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From London, this is Strictly, It Takes Two. Please welcome your host, | :00:51. | :00:57. | |
Zoe Ball. I'm very excited tonight | :00:58. | :01:00. | |
because the most wonderful time of the year is just | :01:01. | :01:04. | |
around the corner. Yes, Strictly Halloween | :01:05. | :01:06. | |
is four days away, people! And to celebrate, we've got | :01:07. | :01:09. | |
an exclusive first-listen to this Saturday's songs | :01:10. | :01:12. | |
and a preview of a particularly Plus, if that wasn't enough, | :01:13. | :01:14. | |
later on tonight, I'll be exclusively revealing the line-up | :01:15. | :01:21. | |
for this year's Children But first, let's see who we have | :01:22. | :01:23. | |
in our green room tonight. It's Daisy and Aljaz and Greg | :01:24. | :01:33. | |
and Natalie. Plus, Strictly legend | :01:34. | :01:36. | |
Camilla Dallerlup will be back But first up, their Charleston | :01:37. | :01:39. | |
at the weekend to Happy Feet resulted in four Happy Judges | :01:40. | :01:46. | |
and an incredibly rare sighting But it wasn't enough | :01:47. | :01:49. | |
to save them from a shock That was just heaven. The style | :01:50. | :02:11. | |
really suited you. Clever, full of joy. Very, very smart concept. | :02:12. | :02:19. | |
Slightly late end. You were just a little bit tired but I loved it, | :02:20. | :02:25. | |
brilliant. Daisy and Aljaz, everyone. | :02:26. | :02:28. | |
It was brilliant. I totally agree with krachlingt can I just say - | :02:29. | :02:32. | |
look, you are wearing matching outfits tonight. Well. You dance | :02:33. | :02:35. | |
together, you start to look like each other. You were in your element | :02:36. | :02:40. | |
doing this dance. I know you were so excited about this one from the off. | :02:41. | :02:45. | |
How much fun? I did. I had one of the best weeks of my whole life. I | :02:46. | :02:49. | |
have never giggled and smiled so much. It was just brilliant. I loved | :02:50. | :02:54. | |
performing it. It was just the results show! We will talk about | :02:55. | :03:00. | |
that in a minute. I think this is your joint highest scores of the | :03:01. | :03:05. | |
series. Craig gave us an 8. I know! Love you, Craig. Were you encouraged | :03:06. | :03:10. | |
by the judges' comments? Completely. I was blown away by them. For Craig | :03:11. | :03:15. | |
to be lovely to us was lovely and everyone was really... I mean the | :03:16. | :03:19. | |
energy level, to be honest, my body has never been through so much | :03:20. | :03:24. | |
strain in my life, ever. There was a lot of moving. There was so much | :03:25. | :03:29. | |
moving but your timing, together, I thought it was an absolute joy. How | :03:30. | :03:35. | |
heart broken were you then? I know how much you hate waiting for the | :03:36. | :03:38. | |
results anyway. To be in the bottom two when you have worked that hard | :03:39. | :03:42. | |
on a dance you loved? You know, it was one of my worst fears realised | :03:43. | :03:47. | |
and weirdly it was the calmest I have ever been through a results | :03:48. | :03:51. | |
show, it was almost like - thank goodness I was calm. Yes, thank you. | :03:52. | :04:00. | |
Thanks angels. I was genuinely pleased I got another shot at | :04:01. | :04:04. | |
dancing T I was annoyed I didn't make that last timing. - at dancing | :04:05. | :04:10. | |
it. We got to do it again. We got to see it again, a win-win for us. How | :04:11. | :04:15. | |
did you encourage daisy, I mean are you scared when you have to do a | :04:16. | :04:19. | |
dance off, you don't want to go home, either? How do you talk each | :04:20. | :04:22. | |
other down? Of course you are scared but I always say it Daisy whenever | :04:23. | :04:27. | |
