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Tonight is the night you've been
waiting for. Our Strictly | 0:00:07 | 0:00:11 | |
professionals | 0:00:11 | 0:00:11 | |
waiting for. Our Strictly
professionals have swivelled back | 0:00:11 | 0:00:12 | |
and forth all they can but they will
only be one winner. Will it be | 0:00:12 | 0:00:18 | |
Janette Manrara, Anton Du Beke or
the reigning champion, Giovanni | 0:00:18 | 0:00:21 | |
pennies? Victory is within their
reach but who will claim the world | 0:00:21 | 0:00:28 | |
record title and be crowned the Pro
Challenge Thampi? -- Pro Challenge | 0:00:28 | 0:00:40 | |
champion? | 0:00:40 | 0:00:43 | |
Live from London, this is Strictly
it takes to. Please welcome your | 0:01:17 | 0:01:20 | |
host, Zoe Ball. Come on! Give me a
salsa, give me a salsa. Love it! | 0:01:20 | 0:01:37 | |
Here we go. Hello and welcome to it
takes to. We have been counting down | 0:01:37 | 0:01:47 | |
to the semifinal all week and I can
now declare with much greater | 0:01:47 | 0:01:50 | |
accuracy that there is just, look at
that, 24 hours, 43 minutes and 11 | 0:01:50 | 0:02:00 | |
seconds to go. Our dancers are
quaking in their boots. In between | 0:02:00 | 0:02:06 | |
rehearsing, for about dancers have
stepped by -- stopped by, looking | 0:02:06 | 0:02:11 | |
divine. | 0:02:11 | 0:02:15 | |
I'm joined on the Friday panel
by a group of people collectively | 0:02:15 | 0:02:18 | |
known as "well fit". | 0:02:18 | 0:02:19 | |
Rick Edwards, Lisa
Snowdon and Danny Mac. | 0:02:19 | 0:02:22 | |
Plus, once the incredible voice
of Keane, Tom Chaplin will be | 0:02:22 | 0:02:25 | |
here to sing us a Christmas classic. | 0:02:25 | 0:02:34 | |
But now, you might be familiar
with a fine piece of Welsh rarebit | 0:02:34 | 0:02:37 | |
called Gethin Jones,
who can often be found | 0:02:37 | 0:02:39 | |
wandering around Elstree
studios hunting for gossip. | 0:02:39 | 0:02:40 | |
Let's see what he's uncovered. | 0:02:40 | 0:02:42 | |
It may be cold outside but things
are heating up in Elstree Studios | 0:02:47 | 0:02:52 | |
because it is semifinal either. So
much to look forward to on the dance | 0:02:52 | 0:02:57 | |
floor tomorrow but at the moment,
Mali and AJ are rehearsing their | 0:02:57 | 0:03:02 | |
samba to Shakira's Whenever,
Wherever. Those hips don't Lie and I | 0:03:02 | 0:03:16 | |
am going to make sure the you don't
miss a trick. | 0:03:16 | 0:03:20 | |
Thank you, Mr Jones. | 0:03:20 | 0:03:22 | |
Now, I've got a good "feline"
about our first guests. | 0:03:22 | 0:03:25 | |
Because if my "meow-mory"
serves me correctly, | 0:03:25 | 0:03:28 | |
they danced a "claw-some"
American Smooth last weekend. | 0:03:28 | 0:03:31 | |
And nine out of ten
cats would agree. | 0:03:31 | 0:03:35 | |
There's always one
isn't there, Craig. | 0:03:35 | 0:03:38 | |
It's Debbie and Giovanni. | 0:03:38 | 0:03:48 | |
Debbie was stunning. I am pairing
with delight. It was absolutely | 0:03:49 | 0:03:52 | |
seamless. That was hugely
impressive. Well ban, Debbie. The | 0:03:52 | 0:03:59 | |
story arc was told so beautifully.
It was mesmerising. | 0:03:59 | 0:04:10 | |
# How will I know if he really loves
me | 0:04:10 | 0:04:14 | |
# Aides say a prayer with every
heartbeat | 0:04:14 | 0:04:17 | |
# I fall in love when ever we meet #
Semifinalists. Feast your eyes upon | 0:04:17 | 0:04:26 | |
their brilliance. Shirley said that
dance would be etched on people's | 0:04:26 | 0:04:32 | |
memories for ever. How about you?
Absolutely. I will never forget last | 0:04:32 | 0:04:38 | |
weekend. We just loved dancing that
dance. Have you watched it back? How | 0:04:38 | 0:04:45 | |
many times about three times. Darcey
said it was seamless, Bruno said | 0:04:45 | 0:04:55 | |
Lawless. When you hear comments like
that, does it make your heart glow? | 0:04:55 | 0:05:02 | |
-- Bruno said Lawless. Definitely.
Every minute of that dance, I really | 0:05:02 | 0:05:11 | |
felt the emotion, we really felt
like we were dancing as one, so then | 0:05:11 | 0:05:15 | |
when the judges loved it as well,
and you could feel it in the | 0:05:15 | 0:05:20 | |
audience, in the studio. That is
what you want. It's a magical thing. | 0:05:20 | 0:05:26 | |
Craig actually purred with delight,
which was quite something, then he | 0:05:26 | 0:05:30 | |
only gave you and nine. Why does he
never give you attend? I really | 0:05:30 | 0:05:35 | |
don't know. I don't know. It was a
great dance, I think, because I | 0:05:35 | 0:05:41 | |
watched it back just a couple of
times. Maybe a couple of hundred | 0:05:41 | 0:05:44 | |
times. I don't know, everything was
there, elegant. I really don't know. | 0:05:44 | 0:05:55 | |
I don't know. He is a tough one to
crack. The spin left, we need to see | 0:05:55 | 0:06:01 | |
it again because it was amazing. We
are hoping to recreate that with | 0:06:01 | 0:06:06 | |
audience members in a moment. How
tricky is that, Giovanni? When we | 0:06:06 | 0:06:12 | |
did they read Tim, I said to Debbie,
this is an ambitious moment because | 0:06:12 | 0:06:16 | |
from that, we have to go bombers
standing spin into a pivot. It's | 0:06:16 | 0:06:26 | |
really difficult because of
dizziness. I was dizzy on my legs. I | 0:06:26 | 0:06:31 | |
was like, where is she? She did
brilliantly. Really good. It was | 0:06:31 | 0:06:37 | |
really difficult, but you know. Can
we practice that later on? Why not | 0:06:37 | 0:06:44 | |
now? I want to spin the year round.
And you are the cats that get the | 0:06:44 | 0:06:52 | |
cream, because you are three to the
semifinal. Top of the leaderboard, | 0:06:52 | 0:06:57 | |
but as we saw with Alexandra, it
doesn't mean you are safe. Our tents | 0:06:57 | 0:07:02 | |
were you? Really tense. Petrified.
