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Oti's been trying to teach me all week and I | :00:00. | :00:00. | |
just can't get the hang of these Samba Rolls ? | :00:07. | :00:09. | |
Don't worry, Danny, I got 24 for my Samba, let | :00:10. | :00:11. | |
Samba roll, I love samba roll! How do we do it? That's it. What on | :00:12. | :00:33. | |
earth are you doing? The show is about to start, darling. Samba roll | :00:34. | :00:38. | |
the titles! Live from London, this is Strictly | :00:39. | :01:23. | |
it takes to. Please welcome your host, Zoe Ball! -- It Takes Two. | :01:24. | :01:39. | |
Your next live Strictly show is just 24 hours 58 minutes and 17 seconds | :01:40. | :01:49. | |
away. And it can't come soon enough | :01:50. | :01:52. | |
because with just six couples left we're at the | :01:53. | :01:54. | |
business end of the competition and our | :01:55. | :01:56. | |
celebrities need to hit But before we look at this | :01:57. | :01:58. | |
week's projections, we're taking you back | :01:59. | :02:01. | |
to a time when shoulder | :02:02. | :02:02. | |
pads and filofaxes Singing the classic | :02:03. | :02:04. | |
Poison Arrow, it's the # Can | :02:05. | :02:07. | |
you keep a secret?" # Would you know just what to do | :02:08. | :02:48. | |
Or where to keep it? # Then I say "I love you" | :02:49. | :02:52. | |
And foul the situation # Hey girl I thought | :02:53. | :02:56. | |
we were the right combination # Bow to the target | :02:57. | :02:59. | |
Blame cupid, cupid # You think you're | :03:00. | :03:06. | |
smart # Shoot that poison arrow | :03:07. | :03:08. | |
arrow through my heart # Right on the target | :03:09. | :03:26. | |
But wide of the mark # What I thought was | :03:27. | :03:40. | |
the fire # The sweetest melody | :03:41. | :03:42. | |
Is an unheard refrain # Raise your aim | :03:43. | :03:50. | |
yeah, but raise your aim # Bow to the target | :03:51. | :04:00. | |
Blame cupid, cupid # You think you're | :04:01. | :04:04. | |
smart # Shoot that poison | :04:05. | :04:06. | |
arrow through my heart # Shoot that poison | :04:07. | :04:13. | |
arrow through my heart I thought you loved me but it seems | :04:14. | :04:48. | |
you didn't care. I care enough to know I could never love you! | :04:49. | :04:53. | |
# Bow to the target Blame cupid, cupid | :04:54. | :04:57. | |
# You think you're smart | :04:58. | :04:58. | |
# Shoot that poison arrow through my heart | :04:59. | :05:08. | |
# Shoot that poison arrow through my heart | :05:09. | :05:14. | |
APPLAUSE I love it, I love it! Thank you, | :05:15. | :05:49. | |
ABC, performing again at the end of the show. | :05:50. | :05:52. | |
But now he makes snooping around Elstree look as easy | :05:53. | :05:55. | |
as one, two three, it's Gethin - here he was earlier today. | :05:56. | :05:58. | |
I'm behind the scenes at the Strictly ballroom, the pro dancers | :05:59. | :06:01. | |
are about to rehearse their number for tomorrow night, look at them | :06:02. | :06:06. | |
stretching. How are you doing? Are you fresh? Fresh and so clean. Ready | :06:07. | :06:11. | |
to go. Can you tell us about the group jabs? We warm up at the | :06:12. | :06:16. | |
beginning of the routine. It sports day. In the 1920s vintage style, we | :06:17. | :06:21. | |
have Jackie Sacks, wheelbarrow, piggyback. Don't give too much away. | :06:22. | :06:30. | |
It's fine. Who is on the trampoline? Anton. He's a gold medallist in | :06:31. | :06:37. | |
trampoline. I realised where your leg was. That's amazing! Good luck | :06:38. | :06:41. | |
with the Group Dance, catch you later. It's the | :06:42. | :06:45. | |
there are six couples left in the competition. I'll be speaking to | :06:46. | :06:51. | |
them later on. And I'll be taking you to the Strictly Come Dancing | :06:52. | :06:52. | |
headquarters. APPLAUSE It's time now to introduce | :06:53. | :06:56. | |
our Friday panel. Please welcome Strictly | :06:57. | :06:58. | |
super fans Katy APPLAUSE | :06:59. | :07:09. | |
Welcome, my darlings, it's lovely to see you. Katy are you happy with the | :07:10. | :07:17. | |
final six? I'm pretty pleased with the final six. One thing I would say | :07:18. | :07:24. | |
is I Miss Daisy. She was so good. I loved watching Daisy, I had a | :07:25. | :07:29. | |
megawatt smile. It was infectious. Dan, love anew in the mornings. -- | :07:30. | :07:33. | |
Agro loving you in the mornings. Do you all support the same people | :07:34. | :07:42. | |
in Strictly in your family? It's changed, at the start we were all | :07:43. | :07:46. | |
for Tameka. Then we switched to Greg and they are both gone now. Last | :07:47. | :07:56. | |
weekend 's... We were firmly in the Louise camp. Does it mean she's | :07:57. | :08:03. | |
going this week? It was the dress, that It Takes Two dress. Eranga, I | :08:04. | :08:09. | |
know you are a super fan but you've had time to watch and write a book. | :08:10. | :08:15. | |
Thank goodness. I have, thank you for mentioning, that's very kind, | :08:16. | :08:18. | |
this is meant to be about Strictly. I didn't know you had a book out. | :08:19. | :08:25. | |
We've all got a book out! It's in all good retailers. It isn't about | :08:26. | :08:29. | |
me, it's about Strictly. Are you enjoying this series? Levelling the | :08:30. | :08:35. | |
series, again, a series... Tameka. Then about whale. Falling in love | :08:36. | :08:42. | |
with Judge Rinder, I want him to be my friend. Falling in love with Ore | :08:43. | :08:48. | |
dance wise. I can't begin to express my love for Ed Balls. He's here | :08:49. | :08:50. | |
tonight. It's as political as I get. Danny | :08:51. | :09:04. | |
