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Live from London, please welcome
your post, Zoe Ball! CHEERING | 0:00:48 | 0:00:57 | |
APPLAUSE | 0:00:57 | 0:01:00 | |
Hello and welcome to It Takes Two! | 0:01:00 | 0:01:02 | |
It's the last day of November
and you know what that means... | 0:01:02 | 0:01:05 | |
Only two more sleeps till
the Strictly musical special! | 0:01:05 | 0:01:07 | |
So we'd better put on a show! | 0:01:07 | 0:01:09 | |
Let's see who's waiting backstage... | 0:01:09 | 0:01:14 | |
They sailed in on a River of Dreams,
it's Gemma & Aljaz! | 0:01:14 | 0:01:19 | |
And hoping not to have a Pro
Challenge nightmare, | 0:01:19 | 0:01:21 | |
it's Chloe Hewitt! | 0:01:21 | 0:01:26 | |
But now, we don't like to make
a song and dance about it, but we've | 0:01:26 | 0:01:30 | |
only gone and booked television's
greatest costume designer - | 0:01:30 | 0:01:33 | |
it's time to put on the glitz! | 0:01:33 | 0:01:37 | |
Vicky Gill, everyone! | 0:01:49 | 0:01:53 | |
CHEERING
APPLAUSE | 0:01:53 | 0:01:56 | |
And she is wearing a dress. It is
getting to the end of the run! Not | 0:01:56 | 0:02:03 | |
long left, my goodness me, how is
the workload at the moment? It has | 0:02:03 | 0:02:09 | |
been a lot all series but we love
it. Every week I say it, it's going | 0:02:09 | 0:02:15 | |
to be really easy after next week
and then they get into that week and | 0:02:15 | 0:02:18 | |
it might not be easy this week but
maybe next week... Extra dancers, | 0:02:18 | 0:02:24 | |
big show numbers. We cannot go on
without talking about last weekend, | 0:02:24 | 0:02:31 | |
Queen of the catwalk of course I
refer to or team | 0:02:31 | 0:02:44 | |
Oti, this is divine, talk us through
the outfit? The silver number, we | 0:02:44 | 0:02:51 | |
thought it looked amazing on Oti but
the creative was it needed to be a | 0:02:51 | 0:02:58 | |
leotard... Shake it baby! We created
this court to put on the back of it, | 0:02:58 | 0:03:03 | |
but we don't have to do too much
work when Oti looks like that. She | 0:03:03 | 0:03:10 | |
is a goddess. Incredible. Did you
enjoy the designing your first | 0:03:10 | 0:03:18 | |
catwalk collection? Two it was good
fun, different from what we have | 0:03:18 | 0:03:21 | |
done but good fun. I can imagine
they were fighting over this. Let's | 0:03:21 | 0:03:27 | |
talk about this weekend, Debbie will
be doing American Smooth to memory | 0:03:27 | 0:03:31 | |
from cap net Cats, will she be
wearing a catsuit? She will not, she | 0:03:31 | 0:03:41 | |
could pull it off but she is doing
an American Smooth so we need a long | 0:03:41 | 0:03:45 | |
line frock. We have achieved for the
upper body and we have cut through | 0:03:45 | 0:03:53 | |
it, creating the player so it's nice
and fitted, so she could be wearing | 0:03:53 | 0:03:56 | |
a catsuit but we have given her a
skirt, nice and light, no | 0:03:56 | 0:04:02 | |
underskirt, a lot of fullness, grey,
