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Live from London, this is Strictly
Takes two. Please welcome your host, | 0:00:50 | 0:00:55 | |
Zoe Ball! | 0:00:55 | 0:00:56 | |
CHEERING. | 0:00:56 | 0:00:58 | |
Hello, and welcome to It Takes Two! | 0:00:58 | 0:01:00 | |
What...a...weekend! | 0:01:00 | 0:01:03 | |
Tracey from EastEnders has seen
some drama in her time. | 0:01:03 | 0:01:06 | |
But nothing could've
prepared her for what happened. | 0:01:06 | 0:01:09 | |
Davood gave Nadiya a bum lift. | 0:01:09 | 0:01:11 | |
It's a technical dance term, people! | 0:01:11 | 0:01:14 | |
Craig Revel Horwood got down
on his knees and worshipped | 0:01:14 | 0:01:16 | |
at the altar of Flexi McGee. | 0:01:16 | 0:01:20 | |
And, in an absolute shocker
of a result, Aston and Janette | 0:01:20 | 0:01:23 | |
were knocked out of the competition. | 0:01:23 | 0:01:28 | |
I know. We are all devastated. But
today we will bestow much love on | 0:01:28 | 0:01:34 | |
them. Here they are to night, we
love you. | 0:01:34 | 0:01:37 | |
CHEERING. | 0:01:37 | 0:01:39 | |
And they're back on solid ground,
it's Ruth and Anton! | 0:01:39 | 0:01:41 | |
CHEERING. | 0:01:41 | 0:01:44 | |
Plus, she's here to take over | 0:01:44 | 0:01:45 | |
Choreography Corner. | 0:01:45 | 0:01:46 | |
The wonderful
Joanne Clifton has returned! | 0:01:46 | 0:01:47 | |
CHEERING. | 0:01:47 | 0:01:50 | |
But now, they've blown us away
with some incredible | 0:01:50 | 0:01:52 | |
routines this series. | 0:01:52 | 0:01:53 | |
Before we say our final farewells, | 0:01:53 | 0:01:55 | |
here is Aston and
Janette's last dance. | 0:01:55 | 0:02:05 | |
# It's why I'm leaving. | 0:02:07 | 0:02:14 | |
# I'm easy like Sunday morning. | 0:02:14 | 0:02:20 | |
CHEERING. | 0:02:20 | 0:02:21 | |
Aston and Janette, everyone! | 0:02:21 | 0:02:29 | |
Can I just say that we are all
heartbroken. I had a mammoth cried | 0:02:29 | 0:02:34 | |
watching last night, my friends
protecting me, saying, do something! | 0:02:34 | 0:02:41 | |
How are you feeling? Honestly
gutted. You know what? You have to | 0:02:41 | 0:02:46 | |
take it on the chin, this is such a
brilliant show. As I said from the | 0:02:46 | 0:02:51 | |
first day, I'm just happy I got to
do it in the first place, and with | 0:02:51 | 0:02:55 | |
Janette, such a pleasure. I am happy
it has happened. We are happy to | 0:02:55 | 0:03:02 | |
have watched you. | 0:03:02 | 0:03:05 | |
For the paso, you scored 38. | 0:03:05 | 0:03:07 | |
Was it a shock to find
yourself towards the bottom | 0:03:07 | 0:03:10 | |
of the Leader Board? | 0:03:10 | 0:03:13 | |
It was a shock to us.
It was a little bit. When we got the | 0:03:13 | 0:03:20 | |
four, I think I laughed! But,
honestly, it was just, to me, it | 0:03:20 | 0:03:28 | |
didn't even feel as bad as that. OK.
And then. | 0:03:28 | 0:03:37 | |
Well, there was outrage online
when you received a four from Craig. | 0:03:37 | 0:03:40 | |
He had never given
you less than a seven. | 0:03:40 | 0:03:42 | |
What did you make of that? | 0:03:42 | 0:03:44 | |
Everyone is entitled to an opinion.
Those schools, and the critiques of | 0:03:44 | 0:03:49 | |
opinions. I do not agree at all.
Did you agree with the four? | 0:03:49 | 0:03:58 | |
Furious. You have to respect his
opinion and his thoughts and take it | 0:03:58 | 0:04:03 | |
as it comes.
