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Live from London, this is Strictly: It Takes Two! Please welcome your | :00:49. | :00:57. | |
host, Zoe Ball! It's the penultimate show | :00:58. | :00:59. | |
of the series, we're so close to the final now, | :01:00. | :01:06. | |
but don't worry, we've still got plenty of Strictly | :01:07. | :01:09. | |
sparkle left in us tonight! What on earth was that? | :01:10. | :01:12. | |
Is it coming from the green room? Sorry, this happens every year. | :01:13. | :01:17. | |
How many times do I have to say? Do not leave the finalists' | :01:18. | :01:25. | |
friends and family We'll be talking to | :01:26. | :01:27. | |
Jamie Rednapp, Iain Stirling And fresh from topping | :01:28. | :01:30. | |
last week's leaderboard, they've promised not to get | :01:31. | :01:36. | |
emotional, it's Ore and Joanne! But first, let's get glam | :01:37. | :01:43. | |
for one last time this series. The goddess of Gill! What age addict | :01:44. | :02:15. | |
semifinal it was, so many costume changes, absolutely stunning, | :02:16. | :02:19. | |
fabulous frocks. We must talk about this dress, we don't see leather on | :02:20. | :02:23. | |
the dance floor very often, because it is so expensive. It was an | :02:24. | :02:28. | |
amazing creation. I think, because of the concept, it worked perfectly. | :02:29. | :02:33. | |
Making it was quite difficult, because the two sides were very | :02:34. | :02:37. | |
different in terms of stretch, and that was so it would twist a little | :02:38. | :02:42. | |
bit. But we managed, lots of leg on the right side, from the sheer lots | :02:43. | :02:51. | |
of animation within the routine to the choreography, so I think it's | :02:52. | :03:00. | |
did a good job. Carried did off so well! You have brought a couple of | :03:01. | :03:05. | |
your favourite frocks in, Oti's tango, Louise's paso dress. This is | :03:06. | :03:13. | |
unbelievable, I just want to show you this, this is the length of | :03:14. | :03:17. | |
frock that she had to carry. How many metres?! Ten metres in length! | :03:18. | :03:26. | |
What are you going to do with this after?! You need to make some | :03:27. | :03:30. | |
curtains. It may come out in one form or another. It was mainly the | :03:31. | :03:35. | |
fact, not the favourite dresses, but they worked perfectly for what they | :03:36. | :03:40. | |
were designed to do. Jane wants to know what happens to them after the | :03:41. | :03:44. | |
show. They go to different places, the show has been sold to different | :03:45. | :03:48. | |
countries around the world, so Louise's frock is in the Lebanon at | :03:49. | :03:55. | |
the moment. That is why it is not here. Your head is just poking out | :03:56. | :04:02. | |
beautifully! Can the celebrities by their outfits? I think it is a bit | :04:03. | :04:06. | |
like a wedding dress, it stays in a box, it is a memory. People at home, | :04:07. | :04:11. | |
going, it should have been me! I didn't do that! How much have | :04:12. | :04:17. | |
people's bodies changed? Because they trained so hard. We always have | :04:18. | :04:22. | |
a giggle in the summer, because when we meet, that is the best the | :04:23. | :04:26. | |
wardrobe team looks, we have been on holiday, and I say, we will look | :04:27. | :04:29. | |
great, you will look fabulous, because they grow in confidence, | :04:30. | :04:34. | |
they lengthen, they look clean, fabulous. I remember my rib cage and | :04:35. | :04:41. | |
my arms, I had no bingo wings, it was great! That is why I wear long | :04:42. | :04:46. | |
sleeves now! Let's talk about the showdances, the Gilles' costumes, | :04:47. | :04:52. | |
you cannot tell us too much. Louise is dancing to One Moment In Time, we | :04:53. | :04:57. | |
know she is wearing ballet shoes, any kind of 1980s nod with this? Not | :04:58. | :05:04. | |
really, it is more about what will work for Lou. Card she is in a flat | :05:05. | :05:10. | |
