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Wow, I still can't believe we got
a nine and a ten last week. | 0:00:11 | 0:00:14 | |
I know, it's incredible! | 0:00:14 | 0:00:16 | |
I think we've finally managed
to shake the ghost of Ed Balls. | 0:00:16 | 0:00:20 | |
Totally. | 0:00:20 | 0:00:22 | |
Katya! | 0:00:22 | 0:00:24 | |
Ed! | 0:00:24 | 0:00:27 | |
Excuse me, we were just
in the middle of something, here. | 0:00:27 | 0:00:30 | |
A lady never forgets her first love. | 0:00:30 | 0:00:39 | |
I think we all know
Mrs Katya Jones likes her men | 0:00:39 | 0:00:42 | |
like she likes her pumpkins. | 0:00:42 | 0:00:43 | |
Orange with fire in their belly! | 0:00:43 | 0:00:44 | |
This is my worst nightmare! | 0:00:44 | 0:00:45 | |
Aagh! | 0:00:45 | 0:00:48 | |
Oh, thank goodness,
it was just a bad dream. | 0:00:51 | 0:00:55 | |
Morning! | 0:00:55 | 0:00:57 | |
KATYA SCREAMS. | 0:00:57 | 0:01:01 | |
Live from London, this is strictly-
It Takes Two. Here is your host, Zoe | 0:01:51 | 0:01:56 | |
Ball! | 0:01:56 | 0:01:58 | |
APPLAUSE. | 0:02:05 | 0:02:07 | |
Hello and welcome to a spook-tastic
edition of It Takes Two! | 0:02:10 | 0:02:14 | |
Give it up for our not-so-gruesome
twosome, Kevin and Giovanni! | 0:02:14 | 0:02:17 | |
APPLAUSE. | 0:02:17 | 0:02:22 | |
They'll be back later in the show
with their partners, | 0:02:22 | 0:02:24 | |
Susan and Debbie. | 0:02:24 | 0:02:25 | |
Katya will be here, too,
but who knows which partner | 0:02:25 | 0:02:28 | |
she'll be bringing! | 0:02:28 | 0:02:29 | |
Plus, Shirley Ballas
answers your questions and there's | 0:02:29 | 0:02:31 | |
music from Clean Bandit! | 0:02:31 | 0:02:34 | |
APPLAUSE. | 0:02:34 | 0:02:36 | |
No tricks here, folks, just treats. | 0:02:36 | 0:02:42 | |
And with just 24 hours, 32 minutes
and 23 seconds until Halloween, we | 0:02:42 | 0:02:47 | |
could not be more excited! | 0:02:47 | 0:02:48 | |
Now, let's head over to "hellstree",
where that handsome devil | 0:02:48 | 0:02:51 | |
Gethin Jones has been digging
up the dirt. | 0:02:51 | 0:02:56 | |
It is Friday, Elstree studios, it is
a last chance for the couple to | 0:02:56 | 0:03:00 | |
perfect their routine before
tomorrow night. It is a spooky | 0:03:00 | 0:03:04 | |
special so I am going behind the
scenes to see who I can scare. See | 0:03:04 | 0:03:08 | |
you soon! | 0:03:08 | 0:03:10 | |
There'll be more from
Gethin later in the show. | 0:03:10 | 0:03:12 | |
But now, my first guests danced one
hell of a rumba last Saturday. | 0:03:12 | 0:03:15 | |
In fact, it was so good
it shot them straight | 0:03:15 | 0:03:17 | |
to the top of the leaderboard. | 0:03:17 | 0:03:19 | |
It's Flexi McGee and her glamorous
assistant, Giovanni! | 0:03:19 | 0:03:22 | |
APPLAUSE. | 0:03:22 | 0:03:26 | |
I have never seen standing leg as
beautifully straight as yours! It | 0:03:31 | 0:03:37 | |
was wonderful how you can arrest the
floor with your feet, your best | 0:03:37 | 0:03:40 | |
dance. Giovanni, darling! That was
sensational, I loved it! | 0:03:40 | 0:03:47 | |
APPLAUSE. | 0:03:47 | 0:03:55 | |
CHEERING AND APPLAUSE
Hello, gorgeous Debbie McGee! Hello, | 0:03:59 | 0:04:09 | |
gorgeous Giovanni! Lovely to see
you. And that frock! What a gorgeous | 0:04:09 | 0:04:15 | |
rumba last week. Just divine, how
did that feel on the floor? I loved | 0:04:15 | 0:04:23 | |
it, I did not think of anything else
except dancing with Giovanni and I | 0:04:23 | 0:04:28 | |
did not know that anything else
existed, it was magical. Just both | 0:04:28 | 0:04:34 | |
of you lost on each other.
Brilliant. It was a tough week for | 0:04:34 | 0:04:39 | |
Debbie McGee. Quite emotional. How
proud were you? I cannot even | 0:04:39 | 0:04:44 | |
describe. It was a very difficult
week but she delivered one of the | 0:04:44 | 0:04:51 | |
best rumbas I have seen my life!
APPLAUSE. | 0:04:51 | 0:04:56 | |
That is praise indeed! So good that
Craig did a Bruno Tonioli and threw | 0:04:56 | 0:05:05 | |
himself off the seat! I have saved
that. Any time I am depressed I will | 0:05:05 | 0:05:12 | |
think of that! You did that
dangerously well. And top of the | 0:05:12 | 0:05:19 | |
Leader Board!
APPLAUSE. | 0:05:19 | 0:05:21 | |
How chuffed were you to be at the
top? Chuffed to bits! We worked so | 0:05:21 | 0:05:29 | |
hard that so it was great, at the
end of a very tough week to get | 0:05:29 | 0:05:32 | |
that, it was wow! Shirley Ballas has
travelled over the world and said | 0:05:32 | 0:05:40 | |
she has never seen a straight leg,
more beautiful than your own? That | 0:05:40 | 0:05:46 | |
is some praise indeed! We talked
about the legs and focused on the | 0:05:46 | 0:05:53 | |
legs because we wanted to show the
judges that she has a beautiful | 0:05:53 | 0:05:57 | |
league action and from the Latin
Queen, Shirley Ballas, something | 0:05:57 | 0:06:01 | |
like this, you must have been proud
of yourself? I could not believe she | 0:06:01 | 0:06:05 | |
was saying that! I had to watch it
the next day! This is what dreams | 0:06:05 | 0:06:10 | |
are made of. This week? We are doing
the charleston! | 0:06:10 | 0:06:16 | |
APPLAUSE.
Nobody says it quite like Giovanni! | 0:06:16 | 0:06:23 | |
That is it. In English, charleston!
Dancing to this wonderful Sister | 0:06:23 | 0:06:30 | |
Sledge song... Frankie, would you
remember me? Will be remembered this | 0:06:30 | 0:06:40 | |
dance for a long time to come?
Hopefully! There are a lot of lifts. | 0:06:40 | 0:06:50 | |
Hopefully they will remember this
for the right reasons. If it works | 0:06:50 | 0:06:55 | |
it will be amazing, we just love it,
we have not stopped laughing all | 0:06:55 | 0:07:00 | |
the, I cannot believe I am doing
what I am doing. When he first | 0:07:00 | 0:07:04 | |
showed me at, I thought, don't be
stupid! How is it going upwards? | 0:07:04 | 0:07:11 | |
Nothing! You are such a tease! It is
Halloween, is a storyline? Yes. I | 0:07:11 | 0:07:22 | |
really have to act this week. I will
be Frankenstein. With the lovely | 0:07:22 | 0:07:34 | |
Debbie McGee as the woman of
Frankenstein. I have to fall in love | 0:07:34 | 0:07:41 | |
with them X may so difficult!