we go on and perform - it is just the two of us. Do exactly what we | :04:28. | :04:32. | |
did in rehearsals. No more, if we didn't practise anything, don't do | :04:33. | :04:36. | |
it. But she did such a good job in the show. Doing Charleston in the | :04:37. | :04:41. | |
dance off is always tricky. You get to the parts of choreography where | :04:42. | :04:46. | |
it is side-by-side, if you do ballroom or Latin, if something goes | :04:47. | :04:50. | |
wrong, there is a way to fix it but Charleston when you are standing | :04:51. | :04:54. | |
next to each other, it is so exposing, Secretary of State I was | :04:55. | :05:00. | |
generally impressed that Days - so I was genuinely impressed that Daisy | :05:01. | :05:03. | |
got through that, if anything. She did it better than she did in the | :05:04. | :05:09. | |
show. Well done. I can only imagine how emotional you were. The judges | :05:10. | :05:14. | |
unanimously saved you. Hooray and then boo because you have to say | :05:15. | :05:18. | |
goodbye to Lesley. It was bitter sweet. I felt awful. She has been | :05:19. | :05:24. | |
such an inspiration to all of us. Regardless of her age, she's also | :05:25. | :05:29. | |
been working every morning at 5.00am and performing incredibly and being | :05:30. | :05:34. | |
so enthusiastic all with a big smile on her face. I'm going to miss her. | :05:35. | :05:40. | |
I was gutted and you feel it was your fault. My dad was watching it, | :05:41. | :05:47. | |
and he said you were so upset and he wanted to give you a cuddle. You had | :05:48. | :05:56. | |
so much praise for your dance. The internet was going crazy, Jenny a | :05:57. | :05:58. | |
Eclair, a fan of the show, she said: I love her so much. I didn't see | :05:59. | :06:14. | |
that. That's amazing. I'm obsessed with her. More of that coming N and | :06:15. | :06:20. | |
paso doble. Now it is Hallowe'en. I can't do that. I wasn't good at | :06:21. | :06:24. | |
that. Tell me what you have learned so far? Well, only one day of | :06:25. | :06:30. | |
training so far. Lots of shaping and resistance. Well, look at that. Your | :06:31. | :06:35. | |
body has to be very strong. Well, look at that, nice. She is the | :06:36. | :06:40. | |
perfect student. Can you tell me about the character you are going to | :06:41. | :06:43. | |
play? It is Hallowe'en, there is lots of dressing up but just more | :06:44. | :06:50. | |
joy? Well, it is going to be just really, hopefully a good paso doble. | :06:51. | :06:55. | |
I love doing it, it is a strong, passionate dance, a perfect story | :06:56. | :07:00. | |
between a man and woman. It is a huge resemblance to the bull fight | :07:01. | :07:03. | |
there. Has to be a tension between me and Daisy the whole time. But | :07:04. | :07:08. | |
because Daisy is so sweet and, it is Daisy, and paso doble is so strong, | :07:09. | :07:12. | |
so we need to put those two together. I'm looking forward to | :07:13. | :07:17. | |
seeing that fiery senorita come out of you. Me too. I'm hoping the | :07:18. | :07:22. | |
bottom two last week will help that. I think hopefully that won't happen | :07:23. | :07:26. | |
again next week. It is a hard thing to go through, but you did it | :07:27. | :07:30. | |
brilliantly. Don't lose heart. You are amazing. Good luck this week, | :07:31. | :07:35. | |
Daisy and Aljaz. Now, with Strictly's | :07:36. | :07:38. | |
own Fright Night fast approaching, I find myself wondering what songs | :07:39. | :07:40. | |
the likes of Daisy and Aljaz But rather than ask them myself - | :07:41. | :07:42. | |
too easy - I'll be using my very This Saturday, our ten remaining | :07:43. | :07:47. | |