Brilliant answer. | 0:04:03 | 0:04:06 | |
Well, you had so much
support online. | 0:04:06 | 0:04:07 | |
Ferne McCann tweeted this. | 0:04:07 | 0:04:10 | |
"Not going to lie,
I'm devastated that | 0:04:10 | 0:04:11 | |
Aston Merrygold has
gone from Strictly. | 0:04:11 | 0:04:13 | |
I loved | 0:04:13 | 0:04:14 | |
watching him dance every week. | 0:04:14 | 0:04:15 | |
How has this happened?" | 0:04:15 | 0:04:17 | |
And our very own
Ian Waite said this. | 0:04:17 | 0:04:19 | |
"Sad to see Aston and Janette | 0:04:19 | 0:04:20 | |
leave Strictly tonight. | 0:04:20 | 0:04:21 | |
Just goes to show no-one is safe! | 0:04:21 | 0:04:23 | |
Make sure you vote
for your favourites" | 0:04:23 | 0:04:31 | |
I hate to do this to you. | 0:04:31 | 0:04:33 | |
Here is your Strictly story. | 0:04:33 | 0:04:41 | |
I honestly looking for the shortest
partner because I am not the | 0:04:41 | 0:04:45 | |
tallest.
The girl driving this Aston will be | 0:04:45 | 0:04:49 | |
Janette.
We are perfect pairing. | 0:04:49 | 0:04:56 | |
Mr foxtrot has arrived.
Cool, confident, stylish. I think | 0:04:56 | 0:05:02 | |
you are going to be the one to
watch. | 0:05:02 | 0:05:06 | |
I am so proud of you.
I like the fact Janette is pushing | 0:05:06 | 0:05:10 | |
me.
There are opportunities that I could | 0:05:10 | 0:05:13 | |
drop her.
My life is in his hands. | 0:05:13 | 0:05:16 | |
I hope we can keep on top of the
Leader Board. | 0:05:16 | 0:05:20 | |
I have never seen such a difficult
sequence of lifts in a salsa. | 0:05:20 | 0:05:25 | |
I loved it and loved it more.
Nine! | 0:05:25 | 0:05:32 | |
You really need to work on your
feet. | 0:05:32 | 0:05:37 | |
Ankle out. When it sinks in I start
to come alive a little bit. | 0:05:37 | 0:05:43 | |
When you dance, the whole place
comes alive. | 0:05:43 | 0:05:47 | |
You are very good, aren't you,
darling? | 0:05:47 | 0:05:50 | |
Brilliant.
Quick step is the hardest dance. | 0:05:50 | 0:05:57 | |
My feet are on fire.
I am so, so sorry. | 0:05:57 | 0:06:06 | |
These guy is the limit.
I loved the routine, outstanding. | 0:06:06 | 0:06:13 | |
With the waltz, it makes you sweat.
Slow dances are harder because they | 0:06:13 | 0:06:18 | |
expose every single step.
Beautiful. I could literally watch | 0:06:18 | 0:06:24 | |
you all night.
You have to use the wrist and the | 0:06:24 | 0:06:31 | |
arms in the paso doble.
This is a serious dance. | 0:06:31 | 0:06:34 | |
You owned a this dance.
It was amazing! | 0:06:34 | 0:06:42 | |
My favourite routine so far. I am
just loving every minute of this and | 0:06:42 | 0:06:50 | |
the fact I get to share the whole
journey with Janette is perfect. | 0:06:50 | 0:06:58 | |
We have high expectations for you
but when you are in hold the energy | 0:06:58 | 0:07:03 | |
dies.
Some things don't always work out, | 0:07:03 | 0:07:05 | |
darling.
As head judge, with the casting | 0:07:05 | 0:07:11 | |
vote, who are you going to save?
I am going to save Mollie and AJ. | 0:07:11 | 0:07:17 | |
I don't think I am ever going to
have the opportunity to dance with | 0:07:17 | 0:07:21 | |
someone who is so talented.
CHEERING. | 0:07:21 | 0:07:32 | |
That is it. Did you feel the
dance-off might be coming? | 0:07:32 | 0:07:42 | |
We did a little bit. Listen, when
you are in that position on the | 0:07:42 | 0:07:49 | |
scoreboard, you go, OK, I am ready
to do it again if I have two. It is | 0:07:49 | 0:07:55 | |
fine. We got to do it twice.
Harry Judd said, we are never going | 0:07:55 | 0:08:04 | |
to see you Showdance. What starts
were you looking forward to doing? | 0:08:04 | 0:08:10 | |
Could Janette could teach you on the
side? | 0:08:10 | 0:08:13 | |
The jive and the charleston, even
before the show, I was thinking, | 0:08:13 | 0:08:19 | |
these could be my ones that I could
really do, bring a bit of justice. | 0:08:19 | 0:08:27 | |
He was looking forward to doing a
paso. The jive if all went to plan | 0:08:27 | 0:08:31 | |
we were possibly going to do at that
pool. | 0:08:31 | 0:08:36 | |
People, see what you have done.
We have a pact we will do it anyway. | 0:08:36 | 0:08:43 | |
Can we watch that? Do it in my
lounge! | 0:08:43 | 0:08:46 | |
That is absolutely fine.