Especially in green make-up. Going | 0:07:41 | 0:07:48 | |
Phil Green? Who knows? The judges
will be keeping a close eye on this | 0:07:48 | 0:07:56 | |
level, yesterday Ian said you were
looking very good. The thing is, we | 0:07:56 | 0:08:03 | |
have to get Giovanni to say so
little. I have been dreaming of him | 0:08:03 | 0:08:07 | |
saying that. Sweevel? Swivel. It is
my accent. Sweevel! Beautiful. You | 0:08:07 | 0:08:29 | |
were born on Halloween, Debbie, it
is your birthday. Ooh! You must be | 0:08:29 | 0:08:41 | |
excited? Yes, I am a real witch
because it was born on Halloween! I | 0:08:41 | 0:08:45 | |
just hope to be in the competition
for Halloween and I am so excited. | 0:08:45 | 0:08:51 | |
Doing the stands where from the
moment we start dancing, we both | 0:08:51 | 0:08:56 | |
start smiling and that is what it
has been like in training. Just | 0:08:56 | 0:09:01 | |
happy. Every week. The charleston in
particular makes us giggle. Good | 0:09:01 | 0:09:09 | |
luck with your charleston, Debbie
and Giovanni! | 0:09:09 | 0:09:11 | |
APPLAUSE. | 0:09:11 | 0:09:21 | |
Now, to get you in the spirt -
as if you weren't already - | 0:09:21 | 0:09:25 | |
it is my great pleasure to introduce
Michael Jackson's Thriller | 0:09:25 | 0:09:27 | |
as performed by the class of 2017. | 0:09:27 | 0:09:36 | |
MUSIC: Thriller. | 0:09:39 | 0:09:46 | |
You try to scream... But terror
takes the sound before you make | 0:10:01 | 0:10:11 | |
it... # 'Cause this is | 0:10:11 | 0:10:29 | |
Thriller # You're fighting for your
life Inside a killer Thriller | 0:10:30 | 0:10:32 | |
tonight, yeah You're fighting for
your life Inside a killer Thriller | 0:10:32 | 0:10:43 | |
tonight, yeah Creatures crawl in
search of blood To terrorize y'all's | 0:10:43 | 0:11:00 | |
neighborhood no mere mortal can
resist, the evil of the Thriller... | 0:11:00 | 0:11:07 | |
LAUGHTER | 0:11:07 | 0:11:17 | |
The Class of 2017. | 0:11:24 | 0:11:35 | |
Time now to welcome our Friday panel
of Strictly supernatural fans. | 0:11:38 | 0:11:41 | |
Give it up for Ed Balls, Katy Brand
and The Reverend Richard Coles! | 0:11:41 | 0:11:44 | |
APPLAUSE.
Welcome, what a fine selection we | 0:11:44 | 0:11:50 | |
have. Richard, welcome back. We
never got to say goodbye! Reverend | 0:11:50 | 0:11:55 | |
Richard Coles! How much are you
missing the Strictly experience? A | 0:11:55 | 0:12:04 | |
lot, mostly of this has come off on
my bath towels! I started a dance | 0:12:04 | 0:12:09 | |
class.
APPLAUSE. | 0:12:09 | 0:12:12 | |
I know! Thank you. What style?
Wednesday night, in the working | 0:12:12 | 0:12:19 | |
men's club. It is so rock, it is
like chatting. You must swap | 0:12:19 | 0:12:29 | |
partners and it is very civilised.
We need to go! Are you excited for | 0:12:29 | 0:12:40 | |
Halloween? I love Halloween
generally as a festival but I also | 0:12:40 | 0:12:45 | |
love Halloween on Strictly, my
favourite, maybe even more than | 0:12:45 | 0:12:49 | |
Blackpool! Shocking! I could be with
you! Ed Balls is back! | 0:12:49 | 0:12:56 | |
APPLAUSE.
How are you? So good to see you. So | 0:12:56 | 0:13:03 | |
strange to be back in the middle of
Strictly! It is like you have never | 0:13:03 | 0:13:07 | |
been away, we have much to discuss,
Jim and Aljaz, doing the jive this | 0:13:07 | 0:13:13 | |
week, let us look at them. The
judges say they are the ones to | 0:13:13 | 0:13:17 | |
watch. Here they are in rehearsals.
Doing a jive to the Buzzcocks. | 0:13:17 | 0:13:24 | |
Marvellous stuff, do the others need
to watch their backs? Definitely, I | 0:13:24 | 0:13:31 | |
think Gemma is improving every week.
Beautiful, dancing beautifully, her | 0:13:31 | 0:13:35 | |
lines were fabulous, doing really
well. Goodbye! They have a vampire | 0:13:35 | 0:13:45 | |
inspired dance. Could she slay this
week? This is the first of many! | 0:13:45 | 0:13:52 | |
Don't open with that! I think
they're dance was so beautiful last | 0:13:52 | 0:14:00 | |
Saturday, quite emotional and it was
like the time and I saw them coming | 0:14:00 | 0:14:03 | |
together as a proper partnership on
the dance floor and she looked like | 0:14:03 | 0:14:07 | |
she was having a lovely time so I am
excited to see how that translates | 0:14:07 | 0:14:11 | |
into this dance. Into the Latin.
Ruth and Anton, quick step, | 0:14:11 | 0:14:16 | |
bewitched. Here they are in
training. Will this be enough to | 0:14:16 | 0:14:22 | |
cast a spell over the lovely judges?
Richard? I think it will. Ruth is | 0:14:22 | 0:14:29 | |
wonderful, she keeps pulling stuff
out, and the perfect partner for | 0:14:29 | 0:14:34 | |
Anton, it is comedy and delivery.
The perfect sound bite. Very fast | 0:14:34 | 0:14:40 | |
paced. As you know. You got 27 for
your quickstep! Lots of stamina | 0:14:40 | 0:14:49 | |
needed, how is not looking to you?
It is clear that Ruth has got | 0:14:49 | 0:14:53 | |
stamina and she is really performing
and projecting, the way she pulled | 0:14:53 | 0:14:57 | |
off her dress at the weekend to
reveal... Were you watching a | 0:14:57 | 0:15:02 | |
different show? She pulled it off.
