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Live from London, this is Strictly It Takes Two. Please welcome your | :00:52. | :00:55. | |
host, Zoe Ball. You can really smell the competitive | :00:56. | :01:01. | |
spirit in the air tonight. If Latin and Ballroom | :01:02. | :01:05. | |
was an Olympic sport, these two would be dancing | :01:06. | :01:07. | |
for a spot on the podium, And from one pair of | :01:08. | :01:09. | |
contenders to another, Strictly Power Couple Neil | :01:10. | :01:15. | |
and Katya Jones go head-to-head Plus, when it comes to designing | :01:16. | :01:17. | |
fabulous costumes, this lady's got no competition - | :01:18. | :01:27. | |
it's Vicky Gill! And there's no time | :01:28. | :01:32. | |
like the present, love. We love Vicky Gill.ly start the | :01:33. | :01:57. | |
chant. Very excitingly we found a jewel on the floor. She is recycling | :01:58. | :02:05. | |
it. She is putting it in her pocket. Huge success musicals week, well | :02:06. | :02:08. | |
done to everybody. Let us talk about Danny's jacket. It got a lot of | :02:09. | :02:12. | |
love. There it is in action, tell us, it has a back story to this. It | :02:13. | :02:17. | |
was touch-and-go whether this jacket would make the show. Because I think | :02:18. | :02:23. | |
that we nearly went from a toned down version, it was musical's week | :02:24. | :02:29. | |
so it was happening. Originally, the jacket was Artems, blue sell wet. | :02:30. | :02:33. | |
Have to invest money into tailoring for the dancers because there is a | :02:34. | :02:38. | |
special cut. It went on the a Hallowe'en number and it didn't come | :02:39. | :02:44. | |
up clean. There is a thing called dirty dance spray? It was | :02:45. | :02:49. | |
embellished a small amount. This came out on Friday and we put | :02:50. | :02:53. | |
probably about 8,000 more crystals the on it. On Friday someone had to | :02:54. | :03:00. | |
sit... Between Friday and Saturday. It could have been a plain jacket. | :03:01. | :03:05. | |
We would have been putting 15,000 crystals on it. That is 2340 sleep. | :03:06. | :03:09. | |
What will happen to it now. It might have to go away for a little white | :03:10. | :03:14. | |
because it is recognisable. Retired. The jacket is retired. Any offers | :03:15. | :03:20. | |
acceptable. They have two dances each, we will talk about an outfit | :03:21. | :03:25. | |
for one dance. Louise is doing a samba to Brazil. Here is a sketch | :03:26. | :03:30. | |
what can you tell us? The dress this week has all of the elements she | :03:31. | :03:34. | |
will need for samba, lots of movement round the hem, over the | :03:35. | :03:38. | |
Basque there is fringe and we have bugle #3w5eds on the bust. It is | :03:39. | :03:43. | |
usual because it is a blank canvas, we are using white and then we will | :03:44. | :03:47. | |
have an additional section of colour, depending on what head dress | :03:48. | :03:53. | |
she uses and what accessories. Will the head dress be edible? Stranger | :03:54. | :03:57. | |
things have happened. Bite of an apple or banana or pineapple. | :03:58. | :04:05. | |
Please. Carmen Miranda. Ore and Joanne this week moving on from | :04:06. | :04:11. | |
Willy Wonka, Argentine tango is one of their dances and this dress looks | :04:12. | :04:15. | |
simple. It S we had obviously lots of production last week, their | :04:16. | :04:19. | |
Argentine tango is about their performance and their dance, so we | :04:20. | :04:22. | |
are taking a step back in terms of how much detail. Simple shape and | :04:23. | :04:27. | |
line, it will be in a silver smooth velvet. So contrast on the floor, we | :04:28. | :04:32. | |
will see it in the studio, but there is not too much detail. We have | :04:33. | :04:36. | |
hematite stones round the neckline and a pop of pink in the lining, so | :04:37. | :04:43. | |
