Browse content similar to Episode 2. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
It is Tuesday and have we got a show for you tonight. Alex and | :00:11. | :00:16. | |
James are here to discuss Saturday night's dramas. We get up close and | :00:16. | :00:22. | |
personnel with Pasha Kovalev. Dan and Katya and Anita join me on the | :00:22. | :00:27. | |
sofa. Karen Hardy is back. Yes, Choreography Corner is reopened for | :00:27. | :00:37. | |
:00:37. | :01:09. | ||
business. This is brand-new This is Strictly Come Dancing: It | :01:09. | :01:13. | |
Takes Two. Please we can we can your host. It's Zoe Ball. | :01:13. | :01:16. | |
Hello and welcome to Strictly Come Dancing: It Takes Two. Our series | :01:17. | :01:21. | |
may only be one day old, but we are we are well and truly settled into | :01:21. | :01:26. | |
our new bungalow and we will be stick to go our promise of bringing | :01:26. | :01:33. | |
our most up-to-date gossip. We have a show more tightly packed than a | :01:34. | :01:40. | |
pair of Vincent's trousers! Here a reminder of the weekend's | :01:40. | :01:45. | |
antics. It was like a right exit. Left exit. | :01:45. | :01:49. | |
Crash position. With you, Alex all the goods are there. You are a sexy | :01:49. | :01:54. | |
woman. You have got the package. I thought it was very starchy. I | :01:54. | :02:02. | |
thought it was very stiff. Do you realise Craig, these celeb | :02:02. | :02:10. | |
celebrities, it is their first week Hearing that you are terrible, | :02:10. | :02:17. | |
after you have really tried your best is hard. You do a sexy move in | :02:17. | :02:24. | |
front of them and your mum and dad, it's difficult. | :02:24. | :02:31. | |
It's Alex Jones and James Jordan. CHEERING AND APPLAUSE | :02:31. | :02:34. | |
I love your bungalow, Zoe. Those stairs don't go anywhere. It | :02:34. | :02:39. | |
is a trick. Let's talk about Saturday, Alex. You had to do sexy | :02:39. | :02:44. | |
stuff on your own out there alone. I know how daft it feels. How was | :02:44. | :02:50. | |
it really for you? It was kind of OK. Bless you. | :02:50. | :02:53. | |
I was paralysed with fear at that beginning point and my dad was | :02:53. | :02:59. | |
there and I thought, "Here we go there, is uncomfortable." I thought | :02:59. | :03:02. | |
of what James said beforehand and it wasn't really that bad. It was | :03:02. | :03:09. | |
OK. It was just, I was nervous about the whole dance. That | :03:09. | :03:13. | |
beginning bit was teeing up the fear and then it just escalated. | :03:13. | :03:17. | |
I thought you coped very well. We have to talk about the Craig | :03:17. | :03:20. | |
confrontation, James. They have been talking about it on the | :03:20. | :03:24. | |
websites. Vivienne on Facebook says, "Craig maybe harsh, but he knows | :03:24. | :03:33. | |
what he is talking about, James." Jeff says, "God on on James, -- | :03:33. | :03:39. | |
good on James, Craig was too harsh.". Are you pleased you put | :03:39. | :03:43. | |
him in his place? Maybe a bit of encouragement would have helped | :03:43. | :03:46. | |
them and also he doesn't have to deal with the consequences. Some of | :03:46. | :03:50. | |
the celebrities were knocked for six a little bit and felt negative | :03:50. | :03:53. | |
about going into the training room again and we have to deal with that | :03:53. | :03:56. | |
and the celebrities have to deal with that. | :03:56. | :04:02. | |
. James is insistent on mimicking you and your accent. Can you do a | :04:02. | :04:09. | |
bit for us now, James James? I am not good at impersonating something | :04:09. | :04:12. | |
unless they say something first. You have to say something. | :04:12. | :04:16. | |
Switch the music on. Switch the music on. | :04:16. | :04:20. | |
That was pants! There you go. | :04:20. | :04:27. | |
Let's move on. Why did you bring it up? Alex, you have clearly learned | :04:27. | :04:31. | |
