Episode 24 Strictly - It Takes Two


Episode 24

Similar Content

Browse content similar to Episode 24. Check below for episodes and series from the same categories and more!

Transcript


LineFromTo

Live from London. This is strictly, it takes two. Please welcome your

:00:49.:00:53.

host. Hello and welcome to It Takes Two,

:00:54.:01:02.

where like all the shops, we've started Hallowe'en

:01:03.:01:05.

celebrations early! But there's nothing

:01:06.:01:06.

frightening about this show, Plus, she's the Queen of Halloween,

:01:07.:01:08.

it's costumer designer, Vicky Gill! And the moment you've

:01:09.:01:23.

all been waiting for. We'll be revealing which scary

:01:24.:01:27.

costume you chose for Ian Waite! Thank you for standing

:01:28.:01:31.

in Mr Pumpkin. Now, our first couple this evening

:01:32.:01:37.

can generally be found near the very top of the leaderboard -

:01:38.:01:41.

even after dancing a Rumba - it's terribly difficult,

:01:42.:01:44.

don't you know! They made it look easy,

:01:45.:01:45.

it's Danny Oti! That's what I like. It was a

:01:46.:02:02.

masculine performance. Those hips have plenty of life into

:02:03.:02:10.

it, darling! I love, love, love watching you.

:02:11.:02:15.

Would you believe it. It's Danny and Oti.

:02:16.:02:28.

I want to introduce you like that. The first male celebrity to tackle

:02:29.:02:33.

the rumba this series, wow! Was it as difficult as everyone says it is?

:02:34.:02:37.

It really was. It was terrifying during the week. I had some great

:02:38.:02:45.

examples from Aljaz... Was it the week we did it? The same week.

:02:46.:02:57.

Actually watching it back it went smoother than it felt, if I'm

:02:58.:03:00.

honest. I had no idea how it had gone. From where I was it looked

:03:01.:03:06.

perfect. Len said strong, mass cue line performance. Did -- masculine

:03:07.:03:11.

performance. Did you have to bring out your inner beef cake? There is a

:03:12.:03:18.

fine line. Oti would laugh at me in training. That must help! But, Oti

:03:19.:03:25.

is such a strong, powerful woman, it is hard no not to cower away. She

:03:26.:03:30.

made sure I brought it. You did, Oti. It was impressive. 36 weeks...

:03:31.:03:39.

What? 36 points, the two previous weeks, were you sad to drop a point?

:03:40.:03:45.

It was only one point? Honestly I didn't expect the scores we got at

:03:46.:03:48.

all. The previous week we did the quickstep. I had the most fun. If we

:03:49.:03:52.

got twos I would have been happy. Didn't matter. That went so well. So

:03:53.:03:57.

this week I was honestly thinking it would be quite low and the rumba's

:03:58.:04:03.

like famous for that. Even after the comments, they were great and

:04:04.:04:09.

constructive, but when we ent up and got eight and three nines, it didn't

:04:10.:04:13.

make sense to me, if I am honest. I'll take it! You're a happy, happy

:04:14.:04:20.

boy. We did talk about the sliding doors. You know Len loves that step.

:04:21.:04:25.

It's so good. Honestly I don't know what Len likes and doesn't like. I

:04:26.:04:30.

know when you do any dance you want to have these basic elements of a

:04:31.:04:34.

rumba. We had, like you don't know... We had, what did we have? We

:04:35.:04:43.

had opening... We had a few things. You moved on to this week.

:04:44.:04:47.

The sliding doors. So we had a few things. It was a good feeling that

:04:48.:04:51.

he kind of recognised and then loved it. We got told off in week one for

:04:52.:04:58.

not having enough content. Don't mess with her! Yeah! So much love on

:04:59.:05:03.

line for you. A lovely message. Oti Mabuse, your choreography

:05:04.:05:12.

is exceptional. It's great we properly see

:05:13.:05:14.

what you can do this series. called Danny Mac tweeted: I've seen

:05:15.:05:19.

so much appreciation An immensely incredible talent

:05:20.:05:22.

and I truly believe, star And for that Danny Mac,

:05:23.:05:28.

we got you this Hollow wean this week and a foxtrot

:05:29.:05:47.

to Take Me To Church. What's the occasion you're going to church?

:05:48.:05:56.