I hope you keep dancing. | 0:08:46 | 0:08:52 | |
To be fair, I have loved it. I spoke
to a close friend and my girlfriend | 0:08:52 | 0:08:57 | |
and said, who is funnily enough
going to open a dance studio. I | 0:08:57 | 0:09:03 | |
can't wait to be a dad. And give all
this energy and wisdom Janette has | 0:09:03 | 0:09:10 | |
passed on to me. Now I am going to
give other people the opportunity. | 0:09:10 | 0:09:15 | |
Such a great idea. What will you
miss most? | 0:09:15 | 0:09:21 | |
How is the other half of the Studio
45 crew going to cope without you? | 0:09:21 | 0:09:25 | |
Will you pop into training to see
how they're getting along? | 0:09:25 | 0:09:29 | |
Yes! We will watch every week. To
make sure you guys are sticking to | 0:09:29 | 0:09:38 | |
the hard work.
I had to say, going back to Ian, | 0:09:38 | 0:09:43 | |
more than ever, especially this
season and seeing what happened with | 0:09:43 | 0:09:47 | |
Aston, you have got to vote for your
favourites, you can never assume | 0:09:47 | 0:09:51 | |
just because someone is a front
runner or is getting any kind of | 0:09:51 | 0:09:55 | |
scores, you have two vote, if you
love them, no matter what. | 0:09:55 | 0:10:00 | |
Well said. Can I say on the half of
everybody, especially as Lott on the | 0:10:00 | 0:10:07 | |
programme, you gorgeous, you have
been so gracious. I don't want to | 0:10:07 | 0:10:11 | |
say goodbye. Thank youth for being
so brilliant. | 0:10:11 | 0:10:15 | |
We're going to miss
you both so much. | 0:10:15 | 0:10:17 | |
Aston and Janette, everyone! | 0:10:17 | 0:10:18 | |
CHEERING. | 0:10:18 | 0:10:21 | |
Hands up. And with that being a dad,
lots of love to Sarah. I have to | 0:10:21 | 0:10:27 | |
pull myself together. | 0:10:27 | 0:10:28 | |
Now, after an epic weekend of dance,
we need some top-notch analysis. | 0:10:28 | 0:10:31 | |
So, we've called in
the reigning champ. | 0:10:31 | 0:10:33 | |
It's time for Choreography Corner! | 0:10:33 | 0:10:35 | |
CHEERING. | 0:10:46 | 0:10:47 | |
She's back again. | 0:10:47 | 0:10:48 | |
It's Joanne Clifton! | 0:10:48 | 0:10:51 | |
Well, things have certainly moved
on since you were last here. | 0:10:51 | 0:10:54 | |
One of the frontrunners has gone. | 0:10:54 | 0:10:55 | |
Could you believe it? | 0:10:55 | 0:11:00 | |
I only have another two things to
say, people, please phone. And, | 0:11:00 | 0:11:07 | |
judges, some of them in particular,
watch your scoring otherwise we will | 0:11:07 | 0:11:12 | |
have words!
She will be around! | 0:11:12 | 0:11:14 | |
Let's take a closer look at some
of Saturday's dances now. | 0:11:14 | 0:11:17 | |
Starting at the very top,
and where they've been | 0:11:17 | 0:11:19 | |
for three weeks in row. | 0:11:19 | 0:11:20 | |
Debbie and Giovanni. | 0:11:20 | 0:11:21 | |
They were dancing the tango. | 0:11:21 | 0:11:23 | |
Shirley said it was international. | 0:11:23 | 0:11:24 | |
Darcey said it was on par
with a professional. | 0:11:24 | 0:11:26 | |
Bruno said it was a masterclass. | 0:11:26 | 0:11:27 | |
Craig was on his knees! | 0:11:27 | 0:11:29 | |
Why was it so good? | 0:11:29 | 0:11:31 | |
It was brilliant. What surely meant
with it being international is it | 0:11:31 | 0:11:35 | |
was good enough to be on an
international dance floor for a | 0:11:35 | 0:11:39 | |
ballroom competition. Traditional
tango, extended back bends a | 0:11:39 | 0:11:45 | |
magnificent. She will have other
ballroom dancers, it is still early, | 0:11:45 | 0:11:49 | |
so I would like her to concentrate
on because I am nit-picking, it was | 0:11:49 | 0:11:54 | |
a little bit shaky when she was in
hold, she needs to keep her hips and | 0:11:54 | 0:12:00 | |
shoulders offset but parallel to
Giovanni. Be careful, like an axle, | 0:12:00 | 0:12:06 | |
if one is slightly askew, you need
to sort it out. It is not easy | 0:12:06 | 0:12:11 | |
otherwise to drive in a straight
line. | 0:12:11 | 0:12:15 | |
OK. We get that. | 0:12:15 | 0:12:17 | |
Mollie and AJ found
themselves in the bottom two | 0:12:17 | 0:12:19 | |
for the second week running. | 0:12:19 | 0:12:21 | |
How would you rate their foxtrot? | 0:12:21 | 0:12:26 | |
She actually danced really well. It
was quite beautiful, beautiful | 0:12:26 | 0:12:32 | |
footwork on the main show. Again, I
would like her to improve on her | 0:12:32 | 0:12:36 | |
core, a little bit more. Just
Halloween, so send aid which found | 0:12:36 | 0:12:42 | |
with which nails, near your belly,
pulling that in. Turn your hands | 0:12:42 | 0:12:47 | |
upwards. That is how you should feel
inside, without lifting your | 0:12:47 | 0:12:53 | |
shoulders.