we again get the light and shade. You will see that, let us go over to | :04:44. | :04:49. | |
Claudia's dress. This is for her quickstep. Audience is keen. Tell us | :04:50. | :04:55. | |
about the inspiration here. It is all about Claudia, really to be | :04:56. | :04:59. | |
fair, all the way through the series she such fun, she has entered into | :05:00. | :05:05. | |
everything. We have given her girlie colours, so I felt that we couldn't | :05:06. | :05:10. | |
do that going into this, you know, serious semifinal stage, so we have | :05:11. | :05:13. | |
navy mesh over a champagne base, which you can see underneath. Look | :05:14. | :05:25. | |
that the. There will be... No. No crin in the second layer. We love | :05:26. | :05:29. | |
this. Other people may not understand my joy but... I think | :05:30. | :05:34. | |
there are a lot of people, don't be surprise you really understand this | :05:35. | :05:40. | |
joy. We have three more lairs where the Crin is sown in the hem. Without | :05:41. | :05:44. | |
that woe wouldn't have such fabulous skirts. Is This is Ash's work. This | :05:45. | :05:53. | |
is a cobalt stone, that will be higher and tighter. She is so, her | :05:54. | :06:01. | |
little waist. This is Oti's dress for her and Danny's American smooth. | :06:02. | :06:06. | |
What can you tell us? We have to be careful, because generally they will | :06:07. | :06:10. | |
do lots of difficults -- lifts. I haven't seen too much of the | :06:11. | :06:14. | |
director's take, I have to be careful we don't embellish it too | :06:15. | :06:19. | |
much, if she is going round the neck or coming down, they hurt. After | :06:20. | :06:23. | |
their rehearsals they are feeling a bit... All for the love of dance | :06:24. | :06:29. | |
people. They have to get on with it. So again our stones have been placed | :06:30. | :06:34. | |
in a brickwork pattern. There is blue, we have used the right and | :06:35. | :06:42. | |
wrong side of the fabric. So we have shine and a matt. We have godets. We | :06:43. | :06:51. | |
love a godet. Running round the hem, a long split. She will need... Her | :06:52. | :06:57. | |
for just legs will come flying there the air. A bit of detail on the | :06:58. | :07:01. | |
back. I am going to turn this. Look at the detail there. Just, thank you | :07:02. | :07:05. | |
very much audience. Isn't that beautiful? Look at the work in there | :07:06. | :07:12. | |
-of-. Yes, hopefully I think it will stay pretty much as it is. Yet again | :07:13. | :07:17. | |
Vicky Gill you have outdone yourself, can you believe only one | :07:18. | :07:21. | |
more week to go. Two more shows. Everyone has been. Amazing, we have | :07:22. | :07:26. | |
had a good series and worked incredibly hard. Don't say goodbye | :07:27. | :07:31. | |
yet! Can't bear it. Vicky Gill. CHEERING AND APPLAUSE | :07:32. | :07:32. | |
Now, the costumes are almost ready but what about the steps? | :07:33. | :07:36. | |
With two dances to learn our couples have got their work cut out. | :07:37. | :07:39. | |
Here's how Danny and Oti and Ore and Joanne have been | :07:40. | :07:41. | |
The American smooth is a ballroom dance and I feel like some of my | :07:42. | :07:52. | |
greatest achievements have been with ballroom dances. I don't just want | :07:53. | :07:57. | |
to get it technically correct, I want to make people feel something | :07:58. | :08:00. | |
with it. We can show a lot of emotion and use his acting skills | :08:01. | :08:04. | |
because he is a brilliant actor, I think not to use that would be a | :08:05. | :08:08. | |
shame. I want it to be one beautiful, clean show, from the | :08:09. | :08:12. | |
minute we start to the minute we finish. Quick, quick, slow. Quick, | :08:13. | :08:18. | |
quick, slow. I would say the quickstep is like the Formula One of | :08:19. | :08:23. | |
the dance world. You cover so much ground, and at serious speed. | :08:24. | :08:30. | |
