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Live from London, this is Strictly a text to! | :00:49. | :00:57. | |
As ever there were thrilling treats from the Strictly | :00:58. | :01:05. | |
But it wasn't all fun and games, things came to a chilling climax | :01:06. | :01:10. | |
last night when Anastacia and Brendan were given the chop | :01:11. | :01:13. | |
Luckily for us, though, it's not as gory as it sounds - | :01:14. | :01:19. | |
they're joining us in the Green Room tonight! | :01:20. | :01:24. | |
Along with a rather bewitching duo... | :01:25. | :01:29. | |
A handsome prince, doesn't he look cute in his outfit? | :01:30. | :01:40. | |
Plus, here to tell us which dances were naughty and nice | :01:41. | :01:43. | |
in Choreography Corner - it's Chloe and Neil! | :01:44. | :01:46. | |
But first - she was 'Outta Love' with the judges last night | :01:47. | :01:52. | |
and the time has finally come to 'set her free'... | :01:53. | :01:55. | |
Before we say goodbye, here's Anastacia and | :01:56. | :01:56. | |
Welcome. Though inside circumstances. You have had quite an | :01:57. | :02:38. | |
experience at Strictly Come Dancing, what an exciting one, but no more | :02:39. | :02:51. | |
Dancastasia. I am doing well. Overall what I got was what I got, I | :02:52. | :02:57. | |
wanted to raise awareness in best cancer and I wanted to find my own | :02:58. | :03:02. | |
piece of fame that I lost. So to me it was a total win-win. Whenever you | :03:03. | :03:05. | |
goes when you go any car control that and you have just got to do the | :03:06. | :03:09. | |
best you can do. Which you absolutely did, and can I just said, | :03:10. | :03:16. | |
the outfits, I make up, wings, hoverboard. Missed. We really did | :03:17. | :03:18. | |
try. We try to bring in a cave. Would you enjoy that? I did, you | :03:19. | :03:31. | |
have to do the best you can do anything we gave it that we could | :03:32. | :03:37. | |
give it. Absolutely. Bruno was saying you're giving him Tina | :03:38. | :03:41. | |
Turner. Craig said something about the kicks and flicks, I have done | :03:42. | :03:44. | |
that, it is impossible, you do it for two and a half minute it is | :03:45. | :03:49. | |
exhausting. It truly is. One of the most difficult things about the | :03:50. | :03:53. | |
jive, you can only practice it's a much fuller falling on the floor and | :03:54. | :03:57. | |
get that level of technique and to get everything fine on the night is | :03:58. | :04:00. | |
actually a very hard thing to do. We did quite well. Looking back, I can | :04:01. | :04:04. | |
see what they are saying. It is fair enough what they are saying but | :04:05. | :04:10. | |
overall, a nice way to end, I think. Identical I rehearsed that great. -- | :04:11. | :04:18. | |
I don't think I. You have to be real with it, I'm not delusional. I keep | :04:19. | :04:31. | |
it very realistic. I like that. Bellew honest-acia. They just keep | :04:32. | :04:37. | |
going! James from Hampshire says science to see them leave but so | :04:38. | :04:40. | |
proud of what you have come through and achieved on Strictly. | :04:41. | :04:44. | |
Dancastasia! So good, and you went for it in the dance-off as welcome | :04:45. | :04:48. | |
you came out and gave it more fire and energy. Nothing like a | :04:49. | :04:53. | |
dance-off. Just before we do that, I said leave nothing in the dressing | :04:54. | :04:57. | |
women that is exactly what happened. You have got to put everything up | :04:58. | :05:00. | |
there or it could be your last dance. It was for us, but it is a | :05:01. | :05:04. | |
very exciting feeling when you are out there doing it, probably less so | :05:05. | :05:08. | |
for these guys. A very exciting feeling I had watching you being | :05:09. | :05:12. | |
King vampire in the Sunday night pro dance. That was amazing | :05:13. | :05:22. | |