black, white and lots of crystals. | 0:04:02 | 0:04:10 | |
Will it have a tail? Not physically
but there are feathers running up | 0:04:10 | 0:04:13 | |
the centre back so there is a little
nod. Obviously Giovanni will be in a | 0:04:13 | 0:04:20 | |
catsuit. Come back, I forgot! It is
because the boss is here tonight! We | 0:04:20 | 0:04:26 | |
are going to talk about Mollie,
doing a Rumba to hopelessly devoted | 0:04:26 | 0:04:31 | |
to you which in Greece is when she
is still sandy so you kind of want | 0:04:31 | 0:04:38 | |
her to be sexy, how have you worked
it into the design? We have kept the | 0:04:38 | 0:04:44 | |
colour, it is pure and white, one
layer, splits up, two side panels, | 0:04:44 | 0:04:52 | |
we might put a slit up the back
purely because they need more | 0:04:52 | 0:04:55 | |
movement and softness with the
Rumba. If it's a full circle it will | 0:04:55 | 0:05:00 | |
contract and moved water body and I
needed to move away. Underneath | 0:05:00 | 0:05:04 | |
there is a completely crystal base
and that the neckline and it is to | 0:05:04 | 0:05:08 | |
reference the knit. And this is
Alexandra being Mary Poppins, but | 0:05:08 | 0:05:22 | |
it's a charleston so how have you
adapted? I will put the ruffle on, | 0:05:22 | 0:05:27 | |
these things are completed on
Friday, obviously! Last-minute! | 0:05:27 | 0:05:35 | |
Again it's difficult, I love
musicals week but the competition is | 0:05:35 | 0:05:38 | |
quite intense and they all had to
perform their number, this week it | 0:05:38 | 0:05:42 | |
is charleston so have to be careful
they can still do everything they | 0:05:42 | 0:05:45 | |
need to do. We have the sleeves,
ruffle on the front, nod to a corset | 0:05:45 | 0:05:52 | |
but hopefully she can still do
everything she needs to do. We have | 0:05:52 | 0:05:56 | |
some nice bits made as well which is
different. I love it. Underneath, we | 0:05:56 | 0:06:03 | |
have to be careful, lots of left
leg. We try hard to keep the skirt | 0:06:03 | 0:06:08 | |
limestone but it is difficult with
the charleston. I love this one, it | 0:06:08 | 0:06:15 | |
looks special, I love the hen of
course it is the mystery man can! We | 0:06:15 | 0:06:21 | |
will unveil Gemma's outfit in a
moment but first of all let's | 0:06:21 | 0:06:26 | |
welcome the girl herself! Come on
girl! Quickstepped, hello Dolly, | 0:06:26 | 0:06:35 | |
what are you hoping for this week?
Something glamorous but easy to move | 0:06:35 | 0:06:41 | |
in, kind of, you know, yeah, I trust
them, anything I have worn has that | 0:06:41 | 0:06:47 | |
the first time, it's been amazing,
down | 0:06:47 | 0:06:48 | |
the first time, it's been amazing,
down to a tee. Drum roll | 0:06:48 | 0:06:51 | |
the first time, it's been amazing,
down to a tee. Drum roll please... | 0:06:51 | 0:07:01 | |
That is lovely! I love the reaction!
Look at that. Or my goodness. We | 0:07:01 | 0:07:07 | |
will turn it around. Look at this.
