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VOICEOVER: From London, this is Strictly Come Dancing. | :00:46. | :00:48. | |
Please welcome your host, Zoe Ball. | :00:49. | :00:52. | |
It may be the final of The Great British Bake Off tonight, | :00:53. | :01:01. | |
but Mary Berry and Paul Hollywood aren't the only ones | :01:02. | :01:05. | |
with some showstoppers ready to come out the oven. | :01:06. | :01:08. | |
Here to tickle your fondant fancy, it's Judge and Oksana! | :01:09. | :01:18. | |
Is CHEERING AND APPLAUSE | :01:19. | :01:21. | |
And hoping to rise to the top after a dramatic week, | :01:22. | :01:23. | |
Joining them, a man who never sugar coats his dance critique, | :01:24. | :01:30. | |
Which of our pros will be transporting us to Spain | :01:31. | :01:40. | |
But first, their high energy jive had everyone jumping out their seats | :01:41. | :01:48. | |
Frankly, I was exhausted just watching it! | :01:49. | :01:52. | |
You weren't just dancing, you were erupting. You dance with tempestious | :01:53. | :02:12. | |
aband done. How of, for me, it was a little flat-footed. Your enthusiasm | :02:13. | :02:17. | |
takes over and gets a little carried away. But I loved it! | :02:18. | :02:21. | |
I never know if I'm doing the right hand. Well done on Saturday. Opening | :02:22. | :02:36. | |
the show. It's so joyous to watch you. The enthusiasm, energy. Tempest | :02:37. | :02:46. | |
ewous abandon? He meant joyious abandon. I I know you adored this | :02:47. | :02:53. | |
dance? Loved it. It was so much fun. That's the thing, honestly, when | :02:54. | :02:56. | |
you're dancing to the music and enjoying it, it's like nothing else. | :02:57. | :03:02. | |
That's why I thanked Oksana at the end of it. I got an opportunity for | :03:03. | :03:05. | |
a minute-and-a-half to have so much fun. It was exactly that. It was an | :03:06. | :03:11. | |
in twingely eruption. My favourite kind! All the people watching at | :03:12. | :03:17. | |
home adored it as well. Especially Louise from Belfast. She wrote in | :03:18. | :03:22. | |
saying she wants to go out for a night out with Judge Rinder. She | :03:23. | :03:27. | |
says you've kipper hips. I'm assuming that's a good thing? I | :03:28. | :03:32. | |
don't know. Anyway, she loves you. We know how fit you are. Last week | :03:33. | :03:37. | |
you impressed us with your pressups. We've seen the torso and energy. | :03:38. | :03:42. | |
Then you pull out the one-handed cartwheel. I know. Have you done it | :03:43. | :03:49. | |
before? I've been paying for it afterwards. I've been walking around | :03:50. | :03:54. | |
like John Wayne as a result this week. When did he tell you he could | :03:55. | :04:00. | |
do that? He likes to surprise me. Pleasantly surprised. Plus, putting | :04:01. | :04:04. | |
that in the routine straight away. I can't wait to see what else you'll | :04:05. | :04:09. | |
pull out of the bag. Congratulations, finally you break | :04:10. | :04:13. | |
the curse of 27. You got 29 points. You looked a little bit, you know, | :04:14. | :04:18. | |
were you pleased with that or a little disappointed? We'd like to | :04:19. | :04:25. | |
have broken the 30 barrier. And in my life! I know, I can't wait to be | :04:26. | :04:33. | |
30! I don't think he could find the right badle. So much going on. I | :04:34. | :04:37. | |
thought that was a little low scoring of Craig. I thought we'd | :04:38. | :04:41. | |
improved that week. I thought it was a bit unfair. We wanted to break 30. | :04:42. | :04:46. | |
What do you think about Craig. He's giving you 6 all the time. I think | :04:47. | :04:52. | |
it's out of place. We had our best week emotionally and quality of our | :04:53. | :04:56. | |
dancing. I'm so proud of the way he danced that jive. He knows how to | :04:57. | :05:00. | |
count it. He's improved in my eyes so much. Exactly. Also, listen to | :05:01. | :05:07. | |