and Oti top of the leader board with their charleston last weekend. Can | :09:05. | :09:09. | |
the samba live up to the show stopper from last week? Dancing to a | :09:10. | :09:17. | |
Brazilian classic. I can't pronounce it. Miranda, what are you thinking? | :09:18. | :09:24. | |
As a professional dancer, it looks a little bit manic to me. A bit sort | :09:25. | :09:30. | |
of, what's going on there? The speed of it. I love him, he's amazing, but | :09:31. | :09:37. | |
I'm convinced and I rewind the dancers a lot, I think they were a | :09:38. | :09:40. | |
little bit out of time on their charleston. What?! I would have gone | :09:41. | :09:50. | |
nine. Have you met Oti? She'll be here in a minute. I'm going to have | :09:51. | :09:54. | |
a beady eye this week. Nothing gets under your nose. Katy, who is his | :09:55. | :10:04. | |
biggest threat this weekend? I love watching Danny, he's a very good | :10:05. | :10:07. | |
dancer. His issue in a way is that he's too good. Some people enjoy | :10:08. | :10:13. | |
seeing big improvements week to week. Just to enjoy watching him, | :10:14. | :10:16. | |
it's like watching old Hollywood musicals. The choreography is always | :10:17. | :10:21. | |
amazing, I'm obsessed with Oti's choreography. His biggest threat | :10:22. | :10:25. | |
dance wise is Ore. From a public entertainment point of view, maybe | :10:26. | :10:33. | |
Ed. You're a proper pundit, you are. This, can I talk? City tell test. If | :10:34. | :10:38. | |
you put a tea towel over the top third of the screen. -- for tea | :10:39. | :10:42. | |
towel test. You can't tell he's not professional dancer. We'll be doing | :10:43. | :10:49. | |
that later on. It'll ruin it for everyone else watching. I would | :10:50. | :10:54. | |
prefer a sequin shawl. A tea towel... It's quite drab. A Ghribi | :10:55. | :11:01. | |
one. Is it white and gold or blue and black. | :11:02. | :11:04. | |
Next up is Louise and Kevin, who impressed with their | :11:05. | :11:07. | |
Paso in Blackpool ? tomorrow they're Waltzing. | :11:08. | :11:10. | |
In this dance she has to fall in love with Kevin permits making her | :11:11. | :11:16. | |
giggle. Can you see she's fallen in love with him in this dance? I | :11:17. | :11:20. | |
watched earlier in the week he said she was looking down too much. Every | :11:21. | :11:24. | |
single week she sells the dance, really gets into it. With Louise, | :11:25. | :11:29. | |
not only is she great, looks great, brilliant dancer, she has the | :11:30. | :11:34. | |
Clifton factor. The Clifton factor. Through all that together, they are | :11:35. | :11:38. | |
formidable. You can use that, the Clifton factor. It's a book or a | :11:39. | :11:43. | |
tour. And we have a spin off of a spin off? I don't think she knows | :11:44. | :11:47. | |
how good she is, that's my thing with Louise. Is that good or bad? | :11:48. | :11:53. | |
Very sweet and very quotable. If she knew how good she was, she would | :11:54. | :12:06. | |
fly. -- very good and very Dubai. -- very votable. Ed and Katya, a tango | :12:07. | :12:14. | |
to the Rolling Stones. We can hear it. There it is. Look at him go. | :12:15. | :12:22. | |
Come on, Ed. I'm quite interested in his attire, he seems to be wearing a | :12:23. | :12:27. | |
sleeveless ladies cardigan. It's a floaty... Can you ask him about that | :12:28. | :12:34. | |
later? Ed, is that yours? I'm concerned. Will we be satisfied | :12:35. | :12:38. | |
after this performance? I think we will. You are both in the Balls | :12:39. | :12:48. | |
camp. If you look at TV moments it this year, forget planet Earth, | :12:49. | :12:52. | |
Attenborough, forget you. When they did Gangnam Style, that's one of the | :12:53. | :12:56. | |
TV highlights. If they can get anywhere near that they'll stay | :12:57. | :13:00. | |
another week. I just, yeah... Don't cry. It's indescribable, it's made | :13:01. | :13:08. | |
my year. I've howled, I've laughed, I've applauded. There's not much | :13:09. | :13:11. | |
television that can do that. Not just him, but the choreography is | :13:12. | :13:18. | |
genius. Qatar... That Gangnam Style move. -- Katya. You will be backed | :13:19. | :13:27. | |
later, Friday panel. Now, in honour of Bruno, who turns | :13:28. | :13:38. | |
61 this week, I'm going to read this next link standing up. | :13:39. | :13:41. | |
It's time to introduce the first couple this | :13:42. | :13:43. | |
Quite simply, they towered over the Ballroom | :13:44. | :13:46. | |
like a magnificent Flock of Seagulls, | :13:47. | :13:49. | |
creating waves of thunderous applause. | :13:50. | :13:51. | |
That really was a tip topping show stopper. It's difficult to | :13:52. | :14:11. | |
distinguish who is not the professional dancer now. One word, | :14:12. | :14:16. | |
three syllables, darling, fab-u-lous. | :14:17. | :14:33. | |
APPLAUSE . Hello! The wolf whistles, | :14:34. | :14:43. | |
therefore Danny or Oti? Who knows. Hole. Mac man, the first 40 of the | :14:44. | :14:54. | |
series! Such celebrations. Did you have a little cry later on? I would | :14:55. | :14:59. | |
have done. You know, it really touched me because my Nan was in the | :15:00. | :15:02. | |
audience and to have her there meant the world to me. It was a really | :15:03. | :15:07. | |
special night for one or two other reasons. Wonderful. Oti, did you | :15:08. | :15:11. | |
know you were onto a winner in the training room with this? Thinking, | :15:12. | :15:15. | |
hang on a minute, he's good at this. I had no idea, we had like a moment | :15:16. | :15:20. | |
in rehearsal where we were like, oh my this could be so amazing. But you | :15:21. | :15:25. | |
