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From London, this is Strictly - It Takes Two. Please welcome your host, | :00:50. | :01:02. | |
Zoe Ball! Hello and welcome to It Takes Two. We have so much to pack | :01:03. | :01:07. | |
in, we might need to undo our top button halfway through the show. | :01:08. | :01:11. | |
Let's see who is squeezed into the green room tonight. There is always | :01:12. | :01:17. | |
time for a choreography lesson. It's the one and only Karen, looking | :01:18. | :01:24. | |
gorgeous as ever. And the Strictly finalists Danny and Oti! And they've | :01:25. | :01:29. | |
been there, done that, former champions Darren Gough, Jill | :01:30. | :01:33. | |
Halfpenny and Tom Chambers! Look at those three! It is like a Strictly | :01:34. | :01:40. | |
Hall of Fame! My first guests tonight, on Saturday, they served up | :01:41. | :01:43. | |
two courses of delicious dance from a Cuban salsa to lonely American | :01:44. | :01:49. | |
smooth. And a place in the final was the icing on the cake, it's Danny | :01:50. | :01:50. | |
and Oti! Such intricate, fabulous lifts. It | :01:51. | :02:05. | |
lacked for me, figure of eight rotation in the hip. It was like a | :02:06. | :02:13. | |
Cuban evening, hot and steamy. I was totally and completely swept away. | :02:14. | :02:17. | |
It really was exquisite storytelling. That was right up my | :02:18. | :02:34. | |
street, I loved it! Danny and Oti! I love it but even Danny screamed | :02:35. | :02:39. | |
seeing that, as Oti took her life in her hands. Where do we even begin? | :02:40. | :02:45. | |
My goodness, two dances, a place in the final at stake. What was the | :02:46. | :02:48. | |
atmosphere like on Saturday, how were the nerves? Well, I was really, | :02:49. | :02:55. | |
really nervous, but it was so disconcertingly calm in the studio. | :02:56. | :02:59. | |
There was four of us walking around, everything was so organised, and it | :03:00. | :03:05. | |
was just calm, which was terrifying. I was completely ready did before | :03:06. | :03:08. | |
the show, and that was no fun. Everything was quiet. It was so | :03:09. | :03:16. | |
calm. It's the seriousness, the hugeness of the event. I love it! | :03:17. | :03:21. | |
And starting with yourself, it was just utterly brilliant, frankly. And | :03:22. | :03:26. | |
then Darcey said, it was not wild enough. She said, were you holding | :03:27. | :03:31. | |
back, I'm assuming, probably not? I definitely was not holding back, but | :03:32. | :03:36. | |
I was definitely holding onto all the choreography in my head. We had | :03:37. | :03:40. | |
half a week, and I'm used to having every hour of the week on one dance. | :03:41. | :03:45. | |
And we have half of that. And it was not totally 100% in my body, so I | :03:46. | :03:49. | |
was clinging on to every step praying it did not go wrong. That | :03:50. | :03:54. | |
was actually, mostly, the first time we got it all completely right from | :03:55. | :03:58. | |
the beginning to end. At the end I was so surprised, I was like, what | :03:59. | :04:02. | |
was that, where has this guy been the whole week?! There's so many | :04:03. | :04:07. | |
steps in it, I can't explain. I watched it back, and I thought, are | :04:08. | :04:13. | |
we still going?! And there's more! And normally, there is a huge sense | :04:14. | :04:17. | |
of relief, you finish your dance, you go and watch everybody else. But | :04:18. | :04:21. | |
this time you had to go on to the American smooth as an how was the | :04:22. | :04:26. | |
focus, to go from one to the other? It was really odd. That's the first | :04:27. | :04:32. | |
time we have had to do anything like that. But it was such a relief that | :04:33. | :04:36. | |
the first one went well. If it hadn't, you knew so much will be | :04:37. | :04:40. | |
riding on the second one. But thankfully we did it the right way | :04:41. | :04:45. | |
around. We got the salsa out of the way which was really busy in my | :04:46. | :04:48. | |
head, and then we could relax. Because the American smooth needed | :04:49. | :04:54. | |
to be calm, cool and collected. It was a bit of a rush backstage but it | :04:55. | :04:58. | |
was constant, there wasn't any time, which was quite nice. And not many | :04:59. | :05:04. | |
people look back handsome in trousers, dancing in a jumper! You | :05:05. | :05:08. | |
looked absolutely amazing, and it was stunning. Yes, thank you very | :05:09. | :05:16. | |