a lot in the last few weeks and we know why you were so hot to trot on | :04:31. | :04:35. | |
Saturday. Oh yeah, James has been putting you through your paces. | :04:35. | :04:40. | |
Have a look at this. I want the balls of your feet to | :04:40. | :04:50. | |
:04:50. | :04:52. | ||
hurt. What's this, Army? | :04:52. | :04:56. | |
Ah. My legs kill. No pain, no gain. | :04:56. | :05:03. | |
Golly. I just want to keep going. Again and again and again and again. | :05:03. | :05:09. | |
If we don't get past that piece there will be punishment. | :05:09. | :05:12. | |
Let's not go there. Come on, get up. | :05:12. | :05:18. | |
It hurts. Let's do some dancing instead of | :05:19. | :05:26. | |
boot camp. I can't take you seriously. There | :05:26. | :05:32. | |
is a reason behind my madness. is that? If someone has a weak core, | :05:32. | :05:38. | |
I am trying to strengthen her core. So I am trying to get her body in | :05:38. | :05:44. | |
the correct form. He is conditioning me. I stand like | :05:44. | :05:49. | |
a bit of a slob really so James'... I never said that. | :05:49. | :05:54. | |
I knew it was what you meant in a polite way. James taught me to | :05:54. | :05:59. | |
stand correctly with good posture. And that comes from the core? | :05:59. | :06:02. | |
course, it does. We will all be doing it. | :06:02. | :06:05. | |
That was for my personal satisfaction. You were just showing | :06:05. | :06:10. | |
off. This weekend, foxtrot, are you excited how Alex is progressing | :06:10. | :06:16. | |
with the foxtrot? Go on. No, I am being nicer. I think the | :06:16. | :06:23. | |
first week the the cha-cha-cha, amazing. This week, already I'm | :06:23. | :06:25. | |
seeing improvement again. She is starting to get a better | :06:25. | :06:29. | |
understanding of her body because I'm making her do the plank. Her | :06:29. | :06:34. | |
posture is getting better. The dance is good and you've got a | :06:34. | :06:37. | |
little prop this week which we're not going to talk about too much. | :06:37. | :06:44. | |
Have we not learnt our lessons after the feather boa incident? You | :06:44. | :06:48. | |
have got a prop. Good luck with the foxtrot and listen to Matt Baker, | :06:48. | :06:56. | |
he knows what he is talking about! Alex and James. | :06:56. | :06:59. | |
Strictly Come Dancing: It Takes Two would not be the same without my | :06:59. | :07:05. | |
next guest. She is no no stranger at having an opinion on the dancers | :07:05. | :07:15. | |
:07:15. | :07:20. | ||
and their moves. It is Karen Hardy Karen is here. You are the Queen of | :07:20. | :07:23. | |
choreography. First of all, you were doing the show with Katie | :07:23. | :07:27. | |
Brand on Saturday, talking online across the dances. Did you enjoy | :07:27. | :07:33. | |
Friday and Saturday? I loved it. Interactive Red Button. It was | :07:33. | :07:36. | |
first class. I loved it. Let's waste no more time. Let's | :07:37. | :07:41. | |
talk about our couples. We will start with Holly and Artem. Now, | :07:41. | :07:46. | |
they impressed the judges. Did their choreography impress you, | :07:46. | :07:56. | |
:07:56. | :07:56. | ||
Karen? Something like this is dynamic, it is it is interacting. | :07:56. | :08:04. | |
It is no good having a Picasso if it is it is locked in your cupboard | :08:04. | :08:09. | |
Holly has got to be able to show everybody how great his | :08:10. | :08:12. | |
choreography is. Eyes down. | :08:12. | :08:19. | |
She is nervous. Got to get them up. Holly, eyes up. Loo Blackburn and | :08:19. | :08:25. | |
Brendan's cha-cha-cha, oh dear. Here is the first of many mistakes | :08:25. | :08:30. | |
should I say and now here we go because she hasn't nail the | :08:30. | :08:34. | |
choreography, it all went into car crash. However, what we're going to | :08:34. | :08:38. | |
see now is you are going to see how default happens. She is on stage, | :08:38. | :08:42. | |
she is singing, she is stressing, bang she is back in her Loo | :08:42. | :08:51. | |
