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This is Strictly It Takes Two!
Please welcome your host, Zoe Ball. | 0:00:54 | 0:01:01 | |
Hello and welcome to It Takes Two! | 0:01:01 | 0:01:03 | |
We have our semi-finalists, people. | 0:01:03 | 0:01:07 | |
Musicals Week certainly
delivered, didn't it? | 0:01:07 | 0:01:09 | |
Mollie and AJ came close
to a smooch on screen... | 0:01:09 | 0:01:15 | |
Darcey was purring with delight over
Debbie and Gio's American Smooth but | 0:01:15 | 0:01:18 | |
the biggest surprise came when... | 0:01:18 | 0:01:19 | |
EASTENDERS THEME: "Doof, doof, doof,
doof, doof-doof d-d-d-doof..." | 0:01:19 | 0:01:29 | |
Davood and Nadiya were eliminated
from the competition! | 0:01:30 | 0:01:32 | |
They might be bowing out
tonight, but there's always | 0:01:32 | 0:01:34 | |
room for an encore. | 0:01:34 | 0:01:35 | |
They're in the green room. | 0:01:35 | 0:01:39 | |
We love them, we do. | 0:01:39 | 0:01:41 | |
And stepping up to the Pro
Challenge this evening | 0:01:41 | 0:01:44 | |
it's Russia's finest export -
the mighty Pasha! | 0:01:44 | 0:01:46 | |
But before we chat to them,
let's take a behind the scenes look | 0:01:46 | 0:01:49 | |
at how Strictly's musicals
spectacular all came together. | 0:01:49 | 0:01:59 | |
MUSIC: Singin' In The Rain remix.
Coming down onto the floor being | 0:02:13 | 0:02:22 | |
flown in on the chandelier, you get
a very sweaty right side of the face | 0:02:22 | 0:02:28 | |
under that mask. I have just cleaned
myself up. The Johnson requires much | 0:02:28 | 0:02:33 | |
stamina and I hope that I can pull
that later. It is nice to start on | 0:02:33 | 0:02:39 | |
the stairs surrounded by the
dancers, but they are only there for | 0:02:39 | 0:02:42 | |
the beginning. Grease is my
favourite physical. I am living my | 0:02:42 | 0:02:51 | |
childhood dream right now. I always
wanted to be regretted. I'm allergic | 0:02:51 | 0:02:57 | |
to cats. I always start sneezing.
I'm getting all the make-up on. We | 0:02:57 | 0:03:14 | |
are doing the musical Oliver! For
the big group number. I get to be | 0:03:14 | 0:03:21 | |
sentenced -- I get to be The Apple
Dodger. There's lots of | 0:03:21 | 0:03:26 | |
choreography, and they all have to
be on their game. There's pressure | 0:03:26 | 0:03:30 | |
to get it right and live up to
expectations. Everyone is working | 0:03:30 | 0:03:34 | |
hard, as the quarterfinals. It is
going to be absolutely manic in | 0:03:34 | 0:03:39 | |
here. Joe, have you got lipstick on?
Now. | 0:03:39 | 0:03:55 | |
-- No. Close your eyes. Just waiting
for the last part of the puzzle, | 0:03:56 | 0:04:00 | |
which is the mask. I don't need it
glued to my face. This is the but | 0:04:00 | 0:04:09 | |
nobody knows about, this is where
all the costumes, the shoes hats, | 0:04:09 | 0:04:12 | |
where they come when they are not
being used any more. Look at that. | 0:04:12 | 0:04:17 | |
This is so exclusive, because nobody
knows it. | 0:04:17 | 0:04:25 | |
# The hills are alive... , on,
folks. -- come on, folks. Musicals. | 0:04:25 | 0:04:46 | |
Oh, dear. It's Strictly. I can't
wait to get on with the show. | 0:04:46 | 0:04:54 | |
Let's raise the curtain and welcome
our Strictly stars! | 0:05:04 | 0:05:17 | |
Time now to meet my first guest.