much! It really was something else. Darcey was talking about that lift | :05:17. | :05:21. | |
being slightly out of context. Oti, what did you make of that? Well, I | :05:22. | :05:26. | |
understand what she was trying to say - maybe it was not as smooth as | :05:27. | :05:30. | |
it could have been, but it was amazing, and it was different. | :05:31. | :05:33. | |
That's what we always try to do, something completely different every | :05:34. | :05:38. | |
week, just to bring a little bit of roughness into it! When you're doing | :05:39. | :05:43. | |
those, it's just brilliant! We have slowed it down for everybody to see | :05:44. | :05:47. | |
because it is so fast. Here's that amazing moment when you catch Oti as | :05:48. | :05:55. | |
she leaps down! I mean...! The trust, to do that! It's not | :05:56. | :05:59. | |
something you can practice loads come either, Oti? No, it was so | :06:00. | :06:07. | |
funny, because I always try to do simple endings, and he's like, come | :06:08. | :06:13. | |
on, jump! I am like, I don't know you that well to just jump in your | :06:14. | :06:18. | |
arms! He's like, Oti come just jump! And I'm like, he caught me! We've | :06:19. | :06:25. | |
got to do it over and over again! And he did it, it was amazing. I | :06:26. | :06:29. | |
kind of like broke my contact lenses. It's a long story, so during | :06:30. | :06:35. | |
that whole dance, I could not see. So basically you are jumping behind? | :06:36. | :06:40. | |
All I saw was a blue figure standing there, and all I knew was, nobody | :06:41. | :06:51. | |
ever gets to jump abridge into Danny Mac's answerable how was it to hear | :06:52. | :06:59. | |
your name? I was gutted. Of all the weeks, you do not want to be there | :07:00. | :07:05. | |
in the dance-off. And everyone was so good. You thought your time was | :07:06. | :07:12. | |
up. I just thought, that is so typical, we get to the semis, and | :07:13. | :07:17. | |
that's it, done. It had all been so smooth, and we'd been so fortunate, | :07:18. | :07:21. | |
even when things did not go so well, we still went through. Definitely we | :07:22. | :07:25. | |
deserve it at some point. And actually in hindsight, to come out | :07:26. | :07:31. | |
of it and to be on the good side of a dance-off, it is a great lesson to | :07:32. | :07:35. | |
learn. And it's a great feeling to know you've achieved that. And at | :07:36. | :07:41. | |
least that's part of the Strictly experience. You've had the full | :07:42. | :07:47. | |
experience, you really have! So, this weekend, the final. Three | :07:48. | :07:49. | |
dances for you, including the Showdance, the judges' pick and your | :07:50. | :07:54. | |
favourite dance. What have you chosen and white, Oti? WE have | :07:55. | :08:04. | |
chosen the samba! Why in particular, and was it a decision that you came | :08:05. | :08:10. | |
to together? Yes. You know what? That dance was just so much fun, it | :08:11. | :08:15. | |
was us letting go. I think if that's going to be the last dance that we | :08:16. | :08:19. | |
ever get to do together, it has to be just a fun one where we get to | :08:20. | :08:23. | |
release and go wild and have it be memorable. That for me was like the | :08:24. | :08:29. | |
biggest achievement that I've had on this show for so many reasons. We | :08:30. | :08:34. | |
always said Oti had to give me a character to go out and play to get | :08:35. | :08:39. | |
through it, to detach myself from being on that floor. But that one, | :08:40. | :08:43. | |
she went, it's just you and me, and we threw everything at it. And I | :08:44. | :08:48. | |
felt like I was enjoying myself for the first time. That was me out | :08:49. | :08:51. | |
there having fun with my best friend. It was just a dream. Stop | :08:52. | :08:55. | |
it, I'm very emotional wreck already! We will find out about the | :08:56. | :09:01. | |
music in a moment. Oti, you've blown our minds with your choreography all | :09:02. | :09:05. | |
the way through, so your Showdance, is it going to be like nothing we | :09:06. | :09:10. | |
have seen before? I hope so, I hope we can bring in some new elements of | :09:11. | :09:16. | |
dancing on the show. So, the judges' pick, are you happy with what they | :09:17. | :09:21. | |
have chosen? I am allowed to say? I do not want to say too much but I am | :09:22. | :09:26. | |
very, very happy with it. I am so pleased we get to do it again. We | :09:27. | :09:30. | |