storytelling. Very exciting, choreographed by Beth Cohen. We had | :05:23. | :05:25. | |
great feedback on social media. Thank you for your lovely feedback. | :05:26. | :05:31. | |
Jason talking about: buffy the show tomorrow. I felt he had more to | :05:32. | :05:34. | |
give, was there a Willy looking forward to doing? The salsa that I | :05:35. | :05:43. | |
got injured on was who conduct that was in my wheelhouse, so | :05:44. | :05:49. | |
unfortunately, Latin Anastacia has left the building. Unfortunately she | :05:50. | :05:54. | |
was not able to flower. But I felt like the quickstep became my salsa | :05:55. | :05:57. | |
and that was just a lovely way to sort of remember the dances as a | :05:58. | :06:03. | |
whole. I think I am a ballroom dancer now. LAUGHTER | :06:04. | :06:07. | |
I thought I was Latin. I love the welts. And look what happened in | :06:08. | :06:13. | |
quickstep. Enjoy your Strictly Story. My partner is a maze balls. | :06:14. | :06:24. | |
Hi honey I'm home. First dance is the cha-cha-cha. Alex. OK, go. Based | :06:25. | :06:33. | |
on this, I am expecting a fantastic dance next week. This week I'm doing | :06:34. | :06:42. | |
the salsa. I am channelling might in a Latina Anastacia. Considering you | :06:43. | :06:51. | |
have got an injury I felt you did a good job, well done. I can reveal | :06:52. | :06:57. | |
the couple with a few fewest votes and therefore out of the competition | :06:58. | :07:02. | |
is Melvin and Janette. I feel awful. I just wish I could have danced. I | :07:03. | :07:08. | |
don't know, I dead even have words, I really don't. The Viennese welts | :07:09. | :07:15. | |
is loving and loving. I have a desire to make this dance really | :07:16. | :07:21. | |
ten. You have come back with an enormous sense of confidence and | :07:22. | :07:25. | |
that is brilliant. CHEERING We are doing the rumba. I didn't | :07:26. | :07:30. | |
know there was a dance like that. Very sensual. I thought you Ross | :07:31. | :07:39. | |
Taylor Labit fluidity and it just became somewhat stilted. You lost a | :07:40. | :07:44. | |
little bit of fluidity. Sometimes life is in front of you have just | :07:45. | :07:49. | |
got to find a way around it. We have Koke coming in. My goal is to make | :07:50. | :07:59. | |
Brendan proud. Identified to upset friend and that it was your best | :08:00. | :08:05. | |
dance. I was so chuffed. I loved it. You are doing the jive. When I go | :08:06. | :08:09. | |
out there I don't want to be winging it. Totally batty! Just a little bit | :08:10. | :08:19. | |
flat-footed. It was laboured, it was led I'm afraid. One of you will come | :08:20. | :08:24. | |
back next week and one of you will leave tonight. I always wanted to be | :08:25. | :08:30. | |
more of a dancer and this is the perfect way to do it, I think. You | :08:31. | :08:33. | |
are amazing, thank you so much for everything. APPLAUSE | :08:34. | :08:43. | |
It is very emotional watching it. It is wild because it is kind of like | :08:44. | :08:51. | |
watching your memorial. On Halloween! How sweet and gentle. It | :08:52. | :08:59. | |
is what it is, this show is amazing because it continues to keep on just | :09:00. | :09:05. | |
letting people know to move on. And embrace all of what life is, and | :09:06. | :09:09. | |
that's what I really like about what the show represents. I love that. | :09:10. | :09:14. | |
Brendan, what has oppressed you most about Anastacia's experience? Sheer | :09:15. | :09:19. | |
determination and grit. Always willing to get stuck in and do a | :09:20. | :09:22. | |
great day's training and prepare for the Saturday. Not an easy thing | :09:23. | :09:25. | |
these guys put themselves through and it has been a really positive | :09:26. | :09:28. | |
attitude throughout the show and that is something not everyone | :09:29. | :09:33. | |
