Episode 51 Strictly - It Takes Two


Episode 51

Similar Content

Browse content similar to Episode 51. Check below for episodes and series from the same categories and more!

Transcript


LineFromTo

It's the aftermath of a double elimination. Coming up: I'll be

:00:12.:00:19.

talking to Alex and James, sadly defeated by Strictly gladiators.

:00:19.:00:25.

Holly and Artem talk to me live about missing out on their spot in

:00:25.:00:34.

Blackpool, and Bruno Tonioli gives his take on the finalists.

:00:34.:00:44.
:00:44.:01:07.

Live from Television Centre, this is Strictly It Takes Two. Please

:01:07.:01:15.

welcome your host, Zoe Ball! Welcome to It Takes Two. What a

:01:15.:01:20.

semifinal weekend it was. I don't know about you, I loved it. Every

:01:20.:01:26.

second. No room for error. Our Famous Five pulled out all the

:01:26.:01:31.

stops to mike it to the Strictly final. Craig dusted off his ten

:01:31.:01:38.

paddle not once but twice. He was good! In a moment I'll be talking

:01:38.:01:43.

to Alex and James, the first casualties. Tensions were running

:01:43.:01:50.

high on Saturday night. All oo our cameras caught all the nerves.

:01:50.:01:56.

too tired to be nervous. In an hour's time I'll be depriving

:01:56.:02:02.

myself of food due to the nerves that will be killing me for the

:02:02.:02:09.

semifinals. Upset it could be the last one. James and I have spoken

:02:09.:02:14.

this morning. He feels anxious as well. Nothing about tonight will be

:02:14.:02:18.

easy. We have come this far, you have got nothing to lose. There's a

:02:18.:02:25.

nip in the air but it's going to be red hot in the ballroom. Semifinal,

:02:25.:02:31.

two dances to do, and what is amazing, I haven't any idea who is

:02:31.:02:39.

going to make it to Blackpool. pass ya, it's not really friends

:02:39.:02:48.

with me, I can't do it. I like the bit where you go aah down the

:02:48.:02:58.
:02:58.:02:59.

stairs! The salsa, not my favourite. Five fabulous celebrities. It's

:02:59.:03:09.
:03:09.:03:09.

going to be brilliant. Pause, I have a poorly back and neck. Polly

:03:09.:03:17.

has a bad knee. I I think I have to fake an injury. Otherwise the guys

:03:17.:03:25.

will get sympathy. I've got a bad shoulder. Jason! Jason! It's a

:03:25.:03:32.

nightmare, I'm telling you. Attacked. Attacked. By Jason

:03:32.:03:40.

Donovan fans. The pressure is on. We have got... Royalty. He has to

:03:40.:03:50.
:03:50.:03:52.

do well. I'm proud of this. Bruce and Leonardo on the wall of the BBC.

:03:52.:04:00.

I don't think Pasha is best pleased. I like this better. Prettier.

:04:00.:04:08.

minutes to show time! To get to Blackpool everyone has to just up

:04:08.:04:13.

their game. They have all been good. But they have got to become great.

:04:13.:04:22.

It ain't over until it's over. I'm not giving up. It's show time. It's

:04:22.:04:26.

the semifinal. I think the semifinal is going to be great. It

:04:26.:04:36.
:04:36.:04:36.

Takes Two, this year, fantastic. Well done. Please welcome Alex and

:04:36.:04:46.
:04:46.:04:47.

James. Firstly, can I say, Alex, huge congratulations for being such

:04:47.:04:50.

a clever brilliant girl and getting this far in the competition. You

:04:50.:04:56.

have been amazing. How was Saturday night for you, two dances, were

:04:56.:05:00.

they nearly the death of you? Saturday I was incredibly nervous.

:05:00.:05:06.

All of a sudden, I thought we're in the semifinal. And I better get a

:05:06.:05:15.

grip. That made me completely nervous. In the walz especially.

:05:15.:05:22.

Then we got the salsa. The walz was a dance I really enjoyed learning.

:05:22.:05:29.

I'm annoyed with myself for getting so nervous. What can I do. Bottom

:05:29.:05:34.

of the leaderboard, were you hoping the public would save you?

:05:34.:05:39.

course we did. We did want to get to Blackpool because it would mean

:05:39.:05:43.

we would have another week and could see the experience through.

:05:43.:05:50.

We were never going to win. It was never about winning. Never about

:05:50.:05:57.

winning. We were happy to get to the semifinals. We had fun doing it.

:05:57.:06:04.

