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From London, this is Strictly, It Takes Two! Please welcome your host, | :00:47. | :00:53. | |
Zoe Ball! CHEERING AND APPLAUSE. If you're missing Halloween already, | :00:54. | :00:57. | |
we've still got a few tricks up our sleeve, | :00:58. | :01:02. | |
including an exclusive listen to what our couples will be | :01:03. | :01:03. | |
dancing to this weekend - And from the Jukebox | :01:04. | :01:06. | |
to the Booth of Truth, But first, it's time to reveal who's | :01:07. | :01:11. | |
in our green room tonight. Plus, he's the busiest choreographer | :01:12. | :01:21. | |
on the planet, it's dance Jason will be answering some | :01:22. | :01:37. | |
of your questions later in the show! But first, they danced | :01:38. | :01:42. | |
like it was the Day of the Dead on Saturday and ended | :01:43. | :01:45. | |
up in the bottom two Luckily, the judges gave them | :01:46. | :01:47. | |
a lifeline and they and live It is really lovely to see that | :01:48. | :02:05. | |
dramatic, stronger Daisy now, in really nice rounded performance. | :02:06. | :02:09. | |
Hit and miss, sometimes full of aggression and attack and another | :02:10. | :02:14. | |
bit, it would just loosen out a bit. The choreography was great, you | :02:15. | :02:17. | |
looked fantastic and I adored the dance! | :02:18. | :02:23. | |
I get really emotional watching that again. | :02:24. | :02:27. | |
Dramatic paso and you both looked divine. The skulls were beautiful. | :02:28. | :02:38. | |
The brief was pretty skulls. They did an incredible job. The dress. | :02:39. | :02:43. | |
The hair and make-up. Just incredible. For everyone, they go | :02:44. | :02:48. | |
over and above. It is so exciting, the dance itself, did you enjoy it? | :02:49. | :02:53. | |
I loved that paso, such a passionate dance. It was really difficult | :02:54. | :02:57. | |
coming to terms with being aggressive and tough like that | :02:58. | :03:00. | |
because I'm just not like that naturally. Once I got my head around | :03:01. | :03:05. | |
it, I loved it so much. And I had the best time. When it got the | :03:06. | :03:10. | |
Saturday night, I felt like I didn't do it as well as I had done in | :03:11. | :03:16. | |
rehearsals. No! Aljaz, you do not look like you agree. Where then | :03:17. | :03:20. | |
nerves because you had been in the dance of the week before, was more | :03:21. | :03:24. | |
nerve wracking? Yes, of course, and wanting to prove I deserve to be | :03:25. | :03:31. | |
there as well. More than anything, just saying I'm still really | :03:32. | :03:35. | |
enjoying it and I can do the steps, I promise! Bless you! And you can do | :03:36. | :03:41. | |
them well! I know, and we really enjoyed it. And bottom two again, | :03:42. | :03:47. | |
that is heartbreaking, Aljaz? Especially as you had such great | :03:48. | :03:53. | |
scores. It is always tough. And as soon as we finished, I did know, on | :03:54. | :03:57. | |
the Saturday, Daisy did an incredible job. Again, yet again, I | :03:58. | :04:03. | |
was not easy on her with the steps and choreography. There was really | :04:04. | :04:07. | |
tricky footwork within that routine. And to stay in character and the | :04:08. | :04:13. | |
make-up was incredible, so the whole thing, I loved the look and the | :04:14. | :04:18. | |
dance, it was won of my favourite dances I have ever done in Strictly. | :04:19. | :04:23. | |
See! And a lot of love and support for you online. | :04:24. | :04:28. | |
Well, you got lots of support online. | :04:29. | :04:30. | |
Carol Rafferty tweeted: "Daisy Lowe - shocked you were in the dance-off | :04:31. | :04:33. | |
this week, but so pleased you're through to dance another week. | :04:34. | :04:36. | |
Yes! Strike -- smiling! Good advice. When Tess said your name, you could | :04:37. | :04:41. | |
not catch your breath and I was worried. I thought your knees had | :04:42. | :04:44. | |
gone. What went through your head | :04:45. | :04:45. | |
when you heard your name called out? I had just turned her Aljaz and | :04:46. | :04:52. | |
said, I can't do that dance again. Then they called our name and I | :04:53. | :04:57. | |
thought, well, I'm going to have two! But in honesty, I was really | :04:58. | :05:02. | |
