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Live from London, this is Strictly, It Takes Two. Welcome your host, Zoe | :00:55. | :01:00. | |
Ball. And there'll be more | :01:01. | :01:01. | |
from the amazing Strictly But I wonder if things | :01:02. | :01:15. | |
are as harmonious in It's the pitch perfect | :01:16. | :01:18. | |
Danny and Oti! It's our next pro challenge | :01:19. | :01:22. | |
contender - Gorka the Corka - Speaking of which - | :01:23. | :01:28. | |
stop fooling around, CHEERING | :01:29. | :01:36. | |
The crowd roars his students! So it's a double whammy warm up | :01:37. | :02:04. | |
tonight, as we know our couples So get your wand out, Mr, | :02:05. | :02:07. | |
and let's get to it! Look at this, it is not just a ball | :02:08. | :02:19. | |
ball in my trousers. Look! A little. All Christmassy, be careful where | :02:20. | :02:20. | |
you put it! First up, Claudia and AJ who finally | :02:21. | :02:23. | |
joined the ten club last week. They're dancing the quickstep - | :02:24. | :02:26. | |
looking worthy of top marks to you? It is very intricate step patterns, | :02:27. | :02:40. | |
as you can see. But with those difficult choreography Yes, it is | :02:41. | :02:42. | |
more difficult to keep everything else in check. There are lots of | :02:43. | :02:51. | |
gaps going on. Mind the Gap. Amber leg month, AJ has quite a longer | :02:52. | :02:57. | |
legs than Claudia, sometimes the gap will occur. She needs to make | :02:58. | :03:01. | |
contact higher up, further up the top of the rib cage, then she will | :03:02. | :03:08. | |
have more legroom to go back. Look at the length. Not that many people | :03:09. | :03:10. | |
have that length of limb! Danny and Oti are dancing | :03:11. | :03:13. | |
the American smooth, last weekend both Craig and Len said | :03:14. | :03:18. | |
Danny needed to work on his heel leads, is his footwork | :03:19. | :03:21. | |
looking up to scratch here? With the tango, it is very important | :03:22. | :03:33. | |
that those he leads are seen. It is an American Smooth Viennese waltz, | :03:34. | :03:37. | |
this is unusual. With those Viennese waltz is, the ones always had to be | :03:38. | :03:45. | |
a heel lead. The footwork is very good. I would like to see on the | :03:46. | :03:50. | |
pivot, a little bit more rotation in the body, he leads his left side | :03:51. | :03:54. | |
little bit too open when he pivots around. Watch him go. He needs to | :03:55. | :04:01. | |
get the left side around. Look at that at the top of the hat! -- drop | :04:02. | :04:05. | |
of a hat. Next up, Louise and Kevin | :04:06. | :04:06. | |
who are doing the samba. We know she can do grace and poise - | :04:07. | :04:08. | |
but how are her hips looking? I think this could be a big | :04:09. | :04:15. | |
challenge for heard this week. I think she will struggle more with | :04:16. | :04:19. | |
this dance. We have not seen it from her before, she normally breezes | :04:20. | :04:24. | |
through, but this is more technical, the samba, the females seem to | :04:25. | :04:28. | |
struggle with it. I think she will need to work on the details. If she | :04:29. | :04:32. | |
can get a little bit more into the knee on the promenade runs, she | :04:33. | :04:37. | |
would be able to stretch the back leg. The thing with her Richey | :04:38. | :04:42. | |
always has impeccable arms, look at the finishing of. -- the thing with | :04:43. | :04:47. | |
her is she always has. She is so graceful. | :04:48. | :04:48. | |
Ore and Joanne will be dancing the quickstep - | :04:49. | :04:50. | |
do you think this will keep them out of the dance off this week? | :04:51. | :04:54. | |
They are dancing to Argue Gooner Be My Girl by Jet. | :04:55. | :05:12. | |
-- Are You Gonna Be My Girl. The arms are dropped, it is more like a | :05:13. | :05:18. | |
practice run through than doing it properly. That is difficult. I will | :05:19. | :05:24. | |
say that he is upon the balls of his feet, it is very light and frothy. | :05:25. | :05:29. | |
That is what you want, it needs to be kept in light and smooth, just | :05:30. | :05:34. | |
like articles across the dance floor. Dancing across hot goals! -- | :05:35. | :05:40. | |
