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From London, this is Strictly - It Takes Two will stop please welcome | :00:51. | :00:55. | |
your host, so we ball. We're slowly creeping | :00:56. | :00:59. | |
towards Halloween weekend. To get you in the mood, | :01:00. | :01:04. | |
we'll be revealing some frighteningly good songs | :01:05. | :01:06. | |
in Tunes on Tuesday. Natalie Lowe returns for more | :01:07. | :01:09. | |
Choreography Corner. But let's see who's | :01:10. | :01:13. | |
lurking in the green room. They've quickstepped | :01:14. | :01:17. | |
across town to be here tonight, And they managed to survive | :01:18. | :01:19. | |
the dreaded dance off, Now, seeing as you're both "fit | :01:20. | :01:32. | |
as a fiddle and ready for love," how about you peg it over | :01:33. | :01:40. | |
to the studio for a chat. In the meantime here's another look | :01:41. | :01:43. | |
at their cheeky Charleston. I thought it was massively | :01:44. | :01:57. | |
entertaining. You speeded up in the middle and managed to keep up. The | :01:58. | :02:04. | |
recipe was missing ingredients. You actually looked nervous. You were in | :02:05. | :02:08. | |
perfect time and I loved the slapstick ending. Simon and Karen! | :02:09. | :02:22. | |
Can I say, as beautiful as your outfits are, I am sad you are not in | :02:23. | :02:28. | |
matching outfits. It went to the dry cleaner. I loved it. I thought if I | :02:29. | :02:35. | |
look like you tonight, I should dance like you. Your second | :02:36. | :02:45. | |
dance-off, you have done it before. I actually like a dance-off. We are | :02:46. | :02:51. | |
hoping for that every week! It is weird. It felt different. You know | :02:52. | :02:58. | |
the emotion, you think we have to focus. You did what you do and you | :02:59. | :03:03. | |
did it well. Karen, many Couples with the same score. People | :03:04. | :03:09. | |
thinking, this could be tricky. It could have been anybody. It did look | :03:10. | :03:14. | |
weird, seeing all the 16s. At the same time, it is one of those things | :03:15. | :03:21. | |
you access and say, if it is asked, it is us, and we will go out and do | :03:22. | :03:26. | |
our best. And we were excited because we saw it again and it was | :03:27. | :03:32. | |
joyous. I always feel for the couple who stays in because you cannot be | :03:33. | :03:39. | |
like that because your friend is going home. I said I have won the | :03:40. | :03:44. | |
lumbering old bloke glitterball because there was Richard Brian and | :03:45. | :03:49. | |
me, the old guys, and I am the last one standing but it is a shame | :03:50. | :03:54. | |
because Brian is fun, a proper laugh. I will miss him terribly. It | :03:55. | :03:59. | |
is strange to hear people say that but you get close and it feels odd | :04:00. | :04:04. | |
when one of you has gone. The swivel. Your Achilles' heel, you | :04:05. | :04:09. | |
Paul Nuttall. And they said practice on the other leg. It was good. The | :04:10. | :04:20. | |
judges give good advice before and we said let's give it a go and we | :04:21. | :04:24. | |
practised beforehand. There was a bit of swivel. Let it shake! It is | :04:25. | :04:38. | |
hard to master. Extremely hard. Go home now, get on your toes, and | :04:39. | :04:42. | |
bring your heels together and try to go back and forward. Why are you | :04:43. | :04:54. | |
better than me?. Bad. Craig pointed out that what you lack in swivel, he | :04:55. | :05:01. | |
loved the slapstick. Well done. Was that a joy? It was fun will stop my | :05:02. | :05:07. | |
favourite dance we have done. And when Karen jumps on my back at the | :05:08. | :05:13. | |
end, we could not stop laughing. It made us laugh nonstop and I loved | :05:14. | :05:21. | |
it. It was so much fun. We had crazy eyes, our eyes opened up. It was | :05:22. | :05:28. | |
