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Hello and welcome to It Takes Two! | 0:00:50 | 0:00:51 | |
With only 48 hours to go
before the next live show, | 0:00:51 | 0:00:52 | |
Hello and welcome to It Takes Two! | 0:00:57 | 0:00:58 | |
With only 48 hours to go
before the next live show, | 0:00:58 | 0:01:01 | |
there is no time for faffing about. | 0:01:01 | 0:01:07 | |
Getting ready for the weekend
are these beauties. | 0:01:07 | 0:01:09 | |
They are always bang on the money -
it's Alexandra and Gorka! | 0:01:09 | 0:01:14 | |
Plus, the toughest dance competition
on TV continues with the second | 0:01:14 | 0:01:18 | |
instalment of the
Strictly Pro Challenge. | 0:01:18 | 0:01:22 | |
But first up, the costume
department may have gone | 0:01:22 | 0:01:25 | |
into overdrive at the weekend - | 0:01:25 | 0:01:27 | |
but one woman takes it all
in her stride. | 0:01:27 | 0:01:29 | |
It's time to put on the glitz -
Vicky Gill, everyone! | 0:01:29 | 0:01:36 | |
Corker Gorka the Corker Gorka the | 0:01:36 | 0:01:37 | |
Corker Gorka the Corker Gorka
the Corker Gorka the Corker mystery | 0:01:44 | 0:01:46 | |
Vicky Gill, everyone! | 0:01:49 | 0:01:59 | |
Well done. Millions of you working
in very small spaces. Let's talk | 0:02:12 | 0:02:20 | |
about Mollie's incredible outfit.
Look how she dazzled. Amazing. How | 0:02:20 | 0:02:26 | |
much did it change from sketch to
the floor? It didn't change too | 0:02:26 | 0:02:31 | |
much. This was pretty solid as we
went to Blackpool. You can see on | 0:02:31 | 0:02:34 | |
the sides, we put some more weight
on the skirt. Costumes like this we | 0:02:34 | 0:02:40 | |
have distinct everybody in. They
have to be patient. Sometimes it is | 0:02:40 | 0:02:44 | |
hard. They are nervous. The heart
rate is going. I must ask you as | 0:02:44 | 0:02:50 | |
well, how do you protect one's
modesty when you are being thrown | 0:02:50 | 0:02:53 | |
around in the air? Lots of tiny
stitches around the knicker line. | 0:02:53 | 0:03:02 | |
Deadpans. This weekend, a little
challenge. The paso doble. Seven | 0:03:02 | 0:03:14 | |
couples on the floor at the same
time. They all want to stand out. | 0:03:14 | 0:03:18 | |
Judges, look at me! How do you do
that with the outfits? Quite | 0:03:18 | 0:03:23 | |
difficult. Everybody is on a level
playing field. The girls have got | 0:03:23 | 0:03:26 | |
the same shade costume. I don't know
if they are all using a cape. Seven | 0:03:26 | 0:03:36 | |
capes! The boys are looking dapper.
They have a more traditional paso | 0:03:36 | 0:03:41 | |
doble jacket. The guys wanted that
this year. That has grown to be a | 0:03:41 | 0:03:48 | |
lot of chest. We're going to look at
this weekend's costumes. Davood is | 0:03:48 | 0:03:54 | |
doing a waltz. Look at that. It
looks stunning. I know! What can you | 0:03:54 | 0:03:58 | |
tell us? This is one for the little
girls. It is pretty. A typical | 0:03:58 | 0:04:05 | |
ballroom dress. It will look lovely
on set. There is an eight panel | 0:04:05 | 0:04:10 | |
underneath and over skirt. Lots of
Crystal on a rose pink base. | 0:04:10 | 0:04:16 | |
Georgette -- Georgia... Is Crinan
expensive? Probably not for a meter | 0:04:16 | 0:04:25 | |
but when you need about 30 metres.