Shoulders down. | 0:12:53 | 0:12:55 | |
That is the thing.
In and up. The second thing, she | 0:12:55 | 0:13:02 | |
tends to lose her left hip, instead
of keeping it in front of the man | 0:13:02 | 0:13:07 | |
and having that curve to the left,
that causes her to get around. | 0:13:07 | 0:13:12 | |
Brilliantly explained -- explained. | 0:13:12 | 0:13:16 | |
Next we have Gemma
and Aljaz's salsa. | 0:13:16 | 0:13:17 | |
The lifts were the big
talking point. | 0:13:17 | 0:13:19 | |
Did they distract from
what was a good routine? | 0:13:19 | 0:13:22 | |
Such a shame, she came out
confident, pointing, then the lift | 0:13:22 | 0:13:27 | |
went wrong, the timing or something,
then it blocked her. She didn't have | 0:13:27 | 0:13:32 | |
enough movement in her upper body.
Now, demo time! | 0:13:32 | 0:13:38 | |
Thank goodness for that. That is
what we need to cheer us up. | 0:13:38 | 0:13:42 | |
I was taught to isolate and move the
upper body, they put a broom on my | 0:13:42 | 0:13:49 | |
shoulders, held it like that,
looking in the mirror to keep your | 0:13:49 | 0:13:53 | |
hips still. Imagine your rib cage is
moving forward, backward, side, | 0:13:53 | 0:13:59 | |
side, round, then imagine a pin on
your red, half of an eight. Without | 0:13:59 | 0:14:07 | |
moving your hips, and in reverse.
There she goes. Do the same thing | 0:14:07 | 0:14:14 | |
with your hips.
Why can't I look like that! | 0:14:14 | 0:14:19 | |
And finally, Joe and Katya danced
a playful Charleston. | 0:14:19 | 0:14:21 | |
There was some very demanding
choreography in there. | 0:14:21 | 0:14:23 | |
Can you talk us through it? | 0:14:23 | 0:14:29 | |
Joe is smashing it every week, the
choreography was intricate, bits of | 0:14:29 | 0:14:34 | |
it where, when you rub your tummy
and Pat Morehead, the arms are doing | 0:14:34 | 0:14:39 | |
different to the feet, then the
opposite to your partner but in | 0:14:39 | 0:14:43 | |
sync. Then the charleston which was
steps and kicks and turns. | 0:14:43 | 0:14:51 | |
I really enjoyed it.
Well done. We will do the other | 0:14:51 | 0:14:55 | |
couples tomorrow. | 0:14:55 | 0:14:56 | |
Tomorrow, we'll be
talking about the rest | 0:14:56 | 0:14:57 | |
of our couples. | 0:14:57 | 0:14:58 | |
But we're not quite finished
with Joanne just yet. | 0:14:58 | 0:15:01 | |
All will be revealed soon! | 0:15:01 | 0:15:02 | |
Now, because we're all terribly
nosy, here's a look behind | 0:15:02 | 0:15:04 | |
the weekend's Strictly scenes. | 0:15:04 | 0:15:05 | |
Nice weather for the ducks!
Showtime! Showtime! Remember, | 0:15:12 | 0:15:18 | |
remember, the 4th of November,
glitter balls, Mac pro to an | 0:15:18 | 0:15:24 | |
Foxtrot.
It doesn't really work. I know the | 0:15:24 | 0:15:29 | |
cha-cha-cha is the harder stance,
I'm enjoying it so much. | 0:15:29 | 0:15:34 | |
I'm sweating! The first time ever!
