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Thank you. I know. I just got to the BBC. I'm | :00:17. | :00:27. | |
:00:27. | :00:27. | ||
Apology for the loss of subtitles for 46 seconds | :00:27. | :01:13. | |
so excited about my first show. All And stand-by studio. | :01:13. | :01:23. | |
:01:23. | :01:56. | ||
This is Strictly Come Dancing: It Takes Two. Please welcome your host, | :01:56. | :02:00. | |
it's Zoe Ball. CHEERING AND APPLAUSE | :02:00. | :02:06. | |
Hello. Hello. Welcome to the brand- new series of It Takes Two. It is | :02:06. | :02:10. | |
so excited. Occasionally I may let out a little scream. For the next | :02:10. | :02:14. | |
eleven weeks, we will be living and breathing every aspect of Strictly | :02:14. | :02:18. | |
as the competition hots up and the dramas unfold. I will bring you the | :02:18. | :02:21. | |
latest news from the training room to the dance floor live from our | :02:21. | :02:27. | |
brand-new studio. Check that out! I like it a lot. I'm raring to go | :02:27. | :02:31. | |
so let's crack on. Tonight, Lulu took to the floor and forgot her | :02:31. | :02:36. | |
dance moves. What went wrong? She is is here live with Brendan. We | :02:36. | :02:40. | |
will find out. Audley and Natalie surprised us | :02:40. | :02:46. | |
with an elegant waltz. We will be be asking them what they made of | :02:46. | :02:50. | |
the judges comments. He is the judge they dread. Yes, | :02:50. | :02:55. | |
Craig is joining us to talk about the weekend's dancers and disasters. | :02:55. | :03:01. | |
So it was a weekend of feather boa malfunctions, forgotten dance moves | :03:01. | :03:08. | |
and bon za dancing. This year's Strictly newbies came out of their | :03:08. | :03:12. | |
shells. I have got a feather stuck in my throat! | :03:12. | :03:15. | |
If you missed any of the action here is a quick reminder. Water, | :03:15. | :03:25. | |
:03:25. | :03:30. | ||
It is not the best first dance I have ever seen, but it was close. | :03:30. | :03:40. | |
:03:40. | :03:42. | ||
You had such a gloomy look, you looked like like Adrian Childs on | :03:42. | :03:49. | |
the sofa! Spatulistic. Big old bananas on her | :03:49. | :03:57. | |
back. There was a tendency you to stand | :03:57. | :04:03. | |
there while Ola was like a wasp at a picnic. | :04:03. | :04:09. | |
It is like watching Frankie Howard. For a first dance you made it look | :04:09. | :04:17. | |
easy. Latin really suits you. That was a first class impression | :04:17. | :04:22. | |
of a waltz. I thought it was very starchy. I | :04:22. | :04:27. | |
thought it was very stiff. Do you realise Craig, these | :04:27. | :04:30. | |
celebrities it is their first week on the show? | :04:30. | :04:37. | |
It was very elegant which I don't expect from a young girl. | :04:37. | :04:45. | |
You had a bit of rhythm. The old cougar is dancing with a | :04:45. | :04:50. | |
toy boy testing the merchandise. You looked like a curtain stuck on | :04:50. | :04:56. | |
a spin cycle. It is your best dance of the night. | :04:56. | :05:05. | |
Oh, it brings it all back. In a couple of minutes we will be | :05:06. | :05:12. | |
talking to lieu Lulu and Brennan, before we do that, do you want to | :05:12. | :05:16. | |
know what happened behind behind stage? You are in luck, our cameras | :05:16. | :05:26. | |
Hello. You know it takes two to tango? See you later. | :05:26. | :05:30. | |
Opening night, it is like having a baby. The process is horrendous, | :05:30. | :05:36. | |
but once it is over, it is all joy. Are you feeling all right? A bit | :05:36. | :05:41. | |
sweaty. I'm clutching my crystal which | :05:42. | :05:50. | |
disperses nerves. Half the couples are dancing and half are not. I was | :05:50. | :05:56. | |