couples will be hoping to pull out every trick or treat in the bag | :07:48. | :08:00. | |
in order to stay in the competition. So, let's have our first horrifying | :08:01. | :08:03. | |
tune of the night. Hopefully this old | :08:04. | :08:06. | |
thing still works. This is Bat Out of Hell | :08:07. | :08:11. | |
by the brilliant Meatloaf! The Bat Out Of Hell album spent | :08:12. | :08:16. | |
an incredible 474 weeks on the UK album chart, that's over | :08:17. | :08:20. | |
nine years and almost half the life-span of your | :08:21. | :08:26. | |
average bat outta hell. a recent study at Sussex University | :08:27. | :08:39. | |
found that Meatloaf's music was an excellent stimulant | :08:40. | :08:42. | |
for plant growth. Let's see who will be dancing to? . | :08:43. | :08:54. | |
Give me an Oh. Ooooohhh! | :08:55. | :08:57. | |
They'll be taking on the jive to this absolute classic | :08:58. | :09:05. | |
but will they be flying up that leaderboard? | :09:06. | :09:07. | |
Right, what's next on the jukebox tonight? | :09:08. | :09:09. | |
This track topped the UK charts last year and was a top ten hit | :09:10. | :09:15. | |
The accompanying music video for this song is loosely based | :09:16. | :09:20. | |
on horror film The Craft and features the girls as geeks | :09:21. | :09:23. | |
who find an old book that suddenly transforms them into popular girls | :09:24. | :09:26. | |
APPLAUSE. Looking good, girls, incredible. | :09:27. | :09:44. | |
But which of our couples will be turning to Black Magic to conjure up | :09:45. | :09:47. | |
Nice work, ladies. I'll clear up, don't you worry. | :09:48. | :09:54. | |
They'll be dancing an American Smooth to this. | :09:55. | :09:57. | |
Right just enough time for one more tune. | :09:58. | :09:59. | |
It's Born This Way by Lady Gaga - whose real name is Stefani Joanne | :10:00. | :10:11. | |
How are you doing? Are you all right Good. No idea who this is. | :10:12. | :10:22. | |
She refers to her fans as Little Monsters | :10:23. | :10:29. | |
This song sold more than one million copies in its first five days | :10:30. | :10:32. | |
on sale but was written by Gaga in only ten minutes. | :10:33. | :10:35. | |
Although she has said she believed close friend Alexander McQueen | :10:36. | :10:44. | |
helped her write the track from beyond the grave. | :10:45. | :10:46. | |
But, who will be dancing to it at the weekend? | :10:47. | :10:48. | |
They'll be performing a Paso Doble to this. | :10:49. | :11:03. | |
But will they be able to Out-Gaga Gaga? | :11:04. | :11:05. | |
If you want to find out what songs the rest of our couples | :11:06. | :11:11. | |
are dancing to this Halloween, head to the Strictly | :11:12. | :11:13. | |
Now, it's time to find out what our pros have in store for this | :11:14. | :11:20. | |
This week, it's Hallowe'en. It's fair to say, there's something | :11:21. | :11:34. | |
spooky in the air tonight. Whoooh. It's Hallowe'en this week, we have a | :11:35. | :11:39. | |
vampire-themed performance for the pros. They are very much in love and | :11:40. | :11:46. | |
at bred night Brendan comes to capture Karen and take her to the | :11:47. | :11:51. | |
dark side. I love doing it, because you get to do things you don't | :11:52. | :11:58. | |
normally do. It just feels great. So we are dancing to In The Air | :11:59. | :12:02. | |
Tonight. It is a different version. It is a lot darker and quiteery. The | :12:03. | :12:08. | |
movements that goes with it, is very sort of strange, perfect for | :12:09. | :12:12. | |
Hallowe'en Hallowe'en is fun because we get to play dress-up. The whole | :12:13. | :12:15. | |
show feels like a massive production. I actually really don't | :12:16. | :12:18. | |
like Hallowe'en. I get really, really scared. One, I'm scared of | :12:19. | :12:23. | |