Len. He gave you an 8. He said it was like the history of the jive. | :05:08. | :05:12. | |
How much fun did you have putting it together, Oksana? I know he loved | :05:13. | :05:15. | |
that song so I really tried to do a good job. I can see it in his eyes | :05:16. | :05:21. | |
he enjoyed it a lot. That means a lot to get a comment like that from | :05:22. | :05:27. | |
Len. The reason he is who he ises he's such a breadth of knowledge. | :05:28. | :05:32. | |
Our teachers and dance partners also choreograph the numbers as well. | :05:33. | :05:36. | |
Yeah. She loves the jive, Oksana but knows so much about it. You don't | :05:37. | :05:41. | |
just learn how to dance but a history of where it comes from and | :05:42. | :05:47. | |
why. That's why this is amazing enriching and fantastic. Ian was | :05:48. | :05:51. | |
trying to teach me a little move earlier on. I was shattered. I | :05:52. | :05:55. | |
needed oxygen at the end of it. That was one move. The adrenalin gets you | :05:56. | :06:01. | |
through. We'd done it a few times in rehearsal. I was gasping for breath. | :06:02. | :06:07. | |
When we did the Flint stone bong owes, I could barely walk for an | :06:08. | :06:13. | |
hour. Bring those back. Not sure they'd work in a rumba. But after | :06:14. | :06:17. | |
this, I could run around the block 50 times. I was so energised by the | :06:18. | :06:23. | |
fun. That's very infectious when you're watching it. Paso doble this | :06:24. | :06:29. | |
week. Matador or what's the matter you, hey, why you looking so sad? | :06:30. | :06:35. | |
Are you loving this? Go with me! Are you loving the paso doble or is it | :06:36. | :06:40. | |
being your friend? It's a challenging one. You have to be so | :06:41. | :06:44. | |
specific. Look at us! The hands really do matter. I think my facial | :06:45. | :06:50. | |
expressions, which emerge completely organically, I can't control them, | :06:51. | :06:53. | |
are perfect for this dance. We'll see. Yes. I think, I'm definitely | :06:54. | :07:00. | |
going to channel my inner bull fighting butch. OK. He's bringing | :07:01. | :07:07. | |
the butch. I can't wait for this. It's Halloween. We have a theme. | :07:08. | :07:12. | |
Each dance tells a tale. What's your tale? Are we allowed to tell? We can | :07:13. | :07:18. | |
tell you. I'll be a butterfly. He'll be a moth. A male version of the | :07:19. | :07:22. | |
butterfly. A male version of the butterfly. I think they might be | :07:23. | :07:26. | |
slightly different. It's not that. I told her that earlier. But never | :07:27. | :07:32. | |
mind! Yes, yes, I don't think that. That's not true. If we get too near | :07:33. | :07:38. | |
the lights, it won't end well. That's the only thing. It could be | :07:39. | :07:42. | |
horrific. You've been working on the face. We can see from training. Have | :07:43. | :07:48. | |
we? My paso face is sort of like this. I'm serious. Then this? You're | :07:49. | :08:03. | |
confused. You look confused. I have a solution. We'll put a full mask on | :08:04. | :08:07. | |
your face! CHEERING Funny. Not. That was a | :08:08. | :08:14. | |
couple of days ago. Can you give us the paso face now. Give us the | :08:15. | :08:19. | |
butch? I try to do smouldering but it turns out to be angry. Angry's | :08:20. | :08:26. | |
matador. Angry works. Hold on! Is that working for people? It's | :08:27. | :08:29. | |
working for Paul, our floor manager. That's good. I love it. As mar rye | :08:30. | :08:35. | |
ya said, spread your wings and prepare to fly. You have become a | :08:36. | :08:40. | |
butterfly. Good luck this weekend with your moth and butterfly | :08:41. | :08:45. | |
routine. Judge Rinder and Oksana. I love that face. | :08:46. | :08:46. | |
Now Mr Rinder here might be in charge in the courtroom, | :08:47. | :08:49. | |
but when it comes to the training room there is only one person | :08:50. | :08:52. | |
