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Harry and Aliona did Greaseed lightning. | :00:21. | :00:26. | |
Plus, the wait is up. Ian is back to give us his lowdown on this | :00:26. | :00:31. | |
week's training in Waite's Wednesday warm-up. This is Strictly, | :00:31. | :00:41. | |
:00:41. | :01:08. | ||
It Takes Two.... Live from Television Centre, this | :01:08. | :01:15. | |
is Strictly It Takes Two. Please welcome your host, it's Zoe Ball. | :01:15. | :01:20. | |
Hello. Welcome to It Takes Two, the fourth | :01:20. | :01:25. | |
weekend of live shows is rooming -- looming and there are 11 different | :01:25. | :01:29. | |
dance styles on offer this weekend. We can look forward to the first | :01:29. | :01:33. | |
pasos and American smooths of the series. For one woman, the hard | :01:33. | :01:36. | |
work is starting to pay off. Lulu will be here with her partner | :01:36. | :01:44. | |
Brendan next. First, here is how they looked on Saturday night. | :01:44. | :01:51. | |
did it again. A great story, told brilliantly. Can't believe how good | :01:51. | :01:57. | |
you are playing the injured you, seduced by the power of the dark. | :01:57. | :02:07. | |
:02:07. | :02:30. | ||
Illegal lifts will not be tolerated. The other judges should have done | :02:30. | :02:34. | |
the same, penalised us more for the lift, but they liked it. | :02:35. | :02:43. | |
They liked it a lot. Please welcome Lulu and Brendan.-- On the show | :02:43. | :02:49. | |
yesterday, we had Bruce Oldfield here and OOnagh O'Hagan about | :02:49. | :02:53. | |
fashions and we found a picture of you in the '60s and one of you on | :02:53. | :02:57. | |
Saturday. You are the envy of every woman in town. You look better now! | :02:57. | :03:03. | |
That's nice! Yes. What a nice thing to say. What's your secret? It's a | :03:03. | :03:06. | |
compliment that. Do you eat something particularly? How do you | :03:06. | :03:11. | |
look so good, we love it? You will have to reveal your secrets in a | :03:11. | :03:18. | |
book? Yes, I have a book. Am I allowed to plug it?! OK. Let's talk | :03:18. | :03:25. | |
about Saturday. Your rumba brought tears to my eyes. So relieved. | :03:25. | :03:30. | |
enjoyed it. The illegal lift, of course, Karen Hardy said it was | :03:30. | :03:34. | |
amazing even if illegal. Craig and Len disagreed, they were split, | :03:34. | :03:39. | |
what were your thoughts? Do you want to speak? You put it in or you | :03:39. | :03:43. | |
don't, you know. I expected a penalty, I've done plenty of them | :03:43. | :03:47. | |
in the past as we all know and if you do it, you run the risk of | :03:47. | :03:51. | |
getting low marks and therefore a much higher risk of leaving the | :03:51. | :03:53. | |
competition. We discussed it beforehand and said it suits the | :03:53. | :03:58. | |
music, it's got to go in. It's that crescendo, it yelped and screamed | :03:58. | :04:02. | |
for something special and he provided it. And it was gorgeous | :04:02. | :04:06. | |
and everybody did love it. But what did you think about the low marks? | :04:06. | :04:10. | |
Were you worried about that, that that might make you go out? He said | :04:10. | :04:15. | |
they would be, that's the chance you would take. I expected fives | :04:15. | :04:18. | |
across-the-board so we were lucky to get away with it. I wasn't the | :04:18. | :04:24. | |
only one who put a lift in on Saturday. There were other lifts. | :04:24. | :04:28. | |
get caught out because I've always done it, but don't be offended if | :04:28. | :04:32. | |
you don't like my lifts, it's something I like to do. I totally | :04:32. | :04:38. | |
loved it. He laughs and I say I'm not Jennifer Grey but he's | :04:38. | :04:43. | |
definitely Patrick Swayze. My girlfriends are so envious. I was | :04:43. | :04:48. | |