cannot wait. Good luck in training. We will see you on Friday. Your | :09:31. | :09:38. | |
amazing, Danny and Oti! I can barely compose myself to make this next | :09:39. | :09:44. | |
introduction, because for the last time this series, we are putting | :09:45. | :09:48. | |
choreography in a corner - it's Karen Hardy! | :09:49. | :10:04. | |
Dame Karen Hardy, everyone! I'm going to miss that music week after | :10:05. | :10:09. | |
week! Such a brilliant semifinal, so much to discuss. We're going to | :10:10. | :10:15. | |
start with the top of the leaderboard, with Ore and Joanne, | :10:16. | :10:18. | |
their first dance, the liver clad quickstep. Despite giving them an | :10:19. | :10:28. | |
eight, he said that Joanne had set a very high standard of amalgamation. | :10:29. | :10:31. | |
What did he mean? I love it nothing more than when our professionals can | :10:32. | :10:36. | |
smell a trophy. They know it's just around the corner, and we got, from | :10:37. | :10:42. | |
Joanne, she upped the choreography. Amalgamation means quick and slow, | :10:43. | :10:47. | |
up and down, even a potential mannequin moment. So, this fabulous | :10:48. | :10:52. | |
piece of Collier % up in the corner, the kicks and clicks, and they're so | :10:53. | :10:56. | |
confident in what they are doing. Just freeze. And let's show off with | :10:57. | :11:04. | |
the confidence, a wink in there as well. Again, scattered with a few | :11:05. | :11:09. | |
errors, the gapping and things, but my goodness me, I never saw that | :11:10. | :11:13. | |
coming in a million years - it was fabulous. I do believe you have a | :11:14. | :11:18. | |
demonstration for us? I can't even get away with it on the last day! | :11:19. | :11:24. | |
It's going to be a long winter! We have done pendulum swings before, | :11:25. | :11:28. | |
but I thought we would do one in combination with a woodpecker. | :11:29. | :11:31. | |
Because of that wonderful quickstep. A pendulum is swing, if everybody at | :11:32. | :11:38. | |
home puts down their cooking utensils, and swing the legs, we get | :11:39. | :11:43. | |
a nice bounce going on and we just tap the tow behind. Now, we combine | :11:44. | :11:50. | |
the two, lonely amalgamation. A swing and a! There we go! Let's look | :11:51. | :12:00. | |
now at their mesmerising Argentine tango. Rumour did not know if he was | :12:01. | :12:07. | |
watching a lion tamer or magician. What did you think of it? For me it | :12:08. | :12:13. | |
is not a Strictly semifinal without an Argentina Tango. This was | :12:14. | :12:15. | |
fabulous. The energy, the assertiveness. The synchronicity | :12:16. | :12:20. | |
between the two of them. Look at the perfection of the foot timing | :12:21. | :12:25. | |
together. But on top of that, the assertiveness that he has learnt | :12:26. | :12:31. | |
across the weeks. We had our front runners and we've got our slow | :12:32. | :12:34. | |
burners. That has got to be the best final we could ever ask for. The | :12:35. | :12:38. | |
teamwork between these two is sensational, equal now to the | :12:39. | :12:42. | |
others. Masculine, leading through his own body, which he has learned | :12:43. | :12:47. | |
throughout the weeks, and only because of that leading, he can make | :12:48. | :12:57. | |
the woman look so amazing. OK, thank goodness, Danny and Oti surviving | :12:58. | :13:00. | |
the dance-off. The judges were loving the lifts, what did you make | :13:01. | :13:05. | |
of it? This was sensational. The music, the choreography, the | :13:06. | :13:09. | |
performance element full stop but rightly so, Craig pick up on the | :13:10. | :13:18. | |
essential element, which was the hip action. But I have to pick up on the | :13:19. | :13:22. | |
choreography. These two have not stopped from beginning to end. They | :13:23. | :13:26. | |
have pushed boundaries. We would say potentially Danny was one of our | :13:27. | :13:29. | |
front runners, but towards the end, he has not held back anything. Have | :13:30. | :13:33. | |
made the choreography more and more complex, and I absolutely loved it. | :13:34. | :13:39. | |
But you must get technique, choreography, musicality and | :13:40. | :13:42. | |
performance to raise that trophy. Just those for things! And their | :13:43. | :13:51. | |
American smooth rich was stunning. And reversion, Darcey scored lower | :13:52. | :13:54. | |
than Craig for once - was she just being picky? Go, girl. You've got to | :13:55. | :14:01. | |
