Episode 52 Strictly - It Takes Two


Episode 52

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From London...

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From London...

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This is Strictly It Takes Two!

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Please welcome your host, Zoe Ball.

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CHEERING.

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Hello, and welcome to It Takes Two !

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After waving goodbye to Darvood

and Nadiya last night, all eyes

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are on the semifinal.

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And the countdown starts here.

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They secured their place

on Sunday night after

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a show-stopping dance-off.

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It's the supercalifragilisticexpi...

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Alexandra and Gorka!

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CHEERING.

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And, hoping to be practically

perfect in the Pro Challenge,

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it's Brendan Cole!

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CHEERING.

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But first, like a spoonful of sugar

she helps the medicine go

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down.

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Natalie Lowe returns

for Choreography Corner!

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Give it up for Natalie

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Lowe, everyone!

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CHEERING.

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Always gorgeous, you look amazing.

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Was Musicals Week

a smash hit for you?

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It was a smash hit, unbelievable,

the props, lighting, hair, make-up.

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They really complimented the

routine. All the extra dancers.

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Let's start with Alexandra

and Gorka's Charleston.

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Somehow they still ended

up in the bottom two.

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Even though the judges couldn't

tell who the pro was!

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Just how polished was this routine?

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I said the same, she is

unbelievable. Her swivelling action,

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she danced her socks off, her energy

levels in her legs were

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unbelievable, we have some footage

here.

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It takes a lot of power to have that

height through the lakes. Incredible

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swivelling action which I've never

seen on any other celebrity. Amazing

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characterisation. She was like Santa

Claus, she kept on giving.

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And it went on, the energy.

What next. It was continuous. One of

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the best Charleston dancers I have

ever seen.

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Debbie and Giovanni's

American Smooth next.

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They were praised

for their storytelling.

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What made it so memorable?

for their storytelling.

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For me, it was just an immaculate

performance, and it was magical from

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beginning to end, I felt transported

and transfixed. Her poise, elegance,

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the support she is giving herself

because Giovanni is not really there

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for her, a lot of it was out of

holes. She is exquisite. Moving

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forward I would like to see her have

a bit more fullness through the

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frame, with her online is in

tension, with purpose. I want more

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extension. She has some great

dancers next week so she can express

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herself more in her upper body.

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Next up, Mollie and AJ's rumba.

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Mixed comments for this one.

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And an illegal lift!

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Craig thought she was

"dancing by numbers".

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What did he mean by that?

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I loved it as well. For me, because

the music was so slow, it was just

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like, two, three,... She was

stepping to the beat. If she was

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settling into the hip, if she had

thought about the, and three, and

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four...

Argue OK. I am following, I am

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following.

-- are you locate?

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Can I just show you?

I think you need to, it it is time.

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With that section we slowed down, it

was very sideways. Counting slowly.

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A bit better performed than that.

You need to think about the figure

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eight action, as you are closing

your feet.

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Oh! That is how it is done,

incredible.

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Years to perfect that. I thought the

lift worked for them. You need to

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pull out all the stops.

Even though it was illegal.

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On to Gemma and Aljaz who opened

the show with a quickstep.

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The judges were divided on

characterisation versus technique.

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What did you think?

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She looked like $1 million, she came

out firing on all cylinders as you

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should. They were first out. I loved

this combination of flicks, she

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needed a lot of upper body strength

to make it look elegant.

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I do feel like there was quite a lot

of content which overrode her

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characterisation.

She came out firing, lost it in the

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middle, a bit of frame

characterisation. And energy. But

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she finished strong. So much to

think about coming in her defence,

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syncopation, there are other dancers

on the floor.

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But I thought she did a good

performance.

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I loved the big finish.

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And finally, let's talk about Joe

and Katya's cabaret-inspired samba.

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Why was this concept

so on the money?

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People loved it. I see what you did

there!

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For me, this was a really risky

song, for a samba there needs to be

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a take action, the music didn't give

that for me. I think Katya is a

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genius with her technical ability

and the way she teaches. That

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enabled this routine to shine and

get top marks. He had some fantastic

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action. Better action than I have

seen on any male celebrity doing the

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samba.

That is good! I think I have a

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little demo to do.

Please!

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Again, it is about the mid section

and utilising the full beat of the

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music. He had a moment where he

went...

