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Where is everyone, we are about to go live for our Hallowe'en special. | :00:12. | :00:18. | |
I have no guests. What am I going to do. Hello love. Thank goodness | :00:19. | :00:25. | |
you're here. Can I help save your show. Round the cauldron we shall go | :00:26. | :00:36. | |
and magic up some guests. Great Ore and Joanne. Paso and toe of tango. | :00:37. | :00:44. | |
Lovely Anastacia and Brendan. I love it. A sprinkling of glitter to make | :00:45. | :00:55. | |
the cauldron bubble. A few more guests would be nice. What about me? | :00:56. | :01:01. | |
As well as you Russell. Double, double, toil and trouble, save this | :01:02. | :01:06. | |
it takes two from the rubble! Wait and see. This should be it, my love. | :01:07. | :01:16. | |
It will be... Oh fantastic. And Elaine Paige and Lisa Snowdon. The | :01:17. | :01:21. | |
show is saved. Oh, I think I have gone too far with this one. What do | :01:22. | :01:27. | |
you mean? Hi darling. I'm here for the show. Where is my dressing room? | :01:28. | :01:29. | |
No! Live from London, this is Strictly | :01:30. | :02:23. | |
Come Dancing - It Takes Two. CHEERING AND APPLAUSE | :02:24. | :02:29. | |
Here we go. Thank you. Hello, welcome to it takes two. There are | :02:30. | :02:41. | |
only 24 hours and 41 minutes and 54 seconds to wait until Strictly's | :02:42. | :02:45. | |
Hallowe'en special. We may have got a bit carried away, but don't be | :02:46. | :02:49. | |
afraid, because we have a good show in store for you tonight. I told you | :02:50. | :02:59. | |
about that. Can I say thank you for ah amazing set. First up for most of | :03:00. | :03:06. | |
today the class have been at Strictly HQ putting the finishing | :03:07. | :03:11. | |
touches on tomorrow's ghoulish delights and Gethin Jones was there | :03:12. | :03:15. | |
to preview some of the horrors they have in store. Welcome to the | :03:16. | :03:22. | |
Strictly rehearsals. Thank you. Natalie Lowe. Thank you. Get off me. | :03:23. | :03:29. | |
How is it going. It is going well. They're very busy preparing for hall | :03:30. | :03:38. | |
piano. -- Hallowe'en. Get back to work. I need to find the couples. | :03:39. | :03:45. | |
More tricks and treats later. For our first guest of the night who had | :03:46. | :03:49. | |
our hearts racing on Saturday, tomorrow they do it again, but not | :03:50. | :03:55. | |
before we sink our teeth into them. It is Claudia and AJ. | :03:56. | :04:03. | |
I wanted to join in so much! The bounce action suffered, because of | :04:04. | :04:14. | |
the speed of it. You are a beautiful dancer. I enjoyed the party spirit. | :04:15. | :04:18. | |
Young hearts run free! Welcome and congratulations on that | :04:19. | :04:39. | |
speedy samba last weekend. It was spectacular. How was it for you, you | :04:40. | :04:44. | |
looked like you were loving it? Absolutely, I was loving it. I was | :04:45. | :04:49. | |
smiling all the time. I just enjoyed every second of it. It was very | :04:50. | :04:54. | |
fast. So I couldn't breathe towards the endches I was ill at the start | :04:55. | :04:59. | |
of week. You did all of that in two and a bit days. She is ray mazing. | :05:00. | :05:06. | |
And you started up on desk, sort of above the noses of all the judges. | :05:07. | :05:10. | |
Was that quite scary, what was going through your head at that point? I | :05:11. | :05:16. | |
don't know. Well, I was just... I was stood there and I was like don't | :05:17. | :05:26. | |
fart. Not on Len Goodman. Very nerve-racking. Great point from the | :05:27. | :05:31. | |
judges. It is a Hallowe'en show and we have already had a fart. Perfect. | :05:32. | :05:36. | |
Great points from all the judges and a nine from Bruno. That is so good. | :05:37. | :05:41. | |
Bruno loved our speed. I was chuffed. It was amazing she did it | :05:42. | :05:48. | |
in two and a half days. She had been throwing up all week and starting on | :05:49. | :05:53. | |
the judges' tables gave me a heart attack thinking of it. Len did feel | :05:54. | :05:58. | |
that perhaps a bit of technique was sacrificed, because of the speed of | :05:59. | :06:04. | |
it. What did you think? We gave him a slow walk just to show our hip | :06:05. | :06:09. | |
action and then we ran around the room very quickly doing our samba. | :06:10. | :06:15. | |
We did the slow part to see she would dance and then we just smashed | :06:16. | :06:21. | |
it around the wall. We had a six fo glitter ball. You couldn't have | :06:22. | :06:25. | |
given it any more than that could you? It was amazing. She did me so | :06:26. | :06:32. | |
proud and it was just... Starting on the judges' table, she was shaking | :06:33. | :06:41. | |
it. Amazing core yolk if ing choreography as well. You closed the | :06:42. | :06:46. | |
show. You're a competitor and you have that amazing drive, or is it | :06:47. | :06:50. | |
more pressure to close the show. I do like starting at the start. | :06:51. | :06:53. | |
Because it is out of the way and I can watch everyone. I was stressing | :06:54. | :06:58. | |
and I was like, OK, when am I going. He said not yet. The legs were | :06:59. | :07:06. | |
shaking. But then I enjoyed all of it. I must say happy birthday for | :07:07. | :07:13. | |
Monday. Happy birthday. 19. You a baby. Did AJ get you a present and | :07:14. | :07:19. | |
givist gave you a day -- and give you a day off. Yes and he got me | :07:20. | :07:26. | |
perfume and body cream. So obviously I smell or something. I think you're | :07:27. | :07:40. | |
a Yumpik, a -- Yumpkin, a yummy pumpkin. Now how has it gone in | :07:41. | :07:48. | |
training? Amazing. The lifts are epic. They're going to be insane and | :07:49. | :07:54. | |
it is a special finish. We hope it goes to plan. We were struggling on | :07:55. | :07:59. | |
the technique and we had to change it a few times. Hopefully on | :08:00. | :08:04. | |
Saturday it will go to plan. With you two, the lifts could be | :08:05. | :08:08. | |
ridiculous and how are they even doing that? How many Liverpools have | :08:09. | :08:13. | |
you got? -- how many lifts have you got. We have three, but the last one | :08:14. | :08:22. | |
goes into, two, into three. She is in the air for the last 30 seconds. | :08:23. | :08:29. | |
You have got your gym coaches coming to watch you. Does that excite you | :08:30. | :08:36. | |
or scare you? Both. It does excite me, because the only reason why I'm | :08:37. | :08:39. | |
here and doing everything is because they have worked me so hard to get | :08:40. | :08:47. | |