never really know because you don't go in thinking, I want 40 points, | :15:26. | :15:30. | |
you want to go out there, entertain people and have fun. Somebody who's | :15:31. | :15:34. | |
never done the charleston before. I think we did it. I loved the red | :15:35. | :15:39. | |
jacket. I wonder if anyone asked for a G and T and dry roasted peanuts. | :15:40. | :15:44. | |
If they did I wouldn't have had time to get it. Back in a minute! | :15:45. | :15:50. | |
Darcey said it was difficult to distinguish who was the professional | :15:51. | :15:59. | |
dancer, that had to put a spring in your stuck? Especially sitting next | :16:00. | :16:03. | |
to this professional dancer. What did you think, Oti? It means I did | :16:04. | :16:11. | |
my job right. Such a complicated, intricate routine. What was the | :16:12. | :16:14. | |
trickiest thing for you to master out of all of work? I don't know? | :16:15. | :16:23. | |
What was the trickiest bit? We changed the lifts. It was the lifts. | :16:24. | :16:30. | |
We used to stick to a certain lift all the way to the end and it was | :16:31. | :16:35. | |
the final lift. We tried to stick with it, then the last thing you | :16:36. | :16:39. | |
want a bus to get through the whole routine and their mess it up with | :16:40. | :16:44. | |
the lift that the end. Oti will push me so far to the point where I am | :16:45. | :16:48. | |
not getting something and then, if it is still not working on the last | :16:49. | :16:56. | |
time, then she would change it. I always tell him there is a plan a | :16:57. | :17:02. | |
comet it we have a plan B, it takes away from plan a. We have plan A, we | :17:03. | :17:10. | |
do that and if it doesn't work at the last moment, we will change it. | :17:11. | :17:17. | |
Reluctantly. Do you feel pressure now to maintain that or you can | :17:18. | :17:23. | |
relax now, you have a ten from Craig and we can all go home? I wish. | :17:24. | :17:29. | |
Every dance is an individual challenge, so when you can line it | :17:30. | :17:33. | |
up at the end of your experience here, you can go, that is what I got | :17:34. | :17:39. | |
for each of them. You cannot compete this week's dance with last week. We | :17:40. | :17:44. | |
will do our best. I know you will. It is a samba. That is the music and | :17:45. | :17:55. | |
Oti, that is your favourite dance. You are so good at it. Have you got | :17:56. | :18:03. | |
your own vision on this? I do. Because it has never been done | :18:04. | :18:07. | |
before, I love the tribal bill. Every samba is like Brazil, on the | :18:08. | :18:16. | |
beach with feathers. So, our theme is like celebrating tribal dance in | :18:17. | :18:26. | |
the forests of the Amazon. Sounds incredibly exotic. I saw your | :18:27. | :18:32. | |
costume yesterday, we couldn't believe how small it was, we | :18:33. | :18:37. | |
couldn't get it on the mannequin. It is her favourite comment she made a | :18:38. | :18:39. | |
particularly tough for you this week? It is always tough, but in the | :18:40. | :18:49. | |
best way. The samba has been so detailed and intricate. The meetings | :18:50. | :18:55. | |
I can relate it to is the rumba and the chat chat, which have been | :18:56. | :18:59. | |
evenly spread. There has been a break in between all of them. So | :19:00. | :19:04. | |
when you come back to this one which is so technical, it is hard to pick | :19:05. | :19:09. | |
it up. It feels like it has a tiny bit of everything we have done in | :19:10. | :19:15. | |
it. I was so nervous. I looked at him and went, good luck. I am so | :19:16. | :19:21. | |
sorry, but good luck. How is he doing? Is he getting there? Yes. Has | :19:22. | :19:34. | |
it helped with the Cha Cha Cha. You have not done it since we won oh | :19:35. | :19:40. | |
dear, Oti's has her head in her hands. We have two swap and change | :19:41. | :19:49. | |
with the other partners. He was trying to lead me. I love it when | :19:50. | :20:00. | |
you get mad. Then, after he stopped me he says, what do we do now? This | :20:01. | :20:08. | |
is going to go well. None of you couples are going to hear the music | :20:09. | :20:11. | |
until you are on the floor, so you have no idea of the speed of it. It | :20:12. | :20:23. | |
is terrifying? It is really strange. I can't get it in my head what we | :20:24. | :20:27. | |
have got to do, I don't understand what it is. Communicate. Help me! It | :20:28. | :20:37. | |
is amazing how you can just smile and communicate whilst shouting at | :20:38. | :20:42. | |
here. Good luck with both dances this weekend, you are incredible, | :20:43. | :20:46. | |
Danny and Oti. APPLAUSE | :20:47. | :20:51. | |
Where earlier today Gethin only went and | :20:52. | :20:53. | |
nabbed an exclusive chat with Strictly's | :20:54. | :20:55. | |
I have been given a special pass into the gallery to have a chat with | :20:56. | :21:08. | |
the amazing director of Strictly Come Dancing, Nicky Parsons. Thank | :21:09. | :21:11. | |
you for having us in here I know it is a special place, what do you do | :21:12. | :21:17. | |
exactly? We are in the control room, so during the live show, I am based | :21:18. | :21:22. | |
in here. So everybody feeds back into this room, I am kind of in | :21:23. | :21:28. | |
charge, which makes me a bit scared. There are usually more people in | :21:29. | :21:32. | |
here, but they are having a well-deserved break. Does it get | :21:33. | :21:37. | |
easier throughout the series because otherwise you have 15 dances to | :21:38. | :21:41. | |
direct? In the first few weeks so many dances to get through and the | :21:42. | :21:46. | |
