Episode 43 Strictly - It Takes Two


Episode 43

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Hello and welcome to It Takes Two!

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If the budget has given

you the blues, half an hour

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with us is time well spent.

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CHEERING

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And we've certainly hit the jackpot

with tonight's guests.

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Shake your money-makers,

it's Mollie and AJ!

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A nice shimmy.

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And that Christmas bonus has come

early because Mr Pritchard will also

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be launching this

year's Pro Challenge!

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It had better be good!

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Plus, here to teach us the Jive,

she always puts her money

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where her beautiful mouth is,

it's Janette Manrara.

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Eurocard stop the! -- you can't stop

her.

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But now, like a wise man once said -

the best things in life are free.

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Has anyone told Ian we're not

paying him for this next bit?

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It's time for Waite's Warm-up!

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Ian Waite, everyone!

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Hello, gorgeous!

I've got my

friends, Jason, Ian! So lovely to be

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back.

I've missed you.

You too.

What

is your verdict on Blackpool?

I

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loved every minute of it, the

opening, the group dance, I loved

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it, the concept seemed to get better

and better.

It was joyous. Fire up

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the magic wand.

Are you ready,

everybody?

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Let's start with a

couple of quicksteps.

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First up Joe and Katya.

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They closed the Blackpool special

with a '90s rave, but is it

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a rave review for this?

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Yes, well, there's a lot of

choreography in promenade position,

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this running and flicking.

Energetic.

To be honest, the actual

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body contact is absolutely

fantastic. Any space between them...

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They have complete contact

throughout, which is fantastic. The

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only thing I see, if you look at the

frame he has here, we've stopped it,

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if you look at it there, he's a bit

low on her back. OK for the tango

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but not so much for the quickstep.

If I get hold of you, little demo.

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He's holding her there. If he could

hold her a bit higher, get the elbow

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out and hold her under the armpit.

I

can feel that.

That's it, there! See

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what I mean?

I see.

A bit more space

between them.

Beautiful. Another

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quickstep from Mollie and AJ.

CHEERING

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Yes. They are here tonight, very

excited.

Cheering for themselves!

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You've got to do that!

They also

have some running steps in

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promenade. Look at this, skipping

and flicking, in promenade position.

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INAUDIBLE

Actually this is yesterday's

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footage! Needs to be a bit more body

contact. I noticed a few places

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where she should match him a bit

better, Mollie. When they do a hop

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or instance, look where AJ's foot is

and look where Mollie's foot and

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knee is. When you do the hop it is

like underneath you.

Got that,

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Mollie?

Yes!

A bit less of that and

a bit more of that.

It's like an

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extra private lesson.

A bit high in

the shoulders.

Stop it!

I'm giving

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them tips!

We need these.

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Onto Gemma and Aljaz,

who are riding high

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after receiving their first tens.

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CHEERING

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Will they be on a roll

with their samba?

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They start off with the first shadow

role, as Shirley said. It's a little

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bit... I sense that she's a bit

sluggish forced up seeny is to pick

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it up. When she goes forward it is

like somebody has tapped you in the

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stomach and said, touch it up and

under. It is a bit dropped. If you

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look here, she's having a sleep on

Aljaz's shoulder.

It is part of the

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choreography.

I'm told it is part of

the choreography.

It is.

Not be

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remnants of Saturday's after party.

Which come I hear, is mild.

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Next up, Susan and Kevin.

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They're dancing the American Smooth

to Beyond the Sea,

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is this looking like

a classic to you?

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Yes, this is a foxtrot American

Smooth, very classic. I lot of stuff

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going outside of partner and losing

contact all the way through. It is

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today's footage so they should have

got it right. Let's have a look in

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slow motion. I noticed something

else, she isn't releasing her toes

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at all.

Very important.

Staying on

the floor. When she goes backwards,

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yes, Susan must release her toes but

hopefully by Saturday she'll have

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that sort.

Onto Nadiya... Actually

this is Debbie and Giovanni.

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They found themselves

in the dance-off at the weekend.

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Can their Argentine tango

revive their fortunes?

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For me this isn't looking as

comfortable as previous dancers

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although it is only Monday's

footage. On paper you'd think that

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Debbie is going to be perfect for

the Argentine Tango, she has those

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lovely legs and arches in her feet.