the dark and two, if somebody puts a face mask on, I just scream and run | :12:24. | :12:29. | |
awane nearly faint. The most challenging part is that Karen does | :12:30. | :12:32. | |
have to fling herself towards the pack. It is scary because you have | :12:33. | :12:37. | |
to do it for quite a distance. She just has to trust that they are | :12:38. | :12:41. | |
going to catch her I'm so delighted to be back and to be back first | :12:42. | :12:45. | |
thing, for this number. Goodness me, how did I ever have a week off? OK, | :12:46. | :12:52. | |
the clock is ticking, you guys need to go, you don't want to ruin the | :12:53. | :12:57. | |
surprize. Tune in on the weekend. It's going to be scarily good. | :12:58. | :13:03. | |
I can't wait to see that. The way Karen throws herself at them. | :13:04. | :13:07. | |
Amazing. It's time now to reveal the line-up | :13:08. | :13:10. | |
for this year's BBC Children Past Children in Need editions | :13:11. | :13:13. | |
of the show have featured the BBC Newsreaders, | :13:14. | :13:17. | |
the cast of Call the Midwife and once even pitted the legendary | :13:18. | :13:20. | |
Sir Terry Wogan against Tess Daly. This year, it's going to be | :13:21. | :13:25. | |
an Olympic effort for Pudsey, as four Team GB medallists from Rio | :13:26. | :13:28. | |
take to the Strictly dance floor. But who's swapping their | :13:29. | :13:31. | |
tracksuits for the lure First up is Taekwondo | :13:32. | :13:35. | |
star, Lutalo Muhammad. He recently became the most | :13:36. | :13:42. | |
successful male in British Taekwondo history having won | :13:43. | :13:45. | |
a Silver medal in Rio. But can he win Gold | :13:46. | :13:47. | |
on the Strictly dance floor? He's going be paired up with hot | :13:48. | :13:50. | |
lips Karen Clifton, so the odds could be | :13:51. | :13:54. | |
in his favour. It's queen of the Hockey | :13:55. | :14:01. | |
field, Hollie Webb. She, of course, won Gold | :14:02. | :14:05. | |
with her team this year in Rio and will be hoping to repeat that | :14:06. | :14:08. | |
success with Strictly newbie, Third up is Joe Clarke, | :14:09. | :14:11. | |
who took home a Gold medal this summer in the Slalom Canoe | :14:12. | :14:16. | |
event becoming the first He'll be dancing with the lovely, | :14:17. | :14:18. | |
Janette Manrara. And, finally, we have Helen Glover, | :14:19. | :14:27. | |
two-time Olympic champion and current number one | :14:28. | :14:29. | |
female rower in the world. She'll be dancing with former champ, | :14:30. | :14:31. | |
Pasha Kovalev. Will she have the dance moves | :14:32. | :14:35. | |
to match her oar skills? What a brilliant bunch, | :14:36. | :14:44. | |
but who will be lifting You'll have to wait until Children | :14:45. | :14:46. | |
in Need night on Friday, We'll have more details on that | :14:47. | :14:50. | |
special nearer the time. Now to another of my | :14:51. | :14:56. | |
own personal heroes. Her crowning achievements include | :14:57. | :14:58. | |
representing the UK in the Eurovision Dance Contest, | :14:59. | :15:03. | |
coming first on an episode of Pointless Celebrities | :15:04. | :15:06. | |
and lifting the Strictly But it was her star turn | :15:07. | :15:07. | |
on Choreography Corner - a mere 24-hours ago - | :15:08. | :15:11. | |
that truly won the nation's hearts. We shall continue what we started | :15:12. | :15:37. | |
yesterday. Lovely to have you back. Kicking off with Ed and Katya's | :15:38. | :15:41. | |
American Smooth. We have to talk about that lift. What do you think | :15:42. | :15:44. | |
happened here dochl you think nerves got the better of him? Do you think | :15:45. | :15:49. | |
