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Life from London, this is Strictly, It Takes Two. Please welcome your | :00:49. | :00:53. | |
host, Zoe Ball. Much like a car that's | :00:54. | :00:58. | |
just passed it's MOT, we're in working order | :00:59. | :01:03. | |
and feeling revved up to go! So let's drive by the green room | :01:04. | :01:07. | |
and see who's joining us tonight They're the 'wheel deal' - | :01:08. | :01:12. | |
it's Ore and Joanne! Or is it the milk Tray man? Loving | :01:13. | :01:21. | |
the rocking turtlenecks. And joining them to launch | :01:22. | :01:26. | |
2016's Pro Challenge - a man who always gets our engines | :01:27. | :01:28. | |
going - Aljaz is here! Looks like he's taking this | :01:29. | :01:33. | |
a bit too seriously! But first, the Strictly costume | :01:34. | :01:36. | |
department went into overdrive last weekend - 121 sensational | :01:37. | :01:42. | |
outfits were created Let's find out what's | :01:43. | :01:44. | |
in store for this week - In the jumpsuit, we love it. 121 | :01:45. | :02:16. | |
costumes, did it get a bit hairy getting them in and out of the | :02:17. | :02:20. | |
costumes is yellow it was a bit. All the departments came together and it | :02:21. | :02:26. | |
was perfect. Brilliant. A bit stressful going into the second | :02:27. | :02:34. | |
dance, putting everything on. Everyone's hairstyle is changing, | :02:35. | :02:37. | |
under skirts, the lots. Everybody fighting for attention. Possibly one | :02:38. | :02:43. | |
of the best Blackpool shows we have seen. We should talk about Louise's | :02:44. | :02:50. | |
costume, epic proportions. Here she is. Did you fear there might be a | :02:51. | :02:59. | |
Madonna kind of moment with these stairs? Slightly worried. We had a | :03:00. | :03:03. | |
centre front, centre back release, and the extra dancers were primed to | :03:04. | :03:07. | |
make sure they gave it a good go, as soon as it released. Talk us through | :03:08. | :03:12. | |
the detail in this dress. I thought the whole number from the backing | :03:13. | :03:15. | |
dancers to Kevin and Louise, I thought the whole thing was great, | :03:16. | :03:19. | |
the tone and colours of everything. Skirt worked really well. Louise | :03:20. | :03:24. | |
probably hated us for flashing too much of her legs. Beautiful legs, | :03:25. | :03:28. | |
she used them perfectly and got such a great score. Fabulous. Kevin loves | :03:29. | :03:38. | |
a paso. I forgot to mention yesterday, his guy-liner was | :03:39. | :03:44. | |
extreme. What can you tell us about Katia's outfit? My brief this week | :03:45. | :03:50. | |
was a catwalk kind of feel. I love it. Lord help us. Quite simple in | :03:51. | :03:57. | |
its design. The fabric is leading the way. Bright turquoise lining | :03:58. | :04:01. | |
through the whole dress. In the tango when she's moving, there's a | :04:02. | :04:05. | |
nice split on the left, we may reduce it but we'll see lots of | :04:06. | :04:08. | |
turquoise as a block colour and the print runs through the dress. All | :04:09. | :04:14. | |
the embellishment through the waste. There's a photograph of the material | :04:15. | :04:20. | |
we can see here. Quite busy, but I think we'll still end up with | :04:21. | :04:22. | |
sparkle to the detail. There's always a bit of sparkle. Claudia and | :04:23. | :04:30. | |
AJ doing and Argentine tango, this looks great. It's a traditional | :04:31. | :04:37. | |
colour and shape. I watched their directors take today. We've got a | :04:38. | :04:41. | |
high split at the back. As with Oti, we put more slips in when we saw | :04:42. | :04:49. | |
them in the dressing room. We may put slips up here. The front is | :04:50. | :04:56. | |
solid red with mesh on the site. A purple panel down the back so when | :04:57. | :05:00. | |
they are moving and turning we'll get lots of contrast. I think it's | :05:01. | :05:09. | |
going to be a good one. Onto Oti's sambar outfit. We were laughing, we | :05:10. | :05:14. | |
couldn't get it on the mannequin, she is so tiny, the mannequin must | :05:15. | :05:18. | |
lose some weight. Talk us through this detail, it is incredible. I | :05:19. | :05:23. | |
think this is one of my favourites. This was really born from Oti, she | :05:24. | :05:27. | |