At this stage of the competition, we | 0:07:02 | 0:07:12 | |
have both worked really hard, so we
want to go through. When you heard | 0:07:12 | 0:07:19 | |
your name, it's utter relief.
Petrified is the word. Yes, I hate | 0:07:19 | 0:07:26 | |
that sound. So, too dancers, but
before that, actually, a friend of | 0:07:26 | 0:07:35 | |
the show, Miranda Hart did tweet,
this is good, I love them all but I | 0:07:35 | 0:07:40 | |
am fully Tim Debbie McGee... | 0:07:40 | 0:07:46 | |
Here here. We love Miranda. She is
so funny, isn't she? So, to dancers | 0:07:49 | 0:08:02 | |
you have got and you are going to be
starting with this one. | 0:08:02 | 0:08:18 | |
It is his favourite and it is the
jive. Has he been putting you | 0:08:21 | 0:08:24 | |
through your paces? I have been so
tired, I have been eating double | 0:08:24 | 0:08:33 | |
what I normally eat and I have been
eating double all series. I love | 0:08:33 | 0:08:40 | |
watching his face when we do it
because he loves doing the jive so | 0:08:40 | 0:08:43 | |
much. Your little base. Are you
looking at yourself or Debbie? He is | 0:08:43 | 0:08:50 | |
looking at himself. Have you stuck
with your training plan? We have | 0:08:50 | 0:09:00 | |
tried, but she is really busy. I
have been very busy, doing half a | 0:09:00 | 0:09:06 | |
day of learning lines for panto,
then the rest with Giovanni. Also | 0:09:06 | 0:09:13 | |
doing the foxtrot to this. | 0:09:13 | 0:09:18 | |
MUSIC: Isn't She Lovely
by Stevie Wonder. | 0:09:18 | 0:09:23 | |
Tell us about their stance,
Giovanni. It is a song that makes | 0:09:23 | 0:09:29 | |
you smile whenever you play at. This
is the semifinal. At this point in | 0:09:29 | 0:09:35 | |
the competition, you want to show
the judges that we can achieve a | 0:09:35 | 0:09:40 | |
good technique, so my priority this
week is to show a pure technique, | 0:09:40 | 0:09:45 | |
pure dance, no messing around, just
in hold for one minute and 45, | 0:09:45 | 0:09:50 | |
dancing beautifully. That is my
point. He has got the chat, hasn't | 0:09:50 | 0:09:55 | |
he. He has been tough. He has to be.
You are brilliant. Fingers crossed | 0:09:55 | 0:10:03 | |
for you that we see you in the
final. Let's hear it for Debbie and | 0:10:03 | 0:10:06 | |
Giovanni. And we will be seeing
Giovanni in a little bit because | 0:10:06 | 0:10:11 | |
he's back for the final of the Pro
Challenge. Could he make it two | 0:10:11 | 0:10:17 | |
years in a row? Let's find out. | 0:10:17 | 0:10:20 | |
Now, Christmas is coming,
the geese are getting fat | 0:10:20 | 0:10:22 | |
and our couples are training
for not one but two dances. | 0:10:22 | 0:10:24 | |
To whet your appetite,
here's a look at Alexandra's salsa | 0:10:24 | 0:10:27 | |
and Joe's American Smooth. | 0:10:27 | 0:10:30 | |
The salsa training is so much fun.
It's fast, energetic. If you think | 0:10:30 | 0:10:36 | |
about the next step, you've already
missed a beat. In this dance, | 0:10:36 | 0:10:40 | |
there's going to be a lot of fast
movements, sensitive movements and | 0:10:40 | 0:10:45 | |
tricks. I've got Gorka and a salsa.
I'm so lucky. I know he's really | 0:10:45 | 0:10:54 | |
going to push me to my limit and
more. One, two, three. You have got | 0:10:54 | 0:11:02 | |
to show you are loving life with the
salsa. Beautiful. The American | 0:11:02 | 0:11:09 | |
Smooth bill is nice at the dance.
It's like the old black and white | 0:11:09 | 0:11:12 | |
films I used to watch. I haven't
done anything so glamorous before. | 0:11:12 | 0:11:18 | |
Are you sure about this? One dance
was more than enough to be doing in | 0:11:18 | 0:11:24 | |
a week and to dancers build very
overwhelming. It is real showmanship | 0:11:24 | 0:11:27 | |
required. Doing the technique but
remembering to enjoy it and to look | 0:11:27 | 0:11:35 | |
like you are enjoying it, that is
the challenge. | 0:11:35 | 0:11:38 | |
Now, a semifinal calls
for some expert punditry. | 0:11:42 | 0:11:44 | |
Gary Lineker and Alan Shearer
weren't available, so please | 0:11:44 | 0:11:46 | |
put your hands together
for Rick Edwards, Lisa | 0:11:46 | 0:11:48 | |
Snowdon and Danny Mac. | 0:11:48 | 0:11:58 | |
# Do you think I'm sexy
# If you really need me | 0:12:00 | 0:12:09 | |
# Just reach out and touch me... #
Well come back, song and dance man, | 0:12:09 | 0:12:17 | |
Danny Mac.
Finalist last year. How are you, | 0:12:17 | 0:12:20 | |
honey? I'm so good. It's great to be
back. We have missed you. Have you | 0:12:20 | 0:12:27 | |
missed us? Absolutely. I didn't at
first, I wanted my life back, but | 0:12:27 | 0:12:34 | |
two weeks into this season I was
like, I've got to go back. Lisa, you | 0:12:34 | 0:12:39 | |
are back. She was amazing. What a
calibre they have been this year. | 0:12:39 | 0:12:45 | |
Have you been impressed? From the
get go. Remembering Debbie's Paso | 0:12:45 | 0:12:52 | |
Robles on the first night, I was
like, how can they do this so early | 0:12:52 | 0:12:55 | |
in the series? It's just got better
and better. Rick Edwards, I hear you | 0:12:55 | 0:13:04 | |
get your Strictly on on a Saturday
night. Have you ever thought about | 0:13:04 | 0:13:08 | |
getting your Tony Mann Aero on and
doing what these two have done? I | 0:13:08 | 0:13:13 | |
have a specific skill which is
always being offbeat and I don't | 0:13:13 | 0:13:16 | |
know how that would go down with the
judges. Let me introduce you to | 0:13:16 | 0:13:24 | |
Karen Clifton, Janette Manrara. They
could work with that. Now, let's | 0:13:24 | 0:13:28 | |
have a look at this tango to My
Sharona. This is Gemma and Aljaz in | 0:13:28 | 0:13:38 | |
training. Never been bottom two. Has
she picked this up brilliantly? | 0:13:38 | 0:13:46 | |
Honestly, when you said expert
judge, I just went, well, it looks | 0:13:46 | 0:13:50 | |
nice to me. I also think the thing
with Gemma is, the audience love | 0:13:50 | 0:13:56 | |
her. She is such a popular dancer. I
think she will be fine. Also, I'm | 0:13:56 | 0:14:02 | |
feeling slightly guilty because I've
just met Aljaz. He does have that | 0:14:02 | 0:14:06 | |
effect. I work in Talay but I was
like, I've met Aljaz! -- I work in | 0:14:06 | 0:14:18 | |
television, but I was like, I've met
Aljaz. He was so nice. They are also | 0:14:18 | 0:14:25 | |
doing a rumble. Last week, Shirley
said she needs to bring out her | 0:14:25 | 0:14:32 | |
acting skills. What do you think
here? She is my mums favourite and I | 0:14:32 | 0:14:41 | |
know Gemma as well, she's a
fantastic actress, but there's so | 0:14:41 | 0:14:43 | |
much to think about the night, it's
hard to remember that but after that | 0:14:43 | 0:14:48 | |
advice last week, I think Gemma be
fine. She will smash it. She'll be | 0:14:48 | 0:14:52 | |
amazing tonight. Let's move on to
Mollie and AJ. They have been in the | 0:14:52 | 0:15:01 | |
bottom two for the last two weeks.
