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Line | From | To | |
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From London... | 0:00:48 | 0:00:49 | |
From London... | 0:00:49 | 0:00:50 | |
This is Strictly It Takes Two! | 0:00:50 | 0:00:51 | |
Please welcome your host, Zoe Ball. | 0:00:51 | 0:00:54 | |
CHEERING. | 0:00:56 | 0:00:57 | |
Hello, and welcome to It Takes Two ! | 0:00:58 | 0:01:00 | |
After waving goodbye to Darvood
and Nadiya last night, all eyes | 0:01:00 | 0:01:03 | |
are on the semifinal. | 0:01:03 | 0:01:04 | |
And the countdown starts here. | 0:01:04 | 0:01:05 | |
They secured their place
on Sunday night after | 0:01:05 | 0:01:07 | |
a show-stopping dance-off. | 0:01:07 | 0:01:11 | |
It's the supercalifragilisticexpi... | 0:01:11 | 0:01:12 | |
Alexandra and Gorka! | 0:01:12 | 0:01:13 | |
CHEERING. | 0:01:13 | 0:01:18 | |
And, hoping to be practically
perfect in the Pro Challenge, | 0:01:18 | 0:01:20 | |
it's Brendan Cole! | 0:01:20 | 0:01:21 | |
CHEERING. | 0:01:21 | 0:01:24 | |
But first, like a spoonful of sugar
she helps the medicine go | 0:01:24 | 0:01:27 | |
down. | 0:01:27 | 0:01:29 | |
Natalie Lowe returns
for Choreography Corner! | 0:01:29 | 0:01:33 | |
Give it up for Natalie | 0:01:43 | 0:01:44 | |
Lowe, everyone! | 0:01:44 | 0:01:45 | |
CHEERING. | 0:01:45 | 0:01:51 | |
Always gorgeous, you look amazing. | 0:01:51 | 0:01:53 | |
Was Musicals Week
a smash hit for you? | 0:01:53 | 0:01:57 | |
It was a smash hit, unbelievable,
the props, lighting, hair, make-up. | 0:01:57 | 0:02:07 | |
They really complimented the
routine. All the extra dancers. | 0:02:07 | 0:02:12 | |
Let's start with Alexandra
and Gorka's Charleston. | 0:02:12 | 0:02:16 | |
Somehow they still ended
up in the bottom two. | 0:02:16 | 0:02:18 | |
Even though the judges couldn't
tell who the pro was! | 0:02:18 | 0:02:22 | |
Just how polished was this routine? | 0:02:22 | 0:02:25 | |
I said the same, she is
unbelievable. Her swivelling action, | 0:02:25 | 0:02:34 | |
she danced her socks off, her energy
levels in her legs were | 0:02:34 | 0:02:39 | |
unbelievable, we have some footage
here. | 0:02:39 | 0:02:41 | |
It takes a lot of power to have that
height through the lakes. Incredible | 0:02:41 | 0:02:48 | |
swivelling action which I've never
seen on any other celebrity. Amazing | 0:02:48 | 0:02:53 | |
characterisation. She was like Santa
Claus, she kept on giving. | 0:02:53 | 0:02:59 | |
And it went on, the energy.
What next. It was continuous. One of | 0:02:59 | 0:03:07 | |
the best Charleston dancers I have
ever seen. | 0:03:07 | 0:03:10 | |
Debbie and Giovanni's
American Smooth next. | 0:03:10 | 0:03:12 | |
They were praised
for their storytelling. | 0:03:12 | 0:03:13 | |
What made it so memorable?
for their storytelling. | 0:03:13 | 0:03:17 | |
For me, it was just an immaculate
performance, and it was magical from | 0:03:17 | 0:03:25 | |
beginning to end, I felt transported
and transfixed. Her poise, elegance, | 0:03:25 | 0:03:30 | |
the support she is giving herself
because Giovanni is not really there | 0:03:30 | 0:03:34 | |
for her, a lot of it was out of
holes. She is exquisite. Moving | 0:03:34 | 0:03:40 | |
forward I would like to see her have
a bit more fullness through the | 0:03:40 | 0:03:44 | |
frame, with her online is in
tension, with purpose. I want more | 0:03:44 | 0:03:50 | |
extension. She has some great
dancers next week so she can express | 0:03:50 | 0:03:57 | |
herself more in her upper body. | 0:03:57 | 0:03:58 | |
Next up, Mollie and AJ's rumba. | 0:03:58 | 0:04:00 | |
Mixed comments for this one. | 0:04:00 | 0:04:02 | |
And an illegal lift! | 0:04:02 | 0:04:03 | |
Craig thought she was
"dancing by numbers". | 0:04:03 | 0:04:05 | |
What did he mean by that? | 0:04:05 | 0:04:12 | |
I loved it as well. For me, because
the music was so slow, it was just | 0:04:12 | 0:04:20 | |
like, two, three,... She was
stepping to the beat. If she was | 0:04:20 | 0:04:28 | |
settling into the hip, if she had
thought about the, and three, and | 0:04:28 | 0:04:36 | |
four...