wanted an Amazonian tribal things number this week. We looked at lots | :05:28. | :05:32. | |
of Prince. This is all done free hand so we had to take elements we | :05:33. | :05:35. | |
thought we could transfer and make sure it was symmetrical. It has all | :05:36. | :05:39. | |
been drawn on the base first. That's incredible. The stones do have shine | :05:40. | :05:45. | |
but they are a flat colour, not too much reflection. Coral, turquoise, | :05:46. | :05:48. | |
white Opel making an appearance again. Brown flare, lots of coloured | :05:49. | :05:56. | |
pearls in between. And that Ash, he must spend hours on it. He's just | :05:57. | :06:03. | |
absolutely fabulous. Ash, we love you, you should be knighted. | :06:04. | :06:07. | |
Something exciting for you this week. The mystery mannequin. This | :06:08. | :06:10. | |
one is covered up. This one is covered up because we're | :06:11. | :06:13. | |
going to be unveiling it for the first time to dancer | :06:14. | :06:16. | |
who'll be wearing it. Jo, you are doing the paso doble | :06:17. | :06:29. | |
this weekend with Ore. Is that what you are doing? Somebody else can | :06:30. | :06:36. | |
fill in. You had a conversation, what did you say you wanted? This is | :06:37. | :06:40. | |
why she is great because she knows us all so well. And she knows that | :06:41. | :06:45. | |
I'm the one pro who asks for the dresses to be longer rather than | :06:46. | :06:52. | |
shorter, even my rumba dress. It was like a ballroom skirt on top. So you | :06:53. | :06:57. | |
wanted long, it's paso doble, that's all we know. Ready for this? Drum | :06:58. | :07:12. | |
roll, please. Oh my gosh, I hate it! That must happen, though, does it? | :07:13. | :07:16. | |
It does, people aren't going to like everything. Is that shorts | :07:17. | :07:22. | |
underneath? It is shorts. As you can see its work in progress. We'll see | :07:23. | :07:26. | |
whether we put another layer in the lining. The skirt length, even | :07:27. | :07:31. | |
though Jo likes them long, we may angle it from here down. Keep it | :07:32. | :07:39. | |
closed. Not too much flashing. In the choreography they have a few | :07:40. | :07:42. | |
moments on a table, in a raised position. Sounds exciting. I thought | :07:43. | :07:49. | |
Jo would be happy if we had a placing underneath. Have you ever | :07:50. | :07:55. | |
worn a placement for a paso doble before? Not yet. Are you loving it? | :07:56. | :08:01. | |
Yes, and its black-and-white, and last time we wore black and white | :08:02. | :08:05. | |
was the drive. Do you like the turtleneck and the stones? I do. How | :08:06. | :08:10. | |
much will it change before Saturday? A bit, the waistband may change and | :08:11. | :08:14. | |
we'll have more embellishment. The lines will be much sharper and | :08:15. | :08:17. | |
hopefully we'll get a white edging on the hem. We will see. I think we | :08:18. | :08:23. | |
should do mystery mannequin more often, I love it. I think this is | :08:24. | :08:31. | |
going to be my Christmas tablecloth. Well we know our couples are going | :08:32. | :08:33. | |
to look the part on Saturday night - but are their dance moves | :08:34. | :08:36. | |
looking as fancy? Let's see how Danny and Oti and Ed | :08:37. | :08:38. | |
and Katya have been getting along The tango is not only sharp, but | :08:39. | :08:53. | |
also quite low, driving and stamping along and I'm still in the foothills | :08:54. | :09:01. | |
of learning the tango. In tango we say it's like a Ferrari, so it's low | :09:02. | :09:06. | |
but very powerful. He's quite a tall man and big frame. So to be able to | :09:07. | :09:13. | |
drive that across the floor will be important. If I can find my inner | :09:14. | :09:19. | |
tango style I'll be OK on the night. OK. The sambar is a very rhythmical | :09:20. | :09:29. | |
dance. It's fun and it's all so very, very technical. I need to | :09:30. | :09:35. | |
throw all my energy at it and really enjoy it, because when I do it is so | :09:36. | :09:44. | |
much fun. Come on, don't stop. This is one of Oti's favourite styles | :09:45. | :09:47. | |
says she is really throwing everything at this and she wants to | :09:48. | :09:50. | |
have a great routine, which I hope I can help her with somehow. Why are | :09:51. | :09:54. | |