And she pulled it off! Keep saying | 0:15:02 | 0:15:11 | |
it! Alexandra and Gorka are doing a
zombie tango. Could be glorious. | 0:15:11 | 0:15:18 | |
Sliding down the Leader Board at
tiny but last week. Here they are in | 0:15:18 | 0:15:22 | |
training. | 0:15:22 | 0:15:28 | |
She obviously has incredible talent
and presence. She's used to | 0:15:28 | 0:15:32 | |
performing and she's ambitious in a
brilliant way. I'm looking forward | 0:15:32 | 0:15:35 | |
to her tango because she has that
angry but dignified vibe which I | 0:15:35 | 0:15:40 | |
think suit the tango well. Not many
people can do angry and dignified. I | 0:15:40 | 0:15:48 | |
admire it in others. She set the bar
early in the competition. Can she | 0:15:48 | 0:15:56 | |
maintained that? She can do
anything. A sensational dancer. She | 0:15:56 | 0:16:01 | |
did that first paso doble with
Gorka. Sat between a vicar and a | 0:16:01 | 0:16:08 | |
politician and I am the least
professional person from a dancing | 0:16:08 | 0:16:12 | |
point of view! She has to do is keep
getting better every week. You have | 0:16:12 | 0:16:18 | |
to keep improving otherwise the
others get better. Mollie and AJ and | 0:16:18 | 0:16:24 | |
their cha-cha-cha. Ed Balls, you
were a mad scientist with your | 0:16:24 | 0:16:28 | |
cha-cha-cha, genius. Any advice you
would give to these two brilliant | 0:16:28 | 0:16:35 | |
youngsters? Any advice I give should
be ignored! But the thing with | 0:16:35 | 0:16:42 | |
Mollie, she's doing really well. AJ
is a great teacher. She needs to | 0:16:42 | 0:16:47 | |
have a big breakthrough dance, the
one where people say she has really | 0:16:47 | 0:16:51 | |
arrived. A bit like the Argentine
tango that Louise did. Maybe this | 0:16:51 | 0:16:59 | |
week she will stay in, but she needs
a moment where she really arrives. | 0:16:59 | 0:17:03 | |
It hasn't happened yet, but I think
it will. Lovely New Yorkers. | 0:17:03 | 0:17:14 | |
Corrected by Ed Balls! It's what Len
told me but maybe I'm wrong. Simon | 0:17:14 | 0:17:25 | |
and Karen doing an American Smooth
based on the Viennese Waltz. This is | 0:17:25 | 0:17:29 | |
training. He's had a thigh injury,
they've got Tom Jones and Delilah. | 0:17:29 | 0:17:37 | |
He's putting any effort and enjoying
himself, improving every week. I | 0:17:37 | 0:17:41 | |
hope there is a lot of American in
it but with that thigh injury there | 0:17:41 | 0:17:45 | |
might not be much smooth. Joe and
Katya doing a foxtrot to Troubled by | 0:17:45 | 0:17:54 | |
Coldplay. We all had a singsong with
the crew earlier and had a cry. He | 0:17:54 | 0:18:02 | |
got his first ten last week.
Richard, can he carry on with that | 0:18:02 | 0:18:06 | |
standard? I think he's one to watch.
I remember on the first day seeing | 0:18:06 | 0:18:11 | |
Joe and thinking he's incredibly
good. He works incredibly good and I | 0:18:11 | 0:18:15 | |
think he will go far. The paso doble
was amazing. I actually stopped | 0:18:15 | 0:18:20 | |
looking at Twitter for the duration.
I like Kellie said paso doble | 0:18:20 | 0:18:26 | |
properly. I didn't mean to! Your ex
woman dancing with a new man. Ex | 0:18:26 | 0:18:35 | |
woman? Dance partner. Well
corrected. She's a genius, great | 0:18:35 | 0:18:46 | |
choreographer, brilliant teacher. I
would love to say Joe was over | 0:18:46 | 0:18:48 | |
marked with the ten, but he wasn't.
We will resurrect that with the | 0:18:48 | 0:18:54 | |
panel later. Thank you. | 0:18:54 | 0:19:04 | |
Now, like a beautiful bogeyman
Gethin Jones has been creeping | 0:19:15 | 0:19:17 | |
around Elstree to bring us
Strictly's deepest, darkest secrets. | 0:19:17 | 0:19:20 | |
Let's see what he's
uncovered this time. | 0:19:20 | 0:19:21 | |
How's it going? Really good. Two
professional dances with it being | 0:19:21 | 0:19:26 | |
Halloween. We saw Brendan Purcell
nightmare routine earlier on in the | 0:19:26 | 0:19:30 | |
week. What about this one? It's a
really cool number. It's about a | 0:19:30 | 0:19:36 | |
haunted Strictly Museum, starting
with those great winners. They are | 0:19:36 | 0:19:42 | |
frozen in their frames. All the
celebrities who have survived so far | 0:19:42 | 0:19:47 | |
are walking into the museum to find
something scary. I heard the | 0:19:47 | 0:19:52 | |
celebrities are involved. Does that
change the routine for you guys? It | 0:19:52 | 0:19:58 | |
makes it even scarier! Who are you
talking about specifically? Nobody | 0:19:58 | 0:20:05 | |
specifically. But it's always an
added bonus when you have a full | 0:20:05 | 0:20:09 | |
floor. Because on Halloween they do
their own number and then the group | 0:20:09 | 0:20:14 | |
number. So many things to remember.
A lot of things can go wrong. When | 0:20:14 | 0:20:19 | |
you see a scared face on Halloween,
it's genuinely scared. The | 0:20:19 | 0:20:24 | |
celebrities have to raise their game
with you. I hear a light fitting | 0:20:24 | 0:20:28 | |
doubles up as a swing. What's going
on with that. It's a huge chandelier | 0:20:28 | 0:20:33 | |
but it goes in and out. It's part of
the dance. It's a very cool concept. | 0:20:33 | 0:20:40 | |
The professional dancing is always
amazing to watch. | 0:20:40 | 0:20:48 | |
The audience getting very excited
about the line-up. | 0:20:54 | 0:20:57 | |
Thanks, Gethin. | 0:20:57 | 0:20:58 | |
Time now to welcome our next couple. | 0:20:58 | 0:20:59 | |
Wronged by her ex and wrapped
in a furry pink blanket, | 0:20:59 | 0:21:02 | |
she had nowhere left to turn. | 0:21:02 | 0:21:08 | |
All that was left was to dance a cha
cha cha with her bessie mate - | 0:21:08 | 0:21:12 | |
it's Susan and Kevin! | 0:21:12 | 0:21:16 | |
Technically not great, no hip action
to speak of, but I love your energy. | 0:21:16 | 0:21:22 | |
There was just moments where you
step out too much and then the | 0:21:22 | 0:21:25 | |
technique suffers. I love you and I
would never break up with you. I | 0:21:25 | 0:21:31 | |
think you bring their cheeky to the
cheeky cha-cha-cha. | 0:21:31 | 0:21:37 | |
How are you? Great, thanks. It's a
lovely crowd tonight. We are a | 0:21:53 | 0:22:00 | |
little bit excited about Halloween.
Are you over your break-up with | 0:22:00 | 0:22:03 | |
Craig Revel Horwood? I will never be
over it, never be over how it's | 0:22:03 | 0:22:08 | |
going, but I still have hope that
one day we will be together. That's | 0:22:08 | 0:22:12 | |
the best thing I have ever heard.
Kevin, your role is supporting your | 0:22:12 | 0:22:16 | |
best friend. How did she do last
week? To me it looked like she got | 0:22:16 | 0:22:22 | |
over it pretty quickly! I thought
she was brilliant. She was scared of | 0:22:22 | 0:22:27 | |
the cha-cha-cha. I said you just
have to throw everything at it and | 0:22:27 | 0:22:30 | |
that is what she did. We always have
the most fun when we danced | 0:22:30 | 0:22:34 | |
together. An amazing time. Last week
was no different and I loved it. You | 0:22:34 | 0:22:41 | |
made no bones of the fact he --
other facts you were not a fan of | 0:22:41 | 0:22:48 | |
the cha-cha-cha. Every time I dancer
Kevin it's amazing. Every Monday | 0:22:48 | 0:22:54 | |
when he arrives in Glasgow and we
start dancing, it's the best week of | 0:22:54 | 0:22:58 | |
my life. Of course I felt joy at the
end of the dance. Every single week | 0:22:58 | 0:23:02 | |
is the best of my life! You are so
lucky! Craig was worried when you | 0:23:02 | 0:23:10 | |
went down with the splits that
something might snap. Were you | 0:23:10 | 0:23:14 | |
scared? Could have gone further!
Saving that for Blackpool. LAUGHTER | 0:23:14 | 0:23:34 | |
She's gone! We are all on the edge
now. Shirley said she would never | 0:23:34 | 0:23:43 | |
break up with you. But she said she
wants you to coordinate your arms | 0:23:43 | 0:23:46 | |
more. We think all she really wants
is a couple. What did you make of | 0:23:46 | 0:23:53 | |
the comments? -- is a cuddle. We
have worked really hard on the arms | 0:23:53 | 0:24:04 | |
this week to address those comments.