say what you feel as a judge. This is what I call a Marmite Downs, you | :14:02. | :14:07. | |
either love it or hate it. They brought contemporary elements into | :14:08. | :14:11. | |
it. Plus a clever, more difficult piece of lift work. Darcey is always | :14:12. | :14:17. | |
meticulous with a lift work action. However, the quality, the beauty, as | :14:18. | :14:23. | |
they went into the extra terms. However, and this was kicked up on | :14:24. | :14:30. | |
by Len, he did not do the reverse turn, and he did not do that picky. | :14:31. | :14:37. | |
We would need a combination of everything in that final. Right, | :14:38. | :14:42. | |
Louise and Kevin, Tango for them first. The judges were impressed | :14:43. | :14:45. | |
with the detail. What stood out for you? Remember we said previously, I | :14:46. | :14:50. | |
thought everything was a little bit too simple. So I have picked up on | :14:51. | :14:54. | |
this lovely bit of choreography. They're dancing down the floor. We | :14:55. | :14:58. | |
have got the flicking action, the pivot turn with the kick. They're | :14:59. | :15:04. | |
adding more detail, they've made it more complicated, which I really | :15:05. | :15:09. | |
love. It was scattered with errors, we can see the gapping. I would say | :15:10. | :15:15. | |
the top line was too far forward in the Argentine tango. The | :15:16. | :15:17. | |
international Tango should be a lot further back. Four pieces of the pie | :15:18. | :15:23. | |
for that final, and tech is one of them. But I love her, we have all | :15:24. | :15:26. | |
fallen in love with her. Onto the Samba, Len could not get | :15:27. | :15:40. | |
enough of the maple. We love bringing back a step like that. Well | :15:41. | :15:43. | |
done, Kevin. Maybe it will not mean much to the public but this is the | :15:44. | :15:50. | |
maypole, which I liked the lady. He has been clever in making her the | :15:51. | :15:54. | |
centre of attention. The song was Brazil, which we all love as | :15:55. | :15:58. | |
dancers. She brought a lot of energy. She had her eyes down and | :15:59. | :16:01. | |
she looked nervous but her personality, that we have all fallen | :16:02. | :16:04. | |
in love with as the weeks have gone on, together with this choreography, | :16:05. | :16:08. | |
I cannot wait to see what the final is going to be like. I cannot wait | :16:09. | :16:12. | |
either. Karen Hardy, you are godless and I will miss you over the next | :16:13. | :16:20. | |
few months. -- you are a goddess. I adore her. The goodbyes keep on | :16:21. | :16:24. | |
coming. Before we pop the jukebox into storage, let's will it out one | :16:25. | :16:27. | |
last time for a special edition of tunes on Tuesday. # Let's dance... | :16:28. | :16:40. | |
It is almost time to say goodbye, old faithful friend. I have one last | :16:41. | :16:45. | |
dime, so let's make it a good one. Hit me with my first show dance | :16:46. | :16:56. | |
tune. Adele! Yes, her smash, set fire to the rain, which spent a | :16:57. | :17:00. | |
whopping 23 weeks at number one. I tell you. It backed her two Brit | :17:01. | :17:07. | |
awards and six Grammys. Hang on a minute. I know it is bad luck | :17:08. | :17:12. | |
indoors. The accolades have been pouring in ever since. Her latest | :17:13. | :17:16. | |
album, 25, is now the fastest selling album of all time on both | :17:17. | :17:23. | |
sides of the Atlantic. Who will be hoping to set the dance floor like | :17:24. | :17:30. | |
with this song on Saturday? -- set the dance floor alight. Are you | :17:31. | :17:39. | |
ready? OK. Danny and Oti. It will be a beauty. Let's see what is on next. | :17:40. | :17:47. | |
# I got rhythm... It is the popular Gershwin brothers song, I've got | :17:48. | :17:50. | |
written, performed by some of Hollywood's greatest musical stars | :17:51. | :17:56. | |
from Judy Garland to Gene Kelly. He tap danced along to this classic in | :17:57. | :18:01. | |
the Oscar-winning movie, an American in Paris. Much like Thom here, John | :18:02. | :18:10. | |
chambers! -- Thom chambers. I love it when he does that. That is | :18:11. | :18:15. | |
amazing. Who will be channelling their inner Gene Kelly on Saturday? | :18:16. | :18:27. | |
Here we go. Ore and Joanne! Thom Chambers! That means that it just | :18:28. | :18:33. | |
leaves the wheeze and Kevin's show dance song. Here we go. # I want one | :18:34. | :18:43. | |
moment in time... It's Whitney Houston's One Moment In Time. . It | :18:44. | :18:51. | |