Have they got the momentum? Dancing | 0:15:01 | 0:15:05 | |
to Shakira. | 0:15:05 | 0:15:08 | |
MUSIC: Whenever,
Wherever by Shakira | 0:15:08 | 0:15:12 | |
The hips do not lie, as they say.
You have just got to really go for | 0:15:12 | 0:15:18 | |
it. It was one of your strongest,
would you give her advice? That is | 0:15:18 | 0:15:25 | |
the time when you have to let it go,
because if you hold back, it has a | 0:15:25 | 0:15:30 | |
tendency to be awkward and I only
knew that because I lost it that | 0:15:30 | 0:15:34 | |
week. And we loved it. Rick, they
have the waltz. You are a man of | 0:15:34 | 0:15:43 | |
strong frame. What do you reckon to
Mollie's topline? Does it look like | 0:15:43 | 0:15:49 | |
perfection? Do we have romance? When
I was watching on Wednesday when Ian | 0:15:49 | 0:15:56 | |
said something about a right angle
but not quite. You have been | 0:15:56 | 0:16:00 | |
observant! There was some bend in
the arm. I am saying the armography. | 0:16:00 | 0:16:13 | |
I said, if I am coming on the show,
I am saying armography! Last man | 0:16:13 | 0:16:20 | |
standing, Joe, the Argentine tango,
everybody loves this dance. Katya | 0:16:20 | 0:16:25 | |
has pushed him with complex
choreography. You can see him | 0:16:25 | 0:16:30 | |
dancing to Rag 'n' Bone Man. | 0:16:30 | 0:16:33 | |
MUSIC: Human by Rag 'n' Bone Man | 0:16:33 | 0:16:38 | |
He surprises me and I love it. The
chemistry. Her enthusiasm is | 0:16:38 | 0:16:44 | |
infectious and really works. I think
it will be a good week for Joe. She | 0:16:44 | 0:16:50 | |
has not heard the word fatigue, so
she does not suffer from it. | 0:16:50 | 0:16:56 | |
American Smooth, Danny and like
Gemma, he has never been in the | 0:16:56 | 0:17:02 | |
bottom two. Craig said he was a dark
horse. Front runner? I think he is | 0:17:02 | 0:17:11 | |
fab. I love Joe. And he has two show
stopping dances. And Katya is | 0:17:11 | 0:17:21 | |
fantastic with choreography. Dancing
to Robbie Williams. Rick, this will | 0:17:21 | 0:17:26 | |
be memorable. The jogging bottoms
and shoes combination is memorable. | 0:17:26 | 0:17:31 | |
I cannot believe how good he is
because he did not start that good. | 0:17:31 | 0:17:41 | |
Incredible, and such a nice man.
Lovely. Very good. We will have more | 0:17:41 | 0:17:51 | |
later. The Friday Panel.
APPLAUSE | 0:17:51 | 0:17:54 | |
Now, have you met Mr Jones? | 0:17:54 | 0:17:56 | |
Of course you have. | 0:17:56 | 0:17:57 | |
He gets around. | 0:17:57 | 0:17:58 | |
He's been at Elstree all day. | 0:17:58 | 0:17:59 | |
Let's see who's fallen
for the old Gethin charm this time. | 0:17:59 | 0:18:05 | |
I have grabbed time with team
Alorka. Two dances, a Viennese waltz | 0:18:05 | 0:18:15 | |
and salsa. You cannot get those two
confused, can you? I can. He won't. | 0:18:15 | 0:18:23 | |
It is very different. Slowdowns in
too fast. -- a slow dance. How are | 0:18:23 | 0:18:33 | |
you feeling about them? I am feeling
nervous about both but I am excited | 0:18:33 | 0:18:40 | |
because the salsa is what I have
always wanted to do and the Viennese | 0:18:40 | 0:18:45 | |
waltz is beautiful and I have not
seen my dress is it, but I have | 0:18:45 | 0:18:49 | |
heard they are out of this world. I
have seen them and they are amazing. | 0:18:49 | 0:18:55 | |
You are dancing to Everybody Hurts.