days are really long and the prep takes for ever. But as we lose a | :21:47. | :21:51. | |
couple every week on a easier, but then we end up going to Blackpool, | :21:52. | :21:56. | |
children in need special, Christmas Special. So it never really get | :21:57. | :22:02. | |
easier. You are doing the Christmas Special, make sure I look nice. You | :22:03. | :22:07. | |
also have a Group Dance, is that a challenge, so many things to see? | :22:08. | :22:15. | |
The most challenging thing on the programme is the Greek dances. What | :22:16. | :22:18. | |
you don't see is the most challenging part, so it is the | :22:19. | :22:22. | |
choreography of the cameras and the choreography of the prop smoothing | :22:23. | :22:26. | |
on and off the floor. People darting about out of shot. It would be | :22:27. | :22:31. | |
brilliant to see a wide shot and all these people running in and out and | :22:32. | :22:35. | |
it is my job to make sure you don't see that on television. A lot of it | :22:36. | :22:40. | |
is shown to dance to its best, but hiding everything else at the same | :22:41. | :22:45. | |
time. You have been doing this show 11 years, why do you love it so | :22:46. | :22:48. | |
much? It is proper family entertainment. I love people going | :22:49. | :22:55. | |
to me, what is going on on Strictly. The team have been here for such a | :22:56. | :23:00. | |
long time, we are like a big family. It certainly is like a family. There | :23:01. | :23:05. | |
are so many buttons to press on here, what happens if I press number | :23:06. | :23:14. | |
nine. Put it on a low light, it will be ready when I get home. Sorry, my | :23:15. | :23:23. | |
teenage son. If you thought Gangnam Style couldn't be top, you were | :23:24. | :23:26. | |
wrong. How about being lowered | :23:27. | :23:28. | |
into the Tower All in a night's work for this pair | :23:29. | :23:30. | |
of firecrackers, it's You came down there and you made it | :23:31. | :23:46. | |
rocked. It looked like a jive. You are committed. | :23:47. | :24:13. | |
Ed Balls approaches and we bow before him. That was an amazing | :24:14. | :24:16. | |
move. It was a Cha Cha. Great Balls of Fire - | :24:17. | :24:23. | |
surely Jerry Lee Lewis sang that song | :24:24. | :24:26. | |
with you in mind? It was an incredible performance, | :24:27. | :24:36. | |
everything we hoped it could be. The whole team of dances as well as | :24:37. | :24:42. | |
Katia, the dance really came to life. Up there on the piano on the | :24:43. | :24:51. | |
ceiling, it was a special thing. And it caught fire. You are so hot. | :24:52. | :25:04. | |
Smoking. I loved the quiff, by the way. We loved your frock. The piano | :25:05. | :25:09. | |
is on fire, the dance is on fire. Sadly you didn't quite set | :25:10. | :25:11. | |
the leaderboard alight. Why are the judges not rewarding | :25:12. | :25:14. | |
Ed with higher marks? Every week we are at the bottom of | :25:15. | :25:24. | |
the Leader Board. There was one week we were not just to be clear. We | :25:25. | :25:29. | |
don't mind, as long as people love it. We loved doing that routine. | :25:30. | :25:42. | |
We would like to get a seven from Craig and we would like to get to | :25:43. | :25:50. | |
30. There is more to do in terms of the scores. You do work very hard. | :25:51. | :25:58. | |
Craig did describe you as a city is. It means showing great care and | :25:59. | :26:04. | |
perseverance. I guess that is positive. Yes Kyle Abbott he gave us | :26:05. | :26:22. | |
four. How was it for you, Katya, winning championships? Lots of | :26:23. | :26:28. | |
memories at Blackpool, but firstly we never came down on the piano. It | :26:29. | :26:36. | |
was very different, totally different and it made my first year | :26:37. | :26:40. | |
special to be able to get there. Wonderful. Thank you for that. You | :26:41. | :26:49. | |
have been given a bit of a hard time this week, some people saying you | :26:50. | :26:55. | |
should have gone. You have dealt with it so graciously, hats off to. | :26:56. | :27:00. | |
How are you feeling about back? We are looking forward to the next | :27:01. | :27:03. | |
dance and trying to do our best every week. I was not the best | :27:04. | :27:07. | |
dancer in the beginning, I have never done it before. I wasn't the | :27:08. | :27:13. | |
youngest, but we are trying very hard, trying to get better every | :27:14. | :27:18. | |
week, trying to entertain. Katya's choreography is great. But every | :27:19. | :27:22. | |
week, the public want me to come back. | :27:23. | :27:27. | |
CHEERING AND APPLAUSE You are bringing us so much joy. | :27:28. | :27:36. | |
This week is a T, I Can't Get No Satisfaction. How much satisfaction | :27:37. | :27:44. | |
are we going to get? It is looking really good. It is a bit wild. To be | :27:45. | :27:56. | |
clear, the thing I was wearing was Katya's cardigan. We did wonder | :27:57. | :28:03. | |
about back. She had this big, fluffy coat. It is a jacket that will be | :28:04. | :28:10. | |
throw off so it is quite a mix we are doing tomorrow. The Rolling | :28:11. | :28:20. | |
Stones, I Can't Get No Satisfaction. I am also being a male model. It | :28:21. | :28:32. | |
includes a catwalk challenge. It doesn't get any better. Something | :28:33. | :28:38. | |
else rather brilliance, because we are spying on you at all times. We | :28:39. | :28:44. | |
have noticed Katya is a bit bossy in training, just a little bit. One, | :28:45. | :28:57. | |
two, down. Over, over. Six, seven. Six, open on six. You are cementing | :28:58. | :29:05. | |
your reputation as the most bossy person on Strictly Come Dancing | :29:06. | :29:12. | |