It would have been a bonus getting to the final. The three dancers in

:06:04.:06:11.

it, they deserve it. It will be fantastic. They deserve to be in

:06:11.:06:21.
:06:21.:06:22.

the final. We I wasn't strong Taken it. The right result took

:06:22.:06:27.

place. Those three people deserve to be there on Saturday. It has

:06:27.:06:37.
:06:37.:06:39.

been incredible adventure, I'm not using the "j" word. Despite working

:06:39.:06:48.

on The One Show, you have given so much fun and energy. Don't cry

:06:48.:06:54.

James. James is cheeky chappie which makes the session fun. She's

:06:54.:07:02.

so easy to work with. Always in a good mood. That rubs off on me.

:07:02.:07:06.

Normally I'm a miserable person. There were parts that were really

:07:06.:07:12.

good and nearly good. It's lamb to the slaughterhouse. I thought it

:07:12.:07:19.

was starchy and stiff. Only one way to go, upwards. I'm having problems

:07:19.:07:29.
:07:29.:07:31.

with holding me arms up. Like being in Madame Taussauds. Ms Jones I had

:07:31.:07:41.
:07:41.:07:45.

no idea so you were such a glamour He's like an annoying older brother.

:07:45.:07:55.
:07:55.:07:57.

No! It was simple, but it was simply beautiful. Let's get ready

:07:57.:08:07.
:08:07.:08:10.

to rumba! Sexless, cold and stiff. I think James' job is quite a lot

:08:10.:08:15.

harder this week. We 4 -- had quite a knock. The confidence is not

:08:15.:08:20.

there. You need to channel a lost anger and aggression. I will get

:08:20.:08:30.
:08:30.:08:31.

her to think of one person... Craig Revel Horwood! It was the

:08:31.:08:37.

antithesis6 last week. I almost found it erotic. You have puped --

:08:37.:08:47.
:08:47.:08:47.

upped your game. She has difficulties doing one step let

:08:47.:08:53.

alone 100. Elegant... Frisson running up my spine. This week it

:08:53.:09:02.

would be a good idea to have the int -- St on's ambulance poised.

:09:02.:09:12.
:09:12.:09:14.

was full of ver verbgs and gusto. - verve. Sharp. I don't want her

:09:14.:09:23.

moaning in the stoofplt It's because of the shoes. My ribs.

:09:23.:09:30.

You're lucky you don't have a nag for a partner. I love the goofiness

:09:30.:09:34.

you put in. You have been consistently improving in the

:09:34.:09:39.

competition. Strictly is quite an intense experience but I literally

:09:39.:09:44.

can say I've loved every single day. It's everything I thought it would

:09:44.:09:50.

be and more. You have danced beautiful and you deserve to be in

:09:50.:09:55.

this semifinal. The first couple leaving tonight is... Alex and

:09:55.:10:00.

James. The first time I met you Alex we clicked and got on really

:10:00.:10:05.

well. It has been an honour, a pleasure and privilege, and I've

:10:05.:10:10.

enjoyed every single second. I thank you for that. I would like to

:10:10.:10:15.

say a huge thank you to James, he has become a really close friend.

:10:15.:10:22.

To get me in the -- to the semifinals he deserves a medal. I

:10:22.:10:30.

love him to bits. I will miss him. Tissues. How proud of Alex are you?

:10:30.:10:37.

Very. I never thought we would get that far. You have sproifd me. I

:10:37.:10:42.

didn't think you would be able to dance the way you did in the

:10:42.:10:49.

semifinal. I've enjoyed -- hand on my heart, I know lots of people say

:10:49.:10:57.

"I've had a wonderful experience" it has been so much fun. That is

:10:57.:11:05.

what this show has been. It has not been about winning. I have loved it.

:11:05.:11:12.

Will you keep on dancing In if you want to give me a few lessons. I

:11:12.:11:17.

think he's at the end of his tether. Not at all. Who are you rooting for

:11:17.:11:24.

out of the finalists? All great. Anyone could genuinely lift up the

:11:24.:11:32.

trophy. For me personally I would like to see Harry win, but if

:11:32.:11:39.