Is everything hurting? Yes, we have | 0:18:55 | 0:19:06 | |
been rehearsing nonstop but no pain,
no gain. Listen, big night tomorrow, | 0:19:06 | 0:19:16 | |
the semifinal. All the very best
tomorrow. | 0:19:16 | 0:19:22 | |
Time to welcome our next couple. | 0:19:22 | 0:19:24 | |
Last weekend, they quickstepped
their way into the semifinal | 0:19:24 | 0:19:26 | |
with some old-fashioned
razzle dazzle. | 0:19:26 | 0:19:33 | |
And a few gorgeous
feather fans, darling. | 0:19:33 | 0:19:35 | |
It's Gemma and Aljaz. | 0:19:35 | 0:19:42 | |
# Hello Dolly. Back-up, boys, here
comes Gemma. I felt it needed to be | 0:19:42 | 0:19:49 | |
lighter but I loved the
theatricality. You had an immaculate | 0:19:49 | 0:19:54 | |
frame, beautiful footwork, I felt it
needed 20% more. | 0:19:54 | 0:20:07 | |
# Baby, hands up.
# Give me your heart. Hello, baby, | 0:20:07 | 0:20:19 | |
looking beautiful. Did you hear Rick
Edwards? Do not slide off the edge. | 0:20:19 | 0:20:28 | |
Hello, Dolly. Gemma, looking
gorgeous. Aljaz looks all right. How | 0:20:28 | 0:20:36 | |
was it last week? Talk about a way
to open musical week. I loved it, | 0:20:36 | 0:20:46 | |
the concept, the fact we went for it
and I had a really good night on | 0:20:46 | 0:20:50 | |
Saturday. Nerves were still there
but we have so much fun. When you | 0:20:50 | 0:20:57 | |
have the extra dancers, it is like a
Broadway production. Look at that. | 0:20:57 | 0:21:01 | |
Beautiful. Neil would be drawn on
moustache. I loved that. Did Gemma | 0:21:01 | 0:21:13 | |
pass this one theory test? -- swan
theory test? She did. Make something | 0:21:13 | 0:21:29 | |
up. 16 months we have been here,
people. Absolutely, quickstep is the | 0:21:29 | 0:21:37 | |
hardest dance to keep the hold and I
choreographed it so that we kept the | 0:21:37 | 0:21:47 | |
hold and we got through it with
honours. We got through it. It is a | 0:21:47 | 0:21:54 | |
team thing. There was disagreement
between Craig and surely about the | 0:21:54 | 0:21:59 | |
frame. Shirley said immaculate,
Craig said bow seat. Whose side are | 0:21:59 | 0:22:03 | |
you one? Our side. It is not about
agreeing or disagreeing. I have to | 0:22:03 | 0:22:12 | |
say to get to this stage in the
competition for Gemma, who gets up | 0:22:12 | 0:22:18 | |
at 4:30am. We rehearse eight hours.
She never complains. It is | 0:22:18 | 0:22:24 | |
incredible how much you have
improved from weak one, to be in the | 0:22:24 | 0:22:29 | |
semifinal. It is amazing for anyone.
Well said. Honestly. We have been | 0:22:29 | 0:22:39 | |
training so hard and when you get
out there you try to do your | 0:22:39 | 0:22:42 | |
absolute best. That dance, when it
finished, and you could vividly tell | 0:22:42 | 0:22:49 | |
because I was probably overreacting.
It was perfect. Absolutely perfect. | 0:22:49 | 0:22:56 | |
Down to me, it was a beautiful
frame. We laughed the Barnett, we | 0:22:56 | 0:23:04 | |
are calling it the onion. They put
like a sponge doughnut and attached | 0:23:04 | 0:23:11 | |
it to my hair. I looked like my mum.
As we predicted the scores went up. | 0:23:11 | 0:23:23 | |
The technical roller-coaster theory
working. How scared were you waiting | 0:23:23 | 0:23:27 | |
because you were joint bottom of the
Leader Board? It is horrible because | 0:23:27 | 0:23:31 | |
when you are bottom of the Leader
Board, you think the judges did not | 0:23:31 | 0:23:37 | |
like the dancers much as we did and
you get panicked but when your name | 0:23:37 | 0:23:41 | |
is called, it is a relief because it
is the public who have put us in the | 0:23:41 | 0:23:46 | |
semifinal and it means so much. I
said afterwards, I said I cannot | 0:23:46 | 0:23:52 | |
believe people have enjoyed watching
me dance, enjoyed your choreography. | 0:23:52 | 0:23:58 | |
They love it. Thank you. Two dances
this weekend. Starting with a rumba | 0:23:58 | 0:24:11 | |
to Labrinth. It is emotional. Aljaz,
what can you tell us about it? A | 0:24:11 | 0:24:26 | |
lot, there is a lot of beautiful
rumba steps and as we can see, Don | 0:24:26 | 0:24:32 | |
beautifully. It will be very
romantic, very sensual. When we did | 0:24:32 | 0:24:39 | |
it on the first rehearsal, when I
saw how incredible Gemma is going to | 0:24:39 | 0:24:44 | |
be at it, I put in more rumba. And
higher shoes. He is making me where | 0:24:44 | 0:24:51 | |
higher shoes. You have to to pretend
to be in love with Aljaz, the rumba. | 0:24:51 | 0:25:00 | |
I know, it is a tough job to ask of
people. We thought we would help you | 0:25:00 | 0:25:05 | |
to get in the mood. Rather than
staring into each other's eyes, | 0:25:05 | 0:25:12 | |
looked down the camera lens. Let's
see if we are convinced. | 0:25:12 | 0:25:19 | |
LAUGHTER.
You have nailed it. That was half of | 0:25:19 | 0:25:33 | |
the choreography. Onto the tango to
My Sharona. | 0:25:33 | 0:25:48 | |
# My Sharona. How is it, a change of
pace, how are you liking it? You | 0:25:48 | 0:25:58 | |
look amazing in this. I have
struggled to learn the steps but | 0:25:58 | 0:26:04 | |
because the rumba is straight
legged, pointy toes, and this is | 0:26:04 | 0:26:09 | |
done on bent legs but I feel safe in
hold with Aljaz now so if I keep my | 0:26:09 | 0:26:17 | |
frame, I am hoping he can drag me
around. But I love the music. With | 0:26:17 | 0:26:26 | |
the paso, you have that great
character, as well. Never have been | 0:26:26 | 0:26:32 | |
in the bottom two, does that give
you confidence about the final? We | 0:26:32 | 0:26:36 | |
have said since the first week we
need to take every Saturday as a | 0:26:36 | 0:26:41 | |
Saturday and not think it is the
semifinal. I get nervous. This week, | 0:26:41 | 0:26:48 | |
we have two dances and hopefully it
will go well and hopefully the week | 0:26:48 | 0:26:52 | |
after, we will have three dances.
Now we are fluent in Slovenian. | 0:26:52 | 0:27:05 | |
SPEAKS SLOVENIAN. Go and get them. | 0:27:05 | 0:27:09 | |
It's time now to check
in with Gethin. | 0:27:09 | 0:27:11 | |
I've just received word he's walked
into wardrobe completely undetected. | 0:27:11 | 0:27:13 | |
Smooth as ever. | 0:27:13 | 0:27:20 | |
I am in the best wardrobe department
in the world, led by the mighty | 0:27:20 | 0:27:24 | |
Vicky Gill. I think this needs some
work before tomorrow. The semifinal. | 0:27:24 | 0:27:32 | |
So many people ask about your team.
Who are they? They are a fantastic | 0:27:32 | 0:27:40 | |
team, amazing. Not everybody is
here. It is hard to get everybody in | 0:27:40 | 0:27:45 | |
one place. Jane is hiding I think.
They will pretend they are shy and | 0:27:45 | 0:27:51 | |
do not have much of that opinion but
yes, they definitely do. Everybody | 0:27:51 | 0:27:56 | |
is working hard at the moment.
Preparing for the semifinal. Give | 0:27:56 | 0:28:04 | |
them a wave. There is nothing in
that book, you are pretending to | 0:28:04 | 0:28:14 | |
look busy! Tell me about your boss
Vicky Gill. I feel like it is like | 0:28:14 | 0:28:20 | |
Meryl Streep in the Devil wears
Prada. She is amazing to work for, a | 0:28:20 | 0:28:29 | |
brilliant designer. We love working
here. You are a close-knit team. | 0:28:29 | 0:28:34 | |
This could be trouble. Last night we
saw some of the dresses for | 0:28:34 | 0:28:38 | |
tomorrow. This is Mollie's. It is
not quite ready. We need to get this | 0:28:38 | 0:28:45 | |
up here. So that when she wiggles,
it moves. I can imagine it is mad on | 0:28:45 | 0:28:58 | |
Friday getting ready. Friday is the
big day. Quite a nice day. A good | 0:28:58 | 0:29:04 | |
feeling on Friday night when
everybody's shoes are there and | 0:29:04 | 0:29:10 | |
everything is put behind their name.
