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Live from London, this is Strictly It Takes Two! | :00:52. | :01:03. | |
We're still catching our breath after the weekend. | :01:04. | :01:08. | |
Ruth and Anton had their very own Bucks Fizz moment | :01:09. | :01:13. | |
Brain and Amy were sadly eliminated from the competition. | :01:14. | :01:26. | |
We're feeling "hi-de-low" about it - but not for much longer... | :01:27. | :01:29. | |
Because they're in the green room tonight! | :01:30. | :01:31. | |
Plus, taking charge of this week's Choreography Corner - | :01:32. | :01:44. | |
But first - this couple have made us all very happy campers this series. | :01:45. | :01:52. | |
Before we say goodbye, here's Brian and Amy's last dance. | :01:53. | :02:21. | |
Thank you very much! That's what we wanted to hear! We were all rooting | :02:22. | :02:39. | |
for you, we didn't want it to be this way! Well, it's a competition, | :02:40. | :02:45. | |
isn't it? It is. How was Saturday night for you, that jive was | :02:46. | :02:52. | |
brilliant? We really enjoyed it, didn't we? And as you know, Amy is | :02:53. | :03:01. | |
from Wales... Never! The whole thing was Tom Jones was a lovely, fitting | :03:02. | :03:07. | |
moment, and we really enjoyed it, and no animosity against Simon, I | :03:08. | :03:09. | |
even got him a Christmas present! I bought him a hairdryer! I've still | :03:10. | :03:21. | |
kept the receipt but... That jive as well, Amy, there was so much content | :03:22. | :03:25. | |
in it, I believe? He definitely can't say he can't jive now - he | :03:26. | :03:37. | |
knows everything about it! Even Shirley said you did everything in | :03:38. | :03:42. | |
that jive. It was you who made me look good, lovely lady and double it | :03:43. | :03:45. | |
was so close in the end, because you had four couples in the same | :03:46. | :03:48. | |
position, so I guess it could have gone either way. So, going into the | :03:49. | :03:53. | |
Results Show, how much were you thinking, this could be it had a wee | :03:54. | :03:59. | |
we were nervous every week. We never took anything for granted, we were | :04:00. | :04:03. | |
in the dance-off in the first week. Every week we were a bit nervous. We | :04:04. | :04:07. | |
knew we were in the dance-off, and you're just a curse! I did get quite | :04:08. | :04:19. | |
teary watching you last night. I don't want you worrying, I'm doing | :04:20. | :04:28. | |
panto. Oh, no you're not! I am! It's 2020, but I'm very excited about | :04:29. | :04:38. | |
that? Plenty of time, then! Here is your Strictly story. I woke up and I | :04:39. | :04:47. | |
went... I'm on Strictly today! Your professional partner is the lovely | :04:48. | :05:01. | |
Amy! Hello! We're doing the Tango. It's serious. The acting I | :05:02. | :05:07. | |
absolutely loved... Your posture was very poor... Overall a very good | :05:08. | :05:14. | |
performance... I'm going to put the strict into Strictly. I'm 13 years | :05:15. | :05:21. | |
older than her and she goes, it's just a number, but I go, yeah, it's | :05:22. | :05:27. | |
a big number! It's lively, bright, had attitude... The timing was out | :05:28. | :05:32. | |
and I thought it was very stumpy, I'm afraid. The couple in the bottom | :05:33. | :05:42. | |
two tonight is Brian and Amy! I'm going to save Brian. I feel quite | :05:43. | :05:53. | |
tearful, it's so moving. We need to show them now why they saved us. | :05:54. | :05:59. | |
It's about good timing and good balance, and you have that. You're | :06:00. | :06:04. | |
extremely entertaining - you did yourself proud. This week we are | :06:05. | :06:14. | |
dancing the paso doble... I know that you've got to be butch. Broke | :06:15. | :06:24. | |
my ruler! That cost me a quid! Actually had some nice paso doble | :06:25. | :06:28. | |
moves... Watching you always is a treat... It was really good. Amy | :06:29. | :06:35. | |
nurtures me and makes me feel confident. What I love about dance | :06:36. | :06:42. | |
is the connection between you and another person. The amount of energy | :06:43. | :06:47. | |
