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It's Wednesday, coming up on tonight's show: Holly and Artem and | :00:11. | :00:17. | |
Holly and Aliona to join us to chat cha-cha and the judges' comments | :00:17. | :00:23. | |
and Ian Waite is here and a peak at this week's training and Nancy and | :00:23. | :00:27. | |
Anton are here to tell me about the highs and lows of their first live | :00:27. | :00:37. | |
:00:37. | :01:08. | ||
performance. This is brand new Live from Television Centre, this | :01:08. | :01:14. | |
is Strictly: It Takes Two. Please welcome your host, it's Zoe Ball. | :01:14. | :01:20. | |
Hello, hello and welcome to It Takes Two. It is the middle of the | :01:20. | :01:23. | |
week which means the new routines are well under way. The next live | :01:23. | :01:26. | |
performance is looming and the excitement is building. Let's crack | :01:26. | :01:31. | |
on. Holly and Artem were the first couple to hit the dance floor this | :01:31. | :01:34. | |
series and they're the first guests on my sofa tonight. Here is a | :01:34. | :01:39. | |
reminder of how they did at the weekend. | :01:39. | :01:44. | |
A lot to work on but a lot of good, actually. Thank you. You look | :01:44. | :01:49. | |
sensational and you have the sexiness down and you were | :01:49. | :01:56. | |
convincing throughout. The footwork was good. The extension excellent. | :01:56. | :02:06. | |
:02:06. | :02:11. | ||
Our first one out. We got a 6. That's OK. Got to change that. | :02:11. | :02:17. | |
will get that up next week with any luck. We will. | :02:17. | :02:24. | |
Oh, at last, welcome holly and Artem. Before we go any further, | :02:24. | :02:29. | |
Holly, can I point out your shoes. Look at those! I want them, they're | :02:29. | :02:33. | |
amazing. They fit perfectly. How many inches is that? I think about | :02:33. | :02:41. | |
eight. Definitely higher than a dancing shoe. I am glad I took the | :02:41. | :02:45. | |
sticker off. The price tag. First out on a new series of Strictly. | :02:45. | :02:50. | |
Was that an extra serving of nerves and excitement for you on Friday? | :02:50. | :02:54. | |
It was a good thing. In hindsight I had a heart attack initially, and | :02:54. | :02:59. | |
then I realised that the longer I left it, if I was on late or the | :02:59. | :03:02. | |
Saturday I would have been a complete mess so I was happy to go | :03:02. | :03:06. | |
first and enjoy the rest. Poor Jason, he had to wait until the end | :03:06. | :03:11. | |
on Saturday night. I don't think it threw him somehow. He was still | :03:11. | :03:15. | |
good, wasn't he? Were you disappointed in Craig giving Holly | :03:15. | :03:20. | |
a 6 because she was very good. Actually I wasn't, it's an amazing | :03:21. | :03:26. | |
score considering other couples. It's pretty wow. Good job. It means | :03:26. | :03:31. | |
you have somewhere to go with Craig as well. Let's talk about the frock. | :03:31. | :03:36. | |
What a dress, amazing. People's hearts were racing watching that, | :03:36. | :03:41. | |
including my husband. I became a human Oscar. That's a perfect | :03:41. | :03:44. | |
description. Did you feel confident going out in a dress like that? | :03:44. | :03:52. | |
Bard robe -- wardrobe department is incredible, you are sewn in and | :03:52. | :03:55. | |
feeling strong and good. You go out feeling confident and that's the | :03:55. | :03:58. | |
last thing on your mind. It's different when you need to go to | :03:58. | :04:04. | |
the loo. Then you need a friend. You need someone to unzip. Artem, | :04:04. | :04:08. | |
you were champion last year but a task-master in the training room. | :04:08. | :04:13. | |
It's a fair comment. Please tell me you have footage! We have noticed | :04:13. | :04:20. | |
that there is a scary side of you making a comeback. Ha-ha! You are | :04:20. | :04:30. | |
