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Live from London, this is Strictly:
It Takes Two! Please welcome your | 0:00:52 | 0:00:57 | |
host, Zoe Ball! | 0:00:57 | 0:00:59 | |
Hello and welcome to It Takes Two! | 0:01:01 | 0:01:03 | |
It's still Halloween here, people! | 0:01:03 | 0:01:05 | |
Now, Strictly's Fright Night may be
over but we are all still reeling | 0:01:05 | 0:01:09 | |
from the weekend's spine-tingling
shocks. | 0:01:09 | 0:01:15 | |
Yes, Bruno returned
from the dead as Beetlejuice... | 0:01:15 | 0:01:17 | |
Katya caught Joe in
a giant spiderweb... | 0:01:17 | 0:01:20 | |
Debbie and Aston joined
the terrifying "Ten" Club. | 0:01:20 | 0:01:29 | |
But the Strictly Grim Reaper took
Simon and Karen as his next victims. | 0:01:29 | 0:01:32 | |
But it's OK - they are safe and well
in our Green Room right now! | 0:01:32 | 0:01:37 | |
CHEERING
Hello, darlings, looking divine. | 0:01:37 | 0:01:45 | |
They're joined tonight
by Captain Jonnie and Oti. | 0:01:45 | 0:01:47 | |
Ahoy there! | 0:01:47 | 0:01:48 | |
Plus, later tonight -
we will have not one but two | 0:01:48 | 0:01:50 | |
Strictly champions taking over
Choreography Corner. | 0:01:50 | 0:01:52 | |
You'll have to wait to find out who. | 0:01:52 | 0:01:59 | |
But even a dinner banquet
on the side of their American Smooth | 0:01:59 | 0:02:02 | |
was not enough to save Simon
and Karen this weekend. | 0:02:02 | 0:02:05 | |
Before we say our final farewells
to the man who invented | 0:02:05 | 0:02:09 | |
Pulled Pork (it's true),
here is their final dance. | 0:02:09 | 0:02:16 | |
MUSIC: All By Myself. | 0:02:28 | 0:02:30 | |
Simon and Karen, everyone! | 0:02:34 | 0:02:44 | |
That was a good last dance. Why,
why, why are you leaving us? We are | 0:02:44 | 0:02:50 | |
gutted. How are you feeling now? I
feel great, to be honest. As I said | 0:02:50 | 0:02:56 | |
on Sunday it has been the most
amazing time. It is the right time | 0:02:56 | 0:03:01 | |
for us to go. I thought if I can get
to week three I will be delighted. I | 0:03:01 | 0:03:06 | |
got two weeks six. It is all down to
her. She is good, isn't she? But we | 0:03:06 | 0:03:21 | |
must not tell her, it will go to her
head! A Sweeney Todd inspired | 0:03:22 | 0:03:25 | |
American smooth, such fun and
frolics. We loved the outfits. How | 0:03:25 | 0:03:27 | |
much joy was it to dance to this
one? It was a joy. We had a real | 0:03:27 | 0:03:33 | |
laugh doing it. When we started on
Wednesday it was a little tense. But | 0:03:33 | 0:03:37 | |
we just enjoyed it more and more and
more. I think of all the dancers, | 0:03:37 | 0:03:43 | |
probably including the Charleston,
we got into character. We had a | 0:03:43 | 0:03:50 | |
laugh. It is Halloween, you cannot
help but get into character. We must | 0:03:50 | 0:03:55 | |
talk about when you were waiting for
the judges' comments, how dry was | 0:03:55 | 0:04:02 | |
that chicken? Very dry! You should
never eat the props. They said we | 0:04:02 | 0:04:07 | |
will give you some meat pies and
chicken legs and you can eat it. I | 0:04:07 | 0:04:12 | |
said I will not let food go to
waste. I took a bite out of it. I | 0:04:12 | 0:04:17 | |
did not notice how big of a bite I'd
took. Some people were disgusted but | 0:04:17 | 0:04:25 | |
I am sorry, you should always eat
all of your food. I was not going to | 0:04:25 | 0:04:28 | |
let that go to waste, no matter who
is talking. The more I was chewing | 0:04:28 | 0:04:32 | |
the more I was blocking out the
judges. So much love for the look. | 0:04:32 | 0:04:40 | |
Six weeks, we finally got you into a
wig, Simon. Look at those diggers, | 0:04:40 | 0:04:47 | |
please tell us you kept them. Fans
at home were suggesting there was a | 0:04:47 | 0:04:53 | |
bit of a Harold Steptoe. I like
that! Noel Fielding. I will take | 0:04:53 | 0:05:00 | |
that. And zombie Poldark which was
my favourite. Some people talk about | 0:05:00 | 0:05:08 | |
the curse of the samba but this year