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You don't normally see this

settling, this contraption and

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rotation section through the hip. Do

you want to see it again?

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Yes, please.

Well done!

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I think that was amazing.

Good luck

at the wedding, getting married!

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So exciting.

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Now, the Strictly playlist

is endless, but we don't

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just pop it on shuffle.

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Our songs are carefully selected

to bring sweet music to your ears.

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So, without further ado,

it's time for Tunes On Tuesday.

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One of my favourites. It is

semifinal time.

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And I reckon this next

song is really going

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to get us in the mood.

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Here goes.

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MUSIC: I'm So Excited.

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It's I'm So Excited,

by the Pointer Sisters!

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Released in 1984, it just missed out

on the top ten, but has

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since become a club classic!

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Now, if like three-quarters

of Brits, you don't feel

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like you're getting

enough excitement in your life,

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here are some top tips on how

to boost your excitement levels.

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Number one.

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Get out of bed right away!

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Number two.

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Exercise!

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Number three.

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Smile more!

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Number four.

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Find wonder in the most

simple things!

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It's all so exciting!

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We can't contain

ourselves any longer.

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Who's going to be dancing to this?

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It's Debbie and Giovanni.

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And they'll be dancing a jive.

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Thank you. Give it up for Gorka and

Alexandra!

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Right, what's next?

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MUSIC: Have You Met Miss Jones?

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It's Have You Met Miss Jones?

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Originally recorded in 1937,

this classic has been

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sung by Frank Sinatra,

Ella Fitzgerald and Tony Bennett,

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to name a few.

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But it's the Robbie Williams'

version we're interested in.

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As featured on the soundtrack

to Bridget Jones's Diary!

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Thanks to that very film,

sales of granny knickers

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went through the roof!

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So, who'll be hoping to charm

the pants off the judges with this?

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Look at them, it is a beautiful

thing. Thank you

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Let's find out.

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The clue was in the title all along.

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It's Joe and Katya...

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Jones!

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They'll be dancing

an American Smooth.

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Natalie and Hawker, beautiful work.

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Right, time for one last song.

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MUSIC: Finally.

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Finally, a CeCe Peniston song!

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This was released in 1991

when it reached number one

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in the Billboard charts.

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CeCe penned this song in college.

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She wasn't dating much,

and tried to imagine

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what her future man

might

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look like when she finally met him.

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Well, it worked a treat because,

not long after, she got her man!

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Who will be hoping to strike gold

with this on Saturday?

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It's Alexandra and Gorka!

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And what will you be

dancing to this epic tune?

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A salsa!

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We can't wait.

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To find out the rest of the songs,

head over to the Strictly website.

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Now, enough of that

semifinal nonsense, we've

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got bigger fish to fry!

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It's time for the Pro Challenge!

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This year, the Pro Challenge

is heading back to the Roaring '20s

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where our pros will attempt to set

a record for the most Charleston

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swivel steps in 30 seconds.

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To qualify, our pros

have to complete

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one forward and one backward step.

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If there is no swivel in the feet

or ankles, or if they fail

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to complete the forward and backward

steps, it

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will be disqualified.

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The challenge will be

the hardest and most

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technical our pros have faced.

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But only one person

can claim the title.

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Welcome to the Strictly

Pro Challenge 2017.

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Thank you.

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Time to welcome our next contender.

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He hails all the way

from Christchurch, New Zealand

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where, at the age of six,

he took his first dance steps.

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Years later, he would win

the first ever series

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of Strictly Come Dancing.

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Give it up for the

legendary Brendan Cole!

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CHEERING.

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Here he comes!

Beautifully done!

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Thank you so much.

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15 series of Strictly.

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That's a lot of swivels.

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Surely your entire career has been

building to this challenge?

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Yes, I can tell.

Listen, I'm always want to see, it

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doesn't really matter this Pro

Challenge. Deep down, it does, but

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I'm not very good.

I go for quality and not quantity.

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I like that.

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If you don't mind me saying,

you are a veteran among the pros.

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Have they been showing

you the respect you deserve?

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On this show, you must be joking! I

have a great relationship with

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everyone on the show.

The prose on the show, we all love

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each other and help each other.

When it comes to the Pro Challenge,

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the elbows are out. Have you seen

Katia? She has a look on her face,

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what to do?