going to say Ann and I. Don't tell Nancy I said that! | :05:56. | :06:02. | |
Got to go to work. There is a chance for us to put the | :06:02. | :06:07. | |
last finishing touches to our dances and maybe just blowing off a | :06:07. | :06:13. | |
few cobwebs. He is brilliant on there. You don't | :06:13. | :06:17. | |
think he is, but he is. You wait until you see. Scorch marks. | :06:18. | :06:27. | |
Yeah, on me pants! Oh, MG. | :06:27. | :06:37. | |
:06:37. | :06:39. | ||
Hello. Don't tell anyone, but I'm really, | :06:40. | :06:45. | |
really nervous. I'm so nervous. | :06:45. | :06:50. | |
It is nice to see you, to see you. ALL: Nice. | :06:50. | :06:55. | |
I thought it was a fabulous evening. A lovely mix. | :06:55. | :06:58. | |
Tomorrow's line-up, I'm very much looking forward to. | :06:59. | :07:02. | |
He is never looking forward to anything. He never looks forward to | :07:02. | :07:08. | |
meeting me! I stugled to get to -- struggled to | :07:08. | :07:13. | |
get to sleep last night. I was so nervous. I did think I was going to | :07:13. | :07:19. | |
have to call in sick. I did nothing but look after Lulu. | :07:19. | :07:26. | |
I thought it was nice. Thanks Mr Goodman. | :07:26. | :07:31. | |
Oh Teacher's pet. Today it feels really strange, it | :07:31. | :07:34. | |
feels as if I am about to walk a tight rope and there is no safety | :07:34. | :07:44. | |
:07:44. | :07:48. | ||
net. I think it will be quite fun. | :07:48. | :07:54. | |
If If Fabrege did humpy dumpy, there you are. | :07:54. | :08:04. | |
:08:04. | :08:10. | ||
Keep dancing! I think you were fantastic tonight | :08:10. | :08:16. | |
and I'm very proud of you. New series. New dickie, everything | :08:16. | :08:22. | |
is good. No, you got to love Len. Their | :08:22. | :08:28. | |
first was described as a dance floor disaster. Please welcome our | :08:28. | :08:33. | |
first guests of the series, Lulu and and Brendan. | :08:33. | :08:35. | |
APPLAUSE You are the first guests. Before we | :08:35. | :08:38. | |
say anything, Lulu, you looked stunning. | :08:38. | :08:45. | |
Thank goodness for that. Two words, what happened? You know, | :08:45. | :08:53. | |
I think actually Craig nailed it when he said it was a disaster. He | :08:53. | :08:57. | |
said, "Did you say I made it up from beginning to end?" I got | :08:57. | :09:02. | |
really nervous as soon as I went on. I went wandering off. I can't bear | :09:02. | :09:07. | |
to look at it. Have you watched it? I've watched it. I've watched it. | :09:07. | :09:15. | |
Here comes the moment. Wait for it. And, cut! | :09:15. | :09:20. | |
Not part of the choreography. Brendan, at which point did you | :09:20. | :09:28. | |
realise you lost her? From the start. It was from start to finish, | :09:28. | :09:33. | |
but if you look back at t she still performed. Absolutely. | :09:33. | :09:37. | |
To get somebody to come out and just be excited to be there is | :09:37. | :09:41. | |
great. One we remember the routine, we're going to be a force to be | :09:41. | :09:45. | |
reckoned with. What did your friends and family | :09:45. | :09:49. | |
make of it? Everybody has been so kind except for Craig, of course. I | :09:50. | :09:55. | |
agreed with Craig. I agreed with him. I think really I just, it was | :09:55. | :10:01. | |
probably a good lesson for me that I have to as Len said, I have to | :10:01. | :10:07. | |
know the routine. I've got to be consistent, I get it right right in | :10:07. | :10:11. | |
rehearsals and I get something wrong but I recover. No, I couldn't | :10:12. | :10:14. | |
recover. No, you couldn't! | :10:14. | :10:18. | |
It was a wonderful moment. The fans have been really | :10:18. | :10:22. | |
