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Live from London, this is Strictly It Takes Two! Please welcome your | :00:51. | :00:56. | |
host, Zoe Ball. APPLAUSE | :00:57. | :00:59. | |
There are only three sleeps until the Strictly final, | :01:00. | :01:03. | |
so tonight I've done a deal with Santa | :01:04. | :01:07. | |
and managed to pull together an absolute gift of a line-up. | :01:08. | :01:11. | |
Here for his final warm-up of the series, | :01:12. | :01:16. | |
Ian Waite will be casting his wand | :01:17. | :01:19. | |
over our finalists' show-stopping showdances. | :01:20. | :01:21. | |
Louise and Kevin are here to reveal their plans for the final. | :01:22. | :01:30. | |
And it's the It Takes Two equivalent of a visit | :01:31. | :01:32. | |
from the Queen, so everyone be on your best behaviour. | :01:33. | :01:35. | |
Strictly royalty, Tess and Claud are here! | :01:36. | :01:40. | |
Now, after a tantalising tango and a fruity samba, | :01:41. | :01:43. | |
our next couple won themselves a rightful place | :01:44. | :01:45. | |
in the Strictly final. It's Louise and Kevin! | :01:46. | :01:58. | |
So much snap, crackle and pop! You were dynamic, it was full of | :01:59. | :02:07. | |
content, I totally loved watching you. | :02:08. | :02:14. | |
A classic samba, the joy in your face! For me, there wasn't enough | :02:15. | :02:24. | |
other -- upper body energy or resistance. You put in everything | :02:25. | :02:26. | |
you possibly could, great! You loved watching that back. You | :02:27. | :02:41. | |
are finalists, congratulations, can you quite believe it? It was such an | :02:42. | :02:48. | |
emotional weekend. I have to say, I am so happy, it was the hardest week | :02:49. | :02:54. | |
I had had on Strictly. You know, I really threw myself into the | :02:55. | :02:58. | |
dancers, but they were hard, and I was really nervous, and to get | :02:59. | :03:02. | |
through, it was an emotional night for everyone, but amazing. We will | :03:03. | :03:08. | |
come to the tears, but the great thing is, Louise, you have managed | :03:09. | :03:13. | |
to keep Kevin's never knocked out reputation completely intact! I am | :03:14. | :03:21. | |
so relieved! Quite a lot of extra pressure by everyone I spoke to said | :03:22. | :03:27. | |
that Kevin had never not been in the final, and my legacy could have been | :03:28. | :03:30. | |
the one that did not get into the final! I was so stressed on | :03:31. | :03:36. | |
Saturday! They were two very difficult dances, samba and tango in | :03:37. | :03:44. | |
the same week. Kevin, and you are not only a finalist, you have said | :03:45. | :03:46. | |
another Strictly record. You are the first pro | :03:47. | :03:48. | |
to have ever reached APPLAUSE | :03:49. | :04:01. | |
They have given us everything, one party popper! | :04:02. | :04:06. | |
I hate this phrase, but we must say it. | :04:07. | :04:06. | |
Always the bridesmaid, never the bride. | :04:07. | :04:10. | |
But could this year BVA? -- be be a question mark I know, what usually | :04:11. | :04:22. | |
happens is that I make it to the final, and come second. If that | :04:23. | :04:26. | |
happens, it is totally my fault! Obviously, it would be lovely, full | :04:27. | :04:33. | |
Louise, because I think she deserves it, it is not about me, it is about | :04:34. | :04:38. | |
this girl here, she has been amazing all series. | :04:39. | :04:40. | |
Kevin, we've talked a lot this year about the Clifton family rivalry. | :04:41. | :04:43. | |
But you and your sister Joanne were very emotional on Sunday | :04:44. | :04:46. | |
And it was a lovely, lovely thing. It was a really big weekend! I think | :04:47. | :05:01. | |
when she got through, I sort of lost control a little bit, because she | :05:02. | :05:04. | |
didn't even have a celebrity partner last year, and this year she has | :05:05. | :05:13. | |