swept off my feet, every woman wants that. Where is this | :04:49. | :04:54. | |
confidence coming from, it's a change from two weeks ago? It's | :04:54. | :04:58. | |
because of that incredible lift. He's tough, very tough. We know. | :04:58. | :05:05. | |
I'm a gluten for punishment. I love it. So he's trying to teach me | :05:05. | :05:10. | |
things and I'm getting them and feeling more confident and better. | :05:10. | :05:14. | |
Are you pushing her? Is this a new teaching method for you? Lulu | :05:15. | :05:19. | |
doesn't like it when I break things down too much. I think I'm at | :05:19. | :05:24. | |
school. But you have to to get through to the nitty-gritty and I'm | :05:24. | :05:34. | |
:05:34. | :05:34. | ||
not prepared to go through just like that. This week, we are doing | :05:34. | :05:38. | |
the Samba and it's looking really good. We are having so much fun. | :05:38. | :05:42. | |
You have had trouble with Samba haven't you? You've gone out... | :05:42. | :05:49. | |
Don't say that! Four weeks he's gone out during Samba. Break, break, | :05:49. | :05:53. | |
break that? Yes, there is that small equation. Moving swiftly | :05:53. | :05:57. | |
along. I don't want to know about it, change the subject. Samba is | :05:57. | :06:01. | |
notoriously hard, so many different rhythms, speed changes. It's a | :06:01. | :06:06. | |
crazy, manic dance and a lot of celebs struggle with it and my | :06:07. | :06:09. | |
partners have been no exception but I'm starting to think it might be | :06:09. | :06:14. | |
me. No, darling, never. Brendan sounded positive though and thinks | :06:14. | :06:18. | |
you are doing well? We are having so much fun. It's just... Like I | :06:18. | :06:22. | |
say, I really now, that's the breakthrough. You said what's | :06:22. | :06:26. | |
happened, I think I'm now really having fun with this and the Samba | :06:26. | :06:30. | |
is great. I'm crazy scared because we've got to get through next week | :06:30. | :06:37. | |
and if we do, I have one day off because I'm on QVC, are you going | :06:37. | :06:41. | |
to rehearse with me... This is what we call Lulu land. We want to talk | :06:41. | :06:45. | |
about Lulu land. This is a little place that Lulu likes to go to when | :06:45. | :06:50. | |
she's in the training room and Brendan calls it Lulu land. | :06:50. | :06:53. | |
knows what is going through Lulu's head at that time when she goes | :06:53. | :07:02. | |
into, as I like to say it, Lulu land? Argh... She's like an | :07:02. | :07:12. | |
:07:12. | :07:17. | ||
excitable child. I'm flying.... What foot? Pfftt. Good girl! What | :07:17. | :07:27. | |
:07:27. | :07:29. | ||
was that? Skippy jumpy... Left foot first, right. Da-da... Shut up! | :07:29. | :07:36. | |
Don't kick off on me, please. I take myself too seriously. | :07:36. | :07:41. | |
I don't know how he stands it. That's the truth of the matter. | :07:41. | :07:43. | |
She's absolutely mental all the time. I'll be talking to her all | :07:43. | :07:47. | |
the time and I have a conversation with myself because she'll go, what | :07:47. | :07:51. | |
did you say. Bonkers. I feel bad for him. This week you are doing | :07:51. | :07:55. | |
the Samba. How are you going to avoid going out in Lulu stage mood | :07:55. | :07:59. | |
and not the rock chick one? This is a very good point. It's about the | :07:59. | :08:05. | |
focus, it's about hard work, hard work, hard work and being in Samba | :08:05. | :08:10. | |
land. Lulu land, Samba land. Focus is a big point and it's something | :08:10. | :08:14. | |
that's growing as we develop in our relationship and our dance, we are | :08:14. | :08:18. | |
starting to understand why Lulu goes in and out of this little Lulu | :08:18. | :08:22. | |
land. When I get absolutely panicked, nothing happens, I really | :08:22. | :08:28. | |
can get very panicked and it reminds me of being at school, if I | :08:28. | :08:32. | |