there, to do everything for my best of my possibilities and they have | :08:48. | :08:51. | |
helped me so much. For them to watch me will be amazing. But when I see | :08:52. | :08:55. | |
them, I will be up straight, all like this with my wrists when I | :08:56. | :09:01. | |
shouldn't. You said you have never dressed up for Hallowe'en. Never. | :09:02. | :09:05. | |
What an initiation it is going to be. It will be awesome. The studio | :09:06. | :09:15. | |
is out of way. We can't wait to see you. Good luck this weekend. Claudia | :09:16. | :09:22. | |
and AJ! Now as the competition heats up the stakes have never been | :09:23. | :09:26. | |
higher. This weekend Hallowe'en will claim its next victim and time for | :09:27. | :09:33. | |
the stars to face their demons. I wake up in the morning and I feel so | :09:34. | :09:39. | |
sick with nerves. And it gets worse and worse all the way through day. | :09:40. | :09:48. | |
The scariest part of weekend for me is just when we are about to be | :09:49. | :09:51. | |
called down the stairs. It is terrifying. The scariest thing is | :09:52. | :09:57. | |
knowing in advance it might go wrong. That sense you have got to | :09:58. | :10:02. | |
deliver, you have taken a risk and it goes wrong you have got to get | :10:03. | :10:08. | |
out of it. It is not always lrts on the night. -- all right on the | :10:09. | :10:16. | |
night. I'm nervous. I assume everything is going to go wrong. I'm | :10:17. | :10:20. | |
so completely terrified. There is nothing like it. I think the | :10:21. | :10:26. | |
scariest part is before the dance. Because it is just one shot that you | :10:27. | :10:34. | |
get. When I'm actually dancing I just try and be in that moment and | :10:35. | :10:43. | |
to enjoy it. It gives me a real rush of adrenaline and this desire to do | :10:44. | :10:50. | |
well. When I'm actually dancing, I'm usually lost in the music and | :10:51. | :10:55. | |
hopefully letting my body do what it knows how to do. You don't have a | :10:56. | :11:02. | |
lot of time to think. Normally when the song comes on, it comes | :11:03. | :11:10. | |
automatically. It is getting emotional. I Del -- delved into my | :11:11. | :11:24. | |
phone book to get some panelists but who did I call? I called Russell | :11:25. | :11:37. | |
Grant and Elaine Paige. Oh foxy! Love you darlings. What an entrance | :11:38. | :11:44. | |
Lisa Snowdon, jealous of boots. Russell, you look divine. Look, I | :11:45. | :11:52. | |
love that. We are the shoe people. Talk about a squad of ghouls. It is | :11:53. | :11:57. | |
Hallowe'en, Lisa, do you get excited about the Hallowe'en show? I'm just | :11:58. | :12:06. | |
excited about Saturday. The costume, the drama. The wigs. And Russell, | :12:07. | :12:12. | |
does it bring back lovely memories when you danced on Hallowe'en? Let's | :12:13. | :12:18. | |
reminds ourselves. Oh, no! You little devil. I know. Better the | :12:19. | :12:25. | |
devil you know. It was a great number and when I came off Kylie | :12:26. | :12:33. | |
gave me a Twitter and you got a message from her on the Mondays. | :12:34. | :12:37. | |
Elaine Paige is here. She is a goddess. You're in the middle of a | :12:38. | :12:44. | |
tour. Tell us about it. It is wonderful it is like Strictly, I'm | :12:45. | :12:48. | |
only performing at weekends. The only thing is I'm going all over the | :12:49. | :12:53. | |
country every weekend and ends up in London in December and it's taken me | :12:54. | :12:59. | |
two and a half months. You're still keeping up with Strictly. Just | :13:00. | :13:05. | |
about. I have to tape it. I have to make sure I avoid anybody that might | :13:06. | :13:09. | |
tell me what's happened. Monday, sit down, toes up on the sofa, glass of | :13:10. | :13:14. | |
wine and Strictly fest. I love that image. Now our ladies, and Daisy and | :13:15. | :13:25. | |
Aljaz. Can they avoid the bottom two? It was a shocker last week. I | :13:26. | :13:31. | |
didn't see that coming. How is she looking? I think she is a beautiful | :13:32. | :13:35. | |
dancer and I think their partnership is good. They're gorgeous and need | :13:36. | :13:47. | |
that spice for the paso doble. She has the drama and that kind of | :13:48. | :13:56. | |
attitude. Aljaz is just divine whatever he does. Whatever he does, | :13:57. | :14:02. | |
that man is special. He is special. People are agreeing there. Anastacia | :14:03. | :14:08. | |
and Brendan have the jive. Brendan is back! He is back! They're doing a | :14:09. | :14:18. | |
jive. Here they are in training. What do you think Russell? Loving | :14:19. | :14:20. | |
Brendan's get up. Salmon shorts. Whenever I see Anastasia, I think of | :14:21. | :14:33. | |
that great number of hers, Out of Love. Whenever I see her I think of | :14:34. | :14:38. | |
drama, and fabulousness and everything and whenever I see | :14:39. | :14:43. | |
Brendan, I think why are you wearing pink shorts? It just works. They | :14:44. | :14:52. | |
gave us a sneaky peak. He is your boy, you got to the final, he rolled | :14:53. | :14:58. | |
you on the ground. It was amazing. Don't talk about that moment! How is | :14:59. | :15:02. | |
he doing? Are you enjoying watching him? I love watching him. Yes, I got | :15:03. | :15:07. | |
scared when I heard he wasn't very well, I was panic, it is so good he | :15:08. | :15:11. | |
is back. He is on form, they both are, it will be really special. She | :15:12. | :15:16. | |
has done lots of fun dances. So this is going to be more dramatic. Yes, | :15:17. | :15:24. | |
Anastasia. Anastasia I mean. You are off on one of your tours. Grantham! | :15:25. | :15:34. | |
It is a lovely lovely place. Claudia and AJ are doing the American | :15:35. | :15:38. | |
smooth. The judges gave them a hard time about their rapid samba | :15:39. | :15:41. | |
American smooth, this could be a classic for them. Have a look at | :15:42. | :15:44. | |
them in training Elaine, tell us what you think. I think she is | :15:45. | :15:49. | |
rather lovely. I am backing the short people, you see. I think she | :15:50. | :15:59. | |
is marvellous, everyone though she is little. Littler than me, she has | :16:00. | :16:05. | |
a beautiful line about her, and lovely arch to her back and all that | :16:06. | :16:09. | |
kind of thing, think you know, it could be a first, we could see a | :16:10. | :16:14. | |
somersault first time ever in the American smooth. Oh my goodness. She | :16:15. | :16:19. | |
is very loose. Are you allowed do that? You can do lifts in American | :16:20. | :16:27. | |