worked so hard with Ore. When they got though, I punched the air, I | :05:14. | :05:18. | |
didn't realise I was on camera at the time! As much as we joke about | :05:19. | :05:22. | |
it, the rivalry and all that, she is my baby sister, you know? You shared | :05:23. | :05:27. | |
a gorgeous picture of the two of you. Incredible outfits there! | :05:28. | :05:38. | |
Haven't changed at all. Back to the dances of the tango burst. Weekend, | :05:39. | :05:49. | |
Are you glad it is all over? I love them all, but there was a lot of | :05:50. | :05:55. | |
content, lots to take on. I always enjoy myself out there, even if it | :05:56. | :06:01. | |
is not my best dance, I love every minute of it, and the tango is no | :06:02. | :06:06. | |
different. And you got onto the conveyor belt at the end! And then, | :06:07. | :06:11. | |
of course, the samba, you hate seeing this, but we're going to show | :06:12. | :06:16. | |
you one more time. You add fruit in your hair and everything. What did | :06:17. | :06:23. | |
you make of this one? I think it was just so out of character for me, I | :06:24. | :06:27. | |
am the last person who is going to go on TV with fruit and her hair and | :06:28. | :06:32. | |
shaking her bits everywhere. But it is all an experience, and one thing | :06:33. | :06:36. | |
I realised when I started doing Strictly, you have to throw yourself | :06:37. | :06:40. | |
at everything. At the start of the week, I was saying, I am not wearing | :06:41. | :06:46. | |
fruit. But then, come on, I will do it all, make the most of it. You | :06:47. | :06:54. | |
will never have to do it again! This weekend is the final, three dances, | :06:55. | :06:59. | |
so exciting, the one we are most excited about is the one we know | :07:00. | :07:04. | |
very little about, you're showdance to Whitney Houston. This is a great | :07:05. | :07:10. | |
tune, because it builds to this huge crescendo, and I am sure he will | :07:11. | :07:15. | |
hold you up with one finger! What can you tell us about the character | :07:16. | :07:20. | |
or the theme? Well, throughout the series we do it for different | :07:21. | :07:25. | |
dances, I ended up giving Louise a different character, a different | :07:26. | :07:28. | |
name or something, a whole back story. And for this one, she's being | :07:29. | :07:36. | |
Louise Redknapp. It is about her story on Strictly and the way she | :07:37. | :07:38. | |
has developed from being very scared at the beginning to growing in | :07:39. | :07:43. | |
confidence and as a performer, it is the story of that. It is all about | :07:44. | :07:49. | |
Louise. You don't have to fall in love with Kevin. I am still trying | :07:50. | :07:57. | |
to push her! Andy Warhol wearing ballet shoes? I am, so it is it is | :07:58. | :08:03. | |
so different to anything else we have done throughout the series. It | :08:04. | :08:09. | |
is nice to go out and do something completely different. When do you | :08:10. | :08:15. | |
start planning the showdance? Is it something you do in your bedroom? | :08:16. | :08:20. | |
Snow, not at all! Only when I know that we are through, I never start | :08:21. | :08:24. | |
planning until we know we are through to the next week. You told | :08:25. | :08:30. | |
me at about 11 o'clock on Sunday night. Yeah! Usually into the night | :08:31. | :08:40. | |
on a Sunday night. And you get to do a dance that you have done before, | :08:41. | :08:48. | |
your favour -- your favourite, the Argentine tango, what was so special | :08:49. | :08:53. | |
about this? It was the first time I felt engulfed in a routine, and I | :08:54. | :08:56. | |
think I understood how important it was to put everything into it, so I | :08:57. | :09:01. | |
don't know, through all of the dances, it felt like the first one | :09:02. | :09:05. | |
where we were like, OK, I get what we have to do. It was the turning | :09:06. | :09:10. | |