Chelsee or Jason won, they are wonderful people. I think Harry has

:11:39.:11:48.

been slightly undermarked. He's consistent 6789 and tried. You have

:11:48.:11:53.

to work now on The One Show. We get to see a side of you we don't see

:11:53.:12:01.

on The One Show, it has been a joy to watch. Brilliant! In a few

:12:01.:12:07.

moments... So so sad. I'll be pieces in the end of the show. I'll

:12:07.:12:13.

talk to Holly and Artem. Double the dancers this weekend, there was

:12:13.:12:23.

plenty to get your tongues wagging. Get it together Ball. Go Jason good

:12:23.:12:32.

luck. I was going to say how much I enjoyed the video. I'm a former

:12:32.:12:39.

rugby player, and explayer, imagine how I feel watching Harry's dance

:12:39.:12:47.

with tears down my cheeks. Go Harry. Anyone notice when Vernon Jordan

:12:47.:12:53.

pulled a face in the camera and Chelsee got lifted up at the end.

:12:53.:12:59.

We're coming around yourself to watch the final. Welcome Holly and

:12:59.:13:09.
:13:09.:13:09.

Artem. Tissues at the ready. I'm sorry to see you here. You were

:13:09.:13:14.

exquisitite on Saturday night. My dad was in the audience. He's

:13:14.:13:20.

furious you did not get into the semifinal. Were you happy with your

:13:21.:13:24.

performances?. I would have loved to have gone out with a bigger bang.

:13:24.:13:32.

I had a feeling I was probably going to go, if I could have

:13:32.:13:38.

switched them and gone out with the tango rather than the Charleston.

:13:38.:13:43.

What didn't you like about the Charleston. Not I didn't like it.

:13:43.:13:47.

It was a difficult dance for me. It would have been nice to start with

:13:47.:13:52.

it, and go out with something I loved. The judges praised it. How

:13:52.:14:02.
:14:02.:14:02.

did you think it went? We walked off last! It went better on the

:14:02.:14:09.

dress run I think. We'll not ask more... The thing is performing

:14:09.:14:15.

live it's such a difficult job to do. You never know things can go

:14:15.:14:19.

wrong. I sometimes do a dance and think what is next and don't

:14:19.:14:27.

remember. It's so difficult. To do two dances after 14 weeks, you must

:14:27.:14:33.

be exhausted. It's getting to the point where it's not so much

:14:33.:14:40.

physically, but mentally. Everyone is starting to get colds. I dropped

:14:40.:14:47.

like a fly in the Charleston. Live. Let's talk about your Argentine

:14:47.:14:53.

tango. It was stunning. Did you love it?. I absolutely loved it.

:14:53.:14:58.

It's one of the dance styles I would like to do after the show.

:14:58.:15:03.

This and paso. The flamenco stuff. The Spanish or Argentinian things.

:15:03.:15:09.

You excelled at those. How far has Holly come since the first day she

:15:09.:15:18.

walked in the training room? have to walk back and see cha-cha,

:15:18.:15:25.

and paso. How dodgy I looked! you -- are you very proud you are

:15:25.:15:30.

of her? Absolutely. Seriously. People don't understand how

:15:30.:15:34.

difficult it is to do the show. It's such an uncomfortable thing to

:15:34.:15:40.

do in the beginning. You don't know what you're up to. And to go for 11

:15:40.:15:49.

weeks straight and perform, and do a good job. It's phenomenal.

:15:49.:15:58.

was working with Artem. Hardcore. He's -- he is strict. He is strict.

:15:58.:16:05.

Do I want to work with someone hard, or float along with -- and not get

:16:05.:16:09.

better. The point is to become a better dancer. If anyone is going

:16:09.:16:16.

to do it, it's that man. You have treated us to memorable and frankly

:16:16.:16:22.

stunning performances. Holly here is your story. Who will your

:16:22.:16:32.

partner be? Artem. It's so happy. He pushes me. Artem doesn't give

:16:32.:16:38.

compliments out. You really have to be good to get them. Flowingly

:16:38.:16:45.

sensous the footwork was good. The extensions excellent. But it needs

:16:45.:16:51.

more bite. I'm not grasping the salsa as quick as I thought. Even

:16:51.:16:58.

when I ask her, can you keep dancing, and look at me. She finds

:16:58.:17:04.

that hard. I might look here or there. It's quite upsetting and

:17:04.:17:10.

depressing. What is whropbg wrong with the face. You move your body

:17:10.:17:17.

so well. Please just let go. your head up. I'm going to lose it.

:17:17.:17:22.

He gets strict when he is stressed. People think I'm rude, I'm not rude

:17:22.:17:27.

I'm just Russian. I want to be a criminal. Everyone will queue up to

:17:27.:17:35.

join you in jail! The Viennese waltz is not my cup of tea. At a

:17:35.:17:43.

party, at home. At a party, at home. I'm a lady, you see, I do lady's

:17:43.:17:49.

things. I'm not lady like at all. You could be amazing. You need to

:17:49.:17:55.

focus and give even more power. going to be black swan for the

:17:55.:17:59.

