. | |
them, and I know they are in practice followed, so just kind of | :06:28. | :06:31. | |
walking through it. But I do think they are very compatible because | :06:32. | :06:37. | |
they have similar sort of proportions, and the leg length and | :06:38. | :06:42. | |
everything matches. If they can get that together they will be very | :06:43. | :06:46. | |
good. We will catch up with Brendan later on the week to see how he | :06:47. | :06:47. | |
feeling. Ian Waite, everyone! Ian, because it's time now for me | :06:48. | :06:55. | |
to open up one of the most important Halloween is fast | :06:56. | :07:00. | |
approaching and every Halloween is fast approaching | :07:01. | :07:05. | |
and every year Mr Waite here loves This year, however, we want you lot | :07:06. | :07:07. | |
at home to have the final Would you like to see your options, | :07:08. | :07:12. | |
Ian? Well, I would have liked to have | :07:13. | :07:16. | |
been asked! LAUGHTER So we've short-listed three costumes | :07:17. | :07:20. | |
that are all guaranteed to make you look sophisticated and suave - | :07:21. | :07:23. | |
don't you worry. as a Ballerina gone bad - | :07:24. | :07:26. | |
inspired by Black Swan. If you've always wanted to see Ian | :07:27. | :07:32. | |
in a tutu and tights, The second choice here is for Ian | :07:33. | :07:35. | |
to become the legendary Just don't say his name three | :07:36. | :07:41. | |
times or we can't be Ian Waite, Ian Waite, | :07:42. | :07:48. | |
Ian Waite. I look like that on a regular | :07:49. | :07:53. | |
occurrence. And finally, last week whilst | :07:54. | :07:58. | |
watching Anastacia's Rumba training, you said you've always wanted | :07:59. | :08:01. | |
to dress up as Barbara Streisand. Well, we could make that | :08:02. | :08:04. | |
dream come true. Your third option is dressing | :08:05. | :08:06. | |
as a cross between a Zombie More like that guy from the Rocky | :08:07. | :08:08. | |
horror show, isn't it? Kinder. Let us know how you'd like to see | :08:09. | :08:25. | |
Ian dressed up this time next week by heading online | :08:26. | :08:30. | |
to bbc.co.uk/ittakestwo The winning costume will be revealed | :08:31. | :08:31. | |
live on the show next Thursday. Which one is taking your fancy at | :08:32. | :08:39. | |
the moment? I'm not going to say anything. I don't want to say the | :08:40. | :08:44. | |
vote, you see. I can imagine a more wanting to see me in tights, I can | :08:45. | :08:46. | |
imagine it, yes, I know. The vote closes at seven tomorrow | :08:47. | :08:48. | |
evening, so you haven't got long. It's time now to get our first | :08:49. | :08:52. | |
guests on the sofa. On Saturday night, he had the judges | :08:53. | :08:59. | |
gasping at his energy, Natalie bench-pressed | :09:00. | :09:02. | |
high above his head, and viewers at home were wrapped up | :09:03. | :09:03. | |
around his fingers. Hurricane Greg hits the salsa, and | :09:04. | :09:21. | |
shakes it for all it's worth! It was tasty, mostly, but a little bit | :09:22. | :09:26. | |
sticky in at work. I love your enthusiasm, your energy, and that | :09:27. | :09:30. | |
left at the end was absolutely brilliant. CHEERING | :09:31. | :09:36. | |
I love that bit, Greg and Natalie are here! Well done! Natalie | :09:37. | :09:41. | |
actually shrieked watching that back, she was so pleased with you, | :09:42. | :09:46. | |
and you did all of that with a very injured wrist, and did a floral | :09:47. | :09:51. | |
shirt, Greg, congratulations. How was it for you? It was amazing, we | :09:52. | :09:55. | |
had so many worries about that final lift and the whole performance | :09:56. | :09:58. | |
because of what had happened with the wrist. So much so that about two | :09:59. | :10:02. | |
hours before, people were saying are you sure you should do the lifts, | :10:03. | :10:06. | |