The Waite is over - it's time for Waite's Warm-up. | :08:53. | :09:04. | |
Thank goodness we can breathe out and relax. | :09:05. | :09:14. | |
So we're gearing up for Halloween at the weekend. | :09:15. | :09:16. | |
Are you going be nice about our couples this week? | :09:17. | :09:18. | |
Another dramatic weekend. Lesley went out. Were you sad about that? | :09:19. | :09:34. | |
Yeah, I was sad about that. I thought Lesley brought a great | :09:35. | :09:39. | |
enrichness to the show. She gave it sprightliness. Those really | :09:40. | :09:42. | |
difficult steps. I thought she was great. Such a shame she went. OK. | :09:43. | :09:48. | |
Onwards we go. We'll start with Greg and Natalie. The judges said cha-cha | :09:49. | :09:54. | |
wasn't his dance. Not his favourite. He's doing a rumba this week. He | :09:55. | :09:59. | |
likes this dance. Do you? I like this song very much. There are good | :10:00. | :10:03. | |
and bad parts. He does good lines, which is great. He does very good | :10:04. | :10:09. | |
partnering. When he's lifting Natalie, it's fantastic. But, there | :10:10. | :10:13. | |
are places where from A to B he forgets to dance. He'll do the lines | :10:14. | :10:18. | |
good. From A to B doesn't keep it moving. That continual movement | :10:19. | :10:23. | |
rumba. It has to be continual movement. He needs to keep those | :10:24. | :10:27. | |
feet turned out. There's a couple of places. Hold on a sec! It's out. | :10:28. | :10:39. | |
Wondered where that was. A couple of places, here, he does two heel | :10:40. | :10:43. | |
leads. No heel leads in rumba. Stroke the floor? You have to keep | :10:44. | :10:49. | |
the the toe on the flow when you do the steps. Daisy and Aljaz, shocker, | :10:50. | :10:56. | |
bottom two. They Sir pride. -- survived. Paso doble for them? You | :10:57. | :11:04. | |
can see she's using her skirt, only about 10 seconds of footage. Like a | :11:05. | :11:11. | |
flamenco dancer, I would like to see her... Going into the death drop. | :11:12. | :11:17. | |
Love that. I would like her elbows up and more resistance in the arms. | :11:18. | :11:22. | |
It is about resisting in the arms. Like you're pushing through quick | :11:23. | :11:26. | |
sand, basically. Quite strong and powerful. You keep the arms curved | :11:27. | :11:30. | |
as well with those spiky fingers on the end. I'm liking where their | :11:31. | :11:35. | |
atraining. Maybe it's her living room or something. Let's hope so. | :11:36. | :11:41. | |
Louise and Kevin. The judges say they want the wow factor. It's | :11:42. | :11:45. | |
Halloween and they've got the charleston. This looks ace. It looks | :11:46. | :11:50. | |
so good. Lots of side-by-side stuff. I think this suits her. She looks | :11:51. | :11:55. | |
really comfortable. All these moves looks like she's been doing it | :11:56. | :12:00. | |
forever. I think she's coming from a bit of a hip-hop background. Hip-hop | :12:01. | :12:06. | |
background? Like street jazz sort of stuff. It suits that charleston. I | :12:07. | :12:11. | |
noticed with her, this is the first time we've really seen her engage | :12:12. | :12:16. | |
with her face. Lovely, happy face. She's naturally quite shy. I think | :12:17. | :12:20. | |
it takes a while to bring that out on the dance floor? We're week five | :12:21. | :12:24. | |
or six. It's starting to come out of her. I think this will be their best | :12:25. | :12:29. | |
dance and top of the leaderboard. He's just saying that. Putting | :12:30. | :12:36. | |
myself out there. Danny and Oti, Len described him as being consistently | :12:37. | :12:41. | |
excellent. Can he maintain his high standards with this foxtrot this | :12:42. | :12:46. | |
week? Dancing to hoar's Take Me To The Church. It goes in and out. The | :12:47. | :12:53. | |
hold's all over the place. His footwork's inconsistent. He does | :12:54. | :12:59. | |