supportive. Most of them said next week, relax. It is all right for | :10:22. | :10:27. | |
them sitting at home on the sofa. Lucy says, she is nine, she is a | :10:27. | :10:33. | |
huge fan, why don't you have a surname? Would she like me to have | :10:33. | :10:37. | |
a surname? If you want me to have a surname, I'll have a surname. | :10:37. | :10:41. | |
You are You are both strong characters, you could see that from | :10:41. | :10:48. | |
the off with the fireman's carry, off the floor. Who is the boss? | :10:48. | :10:52. | |
is is the boss. It took her a few days. It is a | :10:52. | :10:55. | |
relationship but we are a team, we're going forth and we're | :10:55. | :10:58. | |
learning to understand each other and it took five or six sessions to | :10:58. | :11:02. | |
understand where we were both coming from. And you have got to | :11:02. | :11:08. | |
respect each other and learn to deal with each other's ups and | :11:08. | :11:12. | |
downs because we have them on this little show. .Yes. | :11:12. | :11:16. | |
And you have been there. We reckon Lulu that it might have | :11:16. | :11:20. | |
been nerves because on Friday night, OK, it might have gone a bit, but | :11:20. | :11:26. | |
we have been watching your training footage, OK and you seem to be an | :11:27. | :11:32. | |
eager studentpm. -- student. The mornings are yes, yes, yes! | :11:32. | :11:39. | |
I will send you away. Yeah. I will be wicked because you get a | :11:39. | :11:41. | |
pull and a push. Yes. | :11:41. | :11:47. | |
She has been a nightmare to teach. Yes. Yes. That's what I do. | :11:47. | :11:51. | |
At times you have... Yes. Yes. Yes. You have got to get that rotation. | :11:51. | :11:57. | |
Yes. Yes. Yes. Yeah. There will probably come a | :11:57. | :12:03. | |
time when I say no, no, no. I hear you. I hear you. Yeah, yeah. | :12:03. | :12:12. | |
Yeah. Yeah. Yeah. Yes. No. Wrong. Get out. | :12:12. | :12:16. | |
Welcome to my world. I know that face, you are saying | :12:16. | :12:24. | |
yeah, yeah, yeah. Will you be listening to him from now on? | :12:24. | :12:26. | |
LAUGHTER She does this a lot. She is good at | :12:26. | :12:28. | |
it, but sometimes she will be thinking about something and she | :12:28. | :12:32. | |
just agrees with me just because I'm talking and that's life. | :12:32. | :12:36. | |
At the moment he talks perfect sense, but it is not about Brendan, | :12:36. | :12:40. | |
it is about me practising and practising and practising. How is | :12:41. | :12:45. | |
it going with the foxtrot? I have a blister. | :12:45. | :12:50. | |
That means you're doing it right. Brendan, you're shaking your head. | :12:50. | :12:54. | |
It is only Monday. It is a beautiful dance. If we can | :12:54. | :12:59. | |
get past the first bit of choreography and we will be amazing. | :12:59. | :13:03. | |
I have not had plastic surgery, I just changed my hair at the weekend. | :13:03. | :13:13. | |
:13:13. | :13:19. | ||
All right? Brendan and Lulu. APPLAUSE | :13:19. | :13:21. | |
Our judges spent the summer sharpening their tongues and | :13:21. | :13:23. | |
dusting off their score paddles ready for the new Strictly | :13:23. | :13:25. | |
celebrities and they put them to good use. Here is what the | :13:25. | :13:27. | |
fiercesome foursome made of the celebrities when the line-up was | :13:27. | :13:31. | |
announced. My first impressions of the line-up | :13:31. | :13:36. | |
was wicked. What a glamorous line-up. | :13:36. | :13:41. | |
A rainbow of fabulousness. I could pickle me walnuts with | :13:41. | :13:45. | |
excitement. Come on, you little, cheeky chappie, | :13:45. | :13:53. | |