have an exam, I can never pass because I freeze or start making | :08:32. | :08:36. | |
funny noises. Fingers crossed on Saturday you are going to break | :08:36. | :08:42. | |
that Samba. Last year I was fine so there is no curse. We have faith in | :08:42. | :08:44. | |
you. Lulu and Brendan! Thank you. | :08:44. | :08:49. | |
Now we've got another it take twos teaser for you. Can you guess who | :08:49. | :08:59. | |
:08:59. | :09:03. | ||
it is dancing in disguise? -- It Dancers in disguise. # Who let the | :09:03. | :09:10. | |
dogs out? # Who let the dogs out? | :09:10. | :09:17. | |
# # Who let the dogs out?... # is the dancer in disguise? Find out | :09:17. | :09:20. | |
later. It's that time of the week to cast a spotlight on training. | :09:20. | :09:30. | |
:09:30. | :09:37. | ||
Here he is, my midweek marvel, Ian Waite. | :09:37. | :09:41. | |
How are you this week, Sir? Feeling amazing. Did you enjoy Broadway | :09:41. | :09:45. | |
week? Wasn't it great. You thought that was good. This weeks, we have | :09:45. | :09:49. | |
11 different styles of dancing, so let's have a look at some of the | :09:49. | :09:52. | |
couples in training. Our first American smooth is being done by | :09:52. | :09:58. | |
Anita and Robin? Yes, Anita, American smooth is very obviously | :09:58. | :10:03. | |
smooth like it says. Sort of old Hollywood, is that American smooth? | :10:03. | :10:09. | |
It is, yes. When I said smooth, I would like to see Anita be a bit | :10:09. | :10:14. | |
more smooth in the action in her knees, the softening of the knees | :10:14. | :10:19. | |
which creates a bit more fluidity. But here I have stopped it I'm | :10:19. | :10:25. | |
highlighting her hand there. What's wrong with her hand? She's grabing | :10:25. | :10:29. | |
hold of Robin and I would like to see a more refined feminine hand | :10:29. | :10:33. | |
all the time, trying not to grab him quite so much. It's difficult | :10:33. | :10:37. | |
though because sometimes you are grabbing on in fear? Yes. Clutching | :10:37. | :10:41. | |
on for dear life. Yes, most of the time you were. Thank you, let's not | :10:41. | :10:47. | |
go back there. Don't start! Nancy and an none. I cannot wait. They're | :10:47. | :10:50. | |
doing the Paso Doble this week. I think she was made for this dance | :10:50. | :10:56. | |
frankly. Let's talk about the positives first. Yes, good. It's a | :10:56. | :11:00. | |
sticato dance so suits her very well and she's doing good heel | :11:00. | :11:04. | |
leads which is fantastic. She's wobbling about in a lot of places | :11:04. | :11:10. | |
and I believe if I was to stop it there and I'm going to do this, | :11:10. | :11:16. | |
highlight that and I'm going to do that, you see. Pointing to... | :11:17. | :11:21. | |
point at a woman's... Tummy! needs to make the centre stronger | :11:21. | :11:26. | |
and I think that will improve her overall balance. It gets a bit | :11:26. | :11:30. | |
wibbly wobbly. We are talking about core exercise, sit-ups and stuff | :11:31. | :11:35. | |
like that? It will improve her stance. James has been doing that | :11:35. | :11:40. | |
with Alex, hasn't he. Look at her pins though, amazing. Holly and | :11:40. | :11:43. | |
Artem, they've done Latin and they're back in the ballroom and | :11:43. | :11:47. | |
doing the Viennese waltz. Not a lot of this clip here, it's at the | :11:47. | :11:52. | |
beginning but there is some interesting arm-ography there. | :11:52. | :11:57. | |
make these words up! It's a great word though. Slowing it down, very | :11:57. | :12:01. | |
interesting. I think that's very good a thing to do at the beginning | :12:01. | :12:04. | |
of a routine if your partner's nervous because you are keeping | :12:04. | :12:11. | |
hold of them all the time. As you know from our routine, Zoe, I never | :12:12. | :12:17. | |