pleased I got an opportunity to do it better because I felt like I had | :05:03. | :05:06. | |
not done it as well as I could have and I really went for it in the | :05:07. | :05:11. | |
dance-off. You really went for it! You could feel the fire! Brendan | :05:12. | :05:16. | |
said yesterday, nothing like a dance-off to go, right, I'm bringing | :05:17. | :05:21. | |
it. You must have been like and again, with that make up, I did tell | :05:22. | :05:25. | |
Daisy whenever in the routine you feel like you want to scream or | :05:26. | :05:30. | |
shout, do it! There was 1.I looked at Daisy and she shouted and I said, | :05:31. | :05:38. | |
make up! I got out of character! The judges saved you unanimously again. | :05:39. | :05:44. | |
They are seeing the great stuff and you want the people at home to | :05:45. | :05:48. | |
understand that is to vote. Aljaz, what is it people do not see at | :05:49. | :05:53. | |
home? I don't know. Daisy comes in every single week and we got the | :05:54. | :05:59. | |
best score this week, which proves she works so hard. And the steps I | :06:00. | :06:06. | |
throw in, really difficult, every single week. And we just need to | :06:07. | :06:11. | |
keep doing that. We've got some beautiful dancers left this week. I | :06:12. | :06:15. | |
love the dance we are doing this week already, I just want her to get | :06:16. | :06:20. | |
better every week. Which she is doing. And going back to how | :06:21. | :06:25. | |
difficult the steps were, Len did say he had never seen a girl, I have | :06:26. | :06:30. | |
to read it, it is so complicated, he'll turn into a twist turn step, | :06:31. | :06:34. | |
you had worked so hard on it, did you know what he meant? I did | :06:35. | :06:39. | |
because Aljaz had said to me previously, you have to make sure, | :06:40. | :06:42. | |
you get the steps right, make sure you do that bit rate because that is | :06:43. | :06:47. | |
important technical dance work. All right! I said it much more happily! | :06:48. | :06:57. | |
I really would love you to... I was doing the paso face all day! That is | :06:58. | :07:01. | |
a really tricky step to do because the timing is hard and paso is very | :07:02. | :07:07. | |
fast, and to do a little he'll turn, yes, I loved it. I love it when he | :07:08. | :07:13. | |
is happy and smiling, we do not see training Aljaz! That is not true! | :07:14. | :07:18. | |
Now, viewers of a more sensitive disposition - or those | :07:19. | :07:21. | |
eating their tea - may want to look away now. | :07:22. | :07:23. | |
Daisy, here you are having a few moments of relief | :07:24. | :07:25. | |
Oh, yes! One, two... Know, straight leg. I didn't want to bet in your | :07:26. | :07:34. | |
face! # She's a lady! | :07:35. | :07:42. | |
BURPING. Is that to put me in the right mood for a paso? | :07:43. | :07:50. | |
Yes, yes! I love that! And when I got back in hold, I said, thank God | :07:51. | :07:56. | |
I'm to the left! On his shoulder! Less onions! My grandmother will be | :07:57. | :08:04. | |
modified! No, you are a lady! I really do burp! We all do that and | :08:05. | :08:07. | |
we get wind from various places! We all do that and we get wind | :08:08. | :08:09. | |
from various places! You're dancing the | :08:10. | :08:11. | |
Viennese Waltz next. Back in the hold. Back in the hold, | :08:12. | :08:20. | |
it is so comforting! It feels like being in the womb! All right! We | :08:21. | :08:27. | |
haven't been able to be in hold the four weeks since our Quickstep and | :08:28. | :08:31. | |
it does feel really good. I also forgot how painful it is to keep | :08:32. | :08:36. | |
your arms up like this. All the time, and the head. And you are | :08:37. | :08:41. | |
saying today that in the Viennese waltz, it needs to be even further | :08:42. | :08:46. | |
backwards. Yes, every week, it needs to be further back. Goodness me! And | :08:47. | :08:54. | |
a lovely smile. And I get the smile, yes! We love your smile, it is great | :08:55. | :09:01. | |
to see that again. If we think back to your waltz... | :09:02. | :09:02. | |
Your Week One Waltz to Unforgettable was - | :09:03. | :09:07. | |
