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CHEERING
APPLAUSE | 0:00:53 | 0:00:57 | |
Hello and welcome to It Takes Two! | 0:00:57 | 0:00:59 | |
It is the penultimate
show of the series! | 0:00:59 | 0:01:03 | |
But it's OK because tonight
we have a Strictly A-list line-up | 0:01:03 | 0:01:06 | |
to help make up for it. | 0:01:06 | 0:01:09 | |
If you haven't decided who you're
going to throw your support | 0:01:09 | 0:01:15 | |
behind this Saturday,
our Finalists' Celebrity pals | 0:01:15 | 0:01:17 | |
are here to make the case
for their nearest and dearest. | 0:01:17 | 0:01:19 | |
Hello Warren Brown, Dawn Steele,
Joe McElderry and Bonnie Langford. | 0:01:19 | 0:01:22 | |
Also here to champion themselves,
it's the gorgeous Joe and Katya! | 0:01:22 | 0:01:31 | |
Plus, back by popular demand,
Strictly favourite Louise Redknapp | 0:01:36 | 0:01:40 | |
will be singing us out later
in the show. | 0:01:40 | 0:01:44 | |
But first up, if you thought
proceedings couldn't | 0:01:44 | 0:01:46 | |
get any more glam,
you're very wrong. | 0:01:46 | 0:01:47 | |
For the final time this series,
it's Puttin' on the Glitz! | 0:01:47 | 0:01:51 | |
It's Vicky Gill, everyone! | 0:02:05 | 0:02:08 | |
CHEERING
APPLAUSE | 0:02:08 | 0:02:10 | |
One last time, the outfit, check
that out, give us at world. You look | 0:02:10 | 0:02:17 | |
hot. 48 hours away, and a lovely
haircut does well! What are the big | 0:02:17 | 0:02:27 | |
challenges for you right now? Not
what you are wearing to the wrap | 0:02:27 | 0:02:31 | |
party, anything, what is happening?
We have to be calm because the | 0:02:31 | 0:02:35 | |
finalists are to think about what
they are doing, we have to ask for | 0:02:35 | 0:02:39 | |
any news, what you need, what do I
need to be cutting, how much doesn't | 0:02:39 | 0:02:45 | |
need to move? We just are to be calm
of the last four. We bring back the | 0:02:45 | 0:02:49 | |
other garments and check them over
and make sure they are looking good. | 0:02:49 | 0:02:54 | |
Ready to go into Saturday night. But
it is quite calm, just a lot. I | 0:02:54 | 0:02:59 | |
know, you have a lot to do but it's
calm, unlike here today. So much is | 0:02:59 | 0:03:06 | |
shrouded in secrecy, one thing we
can discuss, the show dances, you | 0:03:06 | 0:03:12 | |
have brought some sketches,
Alexandra no business like show | 0:03:12 | 0:03:16 | |
business, is that lemon? It is
green, we are teasing. This is part | 0:03:16 | 0:03:23 | |
of the number but it may not be all
of the number. Part of it is cut, | 0:03:23 | 0:03:29 | |
lots of volume, it might move quite
quickly, who knows? Say no more! | 0:03:29 | 0:03:40 | |
Gemma dancing, she likes to
burlesque, it's from the film | 0:03:40 | 0:03:50 | |
Burlesque... We could not hide it
too much I am not going to let you | 0:03:50 | 0:03:54 | |
know what the colour, the basic
colour is black over nude but lots | 0:03:54 | 0:03:58 | |
of crystal colours on top, the skirt
detail is great interest, when we | 0:03:58 | 0:04:03 | |
talk to Gemma and Aljaz tomorrow
they can give me more info, lots of | 0:04:03 | 0:04:08 | |
leg but also lots of links. I like
it, you're telling us a little bit | 0:04:08 | 0:04:16 | |
but not everything. Such a tease.
