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It's the aftermath of a double elimination. Coming up: I'll be | :00:12. | :00:19. | |
talking to Alex and James, sadly defeated by Strictly gladiators. | :00:19. | :00:25. | |
Holly and Artem talk to me live about missing out on their spot in | :00:25. | :00:34. | |
Blackpool, and Bruno Tonioli gives his take on the finalists. | :00:34. | :00:44. | |
:00:44. | :01:07. | ||
Live from Television Centre, this is Strictly It Takes Two. Please | :01:07. | :01:15. | |
welcome your host, Zoe Ball! Welcome to It Takes Two. What a | :01:15. | :01:20. | |
semifinal weekend it was. I don't know about you, I loved it. Every | :01:20. | :01:26. | |
second. No room for error. Our Famous Five pulled out all the | :01:26. | :01:31. | |
stops to mike it to the Strictly final. Craig dusted off his ten | :01:31. | :01:38. | |
paddle not once but twice. He was good! In a moment I'll be talking | :01:38. | :01:43. | |
to Alex and James, the first casualties. Tensions were running | :01:43. | :01:50. | |
high on Saturday night. All oo our cameras caught all the nerves. | :01:50. | :01:56. | |
too tired to be nervous. In an hour's time I'll be depriving | :01:56. | :02:02. | |
myself of food due to the nerves that will be killing me for the | :02:02. | :02:09. | |
semifinals. Upset it could be the last one. James and I have spoken | :02:09. | :02:14. | |
this morning. He feels anxious as well. Nothing about tonight will be | :02:14. | :02:18. | |
easy. We have come this far, you have got nothing to lose. There's a | :02:18. | :02:25. | |
nip in the air but it's going to be red hot in the ballroom. Semifinal, | :02:25. | :02:31. | |
two dances to do, and what is amazing, I haven't any idea who is | :02:31. | :02:39. | |
going to make it to Blackpool. pass ya, it's not really friends | :02:39. | :02:48. | |
with me, I can't do it. I like the bit where you go aah down the | :02:48. | :02:58. | |
:02:58. | :02:59. | ||
stairs! The salsa, not my favourite. Five fabulous celebrities. It's | :02:59. | :03:09. | |
:03:09. | :03:09. | ||
going to be brilliant. Pause, I have a poorly back and neck. Polly | :03:09. | :03:17. | |
has a bad knee. I I think I have to fake an injury. Otherwise the guys | :03:17. | :03:25. | |
will get sympathy. I've got a bad shoulder. Jason! Jason! It's a | :03:25. | :03:32. | |
nightmare, I'm telling you. Attacked. Attacked. By Jason | :03:32. | :03:40. | |
Donovan fans. The pressure is on. We have got... Royalty. He has to | :03:40. | :03:50. | |
:03:50. | :03:52. | ||
do well. I'm proud of this. Bruce and Leonardo on the wall of the BBC. | :03:52. | :04:00. | |
I don't think Pasha is best pleased. I like this better. Prettier. | :04:00. | :04:08. | |
minutes to show time! To get to Blackpool everyone has to just up | :04:08. | :04:13. | |
their game. They have all been good. But they have got to become great. | :04:13. | :04:22. | |
It ain't over until it's over. I'm not giving up. It's show time. It's | :04:22. | :04:26. | |
the semifinal. I think the semifinal is going to be great. It | :04:26. | :04:36. | |
:04:36. | :04:36. | ||
Takes Two, this year, fantastic. Well done. Please welcome Alex and | :04:36. | :04:46. | |
:04:46. | :04:47. | ||
James. Firstly, can I say, Alex, huge congratulations for being such | :04:47. | :04:50. | |
a clever brilliant girl and getting this far in the competition. You | :04:50. | :04:56. | |
have been amazing. How was Saturday night for you, two dances, were | :04:56. | :05:00. | |
they nearly the death of you? Saturday I was incredibly nervous. | :05:00. | :05:06. | |
All of a sudden, I thought we're in the semifinal. And I better get a | :05:06. | :05:15. | |
grip. That made me completely nervous. In the walz especially. | :05:15. | :05:22. | |
Then we got the salsa. The walz was a dance I really enjoyed learning. | :05:22. | :05:29. | |
