Episode 28 Strictly - It Takes Two


Episode 28

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Now, if you're suffering from a mid-week slump,

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don't fret because we have a Strictly brilliant line-up

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Fresh from receiving their highest scores of the series,

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APPLAUSE Hello, beauties.

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My former dance partner-in-crime and the only man I trust to analyse

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the week's training footage, it's Ian Waite!

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Plus, where has she been all my life?

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The gorgeous Karen Clifton is here to give me,

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and you lot at home, a master class in the art

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APPLAUSE I can't wait.

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So clear some space in your living room and get your dancing

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But first up, it's taken 14 series and over 1,500

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dances but on Saturday night, one man did the unthinkable,

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Toxic! Addictive! Horribly fabulous! That bottom of yours was moving

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spasmodically. I did not know where it was going next. Halloween is

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about the supernatural. It wasn't super and it wasn't all that

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natural. But, your best dance. APPLAUSE

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Spreading so much joy. Everybody across the nation beaming with

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smiles after that. It was a dance of wonder. Congratulations for not

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being on the bottom! APPLAUSE My goodness me. Was it a joy to

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dance, you look like you are having so much fun? It was so unexpected

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because at the beginning of the season I thought Latin I would find

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impossible, the cha-cha-cha was the dance I was most afraid. It was my

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favourite one, we loved it. We loved it from the day we started. Much

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more intuitive. Really funny that even this week, we kept singing it

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and dancing it, sometimes we would break out from the quickstep start

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dancing it. I know, we will never ever forget that. LAUGHTER

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That would make such a good gif. You gave Katya a potion to help her

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dance better on Saturday, do you think she's starting

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to pull her weight She thinks I need a double dose!

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LAUGHTER It is not county that needs the

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potion. It was amazing. The funniest thing, she had to be a bad dancer,

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drink the potion and then become good. Catty's bans dancing was so

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much better than anything I could do.

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Everything is good. Just your bass dancing is not bad. Not bad enough.

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-- bad dancing. It must be that you can't dance badly. What an amazing

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score. Were you surprised with

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just how well it went? It was amazing to get it from Bruno.

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He did say it might be the first and the last one but it did not matter.

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We worked so hard and every week we try so hard. We are doing so well,

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we love it, we want to deliver the joy. It was also the first dance

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where, on the night, we did it the best we've ever done it. We've never

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done it that well. Some of your little... Some of your Vettel moves!

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Which we will come to in a moment. My God! That was a shock to all of

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us. Do you think he has warned to you? Very premature to say that. He

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was trying to keep his face very stiff and he talked about my

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spasmodic hip movements and then I gave him one. You could see him try

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not to burst... Craig is a tough critic and I'm listening to what he

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says. You will take it on board? There is one move that I feel we

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will all like to see again. Here it comes and there he goes. We

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needed it. I was supposed to be Michael Jackson

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and suddenly it became Beyonce. LAUGHTER

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It was so spontaneous. The natural dancer coming out. Afterwards I

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said, what was I doing? How did it happen? He was so in the moment and

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so in control of it. That little run I did, that was supposed to be

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Katya... Anyway... It was still in time. It fitted in so perfectly. We

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would never know you hadn't choreograph that for him.

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Improvisation. Your bottom also got a lot

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of attention on Saturday. You had a rough two weeks

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with the Paso Doble enjoyed it although the judges had a

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hard time. You enjoyed doing it, you've got

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great scores, how did you enjoy it? We could play safe, be a bit dull

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and just do the dance steps and that would be bad for us, we need to take

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risks and we took a risk in the American Smooth and it did not take

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off. We did not go backwards, we would try to do better with the

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cha-cha-cha, more risks and it worked. There is a formula we have

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got. Katya is so brilliant at the choreography, makes such a

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difference. The way she can get the music and the movement. The balance.

