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VOICEOVER: Ladies and Gentlemen,
please welcome all the couples | 0:00:06 | 0:00:14 | |
to the floor for the It Takes Two -
A -Thon! | 0:00:14 | 0:00:19 | |
Dancing tonight... | 0:00:19 | 0:00:20 | |
Susan Calman and her
partner Kevin Clifton | 0:00:20 | 0:00:25 | |
Gemma Atkinson and her
partner Aljaz Skorjanec. | 0:00:33 | 0:00:40 | |
And finally Zoe Ball,
and her partner...? | 0:00:40 | 0:00:47 | |
Oh great - looks like I've got no
chance winning this year... | 0:00:47 | 0:00:51 | |
Wait, wait! | 0:00:51 | 0:00:54 | |
Stick we me baby - we've got this! | 0:00:54 | 0:00:59 | |
Russell, yes. Anyone got a ladder? | 0:00:59 | 0:01:05 | |
Live from London this is Strictly It
Takes Two. Please welcome your host, | 0:01:44 | 0:01:51 | |
Zoe Ball. | 0:01:51 | 0:01:57 | |
# Get fresh for the weekend!
CHEERING AND APPLAUSE. | 0:02:01 | 0:02:12 | |
Hello and welcome to It Takes Two! | 0:02:12 | 0:02:14 | |
It's Friday, or as the kids
like to call it Fri-yay. | 0:02:14 | 0:02:17 | |
Maybe they don't. | 0:02:17 | 0:02:22 | |
A big thank you to the gorgeous
Kevin and Aljaz, I'm not letting | 0:02:22 | 0:02:25 | |
go of them just yet -
they'll be back later on. | 0:02:25 | 0:02:28 | |
Also, joining us on the Friday
panel - Clare Balding, | 0:02:28 | 0:02:30 | |
Cherry Healey and Russell Grant! | 0:02:30 | 0:02:32 | |
We have a packed show
in store for you tonight, | 0:02:32 | 0:02:35 | |
so let's kick things off in style. | 0:02:35 | 0:02:37 | |
Here singing her smash hit,
'Say You Love Me' - | 0:02:37 | 0:02:40 | |
it's the brilliant Jessie Ware! | 0:02:40 | 0:02:43 | |
# Say you love me to my face | 0:02:51 | 0:03:01 | |
# Heart's getting torn
From your mistakes | 0:03:07 | 0:03:12 | |
# Just say you want me,
That's all it takes | 0:03:12 | 0:03:16 | |
# Heart's getting torn
From your mistakes | 0:03:16 | 0:03:23 | |
# 'Cause I don't wanna fall in love | 0:03:23 | 0:03:26 | |
# If you don't wanna try | 0:03:26 | 0:03:31 | |
# But all that I've been thinking of | 0:03:31 | 0:03:35 | |
# Is maybe that you might | 0:03:35 | 0:03:41 | |
# Babe, it looks as though we're
Running out of words to say | 0:03:41 | 0:03:51 | |
# And love's floating away | 0:03:51 | 0:04:01 | |
# Slowly, slowly you unfold me | 0:04:05 | 0:04:07 | |
# But do you know me at all? | 0:04:07 | 0:04:15 | |
# Someone told me love
Controls everything | 0:04:15 | 0:04:23 | |
# But only if you know | 0:04:23 | 0:04:28 | |
# 'Cause I don't wanna fall in love | 0:04:28 | 0:04:35 | |
# If you don't wanna try | 0:04:35 | 0:04:40 | |
# But all that I've been thinking of | 0:04:40 | 0:04:43 | |
# Is maybe that you might | 0:04:43 | 0:04:50 | |
# And, babe, it looks as though
We're running out of words to say | 0:04:50 | 0:04:57 | |
# And love's floating away | 0:04:57 | 0:05:02 | |
# Won't you stay? | 0:05:02 | 0:05:12 | |
CHEERING AND APPLAUSE | 0:05:13 | 0:05:19 | |
What a stunning performance -
there'll be more from | 0:05:19 | 0:05:22 | |
Jessie later in the show! | 0:05:22 | 0:05:24 | |
But back to business. | 0:05:24 | 0:05:27 | |
It's Friday night and I can
confirm we are only... | 0:05:27 | 0:05:34 | |
24 hours from the next live Strictly
spectacular. So we must get | 0:05:34 | 0:05:39 | |
cracking. | 0:05:39 | 0:05:41 | |
First up, we sent my stunt double -
Mr Gethin Jones - for another trip | 0:05:41 | 0:05:45 | |
to Elstree this morning to report
on all the backstage gossip. | 0:05:45 | 0:05:48 | |
Let's see what he's been up to. | 0:05:48 | 0:05:51 | |
Yes we are back in Elstree, familiar
territory for all our couples. | 0:05:58 | 0:06:03 | |
Tomorrow night you will see two
quicksteps, an Argentine tango and | 0:06:03 | 0:06:15 | |
all the couples have to deal with
the paso doble. I am going to catch | 0:06:15 | 0:06:23 | |
up with as many people as I can. | 0:06:23 | 0:06:26 | |
Now, 'When you're alone,
and life is making you lonely, | 0:06:26 | 0:06:28 | |
you can always'... | 0:06:28 | 0:06:29 | |
Rely on my first guests
to lighten the mood. | 0:06:29 | 0:06:31 | |
Fresh off the tram to '10' town -
it's the illuminating | 0:06:31 | 0:06:34 | |
Gemma and Aljaz! | 0:06:34 | 0:06:39 | |
You must be a really great student.
You listen and you listen some more. | 0:06:39 | 0:06:46 | |
Kept your body strong in the lifts.
Beautiful finishes. I loved it. | 0:06:46 | 0:06:52 | |
You're getting better and better
every week. Fantastic. | 0:06:52 | 0:06:59 | |
CHEERING AND APPLAUSE Feel the love
in this room! Body ripple. What an | 0:07:01 | 0:07:15 | |
entrance. People are still smiling
after your incredible performance | 0:07:15 | 0:07:21 | |
last weekend. Were you chuffed to
bits? I was so chuffed. Literally. | 0:07:21 | 0:07:27 | |
I'm still smiling, the choreography
was amazing, the music, we were up | 0:07:27 | 0:07:33 | |
North, that ball room, he told me
about it and when I walked in, I was | 0:07:33 | 0:07:40 | |
oh, my gosh. It is wonderland. You
need to go there. And after nine | 0:07:40 | 0:07:46 | |
weeks of such hard work you finally
got the 10! CHEERING AND APPLAUSE. | 0:07:46 | 0:07:58 | |
Well done. High ten! So well
deserved. How did that feel? You | 0:07:58 | 0:08:05 | |
know what? It felt amazing and the
fact that Shirley stood up and | 0:08:05 | 0:08:10 | |
clapped as well. Yeah, it was weird,
because when the scores were coming | 0:08:10 | 0:08:15 | |
in, you could hear them, b I was
still, I didn't know what was | 0:08:15 | 0:08:22 | |
happening. Aljaz at what point did
you think, hang on, this is quite | 0:08:22 | 0:08:28 | |
good? From day one of training back
in September. Open the box in fronts | 0:08:28 | 0:08:36 | |
of you. OK. Tell me to do it. What
is it? Let's have a look. Moustache? | 0:08:36 | 0:08:47 | |
You have two. One each. You put
those on and I will carry on. I need | 0:08:47 | 0:08:53 | |
to unglue it. It is quite sweaty in
here, I can't guarantee they will | 0:08:53 | 0:08:58 | |
stay on. Oh! I feel normal. Your mum
was in the audience, it was your | 0:08:58 | 0:09:09 | |
birthday. I know. Sandra's waited
years to get here. Bless her, look | 0:09:09 | 0:09:16 | |
at her. How much did she enjoy her
experience and what a night to be | 0:09:16 | 0:09:20 | |
there. She loved it. She has tried
to get tickets so long for Blackpool | 0:09:20 | 0:09:26 | |
and she came on the floor after and
she was so happy. She said, you | 0:09:26 | 0:09:30 | |
didn't have to prove anything to
anyone, but I'm so proud of you. | 0:09:30 | 0:09:33 | |
Goodness. As a mum, that gets me. I
have to say I can't take you | 0:09:33 | 0:09:41 | |
seriously wearing those moustaches.