you put in your face, it would be nice if we got that through the | :06:48. | :06:50. | |
body... Did that put you in a holiday mood, Craig? No, not really, | :06:51. | :06:56. | |
I'm afraid. What were you going to say? Simon and Karen. I want | :06:57. | :07:07. | |
everyone out there to know how special this lady is, because she's | :07:08. | :07:12. | |
a star. Thank you from the bottom of my heart! | :07:13. | :07:19. | |
Oh, you two! I know! And some more... Oh, god! I can't believe it! | :07:20. | :07:36. | |
When I came off that last dancer! He said yes. I am going to tweet about | :07:37. | :07:45. | |
you, I said, don't show me I'm doing my make up! So many of your fans are | :07:46. | :07:49. | |
so gutted. Your talents are greater | :07:50. | :07:54. | |
than Dangerous Brian." What would you like to say | :07:55. | :07:58. | |
to all of your supporters? They've been brilliant? I would just | :07:59. | :08:11. | |
like to thank them all, thank you for your support, hope we didn't let | :08:12. | :08:16. | |
you down and I don't think we did, because we had a good laugh. To all | :08:17. | :08:22. | |
the celebs - I will be watching! I shall be in a yacht just off the | :08:23. | :08:28. | |
coast of Barbados, but I'll be keeping an eye undue! What would be | :08:29. | :08:33. | |
your lasting memory of this gorgeous man, Amy? I have similar! Don't say | :08:34. | :08:42. | |
anything, you will make me go! My jaw is still aching from laughing so | :08:43. | :08:48. | |
much. So many, the ruler snapping has got to be one... This lady has | :08:49. | :08:53. | |
got the most wonderful sense of humour, and she got it straightaway | :08:54. | :08:59. | |
when I went to, she's my favourite - what's your name...? From that | :09:00. | :09:02. | |
moment on we laughed and laughed. We have taken it seriously and worked | :09:03. | :09:08. | |
hard but you know... The first week we were bottom of the leaderboard | :09:09. | :09:15. | |
and halfway through we said, we're at the bottom. Don't worry, we won't | :09:16. | :09:20. | |
be at the bottom! Couple more goes, where are we now? Still at the | :09:21. | :09:26. | |
bottom. And where are we now? It hasn't changed! Don't worry, Aston | :09:27. | :09:34. | |
has left, he's rubbished! You have a friend for life in Aston, do you | :09:35. | :09:43. | |
secretly want him to win? Listen they're all friends, I've known them | :09:44. | :09:46. | |
for a long time now intimately, because there's so much pressure in | :09:47. | :09:52. | |
the show, everyone supports you, so I'm not going to say who I like and | :09:53. | :09:56. | |
don't like. And I will watch the show. I don't think... I KNOW I | :09:57. | :10:03. | |
haven't lost, and I haven't lost because I met Amy. That's so | :10:04. | :10:08. | |
beautiful, and I know you wanted to mention your daughter as well? I do, | :10:09. | :10:14. | |
and she watches this show and I just want to say we love you and thank | :10:15. | :10:19. | |
you, Amy, thanks for looking after us. And thank you you two, Brian and | :10:20. | :10:31. | |
Amy! Oh! Hold tight, everyone! Cuddle the person next to you! I | :10:32. | :10:34. | |
don't want to go! Now, putting together | :10:35. | :10:39. | |
a show like Strictly is a very serious operation - | :10:40. | :10:41. | |
but what funny business I don't want to leave! I love it...! | :10:42. | :10:44. | |
Come here, check it out, baby! The charleston is a dance which is | :10:45. | :11:11. | |
full of character and facial expression - he's the king of that! | :11:12. | :11:16. | |
Look at him in the face! He's just like a... In that rehearsal just now | :11:17. | :11:25. | |
Anton couldn't get his trousers off, so I started without him! At one | :11:26. | :11:31. | |
point I slide on my knees... And hopefully I'm going to stop before I | :11:32. | :11:39. | |
hit the audience! I think I've lost my partner and my wife! In one fell | :11:40. | :11:44. | |
swoop! No! Open up! Food, man! Debbie, you want | :11:45. | :12:10. | |