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And get me into it, it is amazing. The choreography was so superb. Well

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done. So good. We don't normally read out mean

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Tweets on this show, but there was one particular

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exchange we couldn't help Lord Sugar said and I quote,

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"Ed Balls dances with the grace of a drunk giraffe,

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give it up mate!" Bone! Lord Shobha! But the thing I

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love about it, you didn't take this lying down, you are in fact

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challenged him, didn't you? If launch of the things he can teach me

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to do it better, that's fine. Any night he wants to come on It Takes

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Two I would challenge an -- if Lord sugar thinks he can. We could do a

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New York a charleston spin. If you can do better than me I will back

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down. Until then, but you money where your mouth is! Show us the

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colour of your money, sir. We could make dreams come true.

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Moving on to this Saturday, you're dancing a quick step

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to Help by the Beatles, how much help does Ed actually need?

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You are pulling a face. It is quick. The clue is in the title. It is

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really good. He's good at timing. He's got the rhythm. Everything that

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is fast pace suits you. I was really surprised how quickly you picked up

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the whole choreography. Lots of quick feet. The hard thing is

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keeping the frame. You go in and out of the steps, you do a fast spin and

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then we are trying to make sure we have some fun and acting in the

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middle but then you need to come back into frame. Getting back in is

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fine. But the danger is you start to droop. Don't droop! You have got to

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keep it firm. I know that because Katya says "Don't troop!" I know.

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You really don't want someone shouting that at you, do you? The

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nation waits with bated breath. How far did you think you are going to

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get when you started? I did not want to go out the first week. You are

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former a former politician and you have lost an election, you do not

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want to lose a vote -- if you are a former politician. We are almost

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halfway. Blackpool! Two weeks to blackball. Final, can you imagine?

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Katya has won lots of championships in blackball, to be able to go back

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there and dance with me would be amazing. -- Blackpool. Only a couple

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of weeks. Good luck with training,

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Ed and Katya everyone! We know what you've been up

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to in the training room this week and I've got a man here ready

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to give those routines APPLAUSE

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Did you have a happy Halloween? I did after I got that make up off

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after last week in my tutu. I kept the title. Still wearing them today.

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That is quite like a Star Trek top. Beam me up Scotty. Who's surprised

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you out of our dancers? I loved it. Ed was brilliant, entertainment

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value all the way, I enjoyed it so much. Lots of good dancers. So many

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good dancers. Right, it's time to start looking

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at this week's routines. How is our Olympian doing with a

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Viennese Waltz? He has some really nice movement across the floor. Very

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good rotation. With a Viennese there is always a struggle to get round

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your partner but he is doing a good job. Nice Contra Check. As you can

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see, he is likely over the top of her. He needs to maybe get his chest

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forward and look over the top of her head and he will be able to show

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those shoulder blades down. Roll those shoulders back. He needs to

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push, slightly more with his hips. I love it when he does this. Look at

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him go! Ever beautiful thing. He has his hips tucked under com he have a

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lovely bottom but he needs to use it to drive. -- tucked under, he has.

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Drive from the hips. I have played this next bit. I have done it in

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slow motion. He does a lovely flat, with lovely footwork. Cross at the

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front? And then six steps, turnout, side cross in front, behind and

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twists. Simple as that! That wasn't even rehearsed! Lovely little flag.

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Only been doing it for 45 years! Sorry, 40! Get me!

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I will get you back, you are older than me. How is it going with Laura

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and Giovanni's samba? A bit fast and frantic at the moment. Samba is a

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difficult dance. If it is quite fast, you have got to make sure that

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those lines and everything are finished off. Do you see what I

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mean? If it is too fast you don't finish. Lines won't be finished. For

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instance, as you can see, she is bending into... That is the wrong

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way. She is bending but if she can bend more, she can stretch her back

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foot more. Promenade run. She can get on the board of her foot and

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stretch that leg. The trackball of her foot. She needs to bring her

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arms forward. It is not easy. This week they are doing a jive and

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it looks pretty good to me. Really good drunken sailors. As you can

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see. Sometimes he picks his feet off the floor a bit too much. He needs

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to stay on the balls off his feet. A lovely chicken walk step. He is

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doing a lot of these sort of swing stuff in there, actually, Zoe. What

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he needs to do is lean back into the swing stuff. To create more speed.