point, Len had given some comments, saying we were not quite good | :09:11. | :09:15. | |
enough, not as good as the ones at the top of the leader board. And | :09:16. | :09:18. | |
then she came out and gave everything, it was a real turning | :09:19. | :09:23. | |
point. All the judges gave you tens except Craig. I know! Well, we are | :09:24. | :09:29. | |
going to try our best, but that would be amazing, we will give | :09:30. | :09:35. | |
everything. I am so excited for the two our view, wonderful, cannot wait | :09:36. | :09:40. | |
to see the showdance. Good luck, and your boy Jamie is on the show | :09:41. | :09:43. | |
tomorrow, I am going to make him dance! Just kidding! Just getting to | :09:44. | :09:53. | |
do a step over. Also, we will find out what the judges have picked for | :09:54. | :09:58. | |
you, but not until Saturday. Enjoy the final, in fact we will see you | :09:59. | :10:00. | |
on Friday. Louise and Kevin! Now, over the past 12 weeks, | :10:01. | :10:03. | |
one man and his trusty wand have analysed the training-room footage | :10:04. | :10:06. | |
of an astonishing 105 dances. Lesser men would crumble under | :10:07. | :10:09. | |
the pressure, but not Ian Waite! For the last time this series - | :10:10. | :10:26. | |
Ian Waite, everybody! He is wearing red trousers, look at | :10:27. | :10:36. | |
this! I was told I had to wear something colourful so I do not | :10:37. | :10:43. | |
blend into the background. Have you gone for a spray tan? I have been | :10:44. | :10:47. | |
away to the Canaries, but I was still watching the show in my hotel | :10:48. | :10:52. | |
room! Can you believe it is the final already? I think because it | :10:53. | :10:57. | |
has been so good, it has gone just like that. Something we are really | :10:58. | :11:02. | |
looking forward to seeing is the finalists' showdances, when they can | :11:03. | :11:06. | |
do no holds barred, anything goes, no rules at all, what are we looking | :11:07. | :11:14. | |
for in a great performance? From last week, they were also emotional, | :11:15. | :11:17. | |
the semifinal, everybody is crying. But this week they are just going to | :11:18. | :11:21. | |
go hell for leather, the music has to be very important, it has to have | :11:22. | :11:26. | |
highs and lows. With the choreography, you have to make sure | :11:27. | :11:30. | |
you have easy parts, fast parts, and also the big lifts, the big wow | :11:31. | :11:34. | |
moments. You have to have a beginning, a medal and an end, a big | :11:35. | :11:39. | |
finale at the end. And of course, you know, as an example, the | :11:40. | :11:43. | |
showdance we did when we got knocked out! Is this the bit where you fell | :11:44. | :11:52. | |
over?! This was really difficult, to choreograph this, great piece of | :11:53. | :11:58. | |
music, but five beats to a bar, it was so difficult. Just do that | :11:59. | :12:03. | |
little bit. I can't do it any more, don't make me do it! What do you do? | :12:04. | :12:13. | |
APPLAUSE Don't leave me on my own! | :12:14. | :12:22. | |
I am sorry, after Karen Clifton did that so amazingly, you cannot touch | :12:23. | :12:26. | |
it ever again. Tom Chambers had the best showdance ever, he was | :12:27. | :12:30. | |
incredible. Let's have a look at what they have done so far, only | :12:31. | :12:35. | |
tiny bits. For one last time, get the one doubt. If I must! There we | :12:36. | :12:43. | |
go, look. Let's start with Danny had Oti, their dance is to Set Fire To | :12:44. | :12:55. | |
The Rain by Adele. They are doing some Argentine tango mixed with some | :12:56. | :13:01. | |
contemporary, so very dramatic. I did Set Fire To The Rain, I dance to | :13:02. | :13:06. | |
that number with Darcey, so they have got a lot to live up to, I am | :13:07. | :13:10. | |
just saying, no pressure! But he will have her up in those lifts, and | :13:11. | :13:15. | |