Debbie McGee, one day I will fly | 0:04:16 | 0:04:20 | |
away, will she have wings? You know,
a lot can change so there might be! | 0:04:20 | 0:04:28 | |
Could turn up tomorrow and ask for
them but to my knowledge at the | 0:04:28 | 0:04:32 | |
moment there are no wings. We have
got a soft skirt with cream and pale | 0:04:32 | 0:04:36 | |
pink over the top, lots of beading
on the helpline, Crystal is going on | 0:04:36 | 0:04:41 | |
panels up the side and the secret
detailed in the middle. Very | 0:04:41 | 0:04:45 | |
delicate and soft. Stunning. Joe
dancing to dreams come true, he will | 0:04:45 | 0:04:54 | |
look amazing in this! It will set
off his allies, of the shoulder, he | 0:04:54 | 0:05:00 | |
has got such lovely shoulders. This
is part of their number. As you can | 0:05:00 | 0:05:08 | |
see, she's a princess so he is going
to be a prince, I was looking at his | 0:05:08 | 0:05:12 | |
jacket, I saw it on e-mail this
afternoon and looks fantastic. I | 0:05:12 | 0:05:19 | |
have goose bumps. You have excelled
herself, so we thought we would | 0:05:19 | 0:05:30 | |
celebrate with a look at some of our
favourite outfits with help from the | 0:05:30 | 0:05:34 | |
girls. He kept! Ladies it is not | 0:05:34 | 0:05:46 | |
we are going to pretend they are
mannequins but they are real-life. | 0:05:53 | 0:06:00 | |
This was Janette's outfit for her
waltz, you're really good about, | 0:06:00 | 0:06:04 | |
it's quite frightening. I have to
tickle you. What can you tell us | 0:06:04 | 0:06:12 | |
about this one and why you loved it?
People ask what is my favourite and | 0:06:12 | 0:06:16 | |
for me it when it all comes
together, everyone in the team and | 0:06:16 | 0:06:20 | |
then when we are watching fantastic
performance, we loved Aston and | 0:06:20 | 0:06:24 | |
Janette as a couple so this was a
moment in time. We know you are a | 0:06:24 | 0:06:29 | |
Latin sensation. How much do you
love ballroom? I love the ballroom | 0:06:29 | 0:06:38 | |
dresses, I am kind of the Disney
Princess at heart so when you put on | 0:06:38 | 0:06:41 | |
a ball gown you feel like a
princess. I enjoyed the ballroom | 0:06:41 | 0:06:46 | |
numbers and this one specifically
because Aston really came out of his | 0:06:46 | 0:06:49 | |
shell when we did this dance. I
still cannot hear his name without | 0:06:49 | 0:06:54 | |
wanting to cry. We will see him
tomorrow! Love you. Let's go over a | 0:06:54 | 0:07:01 | |
year to our other delightful
real-life mannequin, salsa with | 0:07:01 | 0:07:08 | |
Jonnie, Oti reminding us. This one
was memorable, we were deciding if | 0:07:08 | 0:07:16 | |
it was going to be trousers or
address, Oti is very, very shy. She | 0:07:16 | 0:07:25 | |
never tells you what she really
feels! I thought it was a good | 0:07:25 | 0:07:30 | |
number because we had fun discussing
it and it got longer and longer as | 0:07:30 | 0:07:33 | |
the evening went on into Saturday
but she always looks gorgeous. You | 0:07:33 | 0:07:39 | |
do look gorgeous, you have been
doing the series three years and you | 0:07:39 | 0:07:42 | |
all of Friday with Vicky Gill? We
have interesting conversations. | 0:07:42 | 0:07:47 | |
Quite intense. I think this started
as a skirt and it was all a short | 0:07:47 | 0:07:56 | |
and the first time I wanted it long,
so we have interesting debates. But | 0:07:56 | 0:08:01 | |
look at the results ladies and
gentlemen! Let's hear it for the | 0:08:01 | 0:08:05 | |
girls. Give our love to all your
team Vicky | 0:08:05 | 0:08:12 | |
girls. Give our love to all your
team Vicky, and it is a team effort. | 0:08:12 | 0:08:16 | |
We can Dan Snow. Do it! | 0:08:16 | 0:08:24 | |
Now, my next guests stormed
the Semi-Finals with a show-stopping | 0:08:24 | 0:08:26 | |
American Smooth and a
super-human Argentine Tango. | 0:08:26 | 0:08:29 | |
You better believe
they are Strictly final | 0:08:29 | 0:08:30 | |
ready, it's Joe and Katya! | 0:08:30 | 0:08:35 | |
Your timing was extraordinary and
you had the most glorious movements | 0:08:40 | 0:08:44 | |
from foot to foot today, well done.