Over 11 weeks this powerhouse couple | 0:05:19 | 0:05:25 | |
have stormed it with some truly
thrilling routines. Before we say | 0:05:25 | 0:05:32 | |
our farewells, here are Davood and
Nadiya. | 0:05:32 | 0:05:38 | |
# Goodbye, farewell,
aufweidersehen... | 0:05:38 | 0:05:49 | |
# So long, farewell, aufweidersehen,
goodbye... | 0:05:49 | 0:05:55 | |
APPLAUSE
Just listen to that! Fuel that love | 0:06:02 | 0:06:10 | |
coming at you. The best looking
Phantom Of The Opera the world ever | 0:06:10 | 0:06:17 | |
saw. How do you feel the day after
the day before? I don't know. I | 0:06:17 | 0:06:22 | |
suppose quite reflective at the
moment. But we ended it fine. And it | 0:06:22 | 0:06:28 | |
was such a great dance. And making
your entrance as only you do now, | 0:06:28 | 0:06:35 | |
one arm, coming from the ceiling. I
want to enter every room now! We can | 0:06:35 | 0:06:42 | |
see that in the Queen Vic on
Christmas Day, coming through the | 0:06:42 | 0:06:49 | |
ceiling. And an amazing Argentine
tango. It was so incredible. You had | 0:06:49 | 0:06:55 | |
not been in the dance off since week
four. It is getting so intense now, | 0:06:55 | 0:07:00 | |
it could be anyone. How did feel? We
were always ready, every week we | 0:07:00 | 0:07:06 | |
said, prepare to do this on the
Sunday. You never know when it is | 0:07:06 | 0:07:09 | |
going to come up again. Having been
there before, you are kind of | 0:07:09 | 0:07:13 | |
prepared a little bit emotionally,
but you know that you have got to go | 0:07:13 | 0:07:17 | |
out there and impress the judges. We
got 29. She said, we got 29, and we | 0:07:17 | 0:07:26 | |
were in the dance off. That is
spooky. That is weird. That is my | 0:07:26 | 0:07:32 | |
new unlucky number! We never want to
see that number again. You were up | 0:07:32 | 0:07:40 | |
against Alexandra and Gorka. What do
you thinking at that point? It is a | 0:07:40 | 0:07:44 | |
horrible feeling, in the dance off,
one of you is going to have to go | 0:07:44 | 0:07:48 | |
home. Alexandra got a good score,
she did a really good dance and we | 0:07:48 | 0:07:54 | |
were bottom of the leaderboard so we
knew that it was going to be | 0:07:54 | 0:07:57 | |
difficult to change the judges'
mine. What was it you said to Davood | 0:07:57 | 0:08:02 | |
before going out for that second
dance? What you say to him? Was | 0:08:02 | 0:08:07 | |
amazing. We knew that we were going
against Alex and she was an amazing | 0:08:07 | 0:08:12 | |
dancer. We felt really relaxed. We
had a little laugh, backstage. It | 0:08:12 | 0:08:23 | |
feels like all that we had been
through in the last few months have | 0:08:23 | 0:08:26 | |
led up to that moment. And it was
the first time I had danced without | 0:08:26 | 0:08:31 | |
fear, you know what I mean? There
was a freedom to it. We felt that, | 0:08:31 | 0:08:37 | |
in the end. It was just a different
level. He never dance like this | 0:08:37 | 0:08:41 | |
before. It was just something
special. And there was no fear, | 0:08:41 | 0:08:46 | |
there are, at all. That flaw was
yours. It was that feeling that this | 0:08:46 | 0:08:52 | |
might be our last time that the
dance together for a couple of these | 0:08:52 | 0:08:57 | |
peoples,, so just go for it and
enjoy it. It was something extra | 0:08:57 | 0:09:00 | |
special. First time in the show that
you had done the Argentine tango. | 0:09:00 | 0:09:07 | |
Compared to the other dancers you're
done, how tricky it? It is tricky, | 0:09:07 | 0:09:12 | |
but I've always enjoyed watching it.