What is the occasion, Oti? It is like, I say a corpse wedding, it is

:05:57.:06:03.

a wedding and it turns dark. It is a nice wedding but then turns a bit

:06:04.:06:08.

dark. You see an evil side to the couple that are attached. It is

:06:09.:06:12.

good. A great concept. There are a couple of little bits in it which

:06:13.:06:16.

are quite testing and new. It is a really nice touch if we can make it

:06:17.:06:20.

work. You're making it sound very, very good indeed. It is a contrast

:06:21.:06:26.

to the rumba as well. Foxtrot. What are your teaching methods like, Oti?

:06:27.:06:31.

I use anything and everything I can see, just to get him to understand.

:06:32.:06:37.

I do try: Because I am so technical in teaching, I try to slow it down

:06:38.:06:41.

and speak to him so he can understand. Whatever I can find,

:06:42.:06:48.

bananas, brooms, chairs... Are they prizes or are they props? They are

:06:49.:06:52.

props, so he can understand the language I'm speaking. It seems to

:06:53.:06:56.

work. It's definitely working! I told her to hold a chair and do the

:06:57.:07:00.

entire routine. By yourself. I cannot bear it. I am like, no, no,

:07:01.:07:06.

no. Can I just... ? She's like no and she stands there like a teacher.

:07:07.:07:09.

No, go and get the chair. I go and get the chair and do it. I hate to

:07:10.:07:14.

admit it, but it actually works. It works, you can tell on Saturday

:07:15.:07:18.

night. Keep it up! I tell you. I cannot wait to see you two in the

:07:19.:07:22.

Church. Danny and Oti!

:07:23.:07:30.

Now, it's time to check in with some of our hard-working trainees.

:07:31.:07:32.

Here's how Laura and Giovanni, Judge Rinder and Oksana,

:07:33.:07:35.

and Ore and Joanne have been preparing for Halloween week.

:07:36.:07:40.

We are dancing the tango to the Rolling Stones and the Rolling

:07:41.:07:46.

Stones are one of my favourite bands of all time.

:07:47.:07:55.

Tango is a quite beautiful dance. Set... Go... My grandma is quicker

:07:56.:08:03.

and especially dramatic. It is going to be a terrifying

:08:04.:08:07.

tango. Yes! Beautiful!

:08:08.:08:15.

The paso doble is strong, powerful and elegant.

:08:16.:08:22.

One, and two, and three, four... It is very different from other dances

:08:23.:08:26.

because there are specific shapes we need to create. There is a beautiful

:08:27.:08:33.

routine this week. I want it to live up to her expectation. You can

:08:34.:08:42.

expect an incredible butch dance. Five, six, seven, eight...

:08:43.:08:47.

Oh, the charleston, what are you doing to me? It makes very little

:08:48.:08:54.

sense. You've got to make sure your feet do

:08:55.:09:00.

that swifling motion. Mine don't want to do that. He cannot swifle on

:09:01.:09:09.

his right foot! That is like the basic back foo... Good. Don't kick

:09:10.:09:15.

yourself! Trying to keep up. Every day just trying to keep up. Please

:09:16.:09:17.

can I keep up! ? Now it is time for the results of a

:09:18.:09:25.

momentous poll. You have been waiting in your millions... Sorry,

:09:26.:09:31.

thousands to decide what Ian Waite should wear for hollow wean. Just to

:09:32.:09:36.

recap everybody, your options were baller rien that gone bad, Black

:09:37.:09:51.

Swan T legendary Beetlejuice. Orsome Barbara Streisand and the winner

:09:52.:09:55.

will be revealed after this short message...

:09:56.:10:08.

Please welcome, in your winning Hallowe'en costume, what he normally

:10:09.:10:17.

wears on a Saturday night, Mr Ian Waite.

:10:18.:10:25.

Oh, darling, you look divine. Thank you very much. I am prima Russian

:10:26.:10:41.

ballerina. You look glorious. Will you wear this for trick or treat? I

:10:42.:10:45.

don't want to frighten the kids too much. I hope Sir Matthew Bourne is

:10:46.:10:52.

watching. In an outfit like that where do you keep your wand? I keep

:10:53.:10:57.

it here. I didn't have any space in these tights.

:10:58.:11:02.

