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It's Monday, coming up on tonight's show, our dancing couples hit | :00:14. | :00:22. | |
Wembley. The Grant went out with a bang. Holly and Artem survived. And | :00:22. | :00:27. | |
Craig Revel Horwood is here to give us his take on the biggest Strictly | :00:27. | :00:31. | |
ever. And we'll reveal which of the male professional dancers will not | :00:31. | :00:41. | |
:00:41. | :01:13. | ||
be performing Saturday. Live from Television Centre, this | :01:13. | :01:18. | |
is Strictly It Takes Two. Please welcome Zoe Ball. | :01:18. | :01:24. | |
Hello and welcome to It Takes Two. This weekend's team Strictly went | :01:24. | :01:32. | |
super size and took overwhelmably arena. We were spoilt rotten with a | :01:33. | :01:42. | |
truly spectacular extaf gapbz ya. I loved it! Russell and Flavia aimed | :01:42. | :01:48. | |
for the stars. They were sadly for the stars. They were sadly | :01:48. | :01:50. | |
catapulted out of the competition. Another of the male prodancers will | :01:50. | :01:56. | |
not be dancing this weekend. Joining me on the glitter phone to | :01:56. | :02:03. | |
tell all is Robin. Robin, are you okay. What has happened? I've | :02:03. | :02:08. | |
actually got a really bad infection in my right foot, which has caused | :02:08. | :02:16. | |
by foot to swell up like a balance lon. - balloon. I'm unable to stand | :02:16. | :02:23. | |
on it, or dance on it. When did it happen? I had a pain on my foot on | :02:23. | :02:28. | |
Friday, and I thought I banged it at Wembley. It was getting worse, | :02:28. | :02:33. | |
and starting to swell up. The adrenaline from the excitement of | :02:33. | :02:39. | |
Wembley kept me through, and kept me with the dancing. Saturday night | :02:39. | :02:45. | |
when I got home, it was up even more. And this morning it's worse. | :02:45. | :02:50. | |
What have you been told by the doctors? What is the official line? | :02:50. | :02:54. | |
Medical advice and doctor's advice is not to put weight on it, and | :02:54. | :03:02. | |
keep it raised for at least 48 hours to let it start to calm down | :03:02. | :03:08. | |
and the antibiotics will take a while to kick in. They are very | :03:08. | :03:15. | |
strong and making we moor poorly. Not allowed to dance on Saturday? | :03:15. | :03:23. | |
No. What will happen with training. The knight in shaipbg armour is | :03:23. | :03:29. | |
Cole - Martina Cole. He is coming to your rescue. He's coming to save | :03:29. | :03:36. | |
the day. I've spoken to him and Anita, and they will have a great | :03:36. | :03:41. | |
week together. He has taken advice from me, and will try and put it in | :03:41. | :03:46. | |
the job. I'm devastated it was a great weekend. I was so happy to | :03:46. | :03:52. | |
get through, for this to happen, the biggest come-down in the world. | :03:52. | :04:01. | |
Fingers crossed if brendon can get Anita through, you can take over! | :04:01. | :04:09. | |
Dropping like flies! In a couple of minutes, I'll be chatting to | :04:09. | :04:15. | |
Russell and Flavia. Here's a catch- up on the weekend. You opened the | :04:15. | :04:23. | |
show like it was your own rock concert. Full of gusto and energy. | :04:23. | :04:31. | |
Sharp and intense, all the wonderful things. Fantastic | :04:31. | :04:37. | |
piroette It went wrong then. created a party atmosphere. | :04:37. | :04:47. | |
:04:47. | :04:47. | ||
performed it with high energy. I would have liked more hip action. | :04:48. | :04:54. | |
Like a satellite on a orbit of madness. God, I loved it! To for me | :04:54. | :05:01. | |
spiced up my night. Full on and full of energy. A proper Samba. | :05:01. | :05:07. | |
think the occasion overwhelmed you and lost timing. You were otherwise | :05:07. | :05:14. | |