insane, we really loved it. Speaking of crazy eyes, eagle eyed viewers | :05:29. | :05:32. | |
may have spotted Karen tucking into an unusual snack. The woman, is | :05:33. | :05:41. | |
there anything you will not eat? You are brilliant. I love flowers. | :05:42. | :05:50. | |
Edible flowers. Not edible flowers. She will eat what ever it is. There | :05:51. | :05:57. | |
was a slip in the dance-off. Did you think, curtains. I do not know why, | :05:58. | :06:02. | |
we have done it many times but I slipped. I am happy I did not miss a | :06:03. | :06:10. | |
beat. I had no idea. I saw his face and he was like... And I was like, | :06:11. | :06:17. | |
something must have happened. I do not know that smile, we did not | :06:18. | :06:21. | |
practice batsman! But he went through with it like a pro. This is | :06:22. | :06:29. | |
good. Progress. Like when a child has done something. You have your | :06:30. | :06:38. | |
thigh strapped up. What has happened? That is from the slip and | :06:39. | :06:47. | |
I have pain in my quad. The lovely physio Doug strapped me up to keep | :06:48. | :06:52. | |
the muscle in place and hopefully it will sort itself out. Thank goodness | :06:53. | :06:59. | |
for Doug. It is tough because these guys have not danced before and the | :07:00. | :07:04. | |
muscular... It is pretty intense on your muscles and if something like | :07:05. | :07:08. | |
that happens it is hard to recover but hopefully you will be OK. | :07:09. | :07:15. | |
Fingers crossed. What ever it takes, Simon. We are brave soldiers. You | :07:16. | :07:21. | |
will get a treat at the end of the show. The Viennese waltz on | :07:22. | :07:25. | |
Halloween. To a Tom Jones classic. Delilah. | :07:26. | :07:35. | |
# My, my, my Delilah. Have you been able to train with your leg? No, it | :07:36. | :07:41. | |
has to calm down. That is the only thing. We have not been able to | :07:42. | :07:48. | |
start because it has to be eased. Does it worry you? A little bit | :07:49. | :07:53. | |
because it will leave us two days but he is a hard worker and focused | :07:54. | :07:58. | |
so I am OK for now. She seems very calm. Will there be food involved in | :07:59. | :08:07. | |
this routine? How did you know? I figured. Yes, we will have a | :08:08. | :08:18. | |
banquet. Feasting. There will be one sandwich left by the time she has | :08:19. | :08:23. | |
got at it in rehearsal. Good luck. Well done on getting through to | :08:24. | :08:31. | |
Halloween. Simon and Karen. CHEERING Thank goodness for Doug. | :08:32. | :08:32. | |
Now, Halloween week is arguably the greatest of all theme weeks, | :08:33. | :08:35. | |
which means we've got the playlist to match - as the youth would say, | :08:36. | :08:39. | |
It's time for a spooky edition of Tunes on Tuesday. | :08:40. | :08:48. | |
# They did the monster mash. I love this one. The jukebox, | :08:49. | :09:01. | |
covered in cobwebs. We have a week of this. Let's hope it is still | :09:02. | :09:02. | |
working. Released in 1985, it was the group's | :09:03. | :09:03. | |
only UK number one, spending four And can you guess which famous | :09:04. | :09:12. | |
Frankie the song was about? Not Frank Bruno, not Frankie | :09:13. | :09:24. | |
Dettori. Who's hoping to dance | :09:25. | :09:26. | |
a memorable routine to this? It's Debbie and Giovanni, | :09:27. | :09:33. | |
who are dancing the Charleston. Right, what's next | :09:34. | :09:46. | |
on the Halloween soundtrack? It's the theme from popular | :09:47. | :09:52. | |
'60s sitcom Bewitched, about a witch who's married | :09:53. | :10:03. | |
to an ordinary man, but simply can't Star of the show Elizabeth | :10:04. | :10:06. | |
Montgomery was famed You'll see that her nose isn't | :10:07. | :10:13. | |
really moving - it's her mouth. But who will be hoping to create | :10:14. | :10:29. | |
dance magic with this It's Killer Queen | :10:30. | :10:33. | |