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Shall I show you? Goodness me. There is this like a ride on the waltz?

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Back, replace and lean back. Create more speed. Got me on my knee. I

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need to get off the ride! Thank you! APPLAUSE

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It's not easy with slippery shoes on. Not easy. That was a thrill.

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Ore and Joanne next, who are dancing a salsa on Saturday.

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So many different dances. Look at this partnering. Brilliant

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partnering. Lovely backdrop. Turn over and under. Doing some sort of

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list which they haven't attempted just yet. I slowed this bit down.

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I wanted to show off his armography. Change of hands behind the back,

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double turn under the arm and then a crossover handhold into a turn. And

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Ben lovely hip action. Hip roll, nice. -- and Ben lovely. So many

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intricate moves and he has them fluids. Everything else like that.

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Very good. What I would like to see is show himself off as well as Joe.

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He is doing a good job with partnering. But he needs to shine.

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-- as well with Jo. You have had in incident with your puppy. -- with

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your poppy. We should do this again, what are

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you up to this time tomorrow? Until then, give it up

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for Ian Waite, everyone! Time now for a dance

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lesson with a difference. Last week, Pasha taught us

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the basics of the paso doble. Tonight, it's the turn

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of Hot Lips Clifton, who's here to show

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us the-all important moves from her favourite dance,

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the Charleston. Please welcome Karen Clifton! You

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could have won something lovely that you look amazing in! We have really

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missed you around here, what have you been doing? Sleeping! Actually,

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I have been doing rehearsals for Children In Need and I have been

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rehearsing with Lutalo Mohammad. He does tae kwon do, has he taught you

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any? No, he is afraid I might use it on Kevin. Kevin is wincing at the

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idea. You have chosen to teachers charleston, why is it one of your

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favourite dances? It is so character driven, I love the fact that you can

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make faces and the swivel action in the dance, the lifts and I love the

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flappers, I get to watch acrylate where stuff like this. It is

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amazing. -- I get to where stuff like this. Where does it come from?

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Sums it originates from ancient African tribes, which is quite cool,

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but in the 1920s is when it became popular, in the ragtime jazz era.

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And the thing is it was kind of racy, people looked upon it as, that

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is quite... It was actually banned from a lot of holes because it was

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so it's you brand and scandalous. Two of my favourite words. -- it was

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so exuberant and scandalous. The charleston didn't appear on the show

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until 2009, first performed by eventual champions Chris Hollins and

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Ola Jordan, still considered to be one of the most iconic featured ever

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on the show and he got a perfect score for his charleston in the

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final when he went on to win. It wasn't on the show when I did it,

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would you fancy teaching me a few moves? Yes, but before that, I

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wanted you to wear this. Don't tell me I look like eem you. Clear the

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furniture at home. You can do this at home. Relax your knees, go on the

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Balls of your feet and I want you to bring your heels in and out. This is

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the all-important, what are they call it...? Swivel! Keep the knees

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nice and soft, a little bounce. A bit quicker.

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# Dorothy wants to go home # Dorothy wants to go home... Now we

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are going to go into the actual basics Savic, which is just forward

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and back and forward and back. And making sure that you keep that

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swivel going. I can sort of do one swivel and the other leg doesn't

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swivel. It is the sparkly shoes. Always blame the shoes. We have the

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swivel, imagine I have mastered it. What do we do next? Now the arms. It

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is all about the up position and keeping the swivel going. I am

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having a lovely time. Now the charleston is all about the comedy,

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so what do we want to do with the face? Look at me and smiled. Do I

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love demented? And may a parrot? -- may be pout. I am shattered. And the

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bird, it is one of Craig's favourite moves. Flappy bird, flappy bird,

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step, step. Step, step. Flappy bird, flappy bird. This is actually quite

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tricky. Stop it, you do it. OK, well, that's lovely. I think I am

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doing that marvellously. What are you laughing at, you lot? In the

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charleston, you do lots of lips. To lift me, I think we probably need

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some equipment, so let's not bother, so shall we show something? I have

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someone. Kevin! Super Kev. I'll show you what we do at home before we eat

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dinner. A quick little flip you will see in the charleston. My go, Kevin!