That left, I'm still palpitating. It | 0:08:44 | 0:08:51 | |
was so complicated. Where the | 0:08:51 | 0:08:55 | |
scary and surprising just as we
wanted. She reacted to every move | 0:08:59 | 0:09:03 | |
you dead, it was perfect. You took
up big risk, did it pay off? I think | 0:09:03 | 0:09:10 | |
it did. Well done. | 0:09:10 | 0:09:13 | |
It's Joe and Katya, everyone! | 0:09:13 | 0:09:18 | |
Big Love in the house tonight. | 0:09:18 | 0:09:20 | |
Congratulations,
you are Strictly 2017 finalists, | 0:09:20 | 0:09:21 | |
can you quite believe it? | 0:09:21 | 0:09:23 | |
Not in a million years did I think I
would see this, it's such a lovely | 0:09:23 | 0:09:28 | |
thing. Having all that work we have
done over the past few months coming | 0:09:28 | 0:09:31 | |
to something feels amazing. It is of
banks to this one. It's exciting, we | 0:09:31 | 0:09:37 | |
are trying to be calm but not doing
a very good job. Last week, take | 0:09:37 | 0:09:44 | |
ourselves back, you were mere
semifinalists and you had the | 0:09:44 | 0:09:47 | |
American Smooth, Shirley said it was
a glorious way to open the | 0:09:47 | 0:09:51 | |
semifinals and how was it for you?
It was good. We love opening the | 0:09:51 | 0:09:57 | |
show and I was worried it would be
Scottish and lumpy but it was | 0:09:57 | 0:10:00 | |
American and smooth. I think you get
to hit the ground running and you're | 0:10:00 | 0:10:06 | |
not watching everyone else getting
nervous and worrying you will mess | 0:10:06 | 0:10:09 | |
up. I love this dance, I watched it
so many times, I love him and this | 0:10:09 | 0:10:16 | |
dance. All the little details he
put, the character, the attitude, I | 0:10:16 | 0:10:22 | |
loved it. I watched it so many
times, and you finally met Miss | 0:10:22 | 0:10:28 | |
Jones! After all those weeks.
Slamming doors on her face! Dancing | 0:10:28 | 0:10:35 | |
on top of skyscrapers! It's like a
marriage. Then of course your | 0:10:35 | 0:10:42 | |
Argentine tango. Darcey said it was
wonderfully dating. Craig said it | 0:10:42 | 0:10:52 | |
was a risk but it paid off, how much
did you enjoy that? It was | 0:10:52 | 0:10:58 | |
difficult, I'm not going to say it
was easy because it wasn't. It's | 0:10:58 | 0:11:02 | |
quite, the stumble! Sorry! I love it
when they show that! It was | 0:11:02 | 0:11:11 | |
difficult but the best ones are.
It's all the sweeter when you have | 0:11:11 | 0:11:16 | |
had to work and dig deeper for it.
People respond to it. Never since | 0:11:16 | 0:11:24 | |
the locomotion has there been a move
that the nation has gone so crackers | 0:11:24 | 0:11:29 | |
about, everyone trying to recreate
it, how important was it to do | 0:11:29 | 0:11:34 | |
something different and dating?
Firstly it seems like I have this | 0:11:34 | 0:11:38 | |
thing with the moves... CHEERING
APPLAUSE | 0:11:38 | 0:11:47 | |
It is much smoother than it was in
rehearsals, in rehearsals it went | 0:11:47 | 0:11:51 | |
wrong about 90% of the time. When I
had heels on, in rehearsals we had | 0:11:51 | 0:12:00 | |
flats on, but I put the heels on and
I tipped over but it worked. I think | 0:12:00 | 0:12:07 | |
with this modern song and semifinal,
needing to get a final we had to do | 0:12:07 | 0:12:12 | |
something special. She does iconic
moves. What will you do next year? | 0:12:12 | 0:12:21 | |
We will give you some ideas. We must
say you are they only couple not to | 0:12:21 | 0:12:28 | |
have been in the dance off. CHEERING
APPLAUSE | 0:12:28 | 0:12:34 | |
Well done. That is something. How
much has the support meant? It has | 0:12:34 | 0:12:42 | |
been mind blowing and it's great
because you don't know how you react | 0:12:42 | 0:12:45 | |
when you are in there, I worried
perhaps the pressure may be too much | 0:12:45 | 0:12:48 | |
and you might do it worse the second
time. The fact people are picking up | 0:12:48 | 0:12:53 | |