smooth. She will by a amazing. It is going to be good. Somersault lift: | :16:28. | :16:35. | |
That sounds like juggling. Louise and Kevin are doing the Charleston, | :16:36. | :16:41. | |
could this be the dance Len is looking for. They are harping on | :16:42. | :16:46. | |
about how she doesn't give enough or something, I think this is clearly, | :16:47. | :16:49. | |
look you can see she is going to do it this week, she will show she has | :16:50. | :16:54. | |
that fire in her belly. Incredible outfits as well. Comic super | :16:55. | :17:02. | |
villains. Len has not seen one of Louise's greatest hits called Naked. | :17:03. | :17:07. | |
Do you remember that. Yes. She gave everything then. And so she needs to | :17:08. | :17:13. | |
do something naked. That would be a first! What is this about Russell | :17:14. | :17:27. | |
Grant? I am just so envious. I didn't get to do a Charleston, I am | :17:28. | :17:31. | |
jealous. Shall we just do one. Can we be in the greatest hits show? I | :17:32. | :17:37. | |
wasn't a greatest hits. Shall we do happy number. Number. They will be | :17:38. | :17:43. | |
like Zoe who? Laura and Giovanni, they are doing a tango, she count | :17:44. | :17:46. | |
perform last week because of her ankle. I love Giovanni. He loves you | :17:47. | :17:53. | |
too. Can they get back in the running with this dance? I want to | :17:54. | :17:58. | |
see how she is getting on. I love the number. Rolling Stones. This is | :17:59. | :18:05. | |
great. How does this look to you Lisa? It looks good. I mean it is | :18:06. | :18:09. | |
trick Chris when you have injuries, that does happen, it is the nature | :18:10. | :18:13. | |
of the beast. You are working so hard and using muscles you are not | :18:14. | :18:17. | |
used to using. It is shame she is not training in her shoes, when you | :18:18. | :18:22. | |
do, or perform it feels so different and you get a bit stuck sometimes. I | :18:23. | :18:27. | |
danced for five-weeks with a knee brace and I know what it is like. | :18:28. | :18:32. | |
You have to keep wearing it, you have been rehearsing. You get used | :18:33. | :18:37. | |
to it. You have to have the right feels. Let us talk about the boys in | :18:38. | :18:42. | |
a little bit, our Friday Panel ladies and gentlemen. | :18:43. | :18:43. | |
APPLAUSE . Another slice of gossip from | :18:44. | :18:50. | |
Gethin who earlier today heard some strange noises in Strictly star bar | :18:51. | :18:54. | |
and went off to investigate. You two behave. Only would you hear talk | :18:55. | :19:01. | |
like how is your right foot swivel doing and where is my cape? Let us | :19:02. | :19:07. | |
see what they have to say before the Hallowe'en show. Here we are. Chloe, | :19:08. | :19:13. | |
Pasha and myself with the beautiful one, so, I have to do my questions. | :19:14. | :19:18. | |
Chloe, how are you feeling ability Hallowe'en? This was the one I was | :19:19. | :19:24. | |
most looking forward to the most, everyone get dressed up and changes | :19:25. | :19:28. | |
character. You are getting good at this. We saw yesterday you were | :19:29. | :19:31. | |
dressed up and with the make up as well. You looked like you were | :19:32. | :19:36. | |
enjoying it too much. Way too much. Hopefully they may do it for my this | :19:37. | :19:40. | |
weekend. Why is Hallowe'en so exciting? Everyone gets so pumped | :19:41. | :19:45. | |
up. It is such an exciting show It is complete transformation, you can | :19:46. | :19:49. | |
be anything, and every year, well, for me it is number six, you become | :19:50. | :19:54. | |
something else, last year I was a Frankenstein, it was fun. Where else | :19:55. | :19:58. | |
I would become a Frankenstein for one day. The best looking | :19:59. | :20:02. | |
Frankenstein I have ever seen. Don't you agree? I totally agree. Gorka, | :20:03. | :20:09. | |
how are you after last week? How did you enjoy dancing with Anastasia. I | :20:10. | :20:16. | |
was happy to be back on the dance floor. I am happy to be back. It is | :20:17. | :20:21. | |
just the three of us, it is quiet. Who is looking good, has come on, | :20:22. | :20:25. | |
don't sit on the fence who is looking good. Everyone is pushing | :20:26. | :20:29. | |
hard for a special Hallowe'en, so it will be great. Sitting on the fence? | :20:30. | :20:35. | |
The once I saw are very good. Anyone else? No. Not giving any way. Would | :20:36. | :20:42. | |
you like to say goodbye and hand back to Zoe. This is everything from | :20:43. | :20:47. | |
Elstree Studios, see you next week. I think we might be out of a job. | :20:48. | :20:52. | |
Last week with Brendan taken ill Gorka stepped in to dance with | :20:53. | :20:56. | |
Anastasia, she is back in Brendan's arms once more, but before we | :20:57. | :21:02. | |
welcome them to the sofa, let us relive that romantic quickstep one | :21:03. | :21:03. | |
more time. I love the verve, the renewed | :21:04. | :21:17. | |
energy, light on your feet, great musicality. You performed it | :21:18. | :21:22. | |
brilliantly. Light and bright. Fun and frivolous. | :21:23. | :21:27. | |
I don't want to upset Brendan but your best dance. | :21:28. | :21:45. | |
Darlings, welcome. I can't believe you played that in my presence. I | :21:46. | :21:55. | |
know. I had to cheat on him. At least you are back together, | :21:56. | :21:58. | |
marriage guidance, that is great. Are you feeling better? I am getting | :21:59. | :22:03. | |
much better. I had a tough week but back in the game and looking forward | :22:04. | :22:06. | |
to being back in the studio with this one tomorrow. I love your | :22:07. | :22:13. | |
salmon shorts tomorrow. Your 16 step was dream like. It was like you were | :22:14. | :22:17. | |
walking on air, it was such a favourite, it was a real favourite | :22:18. | :22:22. | |
of mine. Did you love dancing that? I truly did, my grandfather being he | :22:23. | :22:29. | |
was from Chicago, Frank was his guy, it was so much more oaf a connection | :22:30. | :22:34. | |
I had with the song, doing something cheeky and cute and what I think | :22:35. | :22:38. | |
Strictly is about, is just the glamour and the West End of it all. | :22:39. | :22:43. | |
The transformation you looked beautiful out there. The whole | :22:44. | :22:47. | |
setting was perfect. He was like, your hair was amazing. Your hair | :22:48. | :22:52. | |
looked good, yes. I didn't say your hair was amazing. He did. He was | :22:53. | :22:59. | |
very cute about it. It was your choreography there, Brendan, how did | :23:00. | :23:04. | |