some? Oh, it's lovely... You want anything? I would quite like a | :12:11. | :12:20. | |
coffee, Aston! Second time performing on Strictly, it's great | :12:21. | :12:35. | |
to be sharing a stage with Aljaz and Oti. What is a matador?! It's just | :12:36. | :12:43. | |
never-ending in Strictly. I don't know what that is! It's just enough | :12:44. | :12:51. | |
space for me, and this man over here. It was nine years ago now and | :12:52. | :12:57. | |
he has been absolutely everywhere with me... | :12:58. | :13:17. | |
It's very worrying, my partner's not dressed! I'm dressed! | :13:18. | :13:32. | |
Guys, we're live in one-minute, folks! Yes! Lovely! | :13:33. | :13:54. | |
Right, time now to welcome back a very special guest to the show. | :13:55. | :14:01. | |
She's an 11-time Australian ballroom champion | :14:02. | :14:02. | |
and was a professional dancer on Strictly for seven years. | :14:03. | :14:05. | |
Taking over this week's Choreography Corner, | :14:06. | :14:06. | |
Give it up for Legs herself - Natalie Lowe! | :14:07. | :14:28. | |
I have missed you, gorgeous one. And since we had last seen you you have | :14:29. | :14:40. | |
got engaged. I went wedding dress shopping this morning. I found the | :14:41. | :14:51. | |
perfect dress. You're a boy! -- a lucky boy. I cannot believe the | :14:52. | :14:59. | |
standard this year. It is just incredible. Let's get into detail. | :15:00. | :15:05. | |
Let's start with this week's highest scorers - | :15:06. | :15:07. | |
The judges loved their emotional rumba, | :15:08. | :15:10. | |
we all know it's a tricky one - what stood out for you? | :15:11. | :15:16. | |
It is difficult and especially for the female celebrity. She has | :15:17. | :15:27. | |
amazing leg and ankle action, beautiful spin. Giovanni is | :15:28. | :15:31. | |
partnering her beautifully. Then this lovely extension, absolutely so | :15:32. | :15:37. | |
controlled. She is exquisite to watch. And the hip action, I have | :15:38. | :15:44. | |
slowed this down. Normally you do not see a female celebrity looks so | :15:45. | :15:52. | |
comfortable with the slow downs in a high heel. I really enjoyed this | :15:53. | :15:58. | |
one. You look mesmerised. I love it. Rumba is my favourite dance. | :15:59. | :16:01. | |
Jonnie has been working on his acting skills this week - | :16:02. | :16:06. | |
Absolutely. The quick step is the perfect dance for him to feel as if | :16:07. | :16:20. | |
he can express himself. It is a really nice theme, a great track and | :16:21. | :16:24. | |
you can tell that he is trying to apply himself as well as thinking | :16:25. | :16:28. | |
about technique. Look at that gorgeous smile. And Oti through | :16:29. | :16:33. | |
everything into the routine. So it was quite challenging. But he had a | :16:34. | :16:40. | |
lovely leg and kicking action. What I would like to see is for Johnny to | :16:41. | :16:47. | |
fix his shoulder line, rolled the shoulders back. What is happening, | :16:48. | :16:57. | |
he has a bit of a tango arm in the quickstep. War ballroom dancing to | :16:58. | :17:04. | |
go so I would like to see him rolling his shoulders back and | :17:05. | :17:07. | |
dropping the elbow. Then that would correct the forearm because at the | :17:08. | :17:15. | |
moment it is square. So fix the elbow and the hand would be more at | :17:16. | :17:18. | |
eye level as it should be for ballroom. That is the one. | :17:19. | :17:27. | |
Moving onto Alexandra and Gorka's samba. | :17:28. | :17:28. | |
Craig said Alexandra is a brilliant dancer, but her pigeon toes | :17:29. | :17:32. | |
I do love you, Craig. I've heard this a lot, a lot of my former | :17:33. | :17:49. | |
partners have had the same issue. It is difficult to change something | :17:50. | :17:53. | |
like that overnight. There are things Alexandra could do. A little | :17:54. | :17:59. | |
bit more put pressure, pressing the ankles together in more of a | :18:00. | :18:03. | |
stationary position if she's doing that mice wriggle. Thinking about | :18:04. | :18:13. | |