you so stiff? Why are you fighting me? | :09:55. | :09:58. | |
Those gorgeous four on the show tomorrow. | :09:59. | :10:01. | |
Now, our Strictly pros thrive on competition. | :10:02. | :10:03. | |
In previous years we've tested them on Botafogos, Kick ball changes, | :10:04. | :10:05. | |
But this year will see them face their greatest challenge yet. | :10:06. | :10:11. | |
It's time to launch the Strictly Pro Challenge 2016! | :10:12. | :10:25. | |
The Strictly pro challenge is back and bigger than ever. This year our | :10:26. | :10:32. | |
pros are going to attempt to set a Guinness world record for the most | :10:33. | :10:40. | |
jive kicks and flicks in 30 seconds. Judging alongside me, top | :10:41. | :10:43. | |
choreographer, Richard Marcel, and Guinness world records adjudicator | :10:44. | :10:49. | |
Emma Davies. The kick and flick is a quintessential jive step that | :10:50. | :10:51. | |
requires a lot of energy and conviction. We'll be looking for | :10:52. | :10:57. | |
strong, pointed kicks with a fast retraction and then the feet | :10:58. | :10:59. | |
returning to the floor after the flick. If they don't bring the foot | :11:00. | :11:04. | |
back to the resting position then the step will be disqualified. This | :11:05. | :11:09. | |
will be a challenge of energy and endurance. There can only be one | :11:10. | :11:13. | |
champion so they need to make every step count. Welcome to the Strictly | :11:14. | :11:18. | |
pro challenge 2016. Thank you, Ian. Time to welcome 2016's first | :11:19. | :11:22. | |
Pro Challenge contender. He's 5'11 tall, has size 9.5 shoes | :11:23. | :11:24. | |
and likes to eat squid. Slovenia's finest export, | :11:25. | :11:27. | |
Aljaz Skorjanec! What an entrance, fine sir. Welcome, | :11:28. | :11:49. | |
my dialling. You're going to be the first, how exciting. | :11:50. | :11:50. | |
So Aljaz, you are the reigning Strictly pro champion | :11:51. | :11:55. | |
with Karen Clifton, together you set the world record | :11:56. | :11:59. | |
for most New Yorkers in 30 seconds, 39, back | :12:00. | :12:01. | |
No Karen to help you this time, can you be victorious again? | :12:02. | :12:08. | |
No. OK. Was it just a lucky shot last time? I think it was all down | :12:09. | :12:18. | |
to Karen, I was just in the shot doing it with her. But yeah, I was | :12:19. | :12:24. | |
never the fastest in jive so I always knew it was going to be a | :12:25. | :12:28. | |
tough one, but I did practice loads. I was going to say, do you prepare | :12:29. | :12:32. | |
at home? Pretty much since August, seven hours a day. Just one hour of | :12:33. | :12:38. | |
training with Daisy and the rest is this. Takes this very seriously. | :12:39. | :12:41. | |
Your fiance, Latin sensation Janette Manrara, came last | :12:42. | :12:45. | |
in the previous pro challenge, she fell over. | :12:46. | :12:50. | |
Obviously she is livid, she has never lived it down. Is it | :12:51. | :12:55. | |
competitive between the two of you, bit of an atmosphere? Yes, a bit | :12:56. | :13:01. | |
stressful at home since that pro challenge. No, you know what, mainly | :13:02. | :13:07. | |
it's mostly fun. But obviously all of us want to do well. Quite a few | :13:08. | :13:11. | |
couples can be competitive, it's brilliant. Are you nervous being | :13:12. | :13:14. | |
first? Yes, I'm literally sweating. I never consider myself being good | :13:15. | :13:26. | |
in kicks and flicks so I think the biggest rival in this challenge is | :13:27. | :13:29. | |
going to be myself. I just hope I don't cramp up. That would be bad. | :13:30. | :13:37. | |
Hello, Aljaz. Hello. Welcome to the pro challenge. In the last pro | :13:38. | :13:41. | |
challenge you set the world record with Karen Clifton. Have you got a | :13:42. | :13:44. | |
plan for this, have you practised? I've practised loads, pretty much | :13:45. | :13:49. | |
since I left Slovenia. Good luck, we hope you do well. Please take your | :13:50. | :13:55. | |
place. Aljaz, good luck. I'm going to count you down for the record. | :13:56. | :13:57. | |
Three, two, one, though. Five, Faulkner three, two, one... | :13:58. | :14:33. | |
Stop. How does it feel? Horrible! What do you think, Richard? I | :14:34. | :14:37. | |
thought he did really well. Really stylish, had good posture, looked | :14:38. | :14:42. | |