maybe remove them entirely? So it was a bit now backing, so you can | :10:07. | :10:10. | |
see how happy I was at the end of it because we got through it. That face | :10:11. | :10:15. | |
like, Champion, I did it, it was like a rocky moment, I thought. How | :10:16. | :10:21. | |
is your wrist, is it healing nicely? It is feeling a lot better, partly | :10:22. | :10:25. | |
why when I went to see the specialist last week and asked for | :10:26. | :10:27. | |
the injection because I knew it would help. I have had similar | :10:28. | :10:32. | |
injuries with my foot and ankle, so it's happening. APPLAUSE | :10:33. | :10:34. | |
Fingers crossed everything is great. We can all relax. I'm just clapping | :10:35. | :10:39. | |
everything today, sorry, I'm getting carried away. The judges were really | :10:40. | :10:44. | |
impressed with the lift, Greg was saying lots of things you had to | :10:45. | :10:48. | |
change, how much did you have to change? There was a lot going on | :10:49. | :10:51. | |
last week, we adapted the lifts may be three different times. So we have | :10:52. | :10:55. | |
got some fantastic lifts for the future. Whether that charleston, | :10:56. | :11:01. | |
Argentine tango or maybe show dance. We have locked up our sleeve. We did | :11:02. | :11:07. | |
have to adapt a lot, even in the canteen upstairs, literally | :11:08. | :11:10. | |
rehearsing the night before, going, what can we do next? It's just not | :11:11. | :11:15. | |
quite working. And that so hard for you as well to adapt it and remember | :11:16. | :11:21. | |
it last minute. Yes, incredibly difficult. I'd take a long time to | :11:22. | :11:24. | |
learn things, and we are finding that out especially this week. And | :11:25. | :11:28. | |
last week we probably had five or six hours to learn and perfect the | :11:29. | :11:32. | |
routine. I lost two days with the stupid wrist. It's ridiculous, but | :11:33. | :11:38. | |
it meant last week was very pushed. But you did it, and we got sevens | :11:39. | :11:41. | |
across-the-board, some really positive comments and you're trying | :11:42. | :11:44. | |
to get more hours in this week, doing really well, the Cacic at | :11:45. | :11:48. | |
which is quite intricate. Guess, we will talk about it in a minute, have | :11:49. | :11:55. | |
you got over Olly Murs popping in? Absolutely not. We have met quite a | :11:56. | :12:00. | |
few people this week, Phil Collins. You met Phil Collins! I'm so excited | :12:01. | :12:07. | |
committees back on tour. I'm definitely having to go see him. He | :12:08. | :12:11. | |
was such a nice guy, as well. You've got a book coming out next month, so | :12:12. | :12:17. | |
we have met all those people. It's like I sat next to Phil Collins but | :12:18. | :12:21. | |
I still love Olly Murs. Phil wait, there is a bit of a cure. The judges | :12:22. | :12:30. | |
were loving all of your energy as well, that Olympian stamina must be | :12:31. | :12:38. | |
helping. We have terrible rehearsals and then as soon as the music starts | :12:39. | :12:42. | |
and I am in a crowd environment, this different side of me clicks, | :12:43. | :12:47. | |
and it is about performance, similar to when I compete. It really helps. | :12:48. | :12:51. | |
We enjoy the performance. The build-up to it is nerve wracking. | :12:52. | :12:56. | |
Ruud a bit hairy. How is the cha-cha-cha going? Not a favour | :12:57. | :13:02. | |
then, Greg? Natalie, what can you tell me? Ruud this looks good. Look | :13:03. | :13:08. | |
at the intensity on my face, I am really struggling with a lot of it. | :13:09. | :13:12. | |
It looks better than I thought it did. We've had jive, tango, a lot of | :13:13. | :13:17. | |
different dancers. All of the first five dances up until this week are | :13:18. | :13:21. | |