it was too ambitious or was it it brilliant? Before we talk about that | :15:50. | :15:54. | |
lift. Can we acknowledge the fact he did two amazing lifts before that | :15:55. | :15:59. | |
one. Yes. Here, as we see, he eases her on to the floor with amazing. | :16:00. | :16:03. | |
He guides her around and takes his time. That was lovely. Here, this | :16:04. | :16:08. | |
was over ambitious. Katya did something, she decided to take a | :16:09. | :16:12. | |
gamble. It could have gone well and got good scored. Shall we do the | :16:13. | :16:17. | |
lift? Shall we do the lift now? I'll be Ed. | :16:18. | :16:24. | |
Each week we see him attempting more and more difficult and precise | :16:25. | :16:29. | |
moves. What does he particularly need to work on to impress the | :16:30. | :16:32. | |
judges, especially Craig, who is always very hash on him? He needs to | :16:33. | :16:37. | |
do what he did here. He improved the actual foxtrot he was doing in the | :16:38. | :16:41. | |
American Smooth, the basics and keep doing that. The judges love the | :16:42. | :16:50. | |
proper basic. Keep it up. Ed. Louise and Kevin's Rumba. Len said she was | :16:51. | :16:55. | |
plateauing a little bit and needs a bit more wow. Did you think this was | :16:56. | :16:59. | |
wow or did you know what he meant? Yes. I know exactly what Len meant. | :17:00. | :17:04. | |
That maybe Kevin has made a choice here and go for the softer, | :17:05. | :17:09. | |
emotional kind of romantic version because the melody was so soft. If I | :17:10. | :17:15. | |
can demonstrate. Please do. There are a couple of ways. With a soft | :17:16. | :17:19. | |
tune you can walk away. You can just, sort of, softly turn and use | :17:20. | :17:24. | |
the bringing in the partner. If you want, wow, you could turn. Oh, wow. | :17:25. | :17:32. | |
Then go soft. That would bring... That was the wow he was looking For. | :17:33. | :17:36. | |
Yes, OK. I actually really loved the softness. I think we saw a new side | :17:37. | :17:40. | |
to her. I think the chemistry between them was brilliant. They | :17:41. | :17:44. | |
were kind in their own bubble. You will be trying that over the | :17:45. | :17:48. | |
spaghetti, coming in like that. It never works. They have the | :17:49. | :17:52. | |
Charleston next week. That is a fun dance. Maybe that could be her wow | :17:53. | :17:58. | |
moment? It could be the one. She owns it and confident and do amazing | :17:59. | :18:01. | |
lift. That would be awesome. She can do it. Claudia and AJ and their | :18:02. | :18:07. | |
Samba. Despite high scores all around, Len felt that the speed of | :18:08. | :18:10. | |
the music, it was quite difficult for her to keep up. Would you agree? | :18:11. | :18:15. | |
Yes. I totally agree. When the tune came on I thought - wow, this is | :18:16. | :18:19. | |
fast, even for a professional. She did a really good job up until this | :18:20. | :18:25. | |
moment. Then I thought this started becoming sort of steppy and runny. I | :18:26. | :18:30. | |
felt sorry for her because it was fast, very, very fast. I think they | :18:31. | :18:33. | |
have gone for the high energy. The energy is there. You either have the | :18:34. | :18:37. | |
speed and the energy or you have it slow and maybe it would have been | :18:38. | :18:40. | |
more boring. Could you do it like a record and turn it on to the other | :18:41. | :18:43. | |
speed and slow it down like that? No, you can't. Bruno said that AJ | :18:44. | :18:49. | |
had tried to fit in every possible Samba move then. Content, content. | :18:50. | :18:53. | |
It seems to be very important? It is important to get the high scores. | :18:54. | :18:56. | |
Equally, technique is important too. Maybe a little bit of both. All | :18:57. | :19:02. | |