American Smooth. We have a lot of turns and it's tricky to come out

:17:59.:18:07.

and not throw up. Very high risk. You made it work. This shows you're

:18:07.:18:13.

a major contender. Very creative, very different. Very, very cool.

:18:13.:18:23.
:18:23.:18:23.

The girl's tough. Artem has hurt his back. My knight in shining

:18:23.:18:32.

armour arrived. Brendon and Artem giving each other lots of attention.

:18:32.:18:40.

Me in the corner... I'm loving this new partnership! Artem is fit and

:18:40.:18:46.

ready to go. It looks like you're overthinking. Stop it! Dancing

:18:46.:18:54.

again, next week are Holly and Artem. One, two,... The judges are

:18:54.:19:01.

saying Holly is holding back. don't know why I can't let go.

:19:01.:19:07.

-- trying to get over the barrier of trying to be safe. Foxtrot,

:19:07.:19:13.

demure and alluring, you totally owned it. The paso style of dancing

:19:13.:19:23.
:19:23.:19:25.

I like to do. I love it. That my darling must be your personal best.

:19:25.:19:32.

It was absolutely gorgeous. But the final couple leaving tonight is...

:19:32.:19:38.

Holly and Artem. I'm just really proud of us. Definitely. All about

:19:38.:19:43.

the story and getting there. And all the wonderful things I have to

:19:43.:19:49.

learn. I want to say thank you so much, you have been terrific and

:19:49.:19:59.
:19:59.:19:59.

just... Thank you. Well done! Russian has rubbed off on me. I'm

:19:59.:20:06.

no longer crying. A bit steamy but not. What are you going to take

:20:06.:20:12.

away? The fitness and health and strength I've got. It's a good

:20:12.:20:15.

character-building exercise. Something that is hard is worth it,

:20:15.:20:24.

and you come out of it, think I'm glad I did it. I think even though

:20:24.:20:32.

day, it's hard. Hard things are good for you. I'll have it printed

:20:32.:20:39.

on a plate. It's a bit rude. Don't go there... Always me. Who do you

:20:39.:20:45.

want to win? I don't have a favourite. I think the person who

:20:45.:20:55.
:20:55.:20:57.

wants it the most, and dead kaits the most -- it -- dead kaits the

:20:57.:21:04.

most to getting it. All three of them. -- dedicates. Then there were

:21:04.:21:11.

three. In a minute I'll grill Bruno Tonioli. First, as it's our final

:21:11.:21:18.

week, we have decided to launch our award ceremony. The glitterballs.

:21:18.:21:22.

Each day this week we will pay tribute to the unforgettable

:21:22.:21:31.

moments that made this so fabulous. Who better to ask than Karen Hardy

:21:31.:21:40.

and Ian Waite. Please welcome Ian Waite and Karen Hardy. Are you

:21:40.:21:48.

going to stand on that box. Good. It's such an exciting night, I can

:21:48.:21:53.

hardly contain myself. The nominees for the big entrance. Craig Revel

:21:53.:22:03.
:22:03.:22:03.

Horwood as Brian May, and Lulu, and Russell Grant, and Craig for

:22:03.:22:12.

arriving on broomstick. Who had the biggest entrance? The winner is

:22:12.:22:17.

Russell Grant for being fired out of a canon. Russell could not be

:22:17.:22:22.

with us to pick up the award. He gave us the special message. I want

:22:22.:22:28.

to thank you so much, for this fabulous, fabulous, glitterball

:22:28.:22:38.
:22:38.:22:38.

globey thing, for the best entrance, biggest entrance, the most

:22:38.:22:43.

humungous entrance. How can I thank you you all. Such a wonderful man.

:22:43.:22:49.

Hearing it for Russell and his entrance. Making a fabulous

:22:49.:22:53.

entrance himself, welcome Strictly's Italian dish, Bruno

:22:53.:23:03.
:23:03.:23:05.

Tonioli! Look like you. Black and black... Have a seat gorgeous man.

:23:05.:23:14.

I'm gone all Fosse. Can't help myself. It's you. We have three

:23:14.:23:19.

finalists. Chelsee, and Harry and jais Johnon. They are brilliant.

:23:19.:23:24.

All deserve to be there. It will be an amazing final. Nothing to take

:23:24.:23:31.

away from the other two. Saturday night was amazing. They all were

:23:31.:23:37.

fabulous. Difficult to call it. We have our finalists. Chelsee and her

:23:37.:23:43.