The ones we have had this year, when | 0:09:12 | 0:09:16 | |
you watch them, you really take it
in, the relationship between the | 0:09:16 | 0:09:20 | |
dancers and everything. What is nice
about it, you don't get swept up in | 0:09:20 | 0:09:25 | |
the technical side of it. It is more
relaxed. But then let that fool you. | 0:09:25 | 0:09:30 | |
It is actually really tough. --
don't let that full year. He | 0:09:30 | 0:09:38 | |
actually led through all of those
difficult steps, and the basic | 0:09:38 | 0:09:41 | |
stuff, which is the most difficult.
And we made sure that the basic | 0:09:41 | 0:09:48 | |
steps in the Argentine tango, he did
it, and it was so difficult. | 0:09:48 | 0:09:53 | |
CHEERING
She is an amazing woman. It wasn't | 0:09:53 | 0:10:00 | |
just us who were loving you. | 0:10:00 | 0:10:11 | |
Bonnie Langford your
telly mum wrote... | 0:10:15 | 0:10:17 | |
So sad @DavoodGhadami is out
@bbcstrictly but SO PROUD | 0:10:17 | 0:10:19 | |
of his amazing achievement. | 0:10:19 | 0:10:20 | |
Thanks for supporting him.
#proudtellymum | 0:10:20 | 0:10:21 | |
And legendary choreographer
Sir Matthew Bourne posted | 0:10:21 | 0:10:23 | |
that it was the best choreography
of the night. | 0:10:23 | 0:10:26 | |
APPLAUSE
That is my stay here. That is so | 0:10:26 | 0:10:29 | |
nice. You want everyone to see that
you have really worked hard. I | 0:10:29 | 0:10:36 | |
always said, make it difficult, make
it hard. And it was. I really sorry | 0:10:36 | 0:10:42 | |
that the judges didn't pick up on
all the advanced steps that he did. | 0:10:42 | 0:10:45 | |
It may be like some professional
male who never did this, and he did | 0:10:45 | 0:10:51 | |
it. That is how good he is. This is
quite an amazing Strictly Story. You | 0:10:51 | 0:10:58 | |
have done so much. Enjoy this. OK,
thank you. I don't really have a | 0:10:58 | 0:11:07 | |
signature dance move, the best I can
give you is a bit of clapping. Your | 0:11:07 | 0:11:12 | |
partner will be... Nadiya! It is the
chatter jar. Do your first dance. -- | 0:11:12 | 0:11:22 | |
it is the cha cha cha. I thought it
was amazing. The attack, the energy. | 0:11:22 | 0:11:33 | |
Any woman would feel safe in your
arms. I love your passion, your | 0:11:33 | 0:11:43 | |
chemistry, the energy was absolutely
incredible. Much better than last | 0:11:43 | 0:11:50 | |
week. You definitely don't hold
back. You are such a beast, a beast | 0:11:50 | 0:11:55 | |
of fun, my darling! Classic,
flowing, elegant dance, the walls, | 0:11:55 | 0:12:02 | |
well, it should be. When you did a
lift, your foot came off the floor, | 0:12:02 | 0:12:09 | |
you could have kept your foot on the
floor when you did those spins. And | 0:12:09 | 0:12:15 | |
you were going so well. And on came
the red light. It is not a nice | 0:12:15 | 0:12:20 | |
experience. Davood and Nadiya...
This week we will focus on the kick | 0:12:20 | 0:12:27 | |
and flick and the jive and have a
lot of fun, because you never know | 0:12:27 | 0:12:30 | |
when it'll all be over. This is what
you have, this amazing power and | 0:12:30 | 0:12:36 | |
energy that you give to the dance,
and it worked perfectly on the jive. | 0:12:36 | 0:12:42 | |
For a man to feel comfortable with
those fluid moves and have that | 0:12:42 | 0:12:45 | |
desire through the body, you did
very well. I could sit and watch | 0:12:45 | 0:12:50 | |
that every day, darling. Well done.
He's such a great dancer. And he is | 0:12:50 | 0:12:56 | |
improving every week, more and more.
Nadiya is my parachute. Like you are | 0:12:56 | 0:13:01 | |
jumping out of a plane and she is
the one that stops you crashing. I | 0:13:01 | 0:13:10 | |
think you just were totally awesome.