Asking for a friend! Davood going | 0:04:25 | 0:04:32 | |
traditional? Yes, tails. Joe and
Katya are being construction | 0:04:32 | 0:04:39 | |
workers. Of course they are! How do
you make a construction worker on | 0:04:39 | 0:04:46 | |
Strictly? I am scared of heights. We
have all these images of them on | 0:04:46 | 0:04:51 | |
steel. That is what she is this
week, supposedly. We are using acre | 0:04:51 | 0:04:58 | |
lot Pat Finnigan. We have use of a
couple of times this series. -- | 0:04:58 | 0:05:02 | |
we're using a true lot Pat Hearn
again. Detail running down through | 0:05:02 | 0:05:09 | |
the belt. There will be a little bit
of dumbed down workwear feel. Katty | 0:05:09 | 0:05:17 | |
always looks great. Debbie McGee
will do an Argentine tango this | 0:05:17 | 0:05:23 | |
weekend in this little number. This
is incredible. We chose Black for | 0:05:23 | 0:05:35 | |
the Argentine tango. We need a
traditional colour for the number. | 0:05:35 | 0:05:39 | |
Giovanni is going to be in a tuxedo.
It will feel through a traditional. | 0:05:39 | 0:05:45 | |
I thought a solid black dress would
be too much for Debbie because she | 0:05:45 | 0:05:48 | |
is tiny. We have got a lace and
crystals. Black embellishment. When | 0:05:48 | 0:05:52 | |
we have fitted it tomorrow, we will
fade the stone through the neck. It | 0:05:52 | 0:05:58 | |
may shape around to the left side. A
little tip for the Argentine tango | 0:05:58 | 0:06:04 | |
dresses, because they are doing lots
of flecks they get their heel | 0:06:04 | 0:06:07 | |
caught. We try to put a non-straight
in. These are the tips you need, | 0:06:07 | 0:06:13 | |
people! And this delightful purple
cloth can only mean one thing, the | 0:06:13 | 0:06:18 | |
mystery mannequin. Alexander's
outfit for the number. Let's welcome | 0:06:18 | 0:06:25 | |
the girl herself. Alexandra! | 0:06:25 | 0:06:29 | |
What are you hoping for? Everything
that I've won so far has been | 0:06:33 | 0:06:39 | |
absolutely amazing. They do such an
amazing job. I have loved every | 0:06:39 | 0:06:43 | |
single one. I want to keep them all!
You have to give them back. Drum | 0:06:43 | 0:06:52 | |
roll, please... It is not finished.
Bowl yes! -- oh yes! It is | 0:06:52 | 0:07:04 | |
beautiful. This must have taken
ages. So neat as well. How much | 0:07:04 | 0:07:12 | |
might it change? It is the hem. We
have a fringe home at the moment. It | 0:07:12 | 0:07:18 | |
will be more sheer. You will see a
lot more of you. Gorka will have the | 0:07:18 | 0:07:22 | |
same. We may have softer floats on
the hem. | 0:07:22 | 0:07:36 | |
And a deep V. She wears it well.
Alexandra and Vicki! | 0:07:36 | 0:07:42 | |
Right, now it's time to dive head
first into the training rooms | 0:07:42 | 0:07:45 | |
to see how Davood, Gemma and Susan's
routines are shaping up. | 0:07:45 | 0:07:52 | |
As a dance the walls can be
exposing. Your weight has to be in | 0:07:52 | 0:07:56 | |
the right position, you need to be
aware of your alignment. It is such | 0:07:56 | 0:08:03 | |
a difficult dance, especially for a
man. It is very smooth and really | 0:08:03 | 0:08:07 | |
nice and elegant. It will be
challenging for me to be beautiful | 0:08:07 | 0:08:11 | |
and elegant. I am not finding it
easy. When I get it right it will be | 0:08:11 | 0:08:20 | |
beautiful.