Blackburn thing. Her -- Lulu thing. It does not matter who you are as a | :08:51. | :08:56. | |
celebrity, when you are on this show, it is dancing is a leveller | :08:56. | :09:00. | |
for all. You can't rely on what you are, you have got to deliver the | :09:00. | :09:04. | |
steps. I shall quote you on. Dancing is a | :09:04. | :09:14. | |
:09:14. | :09:16. | ||
leveller for all. Audley's waltz. How clever was Natalie with the | :09:16. | :09:19. | |
choreography. Three days training. That's all they had together. | :09:19. | :09:21. | |
Unbelievable. There was something magical about | :09:21. | :09:26. | |
this, but lots of standing around. The one, two, three, forward, side, | :09:26. | :09:30. | |
together. It wasn't in there. So she was very clever. She gave it | :09:30. | :09:34. | |
all the the turns and the swishes and the downs and the ups. But | :09:34. | :09:38. | |
these are the early training days, we need to get the steps in there. | :09:38. | :09:48. | |
:09:48. | :09:52. | ||
I'm going to keep my fingers crossed because he is gorgeous. | :09:52. | :09:57. | |
Robbie's cha-cha. He is leading that woman. I want to see this. He | :09:57. | :10:02. | |
brings her into him and take her down into the lead. Let me tell you | :10:02. | :10:04. | |
why that is important. In a partnership, it is all about the | :10:04. | :10:14. | |
woman. I've always said that to Norm. If he is leading her, Ola | :10:14. | :10:17. | |
will feel one million dollars and the girl comes in slowly and heavy. | :10:17. | :10:23. | |
Because he gave her the lead, bang. So, he has got time to learn the | :10:23. | :10:28. | |
technique. I think he is fabulous. You are pleased with Robbie. | :10:28. | :10:32. | |
Possibly he has a fine body, I haven't noticed it. | :10:32. | :10:34. | |
Russell and Flavia, possibly the campest moment of the night. Here | :10:34. | :10:39. | |
they are with their cha-cha-cha. What are your thoughts, Karen? | :10:39. | :10:46. | |
There is no two, three, cha-cha-cha. It is the John Travolta days. For | :10:46. | :10:50. | |
me, I hope this is not the journey they're going to take. I think | :10:50. | :10:55. | |
Russell will really want to learn more about what dancing is. I think | :10:55. | :11:01. | |
it was great for the, "I'm here here." Because we all love Russell, | :11:01. | :11:06. | |
but if he keeps doing panto we will get bored. He has the ability to do | :11:06. | :11:10. | |
it. Get in the arms of Flavia and do it. | :11:10. | :11:20. | |
:11:20. | :11:20. | ||
We have time for Anita and Robin and their waltz. He encases her | :11:20. | :11:24. | |
through everything. He frames her. He presents her. Look, he shadows | :11:24. | :11:28. | |
her. It is just beautiful. He makes her feel like a lady, like I told | :11:28. | :11:32. | |
you. It is all about the lady and the beautiful thing about this, | :11:32. | :11:36. | |
even when we are in hold as man, the gentleman has to look out to | :11:36. | :11:42. | |
the left, but he even made her feel one million dollars in his arms. | :11:42. | :11:46. | |
I'm welling up. That was Friday night. We will talk about Saturday | :11:46. | :11:52. | |
later. For now, Karen Hardy. Our next celebrity's performance caused | :11:52. | :12:02. | |
:12:02. | :12:03. | ||
a splat between Alesha and Craig. Here is what happened. | :12:03. | :12:09. | |
Will Lobb I have -- Mr Lobb, I have to tell you something. It was quite | :12:09. | :12:13. | |
published for a -- accomplished for a first go. | :12:13. | :12:19. | |
You did very well. Top line, I thought it was | :12:19. | :12:27. | |
hideously rigid. And smile. But it is his first time. | :12:27. | :12:35. | |
Exactly, Alesha. I am a bit disappointed, I won't | :12:35. | :12:39. | |
lie to you. We worked really hard and I thought we were getting | :12:39. | :12:44. | |
something. They know what they're talking about. No, they don't. | :12:44. | :12:50. | |