I'm annoyed with myself for getting so nervous. What can I do. Bottom | :05:29. | :05:34. | |
of the leaderboard, were you hoping the public would save you? | :05:34. | :05:39. | |
course we did. We did want to get to Blackpool because it would mean | :05:39. | :05:43. | |
we would have another week and could see the experience through. | :05:43. | :05:50. | |
We were never going to win. It was never about winning. Never about | :05:50. | :05:57. | |
winning. We were happy to get to the semifinals. We had fun doing it. | :05:57. | :06:04. | |
It would have been a bonus getting to the final. The three dancers in | :06:04. | :06:11. | |
it, they deserve it. It will be fantastic. They deserve to be in | :06:11. | :06:21. | |
:06:21. | :06:22. | ||
the final. We I wasn't strong Taken it. The right result took | :06:22. | :06:27. | |
place. Those three people deserve to be there on Saturday. It has | :06:27. | :06:37. | |
:06:37. | :06:39. | ||
been incredible adventure, I'm not using the "j" word. Despite working | :06:39. | :06:48. | |
on The One Show, you have given so much fun and energy. Don't cry | :06:48. | :06:54. | |
James. James is cheeky chappie which makes the session fun. She's | :06:54. | :07:02. | |
so easy to work with. Always in a good mood. That rubs off on me. | :07:02. | :07:06. | |
Normally I'm a miserable person. There were parts that were really | :07:06. | :07:12. | |
good and nearly good. It's lamb to the slaughterhouse. I thought it | :07:12. | :07:19. | |
was starchy and stiff. Only one way to go, upwards. I'm having problems | :07:19. | :07:29. | |
:07:29. | :07:31. | ||
with holding me arms up. Like being in Madame Taussauds. Ms Jones I had | :07:31. | :07:41. | |
:07:41. | :07:45. | ||
no idea so you were such a glamour He's like an annoying older brother. | :07:45. | :07:55. | |
:07:55. | :07:57. | ||
No! It was simple, but it was simply beautiful. Let's get ready | :07:57. | :08:07. | |
:08:07. | :08:10. | ||
to rumba! Sexless, cold and stiff. I think James' job is quite a lot | :08:10. | :08:15. | |
harder this week. We 4 -- had quite a knock. The confidence is not | :08:15. | :08:20. | |
there. You need to channel a lost anger and aggression. I will get | :08:20. | :08:30. | |
:08:30. | :08:31. | ||
her to think of one person... Craig Revel Horwood! It was the | :08:31. | :08:37. | |
antithesis6 last week. I almost found it erotic. You have puped -- | :08:37. | :08:47. | |
:08:47. | :08:47. | ||
upped your game. She has difficulties doing one step let | :08:47. | :08:53. | |
alone 100. Elegant... Frisson running up my spine. This week it | :08:53. | :09:02. | |
would be a good idea to have the int -- St on's ambulance poised. | :09:02. | :09:12. | |
:09:12. | :09:14. | ||
was full of ver verbgs and gusto. - verve. Sharp. I don't want her | :09:14. | :09:23. | |
moaning in the stoofplt It's because of the shoes. My ribs. | :09:23. | :09:30. | |
You're lucky you don't have a nag for a partner. I love the goofiness | :09:30. | :09:34. | |
you put in. You have been consistently improving in the | :09:34. | :09:39. | |
competition. Strictly is quite an intense experience but I literally | :09:39. | :09:44. | |
can say I've loved every single day. It's everything I thought it would | :09:44. | :09:50. | |
be and more. You have danced beautiful and you deserve to be in | :09:50. | :09:55. | |
this semifinal. The first couple leaving tonight is... Alex and | :09:55. | :10:00. | |
James. The first time I met you Alex we clicked and got on really | :10:00. | :10:05. | |
well. It has been an honour, a pleasure and privilege, and I've | :10:05. | :10:10. | |
enjoyed every single second. I thank you for that. I would like to | :10:10. | :10:15. | |
say a huge thank you to James, he has become a really close friend. | :10:15. | :10:22. | |
To get me in the -- to the semifinals he deserves a medal. I | :10:22. | :10:30. | |