Oh, the duck sound! Very funny. Let's look at the couples this week.

:11:03.:11:07.

Ed and Katya, so much for them, from the public for these guys, never

:11:08.:11:11.

been in the danceoff. Often bottom of the leaderboard. How can he avoid

:11:12.:11:16.

being the bottom doing the cha-cha-cha? Yes, he's full of

:11:17.:11:21.

enthusiasm, which is graesmt got a good energy. I would like to see him

:11:22.:11:25.

a little bit more aware of his body. He doesn't know where he is with his

:11:26.:11:30.

body. There are places where, especially in cha-cha-cha, if I stop

:11:31.:11:34.

it here, where it would be nice if he could get his body over the

:11:35.:11:39.

standing foot. If you put that heel down, right, he would be able to

:11:40.:11:42.

straighten that knee and get his body way over there. Do you see what

:11:43.:11:47.

I mean? If you show us. Over like that. Like that! Here we go. Cha...

:11:48.:11:58.

He looks like a demented emu! It's not so good this week. So I

:11:59.:12:03.

give him three pumpkins. Thank you very much! On to Claudia and AJ, a

:12:04.:12:09.

brilliant samba last week. The judges said it is so, so fast, they

:12:10.:12:12.

are slowing things down with an American smooth. It is a classic.

:12:13.:12:17.

How does it look? Beautiful foxtrot in here. To be honest they did a

:12:18.:12:22.

foxtrot last week. It is very lucky, they have an advantage. It was not

:12:23.:12:26.

last week. It was the week before. But it has given her a chance to do

:12:27.:12:30.

the foxtrot already. What I would like to see, as you can see here, I

:12:31.:12:35.

would like to see her get a little bit more over AJ's right-hand side

:12:36.:12:39.

and we would see the head a bit more over here and they would be able to

:12:40.:12:43.

create more of that flower in the vase. It is looking very good. I

:12:44.:12:47.

will give it two spiders, which is happy spiders. And one pumpkin. Well

:12:48.:12:58.

done, everyone! Laura and Giovanni hoping to get back on the floor. Are

:12:59.:13:02.

you looking forward to their tango? She has a good body position. If you

:13:03.:13:06.

see, she is over the right-hand side. I really like her head

:13:07.:13:13.

position. She's missing all the heel leads. She's doing all the forward

:13:14.:13:19.

walks and does one heel lead and the rest are toes. Maybe it is the ankle

:13:20.:13:24.

situation or the strain. But that needs to be eradicated in time

:13:25.:13:28.

because obviously tango, you've always got heel leads. You are down

:13:29.:13:34.

in the knees. Always heel leads. So, for this, darling, I give two

:13:35.:13:40.

spiders... Oh, no, one spider and two pumpkins. I love how in control

:13:41.:13:49.

you are of that! Judge and Oksana, a full pelt in their jive. He loved

:13:50.:13:55.

it, as do we. This week she's being a moth and she's being a butterfly.

:13:56.:13:58.

What can you tell us about the training? I just love watching him.

:13:59.:14:03.

He's very strong. He's got a good walk there, as you can see. Good

:14:04.:14:07.

heel leads, which are fabulous. I would like to see, I mean he's

:14:08.:14:11.

getting into it. I think he needs a little bit more, he needs more

:14:12.:14:17.

shaping. I'm liking his costume... Where he's looking, he cannot look

:14:18.:14:21.

down at the floor. He needs to look across the room. There is a bull

:14:22.:14:25.

coming at him and he needs to keep that in mind at all times. If he can

:14:26.:14:32.

keep the elbows out and keep the shaping, it will be fabulous. So, I

:14:33.:14:37.

will give this... Three happy spiders. Ladies and gentlemen you

:14:38.:14:53.

can never unsee this... . Bravo. I love it.

:14:54.:14:56.

Now, last week Head of the Glam Squad, Lisa Armstrong,

:14:57.:14:58.

gave us some top tips on how to achieve a Hollywood makeover.

:14:59.:15:01.

Here's her guide to creating a frighteningly good

:15:02.:15:03.