What can you tell us about the | 0:07:07 | 0:07:14 | |
detailing? As I turn it back... All
of these... That is exactly how she | 0:07:14 | 0:07:22 | |
will look. These will be draped
through the bodice and we will run | 0:07:22 | 0:07:27 | |
these through the back but the fact
she likes it now... It will look | 0:07:27 | 0:07:32 | |
nice with my Spray Tan! The Spray
Tan on Friday as well. It is a | 0:07:32 | 0:07:38 | |
triumph everyone, I think we can
agree. Gemma will be joining us | 0:07:38 | 0:07:43 | |
later with Aljaz. | 0:07:43 | 0:07:44 | |
Right, the costumes are almost ready
but how are rehearsals coming along? | 0:07:44 | 0:07:47 | |
Here's a bumper training
session starring Mollie, | 0:07:47 | 0:07:49 | |
Debbie, Joe and Davood! | 0:07:49 | 0:07:53 | |
I am so frightened with the Rumba,
every step there is so much to it. | 0:07:53 | 0:07:58 | |
It is quite sexy isn't it? It's a
bit embarrassing in front of our | 0:07:58 | 0:08:03 | |
family and friends. My mum and dad
will be watching so it's like do not | 0:08:03 | 0:08:07 | |
look at me right now. If you're not
feeling it, fine. She is so innocent | 0:08:07 | 0:08:12 | |
and kind, so it is about going out
there and doing her best. This | 0:08:12 | 0:08:18 | |
helps. I think I need to just try
and build the confidence up and | 0:08:18 | 0:08:23 | |
embrace this dance. He doesn't want
me! Of course he does. Giovanni and | 0:08:23 | 0:08:32 | |
I are dancing American Smooth, I
just find it really difficult. We | 0:08:32 | 0:08:37 | |
have a lot of technique, all the
time we had to stay down with the | 0:08:37 | 0:08:40 | |
knees. The hardest thing is there
are so many spends. This dance has | 0:08:40 | 0:08:46 | |
made me feel nauseous and dizzy and
not more so than I have ever felt in | 0:08:46 | 0:08:50 | |
my life. Not only is my head
spinning around and I don't know | 0:08:50 | 0:08:55 | |
where I am but your knees turn to
jelly and you think you're just | 0:08:55 | 0:08:58 | |
going to fall. It's ambitious, it's
not easy. But hopefully practice and | 0:08:58 | 0:09:06 | |
practice we will be fine. Lovely!
Yes, this week it is Samba and as | 0:09:06 | 0:09:15 | |
usual I have been throwing
everything at him. Different | 0:09:15 | 0:09:20 | |
rhythms, a lot of footwork and knees
because it's a lot of pounds, up and | 0:09:20 | 0:09:25 | |
down, up and down, they never stop.
The Samba is a tricky one. Knees and | 0:09:25 | 0:09:32 | |
knees. Goodness, it is so hard. Even
a simple little moves have bounces | 0:09:32 | 0:09:39 | |
so it's keeping the bouncing going
without losing steps. It is a really | 0:09:39 | 0:09:44 | |
hard dance. Knees, yes. But I have
faith. The Argentine tango I am | 0:09:44 | 0:09:53 | |
finding out is quite intense,
passionate and close, back to that | 0:09:53 | 0:09:57 | |
getting into character, playing the
role and telling a story. | 0:09:57 | 0:10:01 | |
Everything. Everything close. All
the stuff they make with easy is not | 0:10:01 | 0:10:07 | |
easy. That should have been more
elegant. We have to get steps right, | 0:10:07 | 0:10:12 | |
the connection points, what goes
after what but it's such a beautiful | 0:10:12 | 0:10:15 | |
dance and I am so excited. I think
it's got every opportunity to be a | 0:10:15 | 0:10:22 | |
really big, hopefully memorable
number. | 0:10:22 | 0:10:24 | |
Now, if teaching celebrities how
to dance wasn't challenging enough, | 0:10:27 | 0:10:29 | |
our pros have been busy trying
to set world records. | 0:10:29 | 0:10:32 | |
Yes, get out your swivel-o-meters
because it's Pro Challenge time! | 0:10:32 | 0:10:35 | |
This year the challenge is heading
back in time to the roaring 20s | 0:10:43 | 0:10:46 | |
where are pros will attempt to set a
Guinness world record for the most | 0:10:46 | 0:10:51 | |
charleston swivel steps in 30
seconds. In order for the step to | 0:10:51 | 0:10:56 | |
qualify the pros have to complete
one forward and one backward step. | 0:10:56 | 0:11:01 | |
If is no swivel in the feet and
ankles the step will be | 0:11:01 | 0:11:05 | |
disqualified. This year 's challenge
will be the hardest our pros have | 0:11:05 | 0:11:09 | |
ever faced but only one person can
the title. It's the Strictly pro | 0:11:09 | 0:11:14 | |
challenge 2017. | 0:11:14 | 0:11:16 | |