she do? Incredibly well. It was very difficult sitting at home watch, I | :23:05. | :23:08. | |
won't lie. It was hard being away from the show but seeing you in | :23:09. | :23:12. | |
another man's arms, dancing a quickstep, my quickstep, I don't | :23:13. | :23:17. | |
have a Spanish accent and he is quite good looking, I was very proud | :23:18. | :23:21. | |
and I think they did a very good job. We stayed in. You stayed in. | :23:22. | :23:25. | |
You stayed in, with more' a score than I could get for you, but that's | :23:26. | :23:31. | |
OK. I am not bitter. He is not at all bitter about it. Len did say | :23:32. | :23:35. | |
your best dance yet. What did you make of that? It has to give you a | :23:36. | :23:41. | |
huge confidence boost. It gives me a good staple to come from. The song | :23:42. | :23:45. | |
was such a passionate song I felt good. This week I am excited about | :23:46. | :23:50. | |
the song and Hallowe'en. Are you kidding me? I'm an American, I know | :23:51. | :23:55. | |
Hallowe'en. I am Hallowe'en. In America it is massive. We have kind | :23:56. | :23:59. | |
of adopted it from you. Like I would love to show you American | :24:00. | :24:04. | |
massiveness, I can't believe you guys don't have candy corner here. | :24:05. | :24:10. | |
What is candy corn? I am so upset. I will show you one time soon, and... | :24:11. | :24:16. | |
I forgot to mention, something I loved in your routine, was the | :24:17. | :24:21. | |
little imaginary dog, look, let us sit back, there he s Ruffles, as he | :24:22. | :24:27. | |
called him and Gorka pets him. That is very lovely. Hang own a minute. | :24:28. | :24:35. | |
What happened to him? It is not an imaginary dog. I have a a dog. It | :24:36. | :24:41. | |
was a very big collar so I wasn't sure if it was for a dog or | :24:42. | :24:46. | |
something. But it was good, listen, our props department does well, they | :24:47. | :24:52. | |
do well. They are amazing. Give them a hand! | :24:53. | :24:55. | |
APPLAUSE And of course, no sign of being in | :24:56. | :25:01. | |
the dance off. Hurrah! And I loved the fact you were so subdued | :25:02. | :25:13. | |
listening to the results. Anastasia and Gorka. | :25:14. | :25:18. | |
APPLAUSE That is so cute. When I said it out | :25:19. | :25:24. | |
there it felt so much bigger and enthought I am probably killing | :25:25. | :25:29. | |
their TVs at home. I was very scared I was ruining people's eardrums. | :25:30. | :25:32. | |
Such a joy not to have to do the dance off again. I loved it. OK, so | :25:33. | :25:41. | |
this week Hallowe'en, jive, it looks great, Bat Out of Hell. It is so | :25:42. | :25:45. | |
fast and I have had a glimpse of what your costume might look like, | :25:46. | :25:48. | |
what can you tell me? How has it gone? It has gone really well. I am | :25:49. | :25:53. | |
superimpressed with Brendan coming back and coming back with a jive, | :25:54. | :25:57. | |
are you kidding me? You shouldn't have shown Tuesday when I was | :25:58. | :26:02. | |
wearing jeans It is the shorts and trainers. | :26:03. | :26:10. | |
So classy. Also you were working on, you have had a chest infection and | :26:11. | :26:14. | |
the jive is so serious. The pro dance this week for the result show, | :26:15. | :26:19. | |
is epic. I love it. I had to be back for that, without doubt and my lungs | :26:20. | :26:24. | |
were bursts during that, I finished that and went into rehearsals and I | :26:25. | :26:29. | |
was like... I was like are you OK? I was coughing up a lung. I am looking | :26:30. | :26:33. | |
forward to this jive. Jive. It is good to get the lungs working, it is | :26:34. | :26:38. | |
a lung infection, that is all. The people in the audience are like... | :26:39. | :26:44. | |
He is here. Let us have a look at some of Brendan's looks in | :26:45. | :26:50. | |
Hallowe'en over the years. Rocky Or Rash you do do a bald cap well. Were | :26:51. | :27:01. | |
you a zombie? Yes. I love Dracule at the end. Rocky horror, that was | :27:02. | :27:06. | |
good, with Michelle William, it was one of my favourite dances for the | :27:07. | :27:09. | |
look and everything. Hallowe'en is one of the best shows you do on | :27:10. | :27:14. | |
television, we love it. You get so involved. Everybody, hair, make up, | :27:15. | :27:18. | |
costume, everybody comes together to make a phenomenal show production | :27:19. | :27:21. | |
and I am looking forward to this. I cannot wait. The speed is incredible | :27:22. | :27:28. | |
and your outfits look brilliant. I am looking forward to the size of | :27:29. | :27:33. | |
your wings. Anastasia and Brendan back together again. | :27:34. | :27:34. | |
-- APPLAUSE | :27:35. | :27:38. | |
. While we have been preparing for Hallowe'en all week, for some people | :27:39. | :27:43. | |
it is is a lifestyle, it is time to welcome the dark Lord of Strictly | :27:44. | :27:44. | |
himself. Craig Revel Horwood. Complete and absolute disaster | :27:45. | :27:56. | |
darling. They love you really. Get them out. | :27:57. | :28:18. | |
Get them all out. Welcome back. We have missed you. I have missed you | :28:19. | :28:23. | |
too. Thank you for coming to see us. How excited are you about | :28:24. | :28:26. | |
Hallowe'en? I do love to dress up, darling. I with know. It's a very | :28:27. | :28:32. | |
good excuse to put a bit of make up on, a bit of eye liner and I do like | :28:33. | :28:36. | |
that. I am looking forward to myself doing that, I don't care about the | :28:37. | :28:41. | |
dancing, but... It is about the dressing up All about me. Can you | :28:42. | :28:46. | |
give us a clue as to what you will be dressing up as tomorrow night. We | :28:47. | :28:49. | |
don't want to ruin it. I have no idea. I did ask Len and he said that | :28:50. | :28:53. | |
he was wearing a cape, and refused to wear the make up. I said I want | :28:54. | :28:59. | |
everything. Give me his make up. I am having all hair of their make up | :29:00. | :29:04. | |
put on me. I don't know what it is going to be. It is possibly divine | :29:05. | :29:09. | |
and possibly ugly. As it is Hallowe'en, I thought maybe we | :29:10. | :29:14. | |
should mention the fallen. The casualties of strickly who have left | :29:15. | :29:20. | |
us. Anybody gone you felt too soon perhaps? There is always people from | :29:21. | :29:24. | |
the beginning I think, you know, you don't want to lose anyone. We have | :29:25. | :29:30. | |
had such an amazing eclectic and wonderful group, I didn't want to | :29:31. | :29:37. | |
lose any of them, because they all had personality, Tameka is someone I | :29:38. | :29:40. | |
