Episode 23 Strictly - It Takes Two


Episode 23

Similar Content

Browse content similar to Episode 23. Check below for episodes and series from the same categories and more!

Transcript


LineFromTo

VOICEOVER: From London, this is Strictly Come Dancing.

:00:46.:00:48.

Please welcome your host, Zoe Ball.

:00:49.:00:52.

It may be the final of The Great British Bake Off tonight,

:00:53.:01:01.

but Mary Berry and Paul Hollywood aren't the only ones

:01:02.:01:05.

with some showstoppers ready to come out the oven.

:01:06.:01:08.

Here to tickle your fondant fancy, it's Judge and Oksana!

:01:09.:01:18.

Is CHEERING AND APPLAUSE

:01:19.:01:21.

And hoping to rise to the top after a dramatic week,

:01:22.:01:23.

Joining them, a man who never sugar coats his dance critique,

:01:24.:01:30.

Which of our pros will be transporting us to Spain

:01:31.:01:40.

But first, their high energy jive had everyone jumping out their seats

:01:41.:01:48.

Frankly, I was exhausted just watching it!

:01:49.:01:52.

You weren't just dancing, you were erupting. You dance with tempestious

:01:53.:02:12.

aband done. How of, for me, it was a little flat-footed. Your enthusiasm

:02:13.:02:17.

takes over and gets a little carried away. But I loved it!

:02:18.:02:21.

I never know if I'm doing the right hand. Well done on Saturday. Opening

:02:22.:02:36.

the show. It's so joyous to watch you. The enthusiasm, energy. Tempest

:02:37.:02:46.

ewous abandon? He meant joyious abandon. I I know you adored this

:02:47.:02:53.

dance? Loved it. It was so much fun. That's the thing, honestly, when

:02:54.:02:56.

you're dancing to the music and enjoying it, it's like nothing else.

:02:57.:03:02.

That's why I thanked Oksana at the end of it. I got an opportunity for

:03:03.:03:05.

a minute-and-a-half to have so much fun. It was exactly that. It was an

:03:06.:03:11.

in twingely eruption. My favourite kind! All the people watching at

:03:12.:03:17.

home adored it as well. Especially Louise from Belfast. She wrote in

:03:18.:03:22.

saying she wants to go out for a night out with Judge Rinder. She

:03:23.:03:27.

says you've kipper hips. I'm assuming that's a good thing? I

:03:28.:03:32.

don't know. Anyway, she loves you. We know how fit you are. Last week

:03:33.:03:37.

you impressed us with your pressups. We've seen the torso and energy.

:03:38.:03:42.

Then you pull out the one-handed cartwheel. I know. Have you done it

:03:43.:03:49.

before? I've been paying for it afterwards. I've been walking around

:03:50.:03:54.

like John Wayne as a result this week. When did he tell you he could

:03:55.:04:00.

do that? He likes to surprise me. Pleasantly surprised. Plus, putting

:04:01.:04:04.

that in the routine straight away. I can't wait to see what else you'll

:04:05.:04:09.

pull out of the bag. Congratulations, finally you break

:04:10.:04:13.

the curse of 27. You got 29 points. You looked a little bit, you know,

:04:14.:04:18.

were you pleased with that or a little disappointed? We'd like to

:04:19.:04:25.

have broken the 30 barrier. And in my life! I know, I can't wait to be

:04:26.:04:33.

30! I don't think he could find the right badle. So much going on. I

:04:34.:04:37.

thought that was a little low scoring of Craig. I thought we'd

:04:38.:04:41.

improved that week. I thought it was a bit unfair. We wanted to break 30.

:04:42.:04:46.

What do you think about Craig. He's giving you 6 all the time. I think

:04:47.:04:52.

it's out of place. We had our best week emotionally and quality of our

:04:53.:04:56.

dancing. I'm so proud of the way he danced that jive. He knows how to

:04:57.:05:00.

count it. He's improved in my eyes so much. Exactly. Also, listen to

:05:01.:05:07.

Len. He gave you an 8. He said it was like the history of the jive.

:05:08.:05:12.

How much fun did you have putting it together, Oksana? I know he loved

:05:13.:05:15.

that song so I really tried to do a good job. I can see it in his eyes

:05:16.:05:21.

he enjoyed it a lot. That means a lot to get a comment like that from

:05:22.:05:27.

Len. The reason he is who he ises he's such a breadth of knowledge.