Time to welcome our next contender. | 0:11:16 | 0:11:18 | |
The other pros call her
Little Miss Sunshine because she's | 0:11:18 | 0:11:20 | |
just so happy all the time! | 0:11:20 | 0:11:21 | |
And what makes her so happy? | 0:11:21 | 0:11:23 | |
An endless supply of
decaf soya cappuccinos! | 0:11:23 | 0:11:26 | |
It's Chloe Hewitt! | 0:11:26 | 0:11:31 | |
CHEERING
APPLAUSE | 0:11:31 | 0:11:38 | |
Give us a tour role, you look
amazing. This is your second pro | 0:11:38 | 0:11:46 | |
challenge, not such a great debut
last year, only the Joneses did | 0:11:46 | 0:11:50 | |
worse. Sorry, I keep bringing that
up. How keen are you to restore your | 0:11:50 | 0:11:57 | |
reputation? Very keen, I went into
this one a bit more focused and | 0:11:57 | 0:12:03 | |
let's just do it and relax and have
fun. Last year I was really nervous | 0:12:03 | 0:12:08 | |
and that is what set me back. I am
hoping I have done better this year. | 0:12:08 | 0:12:14 | |
You are still the youngest
professional, surely that could work | 0:12:14 | 0:12:17 | |
in your favour? You would say so, a
bit more youthful energy but we will | 0:12:17 | 0:12:23 | |
see, I hope so, I really hope so.
Your professional partner, e:g., was | 0:12:23 | 0:12:30 | |
knocked off the top spot by none
other than | 0:12:30 | 0:12:41 | |
girls keep together, hopefully I
can, AJ is not happy about it at | 0:12:42 | 0:12:52 | |
all. Let's see how you got on, good
luck. AJ is my professional dance | 0:12:52 | 0:13:00 | |
partner and I am so competitive so I
have to beat him. Hello and welcome | 0:13:00 | 0:13:06 | |
to the Strictly pro challenge. It is
lovely to have you here for the | 0:13:06 | 0:13:10 | |
second year, last year you'd did not
do so well. It was not my best year | 0:13:10 | 0:13:15 | |
but it was my first so hopefully
second time lucky. Bill will be | 0:13:15 | 0:13:26 | |
looking at the techniques will get
it nice and crisp and clear. Your | 0:13:26 | 0:13:30 | |
official attempt beginning in three,
two, one, go. | 0:13:30 | 0:13:35 | |
That is good, keep it up. 15
seconds. Keep it going. Five, four, | 0:13:47 | 0:14:00 | |
three, two, one, stop. It started
off all right, I was doing good and | 0:14:00 | 0:14:11 | |
then at the end... Lost a couple of
swivels and then you stopped before | 0:14:11 | 0:14:15 | |
the end which is a shame. It was a
shame you ran out of steam because | 0:14:15 | 0:14:20 | |
the first steps were really good and
the technique was excellent but it's | 0:14:20 | 0:14:23 | |
keeping the ankle is going the whole
time is difficult. It burns! It was | 0:14:23 | 0:14:31 | |
a very good attempt, good luck.
Thank you. I think it went better | 0:14:31 | 0:14:35 | |
than last year but hopefully I have
beaten AJ because that is all I am | 0:14:35 | 0:14:40 | |
here to do. That is all you have to
do, you said it burned, where, the | 0:14:40 | 0:14:50 | |
feet, the ankles? The tiles on the
shins, you do not realise until you | 0:14:50 | 0:14:54 | |
do it until it starts burning,
constantly twisting. It seems like a | 0:14:54 | 0:15:01 | |
longer 30 seconds when you are being
watched like that I think. Ran out | 0:15:01 | 0:15:05 | |
of steam a little before the end, do
you think you would have started | 0:15:05 | 0:15:09 | |
slower if you did it again? I don't
think so, I think my start was | 0:15:09 | 0:15:14 | |
really good and you could say maybe
I went full steam ahead to early, | 0:15:14 | 0:15:18 | |
but I don't think so, I think I just
needed to maybe have trained myself | 0:15:18 | 0:15:22 | |
a bit more. I did not practice. You
are so naughty. After each of the | 0:15:22 | 0:15:31 | |
professionals made their attempt the
footage was watched back by | 0:15:31 | 0:15:34 | |
adjudicators in slow motion to
verify every single swivel to make | 0:15:34 | 0:15:38 | |
sure they were all accurate. Taking
a look at the leaderboard, AJ is in | 0:15:38 | 0:15:45 | |
second place, do you think you can
get that spot or do one better? I | 0:15:45 | 0:15:53 | |
will be positive, yes! I like it,
there was a pause but... I think... | 0:15:53 | 0:15:59 | |
That is the attitude, time for the
moment of truth, in 30 seconds you | 0:15:59 | 0:16:03 | |
completed... | 0:16:03 | 0:16:04 | |
20 charleston swivels!