let go of you. Apart from once in the Paso Doble which was a disaster. | :12:17. | :12:21. | |
We haven't seen much of the ballroom steps yet. Alex and James | :12:21. | :12:26. | |
doing the rumba. Rumba is one of James's favourite dances? This is | :12:27. | :12:35. | |
looking like Ravel's Bollero at the start. She's doing a good job. | :12:35. | :12:39. | |
James is very clever because he makes his rumbas very controlled so | :12:40. | :12:44. | |
there's not a lot of room for error. As you can see, she's doing all the | :12:44. | :12:48. | |
moves lovely. What I'm more concerned about is, I would like to | :12:48. | :12:52. | |
see Alex let loose a little bit more. What I mean by that is, she | :12:52. | :12:56. | |
needs to release in the body because it can look... And I've | :12:56. | :12:59. | |
said this again and again and again, she's doing brilliantly, but I | :12:59. | :13:03. | |
would like to see more fluidity. It's so hard, it's like stand up | :13:03. | :13:06. | |
straight, relax, give in, keep your legs straight, so much to remember. | :13:06. | :13:11. | |
It is, it is. For your little head. Obviously it's only Tuesday that | :13:11. | :13:18. | |
training. She's improving every week. She is. She was glorious on | :13:18. | :13:21. | |
Saturday. Chelsee and Pasha? concerned about her hold. She's | :13:22. | :13:25. | |
holding on to him like anything. would, given half the chance. | :13:25. | :13:29. | |
steps were all wrong in the running step. This charleston step was very | :13:29. | :13:34. | |
good. The runs now, I'm going to stop it just here and you are going | :13:34. | :13:41. | |
to see. Look, her elbow is dropping off his right arm. I would like to | :13:41. | :13:46. | |
see her elbow a little bit held aloft so that she's holding her own | :13:46. | :13:50. | |
arm up. Elbows up? Yes, because she's dropping that arm off and | :13:50. | :13:54. | |
that's what's creating that claw. That's the kind of thing Len will | :13:54. | :13:57. | |
spot isn't it and he'll mark that down. That was wrong. What are you | :13:58. | :14:02. | |
doing with your machine? I was trying to do that and show you the | :14:02. | :14:07. | |
law. Claw. So we want and an elegant, elegant hand. Shall we | :14:07. | :14:12. | |
talk about the boys later on? that would be good. Ian Waite, | :14:12. | :14:16. | |
isn't he gorgeous. Len loved Audley's top half in the quickstep | :14:16. | :14:20. | |
but was less impressed with below the belt. Audley and Natalie are | :14:20. | :14:24. | |
here in a moment and here is a reminder of how they did at the | :14:24. | :14:27. | |
weekend. I thought you were going to be all | :14:27. | :14:31. | |
heavy but it was great. From the waist up, you were joyful and full | :14:31. | :14:36. | |
of verve. It's from the waist down we've got to get a bit better in | :14:36. | :14:40. | |
the footwork. You've got the right attitude for the quickstep, full of | :14:40. | :14:44. | |
attitude, great to see. You are the size of a surf board and you have | :14:44. | :14:47. | |
to navigate one of the most difficult dances in the ballroom. | :14:47. | :14:57. | |
:14:57. | :14:57. | ||
You did a fantastic job, very well. Yay, we got a seven! Really saw the | :14:57. | :15:02. | |
positives in our dance. This's all you can hope for is to improve | :15:02. | :15:09. | |
every week and have fun, so we are on the right track. | :15:09. | :15:14. | |
Please welcome Audley and Natalie. APPLAUSE Lovely to see you both. | :15:14. | :15:18. | |
You are smiling. Dorothy's been in touch online and says she loves | :15:18. | :15:22. | |
your smile, Audley, loves it. Jane says she loves you're attitude, so | :15:22. | :15:26. | |
it's all good from everybody watching at home. Were you relieved | :15:26. | :15:31. | |