love him to bits. I will miss him. Tissues. How proud of Alex are you? | :10:30. | :10:37. | |
Very. I never thought we would get that far. You have sproifd me. I | :10:37. | :10:42. | |
didn't think you would be able to dance the way you did in the | :10:42. | :10:49. | |
semifinal. I've enjoyed -- hand on my heart, I know lots of people say | :10:49. | :10:57. | |
"I've had a wonderful experience" it has been so much fun. That is | :10:57. | :11:05. | |
what this show has been. It has not been about winning. I have loved it. | :11:05. | :11:12. | |
Will you keep on dancing In if you want to give me a few lessons. I | :11:12. | :11:17. | |
think he's at the end of his tether. Not at all. Who are you rooting for | :11:17. | :11:24. | |
out of the finalists? All great. Anyone could genuinely lift up the | :11:24. | :11:32. | |
trophy. For me personally I would like to see Harry win, but if | :11:32. | :11:39. | |
Chelsee or Jason won, they are wonderful people. I think Harry has | :11:39. | :11:48. | |
been slightly undermarked. He's consistent 6789 and tried. You have | :11:48. | :11:53. | |
to work now on The One Show. We get to see a side of you we don't see | :11:53. | :12:01. | |
on The One Show, it has been a joy to watch. Brilliant! In a few | :12:01. | :12:07. | |
moments... So so sad. I'll be pieces in the end of the show. I'll | :12:07. | :12:13. | |
talk to Holly and Artem. Double the dancers this weekend, there was | :12:13. | :12:23. | |
plenty to get your tongues wagging. Get it together Ball. Go Jason good | :12:23. | :12:32. | |
luck. I was going to say how much I enjoyed the video. I'm a former | :12:32. | :12:39. | |
rugby player, and explayer, imagine how I feel watching Harry's dance | :12:39. | :12:47. | |
with tears down my cheeks. Go Harry. Anyone notice when Vernon Jordan | :12:47. | :12:53. | |
pulled a face in the camera and Chelsee got lifted up at the end. | :12:53. | :12:59. | |
We're coming around yourself to watch the final. Welcome Holly and | :12:59. | :13:09. | |
:13:09. | :13:09. | ||
Artem. Tissues at the ready. I'm sorry to see you here. You were | :13:09. | :13:14. | |
exquisitite on Saturday night. My dad was in the audience. He's | :13:14. | :13:20. | |
furious you did not get into the semifinal. Were you happy with your | :13:21. | :13:24. | |
performances?. I would have loved to have gone out with a bigger bang. | :13:24. | :13:32. | |
I had a feeling I was probably going to go, if I could have | :13:32. | :13:38. | |
switched them and gone out with the tango rather than the Charleston. | :13:38. | :13:43. | |
What didn't you like about the Charleston. Not I didn't like it. | :13:43. | :13:47. | |
It was a difficult dance for me. It would have been nice to start with | :13:47. | :13:52. | |
it, and go out with something I loved. The judges praised it. How | :13:52. | :14:02. | |
:14:02. | :14:02. | ||
did you think it went? We walked off last! It went better on the | :14:02. | :14:09. | |
dress run I think. We'll not ask more... The thing is performing | :14:09. | :14:15. | |
live it's such a difficult job to do. You never know things can go | :14:15. | :14:19. | |
wrong. I sometimes do a dance and think what is next and don't | :14:19. | :14:27. | |
remember. It's so difficult. To do two dances after 14 weeks, you must | :14:27. | :14:33. | |
be exhausted. It's getting to the point where it's not so much | :14:33. | :14:40. | |
physically, but mentally. Everyone is starting to get colds. I dropped | :14:40. | :14:47. | |
like a fly in the Charleston. Live. Let's talk about your Argentine | :14:47. | :14:53. | |
tango. It was stunning. Did you love it?. I absolutely loved it. | :14:53. | :14:58. | |
It's one of the dance styles I would like to do after the show. | :14:58. | :15:03. | |
This and paso. The flamenco stuff. The Spanish or Argentinian things. | :15:03. | :15:09. | |