it seems to be the curse of Tom | 0:05:08 | 0:05:12 | |
Jones. Last week someone went out
dancing to Tom Jones and the same | 0:05:12 | 0:05:17 | |
happened to you. Hopefully this
week, no Tom Jones. Is there any Tom | 0:05:17 | 0:05:21 | |
Jones? None, thank goodness! How was
the Simon Rimmer off as it has been | 0:05:21 | 0:05:28 | |
named. It was all right. It was our
third one. It will be renamed that. | 0:05:28 | 0:05:34 | |
We would have been disappointed
without the dance-off. You look at | 0:05:34 | 0:05:42 | |
everyone else's faces. Before it
happened, we said to Mollie and AJ, | 0:05:42 | 0:05:50 | |
at least if the red light goes on
you will look great with your | 0:05:50 | 0:05:53 | |
outfits. I thought there was no way
they would be in the dance-off. I | 0:05:53 | 0:06:00 | |
know, it was a shocker for all of
us. You two are such a joyous | 0:06:00 | 0:06:04 | |
partnership. Shall we enjoy your
Strictly story? It is a good eve. | 0:06:04 | 0:06:13 | |
How could you not want to be part of
this? You will be dancing with | 0:06:13 | 0:06:18 | |
Karen!
We are dancing a paso doble. I | 0:06:18 | 0:06:26 | |
thought you came across with sheer
determination. A good job, well | 0:06:26 | 0:06:29 | |
done. We are dancing the waltz to a
song called You'll Never Walk Alone. | 0:06:29 | 0:06:43 | |
Every time I hear that song it sends
a shiver down my spine. You were | 0:06:43 | 0:06:50 | |
strong and elegant. Placing your
feet correctly and then it happened. | 0:06:50 | 0:06:55 | |
I got the whole wrong at the end. I
let Karen down, sorry. | 0:06:55 | 0:07:03 | |
This is a real challenge. My
aggressive cap side is coming out. | 0:07:03 | 0:07:09 | |
Now she is biting me. You did a nice
basic quick step. I thought it was | 0:07:09 | 0:07:17 | |
quite lumpy. Who are you going to
save? Simon and Karen. We live to | 0:07:17 | 0:07:25 | |
fight another day. I am having the
best time teaching Simon how to | 0:07:25 | 0:07:31 | |
samba. Sexy, sexy, gyrating with my
hips. For Karen, it is the funniest | 0:07:31 | 0:07:37 | |
thing she has ever seen. You need to
be more Benidorm than Brazil. Lovely | 0:07:37 | 0:07:47 | |
try, well done. The Charleston is
loads and loads of fun. You cannot | 0:07:47 | 0:07:52 | |
help but have a smile on your face
when you do it. I thought it was | 0:07:52 | 0:07:58 | |
massively entertaining. The recipe
was missing some ingredients. This | 0:07:58 | 0:08:03 | |
week we are advancing an American
smooth the news waltz. In the short | 0:08:03 | 0:08:07 | |
time I have been doing this, I can
see how much I have improved on one | 0:08:07 | 0:08:12 | |
hand and have a little bit of belief
and all of that is down to Karen. | 0:08:12 | 0:08:18 | |
That was not an American smooth! It
was an American horror story! Who | 0:08:18 | 0:08:25 | |
are you going to save? Mollie and
AJ. Mollie and AJ. Mollie and AJ. It | 0:08:25 | 0:08:34 | |
has been the most amazing experience
ever. But the biggest thanks to | 0:08:34 | 0:08:40 | |
Karen who has just been amazing. It
has been a privilege. | 0:08:40 | 0:08:45 | |
APPLAUSE | 0:08:45 | 0:08:52 | |
Big, big love the two of you. You
got to be Buzz light year and you | 0:08:52 | 0:08:59 | |
got to dance to You'll Never Walk
Alone. Is there a highlight, can you | 0:08:59 | 0:09:04 | |
choose one moment? One was obviously
You'll Never Walk Alone and the | 0:09:04 | 0:09:09 | |
effect it had on people, I think
that shows what performance of any | 0:09:09 | 0:09:12 | |
description can do and people still
talk about that. That was our second | 0:09:12 | 0:09:17 | |
dance. The Charleston, we laughed
and laughed all of that week. And I | 0:09:17 | 0:09:22 | |
am dead proud of what we did last
week. It was really good fun. There | 0:09:22 | 0:09:27 | |
are so many. We just had so much
fun. It is hard to pick out one | 0:09:27 | 0:09:31 | |
moment which stands out. It has been
amazing. Karen, what will you do, | 0:09:31 | 0:09:37 | |
you are losing your personal chef?