She sees me, she sees I'm | 0:15:34 | 0:15:38 | |
attractive, maybe I will give it a
test run! A lot of acting involved, | 0:15:38 | 0:15:42 | |
clearly! It's a painter and
decorator you would not want to | 0:15:42 | 0:15:46 | |
hire. A lot more confident, I should
not be panicking, which will be | 0:15:46 | 0:15:50 | |
nice! Dies, it is lunchtime. My
favourite time of day. You are in my | 0:15:50 | 0:15:57 | |
way! I'm skipping the light! A
little bit of everything would be | 0:15:57 | 0:16:02 | |
great! Look at this plate of food! I
don't so a lot and so I get to eat a | 0:16:02 | 0:16:07 | |
lot. Let's go! Week seven, we've got
Jonnie. You miss something really | 0:16:07 | 0:16:18 | |
important, it pretty face. Not as
pretty as Gorka. Sorry! I love it. | 0:16:18 | 0:16:28 | |
Curly Sue! My hair this week once
again will not be my own and I'm | 0:16:28 | 0:16:33 | |
starting to think my hair should
have its own Twitter page! Everybody | 0:16:33 | 0:16:37 | |
is asking me, what hair you having
this week! I smile just so she gets | 0:16:37 | 0:16:43 | |
my cheekbones. A little Strictly
wardrobe secret, I've my tie some to | 0:16:43 | 0:16:49 | |
my shirt so it doesn't end up
bopping around. I'm being stitched | 0:16:49 | 0:16:54 | |
into my costume. Every week, you put
it on and you can't get out until | 0:16:54 | 0:16:58 | |
the end of the show. Me and Mollie
are about to surprise AJ with a | 0:16:58 | 0:17:05 | |
birthday cake for his birthday this
week! I'm torn between getting the | 0:17:05 | 0:17:15 | |
urge to go... And also, it brings
back be up. I think somebody will | 0:17:15 | 0:17:24 | |
say, can you bring a cake? So I've
being -- I've brought Brownies and | 0:17:24 | 0:17:31 | |
they are being eaten backstage.
Beautiful, thank you, darling. Guys | 0:17:31 | 0:17:35 | |
come alive in five minutes! Come on!
It is the halfway mark, darlings, | 0:17:35 | 0:17:48 | |
and, yes, it is getting serious. Is
everyone ready for another weekend | 0:17:48 | 0:17:57 | |
in the ballroom? It's time to bring
on our Scritly stars! | 0:17:57 | 0:18:04 | |
That is how they make the magic. | 0:18:12 | 0:18:17 | |
Now, some people call us the gift
that keeps on giving, | 0:18:17 | 0:18:20 | |
and tonight is no exception,
because it's time to reveal | 0:18:20 | 0:18:22 | |
the line-up for this year's
Christmas Strictly Special. | 0:18:22 | 0:18:26 | |
It's never too early!
Christmas Strictly Special. | 0:18:26 | 0:18:27 | |
I've got a list.
Christmas Strictly Special. | 0:18:27 | 0:18:28 | |
I've checked it twice.
Christmas Strictly Special. | 0:18:28 | 0:18:32 | |
But I still need some help.
Christmas Strictly Special. | 0:18:32 | 0:18:36 | |
Please welcome back Joanne Clifton -
our It Takes Two Elf! | 0:18:36 | 0:18:38 | |
CHEERING | 0:18:38 | 0:18:41 | |
Give us a little... I love it. | 0:18:41 | 0:18:43 | |
I love it. | 0:18:43 | 0:18:44 | |
Now, it's just like Christmas
morning. | 0:18:44 | 0:18:45 | |
What, or who, will we
find in our stockings? | 0:18:45 | 0:18:47 | |
Celebrity number one,
reveal yourself. | 0:18:47 | 0:18:49 | |
HO, HO, HO! | 0:18:49 | 0:18:53 | |
CHEERING | 0:18:53 | 0:18:55 | |
It's Jeremy Vine! | 0:18:55 | 0:18:57 | |
Yes, everyone's favourite man
with a swingometer was partnered | 0:18:57 | 0:19:01 | |
with our other Clifton gal,
Karen. | 0:19:01 | 0:19:05 | |
And who can forget the sight of ol'
JV on giant horseback? | 0:19:05 | 0:19:09 | |
How can he possibly beat that? I
think just put him on a reindeer, | 0:19:09 | 0:19:14 | |
Rudolph. Brilliant! | 0:19:14 | 0:19:19 | |
Let's see who's in
stocking number two. | 0:19:19 | 0:19:20 | |
HO, HO, HO! | 0:19:20 | 0:19:22 | |
It's perfect pins
herself, Katie Derham! | 0:19:22 | 0:19:23 | |
CHEERING | 0:19:23 | 0:19:24 | |
She reached the 2015 final
with Anton, proving to be quite | 0:19:24 | 0:19:28 | |
the ballroom sensation. | 0:19:28 | 0:19:32 | |
She will be partnered with this time
Brendan Cole. | 0:19:32 | 0:19:36 | |
Are you looking forward to seeing
the Proms queen back on the floor? | 0:19:36 | 0:19:40 | |
Definitely, I remember she did this
amazing Viennese Waltz with Anton | 0:19:40 | 0:19:46 | |
and I hope with Brendan she will get
a ballroom number. I like it! | 0:19:46 | 0:19:50 | |