so different. So it's not like the cha-cha-cha leads into the rumba or | :13:22. | :13:25. | |
the walls leads into the Vinnie Zwart is, whether Pasadena -- into | :13:26. | :13:29. | |
the Vienna is welts. You have definitely been drawn into | :13:30. | :13:38. | |
the pen. He has not left the building. | :13:39. | :13:46. | |
Good luck for Saturday - Greg and Natalie everyone! | :13:47. | :13:48. | |
Now, with the weekend fast approaching, the class of 2016 | :13:49. | :13:51. | |
are busy preparing for it with blood, sweat and tears. | :13:52. | :13:53. | |
And Danny and Anastacia are no exception. | :13:54. | :14:02. | |
So the rumba, apparently, is all about precision, balance and | :14:03. | :14:10. | |
emotion. And... It is all up about it is very difficult, it is not an | :14:11. | :14:14. | |
easy dance and I want Danny to looked really good in it, so I'm | :14:15. | :14:19. | |
really going into all the details. I do feel slightly more relieved there | :14:20. | :14:22. | |
are no other guys who have done it yet but now it is my time next. So | :14:23. | :14:26. | |
far, we're doing all right. Smile. We have Gorka coming in until my | :14:27. | :14:39. | |
Brendan is healthy and ready to go back. I'm sweating, I'm working. | :14:40. | :14:46. | |
It's hard. I actually like the fact that he's bossing me everywhere. And | :14:47. | :14:52. | |
he's just saying, go here, go there, and I'm like, OK. I'm very busy with | :14:53. | :14:56. | |
Anastacia, she is getting more confident, enjoying the steps, | :14:57. | :14:59. | |
moving around all the floor and having fun. Keep moving. Very good! | :15:00. | :15:06. | |
Anastacia having fun. Who's going to win? We will fight at the weekend. | :15:07. | :15:14. | |
We have seen their training room outfits but what will the couples be | :15:15. | :15:19. | |
wearing this Saturday? I've lined up the lady with the answers. | :15:20. | :15:35. | |
We are all better off for Vicky being here. Amazing weekend. So many | :15:36. | :15:42. | |
great costumes and something exciting happens, although a bit | :15:43. | :15:47. | |
dramatic and down to the wire. This is Claudia's outfit that she wore | :15:48. | :15:52. | |
for her lovely dance, her foxtrot, but this wasn't what she was wearing | :15:53. | :15:59. | |
in the dress run. Because of the concept, they were university | :16:00. | :16:01. | |
students so we thought we go for a high street version this week. They | :16:02. | :16:04. | |
started doing their number and we thought, no, she can't do that, she | :16:05. | :16:12. | |
can't move, not big enough. So we were in the skirt rails, trying to | :16:13. | :16:15. | |
find thrills, the same colour. Immediately. You did that in pretty | :16:16. | :16:22. | |
much an hour. Incredible, well done to everybody in wardrobe. It just | :16:23. | :16:27. | |
shows you how things change. Onto this weekend, she is dancing to | :16:28. | :16:34. | |
Young Hearts Run Free buy candy statin. This is beautiful. They've | :16:35. | :16:41. | |
had lots of different concepts. I think it will be exciting for her. | :16:42. | :16:48. | |
Lots of bugle beads. I know you like statistics, there are about 1250 | :16:49. | :16:54. | |
bugle beads approximately five packets of stones, about 5000 | :16:55. | :16:57. | |
crystals. AQ sequins in there to some sparkle. We may have a feather | :16:58. | :17:06. | |
boa by Saturday, because it's a samba. She will look red hot in | :17:07. | :17:10. | |
that. Anastacia, her romper dress at the weekend was incredible. This | :17:11. | :17:14. | |
weekend, she might be dancing with Brendan. We shall see. It's a | :17:15. | :17:19. | |
quickstep to Frank Sinatra, a classic. I wanted her to have lots | :17:20. | :17:26. | |
of froth in the end. But she sued longer lines. At the moment, this is | :17:27. | :17:32. | |
