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It's the Friday before the semi- finals. They packed a punch with | :00:13. | :00:17. | |
their paso. Have they got enough fight to get to the final? I will | :00:17. | :00:23. | |
drop into the BBC One studio for a sneak peek of the samba. The boss | :00:23. | :00:28. | |
of the ballroom, Mr Goodman answers your questions in Len's dance | :00:28. | :00:38. | |
:00:38. | :01:12. | ||
Live from Television Centre, this is Strictly It Takes Two. Here's | :01:12. | :01:19. | |
Zoe. Hello. Hello. Welcome to It Takes | :01:19. | :01:23. | |
Two. There is an air of pure excitement in the studio tonight, | :01:23. | :01:30. | |
as you can hear, because in 23 hours, 58 minutes and 35 seconds, | :01:30. | :01:34. | |
our Famous Five will hit the Strictly dance floor and the semi- | :01:34. | :01:39. | |
finals will commence. One couple who are in it to win it | :01:39. | :01:45. | |
are Holly and Artem. I will chat to them live, right after this | :01:45. | :01:52. | |
reminder of their stomping paso doble. | :01:52. | :02:01. | |
Finally Holly, you Spanish sorceress. Your hands and arms were | :02:01. | :02:05. | |
superb. You have stepped it up a notch. Good for you! This is not | :02:05. | :02:10. | |
about where you start, it's where you finish and I tell you, you're | :02:10. | :02:16. | |
finishing strong. That, my drlling must be your personal -- my darling | :02:16. | :02:22. | |
must be your personal best. We got two tens. That's a perfect | :02:22. | :02:25. | |
score! We have been in the bottom two for | :02:25. | :02:30. | |
two weeks. We had to bring it and bring it strong. It was awesome. We | :02:30. | :02:35. | |
got a standing ovation. Two tens, unbelievable! | :02:35. | :02:43. | |
Please welcome the come-back kids, Holly and Artem. | :02:43. | :02:48. | |
We thought you'd still be holding your certificate. I wanted to. | :02:48. | :02:53. | |
James was so jealous, I decided not to bring it. Holly, last weekend | :02:53. | :02:58. | |
you needed to pull it out of the bag and boy, did you show us all. | :02:58. | :03:02. | |
An amazing dance, great comments. Craig said your personal best. | :03:02. | :03:09. | |
There is proof of how good it is, you are now officially joint | :03:09. | :03:19. | |
:03:19. | :03:19. | ||
highest record holder with Austin Healey for the best paso doble on | :03:19. | :03:26. | |
Strictly ever. You have beaten Emma Bunton and even Kara as well. | :03:26. | :03:30. | |
she's good. She was good. She's still good. How did it feel out | :03:30. | :03:37. | |
there last weekend? I loved every second of it. I went out fighting. | :03:37. | :03:41. | |
I loved the choreography. I thought if we go out, we'll go out with a | :03:41. | :03:46. | |
bang. And you didn't. You are still here. Thank goodness! People love | :03:46. | :03:53. | |
you and they loved that dance last weekend. You are not as | :03:53. | :03:56. | |
complimentary about yourself. watch myself and think it looks | :03:56. | :04:02. | |
like a dog's breakfast most of the time. Do I look like a gooz during | :04:02. | :04:08. | |
that bit. I have turned into an elephant. I look like a rag doll. I | :04:08. | :04:15. | |
am gripping on like a monkey. No, I am the hunchback, I thought. That | :04:15. | :04:22. | |
leg looked like a dog weeing on a lamppost. I feel like a dog chasing | :04:22. | :04:25. | |
its own tail. The reason I am doing that is because in my head I know I | :04:25. | :04:30. | |
am kicking back like a horse. It is like a cat in a cage, that is what | :04:30. | :04:37. | |
I'm going to look like. You are hilarious. I do love it. Yesterday | :04:37. | :04:45. | |
you tweetded to your fellow celebrities, "is anyone else having | :04:45. | :04:52. | |
trouble walking. Even my eyelashes hurt." I went down stairs last | :04:52. | :05:01. | |
night backwards. My boyfriend when, What are you doing? You have the | :05:01. | :05:07. | |
Argentine tango and the charleston. You will dance to this music. | :05:07. | :05:13. | |
In case you recognise it Arnold Schwarzenegger did a tango to that | :05:13. | :05:22. | |
music in True Lies. It is in three or four films. | :05:22. | :05:27. | |
Chelsee was criticised for not having enough intensity. They were | :05:27. | :05:35. | |