American Smooth. You were saying she has a phrasing that can take

:23:43.:23:47.

dancers years. It's to do how you express yourself through music.

:23:47.:23:56.

People go one, two, three, she extends the arm and gets to the

:23:56.:24:02.

last beat of the last moment and then retreats it. It's something

:24:02.:24:10.

you have, you have or don't have. An instrument played by a God.

:24:11.:24:19.

Perpaso, and Pasha doblo. It was like a wave, upon wave, wave upon

:24:19.:24:24.

wave, building, building, to a fantastic ending. She was on top

:24:24.:24:29.

all the way through. Totally focused. Beautifully danced. I just

:24:29.:24:35.

loved it. The first time the paso doble had 40, incredible. She has

:24:35.:24:41.

been to Downing Street tonight. I've never been! Jason, Samba

:24:41.:24:49.

notoriously tricky and difficult. A hard dance. It is hard for him. In

:24:49.:24:54.

those full-on Latin dances, like the jive, the dance is technically

:24:54.:24:59.

very difficult but you have to make it look easy. You have to put a lot

:24:59.:25:03.

of performance power behind it, but you have to keep it right.

:25:03.:25:07.

Sometimes the performance power makes you lose the step or the

:25:07.:25:13.

riefpl. It happened in the jive. In Wembley. And it happened in the

:25:13.:25:19.

Samba. It was going all so well. That's why it wasn't a ten. He's

:25:19.:25:26.

doing the salsa in the final. he! You know more than I do. I may

:25:26.:25:34.

be taken out and eaten! I should be quiet. The Argentine tango, a

:25:34.:25:39.

record-breaking performance. That wass the other opposite. He was so

:25:39.:25:46.

into the performance. Playing it as if going for an Oscar. I'm going to

:25:46.:25:50.

nail this! Every step full of passion and intention. The two

:25:50.:25:56.

gelled beautifully. 6 to -- you have to give credit to the partner.

:25:56.:26:03.

At this stage It Takes Two to tango. Both have to be on the same moment,

:26:03.:26:09.

wanting the same thing at the same time. I was worried he was going to

:26:10.:26:18.

kill her?!. That's what I called it, death by Kristina. Like watching a

:26:18.:26:23.

thriller. Wonderful. What a way of ending the show. Especially had the

:26:23.:26:28.

first dance wasn't so splendid. What about Harry. Aliona, she

:26:28.:26:34.

kicked off with the checky Charleston. Every time we talk

:26:34.:26:40.

about the Charleston. We say the swivel. He was just incredible.

:26:40.:26:48.

Incredible on it. And the performance, all nice, hello sailor.

:26:48.:26:53.

Hello sailor! Do you think there's extra pressure for him to come out

:26:53.:26:59.

and give a show stopping performance. He handles it well.

:26:59.:27:04.

there is anything, you don't see it any more. In the beginning of the

:27:04.:27:10.

serious - series, there was times he looked a bit tight. I think

:27:10.:27:19.

you'll forget about it now. The -- in Blackpool, it will be incredible.

:27:19.:27:28.

His Viennese walz, You have to remember, the Viennese walz only

:27:28.:27:34.

has three steps, you haven't much to work with, you have to sustain

:27:34.:27:38.

the performance, but you have to create a mood. He created a mood of

:27:38.:27:42.

love. I don't think there was a perch in the studio or the country

:27:42.:27:45.

that wasn't moved by that performance. You called him a

:27:45.:27:51.

Prince. He looked like a Prince. Prince Harry! A big final on

:27:51.:27:58.

Saturday. Blackpool tower. I can't wait. What do see from our dancers?

:27:58.:28:08.

What can we expect? I've heard they're doing four dances each.

:28:08.:28:13.

new dances, and the dreaded freestyle. And the show dance.

:28:13.:28:19.

happens if they get that wrong, the wrong concept, the wrong

:28:19.:28:25.

choreography, and mix of steps, the judges can turn. And it always is

:28:25.:28:33.

usually if someone falls badly, Colin Jackson,... With the dolls...

:28:33.:28:41.

It's not something you can throw away. Tom Chapls, the show dance,

:28:41.:28:45.

stunning. That was a show dapbz. Everybody was this is incredible.

:28:45.:28:51.

It's very, very important. They really have to work on it. The

:28:52.:29:00.

special thing about Blackpool is the energy. You have an audience,

:29:00.:29:04.

the ballroom audience, the Mecca ballroom. They are incredible.

:29:04.:29:11.

Don't miss a thing. But you have to use the amazing audience to feed

:29:11.:29:18.

Download Subtitles

SRT

ASS