You really swept all of us off of | 0:13:10 | 0:13:15 | |
our feet. Incredible, absolutely
loved it. I'm going to enjoy this, I | 0:13:15 | 0:13:28 | |
think. Your star is rising high. | 0:13:28 | 0:13:42 | |
Zing! Bring on Blackpool! This week
we are bouncing the paso doble. I | 0:13:43 | 0:13:59 | |
get to play James Bond as well.
Brilliant. I give you, your licence | 0:13:59 | 0:14:07 | |
to thrill. Powerful performance.
Incredible. Thank you, Blackpool. | 0:14:07 | 0:14:11 | |
Thank you. It was absolutely
effortless. My kind of walls. -- | 0:14:11 | 0:14:27 | |
waltz. I am so proud of him. He's
amazing. The idea of dancing doesn't | 0:14:27 | 0:14:34 | |
fill me with dread any more, it
fills me with joy, it is making me | 0:14:34 | 0:14:37 | |
smile and making me feel happy. You
have some spectacular lifts, but you | 0:14:37 | 0:14:44 | |
had some stumbling problems this
evening. It was a good effort, | 0:14:44 | 0:14:52 | |
but... Judges, it's time to decide.
Alexandra... She's a great teacher | 0:14:52 | 0:15:03 | |
and now she's a really good friend
and I am so privileged to have met | 0:15:03 | 0:15:07 | |
you. I am such a lucky girl, to have
you as my partner. I am so proud of | 0:15:07 | 0:15:11 | |
you. Thank you for teaching me to
dance. | 0:15:11 | 0:15:23 | |
We have all gone, he is down!
I am allergic to something, the | 0:15:23 | 0:15:30 | |
glitter! | 0:15:30 | 0:15:40 | |
What are the highlights are you?
From the Lord show, finding you were | 0:15:45 | 0:15:49 | |
my partner. Learning what you can
and can't do. Something happened | 0:15:49 | 0:15:55 | |
with the American Smooth, that
kick-started something. It is when I | 0:15:55 | 0:16:01 | |
started really enjoyed it, feeling
after being in the dance-off in the | 0:16:01 | 0:16:07 | |
Viennese, after that, you know why
you are here, to have fun. I am not | 0:16:07 | 0:16:12 | |
a dancer but I want to enjoy every
minute. That was amazing. The | 0:16:12 | 0:16:18 | |
Charleston... We got ten.
Squealing. A new noise to me. And | 0:16:18 | 0:16:29 | |
actually, even though it was our
last dance, the Argentina Tango, | 0:16:29 | 0:16:36 | |
there was something incredible, that
was a highlight as well. | 0:16:36 | 0:16:41 | |
Did you think you would come this
far in the competition? | 0:16:41 | 0:16:45 | |
I wasn't thinking about Fat -- How
far we would go. | 0:16:45 | 0:16:49 | |
I promised we would have fun. That I
would be strict. But we will have | 0:16:49 | 0:16:55 | |
fun.
You kept that promise in every way. | 0:16:55 | 0:17:02 | |
This was the most important thing.
The to fall in love with dancing. | 0:17:02 | 0:17:08 | |
I have. I look back at all that,
that me? | 0:17:08 | 0:17:14 | |
Look at what you did.
Incredible stuff. | 0:17:14 | 0:17:19 | |
You can watch it back.
Who would you like to win? I can't. | 0:17:19 | 0:17:24 | |
They are all good mates, whoever
wins is very deserving of it. They | 0:17:24 | 0:17:30 | |
are amazing, dancers and people. | 0:17:30 | 0:17:36 | |
We've loved having
you with us this year. | 0:17:36 | 0:17:38 | |
Everyone, please give it up
for Darvood and Nadiya! | 0:17:38 | 0:17:40 | |
CHEERING. | 0:17:40 | 0:17:46 | |
I am spent now. | 0:17:46 | 0:17:49 | |
Now, it might not be
Christmas just yet, | 0:17:49 | 0:17:51 | |
but seeing as you've all been such
good boys and girls, we thought | 0:17:51 | 0:17:54 | |
you deserved a special gift! | 0:17:54 | 0:17:55 | |
Here, with a guide on how
to dance the perfect samba, | 0:17:55 | 0:17:58 | |
it's Strictly's creative director
of choreographer, Jason Gilkison! | 0:17:58 | 0:18:00 | |
The samba is the most lively and fun
of that in American dancing. | 0:18:06 | 0:18:11 | |
It originated in South America and
was the first stars to come into the | 0:18:11 | 0:18:17 | |
western world into New York in a
musical in the 1920s. | 0:18:17 | 0:18:21 | |
When you watch the Sam Baird you
should feel like you are transported | 0:18:21 | 0:18:25 | |
to Rio in carnival time.