I'm going to live with you and your | 0:09:37 | 0:09:44 | |
wife. I will hide in your kitchen
and I will come out in the | 0:09:44 | 0:09:48 | |
afternoons and at night and eat. She
is not even kidding, people! The | 0:09:48 | 0:09:54 | |
strange Catwoman! Could we ask you
to show us samba Simon one more | 0:09:54 | 0:10:01 | |
time? It is what the people need.
Here he comes, people! | 0:10:01 | 0:10:10 | |
CHEERING | 0:10:10 | 0:10:12 | |
That is what the people want. You
said you want to get to Blackpool. I | 0:10:21 | 0:10:25 | |
note in -- I know Tim Lovejoy is
devastated. I will take you up | 0:10:25 | 0:10:34 | |
there. Who do you want to win?
Gemma. Strictly is very southern | 0:10:34 | 0:10:39 | |
biased. There has never been a
northern winner. Northern Powerhouse | 0:10:39 | 0:10:44 | |
all the way! Karen hot lips, we know
how people feel about you two. Simon | 0:10:44 | 0:10:54 | |
and Karen, everyone!
CHEERING | 0:10:54 | 0:10:56 | |
It is getting tough. | 0:10:56 | 0:10:59 | |
Now, I'm sure we can
all agree that this weekend's | 0:10:59 | 0:11:02 | |
show was a Thriller. | 0:11:02 | 0:11:03 | |
But with reports of the Strictly
studios haunted by Zombies, | 0:11:03 | 0:11:05 | |
Vampires and Anton du Beke
in a rabbit costume, | 0:11:05 | 0:11:07 | |
we sent one brave camera crew
along to investigate. | 0:11:07 | 0:11:12 | |
It is Halloween, my darling, my
favourite time of the year. | 0:11:18 | 0:11:24 | |
Morning! Morning! I am scared. Happy
Halloween! | 0:11:29 | 0:11:40 | |
Love this Halloween. That was my
goal when I came to this show. | 0:11:48 | 0:11:54 | |
Everyone says, I want to make it to
Halloween. That is good. The props | 0:11:54 | 0:11:58 | |
are fun. We have tails. What more do
you need? I have my Frankenstein. | 0:11:58 | 0:12:12 | |
When they said we will hang you from
the top of a dragon, that sounds | 0:12:12 | 0:12:16 | |
amazing. No problem at all! Are you
scared of the paso doble? No, it is | 0:12:16 | 0:12:26 | |
scared of me. Hare and make up on
Strictly is always amazing but | 0:12:26 | 0:12:31 | |
Halloween week is Herath costumes
with bells on. He has glitter in his | 0:12:31 | 0:12:36 | |
hair. Amazing. These look amazing,
these lashes. There are people here | 0:12:36 | 0:12:46 | |
who I don't recognise. You don't
know who they are because they look | 0:12:46 | 0:12:52 | |
so amazing. I have literally just
done my make up. It is not finished | 0:12:52 | 0:12:57 | |
yet. Now it is time for the head
transformation. It is scary because | 0:12:57 | 0:13:02 | |
I don't recognise myself and you
guys will not either. In about five | 0:13:02 | 0:13:07 | |
minutes. I have seen the famous to
Strictly ghost around the building. | 0:13:07 | 0:13:15 | |
Has anyone seen my bed sheet? Five
minutes until the spooky | 0:13:15 | 0:13:22 | |
spectacular! There is nothing
scarier than me, darlings! | 0:13:22 | 0:13:32 | |
LAUGHTER | 0:13:41 | 0:13:43 | |
It is Halloween and it is a tragedy!