shoe, I will be mindful of the state of the hemline. I don't want it to | :05:11. | :05:14. | |
be too covered, have too much skirt, but it is quite lyrical to suit the | :05:15. | :05:19. | |
mood. There is a softness, lots of power through spins and things in | :05:20. | :05:28. | |
other parts. It has to tick a lot of boxes. I just want is Lou to feel | :05:29. | :05:32. | |
fabulous so she can do a thing. Watching her change has been | :05:33. | :05:37. | |
incredible. Joanne and Ore are dancing to I Got Rhythm, this looks | :05:38. | :05:43. | |
absolutely classic, feathers, classic song. Yes, Fred and Ginger, | :05:44. | :05:50. | |
Top At, that is running through the whole thing. It is a layer of navy | :05:51. | :06:00. | |
mesh over a cream lining, and then there is a Bermuda Bluestone running | :06:01. | :06:03. | |
through it. Lots of light and shade on the floor, hopefully the hem will | :06:04. | :06:09. | |
really move. How much have the dancers had a say? The showdances | :06:10. | :06:14. | |
huge for them. I want them to have more say, but because of time I | :06:15. | :06:18. | |
don't have that luxury. They have to get it into their heads and really | :06:19. | :06:22. | |
be connected with what they do, so I have been sending texts, saying, any | :06:23. | :06:28. | |
news?! Can you tell me what you need from me? And finally, Danny and Oti | :06:29. | :06:35. | |
are doing their showdance to Set Fire To The Rain, sounds very | :06:36. | :06:38. | |
dramatic. What a joy to dress Oti, she is stunning. When I watch, it | :06:39. | :06:48. | |
feels like there is a nod to paso through the routine, so I felt I | :06:49. | :06:51. | |
needed to give her a long skirt with lots of volume. It is only one | :06:52. | :06:56. | |
layer, because it cannot be heavy because of all the choreography they | :06:57. | :06:59. | |
are doing. With embellishments, it will be really heavy, that will be | :07:00. | :07:03. | |
the key to this number, lots of lines of embellishment running | :07:04. | :07:07. | |
through the skirt. Not too heavy on the hem, because with lifts, as we | :07:08. | :07:11. | |
discussed, with the American smooth, they injure partners and things. I | :07:12. | :07:19. | |
think you and your team, Tilly, Ash, Jen, they are great, you have done | :07:20. | :07:27. | |
amazing work. I do not know how you do it, Vicky Gill, we love you! She | :07:28. | :07:34. | |
can go and have a nice long lie down on Sunday. | :07:35. | :07:36. | |
So we've taken a look at what our couples | :07:37. | :07:38. | |
will be wearing this series - but do they have the moves to match? | :07:39. | :07:41. | |
Let's see how our finalists are bearing up in the training room. | :07:42. | :07:44. | |
Our showdance is complex and complicated, there is so many | :07:45. | :07:53. | |
different styles that we are incorporating, which makes it a | :07:54. | :07:57. | |
little bit difficult. We have bits and pieces that are coming together, | :07:58. | :08:02. | |
just doing a dance break, right now it is getting the steps in. I am | :08:03. | :08:06. | |
really happy with his progress so far. I have no doubt in her ability | :08:07. | :08:12. | |
to choreograph a great routine, so fingers crossed I can match her | :08:13. | :08:19. | |
standards. All right, Danny, back. The showdances making me feel really | :08:20. | :08:24. | |
nor shoes, there is lots of spins and turns, and today I feel quite | :08:25. | :08:31. | |
nauseous and sick. I want this number to be quite lyrical and | :08:32. | :08:35. | |
contemporary and balletic, I do not want a Latin or ballroom feel. I am | :08:36. | :08:42. | |
wearing ballet shoes. I know the general direction, but it all | :08:43. | :08:45. | |
depends on what we can pull off without Louise Robert in. Jo and I | :08:46. | :08:52. | |
are building up our showdance, it has got a bit of everything, it is | :08:53. | :08:58. | |
fun and joys. That doesn't mean that Jo is going any easier on me, I | :08:59. | :09:02. | |