It is cheeky, bouncy and above all | 0:18:25 | 0:18:31 | |
very sexy.
The bounce action happens in the | 0:18:31 | 0:18:38 | |
knees and is like a spring being
pushed back and forward. It goes | 0:18:38 | 0:18:43 | |
from one leg to the other. You get a
nice lilt which makes you feel like | 0:18:43 | 0:18:53 | |
you are into the groove of the
dance. One of the first steps, to | 0:18:53 | 0:18:58 | |
travel around the floor, is the
promenade run. It is important to | 0:18:58 | 0:19:03 | |
connect with your partner on the
first step so you face each child, | 0:19:03 | 0:19:07 | |
and continue down the floor. A top
tip learning a promenade run is to | 0:19:07 | 0:19:14 | |
try and do it with your hands behind
your back to make sure you're not | 0:19:14 | 0:19:17 | |
pushing your partner along the
floor. It wouldn't be a samba | 0:19:17 | 0:19:24 | |
without a samba roll. You can do
them in hold, facing, all in shadow | 0:19:24 | 0:19:33 | |
where you actually are standing
behind the lady. The easiest samba | 0:19:33 | 0:19:39 | |
roll is a natural turn which is
where you are facing your partner | 0:19:39 | 0:19:43 | |
almost in ballroom position and the
guy goes up on his toes with his hip | 0:19:43 | 0:19:47 | |
forward and head back. Then you turn
and do the second-half keeping your | 0:19:47 | 0:19:54 | |
heads in the same place so your
heads towards the centre. | 0:19:54 | 0:19:59 | |
Once you have mastered the natural
samba roll, it gets difficult, the | 0:19:59 | 0:20:07 | |
reverse samba roll.
If you are doing them in shadow, it | 0:20:07 | 0:20:11 | |
is important your partner is on the
right side of your body. Both heads | 0:20:11 | 0:20:17 | |
are together during a giant circle
in the sky. The judges are looking | 0:20:17 | 0:20:22 | |
for a smooth action. A popular step
to be edged used in the samba is | 0:20:22 | 0:20:29 | |
this one.
It is a step in Brazil and a rhythm. | 0:20:29 | 0:20:39 | |
It is really important to get the
feet right, a tiny slip backwards, a | 0:20:39 | 0:20:44 | |
rock forward through the ball off
the foot, and a replace, then repeat | 0:20:44 | 0:20:49 | |
on the other leg. The key is to keep
your body soft. If you tighten up it | 0:20:49 | 0:20:54 | |
will go stiff. Judges are looking
for a strong rhythm. Whilst that | 0:20:54 | 0:21:00 | |
percussion must be vibrating below
it is smooth as silk on top. | 0:21:00 | 0:21:08 | |
The samba is a really sexy, vibrant,
energetic dance. | 0:21:08 | 0:21:18 | |
It is all about the rhythm it is a
celebration. | 0:21:18 | 0:21:25 | |
It is important to have fun. I mean,
who knows, you might even get a ten | 0:21:35 | 0:21:40 | |
from Craig!