Whoever has to go. This is it. | 0:13:50 | 0:14:02 | |
Now, it may be Halloween (still)
but that doesn't mean we can't throw | 0:14:11 | 0:14:14 | |
in the odd treat for you. | 0:14:14 | 0:14:16 | |
So, for this week's
Choreography Corner - | 0:14:16 | 0:14:17 | |
we've lined up two members
of Strictly Come Dancing Royalty. | 0:14:17 | 0:14:20 | |
Not only have they both
lifted the Glitterball - | 0:14:20 | 0:14:22 | |
they are Strictly's
original power couple. | 0:14:22 | 0:14:24 | |
It's the rather brilliant
Darren Bennett and Lilia Kopylova. | 0:14:24 | 0:14:30 | |
# I'm just a soul whose intentions
are good, oh Lord, please do let me | 0:14:38 | 0:14:42 | |
be misunderstood.
# Looking like a truce divisor, | 0:14:42 | 0:14:49 | |
feeling like a little kid. I'm still
standing, yeah, yeah, yeah. | 0:14:49 | 0:14:54 | |
CHEERING
Oh, give it up for Darren and Lilia! | 0:14:54 | 0:15:01 | |
Welcome back. Darren, can you still
do that with the leg? ... These days | 0:15:01 | 0:15:06 | |
I am built more for comfort than
speed. Does it bring back happy | 0:15:06 | 0:15:11 | |
memories? Itoje does, it feels like
we never left. Neither of you have | 0:15:11 | 0:15:19 | |
strayed far, have you? 36 live shows
in different countries. 24 of them | 0:15:19 | 0:15:33 | |
as a creative producer, 21 in
Ireland last year and we are just | 0:15:33 | 0:15:38 | |
about to start the next series. It
is all crazy, but you're still part | 0:15:38 | 0:15:44 | |
of the brand, it is amazing. Thank
you for squeezing us in. | 0:15:44 | 0:15:52 | |
Starting at the top
of the leader board with Debbie | 0:15:52 | 0:15:54 | |
and her monster Giovanni. | 0:15:54 | 0:15:55 | |
The Judges loved their Charleston,
with Shirley even handing | 0:15:55 | 0:15:57 | |
over her own priceless "Queen
of Latin crown" - was it worthy | 0:15:57 | 0:16:01 | |
of all the accolades? | 0:16:01 | 0:16:07 | |
She is magnificent. I love watching
her. She is a performance, actress | 0:16:07 | 0:16:12 | |
and dancer. It takes quite a few
ingredients to make a dance complete | 0:16:12 | 0:16:16 | |
and I think she is outstanding. In
this clip, we will see her doing | 0:16:16 | 0:16:22 | |
this amazing left. People might
think it is always the boys who | 0:16:22 | 0:16:26 | |
struggled to lift the girl, but it
is 50-50, she has a strong core and | 0:16:26 | 0:16:33 | |
prepares herself well. I think she
is great. Good work. | 0:16:33 | 0:16:41 | |
Mollie | 0:16:41 | 0:16:43 | |
and AJ next, who found | 0:16:43 | 0:16:44 | |
themselves in the bottom two
after their devilish dha-cha-cha. | 0:16:44 | 0:16:46 | |
Shirley wants her to work on issues
with her core and the way | 0:16:46 | 0:16:49 | |
she carries her weight. | 0:16:49 | 0:16:50 | |
Why is that so important
in the Latin dances? | 0:16:50 | 0:16:54 | |
The core is the centre of your body
and it has to be collected in, like | 0:16:54 | 0:16:59 | |
a drawstring, bringing everything in
sight, then your body is in the | 0:16:59 | 0:17:04 | |
right place. The other thing for me
is the transition between straight | 0:17:04 | 0:17:10 | |
legs. Then they that is coming
through needs to flex and give the | 0:17:10 | 0:17:15 | |
movement through the body and for me
that is missing and it also sends | 0:17:15 | 0:17:19 | |
her weight backwards, it is much
easier to demonstrate that. Demo | 0:17:19 | 0:17:24 | |
timer! The best in the business.