some lovely steps. See that, look at the way he uses his feet there. | :13:00. | :13:03. | |
Beautiful foxtrot. That should have been a heel. Misses that. Then goes | :13:04. | :13:08. | |
into pivots here if you watch. Pivots! He should do a heel lead | :13:09. | :13:13. | |
there. It is like two heels he's missed there. You know, it's | :13:14. | :13:18. | |
foxtrot. It's very precise with the footwork. When you do a heel, you | :13:19. | :13:22. | |
should do a heel not a toe. There are places where he's missing that. | :13:23. | :13:26. | |
His frame is all over the place. I'm sure... We've torn him apart now... | :13:27. | :13:32. | |
He likes a challenge, though. It's great to see this. When you see him | :13:33. | :13:38. | |
on Saturday, I'm sure Oti will have got that brilliantly. Anastacia and | :13:39. | :13:42. | |
her highest score with her quickstep with Gorka. She's back in the | :13:43. | :13:46. | |
training room with Brendan. She does appear to have a new vigour, I feel, | :13:47. | :13:51. | |
in her dancing. Wouldn't we all if we could swap our partner for one | :13:52. | :13:57. | |
week. Really light on her feet. Nice bounce with a good energy. I think | :13:58. | :14:03. | |
she's, this will suit her, this dance. She's a new-found energy. I | :14:04. | :14:10. | |
did notice she gets a little wide in the leg action when she's doing a | :14:11. | :14:16. | |
chassis. It starts to look a little Country and Western. Like a ho down? | :14:17. | :14:24. | |
OK. What she needs to do is make sure those legs veer in towards each | :14:25. | :14:29. | |
other. You have this feeling of veering in with the knees. You never | :14:30. | :14:36. | |
get that wide, I'm gonna jump on my horse! Good work from Anastacia. Or | :14:37. | :14:46. | |
aand Joanne are doing a charleston to I Want Candy by bow wow wow. They | :14:47. | :14:54. | |
are doing a bouncy, kicky charleston. It is very similar to | :14:55. | :14:59. | |
the jive. I think it will suit him down to the ground. He did jive two | :15:00. | :15:04. | |
weeks ago. He was brilliant at it. I see that step where they do this. | :15:05. | :15:09. | |
Like a lindy hop step. OK. As you can see on the ends there, they're | :15:10. | :15:14. | |
sort of doing a flexed foot. I think that's a decision they've made to do | :15:15. | :15:18. | |
a flexed foot. I thought we should try it. Can you do it in those | :15:19. | :15:24. | |
boots? We can give it a shot. Kick down, in, out, kick out, up down. | :15:25. | :15:30. | |
Fast Faster, faster. Oh, my Lord. I'm going to have an attack. Ian | :15:31. | :15:39. | |
waits! I till you what, that's hard workful | :15:40. | :15:47. | |
Because it is almost Halloween, we get to dress at the inn. Are you | :15:48. | :15:53. | |
excited to find out what you're going to be wearing? Ago Breivik | :15:54. | :15:58. | |
cited! You voted for it, people, you will be dressed up for your delight | :15:59. | :16:02. | |
tomorrow. My goodness. Our couples are gearing up for this | :16:03. | :16:04. | |
week's Strictly Spooky Spectacular. But are they finding | :16:05. | :16:06. | |
training horrifying? Let's see how Greg and Natalie | :16:07. | :16:08. | |
and Daisy and Aljaz I am actually loving the rumba. I | :16:09. | :16:19. | |
have never got this far through a dance on a first session. I am not | :16:20. | :16:25. | |
saying it looks good yet, but I am really enjoying it. | :16:26. | :16:31. | |
Might challenge this week for Greg is to make sure that he is on great | :16:32. | :16:37. | |
form. Push with the right footwork and some lovely hip action. He could | :16:38. | :16:42. | |
do really, really well. I need to wake the legs of properly and get | :16:43. | :16:46. | |
them ready for what will hopefully be a happy rumba. | :16:47. | :16:52. | |
Paso doble is very strong, as I knew, but in practice it is a lot | :16:53. | :16:57. | |