by who else, Queen. Released in 1974, it reached number | :10:34. | :10:54. | |
two in the UK charts. Now, did you know Freddie Mercury | :10:55. | :11:02. | |
was a cat person and over the years shared his home with a number | :11:03. | :11:06. | |
of feline friends? He couldn't bear to be apart | :11:07. | :11:13. | |
from them and while touring the world he'd regularly | :11:14. | :11:19. | |
call his house in order to speak But who's hoping to be the cat's | :11:20. | :11:22. | |
pyjamas with this song on Saturday? To find out the rest of the songs, | :11:23. | :11:36. | |
head to the Strictly website. Now, it's always a treat, | :11:37. | :11:56. | |
it's time to see how rehearsals are going for this | :11:57. | :11:58. | |
weekend's group number. Somebody help me. Please, help me. | :11:59. | :12:13. | |
It is Halloween week. This is the stuff of nightmares. Watch out, if | :12:14. | :12:23. | |
you dare. The concept is somebody whose dreams turn to nightmares and | :12:24. | :12:27. | |
it starts with Brendan alone in his bedroom and something happens. We | :12:28. | :12:35. | |
are hiding under the bed. Me and Chloe and Katya and Karen and as | :12:36. | :12:39. | |
Brendan falls asleep, we become his worst nightmare. I am the Gothic | :12:40. | :12:45. | |
prince. The rest are like Demons in my head. Weirdly, I am lying down | :12:46. | :12:53. | |
asleep. Maybe they aren't trying to tell me something. This piece is a | :12:54. | :12:58. | |
continuation of last year when Brenton took Karen away from Kevin | :12:59. | :13:03. | |
and now Karen gets her revenge. I have come back to haunt Brendan | :13:04. | :13:08. | |
Cole, he took me away from my lover, and now I am back for revenge. There | :13:09. | :13:14. | |
is a tingling moment in the number. The cast of dancers, we throw our | :13:15. | :13:21. | |
hands in the air and it is powerful to watch. That is all we can show. | :13:22. | :13:27. | |
But do not be scared. Ghosts are not real. | :13:28. | :13:29. | |
APPLAUSE Now, as you may have heard, | :13:30. | :13:33. | |
the theme for this year's BBC Children In Need | :13:34. | :13:35. | |
Strictly Special is... But there's one thing more sought | :13:36. | :13:37. | |
after than a Blue Peter badge, and that's a Pudsey glitterball | :13:38. | :13:44. | |
trophy. Now, we can exclusively reveal | :13:45. | :13:48. | |
which couples will be taking part. Let's start with with '90s | :13:49. | :13:54. | |
heart-throb Tim Vincent. In his Blue Peter heyday, | :13:55. | :14:00. | |
he helped paint the Blackpool But who will be his | :14:01. | :14:02. | |
partner in the ballroom? The longest-serving female presenter | :14:03. | :14:06. | |
in Blue Peter history. It's AJ's professional | :14:07. | :14:17. | |
partner Chloe Hewitt. It's pancake-tossing supremo | :14:18. | :14:36. | |
Diane-Louise Jordan. Has anyone on telly ever worn a pair | :14:37. | :14:45. | |
of specs quite so well? And Mark will be dancing | :14:46. | :15:03. | |
with the lovely Amy. And finally, creator | :15:04. | :15:06. | |
of Thunderbirds' Tracy Island, the most popular Blue Peter | :15:07. | :15:12. | |
make of all time. And good luck to all our | :15:13. | :15:16. | |
Blue Peter legends. Make sure you watch Children in Need | :15:17. | :15:26. | |
night on Friday 17th November, to find out who will lift | :15:27. | :15:30. | |
the Pudsey Glitterball Trophy. Now, I don't know about you, | :15:31. | :15:34. | |
but I'm just about ready for another helping | :15:35. | :15:37. | |
of Choreography Corner. Hello, gorgeous. Let's start today | :15:38. | :16:07. | |
with roller-coaster Job, whose paso doble got a ten from Shirley. It's | :16:08. | :16:13. | |
never too early. She said it was the best male paso doble we have seen on | :16:14. | :16:18. | |
the series so far. Would you agree? Absolutely. The content and | :16:19. | :16:22. | |