:04:30. | :04:35. | ||
I'll be back. I decided my goal for this series | :04:35. | :04:42. | |
was to never bring up the Terminater in me. One more time. | :04:42. | :04:52. | |
:04:52. | :04:54. | ||
But he just jump out of me and I Straight knees. That one didn't | :04:54. | :05:02. | |
count. One more time. I have heard about the Terminater. Keep it on | :05:02. | :05:12. | |
:05:12. | :05:12. | ||
the ground! No, no, and no. Put your heel out. It's quite hard to | :05:12. | :05:16. | |
handle him. I am going to lose it. He is part of me. I am going to | :05:16. | :05:25. | |
lose it. Scary when he comes out. don't think this position is part | :05:25. | :05:28. | |
of the dance. You should incorporate it. | :05:28. | :05:34. | |
Oh! I am I am quaking in my reasonably priced shoes just at the | :05:34. | :05:38. | |
sight. Is he scary like that? know what, I just go really quiet | :05:38. | :05:43. | |
and try and get through it. He is actually such a sweet man and then | :05:43. | :05:48. | |
when he gets on a little mission, like yesterday, then I keep my | :05:48. | :05:52. | |
mouth closed and try and get on and do as I am told because he is as | :05:52. | :05:58. | |
frustrated as I am, I am as frustrated as he is. Is she a good | :05:58. | :06:03. | |
pupil, are you pleased with her and how is the salsa coming on? I am | :06:03. | :06:10. | |
amazed she hasn't walked out of rehearsal yet. We all are! How is | :06:10. | :06:15. | |
the salsa? It's good, getting there. What do you think? It's fun. It's | :06:15. | :06:20. | |
less technical for me than the cha- cha. It's more relaxed on the knees. | :06:20. | :06:24. | |
It's more groovy and hippie and I can get into it without feeling | :06:24. | :06:28. | |
alien. The judges want more confidence from you and Karen Hardy | :06:28. | :06:33. | |
said yesterday Holly, eyes up, that was her tip. I do look down a lot | :06:33. | :06:39. | |
and he is always checking after we get off stage "was she looking | :06:39. | :06:47. | |
down"? He's back, the Terminater! Good luck, Holly and Artem. So by | :06:47. | :06:51. | |
now we should all know our professional dancer intimately, | :06:51. | :06:55. | |
right? Could you identify them from their dance moves alone? Just for | :06:55. | :06:59. | |
fun see if you can work out which one of our Strictly pros is | :06:59. | :07:09. | |
:07:09. | :07:20. | ||
monkeying around. This is Dancers # I can feel it coming in the air | :07:20. | :07:26. | |
tonight # I've been waiting for this | :07:26. | :07:32. | |
moment... Who is the Dancer in Disguise? Find out later in the | :07:32. | :07:36. | |
show. Oh, yeah, who was that? Stay tuned | :07:37. | :07:41. | |
and we will reveal all later. Now down to much more serious business. | :07:41. | :07:45. | |
He was my dance partner and he's become my great friend and now he | :07:45. | :07:51. | |
is joining me by popular demand as It Takes Two's dance expert. He is | :07:51. | :08:00. | |
a man always worth the wait. With his Wednesday Warm Up, it's Mr | :08:00. | :08:07. | |
Waite. Oh, darling! Let me be back in your | :08:07. | :08:11. | |
arms. It's really lovely to see you again, Blondie. You are going to be | :08:11. | :08:15. | |
here talking about the couples' training mid-week, and have a check | :08:15. | :08:20. | |
on that. Before we do that, Zoe, I want to take a trip down memory | :08:20. | :08:26. | |
lane and remind the viewers of how... Must we go back? Look at | :08:26. | :08:35. | |
this. Will Zoe Ball please take to the floor. Drop dead gorgeous! | :08:35. | :08:45. | |
:08:45. | :08:53. | ||
Love, sex, passion, what more do you want?! | :08:53. | :08:57. | |
Oh, we were so young before it all started to slide. I know, those | :08:57. | :09:02. | |