to get the quickstep out the way? It's a tricky dance isn't it? | :15:31. | :15:35. | |
tricky. I really enjoyed it though, but we've gone on to the hardest | :15:35. | :15:38. | |
dance this week, but I'm just glad we got through this and I'm glad I | :15:38. | :15:42. | |
didn't fall over because I almost did at the end. You said though | :15:42. | :15:45. | |
didn't you, one day you would fall over your feet? At some point I was | :15:45. | :15:51. | |
going to fall over my feet. Nicely recovered though? Yes, he didn't | :15:52. | :15:55. | |
fall over. Just a little glitch of a stumble. I didn't notice it until | :15:55. | :16:00. | |
I watched it back. You must have been relieved not to be in the | :16:01. | :16:05. | |
bottom two? I could have sworn we were going to be in the bottom two | :16:05. | :16:11. | |
again, I told him to prepare himself. When we got called out | :16:11. | :16:16. | |
first, I've never screamed out so much. I had to tell her to calm | :16:16. | :16:22. | |
down. I was going yay backstage and trod on your foot. Calm down, dear. | :16:22. | :16:26. | |
Bless! Now, Len said he's a bit worried | :16:26. | :16:31. | |
about the lower half. How much do you think Audley's footwork has | :16:31. | :16:37. | |
improved? Look, we've been working on it hours a day, every week. | :16:37. | :16:42. | |
There's a major improvement, that's all we can ask for. My Achilles is | :16:42. | :16:46. | |
killing me, so much rise and fall, rise and fall, rise and fall, I'm | :16:46. | :16:50. | |
18 and a half stone with my big feet, rise and fall is not easy for | :16:50. | :16:55. | |
me.? You've lost weight though haven't you? In four-and-a-half | :16:55. | :16:59. | |
weeks I've lost a stone so I'm almost fighting fit. Almost, not | :16:59. | :17:04. | |
quite. Does this mean you might get back in the ring at some point? | :17:04. | :17:08. | |
Definitely, 012, one more year, give it another shot. Thank you | :17:08. | :17:13. | |
Strictly for helping me get into shape. Yeah, I know, we don't mind, | :17:13. | :17:17. | |
we'll take all the credit. You were taking to David Haye and saying you | :17:17. | :17:20. | |
want to lose weight on Twitter weren't you saying you want to do | :17:20. | :17:24. | |
dancing? This would be a good show for David Haye to do next year, | :17:24. | :17:27. | |
he's now retired, if you are watching, come on the show next | :17:27. | :17:35. | |
year. Joey, on the phones to David Haye. Great show, great dancing. | :17:35. | :17:38. | |
really love your positive mental attitude here and we love the way | :17:38. | :17:45. | |
you turned it around. Cast your eyes over this. The odds were | :17:45. | :17:51. | |
stacked against him. He was a man out of his comfort zone. Plummeted | :17:51. | :17:56. | |
into a world of dance. Feet the size of surf boards. When you run | :17:56. | :18:01. | |
in the dance room, you can't run like a normal person. My confidence | :18:01. | :18:09. | |
level rielgts now is a bit dented - - right now. But there was one | :18:09. | :18:14. | |
woman who believed in him. I want you to just let go. Five, six, | :18:14. | :18:22. | |
seven, eight... She set him the biggest challenge of his life. | :18:22. | :18:26. | |
could be absolutely brilliant together. And he rose to the | :18:26. | :18:30. | |
destiny. That was the appetiser, this is main course, time to get | :18:30. | :18:40. | |
:18:40. | :18:42. | ||
serious. Nice! How good were you? Feeling confident now? You are a | :18:42. | :18:47. | |
good teacher and I'm a good student. I'm so proud of you. Nobody puts | :18:48. | :18:54. | |
Audley in the corner! That was nice. Nobody puts Audley | :18:54. | :18:58. | |
in the corner. Sometimes but not often! We must talk about the | :18:58. | :19:01. | |
foxtrot you are doing this week. You thought the quickstep was hard, | :19:01. | :19:05. | |