great. I think you're in for a good chance. Thank you. Even if I don't | :14:43. | :14:49. | |
get it, that was stylish! I have to say, I find this really difficult. | :14:50. | :14:54. | |
It's very hard on your legs. I could not turn you how it went, because it | :14:55. | :15:00. | |
was kind of like an out of legs experience. I have had a few of | :15:01. | :15:04. | |
those as well, actually! How do you think you did? I don't know. I got | :15:05. | :15:12. | |
halfway through, and... You only have the left leg and the right leg. | :15:13. | :15:18. | |
Generally, yes! But I have never had simultaneous cramp in both of them | :15:19. | :15:24. | |
at the same time! I know! But it was worth it. You fought on, even so! | :15:25. | :15:30. | |
You are used to doing jives, kicks and flicks, but never that many at | :15:31. | :15:36. | |
the same time? , never. After each of the professionals have made there | :15:37. | :15:39. | |
tempt, the footage was watched back by the adjudicators in slow motion | :15:40. | :15:45. | |
to make sure that every single one was accurate. Did you see any | :15:46. | :15:49. | |
mistakes, looking back? No, none whatsoever. Perfection. Around 300! | :15:50. | :15:57. | |
Interesting you should say that, because I can reveal that you had | :15:58. | :16:03. | |
two steps disqualified. I know! The tension is unbearable, ladies and | :16:04. | :16:06. | |
gentlemen! You money for the moment of truth? In 30 seconds, you | :16:07. | :16:10. | |
completed... 52! Which puts you at the top of the | :16:11. | :16:34. | |
leaderboard! Don't get carried away, because you're the first one. You | :16:35. | :16:39. | |
are obviously also the bottom of the leaderboard. And in the middle, | :16:40. | :16:43. | |
which is a dangerous place to be! We have 12 other pros - who do you | :16:44. | :16:49. | |
think is your biggest competition? I think as I said in the video, it's | :16:50. | :16:54. | |
just myself. We have some new pros, they're all incredible, young and | :16:55. | :16:57. | |
fast. It's going to be interesting to see, especially when we do it | :16:58. | :17:03. | |
just as individuals. We will have to wait and see. Thank you for being | :17:04. | :17:09. | |
first, Aljaz! Isn't he gorgeous, everyone? | :17:10. | :17:16. | |
Time now to go behind the scenes for an exclusive look at this | :17:17. | :17:19. | |
This weekend, we are taking the ball into the athletics field. Let's go! | :17:20. | :17:36. | |
The concept of this dance is charleston, based on an or fashion | :17:37. | :17:42. | |
sports day. Egg and spoon races, sack races, things like that. It's | :17:43. | :17:46. | |
going to be fun and energetic, with a lot of things going on. We are all | :17:47. | :17:56. | |
doing lots of different activities, including the piggyback race, and | :17:57. | :17:58. | |
even the tug-of-war. And I beat all the boys! As soon as we heard there | :17:59. | :18:08. | |
was going to be a Strictly Sports Day, we realised it would be silly | :18:09. | :18:12. | |
and funny. Doing it with the charleston, you get a lot of | :18:13. | :18:17. | |
character in. It's great fun. I'm definitely going to win the Strictly | :18:18. | :18:24. | |
Sports Day. Some of it not what you would expect at a regular sports day | :18:25. | :18:30. | |
event. This is Strictly, of course! Who would have a real life sack race | :18:31. | :18:35. | |
one I think Neil does not have a chance. The most challenging part of | :18:36. | :18:43. | |
this routine is the timing trainer things happen very quickly trainer | :18:44. | :18:48. | |
one thing passes into the next thing. Hopefully we will connect | :18:49. | :18:52. | |
everything together and it should be a fun routine. Right, it's time for | :18:53. | :19:03. | |
you to hop, skip and jump out of here. Me? No, them! Seeing Neil to a | :19:04. | :19:13. | |
caterpillar in a sack, that is a first. | :19:14. | :19:15. | |
On first impressions, our Strictly pros may all seem | :19:16. | :19:17. | |
But get them in our Booth of Truth, and a whole other side is revealed! | :19:18. | :19:22. | |
Which pro is most addicted to their phone? Without a doubt, Pasha. It's | :19:23. | :19:50. | |
100 cents Pasha. I would have to say it's Pasha. Here we go. He just | :19:51. | :19:56. | |