too midcalf. We may have an overlay to the floor. I particularly like | :17:33. | :17:38. | |
the apricots stones on this dress. It doesn't look like there are lots | :17:39. | :17:43. | |
of stones but there probably 8000. This upper body will change after | :17:44. | :17:49. | |
tomorrow. It's almost a signature for her, the low plunging neckline. | :17:50. | :17:57. | |
That's the proper terminology. Over here, Joe dancing with the jive | :17:58. | :18:02. | |
King. This weekend, back double room, waltzing to Whitney. This | :18:03. | :18:11. | |
dress is very simple. It's a white dress, sequinned fabric, then into a | :18:12. | :18:16. | |
white mesh, a white top skirt and a pale blue lining. It's very light, a | :18:17. | :18:21. | |
contemporary waltz, so it isn't going to get in the way. No problem | :18:22. | :18:27. | |
negotiating the skirts. What is Ore going to wear? He comes in on a | :18:28. | :18:33. | |
Friday with time to digest what he's been working on and he tells us what | :18:34. | :18:37. | |
he's feeling. He chooses what to wear. We have repaired wonderful | :18:38. | :18:46. | |
stuff. Ezra, the wardrobe goddess, we love you. Classic colours, black | :18:47. | :18:57. | |
and white. Head and Katya, how do they follow the night and the | :18:58. | :19:00. | |
damsel? They are doing an American Smooth, a classic. He worked very | :19:01. | :19:06. | |
hard on his dancing in the week and his choreography. He gives 150%. | :19:07. | :19:13. | |
Needless to say, we have had lots of fun in wardrobe. It becomes a bit | :19:14. | :19:19. | |
dress up. Hopefully, that fun and light-heartedness will work. This is | :19:20. | :19:22. | |
what Katya will be wearing, a choice. There was lots of lifts. | :19:23. | :19:29. | |
Negotiating her skirt would be difficult. Jason told us on Tuesday | :19:30. | :19:33. | |
that there could be lots of lifts. We've got a trouser. It's really a | :19:34. | :19:38. | |
skirt that has been cut into a trouser. It is so clever, what you | :19:39. | :19:48. | |
do. Katya is excited. You helped Ed get ready today. More on that later. | :19:49. | :19:52. | |
Vicky, she is brilliant and we love her. If you ever wanted to look | :19:53. | :19:57. | |
glamorous as one of our stars, pay attention. You can't follow one of | :19:58. | :20:03. | |
-- borrow one of these frocks, but we have lined up some fantastic | :20:04. | :20:11. | |
make-up tips from Lisa. It is her guide to the perfect Hollywood look. | :20:12. | :20:18. | |
IMB hair and make-up designer for Strictly. Today I will be recreating | :20:19. | :20:24. | |
of my one former -- favoured ballroom looks. It is sophisticated | :20:25. | :20:29. | |
and very glamorous. This is Chloe. We have already prepared her hair. | :20:30. | :20:36. | |
We have gone for a lovely froth at classic Hollywood wave, typical to | :20:37. | :20:39. | |
the American Smooth. I will start with the eyes, a lighter brown and | :20:40. | :20:43. | |
applying it to be laid and blending in the outer corner going up to the | :20:44. | :20:48. | |
socket. That is when we go to the darker brown. That adds more depth | :20:49. | :20:53. | |
to the eye and it really makes the eye pop. Making sure it is nicely | :20:54. | :20:58. | |
blended. You don't want a stripey eyelid to a tiny bit of highlighter | :20:59. | :21:03. | |
for the corner. Now we are going to do a gorgeous black lip that is | :21:04. | :21:08. | |
integral to the Hollywood look. Starting from the middle of the eye, | :21:09. | :21:13. | |
working your way down and coming out, making sure it is perfectly | :21:14. | :21:17. | |
feathered at the end of the flick. Another top tip is to make sure you | :21:18. | :21:23. | |
get right into the inner corner, because it emphasises the shape of | :21:24. | :21:27. | |
the eye. Strictly would be Strictly without eyelashes. Attached to the | :21:28. | :21:34. | |