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No, you have got to dance and Argentine tango this weekend. Kevin,

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everyone. So we want to put all that together. So we have one, two,

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three. And the faces. I love it. Flappy bird, flappy bird. Karen

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Clifton! I love it. I love you, Hot Lips. That is pretty tough going, I

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hope you enjoy that at home. Now let's have a look at Daisy and Aljaz

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and Judge Rinder and Sanaa getting on in training. Can we do that every

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week? -- Oksana. I love the Viennese waltz because it conjures up imagery

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of all these Balls in Vienna and women dressed up like princesses. It

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is going to be most important to keep the shape, to keep the timing

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going and make it look easy and effortless. The first time being

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back in hold for four weeks. And it is quite tough on the old shoulders.

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Nice. The quick is fast-paced and really

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furious. It is the quickest of the dances, so you have to be super

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light on your feet. It is very easy for it to go from the quickstep into

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something quickly horrible. Judge Rinder can get frustrated when

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things are not working out but it is a good thing, because he just cares

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so much. It doesn't make sense. I don't get frustrated, it is more

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volcanic. I am quite optimistic about this week, I think we are

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going to do a good job. Hello, baby! Looking good, Judge Rinder. I'm

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still recovering from the flappy birds. You probably saw a lot of

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Harley Quins and jokers roaming the streets in Halloween this week, but

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one pair put them all to shame, swivelling their way to the best

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marks this series. It is the nicest villains in town, Louise and Kevin.

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# Your love Scotney looking so crazy right now... It was a charleston as

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pop art. The details and carefree but you have pulled out all the

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stops and it paid off. I thought the routine was dandy, you were a marble

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and it was more fun than the Beano. It was absolutely spot on. You

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marvellous capers, so brilliant. A cracking charleston at the weekend,

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loved your heath ledger joker and loved you as Harley Quin. Did you

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feel like a different person out there? It was nice playing a

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character and all week, Kevin had been saying you need to not be you

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and pull faces at the judges and I thought I would not be able to do

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it, I just felt so embarrassed. But when you are in all the get up, does

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that help? It definitely helped being in a clothes and make-up, I

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didn't feel like me, so it definitely helped on the night and

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without that, I was struggling to pull faces at the judges. You are

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doing all of that as well. And when you can't breathe! Did you enjoy the

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dance, it was so brilliant? I loved it and to be part of the Halloween

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show on Strictly, it is the one I always watch and think it must be

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amazing to be involved in that, to play it and be Harley Quin and Kevin

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as the Joker and do the charleston, it was perfect. That was your goal,

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wasn't it, to make Halloween? You have achieved that. What did your

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boys make of the outfit, mum in the hair and that? I have been the

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coolest man this week, a lot of the other weeks, they don't say anything

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and this week, "Where are your pigtails? Where is the outfit?" I

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was the coolest mum and I have the coolest dance partner. It is so

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true. And your highest scores of the series, Kevin. That is amazing, 39s

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and and eight. How proud where you Louise? It is difficult to tell when

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you are as the Joker. I was so proud to so many different reasons, the

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judges had said the week before that we were worried -- they were worried

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we had plateaued and wouldn't be able to make that next step up to

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the ones above us. We said we cannot get the same score this week, we

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have got to go harder and obviously, the routine was jam-packed full of

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stuff and having to pull of the character as well. But Louise just

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went for it all week, going for it and going through it and so I was so

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pleased when we did get past our highest score. Really proud of her.

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Your fitness levels must be unbelievable right now. It doesn't

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feel it right now! We will learn more about that in a minute. Craig

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said it was a bit controlled. I'm like, hang on? It is too controlled?