Argue OK. I am following, I am | 0:04:36 | 0:04:40 | |
following.
-- are you locate? | 0:04:40 | 0:04:46 | |
Can I just show you?
I think you need to, it it is time. | 0:04:46 | 0:04:53 | |
With that section we slowed down, it
was very sideways. Counting slowly. | 0:04:53 | 0:05:02 | |
A bit better performed than that.
You need to think about the figure | 0:05:02 | 0:05:07 | |
eight action, as you are closing
your feet. | 0:05:07 | 0:05:17 | |
Oh! That is how it is done,
incredible. | 0:05:17 | 0:05:26 | |
Years to perfect that. I thought the
lift worked for them. You need to | 0:05:26 | 0:05:32 | |
pull out all the stops.
Even though it was illegal. | 0:05:32 | 0:05:36 | |
On to Gemma and Aljaz who opened
the show with a quickstep. | 0:05:36 | 0:05:39 | |
The judges were divided on
characterisation versus technique. | 0:05:39 | 0:05:41 | |
What did you think? | 0:05:41 | 0:05:49 | |
She looked like $1 million, she came
out firing on all cylinders as you | 0:05:49 | 0:05:54 | |
should. They were first out. I loved
this combination of flicks, she | 0:05:54 | 0:06:02 | |
needed a lot of upper body strength
to make it look elegant. | 0:06:02 | 0:06:07 | |
I do feel like there was quite a lot
of content which overrode her | 0:06:07 | 0:06:13 | |
characterisation.
She came out firing, lost it in the | 0:06:13 | 0:06:17 | |
middle, a bit of frame
characterisation. And energy. But | 0:06:17 | 0:06:22 | |
she finished strong. So much to
think about coming in her defence, | 0:06:22 | 0:06:29 | |
syncopation, there are other dancers
on the floor. | 0:06:29 | 0:06:31 | |
But I thought she did a good
performance. | 0:06:31 | 0:06:34 | |
I loved the big finish. | 0:06:34 | 0:06:36 | |
And finally, let's talk about Joe
and Katya's cabaret-inspired samba. | 0:06:36 | 0:06:38 | |
Why was this concept
so on the money? | 0:06:38 | 0:06:45 | |
People loved it. I see what you did
there! | 0:06:45 | 0:06:52 | |
For me, this was a really risky
song, for a samba there needs to be | 0:06:52 | 0:06:58 | |
a take action, the music didn't give
that for me. I think Katya is a | 0:06:58 | 0:07:04 | |
genius with her technical ability
and the way she teaches. That | 0:07:04 | 0:07:08 | |
enabled this routine to shine and
get top marks. He had some fantastic | 0:07:08 | 0:07:14 | |
action. Better action than I have
seen on any male celebrity doing the | 0:07:14 | 0:07:19 | |
samba.
That is good! I think I have a | 0:07:19 | 0:07:26 | |
little demo to do.
Please! | 0:07:26 | 0:07:30 | |
Again, it is about the mid section
and utilising the full beat of the | 0:07:30 | 0:07:35 | |
music. He had a moment where he
went... | 0:07:35 | 0:07:43 | |
You don't normally see this
settling, this contraption and | 0:07:43 | 0:07:47 | |
rotation section through the hip. Do
you want to see it again? | 0:07:47 | 0:07:52 | |
Yes, please.