like hot cold across the dance floor. | :05:41. | :05:40. | |
Let's look at everyone's second dances. | :05:41. | :05:42. | |
Claudia and AJ's rumba, we know they can do high energy - | :05:43. | :05:45. | |
how do you think they'll do with this? | :05:46. | :05:47. | |
She is doing some really nice straight legs, which is a must in | :05:48. | :05:56. | |
the tango... Weight, in the rumba. It has been a long few weeks! She | :05:57. | :06:03. | |
needs to settle into those heads a little bit more. You can look stiff | :06:04. | :06:07. | |
if you are just straightening the like. Settle into the hip, squeeze | :06:08. | :06:21. | |
the sides. Back, settle, squeeze. Do I look like I have had some kind of | :06:22. | :06:28. | |
Ministry Of Funny Walks? It is very tricky. | :06:29. | :06:29. | |
Danny and Oti are doing a salsa - how's it looking? | :06:30. | :06:34. | |
This could be exciting! For Danny, this does not look as comfortable as | :06:35. | :06:44. | |
we have seen before. When we saw him do the samba, the tribal samba, | :06:45. | :06:49. | |
wasn't it amazing? How could we forget? This has a similar vibe but | :06:50. | :06:54. | |
a totally different technique, I think he is struggling. Who knows if | :06:55. | :06:58. | |
he can pull it out of the bag by Saturday. There is a little bit of | :06:59. | :07:02. | |
choreography that went a bit wrong, but I see that Oti has taken the | :07:03. | :07:09. | |
blame for it. The professionals can go wrong! We are normally perfect. | :07:10. | :07:13. | |
Back to Louise and Kevin - they'll also be taking on the tango. | :07:14. | :07:16. | |
Do you think this will see Kevin reach the final | :07:17. | :07:19. | |
I really hope so. It is looking tight and compact, just like my | :07:20. | :07:31. | |
bottom. Here, here! Lots of very staccato moves. I love her head | :07:32. | :07:36. | |
position. She has a lovely head position. The thing is, when she | :07:37. | :07:40. | |
pivots, she brings her head in so she does not get the full range and | :07:41. | :07:44. | |
movement of the pivot. If she took the head out a bit as she went | :07:45. | :07:49. | |
round, she would use that the weight of the head to get her round. Spin | :07:50. | :07:56. | |
her around. She would go faster. Science, ladies and gentlemen. | :07:57. | :07:59. | |
Last week, Darcey was impressed with Ore's control. | :08:00. | :08:01. | |
Does his Argentine tango with Joanne look under control to you, too? | :08:02. | :08:06. | |
Will be good? For me, it is looking sultry, sensual, seductive. Just | :08:07. | :08:19. | |
like me! It looks great. I love what he is doing with partnering, he | :08:20. | :08:23. | |
seems to be holding her, shaping her. Look at that lovely line. I | :08:24. | :08:29. | |
thought we could try that. It is a little bit like a throwaway. Throw | :08:30. | :08:35. | |
that leg away, now this arm comes around my head, like that. And this | :08:36. | :08:43. | |
caresses my arm like that. Then just/ me. Just/ you?! On the elbow?! | :08:44. | :08:51. | |
That is sexy! It should looked just like that! That is how it is done. | :08:52. | :08:58. | |
That is our penultimate Waite's Warm Up, there is only one more, we can | :08:59. | :09:00. | |
spare it. Isn't he gorgeous?! Right, time now to make our Strictly | :09:01. | :09:02. | |
pros sweat in TV's toughest dance The Strictly Pro Challenge is back, | :09:03. | :09:19. | |
bigger than ever. The professionals will attempt to set a Guinness world | :09:20. | :09:25. | |
record for the most jibe kicks and flicks in 30 seconds. We will be | :09:26. | :09:28. | |
looking for strong pointed cakes and then the feed return in to the floor | :09:29. | :09:33. | |
after the flick. If they don't bring the foot back to the resting | :09:34. | :09:36. | |
position than the step will be disqualified. There can only be one | :09:37. | :09:40. | |
champion, so they need to make every step counts. This is the Strictly | :09:41. | :09:45. | |
Pro Challenge 2016. He's 26, brings a packed lunch | :09:46. | :09:48. | |
into work every day and has a rucksack with eight compartments | :09:49. | :09:52. | |
including one with Jive kicking and flicking | :09:53. | :09:54. | |