up to there amazing. The couple leaving tonight is Russell and | :05:14. | :05:24. | |
:05:24. | :05:28. | ||
Flavia. They had an absolute blast, please welcome Russell and Flavia. | :05:28. | :05:34. | |
Don't start me off again. What an incredible run you have had on | :05:34. | :05:40. | |
Strictly. I'm blessed. Were you expecting it? And are you | :05:40. | :05:46. | |
devastated? I'm not devastated. I had the most wonderful time of my | :05:46. | :05:54. | |
life. The day before I knew I was going to go, I had an inkling. I | :05:54. | :06:00. | |
knew you would get upset. When Bruce said "you are a star" and I | :06:00. | :06:09. | |
had the spontaneous need to hug him. I knew he was going. In true show | :06:10. | :06:16. | |
business fashion we left them wanting more, and left on a high. | :06:16. | :06:25. | |
# Best of times is now # Can I thank all of our fabulous... | :06:25. | :06:31. | |
This is one bouquet. We think you're wonderful. So thank you so | :06:31. | :06:36. | |
much. They have been incredible your fans. Len said your | :06:36. | :06:40. | |
performance was an iconic number that would always be remembered. | :06:40. | :06:50. | |
Top telly gold. And star of Tinning tweeted I think Russell Grant | :06:50. | :06:59. | |
rocket man stunt may have at last made a Strictly fan of me. I almost | :06:59. | :07:07. | |
choked with joy. My hat almost went off. Flavia was like a ten-pin | :07:07. | :07:16. | |
thing. A man came on to try and save her from my helmet. I saw your | :07:16. | :07:24. | |
helmet through the back of shot. Were you scared. I wasn't. Until I | :07:24. | :07:32. | |
saw the play back in the afternoon, and realised I was coming on a tea | :07:32. | :07:41. | |
tray. I had no safety harness. He was just dangling. There I went out | :07:41. | :07:47. | |
an rocket. 6,500 people a standing ovation. It was wonderful. Thank | :07:47. | :07:54. | |
you everyone. We have decided at It Takes Two there's only one word | :07:54. | :08:04. | |
:08:04. | :08:05. | ||
worthy summing up the Strictly experience. Wow. Wow. Wow. Wow. Wow. | :08:05. | :08:15. | |
:08:15. | :08:17. | ||
Wow. Wow. Wow. And I went rushing off. All they will have a - is have | :08:17. | :08:25. | |
a series of "would he, would he, would he". A good montage it would | :08:25. | :08:33. | |
make. It did make a good montage. Producers fee in the post. A whole | :08:33. | :08:39. | |
58p! Was it the technical side that let you down? The time ran out. We | :08:39. | :08:45. | |
were meant to go. Everyone is working so hard. They were doing 30 | :08:46. | :08:53. | |
hours a day, no a week. It feels like it. Seeing some of my friends, | :08:53. | :09:01. | |
they look more jaded than I do. All my lovelyly sellen friends. | :09:01. | :09:06. | |
would you like to see win out of our buddies. I would like all of | :09:06. | :09:12. | |
them to win, they have put the same effort. I would like make-up team | :09:12. | :09:20. | |
and costume team to win, that is what makes the show. It is an | :09:20. | :09:28. | |
emsemi-bell piece. Everyone is so lovely. I'll miss the came radry. | :09:28. | :09:38. | |
And I'll miss you. Don't start me off. I want to make her cry. I want | :09:38. | :09:48. | |
:09:48. | :09:48. | ||
to hug her. Here of your best bits. I had one dream and one wish when I | :09:48. | :09:54. | |
was asked to the Strictly Come Dancing, and that was to partner | :09:54. | :10:01. | |
Flavia. Russell is a big diva. Never says "no", never complains, | :10:01. | :10:05. | |
very enthusiastic. That was definitely the birth of something, | :10:05. | :10:11. | |
darling. It could not be camper if you tried. Flavia and I get closer | :10:11. | :10:20. | |