She should be able to finish off the

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line beautifully. Not working at the

moment from the footage I've seen

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but by Saturday, obviously. I've

seen this lovely step, Zoe.

Oh,

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dear.

Let's try it.

We have a lot of

leg to lock here.

I go forward like

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that and you lock your leg back and

then I go like that.

Ooh!

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Exquisite...

One, two, three.

Perfect, see if she can do it better

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than that. Ouch, you trod on my big

toe.

Sorry!

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Davood and Nadiya now.

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They've had a great few weeks,

how is their waltz looking?

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Not as easy as it looks.

On the

pivoting here, he needs to step more

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between Nadiya's legs because he

isn't getting around very well. For

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me, I donated its because they are

walking through it, but his body

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posture, here's elbows are too

dropped -- I don't know if it's

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because they are walking through it.

Over the last couple of weeks he's

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been so good, it must be brilliant

this week. At the moment his

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shoulders are sagging and he must

get them up and forward.

Show us.

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More like that and like that than

that. He is dancing like that.

Isn't

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he good? He's very good, isn't he?

Very good indeed.

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And finally, Alexandra and Gorka.

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They're dancing a rumba

to Beyonce's Halo.

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Is it looking heavenly to you?

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I think this dance may be a

challenge for Alexandra this week

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because it's not about speed, it's

more about the aesthetic of a slow

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movement required for the rumba.

It's going to be more difficult for

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her. There are places where I think

she could get a better yesterday in

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her legs and feet, if she did this.

-- a better aesthetic. We have two

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points. If she takes too big a step

like she did there it will actually

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compromise the usage and action of

the feet and legs. If she can take a

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smaller step, get her body weight

over it she can go like that.

OK, we

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understand.

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Another lovely warm-up.

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I think you'll agree. Ian Waite.

A

big thumbs up for rent a crowd over

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there!

They are good!

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But that's not all that's been

keeping you busy, is it, Ian?

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Ladies and gents, you're looking

once again at the head judge

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for the Strictl Pro Challenge 2017!

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Are we in for a close contest?

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Well, do you know what, it's a

really technical step and no one

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will have an advantage. It's the

step, it's difficult to do. Yeah,

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it's going to be very close this

year.

Very, very close.

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Well, without further

ado, let's find out

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what the challenge is this year.

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This year's Strictly Pro Challenge

is going back in time to the roaring

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20s, where the pros will attempt to

set a Guinness world record title

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for the most charleston swivels

steps in 30 seconds. Judging

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alongside me will be award-winning

choreographer and charleston expert,

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Bill Deamer, and official

adjudicator: Sophie Greening. The

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swivel step is essential in the

charleston and as the Strictly

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judges often stress, if it doesn't

have swivelled and it isn't a

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charleston. In order for the step to

qualify the pros will have two

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complete one Ford Mack and one

backward step. If there is no swivel

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in the feet and ankles or if they

don't complete the Ford Mack and

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backward steps, then the step will

be disqualified -- forward. This

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step will be the hardest and most

technical that the pros have ever

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faced but only one person can claim

the title. Welcome to the Strictly

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Pro Challenge 2017.

Thank you, Ian.

Looking divine in that outfit. Time

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to welcome the first Pro Challenge

contender.

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He hails from Stoke on Trent,

he has a shoe collection

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to rival my own and Mollie King

introduced him to his first

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curry.

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It's AJ Pritchard!

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What an entrance!

I'm ready.

You

are, looking ready to go.

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Now, Italy's Giovanni Pernice is our

reigning Pro Challenge champion

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for doing the most Jive kicks

and flicks in 30 seconds.

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But that's so 2016.

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I was ill last year so I couldn't

take part.

You must be keen this

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year?

I was excited, very nervous,

it was nerve-racking.

It is a huge

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honour, dancing in front of an

Olivier award-winning choreographer

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and charleston official yobbo, Bill

Deamer.

We love him.

And Ian

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watching you.

He put the pressure

on, suited and booted, with his

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notepad.

How much rivalry is there

between you?

We're all very

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competitive, we want to win all the

time so when it comes to this, we

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don't put people off on purpose but

we have a competitive edge.

I've

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seen you at it! Let's see how you

got on.

This is my first Pro

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Challenge, feeling very nervous and

excited. I just want to win, it's

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quite simple.