This is the first time we have | 0:17:24 | 0:17:34 | |
danced together in 18 months. If you
imagine, I bring in my core and use | 0:17:34 | 0:17:40 | |
my hamstrings and my body weight is
with my partner and as I move, we | 0:17:40 | 0:17:45 | |
have a connection. Mollie is
somewhere here, the weight is in | 0:17:45 | 0:17:51 | |
their heels and then everything
becomes a bit of a swing and out of | 0:17:51 | 0:17:55 | |
sway with the rest of the body. It
has to be in a line. Nice and tight. | 0:17:55 | 0:18:02 | |
I know what you mean.
CHEERING AND APPLAUSE. Lovely | 0:18:02 | 0:18:06 | |
demonstration. | 0:18:06 | 0:18:08 | |
Joe and Katya's foxtrot next,
Darcey praised Joe's ability | 0:18:08 | 0:18:10 | |
to speed up on his pivots,
and noted that this was a "very | 0:18:10 | 0:18:14 | |
difficult foxtrot" to execute. | 0:18:14 | 0:18:17 | |
Were you impressed too? | 0:18:17 | 0:18:22 | |
I think Joe is brilliant. Katya is
such an outstanding choreographer, | 0:18:22 | 0:18:27 | |
she has made every routine
brilliant. I am a big fan and I hope | 0:18:27 | 0:18:31 | |
they do well. The foxtrot, the thing
I loved, it was contemporary, like | 0:18:31 | 0:18:38 | |
this little role, it look simple but
it is hard. Katya is a small girl, | 0:18:38 | 0:18:46 | |
to pull his body weight across the
floor, he has to be 100% committed. | 0:18:46 | 0:18:51 | |
He did that. His stride across the
floor is magnificent, normally we | 0:18:51 | 0:18:58 | |
see ballroom professional boys
taking the ladies across the floor | 0:18:58 | 0:19:01 | |
but for the male celebrity to do
that is impressive. Good work, Joe! | 0:19:01 | 0:19:08 | |
Davood and Nadiya's rumba next. | 0:19:08 | 0:19:09 | |
Craig said he could sit at home
and watch their dance every day | 0:19:09 | 0:19:12 | |
but criticised the lack of basic
Rumba content in the routine. | 0:19:12 | 0:19:15 | |
What's your take? | 0:19:15 | 0:19:19 | |
I completely agree. It was a great
concept. The dance was full of great | 0:19:19 | 0:19:25 | |
emotion, but the choreography for me
let it down. He did not actually | 0:19:25 | 0:19:30 | |
move off the spot for the first 20
seconds. It was five basics away | 0:19:30 | 0:19:37 | |
from a really strong score of eight.
I know he can dance. He has great | 0:19:37 | 0:19:43 | |
physicality and greater movement. I
am waiting for the standout dance | 0:19:43 | 0:19:48 | |
from these guys and I know it is in
there. We have to have everything, | 0:19:48 | 0:19:54 | |
content, choreography, visuals, the
lot. | 0:19:54 | 0:19:57 | |
And finally Ruth and Anton's
Bewitched quickstep. | 0:19:57 | 0:19:59 | |
Bruno was bothered by Ruth's frame,
which is, according to him, | 0:19:59 | 0:20:01 | |
a reoccurring problem for her. | 0:20:01 | 0:20:02 | |
How vital is it to get
the frame right in the quickstep? | 0:20:02 | 0:20:09 | |
I think he is right. It is a major
problem for her. She needs to work | 0:20:09 | 0:20:14 | |
on it, she will come across the same
problem, in Latin dancers you need a | 0:20:14 | 0:20:20 | |
strong frame. In the second, we will
see her going into promenade and | 0:20:20 | 0:20:25 | |
together with Anton, she will go
across, here they go and we will see | 0:20:25 | 0:20:31 | |
how much her frame starts to wobble
in comparison to Anton's who does | 0:20:31 | 0:20:36 | |
not move at all. She is going up and
down. I think it is demonstration | 0:20:36 | 0:20:45 | |
time! Darren is preparing himself
there. I would like to point out, | 0:20:45 | 0:20:56 | |
this is for Ruth and for her frame.
She gets into the frame and it looks | 0:20:56 | 0:21:02 | |
beautiful and as soon as she starts
to move, the whole thing wobbles. | 0:21:02 | 0:21:06 | |
She needs to use these muscles and
really lock it into place, lock her | 0:21:06 | 0:21:11 | |
frame into position and whether she
is in promenade or moving, it will | 0:21:11 | 0:21:19 | |
stay in place. But!