Well done! | 0:07:52 | 0:08:04 | |
I think that was amazing. Good luck
at the wedding, getting married! | 0:08:04 | 0:08:13 | |
So exciting. | 0:08:13 | 0:08:15 | |
Now, the Strictly playlist
is endless, but we don't | 0:08:15 | 0:08:17 | |
just pop it on shuffle. | 0:08:17 | 0:08:18 | |
Our songs are carefully selected
to bring sweet music to your ears. | 0:08:18 | 0:08:21 | |
So, without further ado,
it's time for Tunes On Tuesday. | 0:08:21 | 0:08:23 | |
One of my favourites. It is
semifinal time. | 0:08:34 | 0:08:40 | |
And I reckon this next
song is really going | 0:08:40 | 0:08:42 | |
to get us in the mood. | 0:08:42 | 0:08:44 | |
Here goes. | 0:08:44 | 0:08:45 | |
MUSIC: I'm So Excited. | 0:08:45 | 0:08:46 | |
It's I'm So Excited,
by the Pointer Sisters! | 0:08:46 | 0:08:48 | |
Released in 1984, it just missed out
on the top ten, but has | 0:08:48 | 0:08:51 | |
since become a club classic! | 0:08:51 | 0:08:53 | |
Now, if like three-quarters
of Brits, you don't feel | 0:08:53 | 0:08:55 | |
like you're getting
enough excitement in your life, | 0:08:55 | 0:08:57 | |
here are some top tips on how
to boost your excitement levels. | 0:08:57 | 0:09:03 | |
Number one. | 0:09:03 | 0:09:04 | |
Get out of bed right away! | 0:09:04 | 0:09:10 | |
Number two. | 0:09:10 | 0:09:11 | |
Exercise! | 0:09:11 | 0:09:12 | |
Number three. | 0:09:12 | 0:09:13 | |
Smile more! | 0:09:13 | 0:09:15 | |
Number four. | 0:09:15 | 0:09:16 | |
Find wonder in the most
simple things! | 0:09:16 | 0:09:23 | |
It's all so exciting! | 0:09:23 | 0:09:24 | |
We can't contain
ourselves any longer. | 0:09:24 | 0:09:28 | |
Who's going to be dancing to this? | 0:09:28 | 0:09:33 | |
It's Debbie and Giovanni. | 0:09:36 | 0:09:39 | |
And they'll be dancing a jive. | 0:09:39 | 0:09:43 | |
Thank you. Give it up for Gorka and
Alexandra! | 0:09:43 | 0:09:49 | |
Right, what's next? | 0:09:49 | 0:09:51 | |
MUSIC: Have You Met Miss Jones? | 0:09:51 | 0:09:54 | |
It's Have You Met Miss Jones? | 0:09:54 | 0:09:56 | |
Originally recorded in 1937,
this classic has been | 0:09:56 | 0:09:58 | |
sung by Frank Sinatra,
Ella Fitzgerald and Tony Bennett, | 0:09:58 | 0:10:00 | |
to name a few. | 0:10:00 | 0:10:04 | |
But it's the Robbie Williams'
version we're interested in. | 0:10:04 | 0:10:07 | |
As featured on the soundtrack
to Bridget Jones's Diary! | 0:10:07 | 0:10:11 | |
Thanks to that very film,
sales of granny knickers | 0:10:11 | 0:10:13 | |
went through the roof! | 0:10:13 | 0:10:16 | |
So, who'll be hoping to charm
the pants off the judges with this? | 0:10:16 | 0:10:25 | |
Look at them, it is a beautiful
thing. Thank you | 0:10:25 | 0:10:31 | |
Let's find out. | 0:10:31 | 0:10:34 | |
The clue was in the title all along. | 0:10:34 | 0:10:36 | |
It's Joe and Katya... | 0:10:36 | 0:10:37 | |
Jones! | 0:10:37 | 0:10:38 | |
They'll be dancing
an American Smooth. | 0:10:38 | 0:10:42 | |
Natalie and Hawker, beautiful work. | 0:10:42 | 0:10:44 | |
Right, time for one last song. | 0:10:44 | 0:10:45 | |
MUSIC: Finally. | 0:10:45 | 0:10:47 | |
Finally, a CeCe Peniston song! | 0:10:47 | 0:10:50 | |
This was released in 1991
when it reached number one | 0:10:50 | 0:10:53 | |
in the Billboard charts. | 0:10:53 | 0:10:54 | |
CeCe penned this song in college. | 0:10:54 | 0:10:56 | |
She wasn't dating much,
and tried to imagine | 0:10:56 | 0:10:58 | |
what her future man
might | 0:10:58 | 0:10:59 | |
look like when she finally met him. | 0:10:59 | 0:11:01 | |
Well, it worked a treat because,