A lot of hips, action. I can't get | 0:08:20 | 0:08:32 | |
the movement, I can't get the
rhythm. Gemma's dances coming along | 0:08:32 | 0:08:38 | |
really nicely. It is like the whole
Cuban women Vibe and I ain't got | 0:08:38 | 0:08:45 | |
anything like that about me. Just
leave -- breeze through the whole | 0:08:45 | 0:08:52 | |
dance. I've got to sort my hips out
and go and do it. | 0:08:52 | 0:08:56 | |
Here we go. This week we're doing
the American Smooth. This is a | 0:08:56 | 0:09:03 | |
lovely kind of gentle Fred and
Ginger style. It is much more fun | 0:09:03 | 0:09:07 | |
and more joyous, which I think is
how we started the competition. Are | 0:09:07 | 0:09:10 | |
we courting? Yes, we are courting.
Earlier in the series we were | 0:09:10 | 0:09:17 | |
criticised for a lack of grace, and
this is all about Grace. We are | 0:09:17 | 0:09:21 | |
going to do our first left. These
are graceful and elegant American | 0:09:21 | 0:09:27 | |
Smooth lefts. Graceful and elegant,
Darcey! | 0:09:27 | 0:09:32 | |
Is that what you want? That lift
looks quite incredible. Courting is | 0:09:32 | 0:09:40 | |
a good term. | 0:09:40 | 0:09:41 | |
The competition may
be heating up in the | 0:09:41 | 0:09:43 | |
ballroom, but our pros' minds
are now focused on something | 0:09:43 | 0:09:45 | |
much more important. | 0:09:45 | 0:09:46 | |
Yesterday, the Pro Challenge
returned to your screens to critical | 0:09:46 | 0:09:49 | |
acclaim, as AJ's swivelling skills
were put to the ultimate test. | 0:09:49 | 0:09:51 | |
Before we meet our next brave
contender, here's a reminder of just | 0:09:51 | 0:09:54 | |
what they're up against. | 0:09:54 | 0:10:04 | |
This year's challenges heading back
to the roaring 20s where we were | 0:10:04 | 0:10:09 | |
said to -- attempt to set a Guinness
world record for the most steps. In | 0:10:09 | 0:10:16 | |
order for the swivel stabbed to
qualify, our pros will have to | 0:10:16 | 0:10:20 | |
complete one forward and one
backward step. If there is no swivel | 0:10:20 | 0:10:23 | |
in the feet or ankles, the step will
be disqualified. This year's | 0:10:23 | 0:10:27 | |
challenge will be the hardest the
pros have ever faced. Only one | 0:10:27 | 0:10:31 | |
person can claim the title. It is
the Strictly Pro Challenge 2017. | 0:10:31 | 0:10:36 | |
Time to welcome our next contender. | 0:10:36 | 0:10:37 | |
Born in the city of Bilbao, Espana,
he began dancing at the age of 12, | 0:10:37 | 0:10:41 | |
and despite representing Spain
in the World Latin Championships, | 0:10:41 | 0:10:43 | |
he has spent the last 27 years
without a single world record | 0:10:43 | 0:10:47 | |
to his name. | 0:10:47 | 0:10:52 | |
These are about to change? -- is
that about to change? | 0:10:52 | 0:10:58 | |
Give it up for G to the C -
Gorka the Corker! | 0:10:58 | 0:11:03 | |
Hello, darling! Lovely to see you.
This is only your second Pro | 0:11:03 | 0:11:12 | |
Challenge, Gorka. Last year you were
two steps behind the champion, your | 0:11:12 | 0:11:17 | |
dear dancing rival Giovanni. I've
been practising. Have you gotten | 0:11:17 | 0:11:24 | |
over that? I did let it go. Just how
hard did you train for the | 0:11:24 | 0:11:32 | |
charleston swivel? Not much. I
didn't remember it was that day. A | 0:11:32 | 0:11:42 | |
disaster! You have to take this
seriously. Eagle eyed viewers may | 0:11:42 | 0:11:45 | |
have spotted you spending some time
in the gym. Can that pumping iron | 0:11:45 | 0:11:51 | |
help? I fell down on the treadmill,
so no! AJ showed us his swivel | 0:11:51 | 0:12:02 | |
yesterday. Quite impressive. Have
you got what it takes to beat his | 0:12:02 | 0:12:05 | |
great score of 17? I think so. OK. I
like your confidence. Brace | 0:12:05 | 0:12:12 | |
yourself. This is how you got on.