wanted to stay, because I loved her personality, I want to see her do | :29:41. | :29:43. | |
really well and get, you know, through. But you can't, I guess you | :29:44. | :29:48. | |
can't as a judge say that, I mean I can in hindsight but it, they have | :29:49. | :29:52. | |
all done so brilliantly well, and of course, you know, I wish them luck | :29:53. | :29:54. | |
in the world of dance. Somewhere in the dance gutter I | :29:55. | :30:05. | |
suspect. I got a nice message from Tameka. The celebrities will be | :30:06. | :30:10. | |
listening, what are you looking for, we have the wigs and the hair and | :30:11. | :30:15. | |
the concept. What are you looking for. People being able to shine | :30:16. | :30:20. | |
through being able to release themselves through mask. Because you | :30:21. | :30:24. | |
get dressed up, you become someone else and that frees you and become | :30:25. | :30:29. | |
less nervous, put on a mask, no one can reck nice me and you can go -- | :30:30. | :30:35. | |
reck nice me and you go out and it does release a lot of tension. I | :30:36. | :30:40. | |
hope they go with the flow of Hallowe'en and enjoy wearing the | :30:41. | :30:44. | |
masks, because it is the last time they will get to. So I would | :30:45. | :30:49. | |
encourage them to go full out and not worry too much about, express | :30:50. | :30:58. | |
themselves through the characters. It is definitely there? I saw it | :30:59. | :31:04. | |
once. In the final last year, what was your favourite Hallowe'en | :31:05. | :31:11. | |
routine? I like anyone who can look good green. Franke Bridge was great | :31:12. | :31:20. | |
when she did Defying Gravity. I have never seen anyone look great green. | :31:21. | :31:25. | |
I was shocked, I said you look gorgeous green, I would stick with | :31:26. | :31:30. | |
that face darling for day wear. She came and did that dance and the | :31:31. | :31:35. | |
character... It gave her strength. She didn't get a perfect score. But | :31:36. | :31:40. | |
the point is she got her character over and committed to it. Ed Balls, | :31:41. | :31:45. | |
you have given him 2s the last two weeks, what can he do to improve the | :31:46. | :31:50. | |
scores with you, he is trying hard? Well, not get it wrong! To begin | :31:51. | :31:57. | |
with. He is trying hard and I know that he is determined. I love that | :31:58. | :32:07. | |
in people. I loved it in John Sergeant and Ann Widdicombe. He does | :32:08. | :32:11. | |
try hard. It is just what happens on the night. He may have a wonderful | :32:12. | :32:16. | |
rehearsal and once you're in front of 12 million people it can be a | :32:17. | :32:24. | |
disaster. It is about timing, not strength, the lifts, if you throw | :32:25. | :32:27. | |
somebody up, you need to catch them. Ideally. While you're here we | :32:28. | :32:37. | |
thought we would play a game I like to call the Horrible Histories. The | :32:38. | :32:45. | |
game is simple, we are going to play some of your most horrible | :32:46. | :32:49. | |
one-liners and you need to tell us which star you were referring to. | :32:50. | :32:56. | |
This will be terrible. Craig's first brutal put down. I You are an | :32:57. | :33:02. | |
exception to the rule that anyone can learn to dance. That could be | :33:03. | :33:08. | |
ten people. It could be anybody. I remember saying it. I can't remember | :33:09. | :33:17. | |
who to? No idea. Judy Murray. It was actually Scott Mills. Here he is. It | :33:18. | :33:25. | |
was and Joanne's American smooth in 2014 and you gave him the great | :33:26. | :33:31. | |
score of 2. Bless him. It probably wasn't his best. Next it is this | :33:32. | :33:41. | |
zinger. Lifeless, lack lustre, laboured, the only good thing about | :33:42. | :33:44. | |
that was the end. That is funny. Any idea. Julian Clary. Let's find out. | :33:45. | :33:56. | |
No. It was Heather Small in 2008. Their samba. A 4 points from you. | :33:57. | :34:04. | |
That is a good score. These are nice comments. Time for one more. You | :34:05. | :34:11. | |
have had this bizarre sort of vacant look on your face that resembled | :34:12. | :34:23. | |
someone that had just been lobotomised. That was Judy Murray. | :34:24. | :34:28. | |
Yes it was. You scored her a 4 for this tango. We loved Judy. And you | :34:29. | :34:35. | |
got one out of three correct. Thank you. Craig Revel Horwood, or Craig | :34:36. | :34:42. | |
Devil Horwood. Have a great show tomorrow. This couple have had more | :34:43. | :34:57. | |
suspence than Psycho. It is Ore and Joanne. | :34:58. | :35:05. | |
It was quiet, it was calm and it was sophisticated. You have a connection | :35:06. | :35:14. | |
between the end of music that is outstanding. It is wonderful to see. | :35:15. | :35:19. | |
It was delicious. You're just incredible. | :35:20. | :35:35. | |
Come on. Look, they love you. Welcome, loving the outfits. Happy | :35:36. | :35:45. | |
birthday Joe. It was your birthday this week. Did he spoil you? He got | :35:46. | :35:51. | |
me a mug with Mr Tickle on, because that is what I said he look like in | :35:52. | :36:03. | |
the waltz. It was wavy at first. Waltzing to Whitney was great. Was a | :36:04. | :36:08. | |
it a moment for you? Right at the end, I, and this won't surprise you, | :36:09. | :36:13. | |
I had to keep the tears in. Come on, that song, that dance. This one in | :36:14. | :36:18. | |
your arms. I nearly went a again and that would have been three weeks in | :36:19. | :36:23. | |
a row and that would have had me off the show for a man who can't hack | :36:24. | :36:28. | |
it. We like a man who cries. The men are know, what you talking about? | :36:29. | :36:33. | |
Great feedback from the judges and Craig said you're just incredible. | :36:34. | :36:37. | |
Craig Revel Horwood said that about you. What? Dud that even compute. He | :36:38. | :36:44. | |
is here. I mean, I love Craig. He is just... I was worried, we went on | :36:45. | :36:53. | |
after Ed and Katya's lift. And he tore into them. I was worried if we | :36:54. | :36:58. | |
put a step wrong we may have got the Craig treatment. To have him say it | :36:59. | :37:05. | |
was incredible was mind-blowing. Bruno was talking about the | :37:06. | :37:08. | |
connection between you. Is that something you have to work on, or | :37:09. | :37:13. | |
that is something that just comes naturally? Definitely with us it | :37:14. | :37:18. | |
comes naturally, but all my partners, Russell who is here | :37:19. | :37:24. | |
tonight, we still have sleepovers and watch Barbra Streisand on a | :37:25. | :37:32. | |