I think this dance was made for me. Quickstep being my favourite dance I | :08:31. | :08:36. | |
am so keen for it to go perfectly. This is the baste to show we have | :08:37. | :08:43. | |
got real bounce back about and we mean real business. | :08:44. | :08:51. | |
Now, in the far reaches of the ballroom and latin universe, | :08:52. | :08:55. | |
there's a cube-shaped place where dancers go to face | :08:56. | :08:57. | |
the ultimate test of physical and mental strength. | :08:58. | :08:59. | |
The strictly Pro Challenge is back and bigger than ever. This year our | :09:00. | :09:14. | |
pros are going toy a ept the to set a Guinness World Record for the most | :09:15. | :09:18. | |
jive kicks and flicks in 30 seconds. We will be looking for strong | :09:19. | :09:22. | |
pointed kicks and then the feet returning to the floor after the | :09:23. | :09:26. | |
flick. If they don't bring the foot back to the resting position, then | :09:27. | :09:30. | |
the step will be disqualified. There can only be one champion, so they | :09:31. | :09:37. | |
need to make every step count. This is the Strictly Pro Challenge 2016. | :09:38. | :09:41. | |
Together they are battling for the title of Strictly's | :09:42. | :09:46. | |
Separately, they are battling to be crowned Pro Challenge Champion. | :09:47. | :09:49. | |
APPLAUSE APPLAUSE | :09:50. | :10:11. | |
I love it. I love it. Welcome, it is so lovely to have you both on the | :10:12. | :10:16. | |
sofa together. Before we continue, I must ask a serious question, how is | :10:17. | :10:21. | |
Ed Katya, have you seen him, we miss him? We have, on Sunday he cooked us | :10:22. | :10:29. | |
roast dinner. Which one beef? Beef. Really good and pavlova for dessert. | :10:30. | :10:34. | |
It was wonderful. He baby sat your dog. He did. Neil have you managed | :10:35. | :10:41. | |
to fill the Ed shaped hole that has been left in cad -- Katya's life. He | :10:42. | :10:45. | |
has been tell manager ewhat to do. Somebody, by the way Neil, I must | :10:46. | :10:51. | |
say good Cossack skills. Loved that. Now, how much did you prepare for | :10:52. | :10:57. | |
this challenge the two of you? You know, for 20 years really for that | :10:58. | :11:01. | |
moment. I have been doing my squats. I am doing the squat challenge at | :11:02. | :11:04. | |
the moment. It is working. Did you practise together or did you keep it | :11:05. | :11:10. | |
secret? Separate. I am in one bedroom, he is in the bathroom, | :11:11. | :11:14. | |
locked up. We should leave you like that all the time. How to make a | :11:15. | :11:18. | |
marriage work. We have seen big names step in the cube, very tight | :11:19. | :11:23. | |
at the top of the leaderboard. Oksana and Janette up there, neck | :11:24. | :11:30. | |
and neck. The two little ones. The two lit lest ones. She is always | :11:31. | :11:35. | |
sleeping. Do you think you have got what it takes to take down those | :11:36. | :11:41. | |
two? I really hope so. Firstly I cannot wait just to hear between us, | :11:42. | :11:45. | |
what happens. Never mind the competition. I was waiting for this | :11:46. | :11:51. | |
moment to come. Neil looks nervous. OK. We should go ladies first. OK. | :11:52. | :11:57. | |
Let us find out how you get on. Here is your Pro Challenge. | :11:58. | :12:03. | |
This is my first ever Pro Challenge, but it is not about experience, it | :12:04. | :12:06. | |
is about going and giving it all. That is what I am going to do. Hi. | :12:07. | :12:13. | |
Welcome to the Strictly Pro Challenge. How you feeling? Very | :12:14. | :12:17. | |
excited. I am ready to win it. It is going to be competitive in the Jones | :12:18. | :12:21. | |
household? Neil will be doing the challenge, do you want to beat him? | :12:22. | :12:27. | |
I do. Neil is very good at jive so kicks and flicks is his forte but I | :12:28. | :12:31. | |