the phone and voting for us is a
lovely time and we are so to | 0:12:53 | 0:12:56 | |
everyone. Three dances this weekend,
livestock show dance, you cannot | 0:12:56 | 0:13:02 | |
tell me anything but we want to know
a little bit, here is the music. | 0:13:02 | 0:13:08 | |
What can you reveal at this moment,
three words? Even the music has a | 0:13:08 | 0:13:16 | |
twist to it. Unexpected. Christmas
Eve. Magical. Fairy tale. That is | 0:13:16 | 0:13:27 | |
enough! Also you are doing the
judges favourite, they have chosen | 0:13:27 | 0:13:33 | |
the Viennese waltz from movie week,
we can look back, are you looking | 0:13:33 | 0:13:39 | |
forward to revising, reprising your
role? I am. I look back on that with | 0:13:39 | 0:13:50 | |
fondness because it was early on and
it was one of the first ones we | 0:13:50 | 0:13:53 | |
thought it was going well and they
responded well to it and it gave me | 0:13:53 | 0:13:57 | |
a real confidence to keep going and
believe in this woman that she is so | 0:13:57 | 0:14:02 | |
fantastic and comes up with such
great numbers. I thought revisiting | 0:14:02 | 0:14:06 | |
it would be a walk in the park but
no. They expect so much more from us | 0:14:06 | 0:14:11 | |
this time around. Is the moustache
coming back? I am looking now... It | 0:14:11 | 0:14:20 | |
is not coming back. You could get a
stick on one. I hope not. Quickly, | 0:14:20 | 0:14:30 | |
your choice, again I must do this,
did you come to an agreement easily? | 0:14:30 | 0:14:35 | |
In about ten seconds. That one, why?
Because we enjoyed it and the public | 0:14:35 | 0:14:42 | |
liked it as well, that is all we are
saying. We just want to do it again. | 0:14:42 | 0:14:48 | |
There were quite a few where we
thought we could do this or that but | 0:14:48 | 0:14:51 | |
the second we said it we both
thought, yeah, that one. Good luck, | 0:14:51 | 0:14:56 | |
we will see you tomorrow, you will
be amazing. Joe and Katya! CHEERING | 0:14:56 | 0:15:01 | |
APPLAUSE
You might want to cover your ears | 0:15:01 | 0:15:04 | |
and possibly your eyes because it's
time for a visit to the training | 0:15:04 | 0:15:08 | |
room where Debbie and Alexandra are
busy preparing for the single most | 0:15:08 | 0:15:11 | |
important dance of their lives. | 0:15:11 | 0:15:13 | |
This is the last dance Debbie has to
learn. It is really exciting to do a | 0:15:17 | 0:15:23 | |
show dance where there are no rules
and I can let myself go and enjoy | 0:15:23 | 0:15:28 | |
the music, and just enjoy my last
week on Strictly. It is going to be | 0:15:28 | 0:15:35 | |
really emotional, because the music
is really, really beautiful, and | 0:15:35 | 0:15:38 | |
we're going to have a lot of lifts.
I really can't wait for Saturday | 0:15:38 | 0:15:44 | |
night to perform it.
Nice. | 0:15:44 | 0:15:52 | |
With this show dance, I want to push
Alexandra to her maximum. | 0:15:52 | 0:16:00 | |
I love the fact that there are so
many different elements. | 0:16:00 | 0:16:04 | |
With the quick step and American
Smooth, and a little bit of | 0:16:04 | 0:16:07 | |
Argentine tango. We create our best
moments. | 0:16:07 | 0:16:11 | |
I get to be hyper, jump around the
stage, and that is when Gorka knows | 0:16:11 | 0:16:16 | |
I am happiest. I am looking forward
to getting to perform it. | 0:16:16 | 0:16:23 | |
Right now,
in the words of Celine Dion, | 0:16:23 | 0:16:24 | |
things are getting seeerious. | 0:16:24 | 0:16:27 | |
The time has come for
four of our finalists' | 0:16:27 | 0:16:29 | |
celebrity mates to fight
it out in honour of | 0:16:29 | 0:16:32 | |
their nearest and dearest. | 0:16:32 | 0:16:37 | |
Please welcome Dawn
Steele, Warren Brown, | 0:16:37 | 0:16:38 | |
Bonnie Langford and Joe McElderry. | 0:16:38 | 0:16:41 | |
What lovely rosettes you have. We
are going to start with you, Dawn, | 0:16:41 | 0:16:47 | |
you and Joe are best buddies, he was