Sometimes I get so overexcited, I am | 0:24:04 | 0:24:09 | |
like a puppy that has seen the sea
for the first time. I forget there | 0:24:09 | 0:24:12 | |
is this as well. I just get excited.
Straightaway, the first bit of the | 0:24:12 | 0:24:19 | |
routine, we decided we wanted to
show them arms and we have worked on | 0:24:19 | 0:24:22 | |
it all week. I hope the judges watch
this. Craig watches everything I do. | 0:24:22 | 0:24:27 | |
He records it, I'm sure. He is
possessed. Surely popped into your | 0:24:27 | 0:24:34 | |
training room this week. Such a
crush on Shirley. Dancing with | 0:24:34 | 0:24:42 | |
quality and entertainment! LAUGHTER
One of these days I will turn round | 0:24:42 | 0:24:49 | |
to the judges table and it will be
Kevin Clifton wearing a dress doing | 0:24:49 | 0:24:54 | |
Shirley Ballas. HERE IN PERSON IT IS
SURELY. -- HE IMPERSONATES SHIRLEY. | 0:24:54 | 0:25:07 | |
LAUGHTER
THAT IS UNCANNY. Please don't give a | 0:25:07 | 0:25:18 | |
say two. We love you. Great
anticipation for your Halloween | 0:25:18 | 0:25:24 | |
dance. Especially among some of us
who are fans of the great fantasy | 0:25:24 | 0:25:27 | |
television series. | 0:25:27 | 0:25:31 | |
Susan, or should that
be Daenerys Stormborn | 0:25:31 | 0:25:32 | |
of the House Targaryen,
First of Her Name, the Unburnt, | 0:25:32 | 0:25:35 | |
Queen of the Andals
and the First Men, Khaleesi | 0:25:35 | 0:25:38 | |
of the Great Grass Sea, Breaker
of Chains, and Mother of Dragons? | 0:25:38 | 0:25:45 | |
How excited are you? No, we are
doing the Monster Mash. This morning | 0:25:45 | 0:25:55 | |
he saw his costume. I saw my
costume, and the two of us went... | 0:25:55 | 0:26:01 | |
It is essentially the most excited I
have ever been in my entire life. | 0:26:01 | 0:26:06 | |
I'm not saying I am, but there is a
possibility there is a dragon and I | 0:26:06 | 0:26:10 | |
might come down on the back of it.
There may be dragons. If you don't, | 0:26:10 | 0:26:15 | |
we will be furious. I assume you are
Jon Snow? I am popular Channel 4 | 0:26:15 | 0:26:23 | |
newsreader Jon Snow, that's correct.
You were dancing to Killer Queen it | 0:26:23 | 0:26:31 | |
will be a foxtrot, ballroom hold.
How's it going? I have adored the | 0:26:31 | 0:26:38 | |
foxtrot. I never thought when I
started the competition that I would | 0:26:38 | 0:26:43 | |
love ballroom as much as I have.
Kevin has choreographed the most | 0:26:43 | 0:26:48 | |
exceptional routine I have ever seen
in my life. It's a beautiful, | 0:26:48 | 0:26:52 | |
gorgeous and charming dance and we
will give it everything. We like two | 0:26:52 | 0:26:56 | |
kids. Mum and dad have let us dress
up! I keep saying it, it's | 0:26:56 | 0:27:03 | |
absolutely true. Every single week I
walked in and the wardrobe and | 0:27:03 | 0:27:08 | |
make-up people, this is what you are
just as. Really?! It's amazing. I am | 0:27:08 | 0:27:16 | |
slightly hysterical about this one.
It's going to be good. APPLAUSE | 0:27:16 | 0:27:29 | |
It can be scary in the training
room. How have Ruth, Aston and Gemma | 0:27:29 | 0:27:34 | |
been coping? Lots of quick steps in
it. That's the most important thing | 0:27:34 | 0:27:39 | |
about the quickstep. I'm struggling
to keep up with Anton. That man is | 0:27:39 | 0:27:44 | |
quick. She's moving very well. Good.
You do lots of moving around, it | 0:27:44 | 0:27:51 | |
stops, and you have to go like that
in sync, and I can't do it. If you | 0:27:51 | 0:27:57 | |
get the speed right, you have done
the quickstep. You can goes so fast | 0:27:57 | 0:28:01 | |
that you can't see their heels and
toes. That was a quickstep right | 0:28:01 | 0:28:04 | |
there! Before I started training, my
initial thought was, I can do it | 0:28:04 | 0:28:12 | |
because I'm already fit. I can't do
it, I'm not fit or active enough. | 0:28:12 | 0:28:18 | |
It's really easy to go wrong with
jive. As soon as you miss a step, | 0:28:18 | 0:28:22 | |
the whole dance goes wrong. When
it's fast, the form goes completely. | 0:28:22 | 0:28:27 | |
My calves and shins are on fire. The
jive is a lot harder than I thought. | 0:28:27 | 0:28:32 | |
You are only halfway through. Only
half?! This week we are dancing the | 0:28:32 | 0:28:41 | |
American Smooth Viennese Waltz. This
is probably more in my comfort zone. | 0:28:41 | 0:28:45 | |
Although I don't like to use that
expression when it comes to dancing. | 0:28:45 | 0:28:51 | |
Simon is a ballroom boy with a great
upper body. I'm a little bit behind | 0:28:51 | 0:28:56 | |
because I hurt my leg last week. It
puts the pressure on. He's full of | 0:28:56 | 0:29:02 | |
character, full of life. And have
always have fun. | 0:29:02 | 0:29:09 | |
Now, it's time to welcome our last
couple of the night. | 0:29:09 | 0:29:13 | |
Continuing their Strictly
rollercoaster ride, it's | 0:29:13 | 0:29:14 | |
the matador-able Joe and Katya! | 0:29:14 | 0:29:22 | |
Those silhouette sat the beginning,
the shaping, I'll love it. You were | 0:29:26 | 0:29:33 | |
committed, controlled. I loved the
double turn to the knee. That was | 0:29:33 | 0:29:37 | |
the best male paso doble we have
seen on Strictly so far. | 0:29:37 | 0:29:44 | |
CHEERING AND APPLAUSE | 0:29:46 | 0:29:57 | |
You both look amazing. I'm covered
in cobwebs! We love your boots, | 0:30:01 | 0:30:08 | |
catty. I like to please. -- | 0:30:08 | 0:30:16 | |
in cobwebs! We love your boots,
catty. I like to please. --. | 0:30:16 | 0:30:17 | |
The best paso doble ever? This is
her first series, you never know. | 0:30:24 | 0:30:32 | |
Look at you! I cannot take my eyes
off you! Fun to do and you feel like | 0:30:32 | 0:30:37 | |
you're fighting, this is about
bull-fighting. Fighting for my life! | 0:30:37 | 0:30:42 | |
You looked possessed! By the spirit
of the matador! What is it about | 0:30:42 | 0:30:48 | |
that dance? It is just passionate, I
suppose. And like I said, those are | 0:30:48 | 0:30:54 | |
the dancers I enjoy. The ballroom,
not so much. You look great in the | 0:30:54 | 0:31:01 | |
ballroom! We were discussing, until
you have choreographed and you teach | 0:31:01 | 0:31:09 | |
them and until that routine gets put
on, you don't know if they will love | 0:31:09 | 0:31:13 | |
the dance, whether it is going to
look good. And on Monday, my God, | 0:31:13 | 0:31:19 | |
what is he doing? It is like yoga!