have Russian discipline, so I am going to give it 30 seconds. Take to | :12:32. | :12:39. | |
the floor, please. Katya, good luck, I am going to count you in for the | :12:40. | :12:41. | |
record. Three, two, one. Go. Five, four, three, two, one. Stop. | :12:42. | :13:18. | |
That was so tough! I am so glad you young guys find it difficult to do. | :13:19. | :13:23. | |
It is harder than you think. What did you think? It went a bit | :13:24. | :13:28. | |
rockabilly with the rock and roll bop, you night not have got the | :13:29. | :13:33. | |
knees up, but you have got top marks for determination on this one. Thank | :13:34. | :13:38. | |
you so much. I went for the speed, for the quantity, and if there is | :13:39. | :13:41. | |
something that didn't qualify, that's OK, let us see what the end | :13:42. | :13:45. | |
product is. Ooh! What do we think? Very seedy | :13:46. | :13:53. | |
indeedy. She is good. Neil was impressed. He looks very afraid. You | :13:54. | :13:58. | |
talk about Russian discipline, could that give you the edge over? I | :13:59. | :14:03. | |
really hope, so you end product is. Ooh! What do we think? Very seedy | :14:04. | :14:05. | |
indeedy. She is good. Neil was impressed. He looks very afraid. You | :14:06. | :14:07. | |
talk about Russian discipline, could that give you the edge over? I | :14:08. | :14:10. | |
really hope, so you could see me going "Come on Katya". I count feel | :14:11. | :14:13. | |
my leg at the end. I love Ian relishing the fact you were | :14:14. | :14:16. | |
struggling a bit there. It is really hard. We tried this afternoon and we | :14:17. | :14:22. | |
were rubbish. I want to see that. After each of the professionals made | :14:23. | :14:26. | |
their attempt the footage was watched back in slow motion to | :14:27. | :14:29. | |
verify every step was accurate. So that is the science bit out of the | :14:30. | :14:34. | |
way, time for the moment of truth. Ready Katya, OK, in 30 seconds you | :14:35. | :14:37. | |
were able to complete... 67! | :14:38. | :15:03. | |
66 disqualified. However, there were a few slip-ups. Oh, no. Of your 67, | :15:04. | :15:16. | |
50 were disqualified. Giving you a grand total of 17. You | :15:17. | :15:24. | |
are joking me! I love the fact you get great support from your husband | :15:25. | :15:28. | |
there. I'm so sorry. Yes, it was just the technique. I'm so sorry, | :15:29. | :15:35. | |
honey. Fix, fix. Neil, you think you've done better, yeah? How do you | :15:36. | :15:39. | |
feel your chances are now? This is embarrassing. Mortified, mortified. | :15:40. | :15:45. | |
I actually think I was faster than Katya. But, I think I've got more | :15:46. | :15:53. | |
disqualified probably. Shall we see? Yes, let's do it. Enjoy this | :15:54. | :15:57. | |
everyone. Let's see how Neil's attempt went down. I'm feeling | :15:58. | :16:01. | |
pumpedes, excited. I'm not sure if I'm going to win it. But I want to | :16:02. | :16:06. | |
and that's all that counts. Did I say I want to win it? Because I'm | :16:07. | :16:12. | |
going to win it. Hello Neil. Hello. Welcome to the Strictly Pro | :16:13. | :16:15. | |
Challenge. How are you feeling? Nervous, but ready. In the ballroom | :16:16. | :16:20. | |
competitive world, you are known for having a fast, energetic jive, do | :16:21. | :16:24. | |
you think that will help you, today? I'm hoping it will, but normally I | :16:25. | :16:30. | |
have the partner on my hand. I make her do all the work, and at the | :16:31. | :16:35. | |
moment she's not there. Did you prepare for today? I've been | :16:36. | :16:39. | |
preparing for years I can't wait to see T please take your position on | :16:40. | :16:43. | |
the dance floor. -- to see it. Good luck. I'll count you in for the | :16:44. | :16:45. | |
record. Three, two, one, go. Stop. Wow, that was interesting. | :16:46. | :17:20. | |