CHEERING AND APPLAUSE. -- beautiful. | 0:21:19 | 0:21:26 | |
Will you come back tomorrow? | 0:21:26 | 0:21:29 | |
Darren and Lilia, everyone! | 0:21:29 | 0:21:32 | |
A little-known fact
about Strictly Pro Dancers now. | 0:21:32 | 0:21:34 | |
There's only one thing
they love more than dancing | 0:21:34 | 0:21:36 | |
and that is a game of Bingo. | 0:21:36 | 0:21:38 | |
It's true. | 0:21:38 | 0:21:39 | |
With that in mind, we sent them down
the local bingo hall | 0:21:39 | 0:21:42 | |
and got them to spill all of their
deepest, darkest secrets. | 0:21:42 | 0:21:48 | |
House! Good evening Strictly fans,
eyes down because it is time for | 0:21:48 | 0:22:01 | |
Ballroom Bingo! Knock knock knock at
the door, it is number four, which | 0:22:01 | 0:22:13 | |
professional would you most like to
have round for dinner? I would say | 0:22:13 | 0:22:17 | |
Giovanni, because he is just
gorgeous, isn't he? Kevin, he makes | 0:22:17 | 0:22:23 | |
me laugh all the time. I will have
to say Karen, because if I said any | 0:22:23 | 0:22:28 | |
of the others I would be in big
trouble. He makes me laugh like no | 0:22:28 | 0:22:33 | |
one else. I love having aromatic
dinner with my Alijaz. Look at her. | 0:22:33 | 0:22:44 | |
I will do a little tick next to it
because I'd never want to put any | 0:22:44 | 0:22:49 | |
permanent marker on her. Who is the
fittest professional? Anton. He is | 0:22:49 | 0:22:59 | |
always looking dapper and he does
not look a day over 50. I have to | 0:22:59 | 0:23:06 | |
say it is Kevin, have you seen his
muscles, his tank appears like Greek | 0:23:06 | 0:23:13 | |
God. Gorka. He is in the gym all the
time. Gorka, whatever, we all know | 0:23:13 | 0:23:21 | |
that you go to the gym. It is
definitely me! I know you would like | 0:23:21 | 0:23:28 | |
to be you, but is Gorka. Are you
seriously asking me this? There is | 0:23:28 | 0:23:33 | |
no question. It is me. That is sure
a lot. Remember, keep spinning! | 0:23:33 | 0:23:43 | |
CHEERING AND APPLAUSE. | 0:23:43 | 0:23:47 | |
Ahoy there, me 'arties! | 0:23:47 | 0:23:48 | |
If you're looking for trouble
makers, look no further. | 0:23:48 | 0:23:50 | |
Shiver me timbers -
it's Jonnie and Oti! | 0:23:50 | 0:23:52 | |
PARROT: "Pieces of Eight!" | 0:23:52 | 0:23:58 | |
I did like it but it lacked body
action from me. It was very flat | 0:24:03 | 0:24:08 | |
footed and I don't think it is a
dance that will suit you. You work | 0:24:08 | 0:24:13 | |
hard, I can see the concentration.
Very good effort. Well done. | 0:24:13 | 0:24:19 | |
CHEERING AND APPLAUSE. | 0:24:19 | 0:24:20 | |
Jonnie and Oti, everyone! | 0:24:20 | 0:24:26 | |
You both look adorable. | 0:24:26 | 0:24:28 | |
You told Claud that your goal
on Strictly was to get to Halloween | 0:24:28 | 0:24:31 | |
and dress up as a Pirate
- mission accomplished! | 0:24:31 | 0:24:34 | |
CHEERING AND APPLAUSE. | 0:24:34 | 0:24:40 | |
How was that Char
Char Chaaar for you? | 0:24:40 | 0:24:43 | |
I thought it was my best dance. I
thought I really nailed it. It | 0:24:43 | 0:24:50 | |
didn't go to plan. | 0:24:50 | 0:24:54 | |
On social media, you said that | 0:24:54 | 0:24:55 | |
you only managed to dance half | 0:24:55 | 0:24:57 | |
of Oti's brilliant routine -
what went wrong? | 0:24:57 | 0:25:02 | |
It all went wrong very quickly. I
think it all started when I dropped | 0:25:02 | 0:25:08 | |
the coin. The prop. We all said, ... | 0:25:08 | 0:25:20 | |
What goes through your head | 0:25:20 | 0:25:21 | |
in moments like that? | 0:25:21 | 0:25:25 | |
How do you get your partner back?