not long after, she got her man! | 0:11:01 | 0:11:05 | |
Who will be hoping to strike gold
with this on Saturday? | 0:11:05 | 0:11:11 | |
It's Alexandra and Gorka! | 0:11:17 | 0:11:20 | |
And what will you be
dancing to this epic tune? | 0:11:20 | 0:11:23 | |
A salsa! | 0:11:23 | 0:11:27 | |
We can't wait. | 0:11:27 | 0:11:35 | |
To find out the rest of the songs,
head over to the Strictly website. | 0:11:35 | 0:11:39 | |
Now, enough of that
semifinal nonsense, we've | 0:11:39 | 0:11:41 | |
got bigger fish to fry! | 0:11:41 | 0:11:42 | |
It's time for the Pro Challenge! | 0:11:42 | 0:11:44 | |
This year, the Pro Challenge
is heading back to the Roaring '20s | 0:11:44 | 0:11:49 | |
where our pros will attempt to set
a record for the most Charleston | 0:11:49 | 0:11:52 | |
swivel steps in 30 seconds. | 0:11:52 | 0:12:01 | |
To qualify, our pros
have to complete | 0:12:01 | 0:12:02 | |
one forward and one backward step. | 0:12:02 | 0:12:04 | |
If there is no swivel in the feet
or ankles, or if they fail | 0:12:04 | 0:12:07 | |
to complete the forward and backward
steps, it | 0:12:07 | 0:12:09 | |
will be disqualified. | 0:12:09 | 0:12:10 | |
The challenge will be
the hardest and most | 0:12:10 | 0:12:12 | |
technical our pros have faced. | 0:12:12 | 0:12:13 | |
But only one person
can claim the title. | 0:12:13 | 0:12:15 | |
Welcome to the Strictly
Pro Challenge 2017. | 0:12:15 | 0:12:17 | |
Thank you. | 0:12:17 | 0:12:18 | |
Time to welcome our next contender. | 0:12:18 | 0:12:19 | |
He hails all the way
from Christchurch, New Zealand | 0:12:19 | 0:12:21 | |
where, at the age of six,
he took his first dance steps. | 0:12:21 | 0:12:24 | |
Years later, he would win
the first ever series | 0:12:24 | 0:12:27 | |
of Strictly Come Dancing. | 0:12:27 | 0:12:27 | |
Give it up for the
legendary Brendan Cole! | 0:12:27 | 0:12:29 | |
CHEERING. | 0:12:29 | 0:12:33 | |
Here he comes!
Beautifully done! | 0:12:33 | 0:12:40 | |
Thank you so much. | 0:12:40 | 0:12:42 | |
15 series of Strictly. | 0:12:42 | 0:12:43 | |
That's a lot of swivels. | 0:12:43 | 0:12:44 | |
Surely your entire career has been
building to this challenge? | 0:12:44 | 0:12:49 | |
Yes, I can tell.
Listen, I'm always want to see, it | 0:12:49 | 0:12:56 | |
doesn't really matter this Pro
Challenge. Deep down, it does, but | 0:12:56 | 0:13:00 | |
I'm not very good.
I go for quality and not quantity. | 0:13:00 | 0:13:06 | |
I like that. | 0:13:06 | 0:13:07 | |
If you don't mind me saying,
you are a veteran among the pros. | 0:13:07 | 0:13:10 | |
Have they been showing
you the respect you deserve? | 0:13:10 | 0:13:15 | |
On this show, you must be joking! I
have a great relationship with | 0:13:15 | 0:13:21 | |
everyone on the show.
The prose on the show, we all love | 0:13:21 | 0:13:26 | |
each other and help each other.
When it comes to the Pro Challenge, | 0:13:26 | 0:13:31 | |
the elbows are out. Have you seen
Katia? She has a look on her face, | 0:13:31 | 0:13:37 | |
what to do?
She is top of the Leader Board. | 0:13:37 | 0:13:40 | |
What are you hoping for? I'm hoping
to be at the bottom. I don't believe | 0:13:40 | 0:13:46 | |
in trying to beat Katia because she
might kill me. I muffled it in the | 0:13:46 | 0:13:53 | |
middle. Shall we see? My tactic is
to use these bounty little legs and | 0:13:53 | 0:14:09 | |
go faster than anyone else. Who
knows. | 0:14:09 | 0:14:15 | |
There he is, hello, Brendan, welcome
to the Pro Challenge. | 0:14:15 | 0:14:17 | |
How are you feeling?