criticised for not having enough intensity in their Argentine tango. | :05:35. | :05:41. | |
How are you doing? We may get some of our own complaints. Can we see | :05:41. | :05:47. | |
the passionate look between you? That will.... That will do it! | :05:47. | :05:54. | |
Artem, what is Holly's biggest... In goes a round of applause! What | :05:54. | :05:58. | |
is her biggest challenge with the Argentine tang go? I think we have | :05:58. | :06:03. | |
a challenge in the Charleston. it all comes out, doesn't it? | :06:03. | :06:09. | |
have made it through 11 weeks and now it goes wrong. This is what you | :06:09. | :06:16. | |
are dancing to. A nice modern take there. It requires a lot of over | :06:16. | :06:21. | |
the top characterisation. You are very laid back. How are you getting | :06:21. | :06:27. | |
on? This is annoying me all this laid back stuff. If you cut my head | :06:27. | :06:32. | |
off I'm doing the amount of hard work, if not more with all the | :06:32. | :06:38. | |
stuff, I can not ham things. I am probably just a bit... What is a | :06:38. | :06:48. | |
British thing. I am basically beige. You are so complimentary about | :06:48. | :06:52. | |
yourself! Is it going well? It is a party tune. We want to get the | :06:52. | :06:56. | |
party started. This could be it. I am grateful, I cannot believe we've | :06:56. | :07:02. | |
got this far any way - we want to have a party, giggle. Kick some | :07:02. | :07:07. | |
flicks. Do all that stuff. It is being muted as the toughest semi- | :07:07. | :07:12. | |
final yet in Strictly history. How are you feeling about the yds that | :07:12. | :07:19. | |
two couples will go home this -- fact that two couples will go home | :07:19. | :07:23. | |
this weekend? It is OK if we go out because it is further than we | :07:23. | :07:29. | |
thought we'd get. How will you get the judges' scores up? How will you | :07:29. | :07:34. | |
make sure you are in the final, Artem? I don't know. You are | :07:34. | :07:41. | |
exhausted. He's saving it all... There is a lady at the back saying | :07:41. | :07:45. | |
"Ah!" don't feel sorry for him, this is his profession. How much do | :07:45. | :07:51. | |
you want to be on the black board? A lot, if it doesn't kill us first. | :07:51. | :07:53. | |
Holly and Artem. APPLAUSE | :07:53. | :07:59. | |
Come on! So excited. Now we have a very | :07:59. | :08:04. | |
extra special Friday treat for you. All series this man has been | :08:04. | :08:10. | |
critiquing our celebrities, now for one night only Len Goodman is | :08:10. | :08:20. | |
:08:20. | :08:24. | ||
answering your dance dilemmas in He's the first man you want on the | :08:24. | :08:32. | |
scene of a dance emergency, please welcome Len Goodman. | :08:32. | :08:39. | |
Thank you so much, Len. I shall go here and perch. It is wonderful to | :08:39. | :08:46. | |
have you here. Thank goodness Russell Grant has not sat on one of | :08:46. | :08:51. | |
these! You will answer some viewers' questions for us. What is | :08:51. | :08:57. | |
the Dance Clinic ailment that bugs you most? Technique. It is in all | :08:57. | :09:02. | |
the forms, the posture, the hold, all the technical fuddy-duddy | :09:02. | :09:08. | |
things that I am picky about. So technique. Let's work on some. The | :09:08. | :09:12. | |
first question: We do a lot of cruising and find the dance law is | :09:12. | :09:17. | |
a little smaller than we are used to. How can we best modify your | :09:17. | :09:22. | |
dancing style to make best use of the space available yet still | :09:22. | :09:26. | |
appear graceful. That is from Julian. Doing a bit of cruising, | :09:26. | :09:34. | |
are you. I guessed he would be. Julian, it's like driving your car. | :09:34. | :09:38. | |
You know, obviously we'd like lots of room and we can swan along at | :09:38. | :09:42. | |
the speed we want, but that doesn't happen when you're on a cruise | :09:42. | :09:47. | |
liner or whatever. The floor's going to be crowded, so you have to | :09:47. | :09:51. | |
modulate where you can. You move swiftly on. | :09:51. | :09:55. | |
A little bit of congestion, then you... But even so, you can still | :09:55. | :10:00. | |
be thinking about your posture and this and that. Then, when a gap | :10:00. | :10:04. | |