ignores you when you're talking in the middle of a sentence. He's | :19:57. | :20:01. | |
always playing games. Pasha loves the phone. Which pro is the | :20:02. | :20:08. | |
grumpiest in the morning? I love this lady but it would have to be | :20:09. | :20:12. | |
Karen. I think she would admit it, she's just not a morning person. | :20:13. | :20:16. | |
Karen, she will kill me for saying that. I think it would be Karen, | :20:17. | :20:23. | |
because sometimes, she can be a bit grumpy. If I haven't eaten, don't | :20:24. | :20:29. | |
talk to me. But that only happens a few times. The most grumpy pro in | :20:30. | :20:40. | |
the morning, who is that? It's definitely Brendan Cole. He has | :20:41. | :20:43. | |
something to say about everything. Me! | :20:44. | :20:46. | |
Now, our final guests' Viennese Waltz blew the socks off | :20:47. | :20:48. | |
the judges last weekend, with Darcey, Len and Bruno | :20:49. | :20:51. | |
If only Craig would have scored higher! | :20:52. | :20:54. | |
# That's life! Cool, sophisticated, slick. | :20:55. | :21:16. | |
Brilliant! You just fall into the style so easily. I loved it. I | :21:17. | :21:23. | |
thought it was a fantastic performance. | :21:24. | :21:33. | |
Ore and Joanne! Hello! The Prince and the showgirl! And you two had so | :21:34. | :21:44. | |
much fun in Blackpool. Tell me more about this night? It was | :21:45. | :21:51. | |
sensational, I was not really sure what to expect because the pros had | :21:52. | :21:55. | |
talked about it all series long. But you go in there, it's overwhelming - | :21:56. | :21:59. | |
the history of the place, the roar of the crowds when we got | :22:00. | :22:03. | |
introduced, it was like going into a Roman Colosseum. Does it go to your | :22:04. | :22:09. | |
head, all of the adoration? You've just have two it. And welcome back | :22:10. | :22:19. | |
to Ten Club! You are back full stop so close to getting A40. What did | :22:20. | :22:25. | |
you make of Craig giving you an eight? Let's concentrate on the | :22:26. | :22:31. | |
tens! We did not expect that at all. We were just really happy to have | :22:32. | :22:34. | |
got through the routine cleaning and to be so happy about it, because | :22:35. | :22:39. | |
everything was just so incredible about it. So, to add tens, and did I | :22:40. | :22:47. | |
mention it was my birthday last week as well...? Happy birthday, by the | :22:48. | :22:53. | |
way! Thank you very much no more surprises, I can't take it! Jo, | :22:54. | :22:57. | |
Craig said he was a bit bothered by the top line and it was a little bit | :22:58. | :23:03. | |
Skippy around the table. I say Jo, I should say Marilyn, actually. What | :23:04. | :23:08. | |
did you think about that? Hold-wise, I've got to disagree. We worked so | :23:09. | :23:15. | |
hard on it, and looking back at the video, yes, the elbows have to be in | :23:16. | :23:19. | |
line and they were in line. I thought the hold was really, really | :23:20. | :23:24. | |
good. Good boy! The skipping... Just around the table at the end, because | :23:25. | :23:30. | |
the ballroom is so big and we had to get right round to the other side, | :23:31. | :23:35. | |
we really had to move. But that's all right. Also, you skipped with | :23:36. | :23:39. | |
joy! And anyway, who cares what the judges think? Really, it's all about | :23:40. | :23:45. | |
your mum, Ore. Your mum Fola, what was her feedback after this one? Can | :23:46. | :23:49. | |
I be honest only I have not spoken to my mum all week! That's | :23:50. | :23:58. | |
outrageous! Terrible! Fola, call in, we will put you in touch! Hi, mum, I | :23:59. | :24:04. | |
just wanted to say, Blackpool was really brilliant, I will call you | :24:05. | :24:07. | |
after the show! You're in so much trouble! We were trying to count but | :24:08. | :24:12. | |
we got really dizzy, you did so many. It was absolutely beautiful, | :24:13. | :24:16. | |
we had never seen anything like it before. How did you carry on, | :24:17. | :24:23. | |
though, after that? To be honest it was quite difficult, because at the | :24:24. | :24:28. | |
point that we stopped, you can see four images, all slowly merging | :24:29. | :24:34. | |
together! And you're like, OK, now I can see! But it was amazing. And | :24:35. | :24:44. | |