I know you love the statistics, | 0:09:41 | 0:09:46 | |
you're the only couple to have
improved in scores over the last | 0:09:46 | 0:09:49 | |
three weeks. Well, well, well! If
you're smiling. Why does the | 0:09:49 | 0:10:07 | |
American Smooth suit Gemma? We did a
foxtrot a couple of weeks ago and it | 0:10:07 | 0:10:12 | |
went really well. Incredibly well,
but on the night the nerves got the | 0:10:12 | 0:10:18 | |
better of us both. Because it was
such a slow and smooth dance. The | 0:10:18 | 0:10:22 | |
music was changing types all the
time. Down town... I can't do it. | 0:10:22 | 0:10:31 | |
But the down Town was a lovely
foxtrot and doing it up in that huge | 0:10:31 | 0:10:38 | |
ballroom, which doesn't make any
accepts, because Gemma gets nervous | 0:10:38 | 0:10:43 | |
in Elstree and Blackpool ballroom is
so huge, but as soon as the numbers | 0:10:43 | 0:10:48 | |
started, you could see love in your
face and you loved the whole thing. | 0:10:48 | 0:10:52 | |
Because it's Blackpool. It lifts you
I think. I have so many amazing | 0:10:52 | 0:10:59 | |
memories from Blackpool. We are
doing the show again in Blackpool. | 0:10:59 | 0:11:05 | |
We are all coming down. This weekend
it is the Samba. How has it gone? It | 0:11:05 | 0:11:11 | |
has been OK, but it is quite light
and it is the bounce. I don't think | 0:11:11 | 0:11:20 | |
I have enough hippage. I'm quite
surfboardy. Aljaz said, no matter | 0:11:20 | 0:11:26 | |
what, he said in four weeks this
journey is over for everyone. Four | 0:11:26 | 0:11:32 | |
weeks left, enjoy it. That is what
he says. Any bits I'm going to go | 0:11:32 | 0:11:36 | |
for it. And great music. Oh, yeah.
Ooh! It is a beautiful thing. Lexie | 0:11:36 | 0:11:52 | |
McGhee described her Samba rolls as
like sausage rolls. I don't eat | 0:11:52 | 0:11:58 | |
meat, but I would rather have a
sausage roll. It is like playing | 0:11:58 | 0:12:03 | |
snooker. We explain it is like a
snooker. It is nothing like that | 0:12:03 | 0:12:10 | |
really. When they do it tomorrow, we
will. Good luck and paso doble you | 0:12:10 | 0:12:19 | |
were great. Put your hands up. It is
fun. Love you too. Aljaz we haven't | 0:12:19 | 0:12:32 | |
finished with you. Find out he got
on | 0:12:32 | 0:12:39 | |
But before that let's head
back to the training | 0:12:47 | 0:12:50 | |
room to see how Mollie,
Alexandra, Joe and Debbie | 0:12:50 | 0:12:52 | |
have been getting along. | 0:12:52 | 0:12:54 | |
It is like the other dances, but a
hundred miles an hour and I'm so | 0:12:54 | 0:12:59 | |
slow. The hardest part is
remembering the sequence. You have | 0:12:59 | 0:13:07 | |
to remember it. Hopefully it will
become muscle memory. At the moment | 0:13:07 | 0:13:15 | |
my mind is blown. We are going to do
it again and again until Molly gets | 0:13:15 | 0:13:25 | |
it perfectly and we are
synchronised. The rumba is the | 0:13:25 | 0:13:29 | |
slowest of the Latin dances and that
makes it more difficult. You're so | 0:13:29 | 0:13:36 | |
open to any mistake. You have to be
precise in every step. One, two... | 0:13:36 | 0:13:41 | |
And you need to feel the music with
the movement of your body. I know | 0:13:41 | 0:13:48 | |
Shirley is going to pay a lot of
attention, as she loves the rumba. | 0:13:48 | 0:13:52 | |
What I need to do is relax and do
the movement and enjoy it. Because | 0:13:52 | 0:13:56 | |
this is going to be a special number
for us. It has been tiring a | 0:13:56 | 0:14:08 | |
quickstep is energetic. It is quite
complicated. There is lots of | 0:14:08 | 0:14:13 | |
rhythms and steps. The comply
Cailleted part is that the steps | 0:14:13 | 0:14:19 | |
repeat, but all in different order
and speeds. I'm quite exhausted. The | 0:14:19 | 0:14:25 | |
hardest part is maintaining the
energy and remembering which rhythms | 0:14:25 | 0:14:32 | |
you're going into it. Oh! I'm loving
learning the Argentine tango. It is | 0:14:32 | 0:14:40 | |
very leggy and pointed feet and I
just feel right in it. Beautiful. | 0:14:40 | 0:14:49 | |
The technique is coming along really
well and the legs, beautiful legs. | 0:14:49 | 0:14:53 | |
My biggest problem is to make myself
relax so I can do the technique | 0:14:53 | 0:14:58 | |
properly and I'm just not very good
at relaxing. Relax. We have the | 0:14:58 | 0:15:03 | |
legs. We have the passion. All we
need to do now is relax. And put it | 0:15:03 | 0:15:12 | |
on show a bit more. | 0:15:12 | 0:15:14 | |
Debbie is looking good! | 0:15:19 | 0:15:22 | |
Now our Friday's wouldn't be
the same without a panel and boy do | 0:15:22 | 0:15:25 | |
we have a lineup for you tonight! | 0:15:25 | 0:15:26 | |
Make some noise for Clare Balding,
Cherry Healey and Strictly Legend - | 0:15:26 | 0:15:29 | |
Mr Russell Grant! | 0:15:29 | 0:15:30 | |
CHEERING AND APPLAUSE | 0:15:30 | 0:15:35 | |
Calm and! -- come on. I've never
seen Clare Balding dance. Moves! | 0:15:39 | 0:15:55 | |
Were you showing them what to do?