:05:28.:05:32.

Our teachers and dance partners also choreograph the numbers as well.

:05:33.:05:36.

Yeah. She loves the jive, Oksana but knows so much about it. You don't

:05:37.:05:41.

just learn how to dance but a history of where it comes from and

:05:42.:05:47.

why. That's why this is amazing enriching and fantastic. Ian was

:05:48.:05:51.

trying to teach me a little move earlier on. I was shattered. I

:05:52.:05:55.

needed oxygen at the end of it. That was one move. The adrenalin gets you

:05:56.:06:01.

through. We'd done it a few times in rehearsal. I was gasping for breath.

:06:02.:06:07.

When we did the Flint stone bong owes, I could barely walk for an

:06:08.:06:13.

hour. Bring those back. Not sure they'd work in a rumba. But after

:06:14.:06:17.

this, I could run around the block 50 times. I was so energised by the

:06:18.:06:23.

fun. That's very infectious when you're watching it. Paso doble this

:06:24.:06:29.

week. Matador or what's the matter you, hey, why you looking so sad?

:06:30.:06:35.

Are you loving this? Go with me! Are you loving the paso doble or is it

:06:36.:06:40.

being your friend? It's a challenging one. You have to be so

:06:41.:06:44.

specific. Look at us! The hands really do matter. I think my facial

:06:45.:06:50.

expressions, which emerge completely organically, I can't control them,

:06:51.:06:53.

are perfect for this dance. We'll see. Yes. I think, I'm definitely

:06:54.:07:00.

going to channel my inner bull fighting butch. OK. He's bringing

:07:01.:07:07.

the butch. I can't wait for this. It's Halloween. We have a theme.

:07:08.:07:12.

Each dance tells a tale. What's your tale? Are we allowed to tell? We can

:07:13.:07:18.

tell you. I'll be a butterfly. He'll be a moth. A male version of the

:07:19.:07:22.

butterfly. A male version of the butterfly. I think they might be

:07:23.:07:26.

slightly different. It's not that. I told her that earlier. But never

:07:27.:07:32.

mind! Yes, yes, I don't think that. That's not true. If we get too near

:07:33.:07:38.

the lights, it won't end well. That's the only thing. It could be

:07:39.:07:42.

horrific. You've been working on the face. We can see from training. Have

:07:43.:07:48.

we? My paso face is sort of like this. I'm serious. Then this? You're

:07:49.:08:03.

confused. You look confused. I have a solution. We'll put a full mask on

:08:04.:08:07.

your face! CHEERING Funny. Not. That was a

:08:08.:08:14.

couple of days ago. Can you give us the paso face now. Give us the

:08:15.:08:19.

butch? I try to do smouldering but it turns out to be angry. Angry's

:08:20.:08:26.

matador. Angry works. Hold on! Is that working for people? It's

:08:27.:08:29.

working for Paul, our floor manager. That's good. I love it. As mar rye

:08:30.:08:35.

ya said, spread your wings and prepare to fly. You have become a

:08:36.:08:40.

butterfly. Good luck this weekend with your moth and butterfly

:08:41.:08:45.

routine. Judge Rinder and Oksana. I love that face.

:08:46.:08:46.

Now Mr Rinder here might be in charge in the courtroom,

:08:47.:08:49.

but when it comes to the training room there is only one person

:08:50.:08:52.

The Waite is over - it's time for Waite's Warm-up.

:08:53.:09:04.

Thank goodness we can breathe out and relax.

:09:05.:09:14.

So we're gearing up for Halloween at the weekend.

:09:15.:09:16.

Are you going be nice about our couples this week?

:09:17.:09:18.

Another dramatic weekend. Lesley went out. Were you sad about that?

:09:19.:09:34.

Yeah, I was sad about that. I thought Lesley brought a great

:09:35.:09:39.

enrichness to the show. She gave it sprightliness. Those really

:09:40.:09:42.

difficult steps. I thought she was great. Such a shame she went. OK.

:09:43.:09:48.

Onwards we go. We'll start with Greg and Natalie. The judges said cha-cha

:09:49.:09:54.

wasn't his dance. Not his favourite. He's doing a rumba this week. He

:09:55.:09:59.

likes this dance. Do you? I like this song very much. There are good

:10:00.:10:03.

and bad parts. He does good lines, which is great. He does very good

:10:04.:10:09.

partnering. When he's lifting Natalie, it's fantastic. But, there

:10:10.:10:13.

are places where from A to B he forgets to dance. He'll do the lines

:10:14.:10:18.

good. From A to B doesn't keep it moving. That continual movement

:10:19.:10:23.

rumba. It has to be continual movement. He needs to keep those

:10:24.:10:27.

feet turned out. There's a couple of places. Hold on a sec! It's out.