makes. We have a little treat for you as it is Halloween. Oh my God! | :09:34. | :09:40. | |
Where did you find it? In a posh shop. Thank you, this is what I | :09:41. | :09:45. | |
called Candy corn the other day and people like what, what is that? | :09:46. | :09:49. | |
Would you like to see added your friends to lift the lid of the | :09:50. | :09:54. | |
trophy? Girl, I can't even go there, there are way too many right now. | :09:55. | :09:59. | |
There are quite a few in the mix. I can go there! I was more than | :10:00. | :10:07. | |
impressed with Danny energy plasma quickstep if you mix, so I am | :10:08. | :10:14. | |
thinking maybe Danny in or two. I would vote for the underdog. You do | :10:15. | :10:21. | |
that but you are already out! Remind me more. Look, it's over! You are | :10:22. | :10:26. | |
welcome back any time, lots of love to both of you. Anastacia and | :10:27. | :10:29. | |
Brendan! APPLAUSE There were a few little mistakes, be | :10:30. | :10:49. | |
afraid, very afraid, it is time for Choreography Corner. | :10:50. | :11:02. | |
Give it up for Chloe and Neil! It is lovely to see you back. Can I just | :11:03. | :11:08. | |
see we are loving your outfits on Saturday. And your bow tie is | :11:09. | :11:17. | |
made... Of clay. As you do. Of course it is, how was your first | :11:18. | :11:22. | |
Strictly Halloween? I absolutely it, it has been my favourite week so | :11:23. | :11:29. | |
far. It has been insane, hair, make-up, everybody. Well done to | :11:30. | :11:33. | |
everybody. We will start with Laura and Giovanni who came back after | :11:34. | :11:36. | |
their injury and did so brilliantly with the tango. Len said it was | :11:37. | :11:41. | |
their best dance yet. Tell me what you thought. I thought it was great | :11:42. | :11:45. | |
to see Laura and Giovanni back on the dance floor firstly and I | :11:46. | :11:47. | |
thought she came back with a passionate tango, a good one to come | :11:48. | :11:51. | |
back on. For me, her fame is just perfect. It comes really natural to | :11:52. | :11:56. | |
her, which makes it so much easier for her to achieve. So I think | :11:57. | :11:59. | |
that's brilliant. I really enjoyed that. I pointed that out before, I | :12:00. | :12:03. | |
love that. You saw that, well done to her. Blake and Natalie and | :12:04. | :12:08. | |
they're rumba. Craig said he couldn't even screw it because if | :12:09. | :12:11. | |
they did not have enough room context, and now you are both very | :12:12. | :12:16. | |
upset by those comments, wanted you think of them? I can understand why | :12:17. | :12:21. | |
and I can see that. What I noticed, that we will see in a minute, if you | :12:22. | :12:28. | |
look here now, a rogue spin, she runs away, they go back into a back | :12:29. | :12:35. | |
Basic. What has happened here is because he is bending his legs, | :12:36. | :12:39. | |
adding that is what Craig is meaning, he is missing that element | :12:40. | :12:42. | |
committee could not quite see it. I think that balance of performance | :12:43. | :12:47. | |
versus technique is quite difficult. For me, personally, I love their | :12:48. | :12:50. | |
performance. I thought there were great. There were elements of | :12:51. | :12:54. | |
contemporary in there which is probably why the balance wasn't | :12:55. | :12:58. | |
right. Such a powerful song, beautiful song. Onwards and upwards, | :12:59. | :13:06. | |
Greg. Louise and Kevin's charleston, I was loving the heath ledger joker | :13:07. | :13:11. | |
Kevin, so good. Craig was describing their side-by-side kick section and | :13:12. | :13:18. | |
how perfectly in time they were. They did an incredible job. I picked | :13:19. | :13:21. | |
up the side-by-side part in particular because they were just in | :13:22. | :13:26. | |