Will we see something like that again? I think so, the waltz was | :09:08. | :09:14. | |
beautiful and the Quickstep, I loved the Mary Poppins Quickstep. And I | :09:15. | :09:19. | |
could not wait to get back to ballroom because I know that's Daisy | :09:20. | :09:25. | |
loves it. Yes, it is a song that is very self-explanatory. Eating | :09:26. | :09:29. | |
everybody is going to love it. But I always love a Viennese waltz on the | :09:30. | :09:34. | |
show, a beautiful feeling of a ball in Vienna and doing it on Strictly | :09:35. | :09:39. | |
is always special. I'm excited to dress up like a Princess! We can't | :09:40. | :09:43. | |
wait and keep the faith, we love you! | :09:44. | :09:46. | |
Now, like us, the pro dancers enjoy a good old gossip, | :09:47. | :09:50. | |
so we built them a photo-booth of truth especially! | :09:51. | :09:52. | |
Which professional is always late? Well, I have noticed Anton has been | :09:53. | :10:23. | |
late quite a few times. Anton. Well, it's not me, it's definitely not me. | :10:24. | :10:32. | |
The lovely Anton du Beke does waltz in whenever he likes. The other pros | :10:33. | :10:38. | |
get in early. Some people might say it is me, Pasha. Always ten, 20. | :10:39. | :10:43. | |
Half an hour late. I have never seen him on time, ever. We are waiting | :10:44. | :10:49. | |
for you, Pasha. They think I'm late. They are early, I'm on time, it is | :10:50. | :11:00. | |
just. Early. Who is the clumsiest professional? That is easily | :11:01. | :11:03. | |
Brendan, he is always doing tricks and flipping around and jumping of | :11:04. | :11:07. | |
tables and he falls. I'm very clumsy, I do a lot of stupid things. | :11:08. | :11:14. | |
100% Brendan Cole. I often fall and I trip. Brendan, he is just really | :11:15. | :11:18. | |
fearless and he just jumps off things and does a roly-poly. | :11:19. | :11:23. | |
Stumble, break. Any time you hear something falling, you don't have to | :11:24. | :11:30. | |
even ask, it is Brendan. Yes, it is one way of dancing. | :11:31. | :11:33. | |
Clumsy Brendan! We love an excuse to get our groove | :11:34. | :11:35. | |
on in the It Takes Two studio. And you may have noticed | :11:36. | :11:38. | |
we regularly do it on a Tuesday. Yep, you guessed it, | :11:39. | :11:41. | |
it's time for Tunes on Tuesday! With just nine couples | :11:42. | :11:44. | |
left in the competition, Let's find out what's | :11:45. | :11:51. | |
on the jukebox tonight. # I don't tell you what to say... | :11:52. | :12:03. | |
It's the 2015 hit You Don't Own Me, by Australian singer Grace. | :12:04. | :12:07. | |
The song was produced by the legendary Quincy Jones, | :12:08. | :12:09. | |
who also produced the Lesley Gore version way back in 1963. | :12:10. | :12:12. | |
Both singers were just 17 years old when they recorded this | :12:13. | :12:14. | |
You may also recognise it from a famous Christmas ad. | :12:15. | :12:22. | |
That's right, folks, Halloween is so yesterday! | :12:23. | :12:24. | |
Let's find out who'll be hoping to "own" their | :12:25. | :12:35. | |
They'll be performing a Viennese Waltz to this! | :12:36. | :12:50. | |
Right, what's next on the Jukebox tonight? | :12:51. | :12:53. | |
It's 'Long Tall Sally', by Little Richard! | :12:54. | :12:58. | |
This 1957 hit's been covered by Elvis Presley, | :12:59. | :13:00. | |
By the way, nice dress, Daisy, lovely! And you don't look so bad, | :13:01. | :13:11. | |
And you don't look so bad, Ore! | :13:12. | :13:13. | |
In fact, Little Richard was such a big influence on The Beatles that | :13:14. | :13:16. | |
Let's find out who's going to be wooing along to this | :13:17. | :13:25. | |
It's 'Bamboleo' by the brilliant Flamenco band Gipsy Kings! | :13:26. | :13:47. | |
Believe it or not, this iconic song never made it into the UK charts, | :13:48. | :13:57. | |
but it certainly stood the test of time as - 28 years later - | :13:58. | :14:00. | |
Trust me, you'll be Bamboleo-ing for the rest of the night! | :14:01. | :14:04. | |
Ever wondered what 'Bamboleo' actually means? | :14:05. | :14:09. | |
After a quick online translation, we can tell | :14:10. | :14:13. | |
# Porque mi vida, yo la prefiero vivir asi #. | :14:14. | :14:23. | |
CHEERING AND APPLAUSE. Ole!! | :14:24. | :14:27. | |