This new woman in my life, Cherry | 0:15:55 | 0:15:59 | |
Healey. She's on BBC Three, I have
to learn to go online. You will be | 0:15:59 | 0:16:09 | |
friends for life! Welcome. What are
you making of the class of 2017? I | 0:16:09 | 0:16:15 | |
love it, because I treat it like a
sporting event. Those that have | 0:16:15 | 0:16:19 | |
endurance and those that can perform
in front of a big crowd. I think is | 0:16:19 | 0:16:24 | |
the most brilliant shared
experience... I have conversations | 0:16:24 | 0:16:26 | |
with everyone all over the place
about it, just like the Olympic. In | 0:16:26 | 0:16:30 | |
the queue at the garage, the
supermarket, the library... I'm in | 0:16:30 | 0:16:34 | |
the library all the time! You are a
massive fan of the show, have you | 0:16:34 | 0:16:41 | |
had any favourite moments? Aston's
paso doble broke me. I thought | 0:16:41 | 0:16:49 | |
Kevin's, Kevin and Susan's dance
from the Strictly Ballroom, like | 0:16:49 | 0:16:55 | |
someone living their dream and
loving it. So many. Russell so many | 0:16:55 | 0:17:00 | |
gorgeous memories. You were dancing
with. Welcome back. Let's talk about | 0:17:00 | 0:17:09 | |
Susan and Kevin. Tomorrow, an
American smooth, it has a nautical | 0:17:09 | 0:17:13 | |
theme. Could it be perfect smooth
sailing for you, Russell? Tell me | 0:17:13 | 0:17:17 | |
what you think. I love Susan because
she is full of joy and I love the | 0:17:17 | 0:17:23 | |
joy. I really saw the joy come out
when they did the jive, the painting | 0:17:23 | 0:17:28 | |
on the wall. I love her because its
infectiousness. I think if I was a | 0:17:28 | 0:17:34 | |
woman, I'd be Susan. You would be
Susan! LAUGHTER | 0:17:34 | 0:17:39 | |
OK, all right, fantastic. I might be
in a cupboard. Are you excited to | 0:17:39 | 0:17:47 | |
see this one? Susan's my friend that
I can't believe how well she's taken | 0:17:47 | 0:17:52 | |
to it. And she's not a dancer. I
think she's embraced the whole | 0:17:52 | 0:17:56 | |
thing. She does bring joy to attend
entertainment and I'm really proud | 0:17:56 | 0:18:00 | |
of her. She was in a dancer and now
she is! And she can do serious as | 0:18:00 | 0:18:08 | |
well as funny. Alexander and Gorka,
rumba time. People can go either way | 0:18:08 | 0:18:14 | |
on this. There has never been a
perfect score for a rumba. Could | 0:18:14 | 0:18:18 | |
this be the one? I think if anyone
is going to bring it, it's hard. | 0:18:18 | 0:18:22 | |
Look at her. She nails every single
dance. She's got the intensity, the | 0:18:22 | 0:18:28 | |
strength, and she's got that Latin
fire in her. Her last dance was | 0:18:28 | 0:18:33 | |
absolutely insane. She's just...
Like they said... Is there anything | 0:18:33 | 0:18:38 | |
she can't do? High jump. Is there a
touch of Alesha Dixon is there? I | 0:18:38 | 0:18:45 | |
just loved that cha-cha-cha they did
a couple weeks ago, I loved it so | 0:18:45 | 0:18:51 | |
much, because the music matched. The
music has to match the dance, you | 0:18:51 | 0:18:57 | |
feel it. When you get that music,
you just can't stop! You can't stop. | 0:18:57 | 0:19:03 | |
I'm lost in him! We are going on to
Davood and Nadiya. Great scores for | 0:19:03 | 0:19:07 | |
them last week. They are creeping up
here. They have a waltz this | 0:19:07 | 0:19:11 | |
weekend, a tricky one because it is
so slow, it can be exposing. If they | 0:19:11 | 0:19:14 | |
are in training, what do you think?
I think Davood has improved so much, | 0:19:14 | 0:19:20 | |
growing with the competition. He is
clearly very fit and sporty anyway. | 0:19:20 | 0:19:24 | |
He has a beautiful head carriage,
like a horse in dressage. I just | 0:19:24 | 0:19:30 | |
hope they wear a proper outfit. Yes,
it's all proper. What? No! Don't | 0:19:30 | 0:19:35 | |
take away the sheer tops. Oh, no! I
love the live and let die number, | 0:19:35 | 0:19:46 | |
the passion and the fire! Didn't you
like the way he came down the union | 0:19:46 | 0:19:52 | |
Jack? I thought, I wasn't watching
that! | 0:19:52 | 0:19:58 | |
But don't worry it's not the end -
these beauties will be | 0:19:58 | 0:20:00 | |
back later in the show! | 0:20:00 | 0:20:02 | |
Right time to check
back in with Gethin - | 0:20:02 | 0:20:04 | |
it's a tough life for our Welsh
wonder, earlier today he found | 0:20:04 | 0:20:07 | |
himself cosying up with Debbie,
Alexandra and Mollie. | 0:20:07 | 0:20:09 | |
Poor lad. | 0:20:09 | 0:20:12 | |
I stumbled across Debbie, Mollie and
Alexandra. Back home in Elstree | 0:20:12 | 0:20:17 | |
after almost a week in Blackpool,
nice to be back? So lovely to be | 0:20:17 | 0:20:23 | |
back, so nice. Everyone's here, the
food is here, that's what we all | 0:20:23 | 0:20:26 | |
really love! Everyone is really
happy. I think everyone had a good | 0:20:26 | 0:20:29 | |
week this week. Everyone talks about
food on strictly must stop I feel | 0:20:29 | 0:20:34 | |
like dancing is taken of your life.
All you do is dancing down the | 0:20:34 | 0:20:39 | |
street, down the aisle in the
supermarket, what's going on, you've | 0:20:39 | 0:20:43 | |
lost the plot? I don't know if I had
the plot but I've lost it. Down the | 0:20:43 | 0:20:50 | |
street, flicking, hopping down the
street. I don't think that's in the | 0:20:50 | 0:20:53 | |
quick step, but try and see what
happens. LAUGHTER | 0:20:53 | 0:20:56 | |
Debbie, an original Argentine Tango.
Is the extended leg...? Lots of | 0:20:56 | 0:21:08 | |
extended legs in this. Like Mollie,
it's taken over my life. I was | 0:21:08 | 0:21:12 | |
sitting in the bath last night
watching a video of rehearsals and | 0:21:12 | 0:21:16 | |
thinking, I should be relaxing, what
on earth am I doing? You are | 0:21:16 | 0:21:21 | |
cleaning most nights! It's my Friday
and I already started this morning. | 0:21:21 | 0:21:26 | |
I started airing the rooms and then
took all the bed sheets this | 0:21:26 | 0:21:31 | |
morning. Stop talking about
cleaning! Talk to me about rumba. | 0:21:31 | 0:21:35 | |
Are you doing as your cleaning?