the dark horse of the competition, | 0:16:47 | 0:16:52 | |
but could you see his potential from
the beginning? Joe is an amazing | 0:16:52 | 0:16:58 | |
singer and actor, but I have never
seen him dance, especially not like | 0:16:58 | 0:17:01 | |
that. I knew he could move a bit
come because we have been to the odd | 0:17:01 | 0:17:06 | |
club before, but yeah, that is why
he is the dark horse, because it is | 0:17:06 | 0:17:13 | |
a journey he has been on from the
beginning. The Argentine tango last | 0:17:13 | 0:17:18 | |
week, an believable. Him and Katya
have never been in the dance off, | 0:17:18 | 0:17:22 | |
that has to be a good omen. It has
got to be. He is here and has made | 0:17:22 | 0:17:27 | |
it to the final. Even if he went out
three weeks ago, he still would have | 0:17:27 | 0:17:32 | |
been happy. It has got to be a good
thing. Katya's choreography, people | 0:17:32 | 0:17:37 | |
have loved it, how excited are due
for his show dance? I love that | 0:17:37 | 0:17:41 | |
song. Love that song. That is why it
has worked so well for him as well, | 0:17:41 | 0:17:47 | |
and Katya, the choreography has been
out of this world. And it is | 0:17:47 | 0:17:51 | |
different. So exciting, hello Warren
Brown, welcome to the show will stop | 0:17:51 | 0:17:57 | |
big fan. You work with Gemma from
Hollyoaks, did you have any idea | 0:17:57 | 0:18:06 | |
there was a dancer under this
exterior? I do think I did. I have | 0:18:06 | 0:18:10 | |
seen her dance, of sorts, out and
about, but nowhere near in this | 0:18:10 | 0:18:15 | |
capacity. Testament to her, if she
puts her mind to something, she | 0:18:15 | 0:18:20 | |
gives it her all. Incredible stuff.
She started the competition, no | 0:18:20 | 0:18:24 | |
dancing experience whatsoever, how
impressed are you? She stepped out | 0:18:24 | 0:18:28 | |
of her comfort zone and threw
herself into it. So impressed. | 0:18:28 | 0:18:31 | |
Everyone is behind everyone. You can
tell, amazing. A bit of a | 0:18:31 | 0:18:38 | |
roller-coaster, she has never had
terrible weeks, have you gone | 0:18:38 | 0:18:42 | |
through that journey with her? My
career? My ups and downs? My own | 0:18:42 | 0:18:48 | |
career?? LAUGHTER
The competition is so tough, it is | 0:18:48 | 0:18:57 | |
never plain sailing.
But having to dance off, last week, | 0:18:57 | 0:19:02 | |
she took the challenge head on and
rose above it. | 0:19:02 | 0:19:06 | |
Bonnie, welcome, lovely to see you.
You were supporting your poorly, | 0:19:06 | 0:19:13 | |
Davood. Didn't he do so well. But
you and Debbie have been friends for | 0:19:13 | 0:19:22 | |
30 years, what have you made of the
reinvention? Isn't she amazing. Yes, | 0:19:22 | 0:19:29 | |
I was 100% behind Davood, and of
course I would be. But Debbie and I | 0:19:29 | 0:19:34 | |
go back a long way. She has thrown
herself, actually thrown herself, | 0:19:34 | 0:19:39 | |
she set the bar so high and has
consistently done that. What is so | 0:19:39 | 0:19:45 | |
amazing is that numbers don't
matter. Yes, exactly, you are so | 0:19:45 | 0:19:47 | |
right. At first it was all about
age, but yes, amazing, amazing | 0:19:47 | 0:19:53 | |
because of her age, but when we
watch her dance, amazing. What you | 0:19:53 | 0:19:59 | |
think of her with Giovanni? I love
it. LAUGHTER | 0:19:59 | 0:20:07 | |
I love you, Debbie McGee. It is a
catchphrase. It is such fun. Debbie | 0:20:07 | 0:20:14 | |
is a very graceful dancer, she is
very, sort of, elegant and Serena. | 0:20:14 | 0:20:19 | |
To see her do the fun stuff as well,
that is very much out of her comfort | 0:20:19 | 0:20:24 | |
zone, I know that. She is having a
ball with it. And we are watching | 0:20:24 | 0:20:29 | |
her. Joe, welcome. CHEERING AND
APPLAUSE | 0:20:29 | 0:20:33 | |
You bonded with Alexandrova winning
that show, a Big Show, can she do | 0:20:33 | 0:20:42 | |
the am thinkable and do the double?