Giovanni won last year but I was | 0:12:12 | 0:12:19 | |
only two points away. So this year I
will try my best will stop --. | 0:12:19 | 0:12:26 | |
Hello Gorka and welcome to the
Strictly Pro Challenge. How are you | 0:12:26 | 0:12:30 | |
feeling? A little bit nervous. I
have the energy. I don't know if I | 0:12:30 | 0:12:36 | |
will hold the 32nd swivel but I have
the energy. Ill will scrutinise all | 0:12:36 | 0:12:41 | |
of your swivels. Make sure you get
it right. No pressure. That your | 0:12:41 | 0:12:47 | |
position. Thank you. For your
official attempt beginning in three, | 0:12:47 | 0:12:53 | |
two, one... Go. | 0:12:53 | 0:13:02 | |
15 seconds. Thank you. Keep going.
Five, four, three, two, one. | 0:13:09 | 0:13:23 | |
Stop. A lovely little turn on the
end. Well done. My God! It looked | 0:13:23 | 0:13:33 | |
very accurate. There were a couple
you missed out on. You would have | 0:13:33 | 0:13:38 | |
helped yourself if you lifted your
arms. When you drop, the wait goes | 0:13:38 | 0:13:43 | |
on to your feet. If you pull up, it
keeps it lighter. Well done. A great | 0:13:43 | 0:13:50 | |
attempt. We will have to wait and
see how you got on. Thank you, | 0:13:50 | 0:13:53 | |
judges. I think it went where it --
very well. The last 15 seconds was | 0:13:53 | 0:13:58 | |
quite hard. I understand how the
celebs feel after doing something | 0:13:58 | 0:14:02 | |
you have never done before.
I love how you think the judges. You | 0:14:02 | 0:14:08 | |
were pretty exhausted. You think you
underestimate of that challenge? I | 0:14:08 | 0:14:14 | |
was. It is very hard. Your ankles,
your calves, very tight. Like the | 0:14:14 | 0:14:21 | |
celebs doing the charleston. After
each of the professionals admit | 0:14:21 | 0:14:27 | |
their attempt, the footage was
watched back by adjudicators in slow | 0:14:27 | 0:14:31 | |
motion to verify every single
swivel. Watching that back, Gorka, | 0:14:31 | 0:14:37 | |
any a legal swivel is? Maybe a
couple. Yeah, I remember maybe one | 0:14:37 | 0:14:44 | |
or two died at the end. OK, I can
tell you that you actually had two | 0:14:44 | 0:14:50 | |
steps disqualified. Ready for this?
I can't keep you in suspense any | 0:14:50 | 0:14:56 | |
longer. | 0:14:56 | 0:15:02 | |
Snow You completed... | 0:15:02 | 0:15:06 | |
LAUGHTER 14 charleston swivels which
makes you second on the leaderboard. | 0:15:11 | 0:15:17 | |
CHEERING AND APPLAUSE
Oh, baby, I'm so sorry. I'm so | 0:15:17 | 0:15:22 | |
sorry. Give me a hug, please. Come
to mama if you need a hug. It's a | 0:15:22 | 0:15:33 | |
nightmare this job. AJ up there with
17. Who out of other pros could take | 0:15:33 | 0:15:40 | |
the title? I think the title, I
think it could be Anton. Anton? I | 0:15:40 | 0:15:46 | |
don't know why. Anton du Beke. He's
keen on the charleston. Watch this | 0:15:46 | 0:15:52 | |
space. Give it up for Gorka the
Corker. | 0:15:52 | 0:15:58 | |
Next up, a timely reminder
that our Strictly pros are so much | 0:15:58 | 0:16:00 | |
more than just dancers -
they're also incredibly | 0:16:00 | 0:16:03 | |
committed Bingo players. | 0:16:03 | 0:16:03 | |
Take a look at this. | 0:16:03 | 0:16:12 | |
Good evening Strictly fans. Eyes
down, it is time for ballroom binger | 0:16:12 | 0:16:19 | |
owe. -- bingo. | 0:16:19 | 0:16:21 | |
Get me a cup of tea. It's number 3.