were the days. Vintage years. Enough of our exploits. Let's talk | :09:02. | :09:07. | |
about the couples. It's mid-week they have one dance to learn in one | :09:07. | :09:10. | |
week. Let's start with with Lulu and Brendan. They didn't have the | :09:10. | :09:14. | |
greatest weekend with the cha-cha. No, they didn't and they have a bit | :09:14. | :09:19. | |
of a a height difference but Lulu is doing brilliantly well. Heel | :09:19. | :09:22. | |
turns I want to talk about and that's why I have highlighted her | :09:22. | :09:32. | |
:09:32. | :09:36. | ||
Lulu did a bad heel turn at the beginning of this dance, but here | :09:36. | :09:40. | |
she's doing a perfect heel turn. This is where she puts her heels | :09:40. | :09:44. | |
together with her toes in the air and turns on her heels and on to | :09:44. | :09:49. | |
the toes. Absolutely perfect. Lulu. I am loving the machinery, by | :09:49. | :09:54. | |
the way. I have had a bit of practice. Let's not speak too soon. | :09:54. | :09:59. | |
Let's look at Robbie and Ola. I am excited about seeing Robbie in | :09:59. | :10:03. | |
tails. I hope Robbie doesn't lose heart with Craig's comments last | :10:03. | :10:07. | |
week. I hope he keeps his confidence high because he could be | :10:07. | :10:12. | |
really good. His foxtrot technique is excellent. That's only on Monday. | :10:12. | :10:16. | |
Here the only thing I have a concern about is he is dropping his | :10:16. | :10:22. | |
arms back behind his back. I would like him to see more of a T-shape | :10:22. | :10:26. | |
through the body and he drops his arms behind that shape and I would | :10:26. | :10:33. | |
like to keep the arms up. Taking notes, Robbie? Apart from that his | :10:33. | :10:38. | |
footwork is impeccable. Let's look at Edwina and Vincent. She had a | :10:38. | :10:44. | |
cheeky cha-cha last week. She's really loving it. You can see it | :10:44. | :10:47. | |
through her face. She keeps eye contact with Vincent all the way | :10:47. | :10:53. | |
through this. How could you not? you can see. She's looking at him | :10:53. | :10:59. | |
in the eyes and he is looking at her. He is looking at her barnet. | :10:59. | :11:05. | |
It's beautiful. Vincent's done that purposefully because it keeps her | :11:05. | :11:08. | |
focus. She keeps her head up by looking at him. It stops her | :11:08. | :11:12. | |
looking down. It's a very good thing to do in early stages of a | :11:12. | :11:17. | |
partnership. Very, very good. a romantic dance the foxtrot, if I | :11:17. | :11:21. | |
remember rightly. This is all lyrical at the beginning, telling a | :11:21. | :11:27. | |
story. Alex and James. I was a little bit disappointed with her | :11:27. | :11:30. | |
last week. Really? She has a fabulous body but she was a bit | :11:31. | :11:34. | |
stiff. That's what the judges said. In the foxtrot she looks more at | :11:34. | :11:39. | |
home, more relaxed. The only thing I have a concern about is if I show | :11:39. | :11:44. | |
you here she's actually got her left shoulder far too far forward. | :11:44. | :11:50. | |
She looks cramped. How should the hold be? Any excuse to get back in | :11:50. | :11:56. | |
his arms! Right foot. I am standing there, if she can get that shoulder | :11:56. | :12:01. | |
back and she will have more room for that hand. Where is this hand? | :12:01. | :12:05. | |
Shoulder back and more room for that hand. See, I am happy now. | :12:06. | :12:13. | |
That's all I wanted. I can't do the rest. You look gorgeous. You do | :12:13. | :12:16. | |
strike reu and -- Strictly and your partner leaves and you can't do any | :12:16. | :12:22. | |
of it. Weddings are an embarrassment. Jason and Kristina. | :12:22. | :12:26. | |
The golden boy on Saturday. Kristina has been berating Jason | :12:26. | :12:32. | |
about his neck. She has had him in a a -- braise and everything. -- | :12:32. | :12:38. | |