Of course. Of course. Alexandra has | 0:20:42 | 0:20:47 | |
a work ethic and she is incredible,
amazing performer. We have known | 0:20:47 | 0:20:51 | |
each other the years and been to see
others shows. She totally is | 0:20:51 | 0:20:56 | |
bringing it to the dance floor. She
is incredible. She has thrown | 0:20:56 | 0:21:00 | |
herself into every routine, no
matter what speed or mood. She gets | 0:21:00 | 0:21:05 | |
into the spirit of it, which is what
it is all about. She had a bumpy | 0:21:05 | 0:21:09 | |
ride, and last week, it was an
amazing moment when she went | 0:21:09 | 0:21:13 | |
through, and we all felt it. What is
the biggest misconception about | 0:21:13 | 0:21:17 | |
Alexandra? She is just a very real
person and she is very expressive. | 0:21:17 | 0:21:22 | |
She knows how to deal with that, she
has been through it before on | 0:21:22 | 0:21:26 | |
another well-known show in which we
went mentioned. I come from the | 0:21:26 | 0:21:30 | |
name... LAUGHTER
She is a fighter, she is strong and | 0:21:30 | 0:21:33 | |
she will smash it. This is the big
moment, they have put forward a good | 0:21:33 | 0:21:39 | |
case, but it is time to hammer home
who you think should win. I will | 0:21:39 | 0:21:43 | |
give each of you ten seconds to
convince the great British public | 0:21:43 | 0:21:46 | |
why they should vote this weekend.
Dawn, you are up first with Joe. | 0:21:46 | 0:21:55 | |
Vote for Joe, he has had such an
amazing journey on this, going from | 0:21:55 | 0:21:59 | |
non-dancing to being the most
amazing dancer, but most of all, he | 0:21:59 | 0:22:03 | |
has a heart of gold. He is honest
and humble... Well done APPLAUSE | 0:22:03 | 0:22:10 | |
Warren, it is your turn to plead for
Gemma. Time starts now. Vote for | 0:22:10 | 0:22:16 | |
Gemma because she has stepped out of
her comfort zone and grafted. She | 0:22:16 | 0:22:19 | |
has done radio in the morning,
straight to rehearsals, the poor kid | 0:22:19 | 0:22:23 | |
has not slept for 12 weeks. APPLAUSE
Why does Debbie deserve the glitter | 0:22:23 | 0:22:30 | |
ball? Please vote for Debbie,
because she has brought sparkle back | 0:22:30 | 0:22:36 | |
into our Saturday nights simply
through setting the bar so high, and | 0:22:36 | 0:22:40 | |
consistently doing a fantastic job.
APPLAUSE | 0:22:40 | 0:22:47 | |
And finally, Joe, why should people
vote for Alexandra? Vote for | 0:22:47 | 0:22:51 | |
Alexandra, she is a wonderful,
wonderful girl, her work ethic is | 0:22:51 | 0:22:54 | |
incredible and she has brought more
sass to the dance floor this series, | 0:22:54 | 0:22:59 | |
she is incredible, vote for her,
please. APPLAUSE | 0:22:59 | 0:23:03 | |
Didn't he do well. Thank you so much
for joining us, Dawn, Warren, Bonnie | 0:23:03 | 0:23:07 | |
and Joe. | 0:23:07 | 0:23:11 | |
This lot have done
all they can to win your | 0:23:11 | 0:23:15 | |
support, our Finalists'
only other hope is | 0:23:15 | 0:23:17 | |
putting the hours
into their training. | 0:23:17 | 0:23:19 | |
Here's how Gemma and Joe
are getting on with the tiny, | 0:23:19 | 0:23:21 | |
insignificant matter of
their Showdances. | 0:23:21 | 0:23:23 | |
The show dance is a different style
of dance. We have foxed, charleston, | 0:23:26 | 0:23:31 | |
quick step in there, so there is
quite a lot to remember during our | 0:23:31 | 0:23:34 | |
show dance.
At the moment, we are spending a lot | 0:23:34 | 0:23:39 | |
of time making sure it looks good.
It has to little incredible. | 0:23:39 | 0:23:42 | |
This is going to be our last time on
the Strictly floor, regardless of | 0:23:42 | 0:23:46 | |
what happens, I have to throw
everything into it, and hope for the | 0:23:46 | 0:23:49 | |
best.