think she is working me harder than she ever has. It is bang, bang, | :09:03. | :09:08. | |
bang, and right now I am struggling. Don't jump on the kick, it is a | :09:09. | :09:13. | |
final, a showdance, it is not big, it is massive. | :09:14. | :09:18. | |
Now here at It Takes Two we love all our finalists, | :09:19. | :09:21. | |
don't make us choose, because we could never pick | :09:22. | :09:23. | |
a favourite, which is why we've invited their nearest and dearest | :09:24. | :09:26. | |
Please welcome, Jamie Redknapp, Iain Stirling and Natalie Anderson. | :09:27. | :09:34. | |
Hello! Looking delightful, Jamie, let's start with your Mrs, Louise. | :09:35. | :09:45. | |
She has done so brilliantly, she has grown in confidence, have you | :09:46. | :09:50. | |
noticed the changes? I think so, I suppose I see her every night, | :09:51. | :09:53. | |
coming back afterwards, training so hard and putting so much effort in. | :09:54. | :09:59. | |
I suppose I have seen a growing in confidence, but last Saturday I was | :10:00. | :10:03. | |
there, and I could see the fear in her face, and the nerves. She has | :10:04. | :10:07. | |
been incredible, we all are, the boys, it has been a brilliant | :10:08. | :10:14. | |
experience. Do you get nervous for her? Petrified, it is horrendous. | :10:15. | :10:18. | |
When I hear the music, it is butterflies. But now I am the | :10:19. | :10:21. | |
biggest Strictly fan, I love watching It Takes Two, I read | :10:22. | :10:26. | |
everything. From lasted, not really watching, I am obsessed! I have got | :10:27. | :10:32. | |
a pink rosette and, of course I am! She and Kevin are the only couple | :10:33. | :10:35. | |
not to have faced the dance-off, does that give you confidence? I | :10:36. | :10:40. | |
suppose it does, but who knows? We were just talking to Karen and Ore | :10:41. | :10:45. | |
there, everyone has done a great job, Danny is amazing, and it is an | :10:46. | :10:50. | |
honour to watch them dance, because we are all in all of them. Live on | :10:51. | :10:57. | |
TV, they are also good. I am not comparing it to different years, but | :10:58. | :11:02. | |
they are so talented, and the pros, I am disappointed that we are not | :11:03. | :11:06. | |
doing the pro challenge tonight, that is what we are here FOI! We can | :11:07. | :11:13. | |
make that happen! Welcome to the show, you worked with are donkeys | :11:14. | :11:20. | |
years ago, CBBC, that is where we cut our teeth, love that place! He | :11:21. | :11:24. | |
is the only one without any previous experience. How has he impressed | :11:25. | :11:30. | |
you? Apart from a few nights in Clapham, I have not seen him dance | :11:31. | :11:35. | |
ever. You don't understand, very sporting background, I have never | :11:36. | :11:38. | |
heard him talk about stance, and he has taken to it like a duck to | :11:39. | :11:44. | |
water. He is obsessed! As a mate, the man is pathologically obsessed | :11:45. | :11:50. | |
with dancing, it is odd. It has got into the final, though, I have to | :11:51. | :11:56. | |
say. If you recognise Iain's voice, he is the voice of Love Ireland. It | :11:57. | :12:12. | |
is my favourite show of the year! -- Love Island. Has he been emotional? | :12:13. | :12:21. | |
I made him dinner once, and he cried, he was just grateful. He | :12:22. | :12:25. | |
talked about meeting his wife, he got emotional telling me that he had | :12:26. | :12:30. | |
met a girl. The man is amazing, but genuinely, like, when he was first | :12:31. | :12:35. | |
on Strictly, it came out of the blue, I wasn't expecting it, but I | :12:36. | :12:39. | |
have never heard a man so passionate about a thing. I am sure you have | :12:40. | :12:46. | |
the exact same thing, but he loves it, he loves Jo, the two of them | :12:47. | :12:49. | |
needs to stop crying a little bit. Maybe after Saturday! The just needs | :12:50. | :12:56. | |
to watch Manchester United player the weekend! Dany Zuco the most | :12:57. | :13:01. | |
points across the series out of anyone. -- Danny has scored. He was | :13:02. | :13:09. | |