pointing the toes in a more straight direction as opposed to slightly | :18:14. | :18:18. | |
turned out if anything. I think it is their most time. Yes! | :18:19. | :18:26. | |
That first line at the top of her dance. Sorry! Instead of being | :18:27. | :18:42. | |
flat-footed and just going forward I want to see this line through the | :18:43. | :18:47. | |
foot to give her this lovely extension. Then you can do that kind | :18:48. | :18:54. | |
of action. If her feet by swivelling a little bit I would like to see the | :18:55. | :18:58. | |
ankles more together. Brushing the knees together and then she can | :18:59. | :19:11. | |
really... There is no one like Legs! She is going for it but you need | :19:12. | :19:13. | |
that mice control. -- nice. Davood and Nadiya avoided | :19:14. | :19:17. | |
the dance off this week with their coffee shop Jive, | :19:18. | :19:19. | |
what impressed you about this one? Nadiya has thrown everything into | :19:20. | :19:32. | |
this again. I love the side by side action, he has good timing and he is | :19:33. | :19:37. | |
partnering her well. I really enjoyed this, I was smiling | :19:38. | :19:41. | |
throughout and wanted to watch it over and again. I have slowed down | :19:42. | :19:46. | |
this section. I want to see him finish off those lines a bit more. I | :19:47. | :19:55. | |
wanted to be a little more, punch up that arm or put it on the hip or | :19:56. | :20:00. | |
throw it out to the side. More expression through the arms right to | :20:01. | :20:06. | |
the end. And if he can get that? Yes, I just think he has so much | :20:07. | :20:10. | |
potential. And there is so much content in that. It was a lot of | :20:11. | :20:15. | |
fun. Maybe less content and more finesse. | :20:16. | :20:17. | |
Less lucky were Simon and Karen, they were in the bottom two | :20:18. | :20:20. | |
for the second time this series, what did you make | :20:21. | :20:23. | |
The Charleston is one of my favourite dances to watch. I love | :20:24. | :20:35. | |
the concept and Karen is so fantastic and what she does, so | :20:36. | :20:41. | |
specific and so on it. Anything slightly out can look a bit obvious. | :20:42. | :20:46. | |
So what I would like to see Simon doing is just get more energy and | :20:47. | :20:52. | |
really concentrate on his peripheral vision with Karen so he does not | :20:53. | :20:56. | |
feel so exposed on a side by side dance. He is enjoying her, getting | :20:57. | :21:03. | |
the energy from there. So I want to see him just try a bit harder this | :21:04. | :21:09. | |
week. Perfect. So lovely to have you back. | :21:10. | :21:11. | |
For the first time this series it's time for our pros to play a little | :21:12. | :21:22. | |
game of something I like to call 'Ballroom Bingo' - | :21:23. | :21:24. | |
Good evening, strictly fans. Time for ballroom bingo! | :21:25. | :21:51. | |
Droopy drawers, 44. Which pro has the worst fashion sense? Maybe | :21:52. | :21:59. | |
Brendan. He is getting older and his fashion sense might be a bit... | :22:00. | :22:09. | |
Sometimes he wears a tie that is not appropriate. Who turns up to | :22:10. | :22:14. | |
rehearsals in a fool suit and tie and then starts to do a Rumba. | :22:15. | :22:28. | |
Terrible shirts with awful plants and animals on it. I got this from | :22:29. | :22:37. | |
Kevin. Jump jive, number 35. Which pro has the most energy question | :22:38. | :22:43. | |
Mark catchier. She is loud. She is crackers. She never stops. She is | :22:44. | :22:55. | |
like an energetic puppy. Relax! Relax. Everyone is telling me to | :22:56. | :23:07. | |
stop but I cant stop! Just breathe. I think it is me. That's your lot, | :23:08. | :23:10. | |
but remember, keep spinning! Now we're nearing the halfway point | :23:11. | :23:19. | |
of this year's Strictly race - and according to Craig, | :23:20. | :23:24. | |
the front runners better keep You are becoming so versatile. You | :23:25. | :23:49. | |
stayed in character. And I was taken with you. Today you had romantic | :23:50. | :23:56. | |
elements to the dance. The front runners in this competition need to | :23:57. | :24:02. | |