:10:28.:10:39.

Wondered where that was. A couple of places, here, he does two heel

:10:40.:10:43.

leads. No heel leads in rumba. Stroke the floor? You have to keep

:10:44.:10:49.

the the toe on the flow when you do the steps. Daisy and Aljaz, shocker,

:10:50.:10:56.

bottom two. They Sir pride. -- survived. Paso doble for them? You

:10:57.:11:04.

can see she's using her skirt, only about 10 seconds of footage. Like a

:11:05.:11:11.

flamenco dancer, I would like to see her... Going into the death drop.

:11:12.:11:17.

Love that. I would like her elbows up and more resistance in the arms.

:11:18.:11:22.

It is about resisting in the arms. Like you're pushing through quick

:11:23.:11:26.

sand, basically. Quite strong and powerful. You keep the arms curved

:11:27.:11:30.

as well with those spiky fingers on the end. I'm liking where their

:11:31.:11:35.

atraining. Maybe it's her living room or something. Let's hope so.

:11:36.:11:41.

Louise and Kevin. The judges say they want the wow factor. It's

:11:42.:11:45.

Halloween and they've got the charleston. This looks ace. It looks

:11:46.:11:50.

so good. Lots of side-by-side stuff. I think this suits her. She looks

:11:51.:11:55.

really comfortable. All these moves looks like she's been doing it

:11:56.:12:00.

forever. I think she's coming from a bit of a hip-hop background. Hip-hop

:12:01.:12:06.

background? Like street jazz sort of stuff. It suits that charleston. I

:12:07.:12:11.

noticed with her, this is the first time we've really seen her engage

:12:12.:12:16.

with her face. Lovely, happy face. She's naturally quite shy. I think

:12:17.:12:20.

it takes a while to bring that out on the dance floor? We're week five

:12:21.:12:24.

or six. It's starting to come out of her. I think this will be their best

:12:25.:12:29.

dance and top of the leaderboard. He's just saying that. Putting

:12:30.:12:36.

myself out there. Danny and Oti, Len described him as being consistently

:12:37.:12:41.

excellent. Can he maintain his high standards with this foxtrot this

:12:42.:12:46.

week? Dancing to hoar's Take Me To The Church. It goes in and out. The

:12:47.:12:53.

hold's all over the place. His footwork's inconsistent. He does

:12:54.:12:59.

some lovely steps. See that, look at the way he uses his feet there.

:13:00.:13:03.

Beautiful foxtrot. That should have been a heel. Misses that. Then goes

:13:04.:13:08.

into pivots here if you watch. Pivots! He should do a heel lead

:13:09.:13:13.

there. It is like two heels he's missed there. You know, it's

:13:14.:13:18.

foxtrot. It's very precise with the footwork. When you do a heel, you

:13:19.:13:22.

should do a heel not a toe. There are places where he's missing that.

:13:23.:13:26.

His frame is all over the place. I'm sure... We've torn him apart now...

:13:27.:13:32.

He likes a challenge, though. It's great to see this. When you see him

:13:33.:13:38.

on Saturday, I'm sure Oti will have got that brilliantly. Anastacia and

:13:39.:13:42.

her highest score with her quickstep with Gorka. She's back in the

:13:43.:13:46.

training room with Brendan. She does appear to have a new vigour, I feel,

:13:47.:13:51.

in her dancing. Wouldn't we all if we could swap our partner for one

:13:52.:13:57.

week. Really light on her feet. Nice bounce with a good energy. I think

:13:58.:14:03.

she's, this will suit her, this dance. She's a new-found energy. I

:14:04.:14:10.

did notice she gets a little wide in the leg action when she's doing a

:14:11.:14:16.

chassis. It starts to look a little Country and Western. Like a ho down?

:14:17.:14:24.