CHEERING AND APPLAUSE | 0:16:21 | 0:16:26 | |
Oh, yeah! One moment, Chloe, because
that was the same number of steps, I | 0:16:26 | 0:16:33 | |
know, I hate to do this, that AJ
completed before disqualifications. | 0:16:33 | 0:16:37 | |
The real question is do you think
you had any illegal swivels? | 0:16:37 | 0:16:41 | |
Probably! Probably. I hate doing
this to you, Little Miss Sunshine. | 0:16:41 | 0:16:49 | |
You had 11 disqualified! I know, I'm
so sorry! Which puts you at the | 0:16:49 | 0:16:55 | |
bottom of the Leader Board! No, no!
Seriously... Do you think AJ is | 0:16:55 | 0:17:04 | |
going to give you a bit of ribbing?
Definitely, I don't want to go home | 0:17:04 | 0:17:09 | |
tonight. You don't want to go home.
Looking at that now, OK, we still | 0:17:09 | 0:17:13 | |
got eight pros to go. Whom do you
think can win? Who has not gone yet? | 0:17:13 | 0:17:19 | |
Janette hasn't gone yet. Oh, yeah,
speedy. Little and mighty, she is | 0:17:19 | 0:17:25 | |
stronger than she looks. Give it up
for Chloe, I'm so sorry, my darling. | 0:17:25 | 0:17:30 | |
APPLAUSE | 0:17:30 | 0:17:32 | |
Now, the Strictly glam squad
is the best in the biz, | 0:17:32 | 0:17:34 | |
and with party season almost
upon us, here's their simple guide | 0:17:34 | 0:17:37 | |
to going from day to night. | 0:17:37 | 0:17:40 | |
Nice. Hi, I'm Lisa, the make up
design on Strictly. I'm Lisa, I'm | 0:17:40 | 0:17:52 | |
the head supervisor on Strictly. We
are here to show you how to create | 0:17:52 | 0:17:56 | |
your favourite looks at home with
ease. We're going to show you how to | 0:17:56 | 0:18:01 | |
transform your day look into a sexy,
glamorous evening look. This is Amy, | 0:18:01 | 0:18:06 | |
our lovely model, and today, she's
wearing a lovely tinted moisturiser, | 0:18:06 | 0:18:09 | |
and nice wash of colour on her
cheeks, and some mascara. We have | 0:18:09 | 0:18:15 | |
our jail line here on the back of
the hand, making sure we haven't got | 0:18:15 | 0:18:18 | |
too much on the brush, because we
don't want it to blobby -- gel | 0:18:18 | 0:18:25 | |
liner. The keep it nice and close to
your lash line. Go right into the | 0:18:25 | 0:18:30 | |
outer corner of the eyelid and bring
the eye up into a nice flicking | 0:18:30 | 0:18:35 | |
point. We want to get into the inner
corner of the eye. We stopped it | 0:18:35 | 0:18:40 | |
there and there, that's how you
don't do it, don't ever do that. Top | 0:18:40 | 0:18:44 | |
tip, if you make any mistakes, you
just get a bit of cleansing water | 0:18:44 | 0:18:48 | |
onto the end of that Q tip and tidy
it up. Onto the eyebrow. Nice | 0:18:48 | 0:18:58 | |
eyebrows. Eyebrows are so important,
they hold the structure to your | 0:18:58 | 0:19:02 | |
face. I'm going to put some powder
through your brow, to give it more | 0:19:02 | 0:19:06 | |
definition. A bit of advice would be
to use a bit of powder onto the back | 0:19:06 | 0:19:11 | |
of a hand and go through the brow,
not straight from the pallet to the | 0:19:11 | 0:19:15 | |
brow, it might be too heavy. To
finish under the brow, we will place | 0:19:15 | 0:19:19 | |
a bit of highlighter to really
accentuate the arch. Blend it all | 0:19:19 | 0:19:23 | |
in. A nice little shine. There is a