foxtrot really tough? I'll take it to a whole new level. The rise and | :19:05. | :19:08. | |
fall is going to give me a chance to make it, I'm going to make it or | :19:08. | :19:11. | |
break it this week because the foxtrot I can't hide, I have to be | :19:11. | :19:15. | |
able to do that ride and fall, so there's goinging to be no hiding | :19:15. | :19:19. | |
for me this week, I'm working hard and will give it my all. Toughest | :19:19. | :19:23. | |
dance for me. It's a real tough dance for boys to do. Good luck | :19:23. | :19:28. | |
with your fancy foxtrot, I'm sure it will be amazing. Keep it coming | :19:28. | :19:33. | |
Audley and Natalie. Time now to see how the other men | :19:33. | :19:37. | |
are getting on in training and, for me to do a mad dash in the stoorbgs | :19:37. | :19:44. | |
Ian is back with more Waite's Wednesday Warm Up. - mad dash | :19:44. | :19:51. | |
across the studio. Here we two! Let's talk about the | :19:51. | :19:55. | |
men's training, Ian. We have got the Paso Doble and remembering from | :19:55. | :20:02. | |
years gone birbgs Austin Haley, amazing in his bolero jacket -- | :20:02. | :20:06. | |
years gone by. Jason is doing the pass sew, he's been the golden boy, | :20:06. | :20:12. | |
top of the leaderboard, how do you think he's going to fare with this? | :20:12. | :20:15. | |
Fantastic choreography from Kristina here yet again. Concerned | :20:15. | :20:18. | |
about his arms, to be honest. I want to see a lot more shaping from | :20:18. | :20:23. | |
his arms. So I want to see every arm that he produces, it has to be | :20:23. | :20:29. | |
curved. He's got to be the matador bullfighter, hasn't he? Yes, even | :20:29. | :20:34. | |
when he's turning her, I want to see the curves. Also, come here, | :20:34. | :20:41. | |
darling. Not very good at pass sew, forgive me. Also... Told you. | :20:41. | :20:47. | |
together. Keep the elbows up. up, OK. That will create the shape, | :20:47. | :20:52. | |
OK? Yes. Kristina was doing it right. He's a pro, I'm hardly a pro. | :20:52. | :20:58. | |
It's been a few years! Keep the arms up and create the shape. | :20:58. | :21:05. | |
Mr Donovan take note. Rory and Erin are doing the cha-cha that and did | :21:05. | :21:12. | |
so well last week. If anybody can turn Rory into a dancer Erin will. | :21:12. | :21:16. | |
I've stopped it here because what I feel with Rory is that he's | :21:16. | :21:20. | |
learning the steps but he really needs to choreograph the arms as | :21:20. | :21:24. | |
well. Really, he needs to make sure he's making really, really strong | :21:24. | :21:29. | |
shapes with the arms, really strong hands and almost like every arm | :21:29. | :21:34. | |
that he produces, it's got to be deliberate. At the moment you | :21:34. | :21:38. | |
know... To have a finish? It's kind of there but not enough. It's | :21:38. | :21:40. | |
difficult because you are trying to remember the steps and sometimes | :21:40. | :21:43. | |
you do forget about your arms because you are so worried about | :21:44. | :21:46. | |
remembering that bit and you have got to connect them? And the | :21:47. | :21:49. | |
pressure and everything else. I think it's important to programme | :21:49. | :21:53. | |
those at the same time. OK, from the beginning. Robbie and | :21:53. | :22:01. | |
Ola, what dance are they doing this week? The jive. Robbie is a big | :22:01. | :22:05. | |
surprise to me because every week, he's doing really well with this | :22:05. | :22:10. | |
jive, by is a surprise because it's a fast dance, there's lots of | :22:10. | :22:14. | |
choreography and steps, but the thing I'm most impressed with is | :22:14. | :22:18. | |
the fact that he really looks as though he's enjoying it now. Who | :22:18. | :22:27. | |
would have thought a big butch football player, nearly said old | :22:27. | :22:31. | |