Please welcome Dan and Katya. APPLAUSE | :12:50. | :12:54. | |
One dance down, Dan. How was it for you? You looked disappointed there? | :12:54. | :13:02. | |
I was. It felt better than it obviously was to some... Under | :13:02. | :13:08. | |
marked. A lot of people thought it was harsh. Kelly on Twitter says, | :13:08. | :13:13. | |
"Craig deserved to be hit by a wet kipper for giving you such a low | :13:13. | :13:17. | |
mark." It was mixed compents from the -- comments from the judges. | :13:17. | :13:22. | |
Alesha said "elegant" I would have been confused. | :13:22. | :13:26. | |
I did have a fair bit of confusion after the comments. | :13:26. | :13:31. | |
After Dan had done the first waltz of the evening, they had nothing to | :13:31. | :13:36. | |
compare it to. They were a bit harsh on him. | :13:36. | :13:41. | |
Len did say, "Great for a tall man." Dan is a foot taller than you, | :13:41. | :13:47. | |
Katya. I only found that out today. Seriously, I thought she was five | :13:47. | :13:52. | |
six. I made four inch heels to hit him. | :13:52. | :13:56. | |
His His height is going to come as a positive in our partnership. He | :13:56. | :13:59. | |
can create beautiful lines and he is strong and with lifts... | :13:59. | :14:01. | |
Beautiful lines. Yes. | :14:01. | :14:06. | |
And the lifts that you will be able to do. She will just disappear into | :14:06. | :14:15. | |
the rafters. Well, she will be collecting glitter balls. | :14:15. | :14:19. | |
We couldn't, but help pick up on a bit of tension between the two of | :14:19. | :14:24. | |
you. Check this out. No Oh no. | :14:24. | :14:30. | |
Every great relationship has a bit of bickering. I'm with you, OK. | :14:30. | :14:34. | |
The relationship with Katya is already complex. | :14:34. | :14:38. | |
When they asked me what I needed from a partner, the first thing I | :14:38. | :14:43. | |
said was patience. I'm being patient, I'm just working | :14:43. | :14:46. | |
you. Do you want to turn that off | :14:46. | :14:55. | |
because it might annoy me. Every passionate relationship there | :14:55. | :14:59. | |
has to be some sort of fighting and aggression. | :14:59. | :15:04. | |
Maybe we've had a little bit of a cat fight. That's my first cat | :15:04. | :15:10. | |
scratch. I think it is healing well. I'm not mean to you on purpose. It | :15:10. | :15:16. | |
is the way forward, really. It is so good. You are fighting | :15:16. | :15:21. | |
like cat and Lobb. That was so last week. | :15:21. | :15:25. | |
That was so two weeks ago, darling. What's happening this week? I think | :15:26. | :15:30. | |
what happened in all seriousness it took us maybe two or three sessions | :15:30. | :15:33. | |
at the most to figure each other out. | :15:33. | :15:39. | |
And now he is in love with me. Now I just say, "Yes, dear. Sorry | :15:39. | :15:43. | |
dear.". It is just like a marriage. Well, you are spending that much | :15:43. | :15:48. | |
time with each other it has to be like a marriage. No, we ironed out | :15:48. | :15:51. | |
those little spats, but there weren't many. A lot of them were | :15:51. | :15:57. | |
funny. A lot of them were us just messing around. | :15:57. | :16:01. | |
Salsa? It is looking good. I think he might be a bit of a Latin man | :16:01. | :16:05. | |
actually and a ballroom man. But he is doing really well. He came to | :16:05. | :16:10. | |
the training room with an open mind and he is just saying yes to me and | :16:10. | :16:13. | |
going for it 100% so I'm really proud of him. | :16:13. | :16:23. | |
:16:23. | :16:29. | ||
We cannot wait to see you at the weekend. Good luck. Dan and Katya. | :16:29. | :16:31. | |
APPLAUSE Heartthrob, Dan, that's you, to | :16:31. | :16:34. | |
another, this year there is a new boy in town and it seems that | :16:34. | :16:36. | |
everyone is talking about him. He comes from a land far, far away. | :16:36. | :16:45. | |
He is set to change the dance competition forever. | :16:45. | :16:48. | |