chappie. My crystal balls are giving me visions of extreme comedy | :13:53. | :13:56. | |
value. Let's hope the stars are on his | :13:56. | :13:59. | |
side! Audley, Mr Big. | :14:00. | :14:03. | |
To see him, wearing jewels and pink and all these bright colours and | :14:03. | :14:08. | |
stepping on to the dance floor. It is going to be fantastic. | :14:08. | :14:16. | |
I'm concerned. Rory, brilliant. You have got 12 | :14:16. | :14:21. | |
celebrities for the price of one. I wonder if they will do an | :14:21. | :14:24. | |
impersonation of me. I just hope he can impersonate | :14:24. | :14:32. | |
being a dancer. Jase, good day mate. | :14:32. | :14:38. | |
# You should be so lucky, lucky # no, that was Kylie. What am I on | :14:38. | :14:41. | |
did. Jason needs to bring his | :14:41. | :14:46. | |
personality to the floor and let his foot do the talking. | :14:46. | :14:51. | |
A hair hair-do. The pink shirt and the blond locks. Everything | :14:51. | :14:54. | |
Strictly. I am concerned with this ultra long | :14:54. | :15:04. | |
:15:04. | :15:06. | ||
hair, I don't like it. Could it be game, set and match? | :15:06. | :15:10. | |
There is something about Harry that's going to get all the young | :15:10. | :15:18. | |
girls going, I think. He is pretty buff, isn't he? He looks fantastic. | :15:18. | :15:23. | |
Can he perform the same standard on the dance floor? If he can, he will | :15:23. | :15:33. | |
:15:33. | :15:33. | ||
We will have the judges comments on the ladies later on. Ladies and | :15:33. | :15:41. | |
gentlemen, it is time to introduce our next guests in the purple | :15:41. | :15:47. | |
velvet corner, Audley Harrison and Natalie Lowe. | :15:47. | :15:49. | |
APPLAUSE Thanks for coming on the first show. | :15:49. | :15:53. | |
I have to say first up, you two only had three three days rehearsal | :15:53. | :15:58. | |
together. You are rehearsing ocean apart. How happy you must be with | :15:58. | :16:02. | |
your performance on three days. It is amazing. I was happy to get | :16:02. | :16:05. | |
through it because the dance dance before that we had two rehearsals | :16:05. | :16:09. | |
early in the day and I messed it up and the pressure was on. The one | :16:09. | :16:15. | |
before that I kind of nailed it. To get through the dance, I was | :16:15. | :16:18. | |
really happy. Just to remember the routine was hard enough and the | :16:18. | :16:23. | |
technical parts of it, I was he definitely -- I was definitely | :16:23. | :16:26. | |
happy to get through it. All the fans of the show are | :16:26. | :16:30. | |
talking about how gobsmacked they are by your elegance. A man of your | :16:30. | :16:35. | |
height, my goodness, there you are, look, beautiful. Not all great, you | :16:36. | :16:39. | |
are laughing. You're laughing. I can't help, but look at your hands | :16:39. | :16:45. | |
when you do that and the word that Craig invented for you, | :16:45. | :16:48. | |
"Spatulistic." We will be talking to you about that. Were you tempted | :16:48. | :16:54. | |
as you walked past him after Len's invitation to show him the hands | :16:54. | :16:58. | |
closer up? Not really. When we were training the things that Natalie | :16:58. | :17:03. | |
really tried to get me to focus on was my hands and feet. She kept | :17:03. | :17:07. | |
saying you will get picked up on by Craig if you don't close your hands. | :17:07. | :17:11. | |
She was right. Even though, he was harsh, it was fair comment because | :17:11. | :17:15. | |
my hands were open and the one thing you told me about keeping my | :17:15. | :17:20. | |
back on your shoulder. When I look, my hand was like and it was like oh | :17:20. | :17:24. | |
my god. He was right. My, my what big hands you have | :17:24. | :17:28. | |