"Roll, roll, because I prefer to live my life this way". | :14:28. | :14:32. | |
I think I prefer to live my life this way too! | :14:33. | :14:36. | |
Let's find out who'll be rolling along to this song on Saturday. | :14:37. | :14:51. | |
They will be going the Samba. If you want to find out... Thank you. If | :14:52. | :15:03. | |
you want to find out what songs are couples are dancing to this weekend, | :15:04. | :15:04. | |
head to the website. Talking of this weekend, | :15:05. | :15:07. | |
it's time to take an exclusive look at how rehearsals are coming along | :15:08. | :15:10. | |
for the next big group number. And this time, our pros | :15:11. | :15:13. | |
are bringing Cuba to Elstree. This week we are taking the ballroom | :15:14. | :15:30. | |
to South America. This time it is to Fiesta Strictly style. It is from | :15:31. | :15:36. | |
Cuba, it is energetic. OT is playing this character the men want and it | :15:37. | :15:44. | |
is them competing for her attention. Bits of Salsa, bits of Samba in it. | :15:45. | :15:49. | |
The girls are sexy and the men are looking match show. I love this | :15:50. | :15:55. | |
dance. I am at the front for half of it until Anton du Beke comes along | :15:56. | :16:01. | |
and pushes me out of it again. I am the Lothario, the one who ends up | :16:02. | :16:05. | |
with the girl. The others are all fighting over the girl and she | :16:06. | :16:10. | |
catches one side of me and that basically does it. This dance, we | :16:11. | :16:18. | |
are using loads of props, hats on, all we can put in. Love it. Imagine | :16:19. | :16:24. | |
you are on the streets of Cuba, everyone having fun. Lots of hips | :16:25. | :16:28. | |
going on, it will get the audience going. The end of the number is | :16:29. | :16:33. | |
going to be fantastic. Going to have a bit of a surprise in store with | :16:34. | :16:37. | |
special effects, so I am looking forward to that. That is all you can | :16:38. | :16:42. | |
see by now, June in this weekend to join the party. You are all invited. | :16:43. | :16:48. | |
It looks wild. It's time now to meet | :16:49. | :16:50. | |
the Dance Mastermind behind so many of the group numbers | :16:51. | :16:52. | |
you see on Strictly. Please welcome Choreography god | :16:53. | :16:54. | |
and all-round lovely We just got a flash of the weekend | :16:55. | :17:09. | |
group dance is coming up, Cuban Fiesta with choreographer Matt | :17:10. | :17:18. | |
Flint. He is so lovely. That looks fantastic. It is one of the fastest | :17:19. | :17:26. | |
routines we have done so far. Halloween weekend, both group dance | :17:27. | :17:32. | |
is where epic. Ghost train, brilliant opening and then the | :17:33. | :17:41. | |
results show, Clock Strikes 12? Yes, that does Halloween firs every year, | :17:42. | :17:45. | |
but this was phenomenal. The storytelling, in that short space of | :17:46. | :17:53. | |
time to tell this incredible story, it is great. Brendan possibly played | :17:54. | :17:58. | |
the best evil character we have ever had. One of our viewers has asked, | :17:59. | :18:06. | |
how do you choose which pro has two lead the different group dance is? | :18:07. | :18:11. | |
It is easy because every pro dance gets featured. By the end of the | :18:12. | :18:16. | |
season we have seen every single pro take the lead in a number. Some of | :18:17. | :18:23. | |
the choreographers like Beth Honan, she knew what she wanted for her | :18:24. | :18:29. | |
routine this time. For my routine, I pretty much featured all of them. | :18:30. | :18:34. | |
For my second, I wanted to feature some of the new ones who have been | :18:35. | :18:36. | |
in this show this year because nobody has got to know the new one | :18:37. | :18:43. | |
yet. So I used Gorka and Oksana. That was Romeo and Juliet. Yes, and | :18:44. | :18:50. | |
I got to know them really well with just working with them. It was a | :18:51. | :18:56. | |
lovely experience. Was this the first group Argentine Tango? I | :18:57. | :19:06. | |
couldn't work out why we hadn't used an Argentine Tango is a group number | :19:07. | :19:16. | |
before. At week one, when everybody did the Waltz to What The World | :19:17. | :19:23. | |