Actually, no, but I'll let you know | 0:21:35 | 0:21:40 | |
tonight. What I was doing this
morning on the car on the way here, | 0:21:40 | 0:21:43 | |
I was doing the rumba and I think
the driver thought I was a bit crazy | 0:21:43 | 0:21:48 | |
because I was going four, 12... He
said, are you all right? I said, and | 0:21:48 | 0:21:55 | |
just practising in my head. Driver
doing all we had things on the road. | 0:21:55 | 0:22:00 | |
Three completely different answers,
I know you will be brilliant | 0:22:00 | 0:22:03 | |
tomorrow, good luck! Thank you. | 0:22:03 | 0:22:06 | |
But enough with all the fun
and games, it's time to get serious | 0:22:06 | 0:22:09 | |
in TV's toughest challenge. | 0:22:09 | 0:22:11 | |
Never have Swivels been
as terrifying as this. | 0:22:11 | 0:22:15 | |
This year's Strictly Pro Challenge
is going back in time to the roaring | 0:22:15 | 0:22:23 | |
1920s, where they will attempt to
set a world record title for the | 0:22:23 | 0:22:27 | |
most swivel steps in 30 seconds. In
order for the swivel step to qualify | 0:22:27 | 0:22:32 | |
our pros will have to complete on
Ford on one backward step. If there | 0:22:32 | 0:22:35 | |
is no swivel in the feet and ankles,
the step will be disqualified. This | 0:22:35 | 0:22:40 | |
year's challenge will be the hardest
our pros have ever faced, but only | 0:22:40 | 0:22:45 | |
one person can claim the title. It's
the Strictly Pro Challenge 2017. | 0:22:45 | 0:22:51 | |
Thank you! | 0:22:51 | 0:22:52 | |
Please welcome our next contender... | 0:22:52 | 0:22:53 | |
He loves opera music,
is desperate for a pet cat | 0:22:53 | 0:22:56 | |
and is named after a famous tower! | 0:22:56 | 0:22:58 | |
It's Aljaz! | 0:22:58 | 0:22:59 | |
CHEERING AND APPLAUSE | 0:22:59 | 0:23:08 | |
I'm so sorry. Second appearance of
the night, and to be the lucky ones! | 0:23:08 | 0:23:17 | |
This is your fourth Pro Challenge.
Does it make it any easier or more | 0:23:17 | 0:23:21 | |
nerve-racking. Not easy, definitely
not easier. I've only been doing | 0:23:21 | 0:23:29 | |
Charleston for as many years as I've
been on Strictly. The Charleston | 0:23:29 | 0:23:33 | |
swivel, I'm always happy Craig
doesn't ever pick up my swivel! | 0:23:33 | 0:23:38 | |
LAUGHTER
Interesting seeing how you pros say | 0:23:38 | 0:23:43 | |
it's really hard. You won the 2014
challenge with Karen Clifton. Not so | 0:23:43 | 0:23:51 | |
much luck on your own with the Pro
Challenge. Thank you! Sorry to bring | 0:23:51 | 0:23:57 | |
that up! I don't. It was all Karen
the first time. She will love you | 0:23:57 | 0:24:04 | |
for that. How do you rate your
swivel action? From 1-10? Yes. A | 0:24:04 | 0:24:12 | |
really strong three. It was 30
seconds... I think three. OK, let's | 0:24:12 | 0:24:17 | |
see how this wonder got on. Hold
tight, darling, here we go! | 0:24:17 | 0:24:24 | |
I've been swivelling everywhere,
tube stations, shops, studio. I'm | 0:24:24 | 0:24:29 | |
really excited to do this challenge
so I can stop swivelling! Hello | 0:24:29 | 0:24:34 | |
Aljaz and welcome to this year's
Strictly Pro Challenge. Thank you | 0:24:34 | 0:24:39 | |
for having a. How are you feeling? A
bit nervous, actually. Duke brought | 0:24:39 | 0:24:45 | |
came in with you. Indeed I have,
I've been practising for this | 0:24:45 | 0:24:49 | |
challenge so I haven't let go of
this cane for a while. They goes | 0:24:49 | 0:24:53 | |
everywhere with me. Good luck on
Aljaz. Please take your place on the | 0:24:53 | 0:24:57 | |
dance floor. I'm so excited! For
your official attempt beginning | 0:24:57 | 0:25:05 | |
three, two, one, though. -- go. | 0:25:05 | 0:25:10 | |
Up. 15 seconds. | 0:25:18 | 0:25:23 | |
Five, four, three, two, one. Stop!
Well done. Two more seconds and I'd | 0:25:33 | 0:25:43 | |
be out of here. You need to breathe
more, what did you think? When you | 0:25:43 | 0:25:50 | |
are getting tired, you pulled up and
that's why you kept going. Do you | 0:25:50 | 0:25:54 | |
think the cane helped? It probably
did. Well done, Aljaz, good luck. | 0:25:54 | 0:26:01 | |
We'll see how you get an. Can't
wait! You can Charleston off. I'm | 0:26:01 | 0:26:08 | |
not sure how I did but I tried my
best, I have cramp in both of my | 0:26:08 | 0:26:12 | |
calves. Judging from that, I gave it
100%. CHEERING AND APPLAUSE | 0:26:12 | 0:26:18 | |
You make me laugh so much! They were
all being really serious. How do you | 0:26:18 | 0:26:24 | |
think you got on? I think incredibly
well, just judging by that video. I | 0:26:24 | 0:26:31 | |
did practice loads. Since I left
Slovenia about 9 years ago, that's | 0:26:31 | 0:26:34 | |
all I've been doing. That's all
you've done. After each of the | 0:26:34 | 0:26:38 | |
professionals had made their
attempt, the footage was watched | 0:26:38 | 0:26:41 | |
back by adjudicators in slow motion
to verify every single swivel come | 0:26:41 | 0:26:45 | |
to make sure they were accurate. Are
you ready for this? Yes? The wait is | 0:26:45 | 0:26:51 | |
finally over. Aljaz, I can reveal
that in 30 seconds you completed... | 0:26:51 | 0:26:57 | |
DRAMATIC MUSIC | 0:26:57 | 0:27:07 | |
LAUGHTER
18 swivels! | 0:27:09 | 0:27:16 | |
APPLAUSE
Thank you. I look all right there. | 0:27:16 | 0:27:22 | |
However... There were mistakes. No,
no, no! I can reveal you had five | 0:27:22 | 0:27:29 | |
steps disqualified. Furious,
furious! I'm never doing it again! | 0:27:29 | 0:27:35 | |
The most the series, giving you a
series total of 13... The bottom of | 0:27:35 | 0:27:42 | |
the leaderboard, I'm so sorry. What
do you say to that? What do you say? | 0:27:42 | 0:27:47 | |
It's been such a lovely Friday, such
a lovely week, and now... You see, I | 0:27:47 | 0:27:53 | |
like the number, 13. We must ask
Janette, lots of people saying she | 0:27:53 | 0:27:58 | |
could take this title stop here I
really hope so. I hope so. I am six | 0:27:58 | 0:28:03 | |
feet and... Yeah. To do a fast
Charleston is always difficult. | 0:28:03 | 0:28:08 | |
Excuses! I know, excuses. We still
love you Aljaz! Good luck tomorrow! | 0:28:08 | 0:28:16 | |
Thank you, Zoe. | 0:28:16 | 0:28:19 | |
Speaking of your missus,
let's find out what happened | 0:28:19 | 0:28:23 | |
when the Latin Sensation went
to Ireland to go behind the scenes | 0:28:23 | 0:28:25 | |
at their version of Strictly. | 0:28:25 | 0:28:30 | |
Love Janette. | 0:28:30 | 0:28:31 | |
Strictly Come Dancing features all
over the world and where are we off | 0:28:36 | 0:28:40 | |
to today? Ireland, of course, why
else would I be wearing a shamrock | 0:28:40 | 0:28:43 | |
my head?