in the dance-off last weekend, how upset was he? I was gutted about | :13:10. | :13:14. | |
that, but I think people think he is safe, oh my God, he is so amazing, | :13:15. | :13:19. | |
we do not need to vote for him. It really knocked his confidence, he | :13:20. | :13:23. | |
trained so hard, he worked so meticulous, and he has always been | :13:24. | :13:28. | |
like that. I am really rooting for him, because he and Oti together, | :13:29. | :13:32. | |
their partnership is incredible, the things that she has got him to do, I | :13:33. | :13:38. | |
am like, what?!, it has blown my mind, so good. She has really pushed | :13:39. | :13:44. | |
the boundaries with choreography, we have loved that. Does that give them | :13:45. | :13:49. | |
an edge over the others at this point? I don't know, because she has | :13:50. | :13:53. | |
been so powerful with her choreography, which is incredible, | :13:54. | :13:57. | |
but at the same time, the other professional dancers know a bit more | :13:58. | :14:01. | |
of what the judges are looking for, so you don't want it to go too far. | :14:02. | :14:05. | |
But it is still brilliant to see all the new moves, my God, the American | :14:06. | :14:13. | |
smooth on Saturday, that lived was just... It blew my mind, it was so | :14:14. | :14:16. | |
brilliant. I love how obsessed you all are! Jamie, Kevin has been the | :14:17. | :14:22. | |
final every year, does Louise feel that pressure to maybe be the one to | :14:23. | :14:26. | |
get him the Glitterball? No, I think she is just pleased that she got | :14:27. | :14:29. | |
into the final, and whatever happens. -- whatever happens | :14:30. | :14:37. | |
happens. I just spoke to her before we came on air, and they are doing | :14:38. | :14:41. | |
lifts, and Kevin has waited until he was super fit to do it, she took | :14:42. | :14:45. | |
exception to that! She has said they go really well really badly, looking | :14:46. | :14:50. | |
to see how it works tomorrow night. I don't think that is a bad thing, | :14:51. | :14:55. | |
saving these things until the end. Ore and Joanne top of the | :14:56. | :14:58. | |
leaderboard last week, are they the ones to beat? Everyone is an amazing | :14:59. | :15:08. | |
this year. Another year, maybe he would be the one to be, I think this | :15:09. | :15:12. | |
year anyone could win so what you have got to do is vote for Ore! You | :15:13. | :15:20. | |
will get your time in a minute! Winger Danny likes to put in sunny | :15:21. | :15:23. | |
hours of training, how seriously will he have taken this week? So | :15:24. | :15:29. | |
seriously, Danny approaches any project, he gives it anything, he | :15:30. | :15:33. | |
would have completely given it everything this week, 100%. Here we | :15:34. | :15:39. | |
go. You have put forward cases but now it's time to really hammer home | :15:40. | :15:44. | |
who you think should win. They need to get ten seconds to convince the | :15:45. | :15:50. | |
great British public. Are you ready for this, Redknapp? Why should | :15:51. | :15:57. | |
Louise when? Just please vote for her, and also about the partner | :15:58. | :16:01. | |
Kevin can he has done such a good job, don't let him with a bridesmaid | :16:02. | :16:04. | |
for ever, let him be the bride! Also, I have a pink rose at on! Good | :16:05. | :16:18. | |
one, Jamie. OK, your turn, Ian. Ladies and gentlemen, what we love | :16:19. | :16:22. | |
in Britain? An underdog! This man has had no training whatsoever, he | :16:23. | :16:25. | |
is accessed with dancing, he lives, breathes dancing, vote for Ore, the | :16:26. | :16:36. | |
People's Champion! Natalie, you will not let him down, your ten seconds | :16:37. | :16:43. | |
for Penny starts now. He's literally one of the nicest people you will | :16:44. | :16:46. | |
ever make them he has such heart, such Salcombe who works incredibly | :16:47. | :16:51. | |
hard and like Jamie said, Oti has been incredible... Please vote for | :16:52. | :16:58. | |