for his place in the competition - Hello, darling! We have missed you | :09:55. | :09:58. | |
on this show! So, first year on Strictly | :09:59. | :10:13. | |
and your first Pro Challenge. Yes. I am and I was. And you were | :10:14. | :10:28. | |
and you are! That is a good order. We hated losing you and to Mika in | :10:29. | :10:34. | |
week two macro, can you do better? Bat hated losing you and Tameka in | :10:35. | :10:36. | |
week two. Oksana Janette are top | :10:37. | :10:38. | |
of the leader board ? do you feel I didn't expect them to be the first | :10:39. | :10:53. | |
ones. We are still missing some of the other professionals that I | :10:54. | :10:56. | |
thought would be first on the Leader Board. So I'm quite impressed with | :10:57. | :10:59. | |
them. It is interesting. This competition is a huge deal - | :11:00. | :11:01. | |
how many years have you been Did you do lots of practice? I have | :11:02. | :11:12. | |
been 26 years practising for this. This is what we like to hear. Let's | :11:13. | :11:14. | |
see how you got on. This is my first experience on the | :11:15. | :11:25. | |
Pro Challenge, I hope my cakes and flicks are good enough. Hello, how | :11:26. | :11:30. | |
are you? You are one of the new professionals, this is the first | :11:31. | :11:36. | |
time that you have ever turned a Pro Challenge. Can you take on the rest | :11:37. | :11:41. | |
of the professionals? I am super excited, I will do my best to | :11:42. | :11:45. | |
impress everyone and to make all the other pros be scared. Gorka, good | :11:46. | :11:49. | |
luck. Three, two, one, go. Stop! Yes! That feel? Very good. Is | :11:50. | :12:29. | |
your heart pumping? Good god it is all right. It is good to see the | :12:30. | :12:35. | |
fit, young, fresh ones. I thought he did very well, it was almost like a | :12:36. | :12:39. | |
performance, the quality was there. Maybe there were some dodgy ones, | :12:40. | :12:43. | |
but you did very well very well. Well done. I hope I did enough to be | :12:44. | :12:48. | |
in the highest position I can, I think I did quite well. | :12:49. | :12:51. | |
APPLAUSE Nice work. | :12:52. | :12:53. | |
Lots of stomping there - how do you think you did? | :12:54. | :13:00. | |
I was doing flamenco. Even flamenco with your kicks and flicks. The | :13:01. | :13:10. | |
footage was watched back by adjudicators in slow motion to | :13:11. | :13:12. | |
verify every single step and make sure they were accurate. | :13:13. | :13:20. | |
Choreographer to the stars Richard Marcel Sabitzer lot of quality, do | :13:21. | :13:25. | |
you think you made any mistakes? The last 15 seconds where the hardest, | :13:26. | :13:29. | |
you get tired and your legs do not go properly high. Maybe of them. | :13:30. | :13:34. | |
Well, interesting you should say that, because I can reveal you had. | :13:35. | :13:36. | |
So things are looking good - are you ready to hear your fate? | :13:37. | :13:44. | |
Gorka Marquez, I can reveal that in treinta segundos you completed... | :13:45. | :14:04. | |
53 jive cakes and flicks! Which puts you third on the Leader Board. | :14:05. | :14:08. | |
So close, yet so far - are you happy with that score? | :14:09. | :14:17. | |
Oh, Gorka! Everyone rushes to give him a cuddle. | :14:18. | :14:19. | |
Well it was a solid effort indeed - give it up for Gorka, everyone! | :14:20. | :14:23. | |
Lovely to see you! Give my love to Tameka. | :14:24. | :14:29. | |
Well, Gorka may have fallen slightly behind in the Pro Challenge - | :14:30. | :14:31. | |
but can the same be said for our celebs? | :14:32. | :14:34. | |
Let's see if Cloudia and Louise have been keeping up in training. | :14:35. | :14:40. | |
I am loving the quickstep. It is so cool. It is a bit of ballroom and | :14:41. | :14:46. | |
jumping out of the same time. I don't know if that is technical | :14:47. | :14:51. | |
dancing words. It is not exactly like that. I like the energy. Lots | :14:52. | :14:58. | |
of pivots. My quickstep has to be really good. I really want to get to | :14:59. | :15:04. | |
the final. Sorry. Don't say sorry. Just don't get it wrong. I want to | :15:05. | :15:09. | |
keep that energy and keep smiling. Very good. I've been a bit nervous | :15:10. | :15:16. | |