His competitors fear him. You have got everything going for | :16:48. | :16:52. | |
you in life. If you look like that, you move like that. | :16:52. | :16:56. | |
The ladies love him. He has great technique. Great moves | :16:56. | :17:02. | |
and he is an amazing spinner. has got beautiful brown eyes. | :17:02. | :17:09. | |
But he only has eyes for one thing, the Strictly Come Dancing trophy! | :17:09. | :17:16. | |
Ladies and gentlemen, we give you, Pasha. | :17:16. | :17:21. | |
I'm from Russia and I've been dancing for 23 years. I have done | :17:21. | :17:30. | |
since I was eight years old. I I have been a US National Finalist. | :17:30. | :17:34. | |
I've starred on Broadway. I'm cheeky. The ladies find me | :17:34. | :17:38. | |
irresistible. We were new boys last year. He is | :17:38. | :17:42. | |
stealing our thunder. I hope he doesn't think he will | :17:42. | :17:47. | |
come over here on to our show and pick up the glitterball on his | :17:47. | :17:52. | |
first show. I have travelled 1,000 miles to get here. I will make it | :17:52. | :18:00. | |
worthwhile. I know how to get the best results out of of my dance | :18:00. | :18:03. | |
partnersment Chelsee and I are going to go out there and tear up | :18:03. | :18:08. | |
the dance floor. Make no mistake, I'm here to win the trophy. I don't | :18:08. | :18:14. | |
have to justify why I'm here on Strictly. My work will speak for | :18:14. | :18:18. | |
itself. I'm not scared of the competition. I am the competition. | :18:18. | :18:25. | |
It is a shame he is not a girl! Something tells me that Pasha maybe | :18:25. | :18:30. | |
a bit of a hit with the ladies and some of the men men as well. I have | :18:30. | :18:33. | |
Karen Hardy back with me for a second round of Choreography Corner. | :18:33. | :18:38. | |
Karen, what do you think of the new boy? I love him. He is a gentleman. | :18:38. | :18:43. | |
He has gotta len, what more could I say? I gave me a little spin and I | :18:43. | :18:49. | |
was gone. There is a lot of me. Let's talk | :18:49. | :18:54. | |
about his waltz with Chelsee. Len said it got manic. Was it too much | :18:54. | :19:02. | |
or did you love it? It was too much, but I don't think - it got stumbly | :19:02. | :19:09. | |
and messy. I don't think anybody expect this young lady to turn into | :19:09. | :19:15. | |
that. She turned into a beautiful angelic lady. If you had seen it in | :19:15. | :19:21. | |
rehearsals, you would have said, "My gosh, she is good." By the time | :19:21. | :19:24. | |
the beautiful dress was on, there was something so innocent about her, | :19:24. | :19:28. | |
it came together and you had the big at the end and you didn't need | :19:28. | :19:34. | |
it.. She was just excited and the thing with the music, you get | :19:34. | :19:38. | |
carried away. Let's talk about Nancy and Anton's waltz. It didn't | :19:38. | :19:44. | |
go so well. Did you feel for them? go so well. Did you feel for them? | :19:44. | :19:46. | |
At times. We don't like props. The other thing was, how long they | :19:46. | :19:51. | |
were on the stage, one, two, three. Two, two, three. | :19:51. | :19:57. | |
All the faffing around. This is. This is a dancing competition. Now, | :19:57. | :20:00. | |
the sad thing about this is he could have picked it up or they | :20:00. | :20:04. | |
could have dealt with it. Once they went into hold as well, she was | :20:04. | :20:09. | |
hanging on so you know, I think they can turn this around, they | :20:09. | :20:11. | |
have got to come out with a rocking number next week. | :20:11. | :20:15. | |
They have. The other thing with it, as a | :20:15. | :20:19. | |
person, she is a prop in herself, she is a strong character. Don't | :20:19. | :20:24. | |
take that wrong, Nancy. She is so glamorous and gorgeous | :20:24. | :20:28. | |
that you really don't have to add much to it. She is her own thing | :20:28. | :20:31. | |