for him the most important thing is to go out like a champion, and he | :13:16. | :13:19. | |
has done that all the way along. As Jill Halfpenny said the other night, | :13:20. | :13:24. | |
every week he comes out, and he dances like a champion. She said | :13:25. | :13:29. | |
dance like you are already a winner, because you kind of art. Yes, if you | :13:30. | :13:35. | |
have made the final. We did not care that we were third, just that we had | :13:36. | :13:39. | |
made a final, it is amazing, enjoy it. Louise and Kevin are dancing to | :13:40. | :13:46. | |
One Moment In Time, Whitney Houston. We did a rumba to this, and it was a | :13:47. | :13:53. | |
disaster! Let's move on! As you mentioned, she is in those ballet | :13:54. | :13:59. | |
shoes, I think it will be a sort of rumba, adagio sort of dance, so | :14:00. | :14:02. | |
Kevin will have to have good muscles to be lifting her, not that she is | :14:03. | :14:08. | |
heavy but...! It is hard work, when you are practising all those lifts | :14:09. | :14:12. | |
over and over again, it is OK doing it once, but over and over again. | :14:13. | :14:19. | |
Now, as I said, he said the song is about her story throughout Strictly. | :14:20. | :14:24. | |
And it is a grower, that song, it starts off quite easy, and then it | :14:25. | :14:28. | |
builds up to the end, a big crescendo at the end. I think it | :14:29. | :14:33. | |
will be a good showdance. Finally, Ore and Joanne, I Got Rhythm from | :14:34. | :14:42. | |
Crazy For You, classic Gene Kelly, he did it so brilliantly. He did, | :14:43. | :14:49. | |
with Singing In The Rain. It reminds me of the song that Tom Chambers | :14:50. | :14:53. | |
dance to, that old-fashioned variety sort of feel, and I think throughout | :14:54. | :14:59. | |
the dance, you can create those old-fashioned moments. As you say, | :15:00. | :15:04. | |
he was brilliant in Singing In The Rain, so I think it will be great, | :15:05. | :15:09. | |
and I think the British public will love this one. The Strictly public | :15:10. | :15:14. | |
will adore this. You know, for him, really, he has got to get totally in | :15:15. | :15:20. | |
character, like he did in singing in the rain, which I do not think will | :15:21. | :15:24. | |
be difficult for him. But he is the one who has come from nowhere and be | :15:25. | :15:29. | |
come this amazing dancer. I cannot believe it is the last one! He is | :15:30. | :15:34. | |
into the studio on Friday, so not quite over, you and Gethin Jones, | :15:35. | :15:39. | |
but thanks for keeping us warmed up over the last three months. Give it | :15:40. | :15:40. | |
up for Ian Waite! Now, regular viewers will know | :15:41. | :15:45. | |
we love a good Strictly stat But with the Final fast approaching, | :15:46. | :15:48. | |
we decided to bring in a heavyweight broadcaster to delve deep | :15:49. | :15:53. | |
into the Glitterball Here with a high-brow, | :15:54. | :15:55. | |
informative analysis of all the finalists that have | :15:56. | :16:01. | |
gone before, it's the Sorry, I'm so sorry, I was just | :16:02. | :16:16. | |
having a slight moment, I know you understand that! I'm inside, | :16:17. | :16:21. | |
actually inside the Strictly Glitterball! We will use the power | :16:22. | :16:26. | |
of the graphics to see if there is some scientific way of working out | :16:27. | :16:31. | |
who is best placed to win. We've got quite a lot of information. We've | :16:32. | :16:39. | |
got... 13 series. We have seen... 39 finalists! And of course, those 13 | :16:40. | :16:44. | |
brilliant winners. Is there some way of working out who will be the | :16:45. | :16:50. | |
winner of series 14? And maybe also where I went wrong! Take a look at | :16:51. | :16:56. | |
our finalists named board and we have put the name of all 39 in no | :16:57. | :17:02. | |
particular order so you can search for your favourites. Down here, Zoe | :17:03. | :17:07. | |