by the minute. Meant to be, in the stars... Dancing Queen you worked | :10:20. | :10:29. | |
tonight, definitely. You put the "boy" in flamboyant. This is the | :10:29. | :10:37. | |
fabulous number. Fabulous, wonderful, divine. Show business, | :10:37. | :10:44. | |
ballroom, what can't Russell do. would advice a more masculine | :10:44. | :10:50. | |
approach. I don't know what butch means really. Arrogant. You might | :10:50. | :10:57. | |
see a slightly different side to Russell. I'm not sure about the | :10:57. | :11:03. | |
butch. You have already become a Strictly legend. Russell is the | :11:03. | :11:09. | |
Samba. I've always done this kind of move. This is me I am the Samba. | :11:09. | :11:16. | |
When you came through the flame you caught your bum alight. You really | :11:16. | :11:22. | |
started dancing. You have turned hell into a camp heaven. This one | :11:22. | :11:29. | |
in particular is a combination of comedy and drama. What will be my | :11:29. | :11:38. | |
main challenge, I think keeping tight buttocks. It was Benny hill's | :11:38. | :11:44. | |
version... I'm so loving the American smooth. I want to go | :11:45. | :11:54. | |
twirling around like a thing posed. Immortal. I was so born to do this. | :11:54. | :12:00. | |
Dancing at Wembley is a dream come true. I'm just going to live it. | :12:00. | :12:05. | |
I'll not miss a moment of it. Definitely the best entrance on | :12:05. | :12:12. | |
Strictly. Revolutionary. The couple leaving tonight is Russell and | :12:12. | :12:20. | |
Flavia. It's like my godfather. Such an unbelievable generous great | :12:20. | :12:25. | |
man. He's like everybody's mum that looks after all the other | :12:25. | :12:32. | |
contestants and dancers. We'll miss him next week. It has been a | :12:32. | :12:37. | |
delight and pleasure. You're an inspiration, such a star and so | :12:37. | :12:46. | |
talented, and I know we'll be friends forever. So much to give. | :12:46. | :12:52. | |
There you go darling. We thought you might need those. Let it all | :12:52. | :13:02. | |
ought. Give it up for Mamma Rose and gypsy. We love Russell Grant. | :13:02. | :13:08. | |
We have seen... Are you all right, darling. I've never seen Flav like | :13:08. | :13:17. | |
this. She's the best. We're back at Christmas. Give her a tissue use. I | :13:17. | :13:22. | |
don't get another hug. We have seen what was happening in front of the | :13:22. | :13:27. | |
stage. What was going on behind the scenes was so much more to play | :13:27. | :13:37. | |
with. Come on Flavia join in. Please don't go. I love you. | :13:37. | :13:43. | |
Wembley... Yay..30 in the morning. Everybody is starting to arrive. I | :13:43. | :13:49. | |
can see everybody is nervous. petrified clearly. We'll only have | :13:49. | :13:57. | |
a chance to do it once. Got to enjoy it. Very excited coming out. | :13:57. | :14:05. | |
If I'm voting out tonight I go away a very happy person. This is | :14:05. | :14:15. | |
:14:15. | :14:25. | ||
It's just great. It's fantastic. I only got up the rocket and I'm | :14:25. | :14:35. | |
:14:35. | :14:35. | ||
happy. Give me some advice. It's all about you | :14:35. | :14:43. | |
# It's all about you # Don't quit your day job! Craig | :14:43. | :14:49. | |
will be flying. Look at the size of the wire lifting him. I've heard | :14:49. | :14:57. | |
that only supports half a tonne. I'm a Brian May live effigy and I | :14:57. | :15:07. | |
take off into the skies with one of Brian's own guitars which is very, | :15:07. | :15:16. | |
very risky. Hi everybody, it's Erin. I'm got the dancer cam and I'll get | :15:16. | :15:25. | |
you the gossip. Who is the star behind the star. Look at that! | :15:25. | :15:34. | |
you ever see anything like it. Where did the hair come from? | :15:34. | :15:38. | |