Clifton's choreography, she has been in this Blackpool situation before, | :24:45. | :24:49. | |
she knew that if we carry on... It gets bigger and bigger. I was like, | :24:50. | :24:59. | |
use that! I must say, Karen Hardy said you took a risk with those | :25:00. | :25:02. | |
moves, but it really did pay off. You've got to do things like that I | :25:03. | :25:06. | |
surmised at this point in the competition, Jo? Yes, as I said I | :25:07. | :25:11. | |
knew it was something that worked, I wanted to put it in. It is really | :25:12. | :25:15. | |
hard, I remember doing it in competitions, and my neck could be | :25:16. | :25:21. | |
like, my dance partner... I was like, he's strong, he can do it. | :25:22. | :25:26. | |
Last week, I thought, no chance, this is the most ridiculous | :25:27. | :25:29. | |
choreography I have ever seen. But it all came together. You thought | :25:30. | :25:33. | |
that was ridiculous - this weekend, the paso doble. Jo, have we got any | :25:34. | :25:40. | |
more firsts, the most legs crawl more than we have ever seen, or | :25:41. | :25:45. | |
anything? We have got a table. Love tables, you two, don't you? This one | :25:46. | :25:53. | |
is rectangular. All the shapes! Next week, Triangle table! With got bits | :25:54. | :25:59. | |
underneath the table. I say, that sounds very racy! You are dancing to | :26:00. | :26:09. | |
Everybody Wants To Rule The World. Everybody wants to rule the | :26:10. | :26:12. | |
leaderboard at the moment, how do you get to the top this week? Our | :26:13. | :26:18. | |
paso will be slightly different, in the sense that it is not | :26:19. | :26:21. | |
traditional, the music starts off really, really slow. So we're just | :26:22. | :26:27. | |
going to be really intense. I like it! I've been sweating this week, | :26:28. | :26:33. | |
rarely moving, standing and sweating. It that intense. And Len | :26:34. | :26:39. | |
said, doing nothing is very difficult. There are some moments, | :26:40. | :26:44. | |
actually, we spoke about that waltz, some moments where you have just got | :26:45. | :26:49. | |
to stick your tongue back in, mate! I like you talking yourself through | :26:50. | :26:55. | |
it! Kevin, your Big Brother, did the paso last week, and it's following | :26:56. | :26:58. | |
on from that, which will be tough. Can you match it? I should hope so! | :26:59. | :27:05. | |
Don't feel the pressure or anything! It wasn't bad, was it? Why did they | :27:06. | :27:13. | |
do that to you? Strictly statistic time, because it's been a pretty | :27:14. | :27:17. | |
close series for the Clifton siblings. Let's compare your scores | :27:18. | :27:20. | |
so far. I feel like such a stirrer! We've got this nifty little chart. | :27:21. | :27:34. | |
You start at the beginning. You're in blue, Ore. And it all starts to | :27:35. | :27:40. | |
turn around in week four. And then as we move through the weeks, week | :27:41. | :27:45. | |
seven was Louise's Argentine tango. And then we get to last week, and | :27:46. | :27:52. | |
you are neck and neck. And then when we add them all that we can see that | :27:53. | :28:03. | |
you have... Only six points in it. And this week, the Cha-Cha-Cha | :28:04. | :28:05. | |
Challenge is an extra six points for someone. You have not done the | :28:06. | :28:10. | |
cha-cha-cha since week two. AJ was laying down the gauntlet saying that | :28:11. | :28:16. | |
they're can take everybody down. Any words for your opponents? I saw that | :28:17. | :28:20. | |
interview with AJ. AJ, listen up, OK? Beware, your space, a little | :28:21. | :28:28. | |
politeness goes a long way. But if you come in and have a cup of tea, | :28:29. | :28:31. | |
you're most welcome! Fighting talk for you? Push good luck this | :28:32. | :28:35. | |
weekend, you're both marvellous! That's all we've got | :28:36. | :28:39. | |
time for tonight. Join me tomorrow at six | :28:40. | :28:42. | |
for an epic It Takes Two! I'll be chatting to Ed and Katya, | :28:43. | :28:46. | |
Danny and Oti and On the Friday panel | :28:47. | :28:49. | |
will be Katy Brand, All that, plus - Gethin will be | :28:50. | :28:51. | |
reporting from Elstree and Who knows where | :28:52. | :29:14. | |
it's going to take me? | :29:15. | :29:16. |