Needs Now. It was beautiful. Not just in the room, the rehearsal room | :19:24. | :19:28. | |
was a beautiful experience. Bringing all these people from all over the | :19:29. | :19:33. | |
country together, the kids were from all over London. The other people | :19:34. | :19:38. | |
that joined us, the social dances were from up north. They had never | :19:39. | :19:41. | |
seen each other, they had been rehearsing separately all over the | :19:42. | :19:47. | |
country. So they only get to rehearse together on the day? Yes, | :19:48. | :19:53. | |
it was like having 5000 people on the floor at once. We have more | :19:54. | :20:00. | |
questions Angela would like to know who are your heroes in the dance | :20:01. | :20:04. | |
world? I am a bit old school so I like Fred Astaire, Ginger Rogers, | :20:05. | :20:10. | |
Gene Kelly, Anton du Beke. The biggest of the dance world. I love | :20:11. | :20:17. | |
old movies from the 30s and 40s and I get a lot of my inspiration from | :20:18. | :20:25. | |
them. We have seen some beautiful influences this year with Ore doing | :20:26. | :20:29. | |
singing in the rain. What are the top three elements that make a good | :20:30. | :20:37. | |
dance? You have to have a simple concept, a good, technical base, but | :20:38. | :20:41. | |
then the most important thing is a great performance because then that | :20:42. | :20:46. | |
will hit it home. If you don't have that performance, you will not | :20:47. | :20:49. | |
connect with anybody watching. As much as you can work on technique | :20:50. | :20:56. | |
over and over again, if you don't work to the performance, it can flat | :20:57. | :21:00. | |
line. Performance above everything. I love the group numbers, there are | :21:01. | :21:04. | |
so many different dances you want to watch. | :21:05. | :21:19. | |
Now Halloween is out of the way, Blackpool is almost here. We have | :21:20. | :21:27. | |
done a Waltz so far, we have done a Tango and this group number, I think | :21:28. | :21:30. | |
the F would be nice to open the show. I love getting the celebrities | :21:31. | :21:38. | |
excited to open the show. So we will do something special for the | :21:39. | :21:40. | |
celebrities this year. Our final couple of the night turned | :21:41. | :21:41. | |
the Strictly Ballroom into their very own sweet shop and - | :21:42. | :21:47. | |
apart from the mess they made - You don't get tired at all, you make | :21:48. | :22:12. | |
everything look easy, so well done. You're right but never swivels, so | :22:13. | :22:20. | |
it is not a Charleston. Overall, I thought it was great. But the lift | :22:21. | :22:28. | |
was a bit dodgy. Ore and Joanne. I was hoping you would keep the beard. | :22:29. | :22:40. | |
I wanted him to keep the wart. You couldn't see it on TV, but they | :22:41. | :22:46. | |
stuck eyelashes on the wart, so it was hairy. This is the detail they | :22:47. | :22:52. | |
go to, so good. When you saw it in the mirror, what? ! What did we look | :22:53. | :23:05. | |
like, silly. I felt like I was channelling Tom Hanks in castaway. A | :23:06. | :23:16. | |
bit of Ron Burgundy on a bad day. We have Craig giving you a six and then | :23:17. | :23:22. | |
getting nines. But your lower score since the second week, but 32 is | :23:23. | :23:28. | |
still great. How are your feelings? You cannot complain having 32, it is | :23:29. | :23:34. | |
an amazing score. For me, it was the first time we'd had a six since week | :23:35. | :23:39. | |
too, so it felt like we had gone back a bit. But it was so nice and | :23:40. | :23:45. | |
the judges around the table realised there were some good bits and we did | :23:46. | :23:50. | |
do some of the Charleston well. He did a lot of it well. What happened | :23:51. | :23:57. | |
with the lift, Joanne because you could see something had gone | :23:58. | :24:03. | |
Askwith. It was definitely squiffy. We didn't time it right together. It | :24:04. | :24:10. | |
wasn't Ore's faults, it was us as a team, together. We were supposed to | :24:11. | :24:19. | |
do... Back, replace, jump, bend and go over at exactly the same time. | :24:20. | :24:24. | |
Watching it back it was the back, replace and it was the turn we | :24:25. | :24:31. | |