Ball! Series III. We remember you! But what I'm going to do now is | :17:08. | :17:12. | |
rearrange them in the decades. Just have a look. Now we can see which of | :17:13. | :17:19. | |
them favourites to be finalists. Over here, you've got the people in | :17:20. | :17:25. | |
their 20s. 16 of them. The thirtysomethings, 18. That is the | :17:26. | :17:30. | |
most populated age decade. You have just got four of the | :17:31. | :17:35. | |
fortysomethings. And the fiftysomethings? That none of them, | :17:36. | :17:38. | |
nobody mentioned that the meat when they invited me on to the show. In | :17:39. | :17:44. | |
their 60s, one finalists, Pamela Stephenson. This is the Strictly pie | :17:45. | :17:49. | |
chart and we do not even get this in election coverage! Look at the | :17:50. | :17:54. | |
beauty of that! Every segment is a decade so the thirtysomethings, you | :17:55. | :17:58. | |
could see they've the bigger segment. And the average age of | :17:59. | :18:03. | |
finalists is 31.2. However, and this is fascinating, watch what happens | :18:04. | :18:08. | |
when the Strictly pie chart looks at only winners. You can see the way | :18:09. | :18:14. | |
suddenly, the segment that belongs to 20 somethings becomes the | :18:15. | :18:18. | |
biggest. There are more 20-something winners, seven, and 30-something | :18:19. | :18:24. | |
winners, six. So winning the Glitterball is clearly a young | :18:25. | :18:29. | |
person's thing. Person! Do I mean man or woman? Now, this territory of | :18:30. | :18:36. | |
the Battle of the sexes is the most fascinating. In all the Strictly | :18:37. | :18:41. | |
graphics area. Look at this, it shows you that are more female than | :18:42. | :18:46. | |
male finalists in the past history of Strictly so the women have it in | :18:47. | :18:50. | |
terms of finalists. They never told me that either, by the way! However, | :18:51. | :18:54. | |
look at the winners. It changes around. That is interesting. You | :18:55. | :18:59. | |
suddenly see more male Strictly winners than female. In seven -- it | :19:00. | :19:06. | |
is 7-6. What will happen this year? Will the men extend their lead over | :19:07. | :19:10. | |
the women or will the women catch up and make it seven abuse? As a | :19:11. | :19:14. | |
Strictly fan, you will know the two main styles of dancing, Latin and | :19:15. | :19:21. | |
ballroom, but which are stronger in, the finalists? For this key battle | :19:22. | :19:25. | |
ground territory, we need a Strictly swingometer. Looking at past | :19:26. | :19:29. | |
finalists, we find the number strongest in Latin based on the | :19:30. | :19:34. | |
average scores through the contest is only nine! If we look at the | :19:35. | :19:38. | |
number strongest in ballroom, bring the arrow around, it is 29. Ballroom | :19:39. | :19:46. | |
predominates among the finalists. One was strong equally in both, the | :19:47. | :19:53. | |
amazing Natalie in series 11. We switched to winners using the | :19:54. | :19:57. | |
swingometer for this. So the strongest winners in ballroom, how | :19:58. | :20:03. | |
many? Nine. How many winners were strongest in Latin? As they came | :20:04. | :20:09. | |
through the contest. Only four. And they were Jill Halfpenny, Caroline | :20:10. | :20:13. | |
Flack, Kara Tointon and Jay McGuiness. Latin in the minority so | :20:14. | :20:17. | |
it seems ballroom is the ticket to get you to the final. So there we | :20:18. | :20:21. | |
go, fascinating facts and figures about the last 13 series of | :20:22. | :20:25. | |
Strictly! Thank you, Strictly, for allowing me to be inside the | :20:26. | :20:28. | |
Glitterball! It is the closest I have ever got. The question is if we | :20:29. | :20:40. | |
can take these numbers and analyse them and work out who is going to | :20:41. | :20:44. | |
win the series 14, it is going to be so enthralling! | :20:45. | :20:46. | |