You just keep going. You have to | 0:25:25 | 0:25:29 | |
keep going in the hope that they
will catch up. I always say that I | 0:25:29 | 0:25:35 | |
feel really bad when something like
this happens because it is my job to | 0:25:35 | 0:25:39 | |
take care of him and make sure that
he has that. I felt like a bad | 0:25:39 | 0:25:46 | |
teacher. That is how you feel. It is
my job to take care of him. I have | 0:25:46 | 0:25:51 | |
to make sure that he is amazing on
Saturday. I feel sad now. | 0:25:51 | 0:25:58 | |
The judges obviously | 0:25:58 | 0:25:59 | |
have a lot of faith in Jonnie's | 0:25:59 | 0:26:01 | |
ability to bounce back
from the performance - | 0:26:01 | 0:26:03 | |
but you had your joint lowest
scores of the series. | 0:26:03 | 0:26:06 | |
Were you a bit worried? Yes. It was
not the best dance, I did not | 0:26:06 | 0:26:15 | |
executed as well as I should have.
It is times like that where you | 0:26:15 | 0:26:20 | |
really do need the voters. I think
it was really nice to know that they | 0:26:20 | 0:26:24 | |
saved us because we really needed
saving! I didn't think it was that | 0:26:24 | 0:26:30 | |
bad! The judges did. They did not
like anyone on Saturday night. | 0:26:30 | 0:26:39 | |
Social Media was "awash" with love
for the pair of you again | 0:26:39 | 0:26:42 | |
at the weekend. | 0:26:42 | 0:26:43 | |
My personal favourite message
was one from Jonnie's mum, Linda, | 0:26:43 | 0:26:46 | |
who wrote: 'You made it to Halloween
and got to dress as a pirate!! | 0:26:46 | 0:26:49 | |
You had a great day darling boy!! | 0:26:49 | 0:26:51 | |
Proud as ever and loved
the rugged look x mum x'. | 0:26:51 | 0:26:56 | |
I could fall over and she would
still be happy! Your dad is a super | 0:26:56 | 0:27:02 | |
fan. I grew up watching it with my
dad and I remember when I was | 0:27:02 | 0:27:07 | |
younger seen it on television. This
is the first time he has given me | 0:27:07 | 0:27:15 | |
confidence about this stuff, saying
it is not that bad! He obviously did | 0:27:15 | 0:27:19 | |
not see the Cha Cha Cha. We have
been watching you in the training | 0:27:19 | 0:27:26 | |
rooms and we noticed you could off
to a rocky start last week. On the | 0:27:26 | 0:27:31 | |
first day of training, I am happy, I
think Danny is finding his... Danny? | 0:27:31 | 0:27:44 | |
I am sorry to do that to you, it is
so funny! So awkward. Bless you. A | 0:27:44 | 0:27:54 | |
new right away. I ran away. I did
not go back to training. I was so | 0:27:54 | 0:28:00 | |
sorry! She is forgiven. We move on
to the salsa. The great thing about | 0:28:00 | 0:28:15 | |
salsa, lifts, you love lifts,
because then you don't have to | 0:28:15 | 0:28:20 | |
dance. Less steps to forget. What
are you thinking of this one? She | 0:28:20 | 0:28:27 | |
cannot get over it. Come on, Joanne!
Touche! Good luck. Don't lose your | 0:28:27 | 0:28:41 | |
faith. Jonnie and Oti!
CHEERING AND APPLAUSE. | 0:28:41 | 0:28:48 | |
That's it for tonight. | 0:28:48 | 0:28:49 | |
A big thank you to all my guests. | 0:28:49 | 0:28:51 | |
Join us tomorrow at 6.30
where we'll be chatting to Ruth | 0:28:51 | 0:28:54 | |
and Anton and Joe and Katya. | 0:28:54 | 0:28:56 | |
Plus, Darren and Lilia return
to Choreography Corner and we'll be | 0:28:56 | 0:28:58 | |
dusting off our trusty Jukebox
to reveal this weekend's music! | 0:28:58 | 0:29:01 | |
Until then, goodnight! | 0:29:01 | 0:29:02 | |
APPLAUSE. | 0:29:02 | 0:29:03 |