Which pro makes the best cuppa? | 0:16:22 | 0:16:28 | |
Anton, Anton. Anton. Become a true
British gentleman, he always has a | 0:16:28 | 0:16:34 | |
tea in his hand. Has to be my Kevin.
Etc specially when he adds a little | 0:16:34 | 0:16:38 | |
bit of honey and lemon. Oh, he's so
seat. AJ. AJ AJ. Tea is heaven. | 0:16:38 | 0:16:47 | |
Always with a cup of tea in his
hand. He is agencies always drinking | 0:16:47 | 0:16:50 | |
tea. He has about 20 a day. Rid you
can louse. He's always in charge of | 0:16:50 | 0:16:57 | |
tea making. He's made me one this
year. It was pretty good. He never | 0:16:57 | 0:17:02 | |
made me one, AJ, where's my tea? In
a state, it's 2 and 8. 28. | 0:17:02 | 0:17:11 | |
Obviously, I'm always the perfect
picture but which pro looks the | 0:17:11 | 0:17:15 | |
worst in the morning? Ooh! Ooh. Some
of the girls with no make-up. It's | 0:17:15 | 0:17:21 | |
too early. They will scare you. Just
joking! I can't say that. Ooh, no. I | 0:17:21 | 0:17:32 | |
think it's Kevin. Messy hair. I'm
awful in the morning. Really | 0:17:32 | 0:17:36 | |
scruffy. Hard to believe, I'm saying
Giovanni. Until he gets coffee in | 0:17:36 | 0:17:43 | |
him, he doesn't look good. Aljaz.
Karen, when she's hungry, she really | 0:17:43 | 0:17:50 | |
doesn't like morning. If I haven't
had my coffee or bacon, I'm | 0:17:50 | 0:17:55 | |
definitely a witch. Me, me, me.
That's your lot, folks. Remember, | 0:17:55 | 0:18:00 | |
keep spinning. Never approach hot
lips when she's not had her coffee. | 0:18:00 | 0:18:09 | |
Time now for an exclusive look
at the weekend's group number, | 0:18:09 | 0:18:12 | |
which is set in the high-stakes
world of... | 0:18:12 | 0:18:14 | |
MUSIC: "Fashion" by David Bowie. | 0:18:14 | 0:18:16 | |
Yes, the Strictly pros will be
strutting their stuff as models | 0:18:16 | 0:18:18 | |
on the catwalk. | 0:18:18 | 0:18:20 | |
But who has the very
best Blue Steel? | 0:18:20 | 0:18:21 | |
Let's find out. | 0:18:21 | 0:18:25 | |
Welcome to this week's pro group
rehearsals. This week, it's all | 0:18:25 | 0:18:30 | |
about fashion. Strike a pose... | 0:18:30 | 0:18:33 | |
In this number, we're all supermad
else. The moment they came in this | 0:18:35 | 0:18:40 | |
morning, the first thing they did
was up on the catwalk going up and | 0:18:40 | 0:18:43 | |
down it. I thought, this is going to
be a great day. I have told the pros | 0:18:43 | 0:18:49 | |
they have to give me their inner
diva. I'm channelling my inner | 0:18:49 | 0:18:57 | |
Beyonce and Naomi Campbell in one.