Danny! I have to say, all three of two, so passionate, it's wonderful. | :16:59. | :17:02. | |
Maybe contestants next year! The calls are going in now. Thank you | :17:03. | :17:07. | |
all! Well I think it's fair | :17:08. | :17:14. | |
to say anyone could win the Glitterball trophy this year, | :17:15. | :17:16. | |
we just can't call it. That hasn't stopped Jeremy Vine | :17:17. | :17:19. | |
from cracking the code to Strictly success though - | :17:20. | :17:21. | |
let's take a look at part Welcome back to our graphics area, | :17:22. | :17:32. | |
where we are doing the full power of the fixed devices here to see if we | :17:33. | :17:36. | |
can work out who will win this series. Is there any clue in the | :17:37. | :17:41. | |
contestants's professions as to who has the age? Two singers do better | :17:42. | :17:47. | |
than sports stars? Two models do better than musicians? That me show | :17:48. | :17:53. | |
you the professions of the 34 finalists we have seen and I will | :17:54. | :17:56. | |
break it down the globe gathered nine finalists who have been singers | :17:57. | :18:03. | |
or musicians, nine who have been presenters, it should have been | :18:04. | :18:07. | |
pinned, everyone agrees! 11 who have been actors, six and have been | :18:08. | :18:11. | |
sports stars, the comedians, and at the end, two models. So look at | :18:12. | :18:18. | |
that, it's best to be an actor if you want to get to the final. But | :18:19. | :18:25. | |
actually, let me change this now, look at the winners and their | :18:26. | :18:28. | |
professions and they are pretty evenly represented in this series, | :18:29. | :18:33. | |
here you can see some very even spreads. There isn't really a clue | :18:34. | :18:38. | |
here. You can't be sure which profession gives you the age. Here | :18:39. | :18:44. | |
is a very good question, can we work out who the winner is by adding up | :18:45. | :18:47. | |
their scores across the whole series? In the 13 past series of | :18:48. | :18:57. | |
Strictly, that worked in nine of them, but they were four exceptions. | :18:58. | :19:04. | |
Series III was won by Darren Gough, 406 points in total, but more points | :19:05. | :19:09. | |
than him was second placed Colin Jackson, and more points than them | :19:10. | :19:15. | |
both was our own salary! You were robbed! Series six, total points for | :19:16. | :19:24. | |
the winner, but look at Rachel Stevens in second place. Now look at | :19:25. | :19:32. | |
series sevens, Chris Hollins won, way more points though, in second | :19:33. | :19:38. | |
place was Ricky Whittle. A difference of 94, and yet he lost. | :19:39. | :19:44. | |
Finally, series ten over here, another one where the total points | :19:45. | :19:47. | |
didn't show you the winner, Louis Smith came top, runner-up, Denise | :19:48. | :19:55. | |
van outing at more than him, so it's interesting, you can't always work | :19:56. | :20:00. | |
out who the winner is simply by adding up the cumulative total of | :20:01. | :20:03. | |
their points, doesn't work like that. We know we can analyse this | :20:04. | :20:10. | |
test sticks all we like about in the end, those finalists have to have | :20:11. | :20:16. | |
nerves of steel -- analyse the statistics. We are all going to be | :20:17. | :20:21. | |
watching, aren't we? Merry Christmas to all of your family! | :20:22. | :20:23. | |
Time now for our final guests - these two go up and down | :20:24. | :20:27. | |
the leaderboard time more times than a yo-yo. | :20:28. | :20:28. | |
But after storming last weekend's show with their Quickstep | :20:29. | :20:31. | |
and Argentine Tango, they're heading into | :20:32. | :20:32. | |
You came alive! The energy, the attack, the focus was all there. It | :20:33. | :20:52. | |
was fantastic! I could hardly breathe because of | :20:53. | :21:03. | |
the magnetic intensity of that dance. You should be so proud of | :21:04. | :21:10. | |
yourselves. For teaching him to dance like that, bravo. Ore and | :21:11. | :21:24. | |