so much time together. And that is really hard to achieve. They must | :13:27. | :13:29. | |
have spent hours on that. They did it brilliantly. And her character | :13:30. | :13:34. | |
was crazy. One of my favourite numbers. I love this. And the | :13:35. | :13:41. | |
outfit, well done. Moving onto Judge Rinder and Oksana. I knew this was | :13:42. | :13:44. | |
going to be good but I could not have contemplated quite how good he | :13:45. | :13:49. | |
was. Again, I know they are so happy to be in the 30s, what impressed you | :13:50. | :13:54. | |
about this? Festival I am a big fan of Judge Rinder. Jump, Nice spin | :13:55. | :14:01. | |
commonly walks. Look at the power. Paso doble at its best. This | :14:02. | :14:06. | |
movement is so difficult, even top professional struggle at this | :14:07. | :14:09. | |
movement so I want to give you a demonstration. Why I love it so | :14:10. | :14:13. | |
much. Some professional struggle that this was the you are wearing | :14:14. | :14:18. | |
the perfect trousers. First ball as he is going down he has to make sure | :14:19. | :14:22. | |
the back foot is pointed, he then has to stretch through the five. And | :14:23. | :14:30. | |
he has got to moving. To the next step. APPLAUSE | :14:31. | :14:32. | |
I am definitely not going to attempt that. | :14:33. | :14:38. | |
Corea and Joanne. They looked divine together in their charleston. I | :14:39. | :14:45. | |
thought it was great. Craig said not enough swivel action. We've spoken | :14:46. | :14:49. | |
about civil action before, haven't we? It so much about it, the judges, | :14:50. | :14:53. | |
that's what they pick on straightaway. Bouncing on flat feet, | :14:54. | :15:00. | |
not much swivel action, so that's where he missed out little. But he's | :15:01. | :15:04. | |
such a great character. Every week he comes with the correct character | :15:05. | :15:11. | |
for that dance. Energy and musicality, perfect. Perfect... I | :15:12. | :15:17. | |
love it. That sound can only mean one thing, time up is for you two | :15:18. | :15:24. | |
pretties. Not in an evil way, just like a horror film... You will be | :15:25. | :15:26. | |
back later in the show. I think we can all agree | :15:27. | :15:27. | |
that Strictly was pretty spectacular this weekend, | :15:28. | :15:30. | |
but it takes more than Hocus Pocus Here's a behind the scenes look | :15:31. | :15:32. | |
at the magic as it happened. Oksana's birthday and her favourite | :15:33. | :16:03. | |
holiday, Halloween. I want to make it good for her. It's a really good | :16:04. | :16:07. | |
routine and we have a couple of little bits that are a bit testing, | :16:08. | :16:11. | |
but if we can get them right, hopefully it will add to it and make | :16:12. | :16:17. | |
it really special. I've never dressed up for Halloween before, so | :16:18. | :16:21. | |
this year I'm really excited just to get into the character and I'm | :16:22. | :16:22. | |
loving it! I need to work on my evil laugh, I | :16:23. | :16:44. | |
think! Know, Beard in mouth. OK... We're good. Everyone looks out of | :16:45. | :16:51. | |
this world. It's so sparkly as well as quite scary. Even vampires are | :16:52. | :16:59. | |
sparkling. LAUGHTER Its trick or treat time, would you | :17:00. | :17:06. | |
like peach, rotten egg? Or stinky sock? Trick or treat, have a treat. | :17:07. | :17:16. | |
What is it? Chocolate. What is it? What is it? Are they nasty flavours? | :17:17. | :17:30. | |
No, I promise. Another trick, yes! LAUGHTER | :17:31. | :17:42. | |
That's awful! Treat. I love apples. Yes! | :17:43. | :17:49. | |
We're doing a Group Dance this week with the professionals, which is | :17:50. | :17:58. | |
really exciting. I get to dance with Anastacia, which has been a new | :17:59. | :18:01. | |
experience, absolutely brilliant. I'm not sure what I'm supposed to do | :18:02. | :18:05. | |