rugby player. He's not old. young, and he's loving it. He's | :22:31. | :22:36. | |
here on the show tomorrow to talk about it. Lulu said how much she's | :22:36. | :22:40. | |
enjoying it and Audley. Everyone's falling in love with it at this | :22:40. | :22:44. | |
point. After the first weeks of the nerves, now they're starting to | :22:44. | :22:48. | |
relax into it and enjoy it. Now it gets really tough because we don't | :22:48. | :22:53. | |
want anyone to go home. Russell and Flavia. He's tangoing in a tank | :22:53. | :22:58. | |
top! I love that boy. Doesn't he look fabulous. I would like to see | :22:58. | :23:02. | |
his shoulders down a bit in hold and elbows up, so he's creating | :23:02. | :23:10. | |
more of a T hch shape. -- T-shape. Have we got time for the dip. Do it, | :23:10. | :23:15. | |
darling. Beautiful. Now watch what happens. Flavia changes the hold | :23:15. | :23:18. | |
and now this is the first time we've ever seen this on Strictly | :23:18. | :23:25. | |
Come Dancing! What? He is dancing lady. Yay. He's being the lady. | :23:25. | :23:29. | |
celebrity as has changed sex during the dance. That's the first time we | :23:29. | :23:33. | |
have ever seen that. Craig said he wanted him to get more masculine. | :23:33. | :23:37. | |
Do you think this is it? I don't think this is the way to do it, | :23:37. | :23:41. | |
but... Especially with his face as well. Look at that. But no, he's | :23:41. | :23:47. | |
doing a couple of steps as the lady, as you can see, but I think it's a | :23:47. | :23:50. | |
bit tongue-in-cheek. On the whole, encouraged by the training this | :23:50. | :23:54. | |
week, looking good? Yes, it's going to be an exciting show and all the | :23:54. | :23:56. | |
different styles to compare is great. | :23:56. | :24:00. | |
Can't wait. Come back next week? Yes, hope so. | :24:00. | :24:06. | |
Thank you, gorgeous Ian Waite. Harry and Aliona are here next. | :24:06. | :24:16. | |
:24:16. | :24:19. | ||
Here is how they got pulses racing at the weekend. Harry, you have | :24:19. | :24:23. | |
finally arrived. Tell you what, I've f I'm very | :24:23. | :24:27. | |
impressed. That's your best dance. Well done. So good to see you | :24:27. | :24:32. | |
having fun and letting go. When rp driving, you were right on the | :24:32. | :24:38. | |
money. -- when you were driving. Grease leather clad, ripping | :24:38. | :24:47. | |
muscles, action-packed expressions. I almost hate you. Apparently, I've | :24:47. | :24:51. | |
arrived, so this is good news. I have been here for four weeks, but | :24:51. | :24:58. | |
Craig has finally noticed me, so hopefully I can keep this up. | :24:58. | :25:05. | |
Oh, boy, has he arrived! Harry and Aliona, welcome to the show! | :25:05. | :25:09. | |
What a Saturday night it was for you, young Harry. I tell you, you | :25:09. | :25:14. | |
had a nine, got another standing ovation and you got to be Danny | :25:14. | :25:22. | |
Zuko at last. Well done. How much did you enjoy it? Loved it, really | :25:22. | :25:24. | |
enjoyed myself. For me, that's the most important thing. I want to | :25:24. | :25:28. | |
impress the judges and for the audience to enjoy it, but for me to | :25:28. | :25:34. | |
go out there and have fun and not be terrified was great. It really | :25:34. | :25:37. | |
came across how much you were enjoying it. Wasn't your friend Ben | :25:37. | :25:41. | |
who played Danny when you didn't get the part there? Yes, he was | :25:41. | :25:46. | |
there watching. What did he make of it? He loved it and loved the whole | :25:46. | :25:51. | |
show and I was watching him when everyone else was dancing and he | :25:51. | :25:55. | |
was clapping and he's hooked now. What are the band making of it as | :25:55. | :25:58. | |
well? Aren't the boys watching? They've been there for the first | :25:58. | :26:03. | |