right. Moving on to Anastacia and gourd can's Quickstep which was such | :19:03. | :19:06. | |
a moment. Loved this. Were you impressed at how well she adapted to | :19:07. | :19:11. | |
a new partner? So impressed. When she came on I thought - hello, I | :19:12. | :19:16. | |
haven't seen this lady before. She looked relaxed and at home in this | :19:17. | :19:19. | |
dance until they got into the hold. I noticed a lot of gapping | :19:20. | :19:22. | |
happening. You will see it in a moment here. That could be a up | :19:23. | :19:26. | |
could of things. The fact she has just met this man and maybe like | :19:27. | :19:33. | |
Gethin in Series 5 he would giggle when I got close. Awkward. A new | :19:34. | :19:38. | |
partner. Maybe she felt it's a bit awkward. Maybe they haven't had the | :19:39. | :19:43. | |
time to spend on the leg action and technique to get close. It's | :19:44. | :19:47. | |
difficult for the man to lead the lady without getting close. He would | :19:48. | :19:51. | |
have to lead with the arms, it's not ideal. As a female pro how do you | :19:52. | :19:55. | |
get that getting close. Ian says you have to get this part of your body | :19:56. | :20:00. | |
to where ever... Match, right side to right side. You ease in with the | :20:01. | :20:04. | |
basic steps, walking around the floor in the waltz and the beginning | :20:05. | :20:08. | |
and get use used to each other's bodies. Then you can get the | :20:09. | :20:14. | |
closeness. Judge Rinder and Oksana's jive. He is so popular. A lot of | :20:15. | :20:20. | |
people in our stud Yeo audience who love Judge Rinder. Their highest | :20:21. | :20:27. | |
score yet. Did they impress you, they impressed the judges? When he | :20:28. | :20:30. | |
was doing the kicking he was getting his knees together. When Then he was | :20:31. | :20:35. | |
more like. This I would like to see him keep the closeness. He got too | :20:36. | :20:41. | |
excited. Got carried away. There he is. Off he goes. Super. So tight in | :20:42. | :20:47. | |
the legs here by the knees. You see the big gap. OK. What I love about | :20:48. | :20:51. | |
watching him. He seems like a natural. He is a joy to watch. | :20:52. | :20:59. | |
Darcey said that sometimes his enthusiasm takes over a little bit. | :21:00. | :21:02. | |
What you agree? What advice would you give him to stop that happening? | :21:03. | :21:09. | |
I agree. I was worried it would come across he is taking it as a joke, | :21:10. | :21:13. | |
not serious. He is a good dancer. I would like him to be contained and | :21:14. | :21:17. | |
do the moves and not have to always the fun with it. OK. Hallowe'en | :21:18. | :21:23. | |
week. It's next weekend. How much would you love to be on that dance | :21:24. | :21:27. | |
floor in all the costumes and he get up. Maybe that is what you are doing | :21:28. | :21:31. | |
at home? I would rather sit and watch them all. I shall enjoy doing | :21:32. | :21:35. | |
that. I love Hallowe'en. It's the best. I hope you will be dressed up | :21:36. | :21:39. | |
with your fell latch lovely to see you. Of course. Don't stay awith a | :21:40. | :21:41. | |
too long. Camilla Dallerup. Our final couple of the night | :21:42. | :21:46. | |
were hoping to find love from the judges on Saturday, | :21:47. | :21:49. | |
but all they got were their lowest Forget about the judges though, | :21:50. | :21:52. | |
we found it all en-cha-cha-chanting! I always love your heroic muscular | :21:53. | :22:14. | |
stance. Sadly, it looked very stiff. You're very pigeon toed. The walks | :22:15. | :22:18. | |
look awkward. You did a good job. Be proud of yourself. Well done. It's | :22:19. | :22:22. | |