perfect brow. One thing that is | 0:19:23 | 0:19:31 | |
really fashionable at the moment is
contouring. You literally go with | 0:19:31 | 0:19:35 | |
this nice soft and brush into your
contour, give it a shake on the back | 0:19:35 | 0:19:41 | |
of that hand, and go underneath,
underneath the cheekbone, and make | 0:19:41 | 0:19:46 | |
sure it's blended. There's nothing
worse than seeing people with big | 0:19:46 | 0:19:51 | |
stripes down their cheeks! In the
highlighter that we used on the | 0:19:51 | 0:19:56 | |
under the eyebrow, put that on the
top of the cheekbone, then you blend | 0:19:56 | 0:20:00 | |
them all in together. Oh, -- OK,
we'll give another couple of coats | 0:20:00 | 0:20:07 | |
of mascara. You can go heavy on a
night out with your mascara. To | 0:20:07 | 0:20:12 | |
finish off, we add some lovely pinky
loss to the lips. The make-up is now | 0:20:12 | 0:20:18 | |
complete and over to her. OK, so
this is Amy's whereas she would have | 0:20:18 | 0:20:24 | |
it for work. We'll jazz it up a bit
and take it into a sexy wave for the | 0:20:24 | 0:20:29 | |
evening. We'll section the hair, not
too small because it's more | 0:20:29 | 0:20:33 | |
time-consuming. First of all I'm
going to spray Amy's had with some | 0:20:33 | 0:20:37 | |
hairspray. We are going to use the
larger conical wand. Hold the want | 0:20:37 | 0:20:44 | |
downwards and wrap the hair around.
Leaving the end out, we'll have it | 0:20:44 | 0:20:50 | |
slightly more younger look, rather
than being too curly. You continue | 0:20:50 | 0:20:55 | |
that all the way around. You come to
this side, going away from the face | 0:20:55 | 0:21:03 | |
again. You went away from the face
on that side. Away from the face on | 0:21:03 | 0:21:09 | |
that side, away from the face on
this side. Back into the middle. | 0:21:09 | 0:21:13 | |
We've finished curling the hair.
This is a wide toothed comb, | 0:21:13 | 0:21:17 | |
brilliant for pulling out the hair
and making it look more natural. | 0:21:17 | 0:21:21 | |
We'll add some text just spray,
lifting the hair up so the product | 0:21:21 | 0:21:25 | |
goes right the way through, then has
break so it holds well -- then some | 0:21:25 | 0:21:33 | |
hairspray, so it holds well for the
night ahead. So there you go, | 0:21:33 | 0:21:41 | |
transformed our daytime look into an
evening look, and you are good to | 0:21:41 | 0:21:45 | |
go. Thank you to two gorgeous Lisas,
and Amy. My dad will kill me, of | 0:21:45 | 0:21:53 | |
course, Chloe did 20, she had nine
disqualified, giving her 11. The | 0:21:53 | 0:21:58 | |
teachers have told me off my! I was
going to take a nap. Jen Rhines | 0:21:58 | 0:22:06 | |
Aljaz were sleeping on the job last
weekend. | 0:22:06 | 0:22:09 | |
Before they join me
on the sofa, here's a reminder | 0:22:09 | 0:22:11 | |
of their dreamy Samba. | 0:22:11 | 0:22:17 | |
I felt the arms exposed your
weaknesses badly. You did a very | 0:22:17 | 0:22:25 | |
nice volta, I was pleased with your
volta today. Sometimes you tried | 0:22:25 | 0:22:31 | |
some things that were better than
others, good for you for trying | 0:22:31 | 0:22:34 | |
something different. Wake up Little
sleepy heads, Gemma and Aljaz. | 0:22:34 | 0:22:43 | |
Hello, you gorgeous firecrackers.