brace and everything. He has a gorgeous long neck now. Also his | :12:38. | :12:41. | |
quality of movement, he is going to have another great week this week. | :12:41. | :12:46. | |
His quality of movement, he strides across the floor as you can see | :12:46. | :12:51. | |
there. Lovely big strides creating space. Beautiful. Looks amazing. | :12:51. | :12:57. | |
am impressed with your machinery. Ian Waite! We will cover the salsas | :12:57. | :13:02. | |
in a little bit. In a minute I will be talking to Nancy and Anton about | :13:02. | :13:07. | |
their unexpected contime drama on - - costume drama on Saturday. Let's | :13:07. | :13:13. | |
have a recap. A word of advice, darling, forget props altogether. | :13:13. | :13:19. | |
It was too long messing abouten the set -- about on the settee thing | :13:19. | :13:26. | |
but the bit of dancing is good. are the glamour puss of Strictly | :13:26. | :13:31. | |
this year. I am sure you will be back doing better. It all went | :13:31. | :13:41. | |
:13:41. | :13:42. | ||
him. We never got a chance to do the dance, if we had it would have | :13:42. | :13:52. | |
:13:52. | :13:53. | ||
I think an extra huge cheer for Nancy and Anton! APPLAUSE AND | :13:53. | :14:00. | |
CHEERING. Thank you. Nancy, lovely to have you here. Lovely to be here. | :14:00. | :14:03. | |
Wardrobe malfunctions, they're part and parcel of Strictly. Would you | :14:03. | :14:09. | |
like this removed? We will have it burnt. They're dangerous. You want | :14:09. | :14:15. | |
to keep it? Is that wise? What happened on Saturday, Nancy? What | :14:15. | :14:18. | |
happened, do you remember? I don't remember what happened. Saturday, | :14:19. | :14:25. | |
what's that! Well, it was not supposed to come with me afterwards, | :14:25. | :14:31. | |
it was supposed to stay and then, of course, it's a live show. | :14:31. | :14:38. | |
followed you. Yes, it was between me and Anton in one way. Already. | :14:38. | :14:44. | |
Already, yeah, it's unpredictable, like live, that happens. So, yeah, | :14:44. | :14:49. | |
disappointing. What can you do? Anton, when did you realise it was | :14:49. | :14:54. | |
all going a bit wrong? Thursday before. I thought this is not going | :14:54. | :15:02. | |
how I would like. It was fantastic in rehearsal. A shame you weren't | :15:02. | :15:07. | |
there for that, it was remarkable. We should talk about that. It Takes | :15:07. | :15:11. | |
Two, as you know, we always have our ears to the ground and this was | :15:11. | :15:15. | |
no exception. We had our ears close to the ground and this is genius, | :15:15. | :15:19. | |
this is why Anton is such a pro. When it all started to go wrong he | :15:19. | :15:22. | |
supported Nancy all the way. He got her through the dance. Look and a | :15:22. | :15:32. | |
:15:32. | :15:43. | ||
Keep going, keep going. Good, it's going well. | :15:43. | :15:53. | |
:15:53. | :16:07. | ||
APPLAUSE AND CHEERING. It was so funny. We have been crying with | :16:07. | :16:16. | |
laughter. It's when you said "Anton, what are you doing"? Dancing. He | :16:16. | :16:20. | |
was your knight in shining armour? Yes is the answer to that question. | :16:20. | :16:24. | |
Of course, yes. Were you disappointed with the scores? It's | :16:24. | :16:29. | |
the first time Craig has awarded a one for a waltz. It was | :16:29. | :16:33. | |
disappointing, to be honest I couldn't have cared less really. I | :16:33. | :16:36. | |
was disappointed we never got a chance to show the dance because it | :16:36. | :16:41. | |
was lovely. Nancy had been dancing it really well in rehearsal and | :16:41. | :16:44. | |
sweeping across the floor and the musicality actually was rather good | :16:44. | :16:51. | |
so I was looking forward to doing it. The boa, the feather boa | :16:51. | :16:54. | |