of the samba. I find the wiggling hip action difficult. Everything is | :15:17. | :15:24. | |
moving. Nothing ever stops moving. I don't like the sound of that! She's | :15:25. | :15:29. | |
got to be sexy and full of body action. I think she's a little bit | :15:30. | :15:36. | |
nervous. I'm trying to be positive and move everything as much as I can | :15:37. | :15:38. | |
and see what happens. Now, the music on Strictly this year | :15:39. | :15:40. | |
has been pretty amazing. We've had everything | :15:41. | :15:43. | |
from Whitney to Gangham, all of which have been delivered | :15:44. | :15:45. | |
flawlessly by my next guests. Please welcome Hayley, | :15:46. | :15:49. | |
Lance, Andrea and Tommy - It's so lovely to see your faces in | :15:50. | :16:03. | |
front of me. The first time we have had you altogether. Tommy, as the | :16:04. | :16:11. | |
series been enjoyable so far? It's been the best one so far. What has | :16:12. | :16:16. | |
been the best one? The dancers more than anything. We have enjoyed doing | :16:17. | :16:21. | |
a lot of the music. It is a joy to go in every Friday and Saturday. You | :16:22. | :16:27. | |
have had some incredible songs to cover. What has been your favourite | :16:28. | :16:34. | |
to cover? I think I'll be seeing you, for Basil and Madge, the | :16:35. | :16:39. | |
Remembrance. We were all in tears. I think unforgettable for Daisy. We | :16:40. | :16:48. | |
must talk about Gangham style. That was quite a moment. Lance, I'm | :16:49. | :16:55. | |
assuming you do not speak fluent Korean. I do know! What do you do | :16:56. | :17:02. | |
when you get a song like that? It was a little bit of both. I had some | :17:03. | :17:06. | |
lyrics written phonetically. And the original lyrics. And then listening | :17:07. | :17:13. | |
to it. It was hard. Would you give us a little blast now. | :17:14. | :17:17. | |
--? It is a group effort! Gangham style! | :17:18. | :17:35. | |
How long do you get to rehearse the numbers? I started learning the | :17:36. | :17:43. | |
songs on Monday. About four days. And then on Friday we have the | :17:44. | :17:50. | |
evening rehearsals. Not very long. You do them a couple of times on | :17:51. | :17:53. | |
Saturday before the show. How is it when you have got Whitney to do? It | :17:54. | :18:00. | |
is a big number. It's very scary for me because Whitney is my idol. No | :18:01. | :18:07. | |
one sings like Whitney Houston. So yeah, I'm always a bit petrified | :18:08. | :18:13. | |
when I get a Whitney song. You do it good, girl. You always get really | :18:14. | :18:19. | |
emotional the bigger it gets. You have been singing on the show since | :18:20. | :18:26. | |
it started, Tommy. I have, since the pilot. You haven't aged at all. I | :18:27. | :18:32. | |
was five when I started! What is the most difficult part of your job? I | :18:33. | :18:37. | |
think the languages. Spanish is not so bad. We get nervous when the | :18:38. | :18:45. | |
language once come up. But on the whole it's not really a chore, is | :18:46. | :18:51. | |
it? Well, from a... I always think you get the best view, you four. We | :18:52. | :18:59. | |
saw a great film this week about the mistakes. Have you had any mistakes | :19:00. | :19:04. | |
during the shows? I don't find mind that funny. We do! Tommy and Angela | :19:05. | :19:15. | |
-- Andrea did Ghostbusters once and left Andrea by herself. They left me | :19:16. | :19:25. | |
hanging. Buttercup was one of my favourite moments. I came in on my | :19:26. | :19:35. | |
own a bar early on the introduction. We are going to dig that out! You | :19:36. | :19:40. | |
are so busy doing the show. But lovely and from Barnes would like to | :19:41. | :19:43. | |
know what you do when Strictly is not on-air? Just wait for a | :19:44. | :19:50. | |
Strictly! Just do lots of different gigs, writing music, sessions. | :19:51. | :19:55. | |
Arranging harmonies. So give me a call! Studio and session work, and | :19:56. | :20:08. | |
touring as well. With Strictly stop. The same. Backing vocals for | :20:09. | :20:12. | |
different bands and artists. Studio work. Adverts. You know me! Tommy? | :20:13. | :20:20. | |
I'd like to do nothing when we finish. Perfect. Lance, Hadi got any | :20:21. | :20:27. | |