Ireland's version of Strictly is | 0:28:43 | 0:28:50 | |
called dancing with the stars on the
first series aired in January of | 0:28:50 | 0:28:54 | |
this year. Tonight, the world's most
popular dancing extravaganza has | 0:28:54 | 0:28:59 | |
reached Ireland. Welcome to Dancing
With The Stars. Last week the series | 0:28:59 | 0:29:05 | |
proved to be a big hit and in June
it was announced it would be | 0:29:05 | 0:29:09 | |
returning for a second series. There
are a few familiar faces from the | 0:29:09 | 0:29:13 | |
Strictly family, including one of
the judges comment Nicky Byrne, who | 0:29:13 | 0:29:17 | |
got to the quarterfinals in 2000
while. I have come to meet him to | 0:29:17 | 0:29:20 | |
find out a little more about the
show. -- in 2012. So you were a | 0:29:20 | 0:29:27 | |
contestant on Strictly Come Dancing
but now you are hosting it? Yes, | 0:29:27 | 0:29:31 | |
when I heard the rumours last year
dancing with the stars was coming to | 0:29:31 | 0:29:35 | |
Ireland I thought, I have to be part
of this and how. Annualised it with | 0:29:35 | 0:29:40 | |
Amanda? Amanda is from Ireland
originally. On the final show they | 0:29:40 | 0:29:44 | |
asked myself and Amanda to do part
of the group dance. We didn't have | 0:29:44 | 0:29:48 | |
much of a rehearsal, two hours. Do
you think I got it right? No. Karen | 0:29:48 | 0:29:53 | |
would not be proud of you! I
stopped, I thought, I messed it up. | 0:29:53 | 0:29:59 | |
I think I made a mistake but we
won't tell anybody. Don't have | 0:29:59 | 0:30:04 | |
anyone! No wonder I didn't win
Strictly. What are the judges like | 0:30:04 | 0:30:09 | |
compared to here? Pretty similar. We
have Lorraine, Brian and Julian. | 0:30:09 | 0:30:16 | |
Brian is the nasty one-stop Hebrew | 0:30:16 | 0:30:18 | |
Brian is the nasty one-stop | 0:30:18 | 0:30:19 | |
you always have the guys backs,
you've been there, you know how it | 0:30:24 | 0:30:29 | |
feels. I think it went well... Tell
me about the most memorable moments? | 0:30:29 | 0:30:35 | |
This guy Hughie had been on Big
Brother and he decided to apply fake | 0:30:35 | 0:30:39 | |
tan himself, continuously. When they
were going to the ad break the | 0:30:39 | 0:30:43 | |
producers are saying, you have to
stop! I want to start off by asking | 0:30:43 | 0:30:48 | |
how Tandy 's planned? You can never
be too tanned! He put the show on | 0:30:48 | 0:30:56 | |
such a high-profile, it appeared on
American chat show is on the UK | 0:30:56 | 0:30:59 | |
press. What is this guy doing with
his face on dancing with the stars? | 0:30:59 | 0:31:03 | |
What a lot of you probably don't
know is the pro dancers have to | 0:31:06 | 0:31:10 | |
start rehearsing the group dance is
months in advance, and luckily for | 0:31:10 | 0:31:13 | |
us, the prose in Dublin started
rehearsing this week so I thought | 0:31:13 | 0:31:16 | |
I'd go and take a look. | 0:31:16 | 0:31:18 | |
Strictly's AJ not so little proer
brother is a professional dancer. | 0:31:24 | 0:31:30 | |
Tell me about your partner last
season. I had a partner. How far did | 0:31:30 | 0:31:36 | |
you get. We tipped. Hopefully we
will win it. You're right tall, you | 0:31:36 | 0:31:43 | |
will need a tall one. I don't know
where I came from. AJ's different. | 0:31:43 | 0:31:48 | |
Fingers crossed then. There is more
familiar faces too. Strictly pros | 0:31:48 | 0:31:54 | |
and champion, darn Bennett and Lilia
Kopylova. I want to know what are | 0:31:54 | 0:32:02 | |
the biggest differences between the
Irish dancing with the stars and | 0:32:02 | 0:32:05 | |
Strictly. We have some lovely
themes. Last year we had a beautiful | 0:32:05 | 0:32:10 | |
Valentine's vehicle. And we have the
Irish week, St Patrick's Day, the | 0:32:10 | 0:32:15 | |
Riverdance and the energy they
produce is unbelievable. We have the | 0:32:15 | 0:32:19 | |
switch up, that means the couples
get to dance with another partner | 0:32:19 | 0:32:24 | |
during that episode eight creates
different stressesches Jealousy. If | 0:32:24 | 0:32:31 | |
you had to pick... Oh! What have
been the most memorable moments. | 0:32:31 | 0:32:41 | |
Contemporary ballroom. Des doing his
paso doble and Austin Powers number. | 0:32:41 | 0:32:49 | |
We have had some stand out moment
and looking forward the season two | 0:32:49 | 0:32:52 | |
and there is a lot of work to do
between now and then. It is so | 0:32:52 | 0:33:00 | |
exciting to see another series
starting, I was going to wish them | 0:33:00 | 0:33:03 | |
good luck, but as the Irish say, if
you're lucky enough to be Irish, | 0:33:03 | 0:33:08 | |
then you're lucky enough! | 0:33:08 | 0:33:11 | |
Time now to meet my next guests. | 0:33:14 | 0:33:16 | |
They stormed the Tower Ballroom
with their dramatic Paso Doble. | 0:33:16 | 0:33:18 | |
It's Susan and her partner Kevin. | 0:33:18 | 0:33:24 | |
I loved that flamenco. That was
fantastic. At times it looked like a | 0:33:28 | 0:33:35 | |
paso doble that had shrank in the
wash. You covered the floor well. | 0:33:35 | 0:33:40 | |
You had some nice styling. Well
done. | 0:33:40 | 0:33:45 | |
CHEERING AND APPLAUSE. # Dance
boogie wonderland. That dance has | 0:33:50 | 0:34:02 | |
gripped the nation. It was a big
moment for you, did the weekend live | 0:34:02 | 0:34:07 | |
up to expectations? Absolutely,
Blackpool was everything I thought | 0:34:07 | 0:34:13 | |
and more. Being in the Tower
ballroom doing the dance was one of | 0:34:13 | 0:34:19 | |
greatest moments of my life. Ole to
that I say! Serious amount of love | 0:34:19 | 0:34:24 | |
there. I love Fridays, you both have
your tans. I can see myself on the | 0:34:24 | 0:34:31 | |
screen. You can get emotional in
these routines, what was going | 0:34:31 | 0:34:36 | |
through your mind? Just pride that
we had made to it Blackpool from | 0:34:36 | 0:34:42 | |
starting off not knowing if we would
make week three or four. It was a in | 0:34:42 | 0:34:49 | |
a big flamenco dress and he had his
wee gold jacket. I felt proud we had | 0:34:49 | 0:34:53 | |
made it there to do the dance that
Kevin had wanted to do. Kevin is | 0:34:53 | 0:34:59 | |
your dream dance. Did you think,
there is a lot of pressure to put on | 0:34:59 | 0:35:04 | |
two things. I don't want to do it.