Let's see who's hiding
in stocking number three. | 0:19:50 | 0:19:52 | |
HO, HO, HO! | 0:19:52 | 0:19:53 | |
It's only Colin Jackson! | 0:19:53 | 0:19:54 | |
CHEERING | 0:19:54 | 0:19:55 | |
A legend on the track
and the Strictly dancefloor, | 0:19:55 | 0:20:02 | |
the former world record holder
was partnered with Erin Boag way | 0:20:02 | 0:20:04 | |
back in 2005 - my year -
when he fell at the final hurdle, | 0:20:04 | 0:20:07 | |
losing to champion Darren Gough. | 0:20:07 | 0:20:09 | |
This time, he will be partnered with
the lovely Amy. Could it be a win | 0:20:09 | 0:20:14 | |
for the Welsh wonder? 2005 was a
while ago so I hope he has still got | 0:20:14 | 0:20:18 | |
it! No, it's fine! He got his
highest score in the Quickstep so | 0:20:18 | 0:20:24 | |
something like that, I hope they
will do. | 0:20:24 | 0:20:26 | |
We've been spoilt so far. | 0:20:26 | 0:20:28 | |
Who could be in
stocking number four? | 0:20:28 | 0:20:29 | |
HO-HO-HO! | 0:20:29 | 0:20:32 | |
It's Robbie Savage! | 0:20:32 | 0:20:33 | |
CHEERING | 0:20:33 | 0:20:35 | |
Look at those locks! | 0:20:35 | 0:20:36 | |
Look at those locks! | 0:20:36 | 0:20:37 | |
Another Welsh sporting hero! | 0:20:37 | 0:20:38 | |
The footballer-turned-pundit
was paired with Ola Jordan in 2011. | 0:20:38 | 0:20:48 | |
This time, he will take to the floor
with Dianne. | 0:20:48 | 0:20:50 | |
This time, he will take
to the floor with Dianne. | 0:20:50 | 0:20:53 | |
We know he's capable
of some fancy footwork. | 0:20:53 | 0:20:55 | |
Do you think he can find form,
going into the Christmas Special? | 0:20:55 | 0:20:58 | |
I think so and I think the fact he
is a footballer and really | 0:20:58 | 0:21:01 | |
competitive will help, especially
with Dianne, they will be explosive. | 0:21:01 | 0:21:04 | |
Does he still have hair that? Yes. | 0:21:04 | 0:21:08 | |
Yes. | 0:21:08 | 0:21:10 | |
Who's next?! | 0:21:10 | 0:21:11 | |
HO-HO-HO! | 0:21:11 | 0:21:12 | |
It's our favourite
tennis mom, Judy Murray! | 0:21:12 | 0:21:14 | |
CHEERING | 0:21:14 | 0:21:16 | |
It is all Aston that it is also...
'S ex-partners! | 0:21:16 | 0:21:21 | |
'S ex-partners! | 0:21:21 | 0:21:22 | |
Judy made it to Blackpool
with partner Anton Du Beke, | 0:21:22 | 0:21:24 | |
even though they never got higher
than a four from Craig. | 0:21:24 | 0:21:28 | |
Her new partner is Neil Jones! So
happy to see him with a partner, | 0:21:28 | 0:21:35 | |
amazing! Remembered Judy, Anton,
have beat hardly touched floor apart | 0:21:35 | 0:21:39 | |
from when he would chuck her and she
would glide on the floor! I remember | 0:21:39 | 0:21:44 | |
the plank move! Exactly! | 0:21:44 | 0:21:48 | |
Time for our final celeb now. | 0:21:48 | 0:21:49 | |
Who's in stocking number six? | 0:21:49 | 0:21:50 | |
HO-HO-HO! | 0:21:50 | 0:21:54 | |
It's Kimberley Walsh! | 0:21:54 | 0:21:55 | |
CHEERING | 0:21:55 | 0:21:58 | |
She was in the audience on Saturday. | 0:21:58 | 0:22:00 | |
A little tease perhaps? | 0:22:00 | 0:22:01 | |
It's Kimberley Walsh! | 0:22:01 | 0:22:03 | |
Partnered with Pasha,
the Girls Aloud star made it | 0:22:03 | 0:22:05 | |
all the way to the Series 10 final,
scoring three 40s along the way. | 0:22:05 | 0:22:08 | |
She will be reunited with her
partner Pasha. | 0:22:08 | 0:22:10 | |
She will be reunited
with her partner Pasha. | 0:22:10 | 0:22:12 | |
Can she take the Christmas crown? | 0:22:12 | 0:22:14 | |
Very possible, and remember
Kimberley, that was the first time I | 0:22:14 | 0:22:17 | |
sat in the Strictly audience and
watched Strictly so I remember her | 0:22:17 | 0:22:20 | |
being amazing, especially with
Pasha, it will be magic! | 0:22:20 | 0:22:27 | |
You can find out who'll be on top
of the tree on Christmas Day. | 0:22:27 | 0:22:30 | |
It's just 49 sleeps away. | 0:22:30 | 0:22:31 | |
CHEERING | 0:22:31 | 0:22:32 | |
Thank you very much! | 0:22:32 | 0:22:34 | |
Now, Morecambe & Wise,
French & Saunders, The Two Ronnies - | 0:22:34 | 0:22:37 | |
just some of the greatest comedy
duos this nation has ever seen. | 0:22:37 | 0:22:39 | |
Well, you can now add
Langsford and du Beke to that | 0:22:39 | 0:22:44 | |
list, it's Ruth & Anton! | 0:22:44 | 0:22:54 | |
Ruth, you represent absolute joy,
I've never seen a paso doble so | 0:22:58 | 0:23:01 | |
humorous.