advice from somebody who would like to send? I think it is important if | :20:28. | :20:33. | |
you have a passion for singing to go for it and make sure that you learn | :20:34. | :20:37. | |
your craft as you go. If you believe in something, go for it. Do not be | :20:38. | :20:44. | |
knocked back. And phone David Archer! That is so lovely to see | :20:45. | :20:53. | |
you. We couldn't have you on the show without asking you to sing a | :20:54. | :20:57. | |
little something. Would you do the honours? This is my friend, Susie. | :20:58. | :21:09. | |
# Sleigh bells ring, are you listening. | :21:10. | :21:15. | |
# A beautiful site, we're happy tonight. | :21:16. | :21:21. | |
# Walking in a winter wonderland. # We can build a snowman. | :21:22. | :21:25. | |
# And pretend that he is passed around. | :21:26. | :21:31. | |
# He'll say, are you married? We'll say, no man. | :21:32. | :21:34. | |
# You can do the job when you're in town. | :21:35. | :21:38. | |
# Later on, hit the spire, as we dream by the fire. | :21:39. | :21:44. | |
# The plans that we made, walking in a winter wonderland. | :21:45. | :21:48. | |
# Walking in a winter wonderland. That has made me cry. If that | :21:49. | :22:05. | |
doesn't get you in the Christmas spirit, nothing well. Good luck with | :22:06. | :22:08. | |
the rest of the series. Give my love to all the band. Hayley, Lance, | :22:09. | :22:12. | |
Andrea and Tommy. Right, time now | :22:13. | :22:13. | |
for our final guests. # And I've been telling you how to | :22:14. | :22:21. | |
go. In fact, they did very well | :22:22. | :22:28. | |
with their tango this week. Hayley, nice one! I loved it. It was | :22:29. | :22:48. | |
dynamic. You were leading. You are an incredible, incredible dancer. | :22:49. | :22:55. | |
The focus in those eyes. It was outstanding. Every moment of their | :22:56. | :22:59. | |
stance was under your control. You were the star of the show. -- of | :23:00. | :23:07. | |
this dance. What a pair of dream boats. Danny and Oti, everyone. Just | :23:08. | :23:15. | |
a lovely little moment they're. Oti said she hasn't watched it back. Why | :23:16. | :23:21. | |
not? Because she still thinks I'm going to go wrong! Fourth week, top | :23:22. | :23:29. | |
of the leaderboard on the trots. Amazing. What is the view like at | :23:30. | :23:38. | |
the top? We didn't even know! You just scared us. You just take it one | :23:39. | :23:46. | |
week at a time. I simply hope to get all the steps right and not mess it | :23:47. | :23:53. | |
up. Oti, how does it look? You can't even look! You did say you were not | :23:54. | :24:00. | |
expecting tens from this dance. What were you most worried about? It was | :24:01. | :24:09. | |
the footwork. If I'm honest, I was terrified. I get so nervous | :24:10. | :24:13. | |
anywhere. I was really worried about this one. I had a horrible feeling | :24:14. | :24:19. | |
that I didn't even tell Oti about. I thought it might be the foxtrot all | :24:20. | :24:23. | |
over again. Even when we got through, and as soon as you very | :24:24. | :24:27. | |
negative comments from the judges, you straightaway go, it's not going | :24:28. | :24:32. | |
to be a ten. I was really surprised. Amazing. Oti, you were rocking the | :24:33. | :24:38. | |
disco diva look. You sounded so excited when it ended as well. It | :24:39. | :24:43. | |
was a huge relief. Did it go better than you expected it to? It did. I | :24:44. | :24:50. | |
also had the same feeling but I also didn't tell him. I also thought, I'm | :24:51. | :24:54. | |
going to mess it up but I didn't tell him. I didn't want to do it so | :24:55. | :25:00. | |
late in the competition. And then he did it with no mistakes. And I could | :25:01. | :25:07. | |
not stop. I was so happy. I thought, probably you shouldn't do this on TV | :25:08. | :25:12. | |
right now, but I couldn't hold myself! I love seeing you like that. | :25:13. | :25:17. | |
I love the group Tango moment. Everybody has been trying that at | :25:18. | :25:23. | |
home. Was that your idea? It was, actually. Having extra dances is | :25:24. | :25:29. | |
such a nice thing. You want to make it look like a formation. I think | :25:30. | :25:37. | |