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How hard is it really let go, you are putting your all in and out

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there. I was cautious all week and Kevin had said throw yourself at

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this, give it everything and I really tried hard with the faces but

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then at the same time, I was really aware I was doing the charleston and

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if I didn't have the swivel, that thing, I needed to have that and no

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matter what I'm doing, I like to technically do the best I can, so it

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was a little bit of fighting with my trying to go crazy and do the steps.

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But I did my best and Craig still gave me a halfway decent score. She

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growled at me halfway through! Totally in character. And you had to

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perform facing the judges, you are so cruel, Kevin. They can't see you

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any more clearly at that point. And Kevin said I wanted to face the

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judges and go... And, really, must I? I am a woman, you know? A mother

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of two! And then on the night, I did do it and Len Goodman just looked at

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me and went... He was taken aback. There have been some quite funny

:25:44.:25:47.

faces. In the training room, that is.

:25:48.:25:57.

# Express yourself # Express yourself don't frown at

:25:58.:26:05.

me! # It's not what you look like

:26:06.:26:08.

# When you're doing what you're doing...

:26:09.:26:12.

That position there, did you just make your face? You look so cute! I

:26:13.:26:20.

love that phase. Clearly not worrying about what I look like when

:26:21.:26:25.

the cameras are there. Just what you need when you are training and

:26:26.:26:29.

sweaty, the cameras capturing every moment. So this week is the

:26:30.:26:33.

Argentine tango, how is it going in training? I am so excited. This far

:26:34.:26:39.

back Fleet week has been the most intense week of training we have

:26:40.:26:44.

had. -- this week has been. We are really aware that is is the first

:26:45.:26:48.

chance for Louise to show the fierceness and fire because all of

:26:49.:26:52.

the dances so far have been sweet and romantic or fun. So we haven't

:26:53.:26:56.

had this opportunity yet to show this Bierce, fiery side of Louise

:26:57.:26:59.

and bring this character out. -- fears. I have to say, in the

:27:00.:27:06.

training, that looks so good. This is a dance of flicks and kicks and

:27:07.:27:12.

ganchos and gauchos, I'm not sure which is which. I know in the past

:27:13.:27:17.

you have trodden on Kevin's feed. Any instances in training? Oh, yes,

:27:18.:27:26.

I have maybe ruined it for Kevin and Karen for live! Today, Kevin said to

:27:27.:27:31.

me, really be aggressive. So I was like, I'm going to be really

:27:32.:27:33.

aggressive. Maybe slightly too aggressive. I took a kick boxing

:27:34.:27:41.

combination to an area I would rather not mention! I thought you

:27:42.:27:43.

were speaking in quite a high voice when you came in. When he rolled

:27:44.:27:49.

across the floor, I thought, maybe I might have hurt him. You are the

:27:50.:27:54.

first ones to do this dance, it is a fan's favourite. It must be good to

:27:55.:27:59.

do it before anyone else has done it, do you think? It is a good

:28:00.:28:02.

opportunity to be the first ones in the to do it but it does bring a lot

:28:03.:28:06.

of pressure with that, obviously, because I think people expect with

:28:07.:28:10.

the Argentina tango, a lot of drama and passion, so we have to bring it,

:28:11.:28:15.

we have no option but to bring it on Saturday night. Louise, are you

:28:16.:28:20.

ready to bring it? Yes, I am finding my in a -- my inner... Who am I?

:28:21.:28:33.

Valentino. And I am Santiago. Enjoy it, I think it will be a great

:28:34.:28:37.

dancer U2. Louise and Kevin! That is all we have time for tonight. If you

:28:38.:28:42.

remove the fan, you can catch me later on BBC One at 11:15pm for Film

:28:43.:28:49.

2016 with Danny Lee. I will be back here tomorrow with Danny and Oti,

:28:50.:28:52.

Ian Wade is back with another warm up and Vicky Gill looks at this

:28:53.:28:59.

weekend's costumes. Good night. -- Ian Waite.

:29:00.:29:02.

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