two weeks, they are away writing a new album at the moment. Wut you, | :26:03. | :26:08. | |
the drummer? -- without you? Yes, they were there watching and when I | :26:08. | :26:13. | |
rung them, they said they were in some lake house miles away, just a | :26:13. | :26:19. | |
house phone, no phone reception and they said hi, I said hi and they | :26:19. | :26:24. | |
were like yay and they realised I couldn't hear them, but yes. He's | :26:24. | :26:29. | |
on the telly. Were you pleased with Harry's performance? Extremely, | :26:29. | :26:36. | |
because if he enjoy himself, I can let go and enjoy myself and we | :26:36. | :26:40. | |
danced equally together and that makes the best performance. | :26:40. | :26:45. | |
really does. How much does getting into a character help with a dance | :26:45. | :26:49. | |
like that? Really helps. You can lose yourself in it and really | :26:49. | :26:55. | |
perform it and pretend you are someone else. That works for me. | :26:55. | :26:58. | |
This week is a little different though. Total change of pace. You | :26:58. | :27:02. | |
are going from the jive to the waltz. Aliona, what character are | :27:02. | :27:07. | |
you going to give character to help him? Danny Zuko again? Yes, it's | :27:07. | :27:12. | |
Danny Zuko, but in the part where he's just spending the summer with | :27:12. | :27:17. | |
Sandy when she's the nice girl. Away from his mates. Yes, he's the | :27:17. | :27:23. | |
nice one, yes, that's the part we are aiming for. Flattened hair? | :27:23. | :27:28. | |
the gentleman. Bless you. So many people online have been talking | :27:28. | :27:34. | |
about your physique, the judges, even my friend Lara is obsessed | :27:34. | :27:38. | |
with you. Are you fitter now than when you started the show? Have you | :27:38. | :27:44. | |
noticed the difference? I think so. You have to be. I think you are the | :27:44. | :27:50. | |
same. She knows, don't mess with Aliona. I did some exercise before | :27:51. | :27:56. | |
because Cara told me last year it was physically demanding, so a lot | :27:56. | :28:00. | |
of swimming and running made me prepared for it because it's | :28:00. | :28:04. | |
physically very demanding. Is it getting any easier? No, it's | :28:04. | :28:10. | |
getting harder, honestly. Every week, I want him to get better | :28:10. | :28:15. | |
which means I'm giving him more and more technical things to do. I'm | :28:15. | :28:19. | |
making it harder for him. Technically. That's why it will | :28:19. | :28:25. | |
never get easier. I came in on Monday like yeah, do the jive yeah | :28:25. | :28:28. | |
what's up. Then you have to get into it. Five minutes in, I was | :28:28. | :28:31. | |
like, this is impossible. How are you going to close the gap with | :28:31. | :28:35. | |
Jason, he's been top every week, can you nudge him off the top? | :28:35. | :28:39. | |
Donovan, he's good isn't it? He is. I'm having lots of fun, trying my | :28:39. | :28:45. | |
hardest every day, trying to focus, stay positive and just do my best | :28:45. | :28:49. | |
really. Do what I say. Do what she says. I'm questioning her for the | :28:49. | :28:54. | |
first time today, never again! luck with it on Saturday. Harry and | :28:54. | :28:59. | |
Aliona. So, earlier on, we set you our | :28:59. | :29:02. | |
latest It Takes Two challenge to see if you could recognise which of | :29:02. | :29:06. | |
our pros was dancing in disguise. Do you think you know who it was? | :29:06. | :29:16. | |
:29:16. | :29:18. | ||
Time to reveal all. # Who let the dogs out?... # | :29:18. | :29:22. | |
Aliona thought that was Vincent, yes, you are not her best friend | :29:22. | :29:25. | |
any more. It was Flavia, of course, knocking spots off the competition. | :29:25. | :29:30. | |
Thank you to all my guests today, back live tomorrow at 6.30 with | :29:30. | :29:35. |