Joanne! Strictly finalists, 2016, how does that sound? That is the | :21:25. | :21:29. | |
nicest thing ever. When Claudia said that on the Results Show, it was a | :21:30. | :21:35. | |
spontaneous burst into tears. Might not surprise you. Now it has settled | :21:36. | :21:40. | |
in and it has been the most amazing thing to say this week. I love | :21:41. | :21:44. | |
hearing telling us that you cried when he made you a meal once! First | :21:45. | :21:51. | |
time since week five, top of the leaderboard, what a week to do it. | :21:52. | :21:56. | |
That's amazing, Ore. We didn't see that coming. We were in the | :21:57. | :22:01. | |
dance-off in the quarterfinals so we knew we had to make sure we came | :22:02. | :22:04. | |
back with a bang. We were fortunate to have two dances, the quickstep | :22:05. | :22:08. | |
and the Argentine tango to be able to go, how! Really show everybody, | :22:09. | :22:16. | |
we absolutely went for it. To get their scores at that stage, it's the | :22:17. | :22:19. | |
perfect time but for us, we were so happy to be able to deliver our | :22:20. | :22:25. | |
best. Also because you have been going wrong up until... Yes! | :22:26. | :22:32. | |
Finalist or not, she is still on it. And she makes sure I don't miss a | :22:33. | :22:39. | |
thing. They never let you forget, professional dancers! Also, your mum | :22:40. | :22:41. | |
and dad, I fell in love with your mum and dad what was their feedback? | :22:42. | :22:50. | |
They were just so proud. You know what, they will be back for the | :22:51. | :22:57. | |
final, and I know way in my lifetime thought of being in the final and my | :22:58. | :23:02. | |
mum and dad would be there to see, and Joe, her mum and dad as well, | :23:03. | :23:06. | |
proper family affair. They have never seen me do anything, school | :23:07. | :23:11. | |
plays, when you are a kid, sports days, that was the first they have | :23:12. | :23:15. | |
ever seen me do anything so for them to see me do anything... No wonder | :23:16. | :23:20. | |
you are so emotional! My son never forgives me for not being at a | :23:21. | :23:23. | |
swimming gala. Let's talk about your quickstep, you start on a motorbike | :23:24. | :23:29. | |
and wearing leather is only ever going to be brilliant. It was | :23:30. | :23:36. | |
difficult not to get carried away, first things first, that is the most | :23:37. | :23:42. | |
incredible dress I have ever seen! It was quite warm! Sticky, sticky! | :23:43. | :23:50. | |
It was quite difficult but as she says, all week, the Argentine tango, | :23:51. | :23:55. | |
we started off so that was the second one, we were playing catch up | :23:56. | :23:58. | |
all week. It didn't settle into my body until that dance. It's fair to | :23:59. | :24:03. | |
say, she wasn't in a good place on Saturday. I was backstage saying, | :24:04. | :24:10. | |
keep calm, keep calm! Pull it together! Argentine tango, joint top | :24:11. | :24:17. | |
highest score of the night. You said you wanted to create the most | :24:18. | :24:21. | |
powerful Argentine tango we had done, did you manage it? I think so, | :24:22. | :24:28. | |
I don't really know... That for example... He caught me with one | :24:29. | :24:33. | |
arm, I didn't think he could do that, when we tried that I was like, | :24:34. | :24:39. | |
hello! You've got muscles! That's the first time I have got a use for | :24:40. | :24:43. | |
it! I worry about the people who have been trying that at home with | :24:44. | :24:48. | |
no success! Sober emotional at the weekend, how has this week been | :24:49. | :24:53. | |
emotion wise? We've kept it under wraps, haven't we? Came into the | :24:54. | :24:59. | |
studio and we would quite focused, yes, come on, we have been working | :25:00. | :25:04. | |
really hard. We had a moment today will we watched back all about | :25:05. | :25:08. | |
dances. Just sat down and watched them all. Obviously today was our | :25:09. | :25:16. | |