You excelled at those. How far has Holly come since the first day she | :15:09. | :15:18. | |
walked in the training room? have to walk back and see cha-cha, | :15:18. | :15:25. | |
and paso. How dodgy I looked! you -- are you very proud you are | :15:25. | :15:30. | |
of her? Absolutely. Seriously. People don't understand how | :15:30. | :15:34. | |
difficult it is to do the show. It's such an uncomfortable thing to | :15:34. | :15:40. | |
do in the beginning. You don't know what you're up to. And to go for 11 | :15:40. | :15:49. | |
weeks straight and perform, and do a good job. It's phenomenal. | :15:49. | :15:58. | |
was working with Artem. Hardcore. He's -- he is strict. He is strict. | :15:58. | :16:05. | |
Do I want to work with someone hard, or float along with -- and not get | :16:05. | :16:09. | |
better. The point is to become a better dancer. If anyone is going | :16:09. | :16:16. | |
to do it, it's that man. You have treated us to memorable and frankly | :16:16. | :16:22. | |
stunning performances. Holly here is your story. Who will your | :16:22. | :16:32. | |
partner be? Artem. It's so happy. He pushes me. Artem doesn't give | :16:32. | :16:38. | |
compliments out. You really have to be good to get them. Flowingly | :16:38. | :16:45. | |
sensous the footwork was good. The extensions excellent. But it needs | :16:45. | :16:51. | |
more bite. I'm not grasping the salsa as quick as I thought. Even | :16:51. | :16:58. | |
when I ask her, can you keep dancing, and look at me. She finds | :16:58. | :17:04. | |
that hard. I might look here or there. It's quite upsetting and | :17:04. | :17:10. | |
depressing. What is whropbg wrong with the face. You move your body | :17:10. | :17:17. | |
so well. Please just let go. your head up. I'm going to lose it. | :17:17. | :17:22. | |
He gets strict when he is stressed. People think I'm rude, I'm not rude | :17:22. | :17:27. | |
I'm just Russian. I want to be a criminal. Everyone will queue up to | :17:27. | :17:35. | |
join you in jail! The Viennese waltz is not my cup of tea. At a | :17:35. | :17:43. | |
party, at home. At a party, at home. I'm a lady, you see, I do lady's | :17:43. | :17:49. | |
things. I'm not lady like at all. You could be amazing. You need to | :17:49. | :17:55. | |
focus and give even more power. going to be black swan for the | :17:55. | :17:59. | |
American Smooth. We have a lot of turns and it's tricky to come out | :17:59. | :18:07. | |
and not throw up. Very high risk. You made it work. This shows you're | :18:07. | :18:13. | |
a major contender. Very creative, very different. Very, very cool. | :18:13. | :18:23. | |
:18:23. | :18:23. | ||
The girl's tough. Artem has hurt his back. My knight in shining | :18:23. | :18:32. | |
armour arrived. Brendon and Artem giving each other lots of attention. | :18:32. | :18:40. | |
Me in the corner... I'm loving this new partnership! Artem is fit and | :18:40. | :18:46. | |
ready to go. It looks like you're overthinking. Stop it! Dancing | :18:46. | :18:54. | |
again, next week are Holly and Artem. One, two,... The judges are | :18:54. | :19:01. | |
saying Holly is holding back. don't know why I can't let go. | :19:01. | :19:07. | |
-- trying to get over the barrier of trying to be safe. Foxtrot, | :19:07. | :19:13. | |
demure and alluring, you totally owned it. The paso style of dancing | :19:13. | :19:23. | |
:19:23. | :19:25. | ||
I like to do. I love it. That my darling must be your personal best. | :19:25. | :19:32. | |
It was absolutely gorgeous. But the final couple leaving tonight is... | :19:32. | :19:38. | |
Holly and Artem. I'm just really proud of us. Definitely. All about | :19:38. | :19:43. | |
the story and getting there. And all the wonderful things I have to | :19:43. | :19:49. | |
learn. I want to say thank you so much, you have been terrific and | :19:49. | :19:59. | |
:19:59. | :19:59. | ||