We were doing a bit of yoga! Look | 0:31:19 | 0:31:30 | |
what happened, your first nine
closely followed by your first ten! | 0:31:30 | 0:31:33 | |
APPLAUSE.
Did you ever think you would see the | 0:31:33 | 0:31:40 | |
day? Personally, I think we deserved
all tens! He was nice about me, | 0:31:40 | 0:31:48 | |
lovely man! Do you remember, Ed
Balls, we got ten combined from all | 0:31:48 | 0:31:57 | |
the judges! That was really nice! We
did predict, you were to send the | 0:31:57 | 0:32:07 | |
roller-coaster... And second on the
Leader Board! Great work! Is it good | 0:32:07 | 0:32:15 | |
to ride the highs of that? But you
are only as good as your last dance, | 0:32:15 | 0:32:20 | |
you have to do it again this week
and try to replicate last week and | 0:32:20 | 0:32:24 | |
that is the thing. I have to say, I
would watch that again! Have you | 0:32:24 | 0:32:34 | |
given Neil his jacket by? I have, I
might need to steal that back for | 0:32:34 | 0:32:39 | |
the two are! And you have shaved
your chest! | 0:32:39 | 0:32:42 | |
APPLAUSE.
I don't know why I am staring at | 0:32:42 | 0:32:46 | |
that! You have to keep that look!
Never mind. Foxtrot? With Coldplay. | 0:32:46 | 0:32:54 | |
Let us get into the mood... That is
beautiful. This song... Trouble. Has | 0:32:54 | 0:33:07 | |
the choreography been troublesome?
It is actually pretty good, I got | 0:33:07 | 0:33:11 | |
the steps on Monday and we were
running that afterwards. It shows | 0:33:11 | 0:33:15 | |
you improving. He was struggling in
the beginning. He is getting better | 0:33:15 | 0:33:20 | |
and better every week. By Monday,
come on... And it is making sure | 0:33:20 | 0:33:26 | |
that when you're under the lights,
it doesn't fly out the window! Doing | 0:33:26 | 0:33:30 | |
jazz style! It has happened
sometimes! Certainly! Catcher is | 0:33:30 | 0:33:38 | |
going to play a creature notorious
for being the ultimate manager. The | 0:33:38 | 0:33:44 | |
Black widow spider! -- man eater.
Her bite producers muscle aches, | 0:33:44 | 0:33:57 | |
nausea and breathing problems! That
was all just this afternoon! There | 0:33:57 | 0:34:02 | |
is treatment for that! Were you born
to play this? Asked my husband! He | 0:34:02 | 0:34:10 | |
would say yes! Nicky showed us the
costume, it is amazing! I love it. | 0:34:10 | 0:34:18 | |
We decided to show some leg. My
spider legs. Nothing very! -- hairy. | 0:34:18 | 0:34:32 | |
You can see the shape of the spider.
I love it. A great job with the | 0:34:32 | 0:34:37 | |
costumes. We have yet to see what
Joe is going to be wearing! Are you | 0:34:37 | 0:34:46 | |
all right? That is Neal! We love
you. Go and catch! | 0:34:46 | 0:34:50 | |
APPLAUSE.
-- Joe and Katya. | 0:34:50 | 0:34:57 | |
Now, Halloween means the Strictly
studio is going to look absolutely | 0:34:57 | 0:34:59 | |
fang-tastic tomorrow night. | 0:34:59 | 0:35:00 | |
We sent Gethin to the art
department to find more. | 0:35:00 | 0:35:05 | |
Whilst the professionals and
celebrities get a break, there are | 0:35:05 | 0:35:09 | |
two members of the team who don't
get that... That is spooky! Mark and | 0:35:09 | 0:35:16 | |
Catherine, scenic set supervisor,
producer, director? Pretty much, and | 0:35:16 | 0:35:22 | |
art director. Tell us what you do.
How does your job work? I am in | 0:35:22 | 0:35:28 | |
charge of the look of all the
staging and props. What about you? | 0:35:28 | 0:35:34 | |
My job entails from August, being in
charge of building the set and on | 0:35:34 | 0:35:40 | |
Saturday night, making sure all the
beautiful props go on and off | 0:35:40 | 0:35:43 | |
accurately. They always do but there
must be hairy moments, especially | 0:35:43 | 0:35:48 | |
with a set this big? Yes, there are
usually 12 hairy moments every week! | 0:35:48 | 0:35:54 | |
From about 6:30pm onwards! After
that it seems to ease off! Anything | 0:35:54 | 0:36:00 | |
we can look about tomorrow that is
special? We might have the world's | 0:36:00 | 0:36:07 | |
biggest chandelier! Spooky
chandelier. It is really big. It is | 0:36:07 | 0:36:15 | |
about eight feet wide. And ten foot
high. Doing Halloween, you have done | 0:36:15 | 0:36:20 | |
a few of these, does it get easier
or harder just to keep raising the | 0:36:20 | 0:36:25 | |
level? I would like to say it gets
easier but it does not! I think, | 0:36:25 | 0:36:32 | |
everyone loves the staging and the
props, they want more and more! It | 0:36:32 | 0:36:39 | |
gets easier with the fact that we
know what we are doing. But there is | 0:36:39 | 0:36:42 | |
more to do. That increases the
challenge for you? Very much. What | 0:36:42 | 0:36:48 | |
we struggle with each week is
because everybody wants to raise | 0:36:48 | 0:36:53 | |
their game, maybe we can have ten of
them? We haven't got 10 million men | 0:36:53 | 0:36:58 | |
to bring it along, they want more
and more each week but it does up | 0:36:58 | 0:37:03 | |
the ante. You work closely together?
Yes. It is all right. Every day of | 0:37:03 | 0:37:12 | |
the week? I literally speak to
Catherine more than my wife. I get | 0:37:12 | 0:37:16 | |
Sunday off. You are basically like a
Strictly couple! Get back to work, | 0:37:16 | 0:37:22 | |
Notts to do! Where is that ghost? | 0:37:22 | 0:37:25 | |
Thanks, Geth! | 0:37:25 | 0:37:26 | |
And it's not just Mr Jones bringing
us the behind the scenes action - | 0:37:26 | 0:37:30 | |
we've got spies everywhere. | 0:37:30 | 0:37:31 | |
Here's how Alex, Mollie and Susan
have been getting on in training. | 0:37:31 | 0:37:37 | |
Step... I have been quite nervous
about the tango. On the balls of | 0:37:37 | 0:37:45 | |
your feet? Faultless on the
footwork. I need to concentrate on | 0:37:45 | 0:37:51 | |
keeping connected with Gorka to
dance with him, not away from him, | 0:37:51 | 0:37:56 | |
in the hold. We are going to do
plenty on technique and posture. I | 0:37:56 | 0:38:02 | |
am going to make sure I give it
everything when it comes to the | 0:38:02 | 0:38:05 | |
night.