outer corner and push into the inner corner. -- wouldn't be Strictly. Now | :21:35. | :21:38. | |
we cleaned up and wipe away any bits of eye shadow all in I've dropped. | :21:39. | :21:44. | |
Now we are applying the foundation. Making sure everything is nicely | :21:45. | :21:48. | |
blended. This is what everybody is doing these days, contouring. Your | :21:49. | :21:55. | |
dark shade, that goes underneath the cheekbone to create definition, and | :21:56. | :22:00. | |
then we use our highlighter, which goes on top of the cheekbone, making | :22:01. | :22:05. | |
sure the two merge together and blends nicely. Now we are onto red | :22:06. | :22:09. | |
lip. A nice, sharp pencil going across the lip line. Never go out of | :22:10. | :22:15. | |
the line. With your lipstick, sweep the brush along the lip. To top off, | :22:16. | :22:22. | |
this is another trick of the trade, we take our bit of clear lip gloss | :22:23. | :22:26. | |
and bang it in the middle, which really makes the lips pop. Chloe | :22:27. | :22:32. | |
already has a beauty spot, so we are going to highlight that. Elegant, | :22:33. | :22:36. | |
super chic and absolutely beautiful, the perfect Hollywood look. I love | :22:37. | :22:46. | |
that, it really makes her lips pop. Thank you to Lisa and Chloe. From | :22:47. | :22:49. | |
one pair of beauties to another. Time for a training update from | :22:50. | :22:55. | |
Lesley and Anton and Laura and Giovanni. Let's see how they are | :22:56. | :22:59. | |
getting on. To me, the tango seems different the | :23:00. | :23:03. | |
other dances have done. I've got my head down too much. I stoop. I don't | :23:04. | :23:09. | |
know what else she is looking for down there. I don't step out. The | :23:10. | :23:17. | |
other foot. Everything that could be wrong is wrong. You look like you | :23:18. | :23:22. | |
have been tasered. Wedge I've got a lot to work on. As far as I'm | :23:23. | :23:29. | |
concerned, she is almost there. All I know about the jive is that Ore is | :23:30. | :23:35. | |
very good at it. Following him will be difficult. It's very fast and | :23:36. | :23:41. | |
there is a lot of energy. The jive is quite difficult. We are | :23:42. | :23:46. | |
struggling with the kick and flicks. And a lot of stamina and energy. The | :23:47. | :23:52. | |
jive is my favourite dance so I want to make sure it will be good. | :23:53. | :23:59. | |
Looking good, Laura. Our next guest pulled off an incredible feat on | :24:00. | :24:02. | |
Saturday night when he slayed an actual Dragon right in the middle of | :24:03. | :24:08. | |
his paso doble. I'm sorry? Oh, we have found that it wasn't real. It | :24:09. | :24:11. | |
looked really realistic. Next thing you will be telling me that Katya | :24:12. | :24:19. | |
wasn't really a dancer. A true epic of tragedy, mostly | :24:20. | :24:27. | |
because of the shaping. You were mincing around like an episode of | :24:28. | :24:34. | |
Some Mothers Do Have Them. I was holding out for a paso doble. But, I | :24:35. | :24:39. | |
tell you this, you won't lose it for lack of trying. You came out and | :24:40. | :24:48. | |
gave it your all. Well done. Oh, he was a night of the realm and he is | :24:49. | :24:55. | |
here with his dancer, Ed and Katya. You are always such a joy to watch | :24:56. | :24:58. | |
on the dance floor, you too. And in chain mail! It's amazing. You said | :24:59. | :25:04. | |
when you got up afterwards that you were a bit disappointed with how it | :25:05. | :25:08. | |
had gone, and it had gone much better in rehearsals. Tell me more. | :25:09. | :25:15. | |
The pressure and excitement of rescuing be Princess from the Dragon | :25:16. | :25:19. | |
it got the better of me so I missed a whole step, and that meant that we | :25:20. | :25:25. | |