The more we push and work hard | 0:23:49 | 0:23:54 | |
during the week, the more we can
relax and enjoy the weekend. | 0:23:54 | 0:24:01 | |
Our dance is a quick step style, but
the thing about the show dance, | 0:24:01 | 0:24:04 | |
there are no rules.
The problems I can foresee at this | 0:24:04 | 0:24:08 | |
point is a pressure might get a bit
too much, doing the right thing at | 0:24:08 | 0:24:14 | |
the right time, and not letting the
performance phase you. | 0:24:14 | 0:24:19 | |
The routine goes fast with lots of
different details. That is the | 0:24:19 | 0:24:22 | |
biggest challenge, to be able to
take in all the steps, but at the | 0:24:22 | 0:24:27 | |
same time, tell the story
throughout. | 0:24:27 | 0:24:29 | |
I want to go out there and make sure
I do my best. Yes. | 0:24:29 | 0:24:35 | |
Look who's here.
It's Louise, everyone! | 0:24:35 | 0:24:37 | |
CHEERING AND APPLAUSE
Hello, gorgeous. You look amazing, | 0:24:37 | 0:24:45 | |
can you believe, this time last
year, you were 48 Hours from the | 0:24:45 | 0:24:48 | |
final. What will our couples be
feeling at this moment? You | 0:24:48 | 0:24:52 | |
remember. You know, it is so
nerve-racking, you feel so anxious. | 0:24:52 | 0:24:58 | |
It is so important to enjoy it. I
can't really pick out moment I love, | 0:24:58 | 0:25:04 | |
because I was so nervous. You just
had to enjoy it. I was saying that | 0:25:04 | 0:25:09 | |
to Joe, you have to stop, and go...
Because it is finished. Yeah! When | 0:25:09 | 0:25:15 | |
you watch now, are you envious, or
do you want to be doing it again? I | 0:25:15 | 0:25:22 | |
had the best time, but the thought
of going through the nerves, | 0:25:22 | 0:25:25 | |
standing on the stairs, especially
for the final, it is... It never | 0:25:25 | 0:25:28 | |
gets easier. Gemma is terrified
about tomorrow, have you kept up the | 0:25:28 | 0:25:36 | |
dancing? I know you have been doing
a show, what about the ballroom and | 0:25:36 | 0:25:40 | |
Latin? A little bit. Not really, no!
It is not the same. You don't get to | 0:25:40 | 0:25:51 | |
ballroom dance when you go out. Are
you like me, do you occasionally go | 0:25:51 | 0:25:56 | |
into the bathroom doing the samba in
your socks? I am in a bar somewhere | 0:25:56 | 0:26:02 | |
thinking I can do the cha-cha-cha. | 0:26:02 | 0:26:07 | |
Your boy Kev's not in the Final, who
are you throwing your | 0:26:07 | 0:26:10 | |
support behind this weekend? | 0:26:10 | 0:26:11 | |
Everyone that is there deserves to
be them. I love how Alexandra has | 0:26:11 | 0:26:14 | |
attacked it every week. I love the
thing Joe and Katya do. They are all | 0:26:14 | 0:26:19 | |
great. I wish them the best of luck.
Whoever wins, to make it to the | 0:26:19 | 0:26:23 | |
final is very special. It is a huge
thing, well said. | 0:26:23 | 0:26:29 | |
I'm afraid that's
all we have time for tonight! | 0:26:29 | 0:26:31 | |
A huge thank you to all my guests. | 0:26:31 | 0:26:33 | |
I'm back tomorrow
night Live from the | 0:26:33 | 0:26:35 | |
Strictly Ballroom,
where myself and Gethin | 0:26:35 | 0:26:36 | |
will be joined by all
of our Finalists and a | 0:26:36 | 0:26:39 | |
very special Friday Panel. | 0:26:39 | 0:26:40 | |
Rufus hound, Tom Allan and the
gorgeous Ian Waite. | 0:26:40 | 0:26:42 | |
But right now, singing
us out with her | 0:26:42 | 0:26:46 | |
classic track "Two
Faced", it's Louise! | 0:26:46 | 0:26:50 | |