LAUGHTER | 0:38:05 | 0:38:12 | |
I am finding the cha-cha-cha very
hard, it is about legs being | 0:38:12 | 0:38:16 | |
completely stiff and it is all about
the hips. Mollie is definitely | 0:38:16 | 0:38:21 | |
struggling, one of the hardest
dancers so far, there is not to | 0:38:21 | 0:38:25 | |
think about, there is nothing
natural about this dance. I need my | 0:38:25 | 0:38:29 | |
arms and upper body to be still and
rigid. And then let the bottom half | 0:38:29 | 0:38:34 | |
the talking. | 0:38:34 | 0:38:39 | |
I love the routine this week, Kevin
has choreographed a brilliant dance | 0:38:43 | 0:38:47 | |
for us. We are working on the frame
a lot because this is a comment we | 0:38:47 | 0:38:52 | |
have had before. We need to work on
the hold and the footwork and also | 0:38:52 | 0:38:58 | |
on which direction my head is going
in because it is like a that. Dare I | 0:38:58 | 0:39:06 | |
say it, I feel like Susan is
becoming a ballroom dancer! Well | 0:39:06 | 0:39:09 | |
done! Looking good, Susan! | 0:39:09 | 0:39:16 | |
Now, a special occasion calls
for a very special guest. | 0:39:16 | 0:39:18 | |
She's kind of a big deal. | 0:39:18 | 0:39:20 | |
It's Shirley Ballas! | 0:39:20 | 0:39:21 | |
APPLAUSE. | 0:39:21 | 0:39:26 | |
How are you? Shirley Ballas! This is
your first Strictly Halloween, how | 0:39:33 | 0:39:41 | |
excited are you? I am just excited
about the goblins and everything | 0:39:41 | 0:39:45 | |
that goes with Halloween, like the
audience. You might be dressing up | 0:39:45 | 0:39:51 | |
well as well? I know what she is
wearing! It is a good one. Last | 0:39:51 | 0:39:58 | |
week, you gave Joe the only ten of
the night, he was so excited and you | 0:39:58 | 0:40:03 | |
said this was the best paso doble we
have seen. Are you talking about | 0:40:03 | 0:40:07 | |
this series? What was so great? The
paso doble is very difficult for the | 0:40:07 | 0:40:13 | |
man to lead an experienced lady. If
you have a strong man and you are | 0:40:13 | 0:40:18 | |
lately, it is easier to follow and I
thought he led her spectacular, his | 0:40:18 | 0:40:22 | |
knee work was impeccable and his
shaping was just divine. His | 0:40:22 | 0:40:28 | |
expression was told, it came from
inside, it was not all out there | 0:40:28 | 0:40:31 | |
with funny faces. Brilliant. We
don't want funky faces! Sometimes we | 0:40:31 | 0:40:40 | |
do! Also, the second ten you have
given because Alexandra with her | 0:40:40 | 0:40:45 | |
drive, which was spectacular. What
was so satisfying? With the jive, | 0:40:45 | 0:40:50 | |
full of energy, it can be internal
coming into external and she was | 0:40:50 | 0:40:55 | |
just on 100% on that night, the
routine was great, the dancing was | 0:40:55 | 0:41:02 | |
great, she deserved ten.
APPLAUSE. | 0:41:02 | 0:41:03 | |
It was so good! | 0:41:03 | 0:41:06 | |
Well, the last time you were
on you treated us to a samba demo. | 0:41:06 | 0:41:11 | |
Continuing this great Latin
tradition, I think we'd quite | 0:41:11 | 0:41:13 | |
like to see the jive. | 0:41:13 | 0:41:14 | |
It's time for a Ballas Breakdown! | 0:41:14 | 0:41:17 | |
APPLAUSE.
I thought I would pick the simplest | 0:41:17 | 0:41:23 | |
step first, which is the link, when
you rotate your hips and these kind | 0:41:23 | 0:41:30 | |
of actions, link steps, they connect
every single basic step together. | 0:41:30 | 0:41:35 | |
Watch out for that link step. Rotary
figure. Rotating with your arm | 0:41:35 | 0:41:40 | |
across the body. And I thought I
would mention the chassis being one, | 0:41:40 | 0:41:47 | |
two, three, three steps in any
direction. Loose cross forward, it | 0:41:47 | 0:41:52 | |
can be the chassis to the side,
three steps or ten dancers. Are you | 0:41:52 | 0:41:57 | |
following? And another thing, slip
ball change. You slip the standing | 0:41:57 | 0:42:04 | |
foot, you had your bottom, and the
he goes about the front, slip, Ball, | 0:42:04 | 0:42:11 | |
change. If you are kicking like this
you are not in a good position. | 0:42:11 | 0:42:15 | |
Slipped and hit your bottom. Ball,
change! We need to see this but | 0:42:15 | 0:42:20 | |
together! We need Giovanni! Here he
is. And surely has picture favourite | 0:42:20 | 0:42:32 | |
Halloween tune ever! # Reach for the
stars... | 0:42:32 | 0:42:44 | |
Oh! My Lord!
APPLAUSE. | 0:42:54 | 0:43:14 | |
Ladies and gentlemen... And that is
why... You lucky lady! As the saying | 0:43:14 | 0:43:33 | |
goes, it is never too early for a
viewer's questions to Shirley! One | 0:43:33 | 0:43:44 | |
question is, when did you earn the
title, Queen of Latin? 32 years ago | 0:43:44 | 0:43:49 | |
I trained little boy called Alan
Grundy, and he was 17 he was the | 0:43:49 | 0:43:53 | |
young hairdresser of the year and he
would do my hair, from Liverpool, he | 0:43:53 | 0:43:58 | |
would say, come in here, Queenie,
get your hair done! I would hear | 0:43:58 | 0:44:03 | |
this every week, you will always be
my Queen of Latin. He is 41 now. He | 0:44:03 | 0:44:09 | |
nicknamed me. They have surpassed
themselves! Shirley, you have two | 0:44:09 | 0:44:19 | |
pick something from here? Number
one. This question is from Lauren, | 0:44:19 | 0:44:27 | |
who are what influence due to start
dancing? I was influenced by going | 0:44:27 | 0:44:30 | |
to the church hall and I would see
the adults dancing and I was seven | 0:44:30 | 0:44:35 | |
and I would put my head through the
little window and see them dancing | 0:44:35 | 0:44:38 | |
and that is when I first fell in
love with the cha-cha-cha! And the | 0:44:38 | 0:44:42 | |
music of the Latin and ballroom
dances and started from and I too | 0:44:42 | 0:44:47 | |
just one year of when I had my son.
Another one? Number five. Who has | 0:44:47 | 0:44:55 | |
improved the most from the start of
the competition? Thank you very much | 0:44:55 | 0:44:58 | |
for that question. I would not lead
to single out anybody on this show, | 0:44:58 | 0:45:03 | |
it changes every week. Look at
Susan. They are all improving. Every | 0:45:03 | 0:45:08 | |
week. From the first week, I was
never quite sure, but they all have | 0:45:08 | 0:45:17 | |
the amazing qualities... Just one
more. | 0:45:17 | 0:45:23 | |
Number seven. If you could dance one
dance with any person living or | 0:45:23 | 0:45:27 | |
dead, who would it be and why, from
Charlotte? If I could pick one, I | 0:45:27 | 0:45:33 | |
would love to dance with my son one
day. Make that call! | 0:45:33 | 0:45:41 | |
That's all we have time for. | 0:45:41 | 0:45:43 | |
Thank you to everyone
who sent in a question, | 0:45:43 | 0:45:51 | |
Now, you've heard of
arachnophobia, claustrophobia, | 0:45:51 | 0:45:52 | |
but what about Strictly-phobia? | 0:45:52 | 0:45:54 | |
Take a look at this. | 0:45:54 | 0:45:58 | |
The scariest thing about being on
Strictly is the shaking knees, the | 0:45:58 | 0:46:03 | |
sweaty palms, and what makes it even
worse is when I hold Gorka's hand | 0:46:03 | 0:46:08 | |
and he's sweating as well and it
shows me he really cares. You are | 0:46:08 | 0:46:13 | |
out there being judged in front of
millions of people at something you | 0:46:13 | 0:46:17 | |
are not naturally great at. It's
been a terrifying experience, to be | 0:46:17 | 0:46:23 | |
honest. My scariest moment on
Strictly was the first week when I | 0:46:23 | 0:46:27 | |
was so frozen with terror I couldn't
move. Scariest moment so far was the | 0:46:27 | 0:46:34 | |
tango where I blanked. I'm hoping
that isn't going to happen again. | 0:46:34 | 0:46:41 | |
The scariest moment so far was the
first time facing the judges. I had | 0:46:41 | 0:46:45 | |
been worrying about that moment like
a recurring nightmare. Doing the | 0:46:45 | 0:46:51 | |
cha-cha-cha, I knew I hadn't quite
got it. So in my head was, you just | 0:46:51 | 0:46:54 | |
have to do the best you can do,
girl. The scariest thing for me | 0:46:54 | 0:47:01 | |
about being on Strictly is hoping
the red light doesn't hit you. | 0:47:01 | 0:47:04 | |
That's the scary moment. Coping with
the fear on the set of Strictly is a | 0:47:04 | 0:47:10 | |
very difficult thing to do.