choreography was so, men treated Joe. Look at the shaping through the | :16:23. | :16:29. | |
body. And the intensity in his face is really perfect. I genuinely enjoy | :16:30. | :16:35. | |
this, I wanted to watch it over and over again. He taped catty's body | :16:36. | :16:45. | |
perfectly. He was wearing Neil's jacket. Loving the head, Craig | :16:46. | :16:51. | |
didn't quite know how to judge this, he said it was more a spoof. It was | :16:52. | :16:58. | |
quite Lloris, what did you think about the samba? One word, wow. One | :16:59. | :17:06. | |
word, pants. Anton, of course, is going to do it. He has done it time | :17:07. | :17:13. | |
and again. I love it! I can't stop laughing... not laughing, smiling. | :17:14. | :17:20. | |
There were a lot of the same variations, volta 's and Botafogos. | :17:21. | :17:28. | |
I would like to see him tidy up the footwork. Craig might have been more | :17:29. | :17:31. | |
comp entry had she mailed the basic action more. But very entertaining, | :17:32. | :17:37. | |
she loved it, smiling and beaming, and that is what she is about. It is | :17:38. | :17:41. | |
exactly that. I watched with a friend who had not watched the show | :17:42. | :17:45. | |
before, she didn't know what was going on. It was like they were in | :17:46. | :17:49. | |
Brazil. Of course! Mollie and AJ, their Viennese waltz really charmed | :17:50. | :17:54. | |
the judges. Were you swept away? I was. All the elements came together, | :17:55. | :18:02. | |
the lighting, the costume, the choreography. I loved it. The single | :18:03. | :18:09. | |
pivoting action, four changes of direction here. I think she is | :18:10. | :18:13. | |
absolutely gorgeous. I really genuinely loved this dance, it was | :18:14. | :18:18. | |
one of my favourite songs of all time. And I think she is going to do | :18:19. | :18:23. | |
really well. I think she's going to keep improving every week, I can see | :18:24. | :18:27. | |
her blossoming, and I love that. Good work, Mollie. Onto Susan's | :18:28. | :18:32. | |
cha-cha-cha. She was as committed as ever. The judges said the technique | :18:33. | :18:38. | |
suffered a little bit. Were you impressed with the amount of dance | :18:39. | :18:42. | |
content? Absolutely. The basics were there. But I agree with the judges, | :18:43. | :18:47. | |
there can be more technique involved. In cha-cha, you shouldn't | :18:48. | :18:50. | |
pick your feet up off the floor. You guide your feet through, a little | :18:51. | :18:57. | |
bit of stamping action as well. But I love how much she gives it, and | :18:58. | :19:03. | |
she is so entertaining as well. I think she has lots of great energy. | :19:04. | :19:07. | |
Great energy. She really commits. And I love that. You don't know | :19:08. | :19:14. | |
exactly what you are doing, but you throw yourself into it 100%, and | :19:15. | :19:20. | |
that is a rare quality. I love it. Good lass. Gemma's foxtrot, she has | :19:21. | :19:24. | |
an amazing ability to switch from fierce and powerful to elegant, | :19:25. | :19:32. | |
romantic and classic. Like Craig said, do the front runners need to | :19:33. | :19:35. | |
look behind them here? Is she catching them? There are a futile | :19:36. | :19:40. | |
courses in this competition, Mollie and Gemma are definitely in the | :19:41. | :19:47. | |
running for this. I always love Aljaz's choreography, two double | :19:48. | :19:52. | |
fall aways there. She is concentrating on the neckline and | :19:53. | :19:55. | |
upper body. I would like to see Gemma connect more with her face to | :19:56. | :20:01. | |
the dance, the music, and Aljaz, so there is more storytelling there. | :20:02. | :20:05. | |
That would take her to another level. But she is absolutely a dark | :20:06. | :20:09. | |
horse, a powerhouse. It is nice that she can balance the two answers, | :20:10. | :20:14. | |