Paul McCartney. But I'm Flavia's sister. What hair piece. It's | :15:38. | :15:44. | |
natural. Robin is sleeping. That's how he gets mentally prepared. | :15:44. | :15:50. | |
close, you can hear him snoring. The crowds are insane. Massive | :15:50. | :16:00. | |
:16:00. | :16:06. | ||
line-up. The ladies, they are in love with me. I'm just saying hello. | :16:06. | :16:14. | |
To all the people that never voted for me. I always vote for you. Keep | :16:14. | :16:21. | |
dancing. You've got five minutes. I'm just practicing my hair and I | :16:21. | :16:31. | |
:16:31. | :16:34. | ||
can't believe I've agreed to do this. Look at all thois - those | :16:34. | :16:40. | |
people. There's no question that's a rather large audience. We don't | :16:40. | :16:47. | |
tell them how nervous we are. Otherwise they will freak out. | :16:47. | :16:53. | |
seconds, ladies and gents. These couples are going to feed off the | :16:53. | :17:01. | |
energy in that room. We have got a show to do! He has flown in all the | :17:01. | :17:09. | |
way from Wembley, minus the wig, welcome Craig Revel Horwood! What | :17:09. | :17:14. | |
was it like? You look gorgeous tonight, darling. Thank you. What | :17:14. | :17:22. | |
was it like to open the show and fly through the rafters of Wembley? | :17:22. | :17:31. | |
I enjoyed it enormously. I was jealous of Lulu doing it, going | :17:32. | :17:41. | |
backwards. I only went slowly forward slowly. High to wear the | :17:41. | :17:48. | |
heinous wig, but he lent me his guitar. A member of my family | :17:48. | :17:54. | |
thought you were May! So many people deeply shocked by the | :17:54. | :17:59. | |
departure of Russell and Flavia. Some had to have counselling. Are | :17:59. | :18:07. | |
you shocked and surprised. thought the audience would keep him | :18:07. | :18:14. | |
in. I couldn't keep him in. He's very dance talented, we have never | :18:14. | :18:18. | |
had a sellen entertaining and at least put one foot in front of each | :18:19. | :18:25. | |
other and dance in time. It's a complete and absolute joy, and I | :18:25. | :18:34. | |
think a terrible loss. I'll miss him. The dancefloor six times | :18:34. | :18:39. | |
larger in Wembley. Would you think the weaker couples exposed. I think | :18:39. | :18:43. | |
it is exposing. It's really because of their nerves getting in the way. | :18:43. | :18:49. | |
People were making foolish mistakes. That's to do with the stress and | :18:49. | :18:54. | |
the pressure of the amount of people and dealing with the space | :18:54. | :19:01. | |
itself. It does throw you. People were under an enormous A pressure, | :19:01. | :19:07. | |
that's why silly little things went wrong. Let's start with Harry and | :19:07. | :19:14. | |
Aliona, loved the lifts and the stunts. The couple were lapping up | :19:14. | :19:22. | |
Harry. You said the hue teen had no groove. I don't mean it to be harsh. | :19:22. | :19:28. | |
I loved the lift. He missed out hip action. I saw he could do the hip | :19:28. | :19:33. | |
action. It was adrenaline on the night was making his back leg going | :19:33. | :19:39. | |
out too much. He was placing it too far back to get any sort of hip | :19:39. | :19:44. | |
action. That's from nerves. Playing it too big, rather than keeping it | :19:44. | :19:49. | |
underneath himself and getting rotation. It was a shame, it was | :19:49. | :19:57. | |
worth a lot more than I scored it. Jason and Kristina, how frustrating | :19:57. | :20:02. | |
was it for you. Jason never goes wrong and look what happened. | :20:03. | :20:09. | |
was the disaster of your mind going blank. On this occasion he tried to | :20:09. | :20:16. | |
kick the leg he was standing on, never a good add o idea. That | :20:16. | :20:21. | |