2016. Increase the arms. Look past my ear. Sometimes you are telling me | :29:13. | :29:20. | |
things, doesn't necessarily mean I have heard them. The most bossy | :29:21. | :29:22. | |
ever. Somebody said it's about getting | :29:23. | :29:37. | |
results. It's working. Good luck with your dancers tomorrow night. We | :29:38. | :29:39. | |
adore you, Ed and Katya! Right, time now to | :29:40. | :29:46. | |
see how Ore Joanne and Louise Kevin | :29:47. | :29:48. | |
have been getting on The Walt 's for me is a really tough | :29:49. | :29:58. | |
dance for some reason, I think it's because you have to just stay in | :29:59. | :30:03. | |
position. I think I like to go rogue and do my own thing sometimes. -- | :30:04. | :30:11. | |
the Waltz. It's not flashy, there are technical aspects we have to get | :30:12. | :30:14. | |
right that will be very exposed. Trying to push things to as quickly | :30:15. | :30:19. | |
as possible with Louise. I'm not running it till it feels | :30:20. | :30:22. | |
comfortable, that I can feel I'm in the right position and feel I'm in | :30:23. | :30:25. | |
the wrong position, because right now it's blurring into one. | :30:26. | :30:30. | |
We are all about the paso and there's something about this dance | :30:31. | :30:37. | |
that makes you get on the edge of your seat. This is going to be a | :30:38. | :30:44. | |
little bit of a challenge, so we really, really need to work hard. | :30:45. | :30:51. | |
There is pressure, I think, to make sure this paso stands out. How, | :30:52. | :30:57. | |
we'll leave that up to Jo, I'm just here for the ride but I cannot wait. | :30:58. | :30:59. | |
Amazing! Look at you! Now, like the long-awaited | :31:00. | :31:05. | |
thawing of a great woolly mammoth | :31:06. | :31:08. | |
in a Siberian ice tomb, my next guest | :31:09. | :31:10. | |
finally got out his ten It was complete and absolute | :31:11. | :31:12. | |
disaster, darling! Whatever! They are really nasty, | :31:13. | :31:55. | |
then normally quite nice. As camp entrances go that was pretty | :31:56. | :32:00. | |
spectacular. You've thought, ice maiden, he gave his first ten. Well | :32:01. | :32:08. | |
done. I know, then I looked back at the Tate, darling, and saw something | :32:09. | :32:11. | |
wrong. I didn't see it on the night. You know what even that was one | :32:12. | :32:17. | |
small little hand action thing. It was so incredible. It had to be ten, | :32:18. | :32:24. | |
there was no doubt. If I had 9.9 It Takes Two it probably would have | :32:25. | :32:28. | |
been that. As I had to ten, it was so close, I had to do it, absolutely | :32:29. | :32:32. | |
brilliant. Do you know which point in the dance it ten? When I stop | :32:33. | :32:36. | |
writing, when I'm just involved in the dance completely and thinking, | :32:37. | :32:43. | |
oh my goodness, that is amazing. I mean, the syncopation, the timing of | :32:44. | :32:48. | |
everything was just exceptional. And totally on a professional level, I | :32:49. | :32:52. | |
mean, really stunning. I feel quite emotional. I'm really scared for him | :32:53. | :32:59. | |
tomorrow now. He has to follow that. I wouldn't like to. We have a fact | :33:00. | :33:04. | |
involving Craig. It's only the second time is given a ten before | :33:05. | :33:09. | |
week nine. Last time was in a series seven. | :33:10. | :33:21. | |
It was stunning, so elegant as a couple. Gorgeous. They ended up in a | :33:22. | :33:32. | |
relationship, didn't they? I don't think they are in it any more. Sadly | :33:33. | :33:37. | |
that failed. Lot have worked out, though. They have! Moving on... | :33:38. | :33:48. | |
Don't mention the war, darling. The other feel good news is you haven't | :33:49. | :33:55. | |
shown your number one paddle. I know! Is there any chance you might | :33:56. | :34:04. | |
be over marking? I did think that when the balls were coming out for | :34:05. | :34:08. | |
Ed Balls. I gave him six, its getting up there. He would really | :34:09. | :34:15. | |
love seven. I'm sure he would. It could happen. Miracles. We've seen | :34:16. | :34:20. | |
lots of things. We've had We've had the Quicksteppathon, | :34:21. | :34:23. | |
the Swingathon and the now all we have the | :34:24. | :34:37. | |
cha-cha-challenge. The judges have to confer. Do you get testy with | :34:38. | :34:40. | |
each other because it goes quickly? It does, it's quite alarming how | :34:41. | :34:45. | |
quickly we have to do it. We are fighting over one couple, only | :34:46. | :34:48. | |
because we put the couples there, then scoot them out. We have little | :34:49. | :34:52. | |
cards, throwing them in because you can't hear a thing. Everyone is | :34:53. | :34:58. | |
cheering. Complete chaos, and you're trying to watch the floor. And | :34:59. | :35:04. | |
someone is over there. Len and I rarely see eye to eye but through | :35:05. | :35:08. | |
that we really mucked in together and listen to Len and go for it. The | :35:09. | :35:13. | |
majority rules. I quite like seeing the squabble. It is a democracy. | :35:14. | :35:20. | |
It's done well for us this year. Last time you were here some of you | :35:21. | :35:23. | |
well-known friends said questions in a special edition of Ask Craig. Now | :35:24. | :35:30. | |
it's the turn of our lovely viewers. So many questions, let's scoot | :35:31. | :35:31. | |
through. Darcie, age 10, wants to know: | :35:32. | :35:33. | |
what are your three top tips Well, talent, darling. Number one. | :35:34. | :35:47. | |
Getting the dance right, number two. And enjoying it, having fun and | :35:48. | :35:52. | |