Albright. | 0:14:17 | 0:14:22 | |
Just because you are one of the more
mature prose we still eat you can do | 0:14:22 | 0:14:26 | |
this. We still think!
I am going to give this my best, | 0:14:26 | 0:14:33 | |
don't you worry.
Take your position on the dance | 0:14:33 | 0:14:36 | |
floor.
Get ready. | 0:14:36 | 0:14:37 | |
OK. Your official attempt begins...
Go. | 0:14:37 | 0:14:44 | |
Come on, Brendan, keep going. Push
it. Keep the swivel. | 0:14:50 | 0:14:57 | |
Hang on.
15 seconds. Shut up! | 0:14:57 | 0:15:05 | |
Not you, personally.
Keep the swivel. | 0:15:05 | 0:15:11 | |
Five, four...
Stop. | 0:15:11 | 0:15:18 | |
I am too old for this.
What happened there? I don't know. | 0:15:21 | 0:15:31 | |
I'd like another crack at that but
we only get one chance, that is a | 0:15:31 | 0:15:36 | |
life lesson.
Sadly, yes. | 0:15:36 | 0:15:40 | |
Thank you for joining in. Thank you,
Brendan. | 0:15:40 | 0:15:42 | |
Today I put on my lucky Charleston
shoes and frankly, they are going in | 0:15:48 | 0:15:54 | |
the bin.
That made me laugh a lot. You only | 0:15:54 | 0:15:59 | |
get one chance, do not miss your
chance. It made me look much better. | 0:15:59 | 0:16:07 | |
I know I stumbled in the middle, it
was pretty atrocious. That was | 0:16:07 | 0:16:12 | |
funny. It was very funny. Have you
thrown away your Charleston shoes | 0:16:12 | 0:16:16 | |
because I would have given you a
good price. They are gone, they are | 0:16:16 | 0:16:19 | |
in the bin. | 0:16:19 | 0:16:22 | |
I'm legally required to inform
you that, after each | 0:16:22 | 0:16:24 | |
of the professionals had
made their attempt, the footage | 0:16:24 | 0:16:26 | |
was watched back by adjudicators
in slow motion to verify every | 0:16:26 | 0:16:29 | |
single swivel to make sure
they were all accurate. | 0:16:29 | 0:16:33 | |
You finished a little more
horizontal than you may've liked. | 0:16:33 | 0:16:37 | |
Did you underestimate the challenge? | 0:16:37 | 0:16:41 | |
I did, I didn't practice, I didn't
go in to it with the steely | 0:16:41 | 0:16:45 | |
determination to win. It's the
taking part that counts, children. | 0:16:45 | 0:16:49 | |
Exactly. I cannot give you in
suspense any longer. Shall I lean | 0:16:49 | 0:16:55 | |
forward? Yes. In 30 seconds, you
completed... | 0:16:55 | 0:17:00 | |
DRAMATIC MUSIC | 0:17:00 | 0:17:06 | |
21 Charles Dance swivels. Yes! Cut
to commercial! . To commercial. Of | 0:17:11 | 0:17:22 | |
course, there were some
disqualifications. There were 14 | 0:17:22 | 0:17:24 | |
illegal steps, giving you a total of
seven. You did say you wanted to be | 0:17:24 | 0:17:31 | |
top or bottom of the Leader Board.
You got your wish, it came true. I | 0:17:31 | 0:17:39 | |
want a recount! Brendan Cole,
everyone. | 0:17:39 | 0:17:45 | |
And now for something
completely different. | 0:17:45 | 0:17:47 | |
When you think of computer game duos
some legendary partnerships | 0:17:47 | 0:17:49 | |
spring to mind - Mario &
Luigi, Sonic & Tails. | 0:17:49 | 0:17:51 | |
Chloe and Neil. | 0:17:51 | 0:17:54 | |
Kneel and I have come along to a
motion capture studio where they | 0:17:54 | 0:17:58 | |
create animations for video games.