I'm going to fake it until I make | 0:18:57 | 0:19:01 | |
it. I love playing a model. It is
very much positioning, posturing. | 0:19:01 | 0:19:07 | |
Most is just looking at the camera
and pretending that we're blooming | 0:19:07 | 0:19:11 | |
gorgeous. I like to strut. To some
people it might feel like I'm | 0:19:11 | 0:19:16 | |
modelling but I'm just being me! I
love this routine. We've never done | 0:19:16 | 0:19:21 | |
anything like this on Strictly. Each
different section has its own style. | 0:19:21 | 0:19:28 | |
The first part is very commercial.
Then we go into paso. Lots of Latin | 0:19:28 | 0:19:34 | |
influences. I have to be careful
where I'm stepping. If I miss a | 0:19:34 | 0:19:39 | |
step, I might fall off the stage.
Dangerous. It is keeping your | 0:19:39 | 0:19:43 | |
balance and performing and
convincing the audience that you are | 0:19:43 | 0:19:50 | |
a super model. That's all you get to
see for now. Tune in this weekend to | 0:19:50 | 0:19:59 | |
see us strut our stuff. Neil, what
are you doing? | 0:19:59 | 0:20:04 | |
At the weekend, our
next guests delivered | 0:20:06 | 0:20:07 | |
a showstopper of a quickstep,
which saw them showered with gold | 0:20:07 | 0:20:10 | |
coins, critical acclaim
and most importantly, tens! | 0:20:10 | 0:20:14 | |
It's Alexandra and Gorka! | 0:20:14 | 0:20:18 | |
CHEERING AND APPLAUSE | 0:20:18 | 0:20:21 | |
The detail, the style, the accuracy,
I mean, it was magic. It was full of | 0:20:26 | 0:20:31 | |
life. It was light, it was bright.
Well done. Is there nothing you | 0:20:31 | 0:20:36 | |
can't do? I mean, this is just
incredible! | 0:20:36 | 0:20:41 | |
CHEERING AND APPLAUSE
Alexandra and Gorka. Welcome, | 0:20:43 | 0:20:47 | |
babies. Can I just say you both
looked a million dollars. How much | 0:20:47 | 0:20:53 | |
did you enjoy the performance in the
Tower Ballroom? I loved. We had the | 0:20:53 | 0:20:57 | |
best time. It was so much fun. It
was. Just a privilege to be able to | 0:20:57 | 0:21:03 | |
dance on that ballroom floor.
Everything, the dancers with us, | 0:21:03 | 0:21:07 | |
they really made the routine.
Gorka's choreography was | 0:21:07 | 0:21:10 | |
outstanding. He's always pushing the
bar when it comes to us. Just taking | 0:21:10 | 0:21:15 | |
risks and stuff. It was great. I
loved it. Incredible. Bruno said it | 0:21:15 | 0:21:21 | |
was like something out of a
Hollywood movie. That got you | 0:21:21 | 0:21:25 | |
emotional? It did. Receiving
comments like that when I wasn't | 0:21:25 | 0:21:30 | |
really confident with it in the
dressing room. I put a wrong foot in | 0:21:30 | 0:21:32 | |
place. I had a bit of a complex
about it. Gorka was telling me | 0:21:32 | 0:21:37 | |
before the show, just calm, breathe,
don't overthink it. I just feel like | 0:21:37 | 0:21:42 | |
sometimes I put too much pressure on
myself. When we get good feedback, | 0:21:42 | 0:21:46 | |
it's great. We're really grateful.
Just incredible. At dress when it | 0:21:46 | 0:21:53 | |
goes wrong it plays with your mind.