were suddenly out of time and trying to hold it together. It was hard. | :25:26. | :25:34. | |
Really difficult. I'm off there. She is saying, where are you going? I | :25:35. | :25:38. | |
said, I don't know but I think we should carry on. We had this whole | :25:39. | :25:43. | |
discussion, what do we do? Don't stop, don't stop. We carried on | :25:44. | :25:48. | |
thinking, at some point, it will be OK. I made all of these steps up. | :25:49. | :25:52. | |
There was one moment where we knew, if we spent our feet and started | :25:53. | :25:57. | |
doing that, we were back into it. But you got back into it, that's | :25:58. | :26:05. | |
amazing. Katya has lost her voice. From shouting at me all day. I've | :26:06. | :26:12. | |
got a pack and a pen. Give your answers in drawings or words. Were | :26:13. | :26:15. | |
you proud of him keeping going and carrying on? It's really hard to | :26:16. | :26:23. | |
write down. Absolutely. I think his recovery was like a professional | :26:24. | :26:27. | |
dancer. He covered it. It's so hard to get back into it but he did it. I | :26:28. | :26:34. | |
thought the Dragon rescue was quite professional. Have you been taking | :26:35. | :26:39. | |
tips from Game Of Thrones? Craig gave you two, the lowest score. | :26:40. | :26:45. | |
Katya has something to say. This is for you, Craig. Did that hurt? I | :26:46. | :26:54. | |
mean, he's quite cruel. The paso doble wasn't really my dance. We | :26:55. | :26:59. | |
decided I would do this like a matador and not be camped at all | :27:00. | :27:03. | |
and, when we came off in the rehearsal, the production team said, | :27:04. | :27:07. | |
that was the most camp paso doble we have ever seen. I was trying to | :27:08. | :27:13. | |
decamp. That wasn't supposed to be camped. If I had done it camp, | :27:14. | :27:16. | |
imagine what it would have been like! There is so much love for you | :27:17. | :27:22. | |
online, everybody watching at home the studio audience. National | :27:23. | :27:27. | |
treasure Lorraine Kelly tweeted, God love Ed Balls, hilarious. So they | :27:28. | :27:35. | |
love you. It's wonderful. Americans move for you next, a complete change | :27:36. | :27:39. | |
of pace. How is it going? I hear that you love this one, Ed. Correct. | :27:40. | :27:46. | |
It's good to get back to ballroom, but we can also done some lists. Ed | :27:47. | :27:54. | |
is doing lifts! Exciting. It's a fabulous song so we can get into | :27:55. | :27:58. | |
character. After last week, we have to show, as well as trying hard, but | :27:59. | :28:04. | |
we are getting better. As long as we are making progress. We are loving | :28:05. | :28:08. | |
watching you grow as a dancer and choreographer. Do your kick? And | :28:09. | :28:16. | |
then we get to hear and we lived at the right place. I'm not sure she is | :28:17. | :28:21. | |
fully appreciating my choreographic suggestions, but we'll get there. | :28:22. | :28:27. | |
He's like, oh, my God, we've got this, we've got to do that and that. | :28:28. | :28:32. | |
And then trying to throw all these terms that may for all the previous | :28:33. | :28:39. | |
dances we've done. -- these terms at me. If we spin turn... No. And then | :28:40. | :28:51. | |
we will go... Katya, I want to know, any of those moves make it into the | :28:52. | :28:57. | |
routine this weekend? Yes, but not that one. We quite like that one. | :28:58. | :29:04. | |
Now you know why Katya has lost her voice. Good luck with Amarillo. We | :29:05. | :29:11. | |
are looking forward to this, Ed and Katya. That's all we have time for | :29:12. | :29:16. | |
tonight. Thank you to all of my guests. Tune in tomorrow at the | :29:17. | :29:20. | |
earlier time of 6pm for an hour-long special. We will have Kevin Simm and | :29:21. | :29:30. | |
our Friday panel, including Helen Skelton and Sue pollard. | :29:31. | :29:32. |