clear day. I don't get invited. We got on from the beginning, the dance | :37:33. | :37:36. | |
we did towards each other. We connected. It was perfect. Top of | :37:37. | :37:47. | |
the leader board two weeks in a row! How is it up in the heady heights. | :37:48. | :37:52. | |
Are you worried about coming down again? You're always worried about | :37:53. | :37:57. | |
coming down. Because there is only one way to go. I was more stunned to | :37:58. | :38:01. | |
have the scores that we did, you know what was that two weeks in a | :38:02. | :38:05. | |
row? I started the show, because I love it and wanted to get the chance | :38:06. | :38:09. | |
to dance. For us to be leading the way was just like... Well it's taken | :38:10. | :38:14. | |
me some time to get me head around it. We have had the talk that we are | :38:15. | :38:18. | |
going to carry on doing the same thing and not think about top of the | :38:19. | :38:22. | |
leader board or results and letting that get us to. We have said we are | :38:23. | :38:26. | |
going to go out and practice as hard as we do and just dance the best we | :38:27. | :38:30. | |
can. Everything else is out of our drol. -- control. You like the | :38:31. | :38:36. | |
lecture. I get that most days. I could get you to call me each day | :38:37. | :38:44. | |
and say it will be brilliant. Now in the battle of Cliftons, you might | :38:45. | :38:49. | |
like to know your scores and how they're measuring against your big | :38:50. | :38:55. | |
brother. He and Louise have so far scored 160. I can reveal you and Ore | :38:56. | :39:03. | |
have scored 164! Yes. I hope he is watching. Are you watching. Can you | :39:04. | :39:08. | |
hear that? Remember when you said every week... We are nearly half way | :39:09. | :39:16. | |
through, did you realise you would fall so hard for dance? No, I think | :39:17. | :39:21. | |
I always knew I would feel like this about dancing. I never knew I would | :39:22. | :39:26. | |
be able to do it. My wife is probably the most stunned, she is | :39:27. | :39:31. | |
like, who are you? I have been with him five and a half year and I have | :39:32. | :39:36. | |
never seen this. I wake up and that is the problem, I wake up every | :39:37. | :39:40. | |
morning and go, I'm dancing today, she goes, I'm going to the office. | :39:41. | :39:45. | |
I'm fallen in love with it and to do it with someone you really get on | :39:46. | :39:51. | |
with. Will I come to the sleep over? We will ask Russell. Charleston next | :39:52. | :39:58. | |
for you this weekend. I want candy by bow wow wow, you probably weren't | :39:59. | :40:03. | |
alive when that was out. How has it gone? Well, it was... Rocky to start | :40:04. | :40:11. | |
off with, you couldn't swivel. I thought Craig always says about it | :40:12. | :40:15. | |
in the charleston. We just, we had a tough time getting the swivels in. | :40:16. | :40:21. | |
You seem to have picked it up. It is the hardest dance to learn. I have | :40:22. | :40:27. | |
never been more frustrated, but had the same hilarity to have the two | :40:28. | :40:31. | |
worlds. But it has been frustrating. But I think what it comes together, | :40:32. | :40:38. | |
because bit hold on, swivel top half, bottom half, hopefully it will | :40:39. | :40:45. | |
be spectacular. And you have outfits and everything, we adore them. Good | :40:46. | :40:49. | |
luck this weekend. Ore and Jie wan. -- Joanne. PHONE RINGS. Hello. Do | :40:50. | :41:01. | |
you like scary dances? Yes. Will this take long, I'm in the middle of | :41:02. | :41:06. | |
a live show. I know I'm watching you. Sorry it's a fan. What is your | :41:07. | :41:17. | |
favourite Hallowe'en routine. I liked Ghostbusters and you go and | :41:18. | :41:21. | |
enjoy your guide to Hallowe'en with Karen. I have heard it is good. What | :41:22. | :41:32. | |
were you say something -- what were you saying. Put your fake blood on, | :41:33. | :41:38. | |
because it is time to organise a killer Hallowe'en party. What better | :41:39. | :41:42. | |
way the find ideas than to look back at some of the most magical | :41:43. | :41:47. | |
Hallowe'en performances Strictly has ever seen. Welcome to my spooky | :41:48. | :41:49. | |
selection. Whether you're into ghosts or | :41:50. | :42:07. | |
goblins you need an outfit. So first costume and make-up. We need to | :42:08. | :42:16. | |
start with this zombie dancing to a Michael Jackson classic, it is | :42:17. | :42:22. | |
Jeremy Vine performing with... Hang on a second, it is me. This a | :42:23. | :42:26. | |
transformation even impressed the judges. It was all a big treat. Next | :42:27. | :42:34. | |
up a pair of sexy yummy mummies dancing the samba to take your | :42:35. | :42:42. | |
mamma. It is Helen George and her partner that could bring the dead | :42:43. | :42:45. | |
back the life. Make sure you surprise your guests with a big | :42:46. | :42:49. | |
entrance. And flying in would be my preferred option. Look at this | :42:50. | :43:00. | |
spectacular landing, it is Strictly's Mark Benson. He could | :43:01. | :43:10. | |
easily get any party started. How you start this thing. Who is this | :43:11. | :43:22. | |
friendly witch? It is Lulu and Brendan performing to Highway to | :43:23. | :43:28. | |
Hell. She needed to witchcraft to deliver a spine-tingling | :43:29. | :43:31. | |
performance. The magic of Hallowe'en party is bad. You can use magic. | :43:32. | :43:43. | |
Kelly was under the spell of her partner Harry Potter. This routine | :43:44. | :43:54. | |
took over like a nimbus 2,000 and Kelly went on to become a finalist. | :43:55. | :44:04. | |
Back to the dark side and Scott Mills as Uncle Fester. But his moves | :44:05. | :44:08. | |
were not magical enough for the judges and this was the nail in the | :44:09. | :44:12. | |
coffin for Scott and he was eliminated that very weekend. | :44:13. | :44:19. | |
Of course, if you want to have a truly amazing party, let go and | :44:20. | :44:31. | |
dance like nobody's watching. Michel Williams knows how to let loose and | :44:32. | :44:34. | |
this is the Time Warp from 2010. This may have been the best Brendan | :44:35. | :44:51. | |
has ever looked. That is it for now, I hope I have inspired you can the | :44:52. | :44:57. | |
most magical moments in Strictly's history, have a smashing Hallowe'en | :44:58. | :44:58. | |
party. Bye. Brendan in a that half wig, genius. | :44:59. | :45:17. | |
Welcome back Elaine, Russell and Lisa. Our Friday pack. Love the | :45:18. | :45:24. | |