She is top of the Leader Board.

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What are you hoping for?

I'm hoping

to be at the bottom. I don't believe

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in trying to beat Katia because she

might kill me. I muffled it in the

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middle.

Shall we see?

My tactic is

to use these bounty little legs and

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go faster than anyone else. Who

knows.

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There he is, hello, Brendan, welcome

to the Pro Challenge.

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How are you feeling?

Albright.

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Just because you are one of the more

mature prose we still eat you can do

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this. We still think!

I am going to give this my best,

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don't you worry.

Take your position on the dance

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floor.

Get ready.

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OK. Your official attempt begins...

Go.

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Come on, Brendan, keep going. Push

it. Keep the swivel.

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Hang on.

15 seconds. Shut up!

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Not you, personally.

Keep the swivel.

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Five, four...

Stop.

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I am too old for this.

What happened there? I don't know.

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I'd like another crack at that but

we only get one chance, that is a

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life lesson.

Sadly, yes.

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Thank you for joining in. Thank you,

Brendan.

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Today I put on my lucky Charleston

shoes and frankly, they are going in

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the bin.

That made me laugh a lot.

You only

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get one chance, do not miss your

chance.

It made me look much better.

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I know I stumbled in the middle, it

was pretty atrocious. That was

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funny.

It was very funny. Have you

thrown away your Charleston shoes

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because I would have given you a

good price.

They are gone, they are

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in the bin.

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I'm legally required to inform

you that, after each

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of the professionals had

made their attempt, the footage

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was watched back by adjudicators

in slow motion to verify every

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single swivel to make sure

they were all accurate.

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You finished a little more

horizontal than you may've liked.

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Did you underestimate the challenge?

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I did, I didn't practice, I didn't

go in to it with the steely

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determination to win. It's the

taking part that counts, children.

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Exactly. I cannot give you in

suspense any longer.

Shall I lean

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forward?

Yes. In 30 seconds, you

completed...

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DRAMATIC MUSIC

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21 Charles Dance swivels.

Yes! Cut

to commercial! .

To commercial. Of

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course, there were some

disqualifications. There were 14

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illegal steps, giving you a total of

seven. You did say you wanted to be

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top or bottom of the Leader Board.

You got your wish, it came true.

I

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want a recount!

Brendan Cole,

everyone.

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And now for something

completely different.

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When you think of computer game duos

some legendary partnerships

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spring to mind - Mario &

Luigi, Sonic & Tails.

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Chloe and Neil.

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Kneel and I have come along to a

motion capture studio where they

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create animations for video games.

-- Neil.

I've always wanted to be in

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a video, maybe I could be a warrior

or a superhero.

OK, Neil, we're on

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Strictly, we are going to be

dancing.

But maybe we could be

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dancing super heroes.

Whatever, come

on, let's go.

In fact we are going

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to be starring in a dancing game.

Nick is going to be showing us the

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ropes.

What I need you to do first

is go and get suited up and when you

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get back I will explain everything

we are going to do.

I feel like a

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superhero!

You look like ping-pong

boy.

That is mean, let's get on with

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it. Why have I got so many ping-pong

balls all over meat?

The six to two

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cameras in this theatre are

calibrated and working as one hand

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they track the markers on your

bodies so we can capture the

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animation.

I was expecting a green

screen so how does this work?

We

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don't do Green screen stuff anymore

that was way back. It is 2007 Tina

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Maze and computer technology

tracking you using the markers.

What

0:19:110:19:13

is next?

Do some practice moves to

see of the calibration is working

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and then we will do some of the

dancing.

Cool, definitely. Let's go,

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Chloe.

0:19:240:19:25

Do that one.

Moonwalking all-day

around you, girl.

0:19:290:19:37

So, Nick, is this what you are

looking for, this type of thing?

I

0:19:370:19:41

was kind of looking for the Viennese

waltz.

OK.

OK, come on, Chloe, let's

0:19:410:19:49

do it.

0:19:490:19:51

Awesome, looks great, thank you.

With the filming complete its over

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to Nick and his team to work their

magic and put us into the game.