Now, it looked hard work. Was it hard work? How did it feel? No, that | :17:21. | :17:27. | |
was really easy. How do you think that went, Richard? Um, strong, | :17:28. | :17:33. | |
fast. We'll have to watch it back in slow motion, though, because | :17:34. | :17:35. | |
remember with the jive flick we have to get the knee up before it goes | :17:36. | :17:39. | |
down and back up again. So maybe you were just so fast we couldn't see | :17:40. | :17:45. | |
that... I think it was, yeah. Don't worry about the slow-mo. You are the | :17:46. | :17:50. | |
Karate Kid of this competition. Thank you so much. Thank you very | :17:51. | :17:55. | |
much. Thank you for joining us. I felt my family was there with me, | :17:56. | :17:59. | |
pushing me, giving me a bit more energy as I was going through. I | :18:00. | :18:05. | |
didn't want to give up. I was even thinking I could do another 30 | :18:06. | :18:07. | |
seconds. Maybe that was them. Neil Jones. | :18:08. | :18:13. | |
Karate Kid of the compo tichlingts an honour in itself. I Talk to me | :18:14. | :18:20. | |
about the gold headband? It was power from my family. Passed down, | :18:21. | :18:26. | |
we are like jive kickers. I felt I put a little bit of cossack dancing | :18:27. | :18:30. | |
into that as well. I think there was interesting technique. Do you think | :18:31. | :18:34. | |
you might have sacrificed a little bit of the technique for speed | :18:35. | :18:37. | |
there, Neil? The tiniest amount. Just a little bit. A little tinny | :18:38. | :18:43. | |
bit. OK. Well, here we G time to find out how Mr Jones has done. I | :18:44. | :18:48. | |
can reveal that in 30 seconds, you completed... -- here we go. | :18:49. | :19:01. | |
104. Yes! OK. Those numbers are unheard of. 104. We'll leave it at | :19:02. | :19:18. | |
that, thank you very much. But, but... Four were disqualified. The | :19:19. | :19:25. | |
misses, there were a few misses. And of your 104 steps, you had... force | :19:26. | :19:37. | |
104 steps disqualified! LAUGHTER Leaving you with a grand total of 0 | :19:38. | :19:43. | |
points. I beat him. I beat him. You beat him. Great enthusiasm. Where | :19:44. | :19:48. | |
you went wrong, your knee had to come up and go down. You had kicks | :19:49. | :19:53. | |
but no flicks. Let's look at the leaderboard. Here it is, and where | :19:54. | :19:58. | |
are you? No, sorry if we scroll down a little bit we will see you are | :19:59. | :20:06. | |
there n 10th place. It is safe to say that join is going to have | :20:07. | :20:12. | |
trouble keeping up with the Jones es. Total spaghetti LOLOonese, love | :20:13. | :20:23. | |
it. Style it out. Disqualified, so amazing. | :20:24. | :20:30. | |
My final guests this evening made the cutest pair | :20:31. | :20:32. | |
of lion cubs on Saturday, and after making it | :20:33. | :20:34. | |
through to the semi-finals they were just bursting with pride! | :20:35. | :20:36. | |
Tonight you let your hair down. It was like a little Spice Girl out | :20:37. | :20:51. | |
there. The body isolation. Compact, clean. The lifts were extraordinary. | :20:52. | :20:56. | |
You are precise, a terrific dancer and you are just a bundle of joy. | :20:57. | :21:05. | |
Well done. Claudia and AJ everyone. Welcome. Lots and lots of wonderful | :21:06. | :21:10. | |
fans. We are still laughing at Neil's attempt there. You definitely | :21:11. | :21:13. | |
had a call of the wild on Saturday night. How much fun was it to | :21:14. | :21:18. | |
release your inner beast? It was so much fun. Especially this part. It | :21:19. | :21:26. | |
was like a bit of a party dance. A Beyonce, I loved that song. It was | :21:27. | :21:30. | |
easy to get into character, I had the hair and make-up, it was wild. | :21:31. | :21:35. | |
The hair, I was wondering how much was your mane and how the rest was | :21:36. | :21:41. | |
gifted to you? Aid wig object. They did a plait and they shoved this wig | :21:42. | :21:45. | |