Can you show us something we have | 0:29:10 | 0:29:14 | |
not seen for tomorrow. This is for
Mollie's waltz. There is a lot of | 0:29:14 | 0:29:23 | |
work that goes into that. This would
have been worked on by Cash and his | 0:29:23 | 0:29:29 | |
girls. They never stop. They go all
night. And thanks to you, all of the | 0:29:29 | 0:29:36 | |
Couples look fantastic on Saturday
night. Thank you, wardrobe. They are | 0:29:36 | 0:29:46 | |
amazing. | 0:29:46 | 0:29:47 | |
Now, the training updates
are coming thick and fast. | 0:29:47 | 0:29:49 | |
Here's how Joe's Argentine tango
and Mollie's samba are shaping up. | 0:29:49 | 0:29:58 | |
The Argentine tango is very
specific. It is quite difficult. You | 0:29:58 | 0:30:02 | |
need a lot of attitude. You have to
come with all guns blazing. There | 0:30:02 | 0:30:10 | |
are so many details. It is a
different posture and techniques. It | 0:30:10 | 0:30:19 | |
is going to take us a little while
to get it. It is good fun. I am | 0:30:19 | 0:30:26 | |
enjoying every minute. For as long
as it lasts, I am having a really | 0:30:26 | 0:30:30 | |
nice time. Much better. With the
samba the most difficult thing is to | 0:30:30 | 0:30:36 | |
look like it is coming natural to me
because there is nothing natural | 0:30:36 | 0:30:39 | |
about this. There is so much to it,
it is really fast. I have to get my | 0:30:39 | 0:30:47 | |
hips moving and they are a bit
stiff. Mollie is struggling with the | 0:30:47 | 0:30:51 | |
different rhythm. I am hoping there
will be a positive journey to | 0:30:51 | 0:30:57 | |
Saturday. I can see where it is
going. We have a long way to get | 0:30:57 | 0:31:01 | |
there, but I can see where it is
going for Saturday. | 0:31:01 | 0:31:10 | |
Good work from all of them. | 0:31:10 | 0:31:12 | |
Now, it's the moment you've
all been waiting for. | 0:31:12 | 0:31:15 | |
This year, 15 contenders entered
the Pro Challenge Arena and now just | 0:31:15 | 0:31:17 | |
three remain. | 0:31:17 | 0:31:18 | |
And one of them will reign supreme. | 0:31:18 | 0:31:21 | |
It gives me great pleasure
to welcome super swivellers | 0:31:21 | 0:31:23 | |
Giovanni, Janette and Anton. | 0:31:23 | 0:31:28 | |
MUSIC: Pirates Of
The Caribbean theme. | 0:31:37 | 0:31:43 | |
Well come. You can fill the
competition between the three of | 0:31:43 | 0:31:46 | |
them. It is on. Before we let this
battle commence, may we remind you | 0:31:46 | 0:31:55 | |
that 12 contenders have gone before
you, so let's have a look at the | 0:31:55 | 0:32:00 | |
leaderboard as it currently stands. | 0:32:00 | 0:32:02 | |
Brendan Cole is still
languishing at the bottom. | 0:32:04 | 0:32:06 | |
With Neil and Chloe for company. | 0:32:06 | 0:32:10 | |
Last night, Karen Clifton knocked
Katya Jones off the top spot. | 0:32:10 | 0:32:13 | |
Well, she was getting
a little too comfortable up | 0:32:13 | 0:32:15 | |
there, if you ask me. | 0:32:15 | 0:32:20 | |
So let's speak to the reigning
champion of the Pro Challenge, | 0:32:20 | 0:32:25 | |
Giovanni. Do you have what It Takes
Two retain your crown, Giovanni? Of | 0:32:25 | 0:32:33 | |
course I have. I have the fastest
legs in the world so far, so I only | 0:32:33 | 0:32:38 | |
used 50% of my energy just to give
them a chance. Sure, sure! Hello, | 0:32:38 | 0:32:46 | |
Janette. Your outfit is amazing.
Joint second last year alongside | 0:32:46 | 0:32:52 | |
your great friend, Karen Clifton.
Can you go one better this year? I | 0:32:52 | 0:32:58 | |
hope so because I am not going to be
able to deal with him and his ego if | 0:32:58 | 0:33:02 | |
he has one again. Or Anton. A lady
needs to win. The old master, as he | 0:33:02 | 0:33:10 | |
is. He has a golf handicap of five,
which I believe is very good. Indeed | 0:33:10 | 0:33:19 | |
I do. How are your swivels, sir?
Absolutely exquisite. I am | 0:33:19 | 0:33:29 | |
tremendous that swivelling. You must
understand, I was there when the | 0:33:29 | 0:33:33 | |
dance was invented. I am very
talented. Shall we see how you got | 0:33:33 | 0:33:39 | |
on, Anton Du Beke? Good luck. I
mean, these youngsters can do a | 0:33:39 | 0:33:45 | |
charleston to a certain level but
not like the experienced ones. You | 0:33:45 | 0:33:48 | |
have to be of a certain age to do a
proper charleston. Here he is. | 0:33:48 | 0:33:56 | |
Lovely to see you all. Thank you
very much for inviting me here | 0:33:56 | 0:34:00 | |
today. I shall do my best that I
can. Now, my first song is... I | 0:34:00 | 0:34:07 | |
shall never charleston alone. After
three... Oh, the band aren't here. | 0:34:07 | 0:34:12 | |
We will save that for later. Thank
you, Anton, and welcome to the | 0:34:12 | 0:34:18 | |
Strictly Pro Challenge. Now, do you
have the presence that the | 0:34:18 | 0:34:23 | |
charleston deserves? I think you
will really give it justice. Please | 0:34:23 | 0:34:28 | |
take your place on the dance floor.
I shall. For your official attempt | 0:34:28 | 0:34:36 | |
to beginning in three, two, one, go.
Come on, Anton, keep it up. I'm a | 0:34:36 | 0:34:45 | |
man of a certain age. You can do it.
Keep it going. Keep your swivel | 0:34:45 | 0:34:51 | |
going. 15 seconds. Can't we take
those than doubled up? Five, four, | 0:34:51 | 0:35:05 | |
three, two, one, stop. Thank you so
much! That's a charleston step I | 0:35:05 | 0:35:17 | |
have never seen before. It was very
interesting. What did you think, | 0:35:17 | 0:35:20 | |
Bill? It was OK. You lost it towards
the end. It was quite fast. It was | 0:35:20 | 0:35:31 | |
quite brisk. Thank you so much,
Anton. It's been lovely having you | 0:35:31 | 0:35:37 | |
here. It's been lovely being hair.