yet but I'll have it sorted out by the time I get that. We live in five | :18:06. | :18:07. | |
minutes. Let's go! Now as much as I love a theme, | :18:08. | :18:11. | |
I have to admit I'm glad to see the back of Halloween, | :18:12. | :18:45. | |
it just gives me the creeps... But I think we're over | :18:46. | :18:47. | |
the worst of it now... Our next couple put | :18:48. | :18:52. | |
a spell on our judges and leapfrogged to the top | :18:53. | :19:04. | |
of the leaderboard - bippity boppity boo - | :19:05. | :19:06. | |
it's Claudia and AJ! Tonight, my darling, you were as | :19:07. | :19:17. | |
lyrical and beautiful and as rounded as you should be. The lifts where | :19:18. | :19:23. | |
fluid and dramatic, I thought the whole thing was dynamic. It was | :19:24. | :19:29. | |
spellbinding, really. Your footwork was brilliant, it was a really top | :19:30. | :19:38. | |
notch performance. Claudia and AJ are here. Can I just say, well done! | :19:39. | :19:45. | |
You totally aced the American smooth on Saturday night. A lot of people | :19:46. | :19:49. | |
saying it was the dance of the night. You must have felt | :19:50. | :19:53. | |
comfortable going into this far? Yes, for once, being positive, I did | :19:54. | :19:56. | |
feel really confident going into it. All the rehearsals went right, | :19:57. | :20:00. | |
leading up to it, it was great. Just going out there and getting those | :20:01. | :20:05. | |
amazing comments, I was really surprised. I can't stop smiling at | :20:06. | :20:11. | |
you two smiling! The judges were loving it. Craig said your lifts | :20:12. | :20:16. | |
were fluid and dramatic. He said the whole thing was dynamic. What a | :20:17. | :20:20. | |
Halloween treat. The weirdest thing for Halloween with him not saying | :20:21. | :20:24. | |
one negative thing. We were like, oh my God, what's happening? It was | :20:25. | :20:29. | |
amazing, I was waiting for the negatives but it was all positive | :20:30. | :20:32. | |
and I thought, it's all right then. You are always waiting for the butt. | :20:33. | :20:38. | |
AJ, Len was so pleased you have the confidence to give Claudia really | :20:39. | :20:45. | |
complicated routine. I was so proud of Claudia, into the three step and | :20:46. | :20:52. | |
Len picked it up. It worked, I was so happy. I think everyone at home | :20:53. | :20:55. | |
was becoming... We all think we are experts watching it. When you see | :20:56. | :21:01. | |
those terms... It is so exciting. And incredibly complicated lifts. | :21:02. | :21:08. | |
Are they a doddle for you? You make them look so easy, Claudia. It is a | :21:09. | :21:13. | |
little bit easier because I am a gymnast so I can fling myself | :21:14. | :21:18. | |
around. She's starting to trust me! Starting to trust him a little bit. | :21:19. | :21:23. | |
Some of the lifts, it was hard to keep the flow going getting in and | :21:24. | :21:27. | |
out of it. I think that was the main thing the judges said previously. | :21:28. | :21:31. | |
Just work on them quite a lot and we pulled it off, which was good. You | :21:32. | :21:35. | |
could really see how you'd worked on. Sometimes it's like... Into the | :21:36. | :21:42. | |
lift... We did it again and again to make sure it was flowing and I | :21:43. | :21:47. | |
wasn't going to drop her, because I haven't dropped to yet. That's good. | :21:48. | :21:51. | |
How is the trust? It's getting there, slowly! LAUGHTER | :21:52. | :22:01. | |
Claudia, you're talking to our Claudia and talking about your gym | :22:02. | :22:04. | |
training starting again this week. Very different disciplines. How are | :22:05. | :22:07. | |
you going to keep her not distracted? Claudia was like, I want | :22:08. | :22:14. | |
to implement some of the fluid arms into the gym. She's starting to join | :22:15. | :22:18. | |