start looking behind them. Hands in the air, everyone, it is Gemma and | :24:03. | :24:11. | |
Aljaz! Congratulations. Another stunning performance. You just keep | :24:12. | :24:15. | |
bringing it out. What is annoying is the dress run | :24:16. | :24:33. | |
was so much better. And as soon as we finished that, I came up and said | :24:34. | :24:39. | |
I'm so sorry. Because the dress rehearsal, I do not know what it | :24:40. | :24:43. | |
was, I just got nervous. And I said straightaway that I was sorry. I | :24:44. | :24:51. | |
genuinely am. I was disappointed with myself. I knew I could have | :24:52. | :24:55. | |
done it better. You did perfect. You did. You know you did. Sometimes it | :24:56. | :25:05. | |
can work the other way, was the terrible dress run. But when you've | :25:06. | :25:09. | |
worked hard, it is sad. Still fantastic. Lorraine Kelly said you | :25:10. | :25:20. | |
do not even know how good you are. You feel you're in with a chance? It | :25:21. | :25:25. | |
depends on the dance. When it is the dance but I enjoy it is yes, I think | :25:26. | :25:32. | |
I can do this. Then a few days into rehearsal... But was ballroom it is | :25:33. | :25:38. | |
difficult for me. I think you secretly really love it. It is deep | :25:39. | :25:49. | |
down somewhere! It is a long sentence and takes me forever to | :25:50. | :25:50. | |
read it! We all know the Foxtrot | :25:51. | :25:53. | |
is your favourite dance - It has always been my favourite. And | :25:54. | :26:07. | |
this Saturday, I really loved the dance. When it is a slow dance you | :26:08. | :26:13. | |
need to be in a little bubble and I felt that from the first second. The | :26:14. | :26:18. | |
light behind Gemma was so bright I could not see her. It was so bright. | :26:19. | :26:25. | |
And just the whole thing felt really smooth. Normally with the slow | :26:26. | :26:31. | |
dances when there is a little bump you can feel it. But the one we did | :26:32. | :26:35. | |
it felt really smooth to me. And even watching it back it looks | :26:36. | :26:43. | |
lovely. Still my favourite. Joint third now. It is getting quite | :26:44. | :26:52. | |
close. You feeling it getting a bit competitive now? Very, I forgot what | :26:53. | :27:00. | |
they sound like because we do not speak to them! We want to just be on | :27:01. | :27:07. | |
our own! Away from everyone. That is a good idea, we might film the whole | :27:08. | :27:12. | |
show just for ourselves in Birmingham. It is one of those | :27:13. | :27:19. | |
competitions, everyone is in the same boat and everyone wants to do | :27:20. | :27:24. | |
well. But no one once anyone else to do badly or go out. Even from | :27:25. | :27:28. | |
rehearsals it has been such a wonderful creative journey. But you | :27:29. | :27:35. | |
want to do well you sell. So a strange feeling especially on the | :27:36. | :27:39. | |
live shows. And even when you watch everyone, you want them to do well. | :27:40. | :27:46. | |
The audiences happy, everyone is happy. It is a genuine love, this | :27:47. | :27:53. | |
crazy, dysfunctional family. This weekend it is of course Halloween! | :27:54. | :28:07. | |
Any excuse! You are dancing the jive. Have you started to get the | :28:08. | :28:16. | |
feel of it yet? Yes. We have not trained yet, we're starting | :28:17. | :28:21. | |
tomorrow. But it is quick. Upon the balls of feet. Long dress as well, | :28:22. | :28:28. | |
you're going to love it. He is genuinely scared of Halloween. | :28:29. | :28:36. | |
Scared to death. It is going to go well! Good luck this weekend, Gemma | :28:37. | :28:40. | |
and Aljaz! Join us tomorrow at 6.30 where we'll | :28:41. | :28:44. | |
chatting to Jonnie and Oti and dance All that plus Natalie Lowe | :28:45. | :28:50. | |
returns and we find out what songs our couples will be | :28:51. | :28:54. | |
dancing to this weekend. I don't think everyone | :28:55. | :28:58. | |
should believe in magic, but I'm not sure | :28:59. | :29:12. | |
I would trust anyone who doesn't | :29:13. | :29:15. |