they are all incredible. We all need to say how amazing the extra dancers | :25:38. | :25:41. | |
are. To have them dance with us, it is an honour for me to have them. I | :25:42. | :25:45. | |
just thought, let's use their talents. There was quite a nice | :25:46. | :25:52. | |
moment in rehearsals. The pros came in for an hour. It takes the four | :25:53. | :25:57. | |
days to do that. They came in for an hour. It was lovely to see her | :25:58. | :26:01. | |
choreography come to life with a bunch of people. I was emotional. It | :26:02. | :26:10. | |
is semifinals week. Things have just got serious. Two dances. American | :26:11. | :26:16. | |
smooth for you. How difficult is this? The American smooth is such a | :26:17. | :26:24. | |
beautiful song. It is Oti's choreography. It's lovely to do. The | :26:25. | :26:27. | |
only thing that helps with this is that we have done the Viennese waltz | :26:28. | :26:32. | |
before. That is a bit of the stress taken out. We don't have to worry so | :26:33. | :26:38. | |
much. It's not a brand-new style but we do have the lifts. This is quite | :26:39. | :26:44. | |
exciting. You are doing a salsa as well. We know he likes to shake his | :26:45. | :26:51. | |
tush. Oti, the verdict so far and training? It's different. We just | :26:52. | :26:58. | |
started it. We just finished the Viennese waltz. Now we are starting | :26:59. | :27:01. | |
on the samba. It is completely different. It is getting the lifts. | :27:02. | :27:10. | |
We have new lifts in both dances. You are the only couple with lifts | :27:11. | :27:15. | |
in both your dances. Are you feeling strong? Hardly! I'm tired. We always | :27:16. | :27:23. | |
try to do something different. In both dances, they are difficult | :27:24. | :27:31. | |
lifts. But we will get it. She says! Has she gone into overdrive? It's | :27:32. | :27:37. | |
actually funny this week. Oti is such a stickler for technique and | :27:38. | :27:43. | |
precision. But this week, because there are to dances, she almost had | :27:44. | :27:46. | |
to be slightly more lenient because there is so much choreography to | :27:47. | :27:51. | |
learn. You have to hold back on how much time we spend. Every week, Oti | :27:52. | :27:56. | |
spends so much time with me, taking the time to get the technique right. | :27:57. | :28:02. | |
We don't have the time this week. You train 11 hours in the day. When | :28:03. | :28:08. | |
you have two dances, how those days? They feel short. I have got used to | :28:09. | :28:13. | |
taking every waking hour to learn one. There are no extra hours. | :28:14. | :28:22. | |
Unless we do it in our sleep. I'm trying to suppress the panic. | :28:23. | :28:28. | |
Whenever a we're under pressure, I get really relaxed. I chill. It is | :28:29. | :28:36. | |
really disconcerting. I ask him, why are you panicking? He says, because | :28:37. | :28:45. | |
you calm. What are you going to do?! There is only room for three in the | :28:46. | :28:50. | |
final. How are things between you pros? Kevin Na 's been there three | :28:51. | :28:57. | |
times before. He has not won yet. AJ is the young guys. -- die. Is it | :28:58. | :29:03. | |
getting tough? No, it's not. I know from Joanne, and I am the biggest | :29:04. | :29:09. | |
Joanne fan, she is a really good friend of mine. I look up to Kevin. | :29:10. | :29:12. | |
I think everything he does is amazing. Everyone wants to take care | :29:13. | :29:22. | |
of him. There is love. They are all amazing. They really are. It's a | :29:23. | :29:28. | |
good group. I love all of them. You stay calm, you don't panic. It will | :29:29. | :29:34. | |
be fine. I cannot wait to see the to lot of lifts. Danny and Oti! | :29:35. | :29:37. | |
That's all we've got time for tonight - | :29:38. | :29:39. | |
Join me tomorrow, where I'll be chatting to those cheeky little lion | :29:40. | :29:44. | |
Vicky Gill is here with more glorious Strictly costumes, | :29:45. | :29:47. | |
plus husband and wife Neil and Katya go head to head | :29:48. | :29:49. | |
MUSIC: Beyond The Sea by Bobby Darin | :29:50. | :30:04. | |
# Beyond the sea... # Hi! | :30:05. | :30:13. | |
Watch your little ones discover CBeebies Playtime Island - | :30:14. | :30:17. |