You were Samba plastic last week, I | 0:22:43 | 0:22:50 | |
loved your red outfits. Are you
fully awake now? Definitely. It was | 0:22:50 | 0:22:56 | |
all part of the routine, D'Arcy
thought it was a bit strange. How | 0:22:56 | 0:23:00 | |
was it for you? I loved it, I had
such a good time. Literally from the | 0:23:00 | 0:23:05 | |
minute we got on the bed, started
playing the music, we laughed all | 0:23:05 | 0:23:09 | |
the way through it. I looked at him
at one point and he was going, yeah! | 0:23:09 | 0:23:13 | |
It was like we weren't on the show,
just out on a night out. | 0:23:13 | 0:23:26 | |
It was brilliant, I had so much fun.
It comes across all is watching, I | 0:23:27 | 0:23:30 | |
know that faith so well, the Aljaz
face. Look at you go, you look so | 0:23:30 | 0:23:34 | |
cute, sleeping. Bruneau likes the
interpretation. Did you feel like a | 0:23:34 | 0:23:36 | |
misunderstood our artist, Aljaz, and
your work will be appreciated in | 0:23:36 | 0:23:40 | |
years to come, like the great
question mark I feel like that | 0:23:40 | 0:23:45 | |
little I hope so. Oh! Jazz hands!
Favourite moment of the week, when | 0:23:45 | 0:23:54 | |
Aljaz reads his strapline. I did
feel a bit misunderstood, but I | 0:23:54 | 0:23:59 | |
loved the concept. I've had it in my
head a little while now actually and | 0:23:59 | 0:24:02 | |
as soon as we went through the
production and it was happening, I | 0:24:02 | 0:24:07 | |
was so excited for it. We were
standing there, getting the scores, | 0:24:07 | 0:24:11 | |
and the dance went so well and the
comments, I was like, all right, all | 0:24:11 | 0:24:17 | |
right, it was only fun in Slovenia,
I guess. | 0:24:17 | 0:24:19 | |
LAUGHTER
Round robin and Manchester. Shirley | 0:24:19 | 0:24:24 | |
was pleased with your volta, there
are positives. Did you know the | 0:24:24 | 0:24:29 | |
steps she meant? Yes, they were the
steps I couldn't do in training. The | 0:24:29 | 0:24:34 | |
only steps. Those were when I
struggled, so when she said that I | 0:24:34 | 0:24:38 | |
thought he would be chuffed.
Fireworks everywhere. We must ensure | 0:24:38 | 0:24:42 | |
paso doble-thon well done. A little
birdie told me you might have almost | 0:24:42 | 0:24:48 | |
tripped someone up. By accident. I
nearly tripped a few people up. It | 0:24:48 | 0:24:54 | |
was like being on the Dodge is! It
was crazy, wasn't it? We didn't know | 0:24:54 | 0:25:01 | |
where anyone was going, at one point
you shouted, click, so I did. -- | 0:25:01 | 0:25:08 | |
kick. We were running through the
choreography and Gemma did this... | 0:25:08 | 0:25:12 | |
Just move, what do you want to do?
LAUGHTER | 0:25:12 | 0:25:18 | |
I didn't know what to do! It's a
lairy is. I need to watch it in slow | 0:25:18 | 0:25:23 | |
motion. That sounds the Stat alarm.