Zoe, back to you. Jeremy Vine, I love him! | :20:47. | :20:46. | |
And Jeremy Vine will be back inside the Glitterball tomorrow | :20:47. | :20:48. | |
Right now, it's time to welcome the Queen Bees of Strictly. | :20:49. | :20:53. | |
Here, together on my sofa for the first time ever, | :20:54. | :20:55. | |
please be upstanding for the brilliant Tess Daly | :20:56. | :20:57. | |
Hello, ladies! Lovely to see you here. Of duty, I like it. | :20:58. | :21:02. | |
You presented It Takes Two for seven years. | :21:03. | :21:08. | |
Yes, I apologise. It is so much nicer and you are a genius. We are | :21:09. | :21:17. | |
obsessed, we say, have you seen Zoe, and her shoes? The lush, I was | :21:18. | :21:20. | |
secretly pregnant and the place smelt of sick! I had bad morning | :21:21. | :21:25. | |
sickness. I would talk to somebody and B, back in a minute. I | :21:26. | :21:29. | |
apologise. It is a lovely thing to go through morning sickness and you | :21:30. | :21:35. | |
get a lovely bundle of joy. This year, what you think of the class of | :21:36. | :21:40. | |
2016? What a year! What a bunch. Brilliant cast. I think this is the | :21:41. | :21:43. | |
highest standard of dancing we have seen ever. We say that every year | :21:44. | :21:49. | |
and people get cross, but it has been stunning. I can't remember a | :21:50. | :21:55. | |
better year. The semifinal, the atmosphere, people physically were | :21:56. | :22:00. | |
shaking, the standard of dancing, all of them. Extraordinary. Did you | :22:01. | :22:04. | |
both cry? I was sobbing at home and I'm dangerously hormonal! We love | :22:05. | :22:09. | |
you wonderful partnership on screen and off screen. What is the best | :22:10. | :22:12. | |
part of working together? She makes me die laughing all the time! We | :22:13. | :22:17. | |
have a proper laugh! Doing rehearsals. We become like baboons! | :22:18. | :22:22. | |
Not in a bad way! We are telepathic I look at you and I play with your | :22:23. | :22:29. | |
hair. I'm always like that. So you can communicate with each other's | :22:30. | :22:33. | |
minds? She bakes Brownies sometimes, the best! I feel bad when I buy a | :22:34. | :22:41. | |
packet of biscuits and I think, I had better do something, Claudia is | :22:42. | :22:48. | |
doing Brownies. They go, it is really terrible and I go, cinnamon | :22:49. | :22:53. | |
bun, anyone? This weekend, amazing moments, we have to relive it, this | :22:54. | :22:57. | |
is a quick reminder. Are you sure that is a good idea? Absolutely. Oh! | :22:58. | :23:06. | |
Over the series, Louise has gained plenty of supporters and... | :23:07. | :23:23. | |
CHEERING AND APPLAUSE I apologise! It is just hilarious. My favourite | :23:24. | :23:28. | |
bits, I love this girl so much. I'm constantly holding a banana or | :23:29. | :23:33. | |
pretending to do this, orchestral! And she is looking at me like... | :23:34. | :23:39. | |
Tolerating it. But to make you go like that, it was so cute. Honestly, | :23:40. | :23:45. | |
her face, do the face was just so brilliant. What you could not see is | :23:46. | :23:49. | |
that she was lying on the matches that of all lying back taunting me | :23:50. | :23:54. | |
like this, smiling and pointing! Crying with laughter! I could not | :23:55. | :23:57. | |
hold it together. And the lovely audience on the right. We had not | :23:58. | :24:03. | |
planned where I would go so I thought, should I squirrel away? It | :24:04. | :24:07. | |
was so confusing. You had never for one that hard! You did go for it! | :24:08. | :24:13. | |
Age in the floor manager was in charge and in rehearsals, he was | :24:14. | :24:19. | |
pulling it and I said, just Pollitt. The face was already falling off! | :24:20. | :24:24. | |
And I loved bold macro. That was hilarious. -- old Claud. Len was | :24:25. | :24:33. | |
saying in series one he was thinking, I'm not sure this is going | :24:34. | :24:37. | |