through him, if your weight is on the wrong leg and you try to kick | :20:21. | :20:26. | |
it you have had it. We were sat there judging and hoping and | :20:26. | :20:36. | |
:20:36. | :20:37. | ||
praying we could - we could pull a ten out. Re- we really are. You're | :20:37. | :20:43. | |
willing them. It's a terrible shame. I can't give a ten unless it's | :20:43. | :20:52. | |
perfect. We must commend him on great recovery. Another drama. Poor | :20:52. | :21:00. | |
Bobby can't dance this weekend with Anita. Last week, it must have been | :21:00. | :21:06. | |
a huge relief to get through last week. She was genuinely shocked. | :21:06. | :21:12. | |
She won a lost audience votes because of last week. That was the | :21:12. | :21:18. | |
nail in Russell's coffin to be honest. It was a shame in that | :21:18. | :21:25. | |
routine her footwork wasn't as accurate it could have been. Muddy | :21:25. | :21:31. | |
and murky. She can improve it so much rather than kofg and opening. | :21:31. | :21:40. | |
I know she can do it. When you get nervous your legs don't move. Good | :21:40. | :21:48. | |
luck with brendon, rent a pro! have done nine series, and it's the | :21:48. | :21:54. | |
first time it happened. I bet he's at home filing his nails. How are | :21:54. | :22:04. | |
:22:04. | :22:06. | ||
you doing little Bobby. He has man flu! No he has hurt himself. Alex | :22:06. | :22:12. | |
and James going from strength to strength. I think since I told her | :22:12. | :22:19. | |
off for the ghastly rumba, that was the turning point, and try and take | :22:19. | :22:24. | |
the criticism on board. I don't speak personally. I speak just as | :22:24. | :22:28. | |
the dance should be. And she's obviously listening, and obviously | :22:28. | :22:34. | |
putting the work in. And that's commendable and paying off. She has | :22:34. | :22:42. | |
really come a long way. If you consider her first weeks this is an | :22:42. | :22:49. | |
achievement. I hope she feels proud of herself. Lovely Chelsee and | :22:49. | :22:56. | |
Pasha. You were especially picky with Chelsee's hand placement | :22:56. | :23:03. | |
That's in the middle. It should be matching Pasha's. He's is going out | :23:03. | :23:09. | |
to the second. That I'm calling a second position. She was landing | :23:09. | :23:14. | |
here, no-man's-land. Either whack it up here or there. Especially | :23:14. | :23:23. | |
when they are doing the runs, it has to be a lovely long linear line. | :23:23. | :23:28. | |
Robbie opened the show. True satisfying satisfying style. Only a | :23:28. | :23:35. | |
five from you, what was it missing from you? It was flat-footed. It | :23:35. | :23:41. | |
was missing the steps really. There were lots of fabulous lifts. That | :23:41. | :23:47. | |
was a little bit of rough. thought it was a goner at that | :23:47. | :23:53. | |
point. If you are going to do a jump in second... One does a | :23:53. | :23:59. | |
preparation and hassle vation and whack it out with straight legs. | :23:59. | :24:06. | |
You can't have preparation and elevation,... He landed with his | :24:06. | :24:13. | |
body weight forward. You have to go up prepare, out and land. This | :24:13. | :24:19. | |
weekend Swingathon. I like this, it's crippling for the couples. I | :24:19. | :24:26. | |
adore. It's up to the judges to count them down. It's seven couples | :24:26. | :24:31. | |
dancing at the same time like a proper competition. One by one | :24:31. | :24:39. | |
they're selected or deselected to leave the floor. You can make it go | :24:39. | :24:44. | |
on forever! Couple number one please leave the floor, I love it!. | :24:44. | :24:51. | |
They get a tap on the shoulder. they get scores ranged one to seven, | :24:51. | :24:56. | |
that's added to the other scores to create a leader board. It really | :24:56. | :25:06. | |