making the dance live, which is to the acting, that's essential and | :35:53. | :35:53. | |
key. Liz Fox would like to know: | :35:54. | :35:54. | |
does it annoy you that the other judges never score below | :35:55. | :35:57. | |
a very occasional four? Yes. We have paddles, ranging 1-10. | :35:58. | :36:11. | |
And I like using the ones below four. I know you do. There are much | :36:12. | :36:16. | |
more interesting. Their reaction is always priced that. Sturridge | :36:17. | :36:19. | |
priceless. Now, Emma AKA Little Miss Devon | :36:20. | :36:22. | |
wants to know: if you could have partnered any celebrity | :36:23. | :36:25. | |
from any series, That is a good question, I think I | :36:26. | :36:31. | |
would like to do either the jive with Jill Halfpenny... So good. | :36:32. | :36:37. | |
Anything really with Gethin Jones. I know you're listening, Gethin! | :36:38. | :36:41. | |
Darling. My gym buddy from years ago. There's a lot actually. Maybe | :36:42. | :36:48. | |
an Argentine tango, I think that would be fun. It's a shame you're | :36:49. | :36:53. | |
going off because we could have got you and Gethin dancing. I know, we | :36:54. | :36:59. | |
could have done an Argentine tango. I'm playing Hook, darling. You're | :37:00. | :37:08. | |
playing Hook? Oh no you're not. Oh yes I am. It's taking up too much | :37:09. | :37:13. | |
air time. Thank you so much for coming on. You've been a sensation | :37:14. | :37:20. | |
this series. APPLAUSE Craig Revel Horwood! Thank you. You | :37:21. | :37:29. | |
can't boo him, he's a goodie really. Time to catch up with Craig's new | :37:30. | :37:35. | |
dance partner, Gethin in Elstree. Blackpool is so last week, we're at | :37:36. | :37:38. | |
Elstree with some of the stars of the show. Can I ask you, Judge, it's | :37:39. | :37:44. | |
week ten, bit of a landmark week. Let's go back, what were your | :37:45. | :37:46. | |
expectations coming into the show, did you think you would get this | :37:47. | :37:50. | |
far? I don't thing we thought of it like that, you kind of prepare each | :37:51. | :37:56. | |
week. You don't think. There is not time or energy. I can't say what my | :37:57. | :38:00. | |
expectations were but I'm glad to be here. I loved Blackpool, I did. We | :38:01. | :38:05. | |
couldn't tell by your face at all. You couldn't, could you, it was | :38:06. | :38:11. | |
overwhelming. Next week is, dare I say, a journey in respect of each | :38:12. | :38:15. | |
dance. I don't think you have expectations beyond the dance at the | :38:16. | :38:18. | |
end. Think about the next week. You've talked a lot about hip | :38:19. | :38:22. | |
action, so important for the Rumble, how is it looking 24 hours before | :38:23. | :38:25. | |
the show? The hips are there, moving, I'm trying to give | :38:26. | :38:32. | |
directions to move where. We're working a lock on technique and the | :38:33. | :38:42. | |
rumba will be great. It's my chest, I've been walking around all week. | :38:43. | :38:47. | |
You were in the bottom two last week, have you come back fighting | :38:48. | :38:52. | |
this week? When we went back to the training room I said to AJ, I want | :38:53. | :38:56. | |
to just enjoy even more than what I was before, we've worked so hard on | :38:57. | :39:00. | |
the technique and AJ has been like, technique, technique all the time. | :39:01. | :39:06. | |
The footwork has been so critical. Sounds like you've been giving him a | :39:07. | :39:09. | |
hard time you posted a picture with you on the floor shattered. It's | :39:10. | :39:11. | |
your first Argentine tango. That's mad. First time I've done the | :39:12. | :39:17. | |
Argentine tango and the lifts are crazy so we've been doing it again | :39:18. | :39:20. | |
and again until I literally can't stand, as the photo showed. It is | :39:21. | :39:26. | |
difficult. You're an athlete, how is the fitness? Does it start feeling, | :39:27. | :39:31. | |
do you start feeling tired? I do feel really tired at this point, the | :39:32. | :39:34. | |
lifts are getting harder. Even though I've got a strong core, one | :39:35. | :39:38. | |
of the lifts I'm struggling to keep my legs up. It's really hard. I love | :39:39. | :39:43. | |
how you're walking funny, you're walking stranger. Best of luck with | :39:44. | :39:50. | |
the rumba and the Argentine tango. Some big fans of Claudia in from | :39:51. | :39:53. | |
Bristol to Mai. They've gone quiet now. If you tuned in yesterday you | :39:54. | :40:01. | |
would have seen the launch of the Strictly pro challenge 2016. If you | :40:02. | :40:04. | |
didn't come here is everything you need to know. | :40:05. | :40:09. | |
The Strictly Pro Challenge is back, and bigger than ever. This year our | :40:10. | :40:15. | |
pros are going to attempt to set a Guinness world record for the most | :40:16. | :40:19. | |
jive kicks and flicks in 30 seconds. Judging alongside me will be top | :40:20. | :40:26. | |
choreographer Richard Marcel and Guinness world record adjudicator | :40:27. | :40:32. | |
Emma Davies. The kick and click is a quintessential jive step that | :40:33. | :40:35. | |
requires a lot of energy and conviction. We'll be looking for | :40:36. | :40:41. | |
strong, pointed kicks with a fast retraction and the feet returning to | :40:42. | :40:45. | |
the floor after the flick. If they don't bring the foot back to the | :40:46. | :40:48. | |
resting position, the step will be disqualified. This is going to be a | :40:49. | :40:53. | |
challenge of energy and endurance. There can only be one champion. So | :40:54. | :40:58. | |
they need to make every step count. Welcome to the Strictly Pro | :40:59. | :41:01. | |