stronger. Daisy is learning the steps very quickly. Lots of elbow is | :16:58. | :17:03. | |
up, it is really sore. The strength in your arms and having resistance | :17:04. | :17:07. | |
against them is the most important in this particular dance. Going | :17:08. | :17:13. | |
through the motions is quite easy, doing them with intention and | :17:14. | :17:17. | |
resistance is really hard. That was perfect! Perfect. | :17:18. | :17:20. | |
Now, I don't know about you, but watching all that dancing | :17:21. | :17:23. | |
has put me in the mood for a bit of a boogie. | :17:24. | :17:26. | |
Let's find out who's on my dance card tonight. | :17:27. | :17:45. | |
Please welcome the one and only Pasha Kovalev! Hello, my darling. | :17:46. | :17:52. | |
Welcome back. What have you been doing, we have missed you. I missed | :17:53. | :17:57. | |
you, but I have been practising hard for Children in Need. With Helen | :17:58. | :18:02. | |
Glover. Good luck with that. You will be my first dance card, you | :18:03. | :18:06. | |
will tell me about a particular dance, one of your favourites. It is | :18:07. | :18:13. | |
Pasha... I mean paso doble. Why do you love it so much? It is so strong | :18:14. | :18:19. | |
and masculine, always you have to be in character, that is what I love, | :18:20. | :18:24. | |
being in character. What are the origins of the paso doble? Lots of | :18:25. | :18:30. | |
people will be surprised but it originated in France. They used | :18:31. | :18:33. | |
Spanish music, but it was a social dance where people would march to | :18:34. | :18:39. | |
the Spanish music that they would use in the bull fight. Eventually it | :18:40. | :18:44. | |
spread out around the world, now you see it in every country on Strictly | :18:45. | :18:51. | |
Come Dancing. All over the world. A nice Strictly statistic, Pasha holds | :18:52. | :18:55. | |
the record for being the only professional to score a perfect 40 | :18:56. | :19:00. | |
with a paso doble, that was in 2011 with a gorgeous Chelsee Healey. I | :19:01. | :19:08. | |
remember that outfit. Good evening, Chelsee, we miss you. What makes the | :19:09. | :19:13. | |
perfect paso doble? Strength, character and a good partner in | :19:14. | :19:19. | |
front of you. Shall we take to the floor? If you are at home, take to | :19:20. | :19:24. | |
the floor and you can join in. Basic steps, what do we need? It is all | :19:25. | :19:31. | |
about marching. Start marching with your right vote. Look at those arms. | :19:32. | :19:38. | |
Ian was talking about strong arms. Hands coming down. I assume I am | :19:39. | :19:44. | |
just walking around. I look silly. I hope you are doing this at home! | :19:45. | :19:52. | |
Oh, hello! I like that! What do I need to wire, as the lady? | :19:53. | :19:59. | |
I am glad you asked. Just in case, I have a little skirt for you that you | :20:00. | :20:05. | |
can swish around. Can you please put it on? Yellow is so my collar, I | :20:06. | :20:12. | |
think you will agree. I usually don't do it on Wednesday, but just | :20:13. | :20:18. | |
for you. Pasha is in a skirt! Teach us what we need to do. You could do | :20:19. | :20:23. | |
this with a tablecloth at home or a tea towel. This gate is very heavy. | :20:24. | :20:29. | |
You want to open its wide and make sure that you swish it with as much | :20:30. | :20:34. | |
energy as you can. You have to be swishing it and be proud at the same | :20:35. | :20:38. | |
time. You are proud, you are swishing. What about the fan? Do we | :20:39. | :20:50. | |
need a fan? Of course. Every self-respecting Spanish lady has a | :20:51. | :20:56. | |
fan. How did you do that? CHEERING | :20:57. | :21:00. | |
Nice, very well done. You hide behind that. When you don't want any | :21:01. | :21:05. | |
extra attention. And then put it away when you are ready. I am ready! | :21:06. | :21:12. | |
That is the lady, what about the gentleman? I am getting excited! I | :21:13. | :21:18. | |