has a lot of weight mind behind it. They don't really want to... I was | :25:06. | :25:16. | |
:25:16. | :25:17. | ||
going to swear... Please don't. Muck it up. As Russell said his | :25:17. | :25:22. | |
final goodbyes, Holly and Artem were shaken but hopefully not | :25:22. | :25:32. | |
:25:32. | :25:33. | ||
stirred by their appearance in the bottom two. Naughty! Fantastic | :25:33. | :25:41. | |
pirouette on the stairs. You're like a thoroughbred not just quite | :25:41. | :25:47. | |
broken into... What I like is the frific use of space. Because it was | :25:47. | :25:54. | |
so fast it did lose a bit of control. This morning you don't - | :25:54. | :25:59. | |
didn't know who you would be dancing with. That must have been | :25:59. | :26:04. | |
unsettling. The quickstep suits you. We got a standing ovation! We did. | :26:04. | :26:10. | |
I'm still shaking. That was nerve- wracking, I wish we could perform | :26:11. | :26:18. | |
to this lot every week. Please welcome Holly and Artem. Holly in | :26:18. | :26:21. | |
the past week you have had two partners and been in the bottom two | :26:22. | :26:30. | |
and survived an injury. You must be emotionally exhausted. The drama. I | :26:30. | :26:35. | |
was getting maybe too comfortable. It's really quite good. When Tess | :26:36. | :26:42. | |
read out your name and discovered you were in the bottom two, how | :26:42. | :26:48. | |
worried were you it was taxi run. said to Russell I think - thought I | :26:48. | :26:53. | |
would be in the bottom two. I didn't think we would go out but | :26:53. | :27:00. | |
did think we would be in the bottom two. When did you decide it was all | :27:00. | :27:06. | |
right to dance, going back to the dance injury. Saturday we made a | :27:06. | :27:15. | |
final decision. Were you in pain on the dancefloor. It's sore, it's | :27:15. | :27:21. | |
like any injury, it's not the pain like jive week but it's there. | :27:21. | :27:28. | |
don't need to lose any more men, please! The judges loved the | :27:28. | :27:36. | |
routine. They said you lost timing. I don't know if I lost timing. I | :27:36. | :27:43. | |
think I eventual - only hit his knee once. I got my steps down. We | :27:43. | :27:49. | |
were covering a lost floor. That must be hard to do, when you are | :27:49. | :27:56. | |
training you train in small rooms. We had to stop and start for each | :27:56. | :28:03. | |
of the four segments, which was annoying. Bruno described you as a | :28:03. | :28:08. | |
thoroughbred that had not been broken in yet. It's great, could | :28:08. | :28:15. | |
have been a mule. That means you're classy, and you have potential. | :28:15. | :28:22. | |
that's what he meant, I'll run with that. I'll take that. You're now | :28:22. | :28:31. | |
doing a new dance, a foxtrot. keep putting Oscar on the end of | :28:31. | :28:39. | |
it! How is it going It's doing well. I like it. I wasn't excited about | :28:39. | :28:46. | |
it, but today was a nice day, we a little bit of fun. It came to me | :28:46. | :28:52. | |
quicker than uerbl. A relief. said at the weekend no lifts, | :28:52. | :29:01. | |
people will be penalised. Artem in true Artem style... I hate | :29:01. | :29:07. | |
controversial stuff. I'm usual one person that won't go into it. I | :29:07. | :29:13. | |
think it's unfair to most of the other couples who didn't do it | :29:13. | :29:22. | |
because they weren't allowed to. You put yourself... You have to | :29:22. | :29:31. | |
choose or url be penalise. The problem is they didn't penalise... | :29:31. | :29:36. | |
What you're saying is in your foxtrot there will be lifts? I've | :29:36. | :29:43. | |
never heard him talk to much in my life! We're out of time, that was a | :29:43. | :29:50. |