on with blonde bits coming through. To take it out I was like - ah, it | :21:46. | :21:53. | |
hurts. And the most exciting thing about your weekend, your first 10, | :21:54. | :21:58. | |
at last! Come on. Yes. I think the whole nation. | :21:59. | :22:03. | |
Everyone went crazy. Everyone was jumping. Adrenaline was like - so | :22:04. | :22:13. | |
worth it. You o -- you so deserved that. Was it worth the late? Yes, I | :22:14. | :22:18. | |
performed to my best, it was like a 9, a 9 and I was like - is it going | :22:19. | :22:24. | |
to be and then the paddle. I nearly lost my voice I was screaming that | :22:25. | :22:28. | |
much. The whole place erupted T had been a long time coming. -- the | :22:29. | :22:38. | |
whole place erupted. It had been a long time going The judges loved it, | :22:39. | :22:45. | |
was the isolation. Yes we went for T Claudia was throwing her head | :22:46. | :22:47. | |
around. She loved that in training. Again and again. And even in | :22:48. | :22:54. | |
training, 100%, sometimes you can just go for it and then just do it. | :22:55. | :22:58. | |
Every time I loved that. If you don't crack that out in a gymnastics | :22:59. | :23:04. | |
routine we'll all be disappointed. There was a little mistake, Bruno | :23:05. | :23:08. | |
mentioned. Was it slippage with the grippage. I stepped forward and | :23:09. | :23:12. | |
repositioned my feet so I didn't fall off the back of the stairs. | :23:13. | :23:18. | |
There is a slight eight foot drop, I didn't want to place Claudia on the | :23:19. | :23:22. | |
floor, I stepped forward, repositioned, Claudia is so | :23:23. | :23:24. | |
professional. She went with it. Still flipped her. Flipped her back, | :23:25. | :23:31. | |
flipped it back, stood still. Amazing and you still got it ten. | :23:32. | :23:36. | |
Yes, loved it. We thought you both looked so cute. We thought you would | :23:37. | :23:41. | |
actually be very sweet as a little toy. We could put it out in time for | :23:42. | :23:46. | |
Christmas and make a fortune. In a little box. We've knocked that up. | :23:47. | :23:50. | |
I'm willing to split the profits, by the way. Darcey wanted a bit more | :23:51. | :23:59. | |
grrr. Have you got more to give? I think so. Ever every week I've got | :24:00. | :24:07. | |
more confident as the week has gone. AJ told me to roar. Crazy. I roared | :24:08. | :24:12. | |
about four times. Every single time, I was trying to get it out there. | :24:13. | :24:16. | |
Obviously she wanted me to see more of it. Fear lion club. We loved it. | :24:17. | :24:29. | |
We are on to semifinals week. I know, it is so good. Two dances. | :24:30. | :24:35. | |
Let's talk first, quickstep, you are dancing to this. | :24:36. | :24:40. | |
# When you're smilin # When you're smilin | :24:41. | :24:47. | |
# The whole world smiles with you...# | :24:48. | :24:49. | |
It is just classic happy. All ladges love that. I know you have a lot of | :24:50. | :24:54. | |
ground to cover when you are doing a quickstep. His legs are longer than | :24:55. | :24:58. | |
yours, are you keeping up with each other? The room is too small. Corner | :24:59. | :25:06. | |
to corner, Claudia is going crazy, I'm not going to lie. A fast | :25:07. | :25:11. | |
routine, I find it difficult, the jumping bits plus staying with my | :25:12. | :25:17. | |
head out and being all ballroomy. She has got her position, her window | :25:18. | :25:21. | |
and mineful And you chuck me around the floor. It is bonkers, Len says | :25:22. | :25:27. | |
it is being a swan or a duck and underneath your legs are going | :25:28. | :25:30. | |
bonkers like that but do you it so beautifully, your top line is | :25:31. | :25:35. | |
amazing. Also, rule boo. To this little number. -- rumba. | :25:36. | :25:44. | |
# I keep bleeding # I keep bleeding...# | :25:45. | :25:51. | |
Love this song. I I love this. You were telling Claude last week that | :25:52. | :25:54. | |