I do love you. I really do! I'm Lisa Armstrong I'm the hair and makeup

:15:04.:15:14.

designer for Strictly come dancing. I'm excited about recreating one of

:15:15.:15:25.

my favourite Hallowe'en looks. It's Killer Doomy. The hair has been

:15:26.:15:30.

pressed. Loads of pieces, crimp, high top, perfect for a Hallowe'en

:15:31.:15:34.

look. I will start off with the eyes. In there with the black liner

:15:35.:15:40.

and create that ghoulish look. Now, I will use a black eye shadow all

:15:41.:15:44.

the way up to the eyebrow to make sure the line at the end is sharp I

:15:45.:15:50.

will create the shape with the eye liner brush. I will go underneath to

:15:51.:15:58.

join the look together. We added glitter over the top so it shines

:15:59.:16:07.

and has a strictly look. I will apply a base to give it that deathly

:16:08.:16:14.

Hallowe'en veil. Once you have all your hair backcombed you have pale

:16:15.:16:18.

vase, black eyes, you don't have to spend a fortune on a costume, you

:16:19.:16:23.

can put on a red dress, heels and you are a zombie. I will use a

:16:24.:16:28.

reflex glitter, that will go on the base. She can shine around the dance

:16:29.:16:33.

floor. The look has to be pretty because we are Strictly. We have to

:16:34.:16:38.

obviously give a scary background to it and then glitter it up and make

:16:39.:16:44.

it look glamorous. We come to the gemming, which is obviously very

:16:45.:16:50.

Strictly. Tweezers, eyelash glue, back of the hand. Pop slightly in,

:16:51.:16:56.

pop on the face. Done - repeat. Good, hey? ! Now we will do the

:16:57.:17:01.

lips. We will paint them out with the white. With the eye liner brush

:17:02.:17:08.

and then this, this, joining that all up. Then we just create the

:17:09.:17:17.

lines going through. With the tip and the white paint you can go

:17:18.:17:22.

around and perfect them. It's Hallowe'en, you don't have to be too

:17:23.:17:27.

precise. You can see how you are dragging the white and black

:17:28.:17:30.

through. The last bit to this look is putting a nice black line around

:17:31.:17:33.

the lip. There you go, a perfect Hallowe'en

:17:34.:17:40.

look. Pop a red dress on the other hand and you're good to go.

:17:41.:17:50.

Thank you very much, Chloe. Happy birthday to Lisa. The big one, big

:17:51.:17:59.

4-0. Now from one backstage

:18:00.:18:01.

hero to another. Strictly's Creative Director

:18:02.:18:02.

of Choreography, Jason Gilkison, will be joining me on the sofa next

:18:03.:18:04.

week and we'd love to ask him some You can tweet them using the #It

:18:05.:18:08.

Takes Two or email your questions Now, it's another big week

:18:09.:18:12.

for costumes, but it's a walk in the park for this next lady,

:18:13.:18:16.

it's Vicky Gill. Vicky Gill. How amazing did Ian look

:18:17.:18:39.

in that getup? Fantastic. We all love a theme you love a theme. It's

:18:40.:18:43.

a lot of work. Yes. How far in advance do you get prepared for

:18:44.:18:47.

hall? Not long enough. It's great fun. It's happening. Every week.

:18:48.:18:51.

Someone is doing something and then - it's changed. They will be this.

:18:52.:18:55.

For you it must be a nightmare. Cutting things up. We have a sketch

:18:56.:19:02.

of Jo's dress last week. It worked beautifully. This dress is

:19:03.:19:08.

simplicity. Two layers to the dress, simple, eight pan e a wide flare. It

:19:09.:19:13.

works beautifully for the number. Sometimes you don't need to over

:19:14.:19:18.

cook things. Keep it simple. Ore was gorgeous in the white shirt and

:19:19.:19:24.

white waist coat. Judge Rinder and Oksana are being a moth and

:19:25.:19:28.

butterfly. This is unusual? A challenge. The concepts are always a

:19:29.:19:33.

challenge. We've enjoyed this. We have had this hand painted. A lovely

:19:34.:19:39.

lady worked hard this week to do this for us. It's wings. We didn't

:19:40.:19:44.

know how it would work at the beginning of the week. We will see

:19:45.:19:47.

what the proportion is like on Oksana tomorrow morning. With. We

:19:48.:19:51.

will continue the painting up into the bodies, that is why it's not

:19:52.:19:59.

matching right now -- bodice. More of this will happen on the wings. It

:20:00.:20:03.