Thank you all very much indeed. I'll | 0:35:37 | 0:35:42 | |
tell my agent to wait for the call.
# I've got a dream... # | 0:35:42 | 0:35:49 | |
I thought the technique was good,
naturally. I mean, I was there when | 0:35:49 | 0:35:55 | |
they invented the thing. They will
have to count up. I think they might | 0:35:55 | 0:35:58 | |
dock me a couple towards the end.
You make us laugh, you really do. | 0:35:58 | 0:36:06 | |
Listen, they know. The people know.
Ian Poulter technique was very | 0:36:06 | 0:36:10 | |
interesting. I don't care what Ian
thinks. He's not even in the shadow! | 0:36:10 | 0:36:18 | |
I'm only kidding, Ian. I love him.
Now Giovanni. I feel really excited. | 0:36:18 | 0:36:28 | |
I was born T-wing. I won last year,
I will try to win again. Here he is, | 0:36:28 | 0:36:36 | |
our reigning Strictly Pro Challenge
champion. Stop it. Do you feel as | 0:36:36 | 0:36:43 | |
though you have a little bit of
pressure? I do, I do. I have a lot | 0:36:43 | 0:36:49 | |
of pressure. I want to do it again.
Do you think you can do this | 0:36:49 | 0:36:53 | |
charleston step justice? I will try.
Please take your position on the | 0:36:53 | 0:37:00 | |
dance floor. OK, for your official
attempt beginning in three, two, | 0:37:00 | 0:37:06 | |
one, though. | 0:37:06 | 0:37:09 | |
15 seconds. Come on, keep it going.
Keep the swivel. Five, four, three, | 0:37:22 | 0:37:35 | |
two, one, stop. Ran out of steam a
little bit at the end, didn't you? | 0:37:35 | 0:37:45 | |
But it looked very fast and compact.
That is what I was trying to do, | 0:37:45 | 0:37:49 | |
compact. It was really tight. Who
knows. Thank you so much for doing | 0:37:49 | 0:37:59 | |
the Pro Challenge. Thank you so
much. I love you too. I do feel the | 0:37:59 | 0:38:05 | |
pressure but it's a different
challenge. I've still got one! | 0:38:05 | 0:38:15 | |
Giovanni, Bill nodding his head
there. How do you keep it so | 0:38:15 | 0:38:18 | |
compact, Giovanni? You know, I just
tried to do my best and again, it | 0:38:18 | 0:38:27 | |
was only 50% of my energy and it
still at great, so... There's always | 0:38:27 | 0:38:31 | |
next year, guys. Anton was saying,
he's going off on the left. He | 0:38:31 | 0:38:39 | |
looked like he was made of wood. OK,
finally, Latin sensation Janette | 0:38:39 | 0:38:46 | |
Manrara. Let's see if you can out
with all these guys. Good luck, | 0:38:46 | 0:38:51 | |
darling. I love the charleston. It's
one of my favourite dancers. The | 0:38:51 | 0:38:58 | |
charleston swivel is one of my
preferred steps as well, though I | 0:38:58 | 0:39:01 | |
think it will be a good one. Hello,
Janette, and welcome to this year's | 0:39:01 | 0:39:07 | |
Strictly Pro Challenge. Are you
excited? Very excited. I love the | 0:39:07 | 0:39:12 | |
charleston and I am very small, I
hope that the good thing. Last year, | 0:39:12 | 0:39:16 | |
you were runner up by one step. Do
you have what It Takes Two win this | 0:39:16 | 0:39:20 | |
year? It's going to be my year, I
feel it. OK, I'm going. For your | 0:39:20 | 0:39:31 | |
official attempt beginning in three,
two, one, go. | 0:39:31 | 0:39:39 | |
15 seconds. Keep it going. Keep the
swivel. Five, four, three, two, one, | 0:39:50 | 0:40:03 | |
stop. Wow, that was a lot. That was
a lot more tiring than I thought it | 0:40:03 | 0:40:12 | |
would be. Oh, wow. And I thought you
had all this energy. Yes, maybe not. | 0:40:12 | 0:40:23 | |
For me, it looked very compact and
very quick. What did you think? | 0:40:23 | 0:40:28 | |
Absolutely. The swivels were there
and you kept right on your toes as | 0:40:28 | 0:40:32 | |
well. Really good. One of the
neatest once we have seen. Yes! | 0:40:32 | 0:40:41 | |
Thank you, guys. Fingers crossed.
You would think that he second is | 0:40:41 | 0:40:45 | |
not long but it feels quite long
when you are doing swivels like | 0:40:45 | 0:40:48 | |
that. I've come so close to winning
the Pro Challenge every year, so I'm | 0:40:48 | 0:40:54 | |
keeping my fingers and toes crossed
that this is my year. I loved your | 0:40:54 | 0:41:00 | |
little part in the middle. Very tidy
swivelling. You have seen the | 0:41:00 | 0:41:04 | |
others, Janette. What do you think?
I have to say, I was very sick that | 0:41:04 | 0:41:11 | |
day, so if I don't win, it's only
because I was ill. Right, for one | 0:41:11 | 0:41:18 | |
last time coming here is the legal
bit. Each syllable was verified to | 0:41:18 | 0:41:27 | |
make sure they were all accurate. --
each swivel. Before I can go any | 0:41:27 | 0:41:35 | |
further, I would like to reveal that
one of you completed a remarkable 31 | 0:41:35 | 0:41:39 | |
steps. Yes! However, that same
person had a remarkable 19 steps | 0:41:39 | 0:41:50 | |
disqualified. Who could that person
be? Giovanni, I'm mortified for you. | 0:41:50 | 0:41:57 | |
The person no longer in the running
for the Pro Challenge is... | 0:41:57 | 0:42:07 | |
It's Anton.
APPLAUSE | 0:42:14 | 0:42:22 | |
We love you still, baby.
We love you. To be honest with you, | 0:42:22 | 0:42:33 | |
I am going. I cannot lay a moment
longer for this Sherrard. You have | 0:42:33 | 0:42:38 | |
brought me in on a Friday night for
this! But, you beat Brendan Cole. | 0:42:38 | 0:42:45 | |
I've got to be honest with you,
looking at that school, that wasn't | 0:42:45 | 0:42:52 | |
very difficult. -- looking at that
school, that wasn't very difficult. | 0:42:52 | 0:42:57 | |
All I had to do was turn up. Don't
patronise me! The real moment of | 0:42:57 | 0:43:05 | |
truth, Janette and Giovanni, you are
both still in the running towards | 0:43:05 | 0:43:09 | |
becoming American's next top model.