One of my favourites, thank you to | 0:21:40 | 0:21:47 | |
Jason and Pasha. | 0:21:47 | 0:21:49 | |
So we've just seen how
to do the perfect samba, | 0:21:49 | 0:21:51 | |
but will we see perfect swivels
in tonight's Pro Challenge? | 0:21:51 | 0:21:53 | |
It's time to find out! | 0:21:53 | 0:21:59 | |
This year the Pro Challenge is
heading back to the Roaring 20s | 0:21:59 | 0:22:03 | |
where our pros will attempt to set a
record for the most Charleston | 0:22:03 | 0:22:07 | |
swivel steps in 30 seconds. Judging
alongside me bb choreographer Bill | 0:22:07 | 0:22:16 | |
demur, and official adjudicator
Sophie. The swivel step is essential | 0:22:16 | 0:22:22 | |
in the Charleston and as the Justice
-- judges stressed, if it hasn't got | 0:22:22 | 0:22:26 | |
swivel, it isn't a Charleston. To
qualify, our pros have two complete | 0:22:26 | 0:22:34 | |
one forward and one backward step.
If there is no swivel in the feet or | 0:22:34 | 0:22:38 | |
ankles or if they fail to complete
the forward and backward steps, it | 0:22:38 | 0:22:42 | |
will be disqualified. The challenge
will be the hardest and most | 0:22:42 | 0:22:48 | |
technical our pros have faced but
only one person can claim the title. | 0:22:48 | 0:22:55 | |
Welcome to the Strictly Pro
Challenge 2017. | 0:22:55 | 0:22:58 | |
Thank you. | 0:22:58 | 0:22:59 | |
Let's welcome our next contender. | 0:22:59 | 0:23:00 | |
He once said if he wasn't
a dancer he would have liked | 0:23:00 | 0:23:03 | |
to have been a scientist. | 0:23:03 | 0:23:05 | |
He also loves computer
games, and even | 0:23:05 | 0:23:06 | |
built his own computer! | 0:23:06 | 0:23:07 | |
So, let the games begin. | 0:23:07 | 0:23:08 | |
It's Pasha Kovalev! | 0:23:08 | 0:23:11 | |
CHEERING. | 0:23:11 | 0:23:17 | |
Look at those hips!
Yes! Hello, darling! | 0:23:21 | 0:23:29 | |
Such a gentleman. | 0:23:29 | 0:23:31 | |
It's been a while
since we've seen you. | 0:23:31 | 0:23:33 | |
What have you been up to? | 0:23:33 | 0:23:37 | |
Welcome back. Exciting news. | 0:23:37 | 0:23:41 | |
You're part of this year's
Strictly Christmas Special. | 0:23:41 | 0:23:43 | |
What's it been like reuniting
with Kimberly Walsh? | 0:23:43 | 0:23:48 | |
You know what? I was wondering
myself before we actually started | 0:23:48 | 0:23:53 | |
dancing how will it be? And it felt
like we never left. | 0:23:53 | 0:23:58 | |
You've both still got it.
It is the connection we had and how | 0:23:58 | 0:24:02 | |
easy it was to practice and do the
dancing choreography. | 0:24:02 | 0:24:09 | |
When it come to swivels,
you look pretty good | 0:24:09 | 0:24:11 | |
on paper, young man. | 0:24:11 | 0:24:12 | |
Your Charleston with both Kimberly
and Caroline achieved top scores! | 0:24:12 | 0:24:15 | |
You feeling confident? | 0:24:15 | 0:24:24 | |
On paper, yes!
OK. Let us look at the Leader Board. | 0:24:24 | 0:24:32 | |
Cathkin is at the top, does that
intimidate you? | 0:24:32 | 0:24:39 | |
-- catchier. She is a fast girl.
Possibly. | 0:24:39 | 0:24:47 | |
Let's take a look at how you got on. | 0:24:47 | 0:24:53 | |
I have to make sure my swivel is
perfect so the judges are happy. | 0:24:53 | 0:24:57 | |
Hello.
Welcome to the Strictly Pro | 0:24:57 | 0:25:04 | |
Challenge.
I like this box. | 0:25:04 | 0:25:07 | |
It is lovely.
Quite serious. You have done more | 0:25:07 | 0:25:11 | |
Pro Challenger and anyone else.