OK. What she needs to do is make sure those legs veer in towards each

:14:25.:14:29.

other. You have this feeling of veering in with the knees. You never

:14:30.:14:36.

get that wide, I'm gonna jump on my horse! Good work from Anastacia. Or

:14:37.:14:46.

aand Joanne are doing a charleston to I Want Candy by bow wow wow. They

:14:47.:14:54.

are doing a bouncy, kicky charleston. It is very similar to

:14:55.:14:59.

the jive. I think it will suit him down to the ground. He did jive two

:15:00.:15:04.

weeks ago. He was brilliant at it. I see that step where they do this.

:15:05.:15:09.

Like a lindy hop step. OK. As you can see on the ends there, they're

:15:10.:15:14.

sort of doing a flexed foot. I think that's a decision they've made to do

:15:15.:15:18.

a flexed foot. I thought we should try it. Can you do it in those

:15:19.:15:24.

boots? We can give it a shot. Kick down, in, out, kick out, up down.

:15:25.:15:30.

Fast Faster, faster. Oh, my Lord. I'm going to have an attack. Ian

:15:31.:15:39.

waits! I till you what, that's hard workful

:15:40.:15:47.

Because it is almost Halloween, we get to dress at the inn. Are you

:15:48.:15:53.

excited to find out what you're going to be wearing? Ago Breivik

:15:54.:15:58.

cited! You voted for it, people, you will be dressed up for your delight

:15:59.:16:02.

tomorrow. My goodness. Our couples are gearing up for this

:16:03.:16:04.

week's Strictly Spooky Spectacular. But are they finding

:16:05.:16:06.

training horrifying? Let's see how Greg and Natalie

:16:07.:16:08.

and Daisy and Aljaz I am actually loving the rumba. I

:16:09.:16:19.

have never got this far through a dance on a first session. I am not

:16:20.:16:25.

saying it looks good yet, but I am really enjoying it.

:16:26.:16:31.

Might challenge this week for Greg is to make sure that he is on great

:16:32.:16:37.

form. Push with the right footwork and some lovely hip action. He could

:16:38.:16:42.

do really, really well. I need to wake the legs of properly and get

:16:43.:16:46.

them ready for what will hopefully be a happy rumba.

:16:47.:16:52.

Paso doble is very strong, as I knew, but in practice it is a lot

:16:53.:16:57.

stronger. Daisy is learning the steps very quickly. Lots of elbow is

:16:58.:17:03.

up, it is really sore. The strength in your arms and having resistance

:17:04.:17:07.

against them is the most important in this particular dance. Going

:17:08.:17:13.

through the motions is quite easy, doing them with intention and

:17:14.:17:17.

resistance is really hard. That was perfect! Perfect.

:17:18.:17:20.

Now, I don't know about you, but watching all that dancing

:17:21.:17:23.

has put me in the mood for a bit of a boogie.

:17:24.:17:26.

Let's find out who's on my dance card tonight.

:17:27.:17:45.

Please welcome the one and only Pasha Kovalev! Hello, my darling.

:17:46.:17:52.

Welcome back. What have you been doing, we have missed you. I missed

:17:53.:17:57.

you, but I have been practising hard for Children in Need. With Helen

:17:58.:18:02.

Glover. Good luck with that. You will be my first dance card, you

:18:03.:18:06.

will tell me about a particular dance, one of your favourites. It is

:18:07.:18:13.

Pasha... I mean paso doble. Why do you love it so much? It is so strong

:18:14.:18:19.

and masculine, always you have to be in character, that is what I love,

:18:20.:18:24.

being in character. What are the origins of the paso doble? Lots of

:18:25.:18:30.

people will be surprised but it originated in France. They used

:18:31.:18:33.

Spanish music, but it was a social dance where people would march to

:18:34.:18:39.

the Spanish music that they would use in the bull fight. Eventually it

:18:40.:18:44.

spread out around the world, now you see it in every country on Strictly

:18:45.:18:51.

Come Dancing. All over the world. A nice Strictly statistic, Pasha holds

:18:52.:18:55.

the record for being the only professional to score a perfect 40

:18:56.:19:00.

with a paso doble, that was in 2011 with a gorgeous Chelsee Healey. I

:19:01.:19:08.

remember that outfit. Good evening, Chelsee, we miss you. What makes the

:19:09.:19:13.

perfect paso doble? Strength, character and a good partner in

:19:14.:19:19.

front of you. Shall we take to the floor? If you are at home, take to

:19:20.:19:24.

the floor and you can join in. Basic steps, what do we need? It is all

:19:25.:19:31.

about marching. Start marching with your right vote. Look at those arms.

:19:32.:19:38.