Greg and Natalie everybody. APPLAUS. You look devine. Last week you | :22:23. | :22:32. | |
weren't a massive fan of the cha-cha-cha. Are you glad it owes | :22:33. | :22:38. | |
over and done? Yes. It was a hopeless place we found ourselves. | :22:39. | :22:43. | |
No. I tried to be positive all week. I was really struggling. I was | :22:44. | :22:47. | |
saying - had is wonderful, we are doing well. She puts together | :22:48. | :22:51. | |
wonderful dances. I was thinking - I'm the worst dancer who has stepped | :22:52. | :22:57. | |
on to the strictly dance floor. I remember that feeling. For me it was | :22:58. | :23:02. | |
the pass low Kobe blah and the cha-cha-cha. You have to concentrate | :23:03. | :23:06. | |
to remember the steps when it's not coming naturally? Most people noted | :23:07. | :23:11. | |
that I looked like I wanted to murder Natalie during the dance. A | :23:12. | :23:15. | |
tense look. I'm trying to think - What's coming next. It was coming at | :23:16. | :23:19. | |
me so fast. All week I couldn't retain the dance. It was driving me | :23:20. | :23:24. | |
up the wall. So I'm very pleased that, hopefully, I don't have to do | :23:25. | :23:32. | |
that again. We may need to, actually, in the future, I'm sorry | :23:33. | :23:36. | |
to tell You have to you. Get on and do it again. Do another one now. I | :23:37. | :23:43. | |
think that with the cha-cha-cha if we had more days, like the jive. | :23:44. | :23:49. | |
Two-and-a-half weeks to learn the jive, it's intricate. Cha-cha-cha is | :23:50. | :23:55. | |
the same. If we had a couple more days we nailed it that morning. You | :23:56. | :24:00. | |
were fantastic. That annoyed me more, to be honest. We have a | :24:01. | :24:04. | |
practice in the studio on Friday. I didn't finish it once. We went in | :24:05. | :24:08. | |
back into the studio, we practiced for three hours, we got it together. | :24:09. | :24:11. | |
Went in the following morning, I completed it. I was thrilled. You | :24:12. | :24:20. | |
were loving i I was founsing off the balls because -- bouncing off the | :24:21. | :24:25. | |
walls because I completed the dance. I blew it We got fast entirely. With | :24:26. | :24:30. | |
the foot work. It catches up. Bless you. Oh! Move on from it. The lowest | :24:31. | :24:38. | |
score you had so far. What did you think about the judges' comments? | :24:39. | :24:43. | |
Craig is amazing. He has constructive criticism. The things | :24:44. | :24:45. | |
that weren't right, the feet, we will work on this week, very much | :24:46. | :24:49. | |
so. Thank you Craig for that. It makes us work even harder. Maybe it | :24:50. | :24:53. | |
was a bit harsh because you partner me so well. You allowed me to do | :24:54. | :24:56. | |
everything I needed to do on the night. Thank you for that. You | :24:57. | :25:01. | |
allowed me to shine still. There was nothing there that I didn't feel | :25:02. | :25:04. | |
like you couldn't enable me to do make the dance work. That is an | :25:05. | :25:10. | |
amazing quality. We do watch you. You always look... I'm not looking | :25:11. | :25:15. | |
at your feet. I'm watching the two of you on the dance floor. You are | :25:16. | :25:19. | |
great. When you get to the results, when your name, they left it until | :25:20. | :25:23. | |
quite late. You had to wait a long time. When you through your faces | :25:24. | :25:28. | |
were absolutely priceless. You both looked gobsmacked not to be in the | :25:29. | :25:32. | |
Dance-Off? Before that, when it was us and Daisy and Alijaz I just | :25:33. | :25:37. | |
nudged Nat, one more dance, it's OK. I will do it better. They announced | :25:38. | :25:43. | |
it. The look of shock is genuine. I was really mentally prepping. You | :25:44. | :25:48. | |