# Who does she think she is | 0:26:53 | 0:26:54 | |
# I dunno | 0:26:54 | 0:26:55 | |
# Do you reckon they're real | 0:26:55 | 0:26:57 | |
# Ow, ow, twisted and deceitful | 0:26:57 | 0:26:59 | |
# All those two-faced people | 0:26:59 | 0:27:02 | |
# Taking me for some kind of fool | 0:27:02 | 0:27:05 | |
# Ow, ow, pretending to be so nice | 0:27:05 | 0:27:09 | |
# Let me give you my advice | 0:27:09 | 0:27:11 | |
# I don't need you, ooh | 0:27:11 | 0:27:14 | |
# Friends in disguise | 0:27:14 | 0:27:17 | |
# Dressed up in lies | 0:27:17 | 0:27:19 | |
# It's an act that you're playing | 0:27:19 | 0:27:24 | |
# Ow, ow, first you recognise me | 0:27:24 | 0:27:27 | |
# Then you criticise me,
what's goin on | 0:27:27 | 0:27:31 | |
# Stop your bitchin'
'coz you're so sad | 0:27:31 | 0:27:34 | |
# Bitchin' behind my back | 0:27:34 | 0:27:36 | |
# Honey, I don't need that | 0:27:36 | 0:27:39 | |
# So kick it to the curb | 0:27:39 | 0:27:42 | |
# Because I heard you're two-faced | 0:27:42 | 0:27:44 | |
# Tryin' to get in my place | 0:27:44 | 0:27:46 | |
# Work too hard to make mistakes | 0:27:46 | 0:27:49 | |
# So stop your bitchin' on me | 0:27:49 | 0:27:52 | |
# Ow, ow, they're so narrow-minded | 0:27:52 | 0:27:55 | |
# Truth is so one-sided | 0:27:55 | 0:27:58 | |
# They're just counterfeits | 0:27:58 | 0:28:01 | |
# Ow, ow, hot and cold
you're blowing | 0:28:01 | 0:28:05 | |
# Sheep in wolf's clothing | 0:28:05 | 0:28:07 | |
# And who are you trying to kid, eh | 0:28:07 | 0:28:11 | |
# Two-faced people are so shallow | 0:28:11 | 0:28:13 | |
# Put yourself in my place | 0:28:13 | 0:28:19 | |
# Ow, ow, the fairy tales
you're spinning | 0:28:19 | 0:28:23 | |
# Sounding so convincing | 0:28:23 | 0:28:26 | |
# But I'm at a loss | 0:28:26 | 0:28:28 | |
# Stop your bitchin'
'coz you're so sad | 0:28:28 | 0:28:30 | |
# Bitchin' behind my back | 0:28:30 | 0:28:33 | |
# Honey, I don't need that | 0:28:33 | 0:28:36 | |
# So kick it to the curb | 0:28:36 | 0:28:37 | |
# Because I heard you're two-faced | 0:28:37 | 0:28:40 | |
# Tryin' to get in my place | 0:28:40 | 0:28:42 | |
# Work too hard to make mistakes | 0:28:42 | 0:28:45 | |
# So stop your bitchin' on me | 0:28:45 | 0:28:49 | |
# Poison words are spoken | 0:28:49 | 0:28:53 | |
# My faith in you is broken | 0:28:53 | 0:28:57 | |
# But I'll make it on my own | 0:28:57 | 0:29:03 | |
# Ow, ow, twisted and deceitful | 0:29:03 | 0:29:06 | |
# All those two-faced people | 0:29:06 | 0:29:08 | |
# Taking me for some kind of fool | 0:29:08 | 0:29:13 | |
# Ow, ow, they're so narrow-minded | 0:29:13 | 0:29:16 | |
# Truth is so one-sided | 0:29:16 | 0:29:18 | |
# But honey you're wrong | 0:29:18 | 0:29:19 | |
# Stop your bitchin'
'Coz you're so sad | 0:29:19 | 0:29:22 | |
# Bitchin' behind my back | 0:29:22 | 0:29:24 | |
# Honey, I don't need that | 0:29:24 | 0:29:27 | |
# So kick it to the curb | 0:29:27 | 0:29:30 | |
# Because I heard you're two-faced | 0:29:30 | 0:29:32 | |
# Tryin' to get in my place | 0:29:32 | 0:29:34 | |
# Work too hard to make mistakes | 0:29:34 | 0:29:36 | |
# So stop your bitchin' on me | 0:29:36 | 0:29:45 | |
# Stop this hipocracy | 0:29:45 | 0:29:46 | |
# You're criticising me | 0:29:46 | 0:29:47 | |
# 'Coz I don't wanna be | 0:29:47 | 0:29:50 | |
# With two-faced people, yeah. # | 0:29:50 | 0:29:53 | |
CHEERING AND APPLAUSE | 0:29:53 | 0:29:56 |