-- Neil. I've always wanted to be in | 0:17:58 | 0:18:07 | |
a video, maybe I could be a warrior
or a superhero. OK, Neil, we're on | 0:18:07 | 0:18:14 | |
Strictly, we are going to be
dancing. But maybe we could be | 0:18:14 | 0:18:20 | |
dancing super heroes. Whatever, come
on, let's go. In fact we are going | 0:18:20 | 0:18:24 | |
to be starring in a dancing game.
Nick is going to be showing us the | 0:18:24 | 0:18:29 | |
ropes. What I need you to do first
is go and get suited up and when you | 0:18:29 | 0:18:34 | |
get back I will explain everything
we are going to do. I feel like a | 0:18:34 | 0:18:41 | |
superhero! You look like ping-pong
boy. That is mean, let's get on with | 0:18:41 | 0:18:49 | |
it. Why have I got so many ping-pong
balls all over meat? The six to two | 0:18:49 | 0:18:53 | |
cameras in this theatre are
calibrated and working as one hand | 0:18:53 | 0:18:56 | |
they track the markers on your
bodies so we can capture the | 0:18:56 | 0:19:00 | |
animation. I was expecting a green
screen so how does this work? We | 0:19:00 | 0:19:04 | |
don't do Green screen stuff anymore
that was way back. It is 2007 Tina | 0:19:04 | 0:19:11 | |
Maze and computer technology
tracking you using the markers. What | 0:19:11 | 0:19:13 | |
is next? Do some practice moves to
see of the calibration is working | 0:19:13 | 0:19:18 | |
and then we will do some of the
dancing. Cool, definitely. Let's go, | 0:19:18 | 0:19:24 | |
Chloe. | 0:19:24 | 0:19:25 | |
Do that one. Moonwalking all-day
around you, girl. | 0:19:29 | 0:19:37 | |
So, Nick, is this what you are
looking for, this type of thing? I | 0:19:37 | 0:19:41 | |
was kind of looking for the Viennese
waltz. OK. OK, come on, Chloe, let's | 0:19:41 | 0:19:49 | |
do it. | 0:19:49 | 0:19:51 | |
Awesome, looks great, thank you.
With the filming complete its over | 0:20:04 | 0:20:10 | |
to Nick and his team to work their
magic and put us into the game. Once | 0:20:10 | 0:20:14 | |
we have got the footage for the
motion capture studio it comes back | 0:20:14 | 0:20:17 | |
and we can look at it on the
computer. What we can see here is | 0:20:17 | 0:20:23 | |
the skeleton is dancing around the
floor and in the game you have to | 0:20:23 | 0:20:26 | |
wrap the skin around the skeletons
of Neil and Chloe. Next stage is we | 0:20:26 | 0:20:33 | |
start to add finer details. We have
to tailor the facial expressions to | 0:20:33 | 0:20:37 | |
the dance. So, for example, if it
was the tango it would be serious, | 0:20:37 | 0:20:41 | |
whereas with the Viennese waltz it
is much happier and smiling. The | 0:20:41 | 0:20:45 | |
last stage is to put a bit of colour
into the characters, and at this | 0:20:45 | 0:20:48 | |
point it starts to feel like the
characters are coming to life. | 0:20:48 | 0:20:52 | |
So there you have it, that's how the
magic happens, and how you transform | 0:20:52 | 0:20:57 | |
us dancing into the video game.
Chloe and kneel, that's amazing. -- | 0:20:57 | 0:21:06 | |
Neil. | 0:21:06 | 0:21:07 | |
Time to welcome my final guests. | 0:21:07 | 0:21:08 | |
They survived their second
dance off to earn a | 0:21:08 | 0:21:11 | |
place in the semifinal
with a Charleston | 0:21:11 | 0:21:12 | |
that was quite simply. | 0:21:12 | 0:21:13 | |
GORKA:
Supercalifragilisticexpialidocious! | 0:21:13 | 0:21:15 | |
CHEERING
He almost got it! | 0:21:15 | 0:21:19 | |
It's Alexandra and Gorka! | 0:21:19 | 0:21:23 | |
Practically perfect in every
possible way. Well done. The amount | 0:21:27 | 0:21:33 | |
of detail you gave us, I mean, it
didn't stop, you didn't even take a | 0:21:33 | 0:21:38 | |
breath. You had better swivel than
Gorka in that, actually. I | 0:21:38 | 0:21:44 | |
absolutely loved it, brilliant.