constrictor messed it all up a bit and once you go off, it's difficult | :16:55. | :17:00. | |
to get back on. Especially on the first week. But there you are. I | :17:00. | :17:03. | |
thought you did well not to completely fall apart. You did well | :17:03. | :17:07. | |
to pick it up, you got going, I thought you looked lovely by the | :17:07. | :17:17. | |
way. That's important. Len said you had potential. That's encouraged. | :17:17. | :17:21. | |
Dismissive there as she was, but encouraged. First of all, I am not | :17:21. | :17:25. | |
here to show that I am the best dancer, probably I won't be. | :17:25. | :17:30. | |
not, I think you are. Definitely it's fantastic, probably was great | :17:30. | :17:34. | |
television. It was great telly, we all agreed. That for me was more | :17:34. | :17:40. | |
important than probably for Anton. Disappointed because we could have | :17:40. | :17:44. | |
really danced away we wanted to and I loved the choreography. It was | :17:44. | :17:51. | |
very good. It was great choreography. Let's leave it behind. | :17:51. | :17:57. | |
At the beginning, it was really... Good luck with trying to stop. | :17:57. | :18:03. | |
I speak? Salsa this week. A lot of Latin passions. Nancy is going to | :18:03. | :18:09. | |
be good at this? A beauty. Go on, girl. Look at that, a natural. | :18:09. | :18:17. | |
I point out the shoes, how high are your heels there? They're seriously | :18:17. | :18:22. | |
high to be doing that. They're not high, what are you talking about? | :18:22. | :18:26. | |
Definitely after Strictly I am going to design new shoes dancing | :18:27. | :18:30. | |
because it's only thing that's completely unglamorous are the | :18:30. | :18:34. | |
shoes. I was showing to you today that a little bit higher, | :18:34. | :18:39. | |
especially for salsa, immediately you are more glamorous, the posture | :18:39. | :18:44. | |
is right. I have no balance with no high heels. I tell you, I am not | :18:44. | :18:49. | |
alone in saying that we can not wait for your scorching salsa at | :18:49. | :18:53. | |
the weekend. It's going to be incredible, heels and all. Good | :18:53. | :18:57. | |
luck to both of you. Nancy and Anton. | :18:57. | :19:01. | |
APPLAUSE. She's gorgeous. On Monday we | :19:01. | :19:05. | |
launched our brand new phoneline and asked you to call in with your | :19:05. | :19:09. | |
thoughts and opinions on all things Strictly. As if by magic, you did. | :19:10. | :19:18. | |
We love you. It's Points of You. I thought Anton should have stopped | :19:18. | :19:23. | |
and asked the judges for a rerun on that. It was the dress and the | :19:23. | :19:28. | |
costume that that interfered with the dance and it wasn't the | :19:28. | :19:33. | |
dancers' fault. Thank you, bye. just want to say I really liked | :19:33. | :19:38. | |
Brendan's new hairstyle on Saturday. Thank you. I think Holly should | :19:38. | :19:43. | |
have got eight all across the board because she is amazing. Love you, | :19:43. | :19:48. | |
Zoe. Bye. I want to know did anybody else see Brendan Cole | :19:48. | :19:57. | |
falling down the stairs on Saturday night? | :19:57. | :20:03. | |
Karen, we absolutely adore you for spotting Brendan falling and | :20:03. | :20:09. | |
putting his hand on his chin. Amazing. Our phone lines are open | :20:09. | :20:19. | |
:20:19. | :20:21. | ||
24/7 for all your comments. Call us any time. | :20:21. | :20:28. | |
Now it's time for another catch-up with Ian. We are going to do Latin | :20:28. | :20:32. | |
now. We are going to do the salsa this weekend for our couples. Let's | :20:32. | :20:42. | |
:20:42. | :20:58. | ||
he is lovely, tall like me, 6'4". He is using it to his ability here. | :20:58. | :21:02. | |
We are a allowing lifts here. like a good lift. That's going to | :21:02. | :21:06. | |