just... Thank you. Well done! Russian has rubbed off on me. I'm | :19:59. | :20:06. | |
no longer crying. A bit steamy but not. What are you going to take | :20:06. | :20:12. | |
away? The fitness and health and strength I've got. It's a good | :20:12. | :20:15. | |
character-building exercise. Something that is hard is worth it, | :20:15. | :20:24. | |
and you come out of it, think I'm glad I did it. I think even though | :20:24. | :20:32. | |
day, it's hard. Hard things are good for you. I'll have it printed | :20:32. | :20:39. | |
on a plate. It's a bit rude. Don't go there... Always me. Who do you | :20:39. | :20:45. | |
want to win? I don't have a favourite. I think the person who | :20:45. | :20:55. | |
:20:55. | :20:57. | ||
wants it the most, and dead kaits the most -- it -- dead kaits the | :20:57. | :21:04. | |
most to getting it. All three of them. -- dedicates. Then there were | :21:04. | :21:11. | |
three. In a minute I'll grill Bruno Tonioli. First, as it's our final | :21:11. | :21:18. | |
week, we have decided to launch our award ceremony. The glitterballs. | :21:18. | :21:22. | |
Each day this week we will pay tribute to the unforgettable | :21:22. | :21:31. | |
moments that made this so fabulous. Who better to ask than Karen Hardy | :21:31. | :21:40. | |
and Ian Waite. Please welcome Ian Waite and Karen Hardy. Are you | :21:40. | :21:48. | |
going to stand on that box. Good. It's such an exciting night, I can | :21:48. | :21:53. | |
hardly contain myself. The nominees for the big entrance. Craig Revel | :21:53. | :22:03. | |
:22:03. | :22:03. | ||
Horwood as Brian May, and Lulu, and Russell Grant, and Craig for | :22:03. | :22:12. | |
arriving on broomstick. Who had the biggest entrance? The winner is | :22:12. | :22:17. | |
Russell Grant for being fired out of a canon. Russell could not be | :22:17. | :22:22. | |
with us to pick up the award. He gave us the special message. I want | :22:22. | :22:28. | |
to thank you so much, for this fabulous, fabulous, glitterball | :22:28. | :22:38. | |
:22:38. | :22:38. | ||
globey thing, for the best entrance, biggest entrance, the most | :22:38. | :22:43. | |
humungous entrance. How can I thank you you all. Such a wonderful man. | :22:43. | :22:49. | |
Hearing it for Russell and his entrance. Making a fabulous | :22:49. | :22:53. | |
entrance himself, welcome Strictly's Italian dish, Bruno | :22:53. | :23:03. | |
:23:03. | :23:05. | ||
Tonioli! Look like you. Black and black... Have a seat gorgeous man. | :23:05. | :23:14. | |
I'm gone all Fosse. Can't help myself. It's you. We have three | :23:14. | :23:19. | |
finalists. Chelsee, and Harry and jais Johnon. They are brilliant. | :23:19. | :23:24. | |
All deserve to be there. It will be an amazing final. Nothing to take | :23:24. | :23:31. | |
away from the other two. Saturday night was amazing. They all were | :23:31. | :23:37. | |
fabulous. Difficult to call it. We have our finalists. Chelsee and her | :23:37. | :23:43. | |
American Smooth. You were saying she has a phrasing that can take | :23:43. | :23:47. | |
dancers years. It's to do how you express yourself through music. | :23:47. | :23:56. | |
People go one, two, three, she extends the arm and gets to the | :23:56. | :24:02. | |
last beat of the last moment and then retreats it. It's something | :24:02. | :24:10. | |
you have, you have or don't have. An instrument played by a God. | :24:11. | :24:19. | |
Perpaso, and Pasha doblo. It was like a wave, upon wave, wave upon | :24:19. | :24:24. | |
wave, building, building, to a fantastic ending. She was on top | :24:24. | :24:29. | |
all the way through. Totally focused. Beautifully danced. I just | :24:29. | :24:35. | |
loved it. The first time the paso doble had 40, incredible. She has | :24:35. | :24:41. | |
been to Downing Street tonight. I've never been! Jason, Samba | :24:41. | :24:49. | |
notoriously tricky and difficult. A hard dance. It is hard for him. In | :24:49. | :24:54. | |