Yes, it's a day.

Hello, welcome to this year's

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Strictly Pro Challenge. You are the

baby of the bunch.

It's true.

Do you

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think you have an advantage, you are

on your side?

Yes, short legs as

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well, keeping reloaded the ground,

low centre of gravity.

Keep focused,

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keep your feet tight.

Please take

your position on the dance floor.

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For your official attempt, beginning

in three, two, one, go.

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Keep going, stop laughing!

As good,

that's good.

15 seconds.

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Consistency.

Keep going, keep going.

Faster. That's it, keep the swivel.

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Five, four, three, two, one. Stop.

That's good.

Yeah that was good.

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Pleased with that?

Yeah. I don't

know why I'm out of breath, I

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stopped breathing halfway through.

Just one tiny stop but you picked it

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up again. That was good. Really good

dog blue well done, AJ, thanks for

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taking part.

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For me it went fantastic, I had a

stumble in the middle but I picked

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it up. Nervous now, I can't do any

more, it's happened.

I've never seen

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you nervous before. That's quite

funny.

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You said your low-centre of gravity

might give you an advantage.

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How do you think you did?

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It did help but I did a stumble. I

started laughing, I forgot that.

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Like a maniac, were you nervous?

I'm

very nervous now.

I like this.

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The Strictly judges have been quick

to point out the swivel,

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or lack of in this series.

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How tricky was it to

do it at that speed?

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I don't want to say any more. I have

come over all nervous.

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Well, after each

of the professionals

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had made their attempt,

the footage was watched back

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by adjudicators in slow motion

to verify every single swivel

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to make sure they were accurate.

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Even with that little

stumble in the middle,

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how well do you think you've done?

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I'm going to say I did OK, I am not

going to give a number... I can't...

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I can now reveal you had three

steps disqualified...

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That is OK... I can take that!

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Well, with that in

mind, we can't keep

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you in suspense any longer.

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AJ Pritchard, in 30

seconds you completed...

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17 Charleston swivels,

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which puts you at the top

of the leaderboard!

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And the bottom!

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Kind of difficult to know...

Because...

Only three disqualified,

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I take that as a positive.

I made

that little stumble in the middle.

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Are you happy with your score?

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We've got another 14 pros to go.

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Who will you be keeping our eye on?

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I think Jeanette. She is keen, she

is good, she knows it, she is good.

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Well done for being the first.

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Give it up for our current

Pro Challenge leader AJ!

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Now, as we've seen,

our pros love a challenge,

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so we've invited none other

than Latin sensation Janette Manrara

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to show me, and you lot at how

to dance a Strictly favourite.

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Look alive, cos it's time to jive!

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Janette Is here. She has already

started, you have had a lovely data

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data, you have been at the Palace.

We curtsy.

-- we have had a lovely

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day today. Why have you chosen the

jive?

Because I am a pocket rocket

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Latin sensation. I am little, you

have to be fast on your feet.

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The jive has always

been a fan favourite.

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Why do you think the viewers

enjoy it so much?

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Even if you are at home on the

couch, you say, I love this song,

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you cannot help but move, anything

that gets you do move even while

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sitting on a couch has to be

exciting to watch.

Can you give us a

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history lesson?

It came about in the

1920s when jazz music became very

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popular in America, it was a bit

naughty, older dancers would not

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like it, too much going on, to fast,

they even banned it because they

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wanted to do the slow anticlockwise

dances, they did not like jive. But

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when the American GIs came over to

Europe they brought it over here,

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and even then it was still quite

naughty, they did it only in

0:18:120:18:16

underground nightclubs. It was not

until the 1950s when it became swing

0:18:160:18:22

and jitterbug and Lindy hop and all

of that and boogie-woogie, that is

0:18:220:18:25

when we liked it.

0:18:250:18:27

Now, Alexandra has the highest

scoring jive of the series so far,

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giving us an instant classic

with Proud Mary.

0:18:300:18:34

But of course we've seen some

fantastic jives over the years,

0:18:340:18:38

from Jill Halfpenny's gamechanger

in series 2

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to Ore's runaway winner last year.

0:18:410:18:45

Amazing, amazing, Ore, so much

stamina, needed kicks and flicks all

0:18:450:18:51

the way through the routine.

There

was smoke coming from his feet!