It is entertainment versus | 0:23:01 | 0:23:04 | |
technique. When the paso did come
together, wonderful stocking kicks, | 0:23:04 | 0:23:11 | |
don't give up on a technique, you
are going somewhere! | 0:23:11 | 0:23:16 | |
It is just too good! | 0:23:16 | 0:23:18 | |
Ruth & Anton, everyone! | 0:23:18 | 0:23:19 | |
CHEERING AND APPLAUSE | 0:23:19 | 0:23:20 | |
What a Paso on Saturday! | 0:23:20 | 0:23:23 | |
I don't think we've ever
seen anything like it, | 0:23:23 | 0:23:25 | |
nor will we ever again! | 0:23:25 | 0:23:26 | |
Have you quite recovered? | 0:23:26 | 0:23:32 | |
Well, I've got a graze on my knee. I
went down and I got a bruise. Just | 0:23:32 | 0:23:38 | |
in case anybody thought we had put
that in purpose for comedy, we | 0:23:38 | 0:23:42 | |
didn't! It was an absolute ball
backwards. It was quite spectacular. | 0:23:42 | 0:23:47 | |
We can probably see it again. Anton,
perhaps you lost your balance, | 0:23:47 | 0:23:52 | |
darling. | 0:23:52 | 0:23:53 | |
Yes! Showed the next bit! No, I too
get embarrassed. | 0:23:57 | 0:24:03 | |
What happened, exactly? | 0:24:03 | 0:24:05 | |
Well, she climbed on top of me!
Might beat were poking out the | 0:24:05 | 0:24:09 | |
bottom of her frog! It was too
funny! It was a comedy moment and I | 0:24:09 | 0:24:14 | |
was trying to rescue the
awkwardness! I was feeling awkward | 0:24:14 | 0:24:18 | |
so I thought, let's have a comedy
moment, they will climb on top of | 0:24:18 | 0:24:22 | |
him. It was such an amazing shot,
Ruth. | 0:24:22 | 0:24:26 | |
England legend and Premier League
all-time top scorer | 0:24:26 | 0:24:28 | |
Alan Shearer tweeted: | 0:24:28 | 0:24:29 | |
"That's a two-match ban
for diving, Anton Du Beke! | 0:24:29 | 0:24:32 | |
But you've still got my vote". | 0:24:32 | 0:24:38 | |
I might dance with him next year,
just for a change. Do you know what | 0:24:38 | 0:24:43 | |
my husband said? | 0:24:43 | 0:24:48 | |
"The Curse of Strictly | 0:24:48 | 0:24:49 | |
before my very eyes!" | 0:24:49 | 0:24:52 | |
I was crying with laughter. I
imagine that is not quite what | 0:24:52 | 0:24:58 | |
happened in rehearsal. How had the
rehearsal gone? Before that fall and | 0:24:58 | 0:25:02 | |
it was genuine, I thought I had done
a passable paso doble and I was | 0:25:02 | 0:25:07 | |
quite pleased. Although we had
comedy moments, it was a parody, but | 0:25:07 | 0:25:11 | |
we did do a proper paso doble.