powerful with elegant and graceful. I think she is very classy. A real | :20:15. | :20:19. | |
classy one. Finally, Aston's waltz with a contemporary, twist. Darcey | :20:20. | :20:28. | |
thought it was over detail, what did you think? I was mesmerised. When I | :20:29. | :20:32. | |
started watching the dance, I thought, wow, I loved the beginning. | :20:33. | :20:37. | |
Continuing with the feeling at the beginning throughout the waltz | :20:38. | :20:41. | |
section, that would have been beautiful. Once he did take hold, | :20:42. | :20:45. | |
and he did do the waltz moments, it was a bit too powerful for the | :20:46. | :20:54. | |
waltz. It needs to be more graceful, slower, more feet and leg action, | :20:55. | :21:00. | |
more pressure through the floor. I thought the waltz section let him | :21:01. | :21:03. | |
down a little bit, it was a little bit too brushed for me. But I loved | :21:04. | :21:09. | |
the beginning, the end, and I loved her in it. She is gorgeous. You | :21:10. | :21:18. | |
can't leave without demo time! What do people want? What we saw | :21:19. | :21:24. | |
with Aston, he was going to go into a throwaway. You need an opposing | :21:25. | :21:30. | |
head weight. The gorgeous Ian Waite talk about the flour and the vase. | :21:31. | :21:35. | |
He loves that term. The guys need to talk about that as well. As she goes | :21:36. | :21:40. | |
through, neutral, Aston needs to think about doing also the opposite, | :21:41. | :21:45. | |
so you have an opposing head weight as Janette goes here, Aston also | :21:46. | :21:51. | |
needs to do the counterbalance. And as she comes back, and outcome he | :21:52. | :21:58. | |
needs to do that. At the moment, he is there. I want to see a lot more | :21:59. | :22:02. | |
extension through the neckline. APPLAUSE | :22:03. | :22:07. | |
A beautiful thing. It has been so good to have you back. | :22:08. | :22:10. | |
Give it up for Natalie Lowe! CHEERING AND APPLAUSE | :22:11. | :22:16. | |
Now, it's never too early for viewer questions for Shirley. | :22:17. | :22:18. | |
Yes, the mighty Ballas returns to It Takes Two this Friday. | :22:19. | :22:21. | |
So, if there's a question you've always wanted to ask | :22:22. | :22:25. | |
our new head judge, you can email us at [email protected] or tweet | :22:26. | :22:31. | |
us using the hashtag, #ItTakesTwo. Details are on screen now! | :22:32. | :22:35. | |
My final guests swept across the Strictly supermarket | :22:36. | :22:37. | |
We'd put them straight in our basket, it's Jonnie and Oti! | :22:38. | :22:51. | |
All the elements of dance are coming together, I'm pleased to say. | :22:52. | :22:58. | |
To travel with speed, it was like, you achieved so much detail. | :22:59. | :23:03. | |
You didn't miss a beat, you made no mistakes, you were outstanding. | :23:04. | :23:05. | |
My, goodness! You closed the show, how was the very long wait, Jonnie, | :23:06. | :23:25. | |
to going on? It was intense. Very intense. There was a bit of panic | :23:26. | :23:29. | |
setting in. Where does the panic come from, is it waiting, seeing | :23:30. | :23:33. | |
other scores going up? They come from our dress rehearsal! Really?! A | :23:34. | :23:43. | |
good one?? A great one. The worst one ever. I forgot the choreography, | :23:44. | :23:48. | |
me, the person who made it. I went, "Where are we? Why am I a? " All I | :23:49. | :23:56. | |
saw was Jonnie lifting me, and five, six, seven, Oti. I was, like, what | :23:57. | :24:07. | |
is going on? I forgot it backstage as well. I forget two elements. It | :24:08. | :24:12. | |
is all in the first eight seconds, as soon as we got to that part, we | :24:13. | :24:18. | |
knew, let's have fun with it. That is the thing. You can torture | :24:19. | :24:21. | |
yourself with it, I am not going to remember it, and sometimes it comes | :24:22. | :24:27. | |