0:18:510:19:02

But in between those

two lies Jay and Aliona's

0:19:020:19:04

Pulp Fiction-inspired jive.

0:19:040:19:05

If online views are anything to go

by it's Strictly's most

0:19:050:19:07

popular dance of all-time,

having been watched over

0:19:070:19:09

three million times!

0:19:090:19:10

3 million people! This is my

personal favourite, he does kicks as

0:19:100:19:14

he is turning, and in perfect

synchronisation with Aliona,

0:19:140:19:22

incredible stuff, kicks are hard,

incredible stuff.

Lovely to chat.

0:19:220:19:30

But I feel like we should learn some

moves. But first, we need this!

0:19:300:19:34

We are going to skip that

0:19:360:19:39

We are going to skip that basic...

We will move on, we will start with

0:19:390:19:43

a drunken sailor... A lot in the

name, so think of your head being a

0:19:430:19:47

little bit woozy, after a few drinks

in the club, and you will go across

0:19:470:19:51

behind, side step. Cross behind,

side, step.

0:19:510:19:57

And now do it with a little bit of a

bounce, yes. Make sure you have that

0:20:010:20:06

sensation, that drunken sensation.

And then... It is in the name, Tony

0:20:060:20:16

Heal

0:20:160:20:18

that macro toe heel swivel. Toe heel

swivel. Toe heel swivel twist!

0:20:190:20:33

Finishing with kicks, the trick for

this, act as though you have a

0:20:380:20:42

little string tied from the back of

your heel, to your behind, retract,

0:20:420:20:47

retract quickly. One, and switch and

switch... Knee is up, knee is up. --

0:20:470:21:07

knees up. Keep up. Shall we do it

together, here we go.

0:21:070:21:14

Drunken sailors. Five, six, seven,

drunken sailor.

0:21:200:21:26

Heel, so, so he'll swivel -- toe

heel swivel.

0:21:270:21:46

So good, I feel light-headed. That

was so good, you did well.

0:21:570:22:06

Now, my final guests

of the night were the first

0:22:060:22:08

on the bill in Blackpool,

and what an opening act it was.

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They're waiting in the wings,

it's Mollie and AJ!

0:22:110:22:19

What a way to open the show in

Blackpool.

Much more confidence,

0:22:190:22:23

much more strength, great

improvement.

No turnout in your

0:22:230:22:27

swivel but I thought both lifts were

an absolute

0:22:270:22:35

triumph.

0:22:350:22:40

Mollie and AJ, everyone!

0:22:400:22:41

What a performance!

0:22:410:22:42

Was it those wings that made you fly

or the sprung floor?

0:22:420:22:48

My goodness, it was just the hire of

being in Blackpool. Amazing, opening

0:22:480:22:53

the show... Such a privilege, it

was... Men so much to us. It was a

0:22:530:22:59

real honour. The high of being in

Blackpool. We all know the going

0:22:590:23:05

first...

Something like that, it

must've been terrifying.

It really

0:23:050:23:10

was, and AJ said to me, don't let

the nerves get to you, I know that

0:23:100:23:14

they will get to me but I thought,

you know what, this will happen only

0:23:140:23:18

once, I have got to go out there and

love it. The crowd were amazing, we

0:23:180:23:24

could hear them... They were really

encouraging, you could tell the

0:23:240:23:27

crowd wanted you to do well, so the

minute it started I thought, I am

0:23:270:23:31

going to love this.

You could see

that in your face, both of you

0:23:310:23:39

looking incredible.

0:23:390:23:40

Of course you got to see Nana King.

0:23:400:23:42

What did she make

of your charleston?

0:23:420:23:45

She loved it, absolutely loved it,

we went to Hull to visit her, gave

0:23:450:23:50

her the preview...

We took it to her

front room! Some of the lifts we

0:23:500:23:56

could not get into the living room.

Unless you take down the ornament!

0:23:560:24:00

She could not believe how much we

had come, from the beginning.

She

0:24:000:24:07

said, the Charleston, that is a hard

one, and she started doing it. She

0:24:070:24:11

said, that is a hard one.

Of course,

AJ, not your first rodeo.

0:24:110:24:17

We found this little

pic of your first visit

0:24:170:24:20

to the Tower Ballroom.

0:24:200:24:25

So cute! Are you wearing a

medallion? How old were you?