that's going to come on the floor and steal the show.. She will be | :20:31. | :20:38. | |
doing salsa. I can't wait for that. Jason and Kristina and their cha- | :20:38. | :20:42. | |
cha-cha. Why was this so good? Double whamies. Look at his face. | :20:42. | :20:48. | |
Yes, you will mark it, yes I am good at what I'm doing. And yes, | :20:48. | :20:54. | |
I'm loving this. I just love it. What do we normally get first week? | :20:54. | :21:00. | |
We get funny faces. We had great dancing. A great | :21:00. | :21:04. | |
chemistry between the two of them and that double conviction of, "Yes, | :21:04. | :21:09. | |
I'm here. You will love it." I went, "You said you were everything you | :21:10. | :21:15. | |
said you would be." He is committed and practising and he is training. | :21:15. | :21:23. | |
I think you are pleased with Jason. Craig Craig, picked up on Harry's | :21:23. | :21:26. | |
lack of hip action, is that something you would agree with | :21:26. | :21:32. | |
this? This could be an action, but what's coming up is the classic | :21:32. | :21:37. | |
example, a walk in a lock step. It has gone to sleep there. Let me | :21:37. | :21:41. | |
tell you something very, very important about this. This boy is | :21:41. | :21:45. | |
so talented. He had so many great things going on, body isolation, | :21:45. | :21:51. | |
the use of the arms, the working with Aliona, that the hips stuck | :21:51. | :22:01. | |
:22:01. | :22:03. | ||
out like a sore thumb. Let's talk about Erin and Rory. | :22:03. | :22:09. | |
our world, it is the men. But she is so clever tying in the | :22:09. | :22:13. | |
choreography with the music. His delivery of the set was not very | :22:13. | :22:18. | |
good. The music is building up and they are spinning around. Everyone | :22:18. | :22:24. | |
is clapping. We don't know why we're clapping. That's how it was | :22:24. | :22:27. | |
in my house. I don't know why I'm clapping, but I am. | :22:27. | :22:33. | |
Classic theatre work. It is classic, "This is it." And we don't want to | :22:33. | :22:37. | |
be looking at the technique now. It is week onement we want to know who | :22:37. | :22:41. | |
they are and what they are about and we want to feel their hearts | :22:41. | :22:45. | |
and how much they are in love genuinely with this show. | :22:45. | :22:50. | |
Edwina and Vincent, cha-cha-cha. This was a cheeky little cha-cha- | :22:50. | :22:57. | |
cha, wasn't it? I thought her hips moved well. And role reversal. | :22:57. | :23:00. | |
That step would normally be carried out by the lady and they have | :23:01. | :23:04. | |
clearly agreed that we have got a very opinionated woman combined | :23:04. | :23:11. | |
with the hot Italian stallion. I'm just as tough as you are, but | :23:11. | :23:15. | |
actually she didn't do too bad. I saw hip actions and she was having | :23:15. | :23:20. | |
a good time. And she flashed her pants atted end | :23:20. | :23:24. | |
-- at the end which is what we want from former MPs! | :23:24. | :23:26. | |
Looking forward to next week's show already. | :23:26. | :23:31. | |
Karen Hardy. Anita and Robin will be here in a | :23:31. | :23:36. | |
minute. Let's remind ourselves of how they Wowed the crowd on Friday. | :23:36. | :23:44. | |
For me, that was the most sincere dance of the night, honestly. | :23:44. | :23:48. | |
Poised and beautifully acted. You need to sort out your head | :23:48. | :23:53. | |
placement, but I thought that whole routine was gorgeous. | :23:53. | :23:57. | |
I was in tears when he left you at the end. I will be all right in a | :23:57. | :24:05. | |
minute! I loved every second of that. I | :24:06. | :24:11. | |
just want to cry. It was fabulous. It was so beautiful to dance and I | :24:11. | :24:16. | |
enjoyed every single second just as much as you. It was amazing. | :24:17. | :24:25. | |
Oh, well to the show, Anita and Robin. | :24:25. | :24:26. | |
APPLAUSE Bruce was nearly in tears. Robin, | :24:26. | :24:33. | |