Terrifying. So far, my scariest | 0:47:10 | 0:47:17 | |
moment has been standing in front of
the judges after the dance-off. It's | 0:47:17 | 0:47:20 | |
the first time I have felt quite so
vulnerable in front of so many | 0:47:20 | 0:47:25 | |
people. It's kind of like being in a
relationship that's too good to be | 0:47:25 | 0:47:31 | |
true, so you fear it's going to end.
That's how Strictly feels for me. It | 0:47:31 | 0:47:36 | |
will be over at some point, so you
have to dance everyone like it's | 0:47:36 | 0:47:40 | |
your last and enjoy it as much as
possible. | 0:47:40 | 0:47:45 | |
They're back, it's
the Friday Panel! | 0:47:48 | 0:47:55 | |
Let's get back to the training. Katy
Brand, we will see Jonnie and Oti | 0:47:55 | 0:48:01 | |
dance eight cha-cha-cha to Olly
Murs' Troublemaker. Will they get | 0:48:01 | 0:48:05 | |
into the judges good books? I'm
amazed by Jonnie Peacock every | 0:48:05 | 0:48:12 | |
single week. I'm sure everyone is
the same. Fearless, brilliant, a | 0:48:12 | 0:48:17 | |
really good dancer. Oti is my queen,
and she pushes him. The choreography | 0:48:17 | 0:48:22 | |
is astonishing every week. Although
others have been choreographing | 0:48:22 | 0:48:29 | |
great stuff as well, especially last
week. He's my little tip for the | 0:48:29 | 0:48:32 | |
final, perhaps. I'm going there
already! Ed Balls, a Rumba for | 0:48:32 | 0:48:42 | |
Nadiya. Will he be afraid? My
biggest disappointment is I never | 0:48:42 | 0:48:50 | |
did the Rumba. I wanted to show my
Rumba side. We all wanted to see | 0:48:50 | 0:48:54 | |
that. I think I'm feeling it over
here! Those two are naturally | 0:48:54 | 0:49:04 | |
beautiful and passionate together
and I think the Rumba will be a | 0:49:04 | 0:49:06 | |
great dance for them. I think he can
relax a bit now. He's no longer | 0:49:06 | 0:49:12 | |
intimidated by my physique. It will
have released something within | 0:49:12 | 0:49:17 | |
Davood. A paso doble to Nirvana's
teen spirit. Something else. Can | 0:49:17 | 0:49:27 | |
this routine entertain us? Aston is
a brilliant dancer, very fluid and | 0:49:27 | 0:49:34 | |
they look like a proper partnership.
You can always tell by this stage | 0:49:34 | 0:49:38 | |
where the partnerships are starting,
where it's not so much obvious who | 0:49:38 | 0:49:42 | |
is the professional and Hurou the
celebrity is. That's happening with | 0:49:42 | 0:49:46 | |
them, it's very fluid. With Aston
you saw somebody completely | 0:49:46 | 0:49:50 | |
brilliant Wood Street dancing at
first, but now you see him doing | 0:49:50 | 0:49:54 | |
different things. -- brilliant at
Street dancing. Susan and Kevin | 0:49:54 | 0:50:03 | |
taking on a Game of Thrones inspired
foxtrot. Could this get a seat on | 0:50:03 | 0:50:09 | |
the eye Throne? Dancing to Killer
Queen. Susan Calman, the queen of | 0:50:09 | 0:50:21 | |
dragons. I love her. I think Kevin
and Susan could do anything in this | 0:50:21 | 0:50:26 | |
competition. I think it would be
great on Saturday. What are Susan's | 0:50:26 | 0:50:31 | |
strengths? She said last week,
spreading joy and getting good | 0:50:31 | 0:50:36 | |
marks. She's improving every week
and trying really hard. And she is | 0:50:36 | 0:50:40 | |
spreading joy. People want joy in
their lives and that's why they are | 0:50:40 | 0:50:44 | |
enjoying Susan. We need joy, people!
Debbie and Giovanni dancing the | 0:50:44 | 0:50:52 | |
charleston. Talking of joy. They
topped the Leaderboard last week. | 0:50:52 | 0:50:56 | |
Can they keep up the good work? I
was so stunned by their Rumba. I | 0:50:56 | 0:51:04 | |
thought it was beautiful, strong,
sexual but in a great way. She's | 0:51:04 | 0:51:09 | |
amazing, like a walking Jackie
Collins novel, in a good way. Like | 0:51:09 | 0:51:15 | |
an incredible back story, incredible
dancer, she has this mystique of | 0:51:15 | 0:51:20 | |
experience, but she's very brilliant
tap dancing. She is one to watch. | 0:51:20 | 0:51:26 | |
And put Giovanni a bit in the shade.
That's a achievement. As a vicar, I | 0:51:26 | 0:51:33 | |
have had spray tan with Debbie
McGee, unusually, and believe you | 0:51:33 | 0:51:37 | |
me, the sky is the limit with that
woman. Top half, awful Jeremy Vine? | 0:51:37 | 0:51:43 | |
I'm not going to go there. -- or the
full Jeremy Vine. Full Jeremy Vine? | 0:51:43 | 0:51:52 | |
Did he... Wow. He was told by the
guys in the first week, and he | 0:51:52 | 0:51:59 | |
stripped completely naked and had
the whole deal. What show did he | 0:51:59 | 0:52:02 | |
think he was on? This is salacious!
So you can have a spray tan, but is | 0:52:02 | 0:52:11 | |
not a full Jeremy. You learn
something new on this show every | 0:52:11 | 0:52:16 | |
night. Who will be going home this
weekend? Who will be the bottom two? | 0:52:16 | 0:52:22 | |
Clearly Ruth and Simon Haft to show
passion and commitment and drive and | 0:52:22 | 0:52:26 | |
improvement. When you have been in
the dance-off a couple of times, | 0:52:26 | 0:52:32 | |
it's hard to get out of it. But I
think they both can. You could end | 0:52:32 | 0:52:36 | |
up with two people we don't expect
in the dance-off, and that's when | 0:52:36 | 0:52:39 | |
things get spicy. Give me a name.