will transform tomorrow, as normal. Not coming out? Probably! They are

:20:04.:20:11.

doing Paso Doble. Daisy and Aljaz doing Paso Doble. This is Daisy's

:20:12.:20:16.

outfit. It's traditional. When we get to show time on Saturday we will

:20:17.:20:20.

have coloured flowers around the neck line. The skirt will probably

:20:21.:20:25.

be longer. She has such long legs, they go on forever. Hold it like

:20:26.:20:34.

that. Thrills. We have about 100 circular thrills. A circle, 10

:20:35.:20:42.

centimetres in-depth. That is multiplied and sown around the

:20:43.:20:46.

bottom. Leigh was working hard on this morning. Aljaz will he wear a

:20:47.:20:54.

vest or not? It's not going to be Gorka. We love him, he comes in and

:20:55.:20:58.

makes anything look amazing. He does. Red and black jacket. They

:20:59.:21:07.

will compliment each other. This week, with Hallowe'en she is dancing

:21:08.:21:14.

to Bat Out Of Hel Anita with Brendan. We have black, red, black,

:21:15.:21:23.

red and more black and red. You have to create diversity through the

:21:24.:21:26.

line-up. They are bats, it had to be black. We put orange and peach and

:21:27.:21:32.

red through the core of Anita's dress. Anastacia's dress. --

:21:33.:21:43.

Anastacia. We will create a wing detail through her costume. We hope

:21:44.:21:46.

it will be fringe. Will wings restrict movement? Sometimes they

:21:47.:21:50.

get caught. I hate it when that happens. Oti is being the corpse

:21:51.:21:56.

bride? That is right. Talk us through her frock. The base of Oti's

:21:57.:22:01.

dress is a standard shape for foxtrot. She has enough flare and

:22:02.:22:09.

movement. A detailed hemline there is lots of chantilly lace, but to

:22:10.:22:13.

create the bride feel and that volume to the dress we've twisted

:22:14.:22:24.

layers of tulee over the bodice. All the things to come with it are her

:22:25.:22:33.

veil and bouquet. Can't wait to see it come to life. And Vicky Gill's

:22:34.:22:38.

children get their costumes from the shops where we get our kids. Yes. .

:22:39.:22:41.

Vicky Gill. Our final couple danced a romantic

:22:42.:22:45.

Rumba under the glowing lights of the Eiffel Tower on Saturday

:22:46.:22:48.

night, and we couldn't have loved it # Baby I didn't hold you... #

:22:49.:23:04.

You are consistently good. Well done. You have wonderful movement.

:23:05.:23:14.

Beautiful quality and relationship between you. It was one classy

:23:15.:23:28.

Rumba. Louise and Kevin. Hello, admiring your shoes. That was a

:23:29.:23:33.

glassy rumba last week. A get away to Paris. Were you pleased with how

:23:34.:23:38.

it went? I was. I was nervous about doing the rumba, you feel so

:23:39.:23:45.

exposed. All week Kevin was saying - get into character, you have to live

:23:46.:23:48.

it. On the night I couldn't have done it better. If you do your best,

:23:49.:23:52.

regardless of how good anyone else is, that is all you ask for. Sglm

:23:53.:23:55.

you brought that character nicely. You can have a sexy rumba, it did

:23:56.:24:02.

feel romantic, like you were... That is what we decided. We didn't want

:24:03.:24:08.

to... It didn't feel right to writhe all over each other. We wanted to

:24:09.:24:14.

make it classy... Not that you're not beautiful! Wife, husbands and

:24:15.:24:20.

kids. We wanted a classic romantic rumba that puts pressure on things.

:24:21.:24:24.

It's more spoking it's all about technique then. You nailed it. I

:24:25.:24:30.

hear in rehearsals there were a couple of mistakes? I went rogue in

:24:31.:24:35.

rehearsal. Did my own thing. Made up my own dance. Kevin put his arm out

:24:36.:24:40.

and I ran off. She ran off. I didn't know where she was going. When that

:24:41.:24:45.

happens how much does it make you frightened that the same thing would

:24:46.:24:52.

happen? I felt bad. The end position Kevin swoops me on to the floor I

:24:53.:24:57.

went, "I'm so sorry I went rogue on you" I was scared. Does he get

:24:58.:25:02.

angry? No. He said - did you notice that you did it all wrong? I kind of

:25:03.:25:08.

did! Yeah, I kind of did. Len said he wanted you to bring the wow

:25:09.:25:16.

factor. It's a rumba, you can't go, wow, wow. How were you feeling about

:25:17.:25:20.

comments like that. What do you say Kevin? I hated it. It's good, get it

:25:21.:25:25.

off your chest. . The obviously, rumba is not a big showy dance.