We want to look at your scores from | 0:25:23 | 0:25:28 | |
the beginning of the run. There is a
pattern emerging, 20, cha-cha-cha, | 0:25:28 | 0:25:37 | |
onto waltz, up for charleston, week
four... Week five. Down a little | 0:25:37 | 0:25:44 | |
bit. Week six, up again. Week seven,
salsa, moving on week eight, up | 0:25:44 | 0:25:51 | |
again. Week nine... And week ten.
There are mountains in Slovenia! We | 0:25:51 | 0:26:00 | |
are trying to portray the Alps, all
season. Stand aside roller-coaster | 0:26:00 | 0:26:05 | |
joke because it felt -- has it felt
up and down, your journey? More so | 0:26:05 | 0:26:10 | |
mentally than the physical side.
Some dances you stronger at, some | 0:26:10 | 0:26:14 | |
you're not, and we had an amazing
week in Blackpool. To go to the week | 0:26:14 | 0:26:18 | |
last week, whether schools are bad,
I came off and said I had an amazing | 0:26:18 | 0:26:23 | |
time, I loved it, but I genuinely
felt this might be because that | 0:26:23 | 0:26:27 | |
dance didn't go down too well. You
have that fear, don't you? It's | 0:26:27 | 0:26:31 | |
emotionally like, oh. You and Joe
are the only two never to have been | 0:26:31 | 0:26:39 | |
in the bottom two.
APPLAUSE | 0:26:39 | 0:26:41 | |
Thank you for that. If you think
about roller-coaster is, its peaks | 0:26:41 | 0:26:45 | |
and troughs, which means surely this
week it will be up again, hopefully, | 0:26:45 | 0:26:50 | |
because it's quickstep and you are
damn thing to Hello Dolly. This | 0:26:50 | 0:26:53 | |
could be epic and the last time you
were in hold, you got tens. How is | 0:26:53 | 0:27:02 | |
the quickstep humming on? I love
being in hold with Aljaz, I feel | 0:27:02 | 0:27:08 | |
very safe. Say that again! I loved
being in hold with Aljaz, I feel | 0:27:08 | 0:27:14 | |
very safe. The thing about
quickstep, you are moving like a | 0:27:14 | 0:27:20 | |
duck, paddling at the bottom, but
graceful on top. Or a swan. Swan is | 0:27:20 | 0:27:26 | |
the plan. Ducks or ostriches, no. | 0:27:26 | 0:27:31 | |
Now, one of the highlights of this
series has been watching Aljaz | 0:27:31 | 0:27:34 | |
blossom into a Northerner. | 0:27:34 | 0:27:35 | |
But the real surprise -
we hear Gemma's almost | 0:27:35 | 0:27:37 | |
fluent in Slovenian! | 0:27:37 | 0:27:39 | |
Let's take a look. | 0:27:39 | 0:27:44 | |
Say in Slovenian, hello, my name is
Gemma, and I'll repeat it. SPEAKS | 0:27:44 | 0:27:52 | |
SLOVENIAN SPEAKS SLOVENIAN again.
SPEAKS SLOVENIAN almost fluent, it's | 0:27:52 | 0:28:11 | |
incredible. I feel this dance this
weekend could be good for you, yes, | 0:28:11 | 0:28:16 | |
happy, Aljaz? I'm really happy with
the dams, we are excited having | 0:28:16 | 0:28:22 | |
extra dances, a big production, it
has to be big, it has to be good. | 0:28:22 | 0:28:28 | |
We've practised loads. It's going to
be great. All I can say to you... | 0:28:28 | 0:28:36 | |
SPEAKS SLOVENIAN it's supposed to
mean good luck, let's hope it does. | 0:28:36 | 0:28:44 | |
That's all we've got time for
tonight. Tomorrow, 6pm, Mollie and | 0:28:44 | 0:28:52 | |
AJ, Joanne Katya, Dick and Dom, Mel
Giedroyc chip on the Friday panel. | 0:28:52 | 0:29:00 | |
Be there. Good night. | 0:29:00 | 0:29:02 |