Simon might be in danger. No idea. | 0:52:39 | 0:52:49 | |
Great panel. Thank you to you all. | 0:52:49 | 0:52:51 | |
Right, it's time to head back
to Elstree for one last sneaky | 0:52:51 | 0:52:54 | |
peek behind the scenes. | 0:52:54 | 0:52:55 | |
But where's Gethin hiding this time? | 0:52:55 | 0:52:58 | |
I can't get over the Jeremy Vine
revelation. | 0:52:58 | 0:53:01 | |
In wardrobe the team are working
overtime to make sure everything is | 0:53:01 | 0:53:05 | |
ready for tomorrow. Especially these
three. It's the first time we have | 0:53:05 | 0:53:10 | |
spoken to you on a Friday. Jonnie
and Gemma, what is Friday like for | 0:53:10 | 0:53:15 | |
you? Both of you were in rehearsals
and quite nervous but pulled it out | 0:53:15 | 0:53:19 | |
of the bag in the end. It's a bit
ropey, but I love Fridays. It's one | 0:53:19 | 0:53:24 | |
of the easiest days of the week. You
are not training for ten hours. Oti | 0:53:24 | 0:53:29 | |
is hanging back somewhere. What
about you, Gemma? Its opposite for | 0:53:29 | 0:53:36 | |
me. I get fearful on Friday. We do
the dance three times in the studio. | 0:53:36 | 0:53:42 | |
When you have been rehearsing
somewhere else, you get on the | 0:53:42 | 0:53:45 | |
studio floor with the band and the
lighting and it makes you think, | 0:53:45 | 0:53:47 | |
this is my last attempt to get the
dance before we do it tomorrow. If | 0:53:47 | 0:53:52 | |
you are not musical it's tough on
Friday. You hear it with the track, | 0:53:52 | 0:53:57 | |
but on Friday and Saturday you hear
it live. Sometimes when the band | 0:53:57 | 0:54:02 | |
comes in, sometimes I think you hear
it in a different way. You hear | 0:54:02 | 0:54:06 | |
every nuance. On the track you get
the overall thing. But all of a | 0:54:06 | 0:54:11 | |
sudden you get the bits of drum or
base. Your track, Troublemaker. Is | 0:54:11 | 0:54:17 | |
she telling you something this week?
I hope not. We have gone with the | 0:54:17 | 0:54:23 | |
hips for the first time in the whole
thing. Can we see some right now? | 0:54:23 | 0:54:27 | |
You'll have to wait and see. What
about tomorrow night? We saw you | 0:54:27 | 0:54:34 | |
rehearsing earlier, it's amazing but
very quick. The jive is really hard | 0:54:34 | 0:54:39 | |
on the hips. It's so quick. It is
fast. It's very flicking. American | 0:54:39 | 0:54:54 | |
Smooth, Viennese Waltz. If you did
the jive tomorrow you might struggle | 0:54:54 | 0:54:58 | |
with your leg. How are you doing? Is
it the perfect dance for you | 0:54:58 | 0:55:02 | |
tomorrow? I'm very fortunate. It's a
bit of what damage, so luckily the | 0:55:02 | 0:55:08 | |
American Smooth is quite gentle on
my legs. I have got to last 90 | 0:55:08 | 0:55:12 | |
seconds, or maybe two lots of 90.
Good luck for tomorrow night. You | 0:55:12 | 0:55:18 | |
can have a quick look at your
outfits before you go. | 0:55:18 | 0:55:22 | |
That's all we have time for tonight. | 0:55:22 | 0:55:23 | |
Thanks to all my guests
and make sure you tune | 0:55:23 | 0:55:26 | |
into the Strictly Halloween special
with Tess and Claud tomorrow night | 0:55:26 | 0:55:28 | |
at 6.35pm on BBC One. | 0:55:28 | 0:55:30 | |
I'll be back on Monday with the next
couple to leave the competition. | 0:55:30 | 0:55:33 | |
But now, singing us out
with their new single, | 0:55:33 | 0:55:35 | |
I Miss You, it's Clean Bandit! | 0:55:35 | 0:55:36 | |
Have a spine-chilling weekend! | 0:55:36 | 0:55:40 | |
# I know you're in Cabo,
hanging with your brother. | 0:55:48 | 0:55:52 | |
# Wishing that I was your bottle. | 0:55:52 | 0:55:55 | |
# so I could be close
to your lips again. | 0:55:55 | 0:55:58 | |
# I know you didn't
call your parents. | 0:55:58 | 0:56:00 | |
# And tell them that we ended. | 0:56:00 | 0:56:01 | |
# Cos you know that
they'd be offended. | 0:56:01 | 0:56:04 | |
# Did you not want to
tell them it's the end? | 0:56:04 | 0:56:07 | |
# And I know we're
not supposed to talk. | 0:56:07 | 0:56:10 | |
# But I'm getting ahead of myself. | 0:56:10 | 0:56:13 | |
# I get scared when we're not. | 0:56:13 | 0:56:15 | |
# Cos I'm scared you're
with somebody else. | 0:56:15 | 0:56:17 | |
# Oh I guess then it's gone. | 0:56:17 | 0:56:20 | |
# And I just keep fighting myself. | 0:56:20 | 0:56:22 | |
# Oh I can't believe it. | 0:56:22 | 0:56:26 | |
# I miss you, yeah I miss you. | 0:56:26 | 0:56:31 | |
# I miss you, yeah
I miss you, oh I do. | 0:56:31 | 0:56:35 | |
# I miss you, yeah I miss you. | 0:56:35 | 0:56:41 | |
# Though I'm trying not to I know. | 0:56:41 | 0:56:45 | |
# You weren't a fan of pictures. | 0:56:52 | 0:56:54 | |
# So I hardly ever took them. | 0:56:54 | 0:56:58 | |
# Got 'em saved on my
mind from the bedroom. | 0:56:58 | 0:57:00 | |
# So that way I can't
forget your skin. | 0:57:00 | 0:57:03 | |
# So I saved all of the texts. | 0:57:03 | 0:57:04 | |
# All of the best over the years. | 0:57:04 | 0:57:07 | |
# Just to remind myself
of how good it is, or was. | 0:57:07 | 0:57:11 | |
# And I know we're
not supposed to talk. | 0:57:11 | 0:57:14 | |
# But I'm getting ahead of myself. | 0:57:14 | 0:57:16 | |
# I get scared when we're not. | 0:57:16 | 0:57:19 | |
# Cos I'm scared you're
with somebody else. | 0:57:19 | 0:57:21 | |
# Oh I guess then it's gone. | 0:57:21 | 0:57:24 | |
# And I just keep fighting myself. | 0:57:24 | 0:57:26 | |
# Oh I can't believe it. | 0:57:26 | 0:57:30 | |
# I miss you, yeah I miss you. | 0:57:30 | 0:57:34 | |
# I miss you, yeah
I miss you, oh I do. | 0:57:34 | 0:57:38 | |
# I miss you, yeah I miss you. | 0:57:38 | 0:57:43 | |
# Though I'm trying not to I know. | 0:57:43 | 0:57:48 | |
# So I saved all of the texts. | 0:57:56 | 0:57:58 | |
# All of the best over the years. | 0:57:58 | 0:58:01 | |
# Just to remind myself
of how good it is. | 0:58:01 | 0:58:04 | |
# Yeah I saved all of the texts. | 0:58:04 | 0:58:07 | |
# All from my ex, minus the tears. | 0:58:07 | 0:58:11 | |
# Just to remind myself
of how good it is, or was. | 0:58:11 | 0:58:14 | |
# Cos I miss you, yeah I miss you. | 0:58:14 | 0:58:19 | |
# I miss you, yeah
I miss you, oh I do. | 0:58:19 | 0:58:24 | |
# I miss you, yeah I miss you. | 0:58:24 | 0:58:28 | |
# Though I'm trying not to I know. | 0:58:28 | 0:58:32 | |
# I can't help it I just. | 0:58:32 | 0:58:36 | |
# Though I'm trying not to I know. | 0:58:48 | 0:58:53 | |
# I can't help it, I just.# | 0:58:53 | 0:58:55 | |
APPLAUSE. | 0:58:55 | 0:58:58 |