Definitely me. Staging was | 0:21:53 | 0:21:57 | |
spectacular. There's a giant coin
with your head on it. I mean! Were | 0:21:57 | 0:22:03 | |
you tempted to take any of the props
home with you? It's coming home next | 0:22:03 | 0:22:08 | |
week, no word of a lie. I asked if I
could keep that. I only live ten | 0:22:08 | 0:22:14 | |
minutes around the corner from
Elstree. Gorka's going to roll it | 0:22:14 | 0:22:19 | |
all the way home for you. High
praise for your choreography. You | 0:22:19 | 0:22:26 | |
must have in so pleased by how it
went? So grateful for the comments. | 0:22:26 | 0:22:32 | |
But from day unwe loved it. She was
so happy with the routine. This was | 0:22:32 | 0:22:36 | |
so much fun. We get to Blackpool and
to dance on that floor with that | 0:22:36 | 0:22:41 | |
audience, it was unbelievable. The
floor is so bouncy. It gives you | 0:22:41 | 0:22:46 | |
something back which I've never felt
before. When you watch it in slow | 0:22:46 | 0:22:49 | |
motion, you see the floor lift with
us. It was amazing when we watched | 0:22:49 | 0:22:53 | |
it back. . Get up there and try it
now. She was you need water? No, no, | 0:22:53 | 0:23:00 | |
this doesn't need water. It is like
a professional floor. 39 points | 0:23:00 | 0:23:03 | |
again. Incredible. But, top of the
leaderboard, lots of people were | 0:23:03 | 0:23:09 | |
furious that you didn't get more
than a 9 from Craig. Paul Benjamin | 0:23:09 | 0:23:13 | |
was amongst them. He said: | 0:23:13 | 0:23:18 | |
39 is an incredible mark, isn't it?
But we were like, come on, Craig, | 0:23:21 | 0:23:26 | |
it's Blackpool. What do you think? I
don't know, if someone has the | 0:23:26 | 0:23:32 | |
answer, send me by e-mail? You're
handing out your e-mail address. Oh, | 0:23:32 | 0:23:36 | |
dear. The last celebrity to get 39
for the quickstep was Harry Judd in | 0:23:36 | 0:23:43 | |
2011 also in week 9. Craig would not
get his 10 paddle out for Harry. But | 0:23:43 | 0:23:48 | |
went on to score perfect 40 for his
routine in the final and they won. | 0:23:48 | 0:23:54 | |
Just saying that. Just put that can
out. There That makes sense now. | 0:23:54 | 0:23:58 | |
Thank you for that. Maybe that's
what's happening. Craig did say | 0:23:58 | 0:24:03 | |
though, is there nothing that you
can't do. Gorka knows you quite well | 0:24:03 | 0:24:07 | |
now. Have you found Alexandra's
weaknesses? Yeah, she cannot roll | 0:24:07 | 0:24:15 | |
her res. Do that again! It's really
unfair that you make me... Rs. I | 0:24:15 | 0:24:26 | |
love that, so cruel. Bless you. Most
other things she can do. It is a | 0:24:26 | 0:24:31 | |
rumba for you two this weekend. An
amazing piece of music. Let's hear | 0:24:31 | 0:24:36 | |
it. Hail low by Beyonce. This is the
perfect hymn for a rumba? The lyrics | 0:24:36 | 0:24:50 | |
are so emotional. The slow rumba
gives you the chance to walk on your | 0:24:50 | 0:24:54 | |
steps, use your body. It's very
good. A good song. We've worked | 0:24:54 | 0:24:58 | |
really hard on this one. It is
definitely a challenge. Hopefully we | 0:24:58 | 0:25:04 | |
can put tears in someone's eyes. No,
already the song makes me feel all | 0:25:04 | 0:25:11 | |
kind of different emotions. It is an
honour to do a rumba to it. It's | 0:25:11 | 0:25:16 | |
Beyonce after all. Of course, back
in 2008, you did famously duet with | 0:25:16 | 0:25:29 | |