But she did do you proud. She did | 0:35:04 | 0:35:11 | |
amazingly. I wanted to do this for
years and paso is supposed to be the | 0:35:11 | 0:35:16 | |
man's dance in general, but I had
the this vision of having Susan in | 0:35:16 | 0:35:20 | |
the middle of the floor and doing
the flamenco and I thought, what I | 0:35:20 | 0:35:24 | |
would love is if everyone starts
clapping along. But it only happen | 0:35:24 | 0:35:29 | |
if Susan's big enough with the
performance. Off she went... Look at | 0:35:29 | 0:35:33 | |
that. And the whole crowd... Started
straightaway. I got chills down my | 0:35:33 | 0:35:39 | |
spine. I went, they're doing it, it
is happening, the moment I have been | 0:35:39 | 0:35:46 | |
waiting for. You made him so happy.
Such an iconic film. I wonder if | 0:35:46 | 0:35:52 | |
anyone from the film has been in
touch? We have had the musical have | 0:35:52 | 0:35:56 | |
been in touch saying we did them
proud. Because Strictly is coming as | 0:35:56 | 0:36:02 | |
a musical to the west end. We have a
little something for you. We could | 0:36:02 | 0:36:06 | |
do one for you. Have a look. Hi it
is Tara here in Sydney. 25 years ago | 0:36:06 | 0:36:15 | |
I did the paso pob lay. Doble. A
life lived in fear is a life half | 0:36:15 | 0:36:26 | |
lived. Love! We have been so like
that. That is unbelievable. I can't | 0:36:26 | 0:36:32 | |
believe it. That saying she said
from the end, that was written under | 0:36:32 | 0:36:39 | |
my collar on the suit I got married
in. I can't take any more. Thank you | 0:36:39 | 0:36:46 | |
so much. Oh wow! You follow that
with an American Smooth this week. | 0:36:46 | 0:36:56 | |
You're getting emotional. Beyond the
sea, Bobby Darren, it is a classic. | 0:36:56 | 0:37:01 | |
This has been my favourite week in
Strictly. We are doing a beautiful | 0:37:01 | 0:37:07 | |
Fred and Ginger American Smooth and
it is gorgeous and fun and | 0:37:07 | 0:37:11 | |
romantic... He doesn't know it yet,
but it is. In every dance I'm going | 0:37:11 | 0:37:23 | |
to kiss you and he says, no, it's
not appropriate. And the concept? On | 0:37:23 | 0:37:30 | |
the deck of a ship and very Fred and
Ginger style and I'm a naval captain | 0:37:30 | 0:37:38 | |
and Susan's a passenger on the ship
and we are courting. It is such a | 0:37:38 | 0:37:43 | |
good word. We are in the early
stages of romance. We might kiss. We | 0:37:43 | 0:37:48 | |
are going to kiss, we are going to
kiss. You haven't done a lift since | 0:37:48 | 0:37:55 | |
the Charleston, you have been
getting the giggles. Yes it is | 0:37:55 | 0:38:00 | |
really high up and I'm very short
and anyone above five foot is | 0:38:00 | 0:38:05 | |
terrifying. We have been trying some
ambitious lifts and I kept | 0:38:05 | 0:38:10 | |
screaming, put me down, I'm
frightened. But it will be OK, won't | 0:38:10 | 0:38:14 | |
it? I will do me best. Before you
go, I have to ask you about a tweet | 0:38:14 | 0:38:21 | |
you sent to a fan. We do the rumba
in the training room to make | 0:38:21 | 0:38:27 | |
ourselves laugh. No one will ever
see it. No one. You then go on to | 0:38:27 | 0:38:32 | |
say, we rumba to another level's
Freak Me. I don't think anyone needs | 0:38:32 | 0:38:42 | |
to see that. Well, we disagree. We
think people need to see it. Kevin | 0:38:42 | 0:38:46 | |
off you go. Starts off with a bit of
wiggling like this. And a bit of | 0:38:46 | 0:38:53 | |
that. This is amazing. Debbie
McGhee! Oh, look at that! It is my | 0:38:53 | 0:39:05 | |
special birthday dance. That is
about as far as it goes. That is | 0:39:05 | 0:39:11 | |
amazing. And a rumba. Just for you
lot. You carry on. I like to get my | 0:39:11 | 0:39:23 | |
warm ups from Ian. | 0:39:23 | 0:39:27 | |
Now, as we all know I like to get my
warm ups from Ian Waite. | 0:39:27 | 0:39:30 | |
Gethin on the other hand,
likes to get his from someone else. | 0:39:30 | 0:39:33 | |
Take a look at this. | 0:39:33 | 0:39:36 | |
Stuart getting Edinburgh in the mood
for Strictly. Have been waiting for | 0:39:36 | 0:39:41 | |
years for this. Explain what you do.
I'm a come per, but I'm called a | 0:39:41 | 0:39:49 | |
warm up guy who entertains the
audience before the show. I have | 0:39:49 | 0:39:55 | |
been doing it for 12 years. You do a
brilliant show. I'm the best in my | 0:39:55 | 0:40:01 | |
price range. Have you ever learned
to dance? You know what? It is a | 0:40:01 | 0:40:05 | |
very good question, because, no, I
know all the dances of Latin and | 0:40:05 | 0:40:10 | |
ballroom, but never danced. It would
be a dream come true if I could | 0:40:10 | 0:40:15 | |
dance. I'm sure one of pros will be
watching. Only Giovanni has offered. | 0:40:15 | 0:40:25 | |
You're famous for your attire. I see
you brought a selection with you. I | 0:40:25 | 0:40:31 | |
like a whacky suit. I have got about
25 suits. These are a small | 0:40:31 | 0:40:36 | |
selection of the ones I will wear on
a Saturday night. So you have got... | 0:40:36 | 0:40:40 | |
You are themed. You do movie nights
and Hallowe'en. I have a couple | 0:40:40 | 0:40:45 | |
here. I will have a suit for the
special nights that we do here. So | 0:40:45 | 0:40:50 | |
we have got great, like a love heart
one, TV test card. Not sure whether | 0:40:50 | 0:40:54 | |
you can see that. But you have got a
confety, galaxy and for the | 0:40:54 | 0:41:01 | |
special... Kind of nights, very
light. It makes the one you're | 0:41:01 | 0:41:07 | |
wearing look dull. This has a trick
up its sleeve. You press a button | 0:41:07 | 0:41:12 | |
and... We have gone all neon. This
will be making an appearance on the | 0:41:12 | 0:41:20 | |
final. You have fun with the judges.