Audley, but my, my, what huge feet you have. Size 17. You know what | :17:28. | :17:37. | |
they say about men with huge feet, huge shoes. Let's look at this. | :17:37. | :17:40. | |
Look at the size of that. Is there a woman living in there with loads | :17:40. | :17:45. | |
and loads of children? They are his dancing shoes because they couldn't | :17:45. | :17:53. | |
find shoes big enough. They put Suede on the bottom so he can dance. | :17:53. | :18:01. | |
I will give you that back. I'm not sure what I would do with it if I | :18:01. | :18:07. | |
took it home. Do they get in the way? I'm not going to lie. I stood | :18:07. | :18:13. | |
on her toe today. I have bruised. She does it deliberately, I do it | :18:13. | :18:15. | |
by accident so there is a difference. | :18:15. | :18:19. | |
I know what she is like. We have spotted something in your training. | :18:19. | :18:22. | |
We've noticed Audley that you are a deep their in the training -- | :18:22. | :18:32. | |
:18:32. | :18:38. | ||
thinker in the training room. Have I might be behind, but like a fine | :18:38. | :18:48. | |
horse, I'm going to be coming up You have to live a lie and then a | :18:48. | :18:52. | |
lie becomes you. So I'm living a lie and the lie is about to become | :18:52. | :19:02. | |
:19:02. | :19:06. | ||
Why climb Mount Snowdon even though it is nice when you can climb Mount | :19:06. | :19:11. | |
Everest? I may have had less time than the | :19:11. | :19:15. | |
other celebrities to practise, but as the great Prime Minister Winston | :19:15. | :19:21. | |
Churchill said, keep calm and carry We have found the Eric Cantona of | :19:21. | :19:26. | |
the ballroom world. Even you were confused by your own philosophy. | :19:26. | :19:29. | |
What did I mean? You started training for the salsa today. How | :19:29. | :19:37. | |
is it going, Audley? I'm excited. I get a chance to show my | :19:37. | :19:40. | |
personality. With the waltz, I was so focused on trying to learn the | :19:40. | :19:46. | |
dance, I couldn't let go. This week I can let go. I can be myself and | :19:46. | :19:52. | |
make that inner animal come out and rock that dance floor. | :19:52. | :19:54. | |
I'm quite scare. I have to remember the dance, but I | :19:54. | :19:58. | |
will rock it. Audley and Natalie, thank you. | :19:58. | :20:08. | |
:20:08. | :20:09. | ||
Thank you. APPLAUSE | :20:09. | :20:11. | |
I'm getting really excited when the new Strictly line-up is announced. | :20:11. | :20:14. | |
Now it is time to see what the judges thought of the ladies. | :20:14. | :20:21. | |
# Here Here come the girls # Oh, Alex. Alex Jones is such a | :20:21. | :20:26. | |
lovely girm. -- girl. She has the body of a dancer. I'm | :20:26. | :20:31. | |
I'm expecting great things from her. Holly, the sex pot. | :20:31. | :20:35. | |
If she dances as well as she looks, then she is in with a good chance. | :20:35. | :20:40. | |
Kiss, kiss. Chelsee, a little doll that | :20:41. | :20:45. | |
everybody would like to take home. She looks firm and friendly if I | :20:45. | :20:49. | |
can put it like that. She is sexy. She will look amazing | :20:49. | :20:59. | |
in that Latin gear. Nancy, core, come on. | :20:59. | :21:07. | |
Italian, five-star deluxe glamour. Nancy is a hot momma. | :21:07. | :21:13. | |
I think she is a bit feisty. Edwina Curry in a hurry. | :21:14. | :21:18. | |
Alarm bells ringing due to last year's Ann Widdecombe. | :21:18. | :21:26. | |
I love eggs and I love Edwina. has a major task ahead of her, but | :21:26. | :21:30. | |
I know she can handle it. You make me want to shout. | :21:30. | :21:33. | |
Lulu is an institution. She is fab ulus. | :21:34. | :21:39. | |