Ian was talking about strong arms. Hands coming down. I assume I am

:19:39.:19:44.

just walking around. I look silly. I hope you are doing this at home!

:19:45.:19:52.

Oh, hello! I like that! What do I need to wire, as the lady?

:19:53.:19:59.

I am glad you asked. Just in case, I have a little skirt for you that you

:20:00.:20:05.

can swish around. Can you please put it on? Yellow is so my collar, I

:20:06.:20:12.

think you will agree. I usually don't do it on Wednesday, but just

:20:13.:20:18.

for you. Pasha is in a skirt! Teach us what we need to do. You could do

:20:19.:20:23.

this with a tablecloth at home or a tea towel. This gate is very heavy.

:20:24.:20:29.

You want to open its wide and make sure that you swish it with as much

:20:30.:20:34.

energy as you can. You have to be swishing it and be proud at the same

:20:35.:20:38.

time. You are proud, you are swishing. What about the fan? Do we

:20:39.:20:50.

need a fan? Of course. Every self-respecting Spanish lady has a

:20:51.:20:56.

fan. How did you do that? CHEERING

:20:57.:21:00.

Nice, very well done. You hide behind that. When you don't want any

:21:01.:21:05.

extra attention. And then put it away when you are ready. I am ready!

:21:06.:21:12.

That is the lady, what about the gentleman? I am getting excited! I

:21:13.:21:18.

need to get into character. The matador, he does it so well. Marion

:21:19.:21:25.

has just passed out watching this. You need your cake? Absolutely. I

:21:26.:21:30.

will clear an area, you get quite carried away. Oh, my! Look at that!

:21:31.:21:43.

That is something! Wow! If we are going to put this all

:21:44.:21:47.

together, shall we do a little dance and join in at home, if you don't

:21:48.:21:53.

have a partner, use the dog. How do we start? Here is the music. Paso

:21:54.:22:01.

doble face, paso doble a strange position. Then we started walking

:22:02.:22:05.

around. We do not trust or know one another yet. And switch. OK. What do

:22:06.:22:13.

I do now? You'd walking around you and keep looking at you? Keep going,

:22:14.:22:24.

keep going. Oh! Is that it?! Is that the paso doble?! That is how it is

:22:25.:22:28.

done. Excellent! CHEERING

:22:29.:22:34.

Pasha, you are adorable, thank you so much.

:22:35.:22:37.

Pasha Kovalev, everyone. We will do that again, I hope you enjoyed that,

:22:38.:22:40.

another dance card. I think I'm going to need

:22:41.:22:41.

a lie down after that! Hopefully Danny and Oti

:22:42.:22:43.

and Anastacia and Brendan I love this jacket on you.

:22:44.:22:54.

Getting started with the foxtrot, it is good fun, it is slow and focused.

:22:55.:23:02.

Bend your knees, it is not a charger! It is really enjoyable once

:23:03.:23:06.

you get it, but it is fighting with the routine for the first few days,

:23:07.:23:12.

so frustrating. Danny is really good at the pivots, I think he enjoys it,

:23:13.:23:18.

he enjoys the rotating and spinning. I remember that from the waltz. I am

:23:19.:23:23.

looking forward to it, the Halloween element will be pretty fun.

:23:24.:23:30.

We are going into the jive this week, which I am so excited about. I

:23:31.:23:36.

have been seeing a few jibes on the show, it makes me really excited to

:23:37.:23:43.

want to do one myself. I think I could do the jive onstage a show. A

:23:44.:23:48.

little bit of it, maybe one kick, then I would be out of breath. It is

:23:49.:23:55.

go from start to finish. I love the energy, she will be perfect.

:23:56.:24:01.

Now, on Saturday we saw a very upset Laura announce that due to a bad

:24:02.:24:06.

ankle, she couldn't perform her jive with Giovanni.

:24:07.:24:08.

and I'm glad to say she's joining us tonight.

:24:09.:24:11.

Oh, we missed you! I missed you guys. It was another proper shocker

:24:12.:24:24.

moment. No one told me! How upset were you? You worked so hard? Even

:24:25.:24:29.

just watching Anastacia talking about doing the jive, the one we

:24:30.:24:33.

were really looking forward to doing. You spend a while learning a

:24:34.:24:37.

dance, you choreograph it and then we really did not know right until

:24:38.:24:41.

the day whether I could dance or not. A horrible feeling. I feel like

:24:42.:24:53.

there are no tears left to come out any more. It was not easy. But Joe

:24:54.:24:56.

was great, thanks to everyone as well. All the other contestants have

:24:57.:24:58.

given me so much support. All the crew and everyone behind-the-scenes,

:24:59.:25:02.

if it was up to me I would be on the dance floor. She really wanted to

:25:03.:25:06.

dance. She was like, I really want to do the jive. I'm totally fine!