have to get out there, don't do that bit wrong, don't do that bit am I | :25:49. | :25:51. | |
wasn't thinking about my name not being called. Then it wasn't. It was | :25:52. | :25:57. | |
- how on earth did that happen? It was down to people being wonderful | :25:58. | :26:02. | |
at home and voting to keep us in. That is hugely important at this | :26:03. | :26:06. | |
stage. We thank every single one of you. A massive kiss from us. As an | :26:07. | :26:11. | |
athlete, you must have performances sometimes where it doesn't go | :26:12. | :26:14. | |
according to plan and you psych yourself up and get back in the | :26:15. | :26:17. | |
arena again. How do you do that as an athlete, that is what you have to | :26:18. | :26:21. | |
do this week? It's remembering, for me, it's easier in jumping terms | :26:22. | :26:25. | |
because I have had good days before, very good days. You sort of think | :26:26. | :26:30. | |
about those more and you remember and go over video footage, in my | :26:31. | :26:33. | |
case, of why it was good. You reassess and go at it. We had a | :26:34. | :26:37. | |
couple of good days. . Yes I'm trying to remember that. The | :26:38. | :26:41. | |
American Smooth. I loved it. So amazing. I'm trying to remember | :26:42. | :26:48. | |
those sensations. And the Jive. The American Smooth leads nicely to the | :26:49. | :26:53. | |
dance this week. You have the Rumba, remembering the partnership. There | :26:54. | :26:55. | |
is a connection between the two of you. You told that love story | :26:56. | :26:59. | |
beautifully. It's with a you have to do in a Rumba had? This week's theme | :27:00. | :27:04. | |
is about man and woman. A great song. We had an awesome rehearsal | :27:05. | :27:10. | |
today. Rumba is technically difficult. With the choreography | :27:11. | :27:14. | |
that we're creating together, he's really helping with some of the | :27:15. | :27:19. | |
movements. Aren't you? Yeah? You are. Am I. He's applying himself. | :27:20. | :27:25. | |
You can tell this week is going to be a good week. I'm relieved to hear | :27:26. | :27:30. | |
it. Your whole demeanour seems more positive? I have to try hard because | :27:31. | :27:36. | |
sometimes you can get down and think - this is terrible, I'm awful at | :27:37. | :27:39. | |
this. But the day we had today, it was wonderful. The first day ever, | :27:40. | :27:44. | |
even American Smooth, we went through to the dance. We got to the | :27:45. | :27:48. | |
end. I saw the end. Tweaking the end to make it more animated and | :27:49. | :27:51. | |
everything else. To be in that position already is a really good | :27:52. | :27:54. | |
feeling. I'm super keen to keep pushing. I thought you were | :27:55. | :28:01. | |
twerking! At the end of the Rumba - tweaking! Hallowe'en so much fun. | :28:02. | :28:06. | |
You will be dressed up. Scared the dear life out of me. How much will | :28:07. | :28:10. | |
you enjoy it this weekend? I can't wait. Looking forward to the outfit. | :28:11. | :28:15. | |
There is a special opening. The start of the dance will be really | :28:16. | :28:18. | |
cool, I Think. Yeah. I cannot wait to see the beginning of the dance. | :28:19. | :28:23. | |
It sounds fabulous. Believe! Greg and Natalie. | :28:24. | :28:25. | |
CHEERING AND APPLAUSE. That's all we have time | :28:26. | :28:29. | |
for tonight, I'm afraid. But don't worry, we're back tomorrow | :28:30. | :28:32. | |
at 6.30pm when Laura and Giovanni will be here to fill us | :28:33. | :28:35. | |
in on what happened last week, and I'll also be catching up | :28:36. | :28:37. | |
with Judge Rinder and Oksana. Plus, Ian Waite is here | :28:38. | :28:40. | |
for his Wednesday Warm-Up. | :28:41. | :28:43. |