I used to fancy her, you know. is a little firecracker. | :21:39. | :21:45. | |
I hope she finds me attractive. Lulu. | :21:45. | :21:50. | |
Anita Dobson, get out of my pub! TV soap royalty and the stage | :21:50. | :21:54. | |
theatrecality is going to hut her as a front-runner. | :21:54. | :22:00. | |
We are going to be in for a great soap Strictly Come Dancing. | :22:00. | :22:10. | |
:22:10. | :22:11. | ||
That's what the judges thought of our celebrities before they danced | :22:11. | :22:16. | |
and we would love to hear what you think. If you have a rant or a rave | :22:16. | :22:26. | |
:22:26. | :22:40. | ||
about the show, we have a brand-new So get calling and we will feature | :22:40. | :22:45. | |
the best ones later on in the week. As the dust settles on the week, it | :22:45. | :22:53. | |
is time to welcome Mr Tell It As It Is. It's Mr Craig Revel Horwood. | :22:53. | :22:57. | |
Darling. Ah, you had to make an entrance, | :22:57. | :23:03. | |
didn't you? I landed at least. | :23:03. | :23:07. | |
At least an eight. Feather boa flying, people leaping out of | :23:08. | :23:15. | |
shells, a bit of back chat and some high camp dance routines. Just a | :23:15. | :23:17. | |
typical night out. I could have done without the | :23:18. | :23:22. | |
feather boa. It made me laugh when Bruno said it was like a curtain | :23:22. | :23:29. | |
stuck on a spin cycle. What was your take on Friday and Saturday? | :23:29. | :23:32. | |
know I didn't look like I was enjoying myself, but I really, | :23:32. | :23:36. | |
really did. I thought it was a fantastic show. I thought both of | :23:36. | :23:39. | |
them went really, really well. I love the fact that all the celeb | :23:39. | :23:43. | |
yits are come -- celebrities are completely and utterly different. | :23:43. | :23:46. | |
They all have their strengths and weaknesses and it is great. I'm | :23:46. | :23:49. | |
delighted with the line-up actually. Good. That's good to hear. | :23:49. | :23:53. | |
You are talking about strengths and weaknesses. Let's waste no more | :23:53. | :23:57. | |
time. Let's start with Alex and James. First of all, the lift. | :23:57. | :24:01. | |
Illegal lift or not? Yes. You pointed it out. I just thought | :24:01. | :24:06. | |
I should point it out because one foot should remain on the floor at | :24:06. | :24:10. | |
all times and from that footage you could tell both feet came off the | :24:10. | :24:15. | |
floor. I didn't mark it down on the first day, I just thought I start | :24:15. | :24:18. | |
reminding people unless it goes out the window, darling. | :24:18. | :24:24. | |
OK. All right. They were told. You said it was starchy. What was wrong | :24:24. | :24:28. | |
with Alex's performance? Starchy. Stiff. Plus she wasn't dancing | :24:28. | :24:33. | |
actually through her body at all. That's what was wrong with it. She | :24:33. | :24:37. | |
was doing the steps, but just sort of placing them, you know, she | :24:37. | :24:41. | |
wasn't actually dancing the dance. Could that be a little bit of first | :24:41. | :24:45. | |
week fear? She was really scared, I know, she said? I don't care. | :24:45. | :24:47. | |
Fine. I don't care. | :24:48. | :24:53. | |
That's told. You have got to get over that whether fear flum axes | :24:53. | :24:58. | |
you in the end or not, I'm only judging what I see and what the | :24:58. | :25:01. | |
audience sees on the night, you know. I can't sort of take all that | :25:01. | :25:06. | |
into account and say, "Oh darling, here is a nine. You just got one | :25:07. | :25:11. | |
off because you're scared.". What about the back chat from James? Was | :25:11. | :25:18. | |
that all right. He said, "Go easy on her, it is the first week.". | :25:18. | :25:23. | |