back. It doesn't always! First night, how did that feel? So good. | :24:28. | :24:33. | |
CHEERING AND APPLAUSE So good because we made a couple of | :24:34. | :24:39. | |
small mistakes. In general, it went really well. I love these dancers, | :24:40. | :24:44. | |
because I can enjoy them. I enjoy dances that put a smile on my face. | :24:45. | :24:48. | |
Craig might have thought I was acting, but you just get to have fun | :24:49. | :24:53. | |
with it. Natalie was saying that on Choreography Corner, with the | :24:54. | :24:54. | |
quickstep, you can just have fun. Former contestant Chizzy | :24:55. | :24:55. | |
said online, "All brilliant, but my vote tonight goes to | :24:56. | :24:57. | |
Jonnie Peacock and Oti Mabuse. Plus, I'd like to be Oti | :24:58. | :25:01. | |
when I grow up." Aww, she is a sister from another | :25:02. | :25:16. | |
Mr. OK, so we go to Halloween. For you two, it is a cha-cha-cha to Olly | :25:17. | :25:17. | |
Murs. Let's hear it. It's too fast. You got it right. The | :25:18. | :25:37. | |
song is too fast. This dance looks simple enough, but it really does | :25:38. | :25:41. | |
cause celebrities quite a lot of grief, this one. Why? I think it's | :25:42. | :25:46. | |
the speed, the change of timings, we have different rhythms in the | :25:47. | :25:52. | |
cha-cha-cha. You have two also add a lot of personality, the rhythmic and | :25:53. | :25:57. | |
looked like a man. Most of the time, when they move, they lose the | :25:58. | :26:01. | |
tension in the body, and that is difficult, and remembering all the | :26:02. | :26:05. | |
steps and speed, and smiling... Stop! Stop! That is all in one step! | :26:06. | :26:13. | |
Have you had any practice of this yet, Jonnie? Yes. We had a go. This | :26:14. | :26:20. | |
is the first dance where my hips have to move. I haven't ever seen my | :26:21. | :26:28. | |
hips move! LAUGHTER Tune in on Saturday night. | :26:29. | :26:34. | |
Will we get to see your hips move, Oti? Yes, we were doing it and I | :26:35. | :26:39. | |
expect it. I explained it technically and he did it. I was | :26:40. | :26:45. | |
Armalite... Did you have a moment? He looked at me, "Why are you | :26:46. | :26:52. | |
looking at because Mac" that knowing look from Oti. | :26:53. | :26:58. | |
What is the concept? It is Halloween, outfits, storyline... | :26:59. | :27:04. | |
what can you tell us? We want to go crazy and have fun with this one. | :27:05. | :27:09. | |
There might be a nautical theme. Sailors, possibly? I'm going to be a | :27:10. | :27:19. | |
shark. As a pro, Oti, how much do you all enjoy Halloween, you guys? | :27:20. | :27:24. | |
There is so much fun to be had. There is a lot of fun. Everything | :27:25. | :27:29. | |
about Halloween, you come in positive because it is a themed | :27:30. | :27:33. | |
week. You had to make it bigger and better, the celebrities are now into | :27:34. | :27:38. | |
dancing, so everything is amazing. Scaring them... I bought him a | :27:39. | :27:47. | |
doughnut and a burger... Is this a bribe? It was congratulations for | :27:48. | :27:50. | |
Saturday, but I can't wait to see what he is going to do on Halloween. | :27:51. | :27:57. | |
Extra hip! She is trying to pad you out. Fantastic. What does he need to | :27:58. | :28:07. | |
work on, Oti? Zoe, it is demo time! He has two really work on shifting | :28:08. | :28:12. | |
his weight from foot to foot. And transferring into this line... And | :28:13. | :28:25. | |
still maintain his posture like a man, bam! Jonnie's face... Good luck | :28:26. | :28:32. | |
with that. You can do it, we all believe in you. Good luck this | :28:33. | :28:33. | |
weekend. Join me tomorrow when I'll be | :28:34. | :28:35. | |
catching up with Aston and Janette, Mollie and AJ and Ruth and | :28:36. | :28:47. | |
Anton - let's hope he's Plus, Ian Waite's | :28:48. | :28:53. | |
back for a Wednesday Warm-Up. | :28:54. | :28:55. |