to work, do you remember back then, what did you think? We did two | :24:38. | :24:42. | |
series in 2004 in March and October and I had a baby for the second one | :24:43. | :24:46. | |
and I went back halfway and we had no idea we would be still hear these | :24:47. | :24:51. | |
years later is. It started small, the first series, we had six | :24:52. | :24:54. | |
celebrities and the second we had eight celebrities and it just grew. | :24:55. | :25:01. | |
It grew in popularity and who knew? Next year, 25 contestants! We will | :25:02. | :25:06. | |
begin in March! I think everybody would love it to run longer. In the | :25:07. | :25:14. | |
States, they've two series a year. And Len will say se-ven! For the | :25:15. | :25:21. | |
last time at the weekend. How much are you going to miss him and his | :25:22. | :25:24. | |
pickle me walnuts? I hang on his every word. I love him, and we were | :25:25. | :25:31. | |
doing a masterclass and it was my favourite part of it. And he is the | :25:32. | :25:37. | |
King. I keep thinking maybe it is a joke and I'm like, see you in | :25:38. | :25:41. | |
August, Len. He goes, no art, I'm not coming, I think it will be | :25:42. | :25:48. | |
horrible. I can't imagine him not there. He is the daddy! Keeps them | :25:49. | :25:51. | |
under control. Now, between you, the pair | :25:52. | :25:54. | |
of you have asked the pros a lot So today, our pros are getting | :25:55. | :25:57. | |
their own-back in a ground-breaking We literally couldn't play | :25:58. | :26:03. | |
it with anyone else. I love you. I love you more! We have | :26:04. | :26:11. | |
a question for you. If you could dance with one | :26:12. | :26:22. | |
of us, who would it be? Who who is your favourite? Really | :26:23. | :26:35. | |
easy, I know! You know what to say. Cheeky! We love them both. | :26:36. | :26:43. | |
Blackpool, we would dance with each of them equally. Yes, we did. Anton. | :26:44. | :26:52. | |
You know them so well, they are gorgeous. So talented and so funny. | :26:53. | :26:58. | |
Those two, really naughty. Next, we have a question from Oti. | :26:59. | :27:03. | |
Hello. If you had to dance one | :27:04. | :27:04. | |
dance, what would it be? Mine would be the Argentine tango. | :27:05. | :27:13. | |
Could that happen? So passionate, so intense. I think at the wrap party. | :27:14. | :27:19. | |
I would not want anybody else to see it. I will make an elaborate home | :27:20. | :27:26. | |
video. I like the really livid ones and you have to look grumpy. I like | :27:27. | :27:36. | |
the paso, like that! Like a Pirate! You and Ed Balls, wrap party, it is | :27:37. | :27:40. | |
You and Ed Balls, wrap party, it is a dream! | :27:41. | :27:43. | |
There have been many fun couples in Strictly over the years. | :27:44. | :27:51. | |
If you had to bring back one couple from any past | :27:52. | :27:54. | |
series for the final, who would it be? | :27:55. | :27:56. | |
I think she is hinting. I loved her and Ed. I missed Alesha Dixon, she | :27:57. | :28:04. | |
has the best laugh I have ever heard! All I could hear was... It is | :28:05. | :28:09. | |
from there and you could hear it seven floors away! Hashimi was | :28:10. | :28:20. | |
pretty mean. Who would you like to see, dream booking, next year? David | :28:21. | :28:27. | |
Cameron. Alistair Campbell. I love Alistair Campbell! We adore the two | :28:28. | :28:31. | |
of view, have the best final on Saturday. So exciting, I can't wait. | :28:32. | :28:37. | |
Give it up for Tess and Claudia. CHEERING AND APPLAUSE. | :28:38. | :28:40. | |
That's all we've got time for tonight, I'm afraid. | :28:41. | :28:42. | |
Join me tomorrow night, when I'll be here with Ore and Joanne. | :28:43. | :28:49. | |
Vicky Gill will be sharing her Final show-stopping costume designs. | :28:50. | :28:52. | |
And we'll be chatting to a special panel of our | :28:53. | :28:55. |