it all together to make it even more amazing. I love it. I'm excited to | :22:19. | :22:23. | |
see your gymnastics after this as well. This week it is a paso doble | :22:24. | :22:27. | |
for the two of you. We have seen some amazing paso doble dancers. | :22:28. | :22:35. | |
Have you got any tips? I look at the dancers I'm going to be doing and | :22:36. | :22:38. | |
watch the other performances on what the judges say to them and try | :22:39. | :22:43. | |
not... If they say anything negative to them I'm already picking up and | :22:44. | :22:47. | |
making sure I don't do that. I know it's quite fierce. We've only done | :22:48. | :22:53. | |
an hour of it. It was a good hour, a very good hour. I'm getting there. | :22:54. | :22:59. | |
We've not really seen a fierce Claudia yet. Are you excited about | :23:00. | :23:05. | |
this character? I am. My gymnastics, when I go onto the floor, people say | :23:06. | :23:11. | |
I look quite scary. Charming! She goes into the zone. It's a bit | :23:12. | :23:16. | |
worrying, but it will work for this dance. I am very serious with my | :23:17. | :23:20. | |
faces, I will put that into the routine and people will see a | :23:21. | :23:24. | |
different side to me. Hopefully it's good! I'm so excited, can't wait to | :23:25. | :23:28. | |
see it. Top of the leader board, well done. Two weeks of all the 9s, | :23:29. | :23:36. | |
what you have to do to get a ten? I don't know, keep it going, make the | :23:37. | :23:43. | |
lifts harder. Harder?! More technical and more wow. Whatever the | :23:44. | :23:47. | |
wow is, I'm not sure yet, but when we get it, we will see that Ken. In | :23:48. | :23:52. | |
week seven are you feeling more competitive than ever? I am getting | :23:53. | :23:58. | |
more competitive every week. I just like to go out there and do the best | :23:59. | :24:02. | |
performance I can. I'm one of those people that likes to beat myself up | :24:03. | :24:06. | |
I want to get a higher score every time. Hopefully we do get a ten. It | :24:07. | :24:12. | |
is heaven for me. Can I just say something queue came in. I know you | :24:13. | :24:19. | |
love a selfie but is some competition, four year old Elliott, | :24:20. | :24:24. | |
doing his best AJ. Gorgeous! That is a ten. It is. Good luck with your | :24:25. | :24:31. | |
paso this week. Claudia and AJ! APPLAUSE | :24:32. | :24:34. | |
Right time now to take a look at our remaining couples | :24:35. | :24:36. | |
But what will our terrible twosome think? | :24:37. | :24:39. | |
Please welcome back Chloe and Neil, everyone! | :24:40. | :24:57. | |
Let's get back to allow couples, even with the very impressive score | :24:58. | :25:04. | |
of 33 after a brilliant paso doble Daisy and Aljaz found themselves | :25:05. | :25:06. | |
heartbreakingly back in the bottom two. What did you think of their | :25:07. | :25:11. | |
paso doble? I was so upset for her, to be back there in the bottom two | :25:12. | :25:16. | |
again. They going to forget that, moving forward. Now, I loved her | :25:17. | :25:21. | |
performance. I felt she brought a different element to the paso doble. | :25:22. | :25:24. | |
Everyone normally does a hard-hitting... She has gone for | :25:25. | :25:28. | |
more sensual look, which is great. At the same time, when you're | :25:29. | :25:32. | |
watching, she still got more passion and fire. The way she was heating | :25:33. | :25:37. | |
Aljaz's chest. When they did the dance-off again... Yes. If I could | :25:38. | :25:41. | |
give her any advice, don't worry about it, keep doing exactly what | :25:42. | :25:45. | |
you're doing and I think it's going to be great. Perfect. Ed and Katya, | :25:46. | :25:53. | |
for the first week were not in the bottom two! Well done to the two of | :25:54. | :25:57. | |
them and to top that, Bruno called their cha-cha-cha a triumph. Neil is | :25:58. | :26:06. | |