:25:07.:25:12.

You can't walk... I don't need to walk, it is a jive! Was it weird to

:25:13.:25:19.

be watching at home? My best friend, the biggest Crewe fan from Dublin,

:25:20.:25:22.

had flown over to sit in the audience to watch, so I had to be

:25:23.:25:27.

like, how do you feel sitting at home with me, while I will probably

:25:28.:25:32.

be crying, eating Chinese takeaway? Which I did. Crispy duck makes

:25:33.:25:38.

everything better. How is the ankle now? We are being extra cautious. We

:25:39.:25:43.

only just started training again, we are a little bit behind. I am

:25:44.:25:48.

wearing lovely flat boots. I just passed Rob and he said, I know you

:25:49.:25:52.

have heard your ankle but there is no excuse for those boots! Thank

:25:53.:25:58.

you! We are taken care, that is what we aim to do. Giovanni, it is your

:25:59.:26:04.

favourite. Stop it. How devastated were you? Really upset, because she

:26:05.:26:10.

was looking forward to learning the jive. We did a little bit in the

:26:11.:26:15.

beginning and, again, really upset but, for me, my priority is her

:26:16.:26:19.

health. Maybe it is better like this. If we were in the final,

:26:20.:26:25.

that'll be our show dance. Really?! That is my thought. I'm just trying

:26:26.:26:32.

to get through Saturday, to be honest! If not, just do it anyway.

:26:33.:26:39.

You can do it now, do it in here. Let's move on from the jive to the

:26:40.:26:43.

tango this week. You have only done a little bit, how has it gone? Yeah,

:26:44.:26:48.

I mean... I really, really love the tango. Every time I am on the right

:26:49.:26:54.

leg, you can see me wince. The good thing is, I am trying to think

:26:55.:27:00.

positive, the tango is quite a stern face, it is Halloween, I can work

:27:01.:27:04.

with the emotions and use it to my advantage. You have choreographed a

:27:05.:27:09.

great dance. Thank you. You have. And sometimes we say I wonder if we

:27:10.:27:15.

could do that on the left leg rather than the right, it is very painful.

:27:16.:27:19.

It will be painful on Saturday but the doctors have decided that it

:27:20.:27:23.

will not do any damage. Dance through the pain and use it, like

:27:24.:27:29.

you say. Have you had to adapt it much, Giovanni? Not much. I know

:27:30.:27:36.

that she is in pain, it is not an easy routine, it is still a

:27:37.:27:40.

competition. And we don't want to think about the injury or use it as

:27:41.:27:45.

an excuse. It is still bad, so we need to make sure... It is making my

:27:46.:27:51.

uncle heard talking about it. It is Halloween, everybody has characters,

:27:52.:27:59.

tell me who you will be? Mr and Mrs Death. Of course exhalation not even

:28:00.:28:05.

better for the painful face. You are dancing to Paint it Black by the

:28:06.:28:08.

Rolling Stones, does Mick Jagger approve? The dog, not the lead

:28:09.:28:14.

singer? He does, it is one of his favourite songs. He did the

:28:15.:28:19.

choreography with me. All the best to you on Saturday. Dance through

:28:20.:28:23.

the pain. We cannot wait to see do, you must be excited? I was

:28:24.:28:28.

devastated to miss out, even being back here again, I just missed

:28:29.:28:35.

hanging out with everyone. It is a family, I know we keep saying that

:28:36.:28:38.

but it is, just to get back there and seeing your face on TV by

:28:39.:28:43.

yourself, I was really jealous. Good luck this weekend, Laura and

:28:44.:28:44.

Giovanni. I'll be back here tomorrow at 6:30pm

:28:45.:28:46.

with Louise and Kevin Plus Ian Waite is back with part two

:28:47.:28:52.

of his warm-up, and Vicky Gill will be giving us an exclusive first

:28:53.:28:57.

look at her creepy creations for this weekend's

:28:58.:29:00.

Halloween special.

:29:01.:29:02.

Download Subtitles

SRT

ASS