Once

0:20:100:20:14

we have got the footage for the

motion capture studio it comes back

0:20:140:20:17

and we can look at it on the

computer. What we can see here is

0:20:170:20:23

the skeleton is dancing around the

floor and in the game you have to

0:20:230:20:26

wrap the skin around the skeletons

of Neil and Chloe. Next stage is we

0:20:260:20:33

start to add finer details. We have

to tailor the facial expressions to

0:20:330:20:37

the dance. So, for example, if it

was the tango it would be serious,

0:20:370:20:41

whereas with the Viennese waltz it

is much happier and smiling. The

0:20:410:20:45

last stage is to put a bit of colour

into the characters, and at this

0:20:450:20:48

point it starts to feel like the

characters are coming to life.

0:20:480:20:52

So there you have it, that's how the

magic happens, and how you transform

0:20:520:20:57

us dancing into the video game.

Chloe and kneel, that's amazing. --

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Neil.

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Time to welcome my final guests.

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They survived their second

dance off to earn a

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place in the semifinal

with a Charleston

0:21:110:21:12

that was quite simply.

0:21:120:21:13

GORKA:

Supercalifragilisticexpialidocious!

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CHEERING

He almost got it!

0:21:150:21:19

It's Alexandra and Gorka!

0:21:190:21:23

Practically perfect in every

possible way. Well done.

The amount

0:21:270:21:33

of detail you gave us, I mean, it

didn't stop, you didn't even take a

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breath.

You had better swivel than

Gorka in that, actually. I

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absolutely loved it, brilliant.

Alexandra and Gorka! Amazing stuff.

0:21:440:21:52

I think Bruno put it perfectly when

he said your Charleston was the show

0:21:520:21:55

stopper everyone was waiting for. It

was awesome, how much fun did you

0:21:550:21:59

have?

I had so much fun, for me the

Charleston is the one dance when I

0:21:590:22:04

was always saying to Gorka let's do

energetically and I'm always quite

0:22:040:22:11

hyper so he was giving me every

trick in the world to see if I could

0:22:110:22:15

do it and it was so much fun and it

was brilliant, I loved it.

I would

0:22:150:22:19

love to re-enact those moves at

home. There you are joint top of the

0:22:190:22:23

Leader Board and then you go into

the bottom two. Last week you said

0:22:230:22:28

it was a shock, wasn't a shock, you

kind of expected it but this week I

0:22:280:22:31

could feel the pain on your little

face when it happened.

It's a scary

0:22:310:22:36

place to be and at this point in the

show as well, everybody wants to

0:22:360:22:39

make it that next step. I was really

frightened and so, you know when you

0:22:390:22:49

feel you haven't done your partner

proud and that's how I felt. I

0:22:490:22:52

always want to do Gorka crowd and I

felt we had such a great week and

0:22:520:22:57

performance, we felt we did, we got

great encouraging comments, and it

0:22:570:23:04

is a scary place.

It is a tough one.

Gorka, for you, when she has done

0:23:040:23:09

such an amazing performance, got

great comments from the judges, when

0:23:090:23:12

told you are in the bottom two, how

do you pick Alexandra up and get her

0:23:120:23:17

to go out there?

She's the one who

picks me up because she is such a

0:23:170:23:20

strong woman, because I was like,

OK, whatever but she was positive

0:23:200:23:25

and like, whatever, let's do it and

we both love the dance and wanted to

0:23:250:23:31

enjoy it and we take the positive

side, let's do it again and have

0:23:310:23:34

fun. So she's very positive and

strong so it's very good.

The judges

0:23:340:23:38

were in disbelief when that happens

as well. Why don't people vote? What

0:23:380:23:42

do you think?

I don't know, you just

can't take that moment for granted.

0:23:420:23:47

We were at the top of the Leader

Board at that point but maybe

0:23:470:23:51

they'll pull think you are safe and

that's why they don't vote for

0:23:510:23:55

survival was said it come I can't

stress enough, the votes really do

0:23:550:23:59

matter. It really matters no matter

where you are in the Leader Board.

0:23:590:24:02

We have to encourage people to

hopefully vote.

My friends want to

0:24:020:24:06

vote but they live in Spain.

Fly

them over, Gorka, it would be worth

0:24:060:24:12

it. Also, you said you have been

treated for an injury as well. Tell

0:24:120:24:17

us about that.

Basically, just

before we went on for the actual

0:24:170:24:20

show I injured my leg, my left hip,

so I was industry -- in excruciating

0:24:200:24:28

pain during the dance. And the

dance-off, I just had to go for it.