comes along, off you go again. You have to cut your cloth to suit the | :10:04. | :10:10. | |
customer and the floor. Question answered. Next question is from | :10:10. | :10:16. | |
Nick. My question is: When I do my ballroom dances, the quickstep and | :10:16. | :10:21. | |
so on, I get told that my hands are in the wrong place. Could you | :10:21. | :10:25. | |
demonstrate a good hold for me, please? | :10:25. | :10:31. | |
A good hold. Nick looks quite a burley chap. Well he did. Well | :10:31. | :10:35. | |
built. Well built and burley. First of all, your hold will change with | :10:36. | :10:42. | |
the height of your partner. You would not hold them if they are | :10:42. | :10:47. | |
small as you would someone who is tall. It is about balance. If I | :10:47. | :10:54. | |
take hold of you. Please take hold of me - someone should! I would | :10:54. | :11:02. | |
locate your brassier. The back of And then, this arm, this hand | :11:02. | :11:08. | |
should be up. What we want then, if I moved, so they see my back, the | :11:08. | :11:12. | |
distance from my spine to my right elbow should be basically the same | :11:12. | :11:16. | |
as the distance from the spine to my left elbow. That's what gives | :11:16. | :11:20. | |
you balance in the hold. Now, if I had a very small person, of course | :11:20. | :11:25. | |
this hand would have to come a little.... If I was like that. | :11:25. | :11:31. | |
I am down a bit. This hand wants to be adjacent to your nose with you I | :11:31. | :11:37. | |
am up here. With this one, I'm down here. I am not sure how long I can | :11:37. | :11:46. | |
hold that pose. Oh, my ties! A, to -- Oh my thighs. A, to it is | :11:46. | :11:51. | |
to do with your partner and B to do with your hold. Another question: I | :11:51. | :11:57. | |
seem to struggle doing the tang go and making my move -- tango and | :11:57. | :12:01. | |
making my moves look quick. What we are talking about is the sharpness. | :12:01. | :12:05. | |
It's partly to do with the head, especially the lady's head and | :12:05. | :12:08. | |
partly to do with the feet. The feet should have this, what we call | :12:08. | :12:14. | |
a delayed foot action. You don't just close up, you snap it closed. | :12:14. | :12:20. | |
Now what I will do is I'll do a step called "the link" with you. | :12:20. | :12:26. | |
What I will ask you to do is move that glass stall backwards. | :12:26. | :12:29. | |
Of course the tango hold is different. This hand is going under | :12:29. | :12:34. | |
this. This is here. I vaguely remember. I go down. You will go | :12:34. | :12:40. | |
back with your right leg. Step it back. Step to the side. | :12:40. | :12:45. | |
As we do this, your head is going from the left to the right. | :12:45. | :12:50. | |
Let's do that again. It's been a while. I am a bit rusty. | :12:51. | :12:54. | |
As you step to the side jerk that head around. | :12:54. | :13:01. | |
No.... Bigger step. It is my massive feet. Sorry, Len. Step it | :13:01. | :13:08. | |
back. Not yet. Go! How was that? Now we're in promenade position. | :13:08. | :13:13. | |
This is side by side. Let's do it once more. It's all | :13:13. | :13:23. | |
about your head and ya-da! Whooo-hoo! | :13:23. | :13:29. | |
Here we go. Let's hear it for Len. Thank you, Sir. My pleasure! Just | :13:29. | :13:33. | |
for fun, for you at home, can you guess which one of our pros is | :13:33. | :13:43. | |
:13:43. | :13:52. | ||
Dancers in disgieds. -- disguise. | :13:52. | :13:56. | |
# Do you come from the land Down Under? # | :13:56. | :14:03. | |
Find out later in the show! Who is the little roo!? Now it is | :14:03. | :14:07. | |
time for our last Friday Panel of the serri. | :14:07. | :14:16. | |
It's a -- series. You are in for a treat as we welcome Su Pollard. | :14:16. | :14:24. | |
Chart topper Pixie Lott and Mr Entertainment, Lionel Blair. | :14:24. | :14:34. | |
:14:34. | :14:35. | ||
Entertainment, Lionel Blair. Welcome. | :14:35. | :14:41. | |
I have loved the series. It has been a Corker. Su, you are doing | :14:41. | :14:48. | |
the Christmas special. My dear, talk about anxiety. I had | :14:48. | :14:53. | |
the wrong pair of shoes. If your shoes don't fit in the right pair | :14:53. | :14:58. | |