use his height and everything else. He looks like a strong boy. He is | :21:06. | :21:15. | |
going to be good in that dance. Chelsee and Pasha, she wowed the | :21:15. | :21:20. | |
judges this weekend. Stop it there. Snaky hips. Exactly. Now she's | :21:21. | :21:26. | |
using her body and mirroring Pasha perfectly. Here he has a nice S- | :21:26. | :21:32. | |
shape and she has exactly the same. She's using her hips and arms in | :21:32. | :21:34. | |
co-ordination, which is fantastic. That was only Sunday's training so | :21:34. | :21:40. | |
that was her first day of salsa. Good stuff. Audley and Natalie. | :21:40. | :21:46. | |
I was very shocked with Audley last Friday. Good shocked, bad shocked? | :21:46. | :21:51. | |
He did brilliantly. With this salsa, he can move his body a lot more. | :21:51. | :21:56. | |
More movement in the body and feet. I would like to stop it there. | :21:56. | :22:01. | |
has huge feet. His shoes are that big. That's no excuse, darling. He | :22:01. | :22:06. | |
needs to use his feet more. If he has more feet to use then it's an | :22:06. | :22:13. | |
advantage, surely. When you say use them more... Actually be more on | :22:13. | :22:22. | |
the balls of his feet. Use the balls more. And Anita and Robin. | :22:23. | :22:28. | |
She's having the time of her life, isn't she? She looks like Olivia | :22:28. | :22:34. | |
Newton John. Stop it here and show you the hips, basically. That's my | :22:34. | :22:39. | |
main concern. In salsa it's very fluid and there's a lot of movement. | :22:39. | :22:43. | |
Hip usage. I would like to see her releasing into the hips. She's | :22:43. | :22:47. | |
going to thank you for drawing a circle around her bottom, as any | :22:47. | :22:52. | |
woman would! Release the hip, show us the releasing of hip, please. | :22:52. | :22:56. | |
Well, you are actually releasing into the hip like that. OK. I still | :22:56. | :23:02. | |
don't think that was close enough. Rory and Erin, he is on the show on | :23:02. | :23:08. | |
Friday. You know I said about fluidity and rhythm in salsa, this | :23:08. | :23:14. | |
needs to be more fluid. It's jerky for me. Here he is going to do some | :23:14. | :23:19. | |
- he is doing the salsa forward and side. Now, if I do this. Circle | :23:19. | :23:22. | |
around the hips again. He needs to co-ordinate his arms with his hips. | :23:23. | :23:29. | |
You are going to show us now. The jacket is coming off! He needs to | :23:29. | :23:34. | |
do... And then the side. That's what we want, Rory. Figure eight | :23:34. | :23:39. | |
like that, get in there. That's why we love Ian Waite. I have missed | :23:39. | :23:46. | |
him! Fantastic. A glimpse at Russell and Flavia. I love Russell. | :23:46. | :23:53. | |
He is flamboyant and exuberant like myself. He is doing more steps. And | :23:53. | :23:56. | |
he can dance, so why not. He is fantastic. Will you come back next | :23:57. | :24:03. | |
week? Yes, I sure will. I can't wait. Isn't he gorgeous? Ian Waite! | :24:03. | :24:07. | |
Have you managed at home to guess who our dancer in disguise is and | :24:07. | :24:10. | |
what they were dancing? I reckon it's Anton because he is quite | :24:10. | :24:15. | |
hairy. I have never seen, thank goodness. It's the big reveal. We | :24:15. | :24:24. | |
It's James Jordan. You should have recognised him doing the rumba, of | :24:24. | :24:30. | |
course, he loves the rumba. Have you got it right at home? In a | :24:30. | :24:39. | |
moment I will be joined by Harry and Aliona who impressed all the | :24:39. | :24:44. | |
judges with a confident debut. was thinking Dirty Harry, make my | :24:44. | :24:53. | |
day, punk! For me it was too placed, too clean, too straight. As debuts | :24:53. | :25:01. | |
goes this was very confident. It was a very fit, tight, muscular, | :25:01. | :25:09. | |