Challenge 2016! That's welcome the next contender | :41:02. | :41:08. | |
fresh from scoring the first 40 of the series with her partner Danny | :41:09. | :41:12. | |
Mac, Coogee Beach on a roll? It's Oti Mabuse! Service could she be on | :41:13. | :41:16. | |
a -- could she be on a roll? Ore, you | :41:17. | :41:28. | |
are a Newby. When you heard the term Pro Challenge what did you think you | :41:29. | :41:32. | |
are getting involved in? I was so excited, I always wanted to do | :41:33. | :41:35. | |
Strictly. This is one of the things that would come up from It Takes | :41:36. | :41:41. | |
Two, when I got to do it I was like, yes. I was excited. How did you feel | :41:42. | :41:47. | |
when you found out it was jive kicks and flicks. Not so happy because | :41:48. | :41:51. | |
that week we had the jive. Danny and Oti were doing ice bath is every | :41:52. | :41:57. | |
single day because our legs were so heavy. Service Danny and I were | :41:58. | :41:59. | |
doing. When you get in there you really | :42:00. | :42:03. | |
bring it. Let's see how you got on. I've never attempted in my life to | :42:04. | :42:17. | |
set any record, though so I'm really excited, because it's the first | :42:18. | :42:18. | |
time, let's see how it goes, I'm hoping for the | :42:19. | :42:28. | |
best. Hello, Oti, welcome to the Pro Challenge. You are one of the newest | :42:29. | :42:32. | |
pros, do you have tactics? And going to stick to the rules, Titan Michael | :42:33. | :42:36. | |
Hoare and go as fast as I can. Good luck and take your position on the | :42:37. | :42:43. | |
floor. -- Titan might call. I'm going to count you in for the | :42:44. | :42:45. | |
record. Three, two, one... Go. Stop. That's horrible! You did well. | :42:46. | :43:23. | |
It was only 30 seconds, what's wrong with you, I thought dancers worth | :43:24. | :43:27. | |
it. I thought I was fit, too, apparently not. You held your | :43:28. | :43:31. | |
technique and went really fast with that. Really focused on it. I think | :43:32. | :43:37. | |
you're going to get a good result. Thank you. Because you are going so | :43:38. | :43:41. | |
fast and have to control it, it's quite difficult. I underestimated | :43:42. | :43:45. | |
it. I even did it in my Latin shoes because I thought it would be so | :43:46. | :43:47. | |
easy, but it was great fun. I love it, only halfway, you're | :43:48. | :43:57. | |
like, we're only halfway? How do you think you did? I do not know, I'm so | :43:58. | :44:03. | |
nervous. I think because I looked back and I complained to the whole | :44:04. | :44:09. | |
thing. I couldn't stop moaning. It's OK. You focused on tightening your | :44:10. | :44:15. | |
call. How important is that? Very important especially for girls and | :44:16. | :44:18. | |
dancers, we have really long legs and arms so when you use your | :44:19. | :44:22. | |
stomach muscles you can control everything. -- tightening the core. | :44:23. | :44:30. | |
That is how we get the speed. I'm trying to hold in my tummy. I wish I | :44:31. | :44:35. | |
could do that. I like cake. After each professional had made the | :44:36. | :44:39. | |
attempt of footage was watched by adjudicator is in slow motion to | :44:40. | :44:41. | |
verify every single want to make sure they were accurate. Looking | :44:42. | :44:45. | |
back could you see mistakes? I would never admit it. LAUGHTER | :44:46. | :44:51. | |
I love her! Let's look at the leader board. Aljaz at the top. 52. It's | :44:52. | :44:58. | |
the score to beat. Let's put you out of your misery, time for the moment | :44:59. | :44:59. | |
of truth. Oti, you managed... I can reveal you had eight | :45:00. | :45:28. | |
disqualified. I am so sorry, giving you a total of 49. I hated doing | :45:29. | :45:36. | |
that to you. Second on the Leader Board. Who is the biggest threat to | :45:37. | :45:51. | |
Ali Jazz? Katya is a fireball. We love you. Oti, good luck tomorrow. | :45:52. | :46:03. | |
So cruel, building her up and dragging her down. | :46:04. | :46:21. | |
I think my toughest moment was at the beginning waiting to start my | :46:22. | :46:27. | |
waltz and thinking, what are you doing? When we did our first dance, | :46:28. | :46:36. | |
the judges' comments were about my choreography and I felt I had let | :46:37. | :46:43. | |
Ore down. It felt 1 million miles away from any kind of dancing I had | :46:44. | :46:47. | |
ever done before. To see Judge Rinder being disappointed at | :46:48. | :46:53. | |
something, because I always want to be there for him. Being in the dance | :46:54. | :46:59. | |
off was heartbreaking and going against one of your best friends, | :47:00. | :47:04. | |
that was the worst thing. The Viennese waltz, I didn't think I | :47:05. | :47:08. | |
could do it until the Friday. It just clicked and then became a | :47:09. | :47:14. | |
really special dance. The toughest moments have always created the most | :47:15. | :47:28. | |
amazing one. My best moment so far was I was able to dance with | :47:29. | :47:39. | |
Claudia. It is like nothing I can describe. | :47:40. | :47:51. | |
It felt like we were dancing as a couple. | :47:52. | :48:02. | |
The Argentine tango, I think that is the week Luiz really came out of | :48:03. | :48:15. | |
herself. show. I had no idea that she would give me such an incredible | :48:16. | :48:17. | |
time. Time to talk about the rest of our | :48:18. | :48:33. | |
couples. Welcome back Katy Brand, Dan and Miranda. Talking about Ore | :48:34. | :48:40. | |
and Joanne. Not too far behind Danny and Oti last weekend. Have impressed | :48:41. | :48:47. | |