Alexandra and Gorka! Amazing stuff. | 0:21:44 | 0:21:52 | |
I think Bruno put it perfectly when
he said your Charleston was the show | 0:21:52 | 0:21:55 | |
stopper everyone was waiting for. It
was awesome, how much fun did you | 0:21:55 | 0:21:59 | |
have? I had so much fun, for me the
Charleston is the one dance when I | 0:21:59 | 0:22:04 | |
was always saying to Gorka let's do
energetically and I'm always quite | 0:22:04 | 0:22:11 | |
hyper so he was giving me every
trick in the world to see if I could | 0:22:11 | 0:22:15 | |
do it and it was so much fun and it
was brilliant, I loved it. I would | 0:22:15 | 0:22:19 | |
love to re-enact those moves at
home. There you are joint top of the | 0:22:19 | 0:22:23 | |
Leader Board and then you go into
the bottom two. Last week you said | 0:22:23 | 0:22:28 | |
it was a shock, wasn't a shock, you
kind of expected it but this week I | 0:22:28 | 0:22:31 | |
could feel the pain on your little
face when it happened. It's a scary | 0:22:31 | 0:22:36 | |
place to be and at this point in the
show as well, everybody wants to | 0:22:36 | 0:22:39 | |
make it that next step. I was really
frightened and so, you know when you | 0:22:39 | 0:22:49 | |
feel you haven't done your partner
proud and that's how I felt. I | 0:22:49 | 0:22:52 | |
always want to do Gorka crowd and I
felt we had such a great week and | 0:22:52 | 0:22:57 | |
performance, we felt we did, we got
great encouraging comments, and it | 0:22:57 | 0:23:04 | |
is a scary place. It is a tough one.
Gorka, for you, when she has done | 0:23:04 | 0:23:09 | |
such an amazing performance, got
great comments from the judges, when | 0:23:09 | 0:23:12 | |
told you are in the bottom two, how
do you pick Alexandra up and get her | 0:23:12 | 0:23:17 | |
to go out there? She's the one who
picks me up because she is such a | 0:23:17 | 0:23:20 | |
strong woman, because I was like,
OK, whatever but she was positive | 0:23:20 | 0:23:25 | |
and like, whatever, let's do it and
we both love the dance and wanted to | 0:23:25 | 0:23:31 | |
enjoy it and we take the positive
side, let's do it again and have | 0:23:31 | 0:23:34 | |
fun. So she's very positive and
strong so it's very good. The judges | 0:23:34 | 0:23:38 | |
were in disbelief when that happens
as well. Why don't people vote? What | 0:23:38 | 0:23:42 | |
do you think? I don't know, you just
can't take that moment for granted. | 0:23:42 | 0:23:47 | |
We were at the top of the Leader
Board at that point but maybe | 0:23:47 | 0:23:51 | |
they'll pull think you are safe and
that's why they don't vote for | 0:23:51 | 0:23:55 | |
survival was said it come I can't
stress enough, the votes really do | 0:23:55 | 0:23:59 | |
matter. It really matters no matter
where you are in the Leader Board. | 0:23:59 | 0:24:02 | |
We have to encourage people to
hopefully vote. My friends want to | 0:24:02 | 0:24:06 | |
vote but they live in Spain. Fly
them over, Gorka, it would be worth | 0:24:06 | 0:24:12 | |
it. Also, you said you have been
treated for an injury as well. Tell | 0:24:12 | 0:24:17 | |
us about that. Basically, just
before we went on for the actual | 0:24:17 | 0:24:20 | |
show I injured my leg, my left hip,
so I was industry -- in excruciating | 0:24:20 | 0:24:28 | |
pain during the dance. And the
dance-off, I just had to go for it. | 0:24:28 | 0:24:33 | |
You are amazing.
APPLAUSE | 0:24:33 | 0:24:37 | |
Like a pro dancer. Craig said your
swivel was better than Gorka's and | 0:24:37 | 0:24:41 | |
it shows how good a teacher he is.
It's better than his too. | 0:24:41 | 0:24:45 | |
LAUGHTER
Just saying! You could have done the | 0:24:45 | 0:24:51 | |
Pro Challenge. You were swivelling
in your sleep? Yes, to be honest, I | 0:24:51 | 0:24:56 | |
think I was over thinking everything
that we could because I just wanted | 0:24:56 | 0:24:59 | |
to go out there and have the best
time. I'm sorry but the Charleston, | 0:24:59 | 0:25:03 | |
if anybody in life gets the chance
to practice a Charleston it's the | 0:25:03 | 0:25:07 | |
happiest dance you will ever do. You
get to go into a little world of | 0:25:07 | 0:25:12 | |
your own and it's so much fun.