last training session, so these, we know it's the last one, so the week | :25:17. | :25:22. | |
before you can't be sure. You can't celebrate it, but this week it has | :25:23. | :25:25. | |
been part celebratory, part emotional. We were saying thank you | :25:26. | :25:30. | |
to the studio. Thank you to the floor, thank you to the ceiling! How | :25:31. | :25:35. | |
are you dealing with the pressure of the final three dancers? We're | :25:36. | :25:41. | |
juggling it, I don't think it's pressure at the moment because we | :25:42. | :25:47. | |
did to last week, for this week, we have two dances that we have done | :25:48. | :25:52. | |
before and they showed dance that she has got has just been fun. It | :25:53. | :25:57. | |
has been the best, most energetic, most fun week ever, we're just | :25:58. | :26:00. | |
really lucky to have three awesome dances. I have to be careful I don't | :26:01. | :26:09. | |
put my foot in it, I will be sent to the naughty step further if I reveal | :26:10. | :26:12. | |
too much but we know you were dancing to this, I am so jealous! I | :26:13. | :26:20. | |
River makes Mac can you describe your showed dance? -- showed dance? | :26:21. | :26:33. | |
In three words? Great, and blue... Big massive props! Quite dangerous, | :26:34. | :26:41. | |
we could break legs. Hopefully that's last, you don't say that very | :26:42. | :26:48. | |
often! Thank you for bailing out there and how! Great news for you, | :26:49. | :26:55. | |
Jo happens to be 2013 world ballroom champion. Handy! How much fun have | :26:56. | :27:03. | |
you had choreographed in this? I am lucky with this one, because | :27:04. | :27:08. | |
obviously I am ballroom show dance, and he, I think that suits him | :27:09. | :27:12. | |
really well, it's his style, the whole Fred Astaire, Gene Kelly, he | :27:13. | :27:17. | |
gets into character and he loves the music and that style, it's perfect | :27:18. | :27:21. | |
for me. Basically you have to do a show dance around their skills and | :27:22. | :27:24. | |
show off their strengths and his strength is that. The thing that is | :27:25. | :27:29. | |
great as we have just matched each other every week. Going back to the | :27:30. | :27:34. | |
launch show, we didn't know we would get matched together, we are the | :27:35. | :27:40. | |
perfect pair. I couldn't think of the more perfect partner. To be able | :27:41. | :27:45. | |
to show her strength and the dance style that I would most like to | :27:46. | :27:51. | |
perform out there is perfect. I am overexcited! Also, you had to choose | :27:52. | :27:57. | |
your favourite to do which is your jive, which was all the way back in | :27:58. | :28:02. | |
week four. First dance of the series to get tens. Must be great to | :28:03. | :28:08. | |
revisit that? It is, it is. Every time we catch each other, can I just | :28:09. | :28:12. | |
say how exhausted I was at this stage? That has not changed! May | :28:13. | :28:18. | |
have been nine more weeks under the belt but it's still as shattering as | :28:19. | :28:22. | |
it was back then. We catch each other when we are doing it and we | :28:23. | :28:25. | |
are having the best time. An absolute ball. I can't mention the | :28:26. | :28:32. | |
judge was macro pic but are you happy with what they have chosen for | :28:33. | :28:36. | |
you? We are happy. We have some work to do, though! When are you going to | :28:37. | :28:43. | |
do that? It's coming up fast! You may as well sleeping on the sofa | :28:44. | :28:46. | |
because you are back again tomorrow. Good luck, see you both tomorrow, | :28:47. | :28:54. | |
Ore and Joanne! That's all we have time for the night. | :28:55. | :28:57. | |
Join me tomorrow for the final It Takes Two of the series! | :28:58. | :29:01. | |
Ian and Gethin will be here and joining me | :29:02. | :29:03. | |
on the Friday panel - Alfie Boe, Michael Ball | :29:04. | :29:06. | |
All that and I'll be chatting to all our finalists for one last | :29:07. | :29:12. |