Of course I mean Pro Challenge | 0:43:09 | 0:43:13 | |
champion. One of you completed 22
steps with only one | 0:43:13 | 0:43:20 | |
disqualification. Giving you a total
of 21 swivels. While the other | 0:43:20 | 0:43:28 | |
completed 26 steps with twoo...
Twoo?! Only two disqualifications, | 0:43:28 | 0:43:51 | |
setting a new world record of 24
charleston swivels in 30 seconds. | 0:43:51 | 0:43:56 | |
There is not much in it. I can
confirm that this year's Pro | 0:43:56 | 0:44:01 | |
Challenge champion and the new
Guinness world record holder is... | 0:44:01 | 0:44:06 | |
It's Giovanni! | 0:44:22 | 0:44:38 | |
Let's look at the Leader Board.
There he is at the top. 24. Janette | 0:44:38 | 0:44:55 | |
Manrara, second. That is the same as
last year! I am not going to speak | 0:44:55 | 0:45:03 | |
to Giovanni for a week. Can I just
say, 31. Can we focus on Matt? To | 0:45:03 | 0:45:14 | |
present the winner's certificate,
Shanta Chinniah. How impressed were | 0:45:14 | 0:45:23 | |
you with our professionals? Very
impressive. It is a hard step | 0:45:23 | 0:45:28 | |
especially for the ankles. The key
is the technique. A certificate to | 0:45:28 | 0:45:41 | |
the champion. Smile for the camera.
Speech! I am really happy to be, for | 0:45:41 | 0:45:55 | |
the second time... It is going to be
too much, people. Thank you to the | 0:45:55 | 0:46:04 | |
professionals who took part this
year. Give it up for Giovanni, your | 0:46:04 | 0:46:10 | |
2017 Pro Challenge champion. We know
Sicily breeds great champions. | 0:46:10 | 0:46:18 | |
But how about the rest of the world? | 0:46:18 | 0:46:20 | |
We sent Australia's Dianne,
aka Reddo, to find out all about - | 0:46:20 | 0:46:23 | |
you guessed it - Brazilian Strictly. | 0:46:23 | 0:46:26 | |
I know, darling, 31. Strictly has
become a global phenomenon and can | 0:46:26 | 0:46:34 | |
be seen all over the world,
including Brazil, which is where we | 0:46:34 | 0:46:39 | |
are off to today. Well, it is not
quite Brazil. But you would never | 0:46:39 | 0:46:43 | |
know. The first season of Dancing
Brazil premiered in April this year | 0:46:43 | 0:46:55 | |
and they filmed the second season
straight after the first. That is a | 0:46:55 | 0:47:00 | |
lot of Strictly. The show's host is
a massive deal in Brazil. She has | 0:47:00 | 0:47:12 | |
sold over 50 million copies of her
records. She is an all-round | 0:47:12 | 0:47:20 | |
entertainer and even gets involved
in the group dances. Like on | 0:47:20 | 0:47:27 | |
Strictly, the Brazilian version is
predominantly Latin and ballroom | 0:47:27 | 0:47:31 | |
dancing. However, they do have some
extra styles we do not have in the | 0:47:31 | 0:47:36 | |
UK. Being a South American country
with the Latin influence they have | 0:47:36 | 0:47:47 | |
the bolero. And as home of the
carnival they perform a dance with a | 0:47:47 | 0:47:54 | |
fast carnival beat. Just like us,
the Brazilians love a themed week. | 0:47:54 | 0:48:02 | |
Check out the circus extravaganza,
country week and even the Oscars. | 0:48:02 | 0:48:06 | |
One of the biggest differences to
Strictly is what they call a twist. | 0:48:06 | 0:48:11 | |
In series one, the twist involved in
actual partner swap. You heard it, | 0:48:11 | 0:48:18 | |
with only six Couples remaining and
eight weeks together, the | 0:48:18 | 0:48:22 | |
celebrities changed partners. In
series two, they brought in a series | 0:48:22 | 0:48:29 | |
twist. This time they have two
Couples sharing the dance floor and | 0:48:29 | 0:48:34 | |
performing the same dance at the
same time. The judges choose the | 0:48:34 | 0:48:39 | |
favourite couple from each group.
The show's elimination process works | 0:48:39 | 0:48:47 | |
slightly different to ours. It is
only the bottom three that go into | 0:48:47 | 0:48:51 | |
what they call the red zone. Those
in the red zone are up for | 0:48:51 | 0:48:57 | |
elimination. Well, Brazil, it has
been fun, but I have a plane to | 0:48:57 | 0:49:06 | |
catch. I need to make it back to the
Strictly Ballroom before the | 0:49:06 | 0:49:11 | |
weekend. | 0:49:11 | 0:49:14 | |
Welcome back to our Friday panel. | 0:49:14 | 0:49:16 | |
Onto our final two couples now. | 0:49:16 | 0:49:19 | |
Let's start with
Alexandra and Gorka. | 0:49:19 | 0:49:25 | |
Rick, despite finishing top of the
Leader Board found themselves in the | 0:49:25 | 0:49:29 | |
bottom two second week in a row.
Viennese waltz, will this get the | 0:49:29 | 0:49:34 | |
votes? Have a look. Dancing to Tina
Arena. | 0:49:34 | 0:49:38 | |
MUSIC: Everybody Hurts
by Tina Arena. | 0:49:38 | 0:49:43 | |
I think it will get the votes. It
made me quite angry last weekend. So | 0:49:43 | 0:49:50 | |
good, why are people not voting for
her? Such a nice girl, brilliant at | 0:49:50 | 0:49:55 | |
dancing, what is not to like? She is
gorgeous. Danny, they are also doing | 0:49:55 | 0:50:03 | |
a salsa which could not be further
from the Viennese waltz. It is a | 0:50:03 | 0:50:08 | |
party dance and she has been
brilliant in the Latin dances. It | 0:50:08 | 0:50:12 | |
will show the diversity between the
two. | 0:50:12 | 0:50:14 | |
MUSIC: Finally by CeCe Peniston. | 0:50:14 | 0:50:18 | |
I have had the pleasure of working
with people recently who have worked | 0:50:18 | 0:50:22 | |
with her and people speak so highly
of her, she is fantastic. She has | 0:50:22 | 0:50:29 | |
had 39 for four dances, could she
finally get the perfect 40. | 0:50:29 | 0:50:36 | |
# Finally. I did not realise! She
has got to get 40. She is fabulous. | 0:50:36 | 0:50:46 | |
Danny, you deserved 40 quite a lot
of times and when you got it, it was | 0:50:46 | 0:50:49 | |
amazing. Debbie and Giovanni.