Everything we do, whether we go down | 0:25:11 | 0:25:17 | |
the comedic road or the straight
road, it is based on proper content. | 0:25:17 | 0:25:22 | |
Otherwise, it is just a bit awkward
and knocking about and messing about | 0:25:22 | 0:25:26 | |
and that is no good at all. So it is
skilfully put together. With proper, | 0:25:26 | 0:25:33 | |
real content, real steps. On top of
that, we do something serious or | 0:25:33 | 0:25:37 | |
something comedic. The same as the
samba before. And Shirley did say, | 0:25:37 | 0:25:46 | |
you did a really good paso, I'm not
sure she said really good! She | 0:25:46 | 0:25:52 | |
mentioned the steps I've done. Which
is good. Exactly. And the crowd went | 0:25:52 | 0:25:59 | |
wild. For the entire dance and the
ending. | 0:25:59 | 0:26:02 | |
Take a look at this. | 0:26:02 | 0:26:05 | |
These are the faces of the judges as
you go down. They are laughing! | 0:26:05 | 0:26:12 | |
Craig is laughing and he goes back
to making his notes. What do I've | 0:26:12 | 0:26:17 | |
the do to get more than at four from
Craig? It is and is tame | 0:26:17 | 0:26:26 | |
At this point, we have
to mention singer Hayley, | 0:26:26 | 0:26:28 | |
who almost completely
stole the show. | 0:26:28 | 0:26:29 | |
here she goes. | 0:26:29 | 0:26:33 | |
# La, la, ooh, ooh, ooh | 0:26:33 | 0:26:35 | |
# Ooh | 0:26:35 | 0:26:36 | |
# Ooh, ah | 0:26:36 | 0:26:37 | |
# The shady dame... | 0:26:37 | 0:26:38 | |
# From Se-ville... | 0:26:38 | 0:26:40 | |
# Ole #. | 0:26:40 | 0:26:45 | |
She is brilliant! She is amazing!
Wonderful. She is and I love that | 0:26:45 | 0:26:50 | |
when you do have a, role, you play
so brilliantly. Thank you. I'm less | 0:26:50 | 0:26:57 | |
nervous about that. I was nervous
about performance when I started | 0:26:57 | 0:27:02 | |
jazz hands and acting which is out
of my comfort zone, but you realise | 0:27:02 | 0:27:05 | |
the more you can sell the story and
you can act the story, the more | 0:27:05 | 0:27:10 | |
people enjoy it. If you look
awkward, people think it's a bit | 0:27:10 | 0:27:14 | |
awkward. I understand that now. And
he's the most wonderful teacher and | 0:27:14 | 0:27:17 | |
I want to say we do laugh. People
say, you have such a laugh together, | 0:27:17 | 0:27:21 | |
but he is a fantastic teacher, he is
so patient and kind and he never | 0:27:21 | 0:27:26 | |
shouts at me. He raises an eyebrow
sometimes and I cry! Then I cry and | 0:27:26 | 0:27:31 | |
he gives me a cup of tea. He
encourages me all the time with | 0:27:31 | 0:27:36 | |
kindness and here I'm, still,
standing, just. She's incredible to | 0:27:36 | 0:27:40 | |
work with, I can't say more highly
of Ruth. She is right, we have a | 0:27:40 | 0:27:46 | |
great time and she has a wonderful
sense of humour. To do a comedic | 0:27:46 | 0:27:51 | |
dance, it is almost more difficult
because if it is not timed well, it | 0:27:51 | 0:27:55 | |
is exactly that, awkward and a lot
of nothing. To do something comedy | 0:27:55 | 0:28:02 | |
well takes a lot of practice and a
lot of skill and a lot of timing. | 0:28:02 | 0:28:06 | |
You have to pay attention. Can you
tell, I'm getting impatient? I've 30 | 0:28:06 | 0:28:13 | |
seconds to ask you about your
foxtrot. How will you play this? | 0:28:13 | 0:28:21 | |
Straighter, it is the slow foxtrot,
the greater stands in the world. | 0:28:21 | 0:28:26 | |
There will be hats and Keynes? Will
there? Yes, I will let you know | 0:28:26 | 0:28:32 | |
about Wednesday. There will
definitely be tears if I've a cane! | 0:28:32 | 0:28:39 | |
You work so hard, we love you. | 0:28:39 | 0:28:41 | |
Ruth and Anton, everyone! | 0:28:41 | 0:28:42 | |
CHEERING AND APPLAUSE | 0:28:42 | 0:28:44 | |
That's it for tonight. | 0:28:44 | 0:28:45 | |
A big thank you to all my guests. | 0:28:45 | 0:28:47 | |
Join me again tomorrow at 6:30,
where I'll be chatting to Mollie | 0:28:47 | 0:28:50 | |
and AJ, and Debbie and Giovanni. | 0:28:50 | 0:28:51 | |
Plus, Joanne Clifton returns
for Choreography Corner. | 0:28:51 | 0:28:53 | |
And Jason Gilkison talks us
through the perfect Paso. | 0:28:53 | 0:28:55 | |
Until then, goodnight! | 0:28:55 | 0:28:56 | |
CHEERING AND APPLAUSE | 0:28:56 | 0:28:59 |