where you with their Viennese waltz? I did really enjoy it. In times gone | :48:48. | :48:51. | |
by when I did the Strictly Christmas Special I did the Viennese waltz, | :48:52. | :48:55. | |
it's harder than it looks. That long spin they did in the middle I | :48:56. | :48:58. | |
actually thought it was a live version of buffering. I thought | :48:59. | :49:04. | |
Strictly was loading. And you heard Rian Joanne buffering. With a little | :49:05. | :49:11. | |
kick. There you go, refresh. They are brilliant, amazing. You know Ore | :49:12. | :49:18. | |
very well, you work with him, he's a bit of a softy. Is he going to be | :49:19. | :49:23. | |
tough enough to be that Matador and owned the floor? Definitely, he's a | :49:24. | :49:26. | |
brilliant actor. He's been spectacular. Everyone felt he'd be | :49:27. | :49:32. | |
good but I don't think we thought he would be quite as good as he would | :49:33. | :49:35. | |
be. I find it hard to talk to him without getting emotional, though. | :49:36. | :49:45. | |
You're making me cry again! His Viennese waltz has had an effect on | :49:46. | :49:48. | |
all of us. He's a guaranteed finalist isn't he, he's got to | :49:49. | :49:53. | |
there. Hang on a bit, uncertainty in the crowd! Some polling this year... | :49:54. | :49:59. | |
You cannot rely on polling. Strictly is the only electoral reality I will | :50:00. | :50:05. | |
acknowledge, my entire reality now. What will happen? Cloudy and Ajay | :50:06. | :50:10. | |
Argentine tango for this week. Last week pom-poms and ponytails. This | :50:11. | :50:14. | |
week, cry me a River, Justin Timberlake. And the intricacy of the | :50:15. | :50:26. | |
gun show. I do love a cultural marks. I minced score miss Vincent | :50:27. | :50:37. | |
and flabby. We all do. I think it could be really good. They were | :50:38. | :50:40. | |
talking about the different height thing, that they could kick each | :50:41. | :50:46. | |
other. In unfortunate areas. I didn't go there. Took the words from | :50:47. | :50:53. | |
your mouth. They are like Sylvania and families dancing. That's very | :50:54. | :51:07. | |
Dubai. Judge Rinder and Oksana... -- that's very heightist. Can Judge | :51:08. | :51:15. | |
Rinder handle a sensual dance? Saying it like I would on your show. | :51:16. | :51:22. | |
He looks quite good here. I am a bit worried about him in the | :51:23. | :51:36. | |
Rumba. He is quite British, quite embarrassed. I don't know. I love | :51:37. | :51:42. | |
him. I am worried about him in the rumba and I thought he might be in a | :51:43. | :51:47. | |
risky place. I think he will be all right, because if you ask the | :51:48. | :51:54. | |
general public to name the six people who have left, he is | :51:55. | :51:56. | |
definitely high up on the list. Who is going home this weekend? Much | :51:57. | :52:22. | |
as I hate to say it, I worried that Claudia is in trouble. I think it | :52:23. | :52:25. | |
will be Claudia as well. It is head Danny, heart balls. The | :52:26. | :52:53. | |
Walker family are going to go team Redknapp. We need Ed Balls to win. | :52:54. | :53:08. | |
Now to our final Gethin update. Natalie, Giovanni and Ali jazz score | :53:09. | :53:17. | |
Janette. Let's start with you, your first week without competition on | :53:18. | :53:22. | |
Saturday. How has it been? It is a bit sad. We have been in rehearsals | :53:23. | :53:34. | |
all week for the Group Dance. Alijaz, how fast are your feet, you | :53:35. | :53:39. | |
could win it. It is the hardest thing I have ever done, the most | :53:40. | :53:51. | |
things I have done. What did you do, two? Six couples left, who do we | :53:52. | :54:00. | |
support? All of them. All of them. Everyone has a chance, it comes down | :54:01. | :54:04. | |
to the music and the choreography. Sitting on the fence as always. | :54:05. | :54:10. | |
Everyone is looking for the coveted ten. I will give you ten seconds to | :54:11. | :54:15. | |
answer as many questions as you can. Alijaz you have the stopwatch. Are | :54:16. | :54:26. | |
you ready? Kickball change auto elite? Kickball change. Dancing | :54:27. | :54:35. | |
first or last? Dancing first. You are wasting time. Over to Natalie. | :54:36. | :54:47. | |
Alijaz or Giovanni? Sitting on the fence. Ballroom or Latin? Ballroom. | :54:48. | :55:00. | |
Gethin or Zoe? Zoe. Zoe is always the favourite. That is a rhetorical | :55:01. | :55:08. | |
question. Zoe, they love you so much, it is back to you. Thanks to | :55:09. | :55:16. | |
all my gorgeous guests, join us on Strictly tomorrow night on BBC One. | :55:17. | :55:20. | |
We will be back tomorrow with the next couple to leave the | :55:21. | :55:21. | |
competition. Singing is out is ABC. # You think the world | :55:22. | :55:55. | |
will melt if you whistle # There's a certain | :55:56. | :55:57. | |
spring in your stride # You face the future | :55:58. | :56:02. | |
like a heat-seeking missile # Viva love | :56:03. | :56:05. | |
a smile a mile wide # Viva, viva | :56:06. | :56:18. | |
viva love, viva love # When lightning strikes | :56:19. | :56:26. | |
you don't look for shelter # You're floating | :56:27. | :56:50. | |
free, gravity defied # It's hell for leather | :56:51. | :56:54. | |
on a helter skelter # Just steel your nerves | :56:55. | :56:56. | |
for a bright white knuckle ride # Viva love | :56:57. | :57:09. | |
viva love, viva love # In the battle of the | :57:10. | :57:40. | |
sexes # I'm charging your tanks | :57:41. | :57:55. | |
With slingshots and knives # My troops they retreat | :57:56. | :58:01. | |
And run for their lives # I'm facing defeat | :58:02. | :58:04. | |
But somehow love survives | :58:05. | :58:14. |