Foxtrot with the Stevie Wonder | 0:50:49 | 0:50:56 | |
classic. | 0:50:56 | 0:50:56 | |
MUSIC: Isn't She Lovely
by Stevie Wonder. | 0:50:56 | 0:51:01 | |
It is going to make me cry, I love
this song and I love the foxtrot. | 0:51:01 | 0:51:08 | |
Why is she so good? She is
effortless and she has so much | 0:51:08 | 0:51:14 | |
elegance and strength. Core
strength. She is fearless. She makes | 0:51:14 | 0:51:19 | |
it look easy and it clearly is not
easy. She puts everything into it, | 0:51:19 | 0:51:23 | |
brilliant. Jive, as well. I'm so
excited, let's hear it. | 0:51:23 | 0:51:34 | |
MUSIC: I'm So Excited
by the Pointer Sisters. | 0:51:34 | 0:51:38 | |
She can extend her legs. Can she do
flicks and kicks? Danny, what do you | 0:51:38 | 0:51:45 | |
reckon? Go on, Debbie. Any pointers?
I am no expert. I think that is | 0:51:45 | 0:51:55 | |
earlier in the week and I think she
is stronger now. She is rehearsing | 0:51:55 | 0:52:00 | |
for panto, as well and I said to
Giovanni why not do it slower and he | 0:52:00 | 0:52:05 | |
said she would keep up. He is
pushing her and it is showing. This | 0:52:05 | 0:52:12 | |
is the hardest week with half the
time to do a dance. You are | 0:52:12 | 0:52:17 | |
exhausted by this point, emotionally
and physically. For me, jive was the | 0:52:17 | 0:52:22 | |
hardest week. I do not doing that as
well as another dance will be as | 0:52:22 | 0:52:29 | |
good. It is half the amount of
jiving. The taller you are, the | 0:52:29 | 0:52:35 | |
longer you have to go... It is
tough. Brendan was never going to | 0:52:35 | 0:52:41 | |
make it easy for me, but this is
Giovanni's dance, the jive. I think | 0:52:41 | 0:52:46 | |
she will be good at this. It is a
conversation not one wants to have. | 0:52:46 | 0:52:53 | |
Rick, who do you think will miss out
on the final? Do I have to? I am | 0:52:53 | 0:53:00 | |
making you. I think Mollie. Lisa? I
agree, Mollie. That is an easy way | 0:53:00 | 0:53:09 | |
out! Look at Danny's beautiful eyes.
You know how this feels. I don't | 0:53:09 | 0:53:18 | |
know. I reckon Lisa made me say
Mollie. What a Friday Panel they | 0:53:18 | 0:53:27 | |
have been. I think Mollie will be
fine. You cannot take it back. | 0:53:27 | 0:53:35 | |
It's time for our final check
in with Mr Gethin Jones. | 0:53:35 | 0:53:37 | |
Let's see who's he's
found on his travels. | 0:53:37 | 0:53:40 | |
It has been a full on day but I have
two semifinalists. Congratulations | 0:53:40 | 0:53:45 | |
for getting here. The glitter wall
is here but the glitterball is | 0:53:45 | 0:53:54 | |
inside an Joe, you are the last man
standing, are you feeling the | 0:53:54 | 0:53:58 | |
pressure? Not at all, the men have
had it too easy for far too long. It | 0:53:58 | 0:54:05 | |
is good there are so many girls and
such brilliant girls. Lovely company | 0:54:05 | 0:54:11 | |
to have. Argentine tango, American
Smooth to a Bridget Jones theme, are | 0:54:11 | 0:54:17 | |
you Daniel Cleaver or Mark Darcey?
Probably more Colin Firth than Hugh | 0:54:17 | 0:54:22 | |
Grant. Mollie, nines last week and
to say you were ecstatic is an | 0:54:22 | 0:54:32 | |
understatement. I have seen your
rehearsals, there is definitely | 0:54:32 | 0:54:35 | |
attend. If you get a ten, how would
you react? Do you think it could be | 0:54:35 | 0:54:41 | |
a ten? I am so nervous, I cannot
believe we got to the semifinals but | 0:54:41 | 0:54:47 | |
getting the two nines, I thought I
was going to collapse on the floor. | 0:54:47 | 0:54:54 | |
Thanks Shirley, thanks Bruno. They
are worlds apart, the samba and the | 0:54:54 | 0:55:02 | |
waltz, one of them I have to looked
like the life and soul of the party. | 0:55:02 | 0:55:10 | |
You have changed colour. That is
from feeling dizzy on the pivots. I | 0:55:10 | 0:55:15 | |
had to tell AJ to slow down because
he is flying me around the room. But | 0:55:15 | 0:55:20 | |
I love it, it is so much fun. And
how is the monster shoulder? It | 0:55:20 | 0:55:25 | |
could show himself at any moment.
Best of luck tomorrow. Thank you. | 0:55:25 | 0:55:32 | |
That's all we have time for tonight. | 0:55:32 | 0:55:34 | |
A huge thank you to all my guests. | 0:55:34 | 0:55:39 | |
Strictly semifinal tomorrow | 0:55:39 | 0:55:40 | |
at 6:45pm on BBC One. | 0:55:40 | 0:55:44 | |
I'll be back on Monday. | 0:55:44 | 0:55:47 | |
Singing us out with 2000 Miles
from his new album, | 0:55:47 | 0:55:49 | |
it's Tom Chaplin. | 0:55:49 | 0:55:58 | |
# He's gone 2000 miles | 0:56:04 | 0:56:10 | |
# It's very far | 0:56:10 | 0:56:15 | |
# The snow is falling down | 0:56:15 | 0:56:20 | |
# Gets colder day by day | 0:56:20 | 0:56:25 | |
# I miss you | 0:56:25 | 0:56:30 | |
# The children will sing | 0:56:30 | 0:56:34 | |
# He'll be back at Christmas time | 0:56:34 | 0:56:44 | |
# In these frozen and silent nights | 0:56:45 | 0:56:49 | |
# Sometimes in a dream you appear | 0:56:49 | 0:56:59 | |
# Outside under the purple sky | 0:56:59 | 0:57:04 | |
# Diamonds in the snow sparkle | 0:57:04 | 0:57:13 | |
# Our hearts were singing | 0:57:13 | 0:57:18 | |
# It felt like Christmas time | 0:57:18 | 0:57:28 | |
# 2000 miles | 0:57:29 | 0:57:32 | |
# Is very
far through the snow | 0:57:32 | 0:57:35 | |
# I'll think of you | 0:57:35 | 0:57:39 | |
# Wherever you go | 0:57:39 | 0:57:49 | |
# He's gone 2000 miles | 0:57:50 | 0:57:59 | |
# It's very far | 0:57:59 | 0:58:04 | |
# The snow is falling down | 0:58:04 | 0:58:08 | |
# Gets colder day by day | 0:58:08 | 0:58:13 | |
# I miss you | 0:58:13 | 0:58:20 | |
# I can hear people singing | 0:58:20 | 0:58:23 | |
# It must be Christmas time | 0:58:23 | 0:58:31 | |
# I hear people singing | 0:58:31 | 0:58:35 | |
# It must be Christmas time #. | 0:58:35 | 0:58:44 | |
APPLAUSE | 0:58:45 | 0:58:50 |