masculine performance, full of confidence and and spunk. I enjoyed | :25:09. | :25:14. | |
it. I have never been described as Dirty Harry before. I am sure you | :25:14. | :25:19. | |
have, come on! The first one is out of the way and we can get down to | :25:19. | :25:25. | |
hard work. Please welcome Harry and Aliona. | :25:25. | :25:29. | |
You must be so chuffed with how it went on Saturday? I was pleased, | :25:29. | :25:32. | |
yeah, really pleased. What I was most pleased about was I enjoyed | :25:32. | :25:36. | |
myself. Because I was worried that I would be so nervous that I | :25:36. | :25:41. | |
wouldn't enjoy it. But we had fun. You did and Danny and Tom were | :25:41. | :25:44. | |
there in the front row, did that give you support or make you more | :25:44. | :25:48. | |
nervous having your friend right there? Tom rung me that morning and | :25:48. | :25:52. | |
said we are planning on coming but do you want us there? To be honest | :25:53. | :25:57. | |
it really helped because whilst the VT was playing I saw them and they | :25:57. | :26:02. | |
looked at me and went come on, mate, so I thought I am going to go for | :26:02. | :26:08. | |
it and it spurred me on. You did go for it. Mixed judges' comments. Do | :26:08. | :26:13. | |
you agree with Craig when he said that Harry needs to loosen up his | :26:13. | :26:19. | |
hips a little bit, is that a fair comment? In general, I listen to | :26:19. | :26:25. | |
the comments and I respect them, but I don't take them on board. | :26:25. | :26:29. | |
Karen mentioned it yesterday as well. I do! Well done, Harry. Good | :26:29. | :26:35. | |
move. Craig, if you are listening. Bless you. We might have spotted | :26:35. | :26:38. | |
why you are having trouble with the hip movements at the moment, not | :26:38. | :26:43. | |
necessarily trouble, but we reckon we know why you are not that | :26:43. | :26:48. | |
comfortable. I have had concerns that I look slightly feminine. | :26:48. | :26:55. | |
Women hips. I am going to work on that, you know. Go home tonight, | :26:55. | :27:02. | |
watch Rambo1, 2 and 3, and see how he shakes his hips. | :27:02. | :27:12. | |
I think Harry is a very butch guy. I don't see why he might think that | :27:12. | :27:22. | |
:27:22. | :27:22. | ||
he might look like a girl. I am so butch! I will do my hip wiggling | :27:22. | :27:26. | |
for the guys. If I can do it in front of them I should be able to | :27:26. | :27:30. | |
do it in front of anyone. I will make them have a go, as well. See | :27:30. | :27:39. | |
if any of them are as feminine as I want to see the whole band now, | :27:39. | :27:44. | |
all of you. We have a few seconds left. Straight back into training | :27:44. | :27:49. | |
on Sunday morning. Good pupil. How is the foxtrot going? You have | :27:49. | :27:55. | |
given it a new name. I don't know why it's a foxtrot, not that I am | :27:55. | :27:58. | |
fluid and graceful, but it's a graceful thing and we are doing | :27:58. | :28:05. | |
this thing with our arms and I made it more look like a swantrot would | :28:05. | :28:09. | |
skaoeub it -- describe it better. Are you enjoying it? I am, it's a | :28:09. | :28:14. | |
great experience. Can you keep up the same standard this week? | :28:14. | :28:22. | |
wants to top last week, so yeah. We are trying. We cannot wait to see | :28:22. | :28:26. | |
you swantroting. Thank you for coming in. That's all we have time | :28:26. | :28:31. | |
for. A big thank you to all our guests. Tune in tomorrow at 6.30pm | :28:31. | :28:36. | |
when I will be chatting to Jason and Kristina, Russell and Flavia, | :28:36. | :28:41. | |
Edwina and Vincent and getting a preview of what the couples will be | :28:41. | :28:45. | |
wearing this weekend and if you are a superfan don't forget to look out | :28:45. | :28:51. |