you needed to find your inner emotion this is with dance. Have you | :25:55. | :25:59. | |
found them? I think I have. I have fallen in love with this song. It is | :26:00. | :26:03. | |
so incredible to, obviously starting right at the start I wasn't - if I | :26:04. | :26:07. | |
did rumba, I don't think I would be as confident doing it. Now I feel | :26:08. | :26:11. | |
more confident. It is nus to get that inner emotion out. I've really | :26:12. | :26:15. | |
enjoyed it and obviously the leg extension are really good. I think | :26:16. | :26:19. | |
it is going to be your best dance. I think so. Confidence. So confident. | :26:20. | :26:26. | |
It is amazing, I love the song, you love it and it is coming together so | :26:27. | :26:32. | |
nicely. Look at the leg, tensions. Iain loved what you did there and | :26:33. | :26:36. | |
your hips settling in there. Do you like your dress, by the way, did you | :26:37. | :26:40. | |
see your dress for the quickstep that Vicky was showing? Stunning. I | :26:41. | :26:45. | |
love T the work that goes on behind scenes is amazing, how they sort | :26:46. | :26:49. | |
everything out, the fitting and all the diamonds and even the hair and | :26:50. | :26:53. | |
make-up, they put so much work into that and it is nice going out with | :26:54. | :26:57. | |
that finishing touch. It all just comes together. Kevin did say on the | :26:58. | :27:00. | |
results show last week that his advice was - get in the studio, | :27:01. | :27:05. | |
learn the two dances quickly. Did you heed old Kevin's word? We took | :27:06. | :27:11. | |
that advice, nailed it, day 1, both routines, a bit brain dead but | :27:12. | :27:14. | |
physically, we got around the roo. It is much more polished now, the | :27:15. | :27:17. | |
main thing, ready for studio rehearsal tomorrow. The energy in | :27:18. | :27:21. | |
the dances is completely different. Is that a good thing? It is great. | :27:22. | :27:26. | |
Do you ever get to a point and confuse the two? Well, actually the | :27:27. | :27:30. | |
rumba, I said, I feel like I want to go into the cha-cha-cha. ! It was | :27:31. | :27:36. | |
really weird. Straight leg. She gave me a heart attack when she said | :27:37. | :27:40. | |
that. He was like - do not think of that. I was like "sorry." It is | :27:41. | :27:44. | |
completely different dances and that helps as well. It is not a tango and | :27:45. | :27:49. | |
like, a quickstep as well, because... One of the others. It is | :27:50. | :27:54. | |
complete delifrn, Latin and ball R hopefully it'll work on the night. | :27:55. | :27:59. | |
-- it is completely different. If you get through this weekend, you | :28:00. | :28:05. | |
will be in the final of structly come dancing, 2017 -- 2016. Yes I'm | :28:06. | :28:09. | |
rushing ahead. Positive energy there. It is. You know, always. How | :28:10. | :28:17. | |
do you feel about that prospect? I would be really, really excited if I | :28:18. | :28:21. | |
got to the final. A show dance would be amazing. Endless possibilities. | :28:22. | :28:27. | |
And the journey. Obviously coming in, being a gymnast and being very | :28:28. | :28:31. | |
stiff in my work and going into dancing, it is completely different. | :28:32. | :28:34. | |
I have had to change all my technique. I started off really not | :28:35. | :28:40. | |
a dancer and now coming in and AJ has helped me so much with that and | :28:41. | :28:43. | |
I appreciate everything that goes into it. Well, good luck this | :28:44. | :28:48. | |
weekend. You are wonderful. Give it up for Claudia and AJ. | :28:49. | :28:52. | |
That's all we've got time for tonight. | :28:53. | :28:53. | |
I'm back tomorrow at 6.00pm for an hour-long It Takes Two! | :28:54. | :28:59. | |
Plus on my Friday panel, Ellie Simmonds, Gaby Roslin | :29:00. | :29:02. |