you were dewy eyed. You must have you were dewy eyed. You must have | :24:33. | :24:37. | |
been so proud of Anita. I couldn't have asked for anything more. We | :24:37. | :24:41. | |
had fun and I made the whole experience enjoibling, but we -- | :24:41. | :24:47. | |
enjoyable, but we worked hard at the same time. Anita made me so | :24:47. | :24:51. | |
proud on Friday night. Stop it, we're all going to well up. | :24:51. | :24:56. | |
You can fall in love with him, can't you? I am in love with him. | :24:56. | :25:02. | |
Your man was there, your husband was sat in the audience. You are | :25:02. | :25:06. | |
like, "Which husband?" Brian was in the audience. How was the | :25:06. | :25:11. | |
experience for him? Was he getting misty eyed? He said he got teary, | :25:11. | :25:15. | |
but he felt confident because he thinks Robin is a brilliant dancer | :25:15. | :25:19. | |
and he said, "I think you have got the right partner and I know you | :25:19. | :25:23. | |
want to do well and you will.". He was very supportive. | :25:24. | :25:27. | |
Joint second on the leaderboard. How does it feel to be up there? | :25:27. | :25:32. | |
Amazing. A lot of young bloods up there. | :25:32. | :25:36. | |
You showing them all. It doesn't matter at all. Lots of people | :25:36. | :25:40. | |
online think you are one of the best pairings ever, already. They | :25:40. | :25:45. | |
are falling in love with you. Why do you think you instantly clicked? | :25:45. | :25:49. | |
Sense of humour. We laugh at the same things. | :25:49. | :25:54. | |
Oh yes. We have no idea what it is. | :25:54. | :25:58. | |
And is it true that you were saying that Freddie Mercury would have got | :25:58. | :26:03. | |
on well with Robin? He would have adored him. Yeah, he would have | :26:03. | :26:08. | |
taken him home and told him lots of stories and gave him lots of | :26:08. | :26:11. | |
champagne. It sounds like a typical night out. | :26:11. | :26:17. | |
One of the fans want to know will you ever dance to a Queen song? | :26:17. | :26:24. | |
is a possibility. I won't say yes or no, but it is a possibility. | :26:24. | :26:27. | |
We like to investigate your training techniques and how they | :26:27. | :26:32. | |
work. So Robin, we have noticed that you have a split personality. | :26:32. | :26:36. | |
Oh yeah, when it comes to teaching. Check this out. | :26:36. | :26:42. | |
The policeman of dance, Bobby the policeman of dance. | :26:42. | :26:52. | |
:26:52. | :26:53. | ||
Lower heel, turn. No. Unhappy Bobby looks like this. | :26:53. | :27:02. | |
I don't want unhappy Bobby. I'm not scared of unhappy Bobby, no. | :27:02. | :27:06. | |
Unhappy Bobby. I'm sorry, Bobby. | :27:06. | :27:10. | |
One, that's much, much, much, much better. | :27:10. | :27:17. | |
Happy Bobby. LAUGHTER | :27:17. | :27:27. | |
:27:27. | :27:32. | ||
I love it when you're happy. Fab, dabbydoesious. | :27:32. | :27:38. | |
How do you know which Bobby you are dancing? I am starting to know. I | :27:38. | :27:42. | |
expect it. I do the step wrong and I look up and sure enough there is | :27:42. | :27:46. | |
the face. Bad Bobby. You have got pet names | :27:46. | :27:52. | |
for each other quickly. What are they? Come on, share? I did call | :27:52. | :27:56. | |
him squirrel because he can get so many grapes into his mouth. | :27:56. | :28:02. | |
I heard that about him! You are like a marriage. How is the | :28:02. | :28:08. | |
salsa going? How is that going to be different to the waltz? Well, it | :28:08. | :28:14. | |
is insane. It is mad. It is so fast. I just laughed the whole time. | :28:14. | :28:20. | |
Is she doing well? So far it has been fantastic. Compared to the | :28:20. | :28:26. | |
waltz, it is at the opposite end of the spectrum, so far, so good. | :28:26. | :28:31. | |
It is so lovely to have you in. Good luck with the salsa. Anita and | :28:32. | :28:37. | |
Bobby, we love them. Tomorrow, I will be joined by my | :28:37. | :28:42. |