I think

0:24:250:24:33

I was 11...

How did you do?

Not very

well...! I think it was the first

0:24:330:24:41

ever major competition for Chloe and

myself, walking into town, a bit

0:24:410:24:46

like Molly, so nervous but excited

at the same time, cannot believe

0:24:460:24:49

that.

Look at you now. Bruno really

knows, he could see the confidence

0:24:490:24:54

in you, are you feeling more

confident as the competition goes

0:24:540:24:57

on?

Definitely, and having that week

avoiding the bottom two picks you

0:24:570:25:04

up, no doubt, being in the bottom

two, it does not your confidence.

0:25:040:25:10

Being there in Blackpool, I never

expected we would get that far. Just

0:25:100:25:14

to be there, this is amazing, and

how far we have come, how far I have

0:25:140:25:19

come from the first jive, to be in

Blackpool, just incredible. It does

0:25:190:25:24

help your confidence grow. You just

have to take it in at that point.

0:25:240:25:29

Those lifts, so impressive. You did

Tom Daley crowd, the way that you

0:25:290:25:37

dived into it, look at you go, and

back up... Look at that. Absolutely

0:25:370:25:43

beautiful.

In rehearsals, we had

only manage them about twice.

That

0:25:430:25:54

was the second time we completed it

properly.

You must have been quite

0:25:540:25:59

scared.

Very scared, understatement,

we practised it in the dress run...

0:25:590:26:05

Had not really... A lot more my

fault, than AJ's, because I was

0:26:050:26:10

like, just grabbed me! But thank

goodness, on the night.

And he did.

0:26:100:26:16

Incredible stuff. Also, Darcey

always keeping an eye...

0:26:160:26:22

Shoulders...

Shoulders! But you get

so tense. You just want to get

0:26:220:26:28

involved.

You do want it, I am going

to get involved so much, so much

0:26:280:26:35

more energy, and you think, give me

energy but...

LAUGHTER

0:26:350:26:40

Perfect position.

Make it sound so

easy. This weekend, quick step...

0:26:400:26:54

MUSIC: "Umbrella" - The Baseballs

0:26:540:26:56

The quickstep is one

of your favourite dances,

0:26:560:26:58

what is it you love about it?

0:26:580:27:00

At home they can feel your

excitement, able to smile as well,

0:27:000:27:04

Molly loves to smile, we love to

smile, so we can put personality

0:27:040:27:07

into it. -- Mollie. We can channel

the energy, I am always full of

0:27:070:27:11

energy. Throw more here, run a bit

more here, you can always add in

0:27:110:27:16

more. It is not like, it is a bit

too much, no, more, more, more. It

0:27:160:27:22

is always better.

If I don't move, I

get walked on, literally, I have got

0:27:220:27:31

to get moving, he is not slowing

down, he says, if I don't get you

0:27:310:27:36

moving, then I am still moving

forward myself. There has been a few

0:27:360:27:41

crashes, my trainers that were white

are now Brown.

And your toes, I

0:27:410:27:45

should imagine. Also, the paso

doble. It got you through to

0:27:450:27:52

Blackpool. How are you preparing for

this?

So excited, I keep saying to

0:27:520:27:58

AJ, I cannot wait to be out there.

We are going to be out there...

They

0:27:580:28:11

are not even inside, we have

blinkers on.

That is fighting talk.

0:28:110:28:15

Nobody puts Mollie in the corner!

Nobody puts Mollie in the corner(!)

0:28:150:28:23

you get through to...

0:28:230:28:24

through to...

0:28:240:28:25

Your face is always a picture

when you get through another week.

0:28:250:28:28

What will you do if you make it

through to Musicals Week?

0:28:280:28:31

Jazz hands!

0:28:310:28:32

Good luck on Saturday,

Mollie and AJ, everyone!

0:28:320:28:36

You are doing brilliantly. Thank

you.

0:28:360:28:42

That's all we have time for tonight.

0:28:420:28:45

What a fun show!

0:28:450:28:47

Join me again tomorrow at 6:30

0:28:470:28:49

when I'll be chatting

to Alexandra and Gorka,

0:28:490:28:51

Vicky Gill previews this

weekend's glamorous garms

0:28:510:28:52

and the Pro Challenge continues!

0:28:520:28:56

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