You mean I never won? | 0:25:11 | 0:25:16 | |
You have been second quite a lot
times. | 0:25:16 | 0:25:18 | |
Have you been doing anything
special? | 0:25:18 | 0:25:22 | |
Stretching, willing my shoes,
practising my smile. | 0:25:22 | 0:25:27 | |
Good luck, take your position on the
dance floor. | 0:25:27 | 0:25:33 | |
For your official attempt beginning
now. | 0:25:33 | 0:25:37 | |
Keep it up, Pasha, come on.
Keep swivelling. 15 seconds. | 0:25:49 | 0:25:55 | |
Don't lose it.
Pick it up. | 0:25:55 | 0:26:08 | |
Five, four, three...
Stop. Well done. Well done. | 0:26:08 | 0:26:14 | |
Thank you. You started off really
strongly. It looked like an Irish | 0:26:14 | 0:26:18 | |
jig towards the end.
I think those answers are very | 0:26:18 | 0:26:22 | |
related.
If you go into the history! | 0:26:22 | 0:26:25 | |
You lost rhythm towards the end.
When your legs are tired to get back | 0:26:25 | 0:26:31 | |
into that Charleston bid is
difficult. | 0:26:31 | 0:26:33 | |
The first part was good.
Congratulations, you did a good job, | 0:26:33 | 0:26:38 | |
fingers crossed, we will see how you
get on. | 0:26:38 | 0:26:46 | |
Started well, got stuck in the
middle. Hopefully that won't affect | 0:26:46 | 0:26:50 | |
my school much.
CHEERING. | 0:26:50 | 0:26:58 | |
Ian compared it to an Irish jig. | 0:26:58 | 0:27:00 | |
How do you think you did? | 0:27:00 | 0:27:04 | |
Good that you ask. I've been
conducting DNA tests and I found out | 0:27:04 | 0:27:16 | |
actually being born in Siberia far
away from here I have 6% of Irish | 0:27:16 | 0:27:23 | |
blood.
Which explains everything! | 0:27:23 | 0:27:25 | |
Well, after each
of the professionals | 0:27:25 | 0:27:26 | |
had made their attempt, | 0:27:26 | 0:27:28 | |
the footage was watched back
by adjudicators in slow motion | 0:27:28 | 0:27:30 | |
to verify every single swivel
to make sure they | 0:27:30 | 0:27:32 | |
were all accurate. | 0:27:32 | 0:27:33 | |
Pasha Kovalev, it's time
for your moment of truth. | 0:27:33 | 0:27:37 | |
In 30 seconds, you completed... | 0:27:37 | 0:27:44 | |
26 Charleston swivels! | 0:27:56 | 0:28:04 | |
Which means you're top
of the Leader Board! | 0:28:04 | 0:28:06 | |
For now, at least, anyway. | 0:28:06 | 0:28:12 | |
However, so crawl... | 0:28:12 | 0:28:14 | |
Do you think you made any mistakes? | 0:28:14 | 0:28:18 | |
Plenty, but today is the closing
day. | 0:28:18 | 0:28:22 | |
Well, I can now reveal | 0:28:22 | 0:28:23 | |
for the number of steps | 0:28:23 | 0:28:24 | |
disqualified, you scored... | 0:28:24 | 0:28:26 | |
13. | 0:28:26 | 0:28:27 | |
That's the most so far! | 0:28:27 | 0:28:28 | |
That, my friend, puts
you here on the Leader Board! | 0:28:28 | 0:28:34 | |
I'm so sorry but we love him anyway.
So close. | 0:28:34 | 0:28:39 | |
Give it up for Pasha! | 0:28:39 | 0:28:40 | |
CHEERING. | 0:28:40 | 0:28:41 | |
That's it for tonight. | 0:28:41 | 0:28:42 | |
Huge thanks to all my guests. | 0:28:42 | 0:28:44 | |
Join us tomorrow at 6.30 where I'll
be chatting to dance-off survivors | 0:28:44 | 0:28:47 | |
Alexandra and Gorka. | 0:28:47 | 0:28:48 | |
Plus, Natalie Lowe returns
for Choreography Corner, | 0:28:48 | 0:28:49 | |
and Brendan Cole takes on the Pro
Challenge! | 0:28:49 | 0:28:51 | |
Until then, goodnight! | 0:28:51 | 0:28:56 |