Who is your favourite. I would say | 0:41:20 | 0:41:27 | |
Craig. I have known him a long time.
Well about three faces ago. We go | 0:41:27 | 0:41:32 | |
back a long way. That guy's the
single reason why aliens refuse to | 0:41:32 | 0:41:38 | |
make contact us with. He is looking
great these days. I he is. Nice to | 0:41:38 | 0:41:45 | |
meet you. I love that boy. | 0:41:45 | 0:41:51 | |
Time now to take things down a notch
- it's that part of the show | 0:41:51 | 0:41:55 | |
where we all try to hold
back the tears. | 0:41:55 | 0:41:58 | |
This series has been such
an emotional rollercoaster | 0:41:58 | 0:42:00 | |
for our celebrities,
and they really couldn't do it | 0:42:00 | 0:42:02 | |
without their partners. | 0:42:02 | 0:42:03 | |
Take a look at this. | 0:42:03 | 0:42:07 | |
I don't think I could have had a
better partner than Giovanni. We | 0:42:07 | 0:42:12 | |
have so much fun together. And he is
such a lovely human being. We are | 0:42:12 | 0:42:18 | |
both on the same page. Debbie's such
an amazing person to work with. | 0:42:18 | 0:42:25 | |
Molly is the perfect partner for me.
I want affection and we are striving | 0:42:25 | 0:42:29 | |
for that. He has taught me so much
about dancing and about life. I feel | 0:42:29 | 0:42:34 | |
like the luckiest girl ever are I
week. I like Sandra she is always | 0:42:34 | 0:42:39 | |
someone who comes every day and
loves everything what she does. I'm | 0:42:39 | 0:42:43 | |
going to miss her when this finish.
He has taught me what real | 0:42:43 | 0:42:49 | |
partnership means. I hope he
realises that. Without him I | 0:42:49 | 0:42:52 | |
wouldn't have been able to get
through this at all. I'm very, | 0:42:52 | 0:42:55 | |
very... Thankful for his... Just for
him. I've learned so much from | 0:42:55 | 0:43:04 | |
Aljaz. I have learned to believe in
myself. She is pushing me as much as | 0:43:04 | 0:43:10 | |
I push her. She has so much talent.
To see her progress it is epic. I'm | 0:43:10 | 0:43:19 | |
under no illusion that I'm still
here because of her. She has dragged | 0:43:19 | 0:43:24 | |
me through kicking and screaming
sometimes. He wants to work really | 0:43:24 | 0:43:27 | |
hard. He wants to get it right. I
just want him to remember how far he | 0:43:27 | 0:43:32 | |
has come. To see him changing
week-by-week, I couldn't be more | 0:43:32 | 0:43:39 | |
thankful. She has taught me the
ultimate thing with this is to enjoy | 0:43:39 | 0:43:45 | |
it. It has been really amazing. And
I know we are going to be friends | 0:43:45 | 0:43:52 | |
forever. I would say thank you for
teaching me how to dance! Stop | 0:43:52 | 0:44:04 | |
everyone. | 0:44:04 | 0:44:08 | |
That was beautiful -
just like this lot. | 0:44:08 | 0:44:10 | |
It's the return of our Friday Panel! | 0:44:10 | 0:44:16 | |
We are going to drive in with Molly
and AJ and their quickstep. A | 0:44:16 | 0:44:21 | |
different version. Here it is. Do
you like this one Clare. They're a | 0:44:21 | 0:44:28 | |
great couple and I think they will
do well. She is light like a fairy | 0:44:28 | 0:44:33 | |
and you could pick her up and spin
her. And he did. I thought that was | 0:44:33 | 0:44:40 | |
the best dance of show. She has got
these amazing flippy anicals. -- | 0:44:40 | 0:44:49 | |
flippy ankles. The lift it was like
plate spinning. The quickstep is a | 0:44:49 | 0:44:56 | |
tricky dance to master. Can she
crack it. If anyone can, she can. | 0:44:56 | 0:45:01 | |
She has flippy feet and she is nippy
and moves around the floor quickly. | 0:45:01 | 0:45:06 | |
Like a little pony. Oh, yes. Horse
references I love it. Russell, | 0:45:06 | 0:45:12 | |
Debbie and Giovanni are doing an an
general Tyne tango and a fan | 0:45:12 | 0:45:17 | |
favourite. Can Flexi McGhee rise to
the challenge? I think so I spent | 0:45:17 | 0:45:25 | |
six weeks doing one in the west end
and I was dancing with a scarf and | 0:45:25 | 0:45:38 | |
it is the trickiest dance. She is
precise and you think of the stuff | 0:45:38 | 0:45:42 | |
she did and it is about precision
and she gets it spot on and I think | 0:45:42 | 0:45:46 | |
she is a good athlete. Because she
takes training. The things that | 0:45:46 | 0:45:50 | |
woman can do with with her legs.
Flexi McGhee, I'm all Team Flexi | 0:45:50 | 0:45:55 | |
McGhee. | 0:45:55 | 0:46:03 | |
I love Giovanni, who would do
anything to get to the final. He's | 0:46:03 | 0:46:06 | |
been amazing this year. Gemma and
Aljaz, high scores at the weekend, a | 0:46:06 | 0:46:11 | |
couple of temporal macro. Can they
stay up the leaderboard with their | 0:46:11 | 0:46:16 | |
samba? Let's have a look and see
what you think of their action here. | 0:46:16 | 0:46:21 | |
I thought her American smooth was
one of the most beautiful dances I | 0:46:21 | 0:46:26 | |
have ever seen an Strictly, maybe | 0:46:26 | 0:46:28 | |
one of the most beautiful dances I
have ever seen an Strictly, maybe. | 0:46:28 | 0:46:28 | |
Those long lifts legs, the lift on
the gliding round. She gets better | 0:46:28 | 0:46:34 | |
every single week. Nobody improves
as quickly as her. She just absorbs | 0:46:34 | 0:46:39 | |
all the advice, it's incredible.
She's like a slimmer, the physique | 0:46:39 | 0:46:42 | |
of a slimmer. What animal? An
animal? What animal? Ace on... A | 0:46:42 | 0:46:54 | |
seal? I don't think you could
describe a woman is being a seal. | 0:46:54 | 0:47:03 | |
When I was Batman. Which I loved.
One of the most difficult dances for | 0:47:03 | 0:47:08 | |
a woman is the samba. That is what
Vincent said only this week. Gemma | 0:47:08 | 0:47:13 | |
doing very well. Joe and Katya,
another quick step this weekend. | 0:47:13 | 0:47:18 | |
Could it be a high scorer for Joe?