sounds of the Barbra Streisand sleep overs. Did you know about that? They | :45:25. | :45:32. | |
had a bit of a fright night last week when Ed nearly dropped Katya. | :45:33. | :45:37. | |
That was terrifying. The whole country was on the edge of the seat. | :45:38. | :45:41. | |
He is the last one to do the cha cha cha this weekend, and I I know he | :45:42. | :45:44. | |
has put in the hour, he is trying so hard. He was showing me his New | :45:45. | :45:51. | |
Yorkers and they are very good. Will this be a good one? I saw last weeks | :45:52. | :45:58. | |
on the Daily Politics with Andy -- Andrew Neil. I love Katya. You love | :45:59. | :46:08. | |
Katya. You not sure about Ed He is doing very well. It will be tricky | :46:09. | :46:14. | |
for a bloke, the cha cha cha. I loved it. Going on the second beat. | :46:15. | :46:23. | |
That is right. He was very good at the cha cha cha, I remember Lisa, | :46:24. | :46:26. | |
you were amazing at it. How tricky is it, you have learned it with | :46:27. | :46:31. | |
Pasha. For a girl it is tricky. I don't know if it's the same for the | :46:32. | :46:36. | |
guy, you had to keep straight knees and legs and all in the hip, Ed, he | :46:37. | :46:42. | |
seems to kind when he does, he has his hands out, he minces about. He | :46:43. | :46:47. | |
will be quite good with his hips. Russell is not convinced. He is not | :46:48. | :46:57. | |
keen. Love Katya. You are terrible. Greg and Natalie. They had their | :46:58. | :47:02. | |
lowest score last week, he is a bit heartbroken. It was the cha cha cha. | :47:03. | :47:06. | |
This week it's a rumba and he is enjoying this. He is working very | :47:07. | :47:11. | |
hard. Lice sparks what do you think, can they fare better with this? I | :47:12. | :47:15. | |
hope so, the only problem for Greg is that the rumba has the same sort | :47:16. | :47:20. | |
of technique as the cha-cha, it is the straight leg, it is this sort of | :47:21. | :47:25. | |
thing, hopefully, week two of doing this style dance he may be better. | :47:26. | :47:29. | |
Last week it wasn't his dance, he admitted to that and Craig was clear | :47:30. | :47:34. | |
on that. We find that you Latin or ballroom. Absolutely. Wed did you | :47:35. | :47:43. | |
prefer. I loved Latin but I got my highest marks on ballroom. It took | :47:44. | :47:51. | |
so long, so tricky. On to Judge Rinder and Oksana. It's a paso | :47:52. | :47:57. | |
doble. Here he goes, Elaine you are sounding hopeful. I am. He is very | :47:58. | :48:04. | |
passionate isn't he. He gets a bit overexcited and everything. I think | :48:05. | :48:08. | |
we will need, he has to call on his judge qualities this week. I think | :48:09. | :48:12. | |
so if case you are wondering what he is wearing, he is being a moth. The | :48:13. | :48:17. | |
male version of a butterfly Oksana said. Great number, Born This Way, | :48:18. | :48:28. | |
Lady Gaga, I did that in panto. What was that? In Aylesbury. I am not | :48:29. | :48:37. | |
there this year, I am at the Durie lane theatre. Ore and Joanne are | :48:38. | :48:46. | |
doing a Charleston. Is he going to be... OK, Ore and Joanne, here they | :48:47. | :48:53. | |
are, he has had trouble with his swivel. I think he has got it now. | :48:54. | :48:58. | |
What do we think? I just love these two. I mean, Singin' in the Rain, | :48:59. | :49:04. | |
the wonderful musical, I mean, it was just amazing, but Ore for me, | :49:05. | :49:10. | |
even though Jo, she is my show business daughter, Ore for me is, he | :49:11. | :49:14. | |
is just getting every week better and better. It is just, he is taking | :49:15. | :49:20. | |
to it, and it is wonderful to watch. So He is a natural. Natural flair | :49:21. | :49:29. | |
add -- flair and style. They are mischievous pixies. OK, Danny and | :49:30. | :49:37. | |
Oti are doing a foxtrot. Lisa and Rachel Stevens are the only people | :49:38. | :49:43. | |
to get full marks for a foxtrot. APPLAUSE | :49:44. | :49:47. | |
Well done you. Here he is in training. Lisa, how does this look | :49:48. | :49:54. | |
to you? Do you know what I think Danny dances beautifully, he hasn't | :49:55. | :49:59. | |
got a ten yet. They are making him work really hard, that is good, you | :50:00. | :50:04. | |
push yourself harder. He looks good. He is a natural. The way he holds | :50:05. | :50:10. | |
himself. Absolutely everything. He was a bit like, hello with his | :50:11. | :50:14. | |
rumba. I would have given him tens the last two week, it is that thing | :50:15. | :50:21. | |
when they are holding out. Do you think it could be this week? Why | :50:22. | :50:27. | |
not? You were good at foxtrot Russell. I don't know how the heck I | :50:28. | :50:36. | |
did it. It was all to do the Flavia. Don't Rain On My Parade you are the | :50:37. | :50:43. | |
Mrs Destroys sand fan club. It was a great number but Flavia was just | :50:44. | :50:50. | |
divine. And remains so, we miss her and Vincent. We must discuss who is | :50:51. | :50:56. | |
going home, who is going through the trap door on Sunday, Elaine Paige | :50:57. | :51:05. | |
who is saying sayonara? I don't know, it is tricky, the standard | :51:06. | :51:08. | |
this year is particularly high, isn't it. Yes. Give us a name EP. I | :51:09. | :51:16. | |
don't like do that. I can't think. Don't worry. I will call sitting on | :51:17. | :51:23. | |
the fence. Who is going home? Out of that lot I love Katya. Who is going | :51:24. | :51:32. | |
home Lisa? I can't say until I have seen the whole evening. | :51:33. | :51:35. | |
APPLAUSE It is time now to check in for an | :51:36. | :51:40. | |
update on our couples training but who is going to be frighteningly | :51:41. | :51:44. | |
good and who should be scared. They are so naughty. Here is how Louise, | :51:45. | :51:50. | |
Ed and Claudia have been getting on. We are dancing the Charleston and I | :51:51. | :51:53. | |
think it is completely different to anything we have done so far. It is | :51:54. | :51:59. | |
incredibly fast, I am so tired already. | :52:00. | :52:04. | |
Shattered. It is going to be about stamina and | :52:05. | :52:08. | |
energy. There is loads of steps to remember, and you are doing them at | :52:09. | :52:13. | |
such high speed. I am really feeling my age today. | :52:14. | :52:18. | |
This week I am In It To Win It. Can if you can go out there and tear the | :52:19. | :52:23. | |
roof off. I have to throw everything I have got at this. | :52:24. | :52:30. | |
I am worried about the cha-cha. I thought this would be hard for me. | :52:31. | :52:34. | |