:25:26.:25:31.

However, we've just sort of said, if that is how they feel, that is how

:25:32.:25:36.

they feel. We have taken it upon ourselves this week to crank it up.

:25:37.:25:39.

This week is a big week for us. We have got to go for it. That's been

:25:40.:25:44.

the talk in training all week. We have to show them we haven'ted

:25:45.:25:48.

plateaued. We want to take on the boys above us. Yes. If they turn to

:25:49.:25:54.

you and go - it's too much, we will all be cross. Darcey said you have

:25:55.:25:58.

the ability to be at the top of the leaderboard. Is that where you want

:25:59.:26:02.

to be or are you happy where you are? How do you feel about it? I

:26:03.:26:07.

want to do my best. We are all different in this competition.s for

:26:08.:26:11.

me, coming into it... It took me to really build my confidence and get

:26:12.:26:15.

guts. I want to go out there every Saturday night. I smile my way

:26:16.:26:19.

through every dance whether I should or shouldn't. Whether the character

:26:20.:26:24.

requires a smile, I seem to carry on smiling. I'm having a really good

:26:25.:26:28.

time. I want to do my best. Where I come on the leaderboard... If you're

:26:29.:26:33.

up the top, it's a bonus. Hopefully, I won't be down the bottom. The

:26:34.:26:36.

people at home have to love what you are doing. I love your attitude.

:26:37.:26:41.

It's absolutely right. This week it's Hallowe'en. It's on to

:26:42.:26:45.

Charleston. You look like you are having so much fun in training.

:26:46.:26:49.

Louise, it's full on, isn't it? It's so fast! I said to Kevin, you might

:26:50.:26:55.

have to carry me to the judges, I'm feeling my age this week. The I will

:26:56.:27:00.

be crawling over. A lot of them are young on this. A mum of two. She

:27:01.:27:08.

looks very young, you know... It does look absolutely joyious. Are

:27:09.:27:10.

you happy with how training is going? I loved this week. I am

:27:11.:27:16.

enjoying the Charleston. I think Louise will be amazing at it.

:27:17.:27:20.

Putting pressure on you. We are in bits a little bit. Every morning we

:27:21.:27:24.

have been coming in like we are 94 years old. I love the fact he is as

:27:25.:27:29.

tired as me at the end of it. Normally I go - give me a moment. He

:27:30.:27:35.

goes, we will do one more Rumba. After this one be he's like - shall

:27:36.:27:40.

we have 10 minutes. Your characters are brill yanlt.

:27:41.:27:44.

Now in keeping with the theme, we'd like to play a little game.

:27:45.:27:48.

Louise and Kevin, be prepared to put your lives

:27:49.:27:50.

I'm going to ask you a number of questions and all you have to do

:27:51.:27:57.

is say whether it's a trick or treat, using these paddles.

:27:58.:28:00.

Being trapped in a lift with Craig Revel Horwood? He has been nice to

:28:01.:28:08.

me. Doing a lift with Ed Balls? Judge Rinder judging one of your

:28:09.:28:10.

dances? I like him. Beating your sister

:28:11.:28:19.

Joanne Clifton an Saturday night on the leaderboard?

:28:20.:28:25.

Good luck on Saturday. I cannot wait to see you in that outfit. Louise

:28:26.:28:30.

and Kevin! Join me here tomorrow at the earlier

:28:31.:28:33.

time of 6.00pm for an hour-long Where I'll be chatting to Claudia

:28:34.:28:38.

and AJ, Ore and Joanne Joining me on the Friday panel

:28:39.:28:43.

will be Lisa Snowdon, Russell Grant and EP herself -

:28:44.:28:48.

Elaine Paige. Plus, it wouldn't be Hallowe'en

:28:49.:28:50.

without Strictly's scariest judge,

:28:51.:28:53.

Download Subtitles

SRT

ASS