you cannot do your steps. I had pointed shoes, I said, this is | :14:58. | :15:04. | |
going to be no good. Can I sing? They got me a pair. I improved, I | :15:04. | :15:08. | |
am happy to say, but not enough. can't wait! There you are in your | :15:08. | :15:13. | |
frock though. Did you get to keep that? That is incredible. I think | :15:13. | :15:17. | |
it's going to an old people's home or something. It will be on | :15:17. | :15:22. | |
Christmas Day. You will not want to miss it. Holly danced to Cry Me Out | :15:23. | :15:29. | |
on the show. She did her Viennese waltz to it. How is it to hear Dave | :15:29. | :15:36. | |
Arch and his band perform one of your numbers on the show? Fpbl | :15:36. | :15:41. | |
Twitter went -- My Twitter went crazy. | :15:41. | :15:50. | |
She is a great talent and so young. We saw you on the series helping | :15:50. | :15:55. | |
out Rory. He did his best dance out Rory. He did his best dance | :15:55. | :15:59. | |
that week. D It has been one of the best series from the point of the | :15:59. | :16:04. | |
non-dancers, improved so quickly. Quicker than any other series. You | :16:04. | :16:08. | |
were wonderful,vy to tell you. You're pretty good yourself! | :16:08. | :16:13. | |
I have to say. They did improve very quickly. The last five are | :16:13. | :16:17. | |
really terrific. They are really good. Let's look at them. Semi- | :16:17. | :16:22. | |
finals tomorrow. They are all tackling two dancers. First we will | :16:22. | :16:27. | |
talk about Chelsee and Pasha. Let's see their paso training. Here they | :16:27. | :16:32. | |
are, paso doble, this will be good for Chelsee. They are dancing to | :16:32. | :16:38. | |
this music. Like it! What do you think - can Chelsee get | :16:38. | :16:43. | |
to grips with the dominant paso, do you think? I think she can. The | :16:43. | :16:49. | |
paso doble it's a feisty one, isn't it. Didn't you do it? I used to do | :16:49. | :16:54. | |
ballroom and Latin when I was ten. I used to do little competitions. I | :16:54. | :16:59. | |
remember doing the paso doble. It is fiery. She's an actress.... | :16:59. | :17:07. | |
thing I love about Chelsee is she finishes her step, zoom. She has a | :17:07. | :17:11. | |
sharpiest to her which is very -- sharpness to her which is very | :17:11. | :17:16. | |
important. Her hands are beautiful as well. They are dancing to this | :17:16. | :17:23. | |
music. It's Cyndi Lauper. What do you want to see in American smooth? | :17:23. | :17:26. | |
Smooth and they have smooth. For the youngest couple, they are | :17:26. | :17:34. | |
terrific. As I say, she moves it beautifully. What do you think | :17:34. | :17:38. | |
about the romance here? Straight away as long as you can get a | :17:38. | :17:42. | |
characterisation, she does not is to be who she is in real life, she | :17:42. | :17:49. | |
takes on a character. Are vow have you -- have you seen how her whole | :17:49. | :17:58. | |
body is fluid. Mine is like this. I'm loving having you here! Let's | :17:58. | :18:03. | |
look at Harry and Aliona. Here's their charleston training. This is | :18:03. | :18:07. | |
the music they are dancing to. I can see you are desperate to say | :18:07. | :18:13. | |
something about Harry. This is Peggy Lee. | :18:13. | :18:17. | |
He is unbelievable. The wonderful thing, the reason I think he's so | :18:17. | :18:21. | |
good, when you play the drums you do that with your feet and that | :18:21. | :18:26. | |
with your hands. The co-ordination. And hands. He's got to give it a | :18:26. | :18:31. | |
bit up here then he'll get it. not ugly. | :18:31. | :18:39. | |
He's all right on the eyes. It must be all right to have somebody | :18:39. | :18:45. | |
holding you, when you think "You're all right, mate." He wants to beat | :18:45. | :18:54. | |
his partner who has just won the jungle. Yes, King of the Jungle. | :18:54. | :18:59. | |
They are dancing to this year's Love. | :18:59. | :19:06. | |
-- This Year's Love. I had no idea. McFly are not known | :19:06. | :19:10. | |
for dancing, they rock out on stage. I had no idea that he could dance | :19:10. | :19:15. | |
like that. Do you think at future McFly gigs they will all be dancing | :19:16. | :19:23. | |