My hips don't move in this way. It is Hallowe'en and you have to go for | :52:35. | :52:38. | |
it. Let us think about your bum cheeks. He has created some good | :52:39. | :52:45. | |
lines today. When we do into the New Yorkers. Quite impressed. ? The | :52:46. | :52:54. | |
thing for me will be to be as light and beautiful as Katya, that is not | :52:55. | :53:02. | |
me. I have full trust in him and I am sure we can pull it out. | :53:03. | :53:09. | |
Training is going great. The American smooth is going smoothly. | :53:10. | :53:13. | |
The routine is coming together. Claudia is starting to understand | :53:14. | :53:18. | |
it, which is always helpful. I am doing a lot of work in this. It is | :53:19. | :53:23. | |
not just on AJ this time. It is is a mix of being really elegant this | :53:24. | :53:27. | |
routine and being really vicious because I am a witch. It is hard to | :53:28. | :53:31. | |
find that balance but I think I am doing well. We are working hard on | :53:32. | :53:34. | |
the lifts because they are so difficult. I have to cling on for | :53:35. | :53:39. | |
dear life and hopefully lit go right on Saturday night. | :53:40. | :53:46. | |
Time for the final trip to Elstree. We sent Gethin on a mission to track | :53:47. | :53:51. | |
down intelligence from the stars of strictly. Let us see what other | :53:52. | :53:56. | |
horrors lie behind the doors at Elstree. Let us see who is in here. | :53:57. | :54:02. | |
I think it is Daisy and Aljaz. Enjoying coffee and breakfast. | :54:03. | :54:07. | |
Hello. What is for breakfast? I really enjoy cereal in a mug, now, | :54:08. | :54:15. | |
in my Elstree Studio days. Strictly is glamorous. You seemed up-to-date | :54:16. | :54:20. | |
and ready for the paso, how you feeling? I am excited to do it. I am | :54:21. | :54:25. | |
excited to get dancing, get on the dance floor, and smash it out this | :54:26. | :54:29. | |
week. Who is winning, the paso or the cape or Daisy? Daisy, we | :54:30. | :54:36. | |
named... Don't you kind of win? I win from the floor. You win from the | :54:37. | :54:40. | |
floor. You win from the floor. That is the story. I just decide I am | :54:41. | :54:44. | |
going to change the end of the dance. Genuine? No. I would hate | :54:45. | :54:50. | |
that. I know your family are loving this. You have family members this | :54:51. | :54:55. | |
weekend. Grandma is this this weekend. She comes every week to | :54:56. | :55:01. | |
rehearsals every Thursday to see how the dance is looking, but she also | :55:02. | :55:04. | |
has been in the Green Room every weekend and so this weekend is, she | :55:05. | :55:10. | |
said that she would only come in the audience if I made to it Hoon, so we | :55:11. | :55:14. | |
made it and she is in the audience this week. What does she make of | :55:15. | :55:19. | |
this man, there is no lifts allowed in the paso, you haven't put a lift | :55:20. | :55:25. | |
in, have you. No. Thinking about it? No, on our first Latin dance you | :55:26. | :55:30. | |
can't do lifts but there was a little sort of a swooshy up from the | :55:31. | :55:35. | |
floor moment and Len did pick up on it, and out of all the people the | :55:36. | :55:39. | |
one that was the least impressed was her grandma. She didn't want me | :55:40. | :55:45. | |
partnered with Brendan, she said you can't have that Brendan because he | :55:46. | :55:50. | |
does illegal lifts. So here I am doing illegal lifts. And she gave | :55:51. | :55:56. | |
you a talking to. Did she really? She did. You have to be here for | :55:57. | :56:04. | |
grandma. I am. No liftings grandma. Are you looking forward to it? I am | :56:05. | :56:08. | |
looking forward to getting on the dance floor, the paso particularly | :56:09. | :56:12. | |
is so strong and tough. I am not great at being tough, but I am | :56:13. | :56:17. | |
learning, so... On Monday you were not but today you are. I know you | :56:18. | :56:23. | |
will be fabulous, I will let you get back to breakfast. That is it for | :56:24. | :56:28. | |
tonight. Don't mistomorrow night with Tess and Claud. I am back on | :56:29. | :56:32. | |
Monday with the next couple to fall foul of the grim reaper. Now it is | :56:33. | :56:39. | |
time for the overtones who are to start their Christmas tour, playing | :56:40. | :56:40. | |
us out with the monster mash. # I was working in the lab | :56:41. | :56:53. | |
# Late one night # When my eyes be held an eerie | :56:54. | :56:57. | |
sight # For my monster on his slab began | :56:58. | :57:00. | |
to rise # Then suddenly for to my surprise | :57:01. | :57:04. | |
# He did the mash # He did the monster mash | :57:05. | :57:08. | |
# The monster mash # It was a graveyard smash | :57:09. | :57:11. | |
# He did the mash # And it caught oven in a flash | :57:12. | :57:14. | |
# The monster mash # Oh yes, he did the monster mash | :57:15. | :57:19. | |
# He did the mash # He did the monster mash | :57:20. | :57:22. | |
# The monster mash # It was a graveyard smash | :57:23. | :57:26. | |
# He did the mash # And it caught on in a flash | :57:27. | :57:31. | |
# The monster mash # He did the monster hash | :57:32. | :57:38. | |
# To the master bedroom where the vampires feast | :57:39. | :57:42. | |
# The ghouls all came from hair humble abode | :57:43. | :57:47. | |
# To get a jolt from my electrode # He did the monster mash | :57:48. | :57:51. | |
# They did the monster mash # It was a graveyard smash | :57:52. | :57:55. | |
# He did the mash # And it caught on in a flash | :57:56. | :58:03. | |
# Yeah, they did the monster mash # The zombies were having fun | :58:04. | :58:11. | |
# The party had just begun # The wolf man | :58:12. | :58:17. | |
# Dracula and his son # It was rocking | :58:18. | :58:22. | |
# Igor on the chains backed by his hounds | :58:23. | :58:25. | |
# Strictly Come Dancing was about to arrive | :58:26. | :58:30. | |
# With their vocal group The Overtones Five | :58:31. | :58:34. | |
# They did the monster mash, we did the monster mash | :58:35. | :58:38. | |
# Oh it was a graveyard smash # And it caught on in a flash | :58:39. | :58:42. | |
# The monster mash # Oh we did the monster mash | :58:43. | :58:49. | |
# Clap your hands now # We did the monster mash | :58:50. | :58:53. | |
# It was a graveyard smash # And it caught on in a flash | :58:54. | :58:58. | |
# The monster mash # We are we did the monster mash | :58:59. | :59:03. | |
# We did the monster hash # Oh it was a graveyard smash | :59:04. | :59:12. | |
# And it caught on in a flash # We did the monster mash | :59:13. | :59:17. | |
# We did the mash. # APPLAUSE | :59:18. | :59:25. |