those full-on Latin dances, like the jive, the dance is technically | :24:54. | :24:59. | |
very difficult but you have to make it look easy. You have to put a lot | :24:59. | :25:03. | |
of performance power behind it, but you have to keep it right. | :25:03. | :25:07. | |
Sometimes the performance power makes you lose the step or the | :25:07. | :25:13. | |
riefpl. It happened in the jive. In Wembley. And it happened in the | :25:13. | :25:19. | |
Samba. It was going all so well. That's why it wasn't a ten. He's | :25:19. | :25:26. | |
doing the salsa in the final. he! You know more than I do. I may | :25:26. | :25:34. | |
be taken out and eaten! I should be quiet. The Argentine tango, a | :25:34. | :25:39. | |
record-breaking performance. That wass the other opposite. He was so | :25:39. | :25:46. | |
into the performance. Playing it as if going for an Oscar. I'm going to | :25:46. | :25:50. | |
nail this! Every step full of passion and intention. The two | :25:50. | :25:56. | |
gelled beautifully. 6 to -- you have to give credit to the partner. | :25:56. | :26:03. | |
At this stage It Takes Two to tango. Both have to be on the same moment, | :26:03. | :26:09. | |
wanting the same thing at the same time. I was worried he was going to | :26:10. | :26:18. | |
kill her?!. That's what I called it, death by Kristina. Like watching a | :26:18. | :26:23. | |
thriller. Wonderful. What a way of ending the show. Especially had the | :26:23. | :26:28. | |
first dance wasn't so splendid. What about Harry. Aliona, she | :26:28. | :26:34. | |
kicked off with the checky Charleston. Every time we talk | :26:34. | :26:40. | |
about the Charleston. We say the swivel. He was just incredible. | :26:40. | :26:48. | |
Incredible on it. And the performance, all nice, hello sailor. | :26:48. | :26:53. | |
Hello sailor! Do you think there's extra pressure for him to come out | :26:53. | :26:59. | |
and give a show stopping performance. He handles it well. | :26:59. | :27:04. | |
there is anything, you don't see it any more. In the beginning of the | :27:04. | :27:10. | |
serious - series, there was times he looked a bit tight. I think | :27:10. | :27:19. | |
you'll forget about it now. The -- in Blackpool, it will be incredible. | :27:19. | :27:28. | |
His Viennese walz, You have to remember, the Viennese walz only | :27:28. | :27:34. | |
has three steps, you haven't much to work with, you have to sustain | :27:34. | :27:38. | |
the performance, but you have to create a mood. He created a mood of | :27:38. | :27:42. | |
love. I don't think there was a perch in the studio or the country | :27:42. | :27:45. | |
that wasn't moved by that performance. You called him a | :27:45. | :27:51. | |
Prince. He looked like a Prince. Prince Harry! A big final on | :27:51. | :27:58. | |
Saturday. Blackpool tower. I can't wait. What do see from our dancers? | :27:58. | :28:08. | |
What can we expect? I've heard they're doing four dances each. | :28:08. | :28:13. | |
new dances, and the dreaded freestyle. And the show dance. | :28:13. | :28:19. | |
happens if they get that wrong, the wrong concept, the wrong | :28:19. | :28:25. | |
choreography, and mix of steps, the judges can turn. And it always is | :28:25. | :28:33. | |
usually if someone falls badly, Colin Jackson,... With the dolls... | :28:33. | :28:41. | |
It's not something you can throw away. Tom Chapls, the show dance, | :28:41. | :28:45. | |
stunning. That was a show dapbz. Everybody was this is incredible. | :28:45. | :28:51. | |
It's very, very important. They really have to work on it. The | :28:52. | :29:00. | |
special thing about Blackpool is the energy. You have an audience, | :29:00. | :29:04. | |
the ballroom audience, the Mecca ballroom. They are incredible. | :29:04. | :29:11. | |
Don't miss a thing. But you have to use the amazing audience to feed | :29:11. | :29:18. |