need to get into character. The matador, he does it so well. Marion | :21:19. | :21:25. | |
has just passed out watching this. You need your cake? Absolutely. I | :21:26. | :21:30. | |
will clear an area, you get quite carried away. Oh, my! Look at that! | :21:31. | :21:43. | |
That is something! Wow! If we are going to put this all | :21:44. | :21:47. | |
together, shall we do a little dance and join in at home, if you don't | :21:48. | :21:53. | |
have a partner, use the dog. How do we start? Here is the music. Paso | :21:54. | :22:01. | |
doble face, paso doble a strange position. Then we started walking | :22:02. | :22:05. | |
around. We do not trust or know one another yet. And switch. OK. What do | :22:06. | :22:13. | |
I do now? You'd walking around you and keep looking at you? Keep going, | :22:14. | :22:24. | |
keep going. Oh! Is that it?! Is that the paso doble?! That is how it is | :22:25. | :22:28. | |
done. Excellent! CHEERING | :22:29. | :22:34. | |
Pasha, you are adorable, thank you so much. | :22:35. | :22:37. | |
Pasha Kovalev, everyone. We will do that again, I hope you enjoyed that, | :22:38. | :22:40. | |
another dance card. I think I'm going to need | :22:41. | :22:41. | |
a lie down after that! Hopefully Danny and Oti | :22:42. | :22:43. | |
and Anastacia and Brendan I love this jacket on you. | :22:44. | :22:54. | |
Getting started with the foxtrot, it is good fun, it is slow and focused. | :22:55. | :23:02. | |
Bend your knees, it is not a charger! It is really enjoyable once | :23:03. | :23:06. | |
you get it, but it is fighting with the routine for the first few days, | :23:07. | :23:12. | |
so frustrating. Danny is really good at the pivots, I think he enjoys it, | :23:13. | :23:18. | |
he enjoys the rotating and spinning. I remember that from the waltz. I am | :23:19. | :23:23. | |
looking forward to it, the Halloween element will be pretty fun. | :23:24. | :23:30. | |
We are going into the jive this week, which I am so excited about. I | :23:31. | :23:36. | |
have been seeing a few jibes on the show, it makes me really excited to | :23:37. | :23:43. | |
want to do one myself. I think I could do the jive onstage a show. A | :23:44. | :23:48. | |
little bit of it, maybe one kick, then I would be out of breath. It is | :23:49. | :23:55. | |
go from start to finish. I love the energy, she will be perfect. | :23:56. | :24:01. | |
Now, on Saturday we saw a very upset Laura announce that due to a bad | :24:02. | :24:06. | |
ankle, she couldn't perform her jive with Giovanni. | :24:07. | :24:08. | |
and I'm glad to say she's joining us tonight. | :24:09. | :24:11. | |
Oh, we missed you! I missed you guys. It was another proper shocker | :24:12. | :24:24. | |
moment. No one told me! How upset were you? You worked so hard? Even | :24:25. | :24:29. | |
just watching Anastacia talking about doing the jive, the one we | :24:30. | :24:33. | |
were really looking forward to doing. You spend a while learning a | :24:34. | :24:37. | |
dance, you choreograph it and then we really did not know right until | :24:38. | :24:41. | |
the day whether I could dance or not. A horrible feeling. I feel like | :24:42. | :24:53. | |
there are no tears left to come out any more. It was not easy. But Joe | :24:54. | :24:56. | |
was great, thanks to everyone as well. All the other contestants have | :24:57. | :24:58. | |
given me so much support. All the crew and everyone behind-the-scenes, | :24:59. | :25:02. | |
if it was up to me I would be on the dance floor. She really wanted to | :25:03. | :25:06. | |
dance. She was like, I really want to do the jive. I'm totally fine! | :25:07. | :25:12. | |
You can't walk... I don't need to walk, it is a jive! Was it weird to | :25:13. | :25:19. | |
be watching at home? My best friend, the biggest Crewe fan from Dublin, | :25:20. | :25:22. | |