Beyonce on the MOUTHS X FACTOR You
say it makes you quite emotional | 0:25:29 | 0:25:35 | |
dancing to it? When I danced with
Beyonce, it was such a highlight of | 0:25:35 | 0:25:41 | |
my career. Every time I watch it
back, it gives me goose bumps. When | 0:25:41 | 0:25:46 | |
we decided to do it, it just felt
right. I love her. Love the song. I | 0:25:46 | 0:25:52 | |
hope, I really hope we do it
justice. Hi! Evening, Bey, if she's | 0:25:52 | 0:26:01 | |
watching. Hi, J Zee too. How are you
feeling about the rumba? Is it your | 0:26:01 | 0:26:10 | |
friend, Alexandra? It is. Not on
Monday. I'm not going to lie. It is | 0:26:10 | 0:26:14 | |
now. I'm loving it. Look, that was
yesterday. Yes! I'm now. | 0:26:14 | 0:26:19 | |
Understanding what it's about. It's
a very passionate dance. I was quite | 0:26:19 | 0:26:23 | |
scared. I was really nervous on
Monday. Here we are back to the | 0:26:23 | 0:26:28 | |
point of face-to-face again, really
intimate. Now I'm like, you know | 0:26:28 | 0:26:31 | |
what, let's just go for it. Whatever
happens, happens. It must be really | 0:26:31 | 0:26:36 | |
difficult for you to get that close
and intimate? It is a tough ask. | 0:26:36 | 0:26:42 | |
Sometimes it's really tough. Most of
the time, it's great. When you're | 0:26:42 | 0:26:47 | |
apart you can't be close. I can only
imagine! It's the paso-dobl-athon | 0:26:47 | 0:26:55 | |
this weekend. All seven couples out
on the floor. You remember all the | 0:26:55 | 0:27:01 | |
rules about paso? A fee weeks ago
for you? It's been a long time. When | 0:27:01 | 0:27:08 | |
we rehearsed it, it was the wrong
foot again. It has been six or seven | 0:27:08 | 0:27:13 | |
weeks. It was week two. A long time
ago. We've refreshed it and I'm | 0:27:13 | 0:27:17 | |
really excited. You know, on the
day, it will be two very different | 0:27:17 | 0:27:20 | |
dances. One really soft and one
really grr in your face. You have to | 0:27:20 | 0:27:26 | |
take other people down on the floor.
We can't touch anyone, right? We | 0:27:26 | 0:27:31 | |
can't knock 'em over? You can't push
but if you lets leg go like that. | 0:27:31 | 0:27:37 | |
How will you make sure you stand out
on the floor? You want me to show | 0:27:37 | 0:27:42 | |
you? Wow! Yes. Encouragement,
please. No, no, it is birthday time! | 0:27:42 | 0:27:56 | |
Away!
# Happy birthday to you. | 0:27:56 | 0:28:04 | |
# Happy birthday to you
# Happy birthday dear Zoe | 0:28:04 | 0:28:15 | |
# Happy birthday to you. #
. | 0:28:15 | 0:28:19 | |
CHEERING | 0:28:19 | 0:28:24 | |
I love you. Thank you so much. Happy
birthday, darling. We love you. | 0:28:25 | 0:28:30 | |
Happy birthday. I'm going to get my
face in that cake.al, Andhra and | 0:28:30 | 0:28:36 | |
Gorka. Good luck at the weekend. | 0:28:36 | 0:28:39 | |
That's all we have time for tonight. | 0:28:39 | 0:28:41 | |
A huge thank you to
all of our guests. | 0:28:41 | 0:28:43 | |
We're back tomorrow at the
earlier time of six o'clock, | 0:28:43 | 0:28:45 | |
with Susan and Kevin
and Gemma and Aljaz. | 0:28:45 | 0:28:47 | |
And on the Friday panel, | 0:28:47 | 0:28:48 | |
Russell Grant, Cherry Healey
and actual Clare Balding. | 0:28:48 | 0:28:50 | |
Plus, live music from Jessie Ware. | 0:28:50 | 0:28:52 | |
Goodnight. | 0:28:52 | 0:28:53 | |
Happy birthday to me.
CHEERING AND APPLAUSE | 0:28:53 | 0:28:59 |