Someone is doing it in the audience | 0:25:12 | 0:25:15 | |
tonight. Me too! Darcey compel you
to a professional and when you hear | 0:25:15 | 0:25:24 | |
that from a prima ballerina that has
got to be good. It's amazing, I'm | 0:25:24 | 0:25:28 | |
having the best experience with
Gorka and loving every single moment | 0:25:28 | 0:25:31 | |
of it. I don't want it to end. Yeah.
It's just beyond what I thought it | 0:25:31 | 0:25:37 | |
would be. It's even better than what
I thought this experience would be. | 0:25:37 | 0:25:41 | |
We take the comments and come back
next year. It is the semifinal, two | 0:25:41 | 0:25:51 | |
dancers, my goodness, one of them we
know, salsa to CeCe Peniston I know | 0:25:51 | 0:25:57 | |
you love a party dance, how excited
are you? I'm so excited, I know I | 0:25:57 | 0:26:03 | |
say that about every dance but this
also, with Gorka, he is the king of | 0:26:03 | 0:26:07 | |
salsa, isn't he? Who me? I'm just so
excited to do a salsa with this | 0:26:07 | 0:26:16 | |
amazing man right here. I can't
wait. So, salsa and what is the | 0:26:16 | 0:26:20 | |
other dance, Gorka, por favor? We
are doing the Viennese waltz. How | 0:26:20 | 0:26:29 | |
does this compare? It is the same
rhythm but it is quite fast compared | 0:26:29 | 0:26:38 | |
to the normal English waltz. It is
going to be faster. This one is very | 0:26:38 | 0:26:43 | |
beautiful, classic and romantic. It
is good we are doing the Viennese | 0:26:43 | 0:26:46 | |
waltz and a salsa and as we show in
the semifinal but two different | 0:26:46 | 0:26:51 | |
sides of Alexandra, strong, crazy
and fun and sexy, with the classic, | 0:26:51 | 0:26:56 | |
elegant, sophisticated woman. I love
that he recognises you have those | 0:26:56 | 0:27:01 | |
two sites. And mind too. Do you get
to be a bit of a beast coming out on | 0:27:01 | 0:27:10 | |
the salsa? Oh, yes, it's going to be
all bars down, just go for it, I'm | 0:27:10 | 0:27:14 | |
just going to go for gold in this
one. King of salsa and I'm just | 0:27:14 | 0:27:20 | |
trying to keep up. He's trying to
keep up with you at the end of this! | 0:27:20 | 0:27:23 | |
How do you train for two? How do you
approach this week, what is the | 0:27:23 | 0:27:29 | |
game? The most important thing is
planning the day in two parts, so | 0:27:29 | 0:27:34 | |
that she doesn't get confused. I
don't want to mix dancers between | 0:27:34 | 0:27:37 | |
the day, so we will do half a day on
one routine and half a day on the | 0:27:37 | 0:27:41 | |
other routine and make it easy for
her. I'm scared. I want to have fun | 0:27:41 | 0:27:47 | |
but I'm definitely scared about this
week because it's a lot to take on. | 0:27:47 | 0:27:50 | |
It's not like we know a dance this
week, the week of the paso doble, we | 0:27:50 | 0:27:55 | |
knew what we were doing in one dance
but this week scares me, I'm not | 0:27:55 | 0:27:58 | |
going to lie. Hold tight, I say.
Good luck with the hip as well. We | 0:27:58 | 0:28:04 | |
love you, go on, Alexandra and
Gorka. | 0:28:04 | 0:28:11 | |
That's all we have time for tonight! | 0:28:11 | 0:28:14 | |
Join me tomorrow at 6:30pm
when I'll be joined by | 0:28:14 | 0:28:17 | |
Mollie & AJ, Ian Waite
warms us up and | 0:28:17 | 0:28:19 | |
the wonderful Strictly
Singers pop in for | 0:28:19 | 0:28:20 | |
chat. | 0:28:20 | 0:28:21 | |
Plus, Mr Neil Jones takes
on the Pro Challenge! | 0:28:21 | 0:28:23 | |
Until then, goodnight! | 0:28:23 | 0:28:25 |