had flown over to sit in the audience to watch, so I had to be | :25:23. | :25:27. | |
like, how do you feel sitting at home with me, while I will probably | :25:28. | :25:32. | |
be crying, eating Chinese takeaway? Which I did. Crispy duck makes | :25:33. | :25:38. | |
everything better. How is the ankle now? We are being extra cautious. We | :25:39. | :25:43. | |
only just started training again, we are a little bit behind. I am | :25:44. | :25:48. | |
wearing lovely flat boots. I just passed Rob and he said, I know you | :25:49. | :25:52. | |
have heard your ankle but there is no excuse for those boots! Thank | :25:53. | :25:58. | |
you! We are taken care, that is what we aim to do. Giovanni, it is your | :25:59. | :26:04. | |
favourite. Stop it. How devastated were you? Really upset, because she | :26:05. | :26:10. | |
was looking forward to learning the jive. We did a little bit in the | :26:11. | :26:15. | |
beginning and, again, really upset but, for me, my priority is her | :26:16. | :26:19. | |
health. Maybe it is better like this. If we were in the final, | :26:20. | :26:25. | |
that'll be our show dance. Really?! That is my thought. I'm just trying | :26:26. | :26:32. | |
to get through Saturday, to be honest! If not, just do it anyway. | :26:33. | :26:39. | |
You can do it now, do it in here. Let's move on from the jive to the | :26:40. | :26:43. | |
tango this week. You have only done a little bit, how has it gone? Yeah, | :26:44. | :26:48. | |
I mean... I really, really love the tango. Every time I am on the right | :26:49. | :26:54. | |
leg, you can see me wince. The good thing is, I am trying to think | :26:55. | :27:00. | |
positive, the tango is quite a stern face, it is Halloween, I can work | :27:01. | :27:04. | |
with the emotions and use it to my advantage. You have choreographed a | :27:05. | :27:09. | |
great dance. Thank you. You have. And sometimes we say I wonder if we | :27:10. | :27:15. | |
could do that on the left leg rather than the right, it is very painful. | :27:16. | :27:19. | |
It will be painful on Saturday but the doctors have decided that it | :27:20. | :27:23. | |
will not do any damage. Dance through the pain and use it, like | :27:24. | :27:29. | |
you say. Have you had to adapt it much, Giovanni? Not much. I know | :27:30. | :27:36. | |
that she is in pain, it is not an easy routine, it is still a | :27:37. | :27:40. | |
competition. And we don't want to think about the injury or use it as | :27:41. | :27:45. | |
an excuse. It is still bad, so we need to make sure... It is making my | :27:46. | :27:51. | |
uncle heard talking about it. It is Halloween, everybody has characters, | :27:52. | :27:59. | |
tell me who you will be? Mr and Mrs Death. Of course exhalation not even | :28:00. | :28:05. | |
better for the painful face. You are dancing to Paint it Black by the | :28:06. | :28:08. | |
Rolling Stones, does Mick Jagger approve? The dog, not the lead | :28:09. | :28:14. | |
singer? He does, it is one of his favourite songs. He did the | :28:15. | :28:19. | |
choreography with me. All the best to you on Saturday. Dance through | :28:20. | :28:23. | |
the pain. We cannot wait to see do, you must be excited? I was | :28:24. | :28:28. | |
devastated to miss out, even being back here again, I just missed | :28:29. | :28:35. | |
hanging out with everyone. It is a family, I know we keep saying that | :28:36. | :28:38. | |
but it is, just to get back there and seeing your face on TV by | :28:39. | :28:43. | |
yourself, I was really jealous. Good luck this weekend, Laura and | :28:44. | :28:44. | |
Giovanni. I'll be back here tomorrow at 6:30pm | :28:45. | :28:46. | |
with Louise and Kevin Plus Ian Waite is back with part two | :28:47. | :28:52. | |
of his warm-up, and Vicky Gill will be giving us an exclusive first | :28:53. | :28:57. | |
look at her creepy creations for this weekend's | :28:58. | :29:00. | |
Halloween special. | :29:01. | :29:02. |