was recorded for the whole of in Seoul in 1988. The finished line is | :18:52. | :18:56. | |
in place. Whatever happens, they are guaranteed a place on the podium. To | :18:57. | :19:01. | |
find out more about this weekend's songs, head to our website. All that | :19:02. | :19:04. | |
is left to do is just enjoy these two ladies reaching for the finish | :19:05. | :19:14. | |
line... I love it. All that is left to do now, sadly, is power-down the | :19:15. | :19:24. | |
jukebox. 94 the memories, my little friend. On Saturday, Danny, the | :19:25. | :19:30. | |
wheeze or Ore will the famous butterball, joining an exclusive | :19:31. | :19:33. | |
club of Strictly champions. Here to reveal the secret to getting your | :19:34. | :19:37. | |
hands on the trophy, Darren Gough and Thom Chambers. That was class. I | :19:38. | :19:50. | |
am telling you. The amount of detail in your work is extraordinary. The | :19:51. | :20:01. | |
winners of Strictly Come Dancing, Jill and Darren. You have danced | :20:02. | :20:07. | |
beautifully. The Incredible Hulk of the competition! | :20:08. | :20:14. | |
I loved it. All I can say is wow. The winners of Strictly Come | :20:15. | :20:33. | |
Dancing, Tom and flabby. -- Flavia. Amazing hairdos. Give it up for our | :20:34. | :20:40. | |
winners last. Great to see you. It was amazing to see that. It takes me | :20:41. | :20:48. | |
back. It was a long time ago. A bit of sun in in your hair. Those tips. | :20:49. | :20:54. | |
Whether you display your get butterball is? I am interested to | :20:55. | :20:58. | |
know. I have three format. I have lost count. -- three or four. It is | :20:59. | :21:07. | |
in my office, my study, whatever you call it. No cricket trophies, it is | :21:08. | :21:12. | |
all about Strictly. Where is yours? Beside my retro record player. I | :21:13. | :21:19. | |
knew I liked you. Beside the bedside table. I think my dad thinks that he | :21:20. | :21:25. | |
won it because he has always got it. In his office, he is a chartered | :21:26. | :21:31. | |
accountant, it is on the pavement, so that people walk past and do a | :21:32. | :21:35. | |
double-take. It is good for business, I love it! Jill, in the | :21:36. | :21:39. | |
audience on Saturday, when you were watching the show again, do you want | :21:40. | :21:43. | |
to get up and join in? Yes. It was such a good show. It was amazing. It | :21:44. | :21:49. | |
makes you want to do it again, it brings it all back. It was such a | :21:50. | :21:53. | |
good show. Absolutely spectacular. Back to steer is three, Darren, | :21:54. | :21:59. | |
there we were. You won and I have not spoken to you since then. Just | :22:00. | :22:03. | |
kidding! -- series three. He did not have the best start. You got 19 on | :22:04. | :22:09. | |
the cha-cha-cha and then he became the people's champion and you got | :22:10. | :22:12. | |
better and better. It was amazing. He did go on a journey. Who do you | :22:13. | :22:18. | |
think, looking at this series, has had the best journey? This is a | :22:19. | :22:22. | |
difficult one. How do you judge it, what to look for? Danny is the best | :22:23. | :22:25. | |
answer by far, in my personal opinion. But for the journey, I | :22:26. | :22:32. | |
think the wheeze. When it went down to two dancers, I thought she would | :22:33. | :22:37. | |
struggle. But now her journey, I think she has got better every week, | :22:38. | :22:42. | |
until last week, which I think was probably her worst week for a while. | :22:43. | :22:47. | |
Her journey has been fantastic. And everybody adores her. She is such a | :22:48. | :22:51. | |
sweetheart. And it is kind of anyone's game. The shocker of Danny | :22:52. | :22:56. | |
being in the bottom two. You were up against Rachel Stevens and Lisa | :22:57. | :23:01. | |
Snowdon, and amazing final. How do you bring it in the last Jill? You | :23:02. | :23:06. | |
get to a point, my wife told me that I needed to go up a gear because I | :23:07. | :23:10. | |
was not quite there. The others were overtaking me and I thought, right, | :23:11. | :23:13. | |
I have to really knuckle down. And it gets to the point where it is a | :23:14. | :23:18. | |
bit of a mystery because it is a really lovely atmosphere, and | :23:19. | :23:22. | |
everyone is really good friends, good support, and then it is like, | :23:23. | :23:26. | |
wow, we are approaching the finals, and you have to really focus. The | :23:27. | :23:32. | |