Stupid. It won't help her. Edwina and Vincent. You scored this | :25:23. | :25:25. | |
a two, but you didn't get a chance to comment. | :25:25. | :25:30. | |
Yes, the producers were wise. They were running out of time. For me, | :25:30. | :25:36. | |
she was just riding around to no effect, you know and it was all a | :25:36. | :25:42. | |
bit granny at a wedding. Any positives there? She has, yes | :25:42. | :25:47. | |
she has some movement. It is all landing in the wrong places at the | :25:47. | :25:52. | |
moment, but, you know, hopefully she will improve. I really do hope | :25:52. | :25:55. | |
it would be less spanking and more sort of dancing. | :25:55. | :26:01. | |
OK. It is not often you get get to say that really. Let's talk about | :26:01. | :26:07. | |
Nancy and Anton. Oh dear. The the feather boa. The first part was | :26:07. | :26:13. | |
fine as she was sat down which I thought well, that's safe. Then, of | :26:13. | :26:19. | |
course this debarkle, I would have just wrapped it around her neck 500 | :26:19. | :26:24. | |
times and gone and strangled her! He didn't know what to do. It is | :26:24. | :26:28. | |
like step over it or rip it off. It would have been safer to go back | :26:28. | :26:32. | |
to the lounge and sit on it and do something with your your head than | :26:32. | :26:38. | |
that. How could she recover recover from that this week? Don't use | :26:38. | :26:45. | |
props. Don't use feather boas again. I suggest they do very simple | :26:45. | :26:51. | |
choreography and just try and nail very basic steps. OK. They have | :26:51. | :26:55. | |
been told. Let's look at Chelsee and Pasha. | :26:56. | :27:00. | |
Pasha is our new Russian chap. You scored her a seven. | :27:00. | :27:04. | |
I liked her dancing, but she never did the one heel lead. | :27:04. | :27:08. | |
It is early days. It is early days. That's a small thing and she almost | :27:08. | :27:13. | |
fell over there! She was just getting excited. | :27:13. | :27:17. | |
I was genuinely excited. I did not expect that from her and her use of | :27:17. | :27:21. | |
arms going through to her beautiful hands, I thought was lovely. As you | :27:21. | :27:26. | |
know, I'm fond of hands because they do finish things off and it is | :27:26. | :27:29. | |
the last thing that the audience sees and that's what catches one's | :27:29. | :27:35. | |
eye. That's why I do go on about it a lot. I cannot bear... I know, | :27:36. | :27:39. | |
you're going on about it now. We've got the point. Russell, I know you | :27:39. | :27:41. | |
are a fan of Russell. Yes. | :27:41. | :27:45. | |
Let's look at Russell and Flavia. We talk about you coming down the | :27:45. | :27:48. | |
stairs. But to come out of your own shell, glorious. | :27:48. | :27:54. | |
I am into all this. I like a bit of drag queen camp, darling. I thought | :27:54. | :27:59. | |
he has got great movement. I would have liked to have seen some more | :27:59. | :28:09. | |
:28:09. | :28:09. | ||
extra more more more cha-cha-cha steps. I would like to see more | :28:10. | :28:14. | |
basics from him rather than all the disco, you know, all that stuff. | :28:14. | :28:19. | |
What are you looking to seeing this weekend? This weekend they are they | :28:19. | :28:23. | |
are doing a foxtrot and salsa. Who are you looking forward to seeing? | :28:24. | :28:27. | |
Russell, because he is always providing entertainment to the | :28:27. | :28:32. | |
masses. He won't be a high scorer but he is a fantastic entertainment. | :28:32. | :28:35. | |
I want to see Lulu remember her steps. | :28:35. | :28:40. | |
. She will. She is working on T thank you for coming on the first | :28:40. | :28:47. |