0:24:280:24:33

You are amazing.

APPLAUSE

0:24:330:24:37

Like a pro dancer. Craig said your

swivel was better than Gorka's and

0:24:370:24:41

it shows how good a teacher he is.

It's better than his too.

0:24:410:24:45

LAUGHTER

Just saying!

You could have done the

0:24:450:24:51

Pro Challenge. You were swivelling

in your sleep?

Yes, to be honest, I

0:24:510:24:56

think I was over thinking everything

that we could because I just wanted

0:24:560:24:59

to go out there and have the best

time. I'm sorry but the Charleston,

0:24:590:25:03

if anybody in life gets the chance

to practice a Charleston it's the

0:25:030:25:07

happiest dance you will ever do. You

get to go into a little world of

0:25:070:25:12

your own and it's so much fun.

Someone is doing it in the audience

0:25:120:25:15

tonight.

Me too!

Darcey compel you

to a professional and when you hear

0:25:150:25:24

that from a prima ballerina that has

got to be good.

It's amazing, I'm

0:25:240:25:28

having the best experience with

Gorka and loving every single moment

0:25:280:25:31

of it. I don't want it to end.

Yeah.

It's just beyond what I thought it

0:25:310:25:37

would be. It's even better than what

I thought this experience would be.

0:25:370:25:41

We take the comments and come back

next year.

It is the semifinal, two

0:25:410:25:51

dancers, my goodness, one of them we

know, salsa to CeCe Peniston I know

0:25:510:25:57

you love a party dance, how excited

are you?

I'm so excited, I know I

0:25:570:26:03

say that about every dance but this

also, with Gorka, he is the king of

0:26:030:26:07

salsa, isn't he?

Who me?

I'm just so

excited to do a salsa with this

0:26:070:26:16

amazing man right here. I can't

wait.

So, salsa and what is the

0:26:160:26:20

other dance, Gorka, por favor?

We

are doing the Viennese waltz.

How

0:26:200:26:29

does this compare?

It is the same

rhythm but it is quite fast compared

0:26:290:26:38

to the normal English waltz. It is

going to be faster. This one is very

0:26:380:26:43

beautiful, classic and romantic. It

is good we are doing the Viennese

0:26:430:26:46

waltz and a salsa and as we show in

the semifinal but two different

0:26:460:26:51

sides of Alexandra, strong, crazy

and fun and sexy, with the classic,

0:26:510:26:56

elegant, sophisticated woman.

I love

that he recognises you have those

0:26:560:27:01

two sites.

And mind too.

Do you get

to be a bit of a beast coming out on

0:27:010:27:10

the salsa?

Oh, yes, it's going to be

all bars down, just go for it, I'm

0:27:100:27:14

just going to go for gold in this

one. King of salsa and I'm just

0:27:140:27:20

trying to keep up.

He's trying to

keep up with you at the end of this!

0:27:200:27:23

How do you train for two? How do you

approach this week, what is the

0:27:230:27:29

game?

The most important thing is

planning the day in two parts, so

0:27:290:27:34

that she doesn't get confused. I

don't want to mix dancers between

0:27:340:27:37

the day, so we will do half a day on

one routine and half a day on the

0:27:370:27:41

other routine and make it easy for

her.

I'm scared. I want to have fun

0:27:410:27:47

but I'm definitely scared about this

week because it's a lot to take on.

0:27:470:27:50

It's not like we know a dance this

week, the week of the paso doble, we

0:27:500:27:55

knew what we were doing in one dance

but this week scares me, I'm not

0:27:550:27:58

going to lie.

Hold tight, I say.

Good luck with the hip as well. We

0:27:580:28:04

love you, go on, Alexandra and

Gorka.

0:28:040:28:11

That's all we have time for tonight!

0:28:110:28:14

Join me tomorrow at 6:30pm

when I'll be joined by

0:28:140:28:17

Mollie & AJ, Ian Waite

warms us up and

0:28:170:28:19

the wonderful Strictly

Singers pop in for

0:28:190:28:20

chat.

0:28:200:28:21

Plus, Mr Neil Jones takes

on the Pro Challenge!

0:28:210:28:23

Until then, goodnight!

0:28:230:28:25

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