audience think you are completely in control but actually you are | :23:33. | :23:36. | |
entirely out of control. And it does not go, that fear. Any advice to | :23:37. | :23:39. | |
them, doing three dancers this weekend? What should they be doing? | :23:40. | :23:44. | |
My advice my dance like you have won it. The thing is with any type of | :23:45. | :23:49. | |
performance, you have to make the person who is watching you feel | :23:50. | :23:55. | |
really safe and believe in you. And Danny and Oti, they dance like they | :23:56. | :23:59. | |
are winners. But the other two are completely capable of that. They | :24:00. | :24:02. | |
just need to go out there and dance the way that they dance because all | :24:03. | :24:06. | |
of them will up their game. And I think that it will be a really close | :24:07. | :24:11. | |
final. Let's look at them all in a little detail. Starting with Danny | :24:12. | :24:15. | |
and Oti. The bottom two for the first time on Saturday. Did you see | :24:16. | :24:19. | |
that coming? He is by far the best answer. He has been greater since we | :24:20. | :24:25. | |
won. He has got better. People think is the best man ever, and I kind of | :24:26. | :24:28. | |
find that hard to believe. I think the one who came close was Tom. The | :24:29. | :24:35. | |
best show dance ever. I was not even the best in our show, but I won it. | :24:36. | :24:40. | |
And I can accept that. Colin and you, you were better than me. | :24:41. | :24:43. | |
Because it is a public show, I will take it, but I think Danny is by far | :24:44. | :24:48. | |
the best. That does not mean he will win. That is what I like about the | :24:49. | :24:53. | |
show. Louise and Kevin, she has really grown in confidence each | :24:54. | :24:57. | |
week. Have you been impressed by her progress? The reason why I love the | :24:58. | :25:02. | |
wheeze and Kevin is because all of their partnership. -- Louise and | :25:03. | :25:04. | |
Kevin. I think they have total respect for each other. They are | :25:05. | :25:09. | |
really good friends and I love the way that Kevin choreographs. I love | :25:10. | :25:14. | |
that he shows her off. I think she just needs to believe in herself as | :25:15. | :25:17. | |
much as Kevin believes, and she can do it. Talking about Ore and July | :25:18. | :25:24. | |
now, they topped the leaderboard for the first time this weekend. As he | :25:25. | :25:27. | |
upped his game at the right time? He really has. He is a man after my own | :25:28. | :25:33. | |
heart. He has really tried to get himself into that field of | :25:34. | :25:37. | |
performance, when it is make or break on the floor. Coming from a | :25:38. | :25:41. | |
sporting background, a sports presenter, without that feeling of | :25:42. | :25:44. | |
how you have to get your body into the moves and really believe that | :25:45. | :25:48. | |
you were doing it, it is really difficult. I think he is like Gene | :25:49. | :25:56. | |
Kelly. When he did to two singing in the rain, it was amazing. Bruno has | :25:57. | :26:05. | |
said he has joined the holy trinity of giants, along with you and Jade. | :26:06. | :26:12. | |
He is doing it again in the final. Could that win him the competition? | :26:13. | :26:15. | |
I think everyone likes the jive because it is a fun, dynamic dance. | :26:16. | :26:20. | |
If you can get the crowd on your side and get those people at home | :26:21. | :26:24. | |
excited about what you were doing, it is a real crowd pleaser. I think | :26:25. | :26:28. | |
it is a good one to do. It is the most energetic. You really have to | :26:29. | :26:34. | |
work hard. It is a real cardio work-out. Not for me. I was rubbish. | :26:35. | :26:39. | |
When I did mine, you said I looked like a wedding pony. Who is going to | :26:40. | :26:48. | |
win? I wanted Tameka to win but she is not here so I'm going to go for | :26:49. | :26:54. | |
the wheeze. I hope she wins. -- go for Louise. Who do I want to win? | :26:55. | :27:04. | |
Louise. Tom? I was the one Oti and Danny but Ore. It is so gorgeous to | :27:05. | :27:11. | |
see all of you. Who will be joining you with the glitter ball? Give it | :27:12. | :27:17. | |
up for Darren, chill and Tom. -- Jill. Thank you to all my guests. | :27:18. | :27:23. | |
Join us tomorrow for a catch up one last time. And for the first time | :27:24. | :27:28. | |
ever we will welcome TV's favourite double act to our sofa, Tess and | :27:29. | :27:31. | |
Claude will be here. Good night. | :27:32. | :27:35. |