didn't get in sync. I am with you now. It had a knock-on effect | :24:32. | :24:39. | |
because we didn't have the next steps in time. I know how terrifying | :24:40. | :24:46. | |
it is. Your brain starts to race. My brain went blank. It is the first | :24:47. | :24:51. | |
time. It is quite scary because we are at the part in the competition | :24:52. | :24:54. | |
where the pressure is rising. Every step that goes wrong, it can affect | :24:55. | :24:59. | |
how you get on in the competition. It was scary because it had never | :25:00. | :25:03. | |
happened before and I had never not done that lived right. You are very | :25:04. | :25:09. | |
sweet because he felt like I was falling and the reason he was behind | :25:10. | :25:13. | |
and not in sync afterwards, he was making sure I did not fall over. He | :25:14. | :25:18. | |
helped me up and then missed the beat. The things you have to do for | :25:19. | :25:26. | |
a lady. It is quite exciting, it means there is a reshuffle at the | :25:27. | :25:30. | |
top of the leaderboard. It is so competitive. Are you feeling that | :25:31. | :25:36. | |
competitiveness, the change amongst everyone? I don't know, we are | :25:37. | :25:43. | |
trying not to think about it as a competition. When we go back to | :25:44. | :25:48. | |
training on Monday it is nice to get into the safety tree of the | :25:49. | :25:51. | |
training room and learn the routine. From being at the top of the | :25:52. | :25:56. | |
leaderboard twice, which is incredible, I said last week there | :25:57. | :26:00. | |
was only one way to go. We were prepared for the fact we would not | :26:01. | :26:03. | |
be up there again, but it is about how you bounce back. Motivation, | :26:04. | :26:12. | |
work hard. Exactly. Let's talk about the swivel issues, and I know you | :26:13. | :26:21. | |
had worked hard. I had worked hard, she had been banging on about swivel | :26:22. | :26:27. | |
all week. I thought there was some swivel and I was really trying. You | :26:28. | :26:31. | |
know what it is like when you are trying so hard every day of the week | :26:32. | :26:35. | |
and one of the judges picks up on the things you have been trying to | :26:36. | :26:40. | |
do and says he didn't do it, it is a bit of a hammer blow. You did do it. | :26:41. | :26:46. | |
When you were looking at your lollipop like that, you were | :26:47. | :26:52. | |
swivelling. Craig's eyes would have been on that. It is a strange dance. | :26:53. | :27:00. | |
I love doing the Charleston, but it is bizarre, it is like patting your | :27:01. | :27:04. | |
head and rubbing your stomach at the same time. Just don't drop your | :27:05. | :27:10. | |
partner. That is always a good thing. Let's move the Salsa for you | :27:11. | :27:20. | |
two. You like this. Back to the Latin. What are you thinking, how | :27:21. | :27:24. | |
has it gone so far in training? Very well. It has been all right. You | :27:25. | :27:33. | |
look surprised! I have a different feeling from last week. You already | :27:34. | :27:39. | |
love the Salsa, kind of way of dancing and you picked up the | :27:40. | :27:44. | |
routine within the first two hours. We had done the whole routine. You | :27:45. | :27:50. | |
have such low expectations. There is a boat... Still have lifts. We have | :27:51. | :28:00. | |
to time them right. Let's not dwell on that. What is the important thing | :28:01. | :28:09. | |
about the Salsa? We haven't got onto the lips, so that will come. It will | :28:10. | :28:14. | |
be their hip action and it is going to be about light on your feet and | :28:15. | :28:21. | |
not taking two larger steps. We have a list. Let me get my notepad. Most | :28:22. | :28:31. | |
important thing, keep moving, don't stop. You make it look so easy. | :28:32. | :28:38. | |
Don't do this... That is my idea of a Salsa. I think I will come to your | :28:39. | :28:43. | |
salsa class. Good luck this weekend, we thing you are brilliant. Keep it | :28:44. | :28:45. | |
up! But fear not, we're back tomorrow | :28:46. | :28:46. | |
at 6.30 when I'll be joined Plus, we last saw him | :28:47. | :28:52. | |
dressed as Black Swan, Ian Waite is back for | :28:53. | :28:59. | |
a Wednesday Warm-Up! | :29:00. | :29:02. |