He is so perfectly formed, you could | 0:47:18 | 0:47:24 | |
put him in your pocket. Every single
dance he does, he does with panache. | 0:47:24 | 0:47:28 | |
I think this is incredibly
difficult. So many people, cropper | 0:47:28 | 0:47:34 | |
on this one. Katya's choreography is
supreme. When with a little toy | 0:47:34 | 0:47:41 | |
soldiers in the Charleston, it was
my favourite Charleston, fun and | 0:47:41 | 0:47:44 | |
brilliant. I liked about three's
versatility as well as endurance, | 0:47:44 | 0:47:51 | |
Joe. You have to be really fit for
it. And they will be dressed as | 0:47:51 | 0:47:56 | |
construction workers. Obviously! I
was thinking more YMCA... Me too, | 0:47:56 | 0:48:04 | |
why did we think that? I don't know!
The paso doble group... Who do you | 0:48:04 | 0:48:12 | |
think will win that? Susan and
Kevin. Davood. How do you pronounce | 0:48:12 | 0:48:18 | |
his name? Davood. A tricky
question... Who is going home this | 0:48:18 | 0:48:24 | |
weekend? Whoever is second brought
on the leaderboard. Nicely done! | 0:48:24 | 0:48:31 | |
Russell, the pressure of a name?
Come back to me later. I think one | 0:48:31 | 0:48:38 | |
of the boys, the girls are smashing
it! You have been divine, come back | 0:48:38 | 0:48:43 | |
and see us on! Give it up for our
gorgeous Friday Panel! CHEERING AND | 0:48:43 | 0:48:47 | |
APPLAUSE | 0:48:47 | 0:48:49 | |
But now the end is near,
and so we face our final trip | 0:48:49 | 0:48:57 | |
to Elstree with our dear friend
Gethin. | 0:48:57 | 0:48:58 | |
Let's see what he's been up to. | 0:48:58 | 0:49:06 | |
Shall we go now? The much talked
about paso doble fun, how did you | 0:49:06 | 0:49:12 | |
get on? You have the most
competitive, the Russian, the | 0:49:12 | 0:49:18 | |
Italian, the English, fresh from
competition. AJ... I was off. Two | 0:49:18 | 0:49:25 | |
minutes long, as soon as that music
starts, ... They stand still and I'm | 0:49:25 | 0:49:30 | |
go, go, go. It's not a competition,
come on! This is what your | 0:49:30 | 0:49:39 | |
bread-and-butter, you're used to
this. How do the celebs react? | 0:49:39 | 0:49:44 | |
Actually, they liked it. Mollie just
smiled. I thought, this is not | 0:49:44 | 0:49:50 | |
happening! I don't think they will
know what just happened. I said, | 0:49:50 | 0:49:55 | |
just follow me. You're not going to
win anyway. It's fine. 7 couples on | 0:49:55 | 0:50:01 | |
the dance floor, quite crowded. My
heel got caught in Giovanni's shoe. | 0:50:01 | 0:50:07 | |
Elbows. We just tell them to keep
the shape, keep the shape! I'm not | 0:50:07 | 0:50:13 | |
doing it! On the night it will be
fun? It will be a fight. Fight. | 0:50:13 | 0:50:24 | |
Fight or find... We'll find out
tomorrow. Good luck, you crazy | 0:50:24 | 0:50:28 | |
people! Thank you! Everyone has gone
crackers this week. | 0:50:28 | 0:50:33 | |
That's all we have time for tonight! | 0:50:33 | 0:50:34 | |
Thanks to my guests and make sure
you catch all the action with Tess | 0:50:34 | 0:50:38 | |
and Claud tomorrow night
at 6.50 on BBC1. | 0:50:38 | 0:50:40 | |
I'll be back on Monday with the next
couple to leave the competition. | 0:50:40 | 0:50:44 | |
Who will it be? | 0:50:44 | 0:50:46 | |
But now, singing us out
with her brand new single Alone, | 0:50:46 | 0:50:49 | |
it's the gorgeous Jessie Ware! | 0:50:49 | 0:50:51 | |
# Take the weight off my shoulders | 0:50:55 | 0:50:58 | |
# See, I won't make the same
Mistakes when we're older | 0:50:58 | 0:51:03 | |
# 'Cause with every step
You take I'm getting colder | 0:51:03 | 0:51:10 | |
# So come a little closer,
Just come a little closer | 0:51:10 | 0:51:16 | |
# I don't want somebody
Else to call my name | 0:51:16 | 0:51:23 | |
# No, I don't want somebody else
When you could just say | 0:51:23 | 0:51:26 | |
# Say that you're the one
Who's taking me home | 0:51:26 | 0:51:31 | |
# 'Cause I want you
On my skin and my bones | 0:51:31 | 0:51:33 | |
# Knocking me off my feet | 0:51:33 | 0:51:37 | |
# Just say I'm the one that
You need (oh, please) | 0:51:37 | 0:51:41 | |
# Say that you're the one
Who's taking me home | 0:51:41 | 0:51:46 | |
# So I can get you alone | 0:51:46 | 0:51:52 | |
# Oh oh oh oooh, oh oh oh oooh | 0:51:52 | 0:51:55 | |
# Oh oh oh oooh, oh oh oh oooh | 0:51:55 | 0:52:02 | |
# Just wanna talk a little longer | 0:52:02 | 0:52:04 | |
# So baby won't you wanna
Stay a little later? | 0:52:04 | 0:52:09 | |
# 'Cause I could watch
You watch me forever | 0:52:09 | 0:52:14 | |
# 'Cause I know you better | 0:52:14 | 0:52:21 | |
# And you know I never | 0:52:21 | 0:52:24 | |
# I never need somebody
Else to call my name | 0:52:24 | 0:52:26 | |
# No, I don't want somebody else
When you could just say | 0:52:26 | 0:52:30 | |
# Say that you're the one
Who's taking me home | 0:52:30 | 0:52:38 | |
# 'Cause I want you
On my skin and my bones | 0:52:38 | 0:52:41 | |
# Knocking me off my feet | 0:52:41 | 0:52:47 | |
# Just say I'm the one that
You need (oh, please) | 0:52:47 | 0:52:50 | |
# Say that you're the one
Who's taking me home | 0:52:50 | 0:52:53 | |
# So I can get you alone | 0:52:53 | 0:53:00 | |
# Oh oh oh oooh, oh oh oh oooh | 0:53:00 | 0:53:02 | |
# Oh oh oh oooh, oh oh oh oooh | 0:53:02 | 0:53:07 | |
# I don't need somebody
Else to call my name | 0:53:07 | 0:53:11 | |
# No, I don't need somebody
Else to make me stay | 0:53:11 | 0:53:15 | |
# I don't never need to walk away | 0:53:15 | 0:53:21 | |
# You could just say,
You could just say | 0:53:21 | 0:53:25 | |
# Say that you're the one who's
Taking me home (me home) | 0:53:25 | 0:53:32 | |
# 'Cause I want you on my skin
And my bones (my bones) | 0:53:32 | 0:53:36 | |
# Knocking me off my feet | 0:53:36 | 0:53:38 | |
# Just say I'm the one that
You need (oh, please) | 0:53:38 | 0:53:43 | |
# Say that you're the one
Who's taking me home | 0:53:43 | 0:53:47 | |
# So I can get you alone | 0:53:47 | 0:53:54 | |
CHEERING AND APPLAUSE | 0:53:54 | 0:53:58 |