biased, temporary muddying his wife, what did you think, Chloe? I loved | :26:07. | :26:11. | |
it. I think Ed is such an outstanding performer, week after | :26:12. | :26:14. | |
week... Look at those facial expressions! He just brings | :26:15. | :26:18. | |
everything. I am going to demonstrate one thing for you, | :26:19. | :26:20. | |
because what I was disappointed with just a little... Here we go, here we | :26:21. | :26:28. | |
go. He spent legs. He was going this way, all on Bent legs. What we like | :26:29. | :26:34. | |
to see is a snappy cha-cha-cha. Snappy! Do you see what I mean? | :26:35. | :26:43. | |
That's how it should be! APPLAUSE So difficult. It takes years to | :26:44. | :26:48. | |
learn. Exactly, it takes years to learn. Claudia and AJ, how brilliant | :26:49. | :26:52. | |
were they? There are American smooth was so good. Each of the judges | :26:53. | :26:57. | |
impressed with her footwork. Yes, said the finish, he'll turns, the | :26:58. | :27:04. | |
amount of dedication. If we look here, the way she brushes the feet. | :27:05. | :27:09. | |
You can clearly see she has been working hard. I think it's really | :27:10. | :27:13. | |
paying off. Footwork is really hard. A lot of people think, we don't need | :27:14. | :27:17. | |
to worry, let's just entertain everyone and go with the | :27:18. | :27:20. | |
performance. She has put the time and effort in and I think that's | :27:21. | :27:24. | |
great. I think she's that kind of person, isn't she? Knowing AJ for a | :27:25. | :27:34. | |
long time. Your dance partner. Yes. He is a drill Sergeant and he will | :27:35. | :27:37. | |
have been making sure every single time that she got it right. She did | :27:38. | :27:40. | |
it on the night which was incredible. So proud. They look a | :27:41. | :27:45. | |
perfect partnership because she is a driven gymnast. They are brilliant. | :27:46. | :27:54. | |
Danny and Oti and their foxtrot divided the judges. Len wasn't a fan | :27:55. | :27:57. | |
of the appendage, the string between them, I thought it was a great | :27:58. | :28:01. | |
concept. What was your take? It was different, a unique thing that has | :28:02. | :28:05. | |
never been done on the show before. I think it was a tick for a smart | :28:06. | :28:10. | |
idea. It kind of, for me, it was a shame he went wrong. Danny is such a | :28:11. | :28:15. | |
great performer and he carried on. He didn't show that he was going | :28:16. | :28:19. | |
wrong or panic or anything. I think a good job for him and I think he | :28:20. | :28:22. | |
will come back this week with another fiery performance. What did | :28:23. | :28:27. | |
you think? I actually loved it. I thought it was so clever. He's shown | :28:28. | :28:32. | |
us he can dance well, we've seen that with performances before, but | :28:33. | :28:36. | |
also to add that element in there and show he could actually use it... | :28:37. | :28:48. | |
Great. No Halloween next Saturday. It is just back to straightforward | :28:49. | :28:50. | |
costumes and dancing. What we need to see from our couples? Technique. | :28:51. | :28:53. | |
Technique... Let's add a bit more technique, and entertainment. | :28:54. | :28:59. | |
Desperately on the top. Are working so hard. I am loving the fact it is | :29:00. | :29:04. | |
so competitive. We adore the two of you, come back and see us soon! | :29:05. | :29:06. | |
Join us tomorrow at 6.30, where we'll chatting to Ore | :29:07. | :29:11. | |
and Joanne and dance-off survivors Daisy and Aljaz. | :29:12. | :29:13. | |
Plus, Strictly's creative director of choreography, | :29:14. | :29:14. | |
Jason Gilkison will be here to answer your questions. | :29:15. | :29:17. | |
All that and we find out what songs our couples will be | :29:18. | :29:20. | |
Why, I am counting down to the new series of The Furchester Hotel! | :29:21. | :29:44. |