- a different crowd in the audience. Let's look at al election and James, | :19:23. | :19:28. | |
who are doing -- Alex and James, who are doing the salsafplt this is | :19:28. | :19:34. | |
what they are dancing to in the salsa. Would this get your hips | :19:34. | :19:43. | |
going? Come on. Oh, yes! You won't see this anywhere else | :19:43. | :19:46. | |
this time on a Friday night. know what is so good about that, | :19:46. | :19:54. | |
you are in a sex pot, hopefully if you have got one. Your inner sex- | :19:54. | :19:58. | |
pod makes you want to get the rhythm. If you don't have any fun | :19:58. | :20:01. | |
with that, then that is really sad. To watch that I think it will be | :20:02. | :20:05. | |
stunning. It will be stunning. Come on, Alex. | :20:05. | :20:09. | |
They are doing the waltz and dancing to a Aretha Franklin | :20:09. | :20:13. | |
classic, written by Carol King, who was on The One Show this week. Are | :20:14. | :20:18. | |
you a fan of this song? What do you think of her steps? I am a massive | :20:18. | :20:22. | |
fan of this song. When you get to dance to such a great song it is | :20:22. | :20:27. | |
such a great motive. The steps follow. I am a massive | :20:27. | :20:32. | |
fan of the song. When it sweeps like that you want to sweep along. | :20:32. | :20:38. | |
She does sweeping really well. It is what it may come to. You | :20:38. | :20:43. | |
dance with Anton on the Christmas special. What is it like to be in | :20:43. | :20:49. | |
the arms of a pro dancer? Straight away, he said "Su, follow me. I | :20:49. | :20:59. | |
will take you. I lead." I kept forgeten. I said you're Butch, I'm | :20:59. | :21:02. | |
Fem. I was always dancing with the girls there were no blokes at | :21:02. | :21:12. | |
:21:12. | :21:12. | ||
school. It is a nightmare. He is so confident. He said, "Don't look | :21:12. | :21:18. | |
down." Anybody to win or not, to take part and come this far and not | :21:18. | :21:24. | |
have discipline like this ever.... It is hard. Jason and Kristina this | :21:24. | :21:33. | |
week take on the argentin tango and the samba. Here is their -- | :21:33. | :21:36. | |
Argentine tango and the samba. Here it is. | :21:36. | :21:45. | |
It is very good. I would like his flick to be flickier. He's improved | :21:45. | :21:51. | |
enormously! He's got to have more... And forget counting the steps - | :21:51. | :21:58. | |
he's got to dance. Live it in the face. Look who he is dancing with. | :21:58. | :22:02. | |
They are all doing the samba, which we will see a sneak preview of | :22:02. | :22:08. | |
later on. Oh, wow! | :22:08. | :22:16. | |
They are liking it. Su is happy with that. Holly and Artem are | :22:16. | :22:21. | |
doing the charleston and the Argentine tango. They are dancing | :22:21. | :22:31. | |
:22:31. | :22:34. | ||
here to Americano. Oh, it's gone. Never mind we've lost the CD. | :22:35. | :22:40. | |
did that record Kiss Kiss. She should do that. How do you think it | :22:40. | :22:45. | |
will go - will it be good for Holly? I think absolutely excellent. | :22:45. | :22:49. | |
I can have... I don't want to give too much away, but in conversation | :22:49. | :22:56. | |
with Holly, she thinks, she loves You all ought to tell me at the | :22:56. | :23:01. | |
same time who you want to win? Harry. | :23:01. | :23:10. | |
Such a great panel. APPLAUSE Amazing. Next up we get an | :23:10. | :23:16. | |
exclusive peak. The final is nearly upon us. All they want to do is | :23:17. | :23:26. | |
:23:27. | :23:41. | ||
# Stay now # Baby, if you've got to go away | :23:41. | :23:48. | |
# Don't think I can take the pain # Won't you stay another day | :23:48. | :23:55. | |
# Stay now # Stay now # Don't you know we've | :23:55. | :24:01. | |
come too far now # Just to go and try to throw it | :24:01. | :24:11. | |
:24:11. | :24:12. | ||
all away 8 # Thought I heard you say you loved | :24:12. | :24:22. | |
# That your love was going to be here to stay | :24:22. | :24:32. | |
:24:32. | :24:32. | ||
# I've only just began to know you # All I can say is won't you stay | :24:32. | :24:37. | |
just one more day # Stay now | :24:37. | :24:44. | |
# Baby, if you've got to go away # Don't think I could take the pain | :24:44. | :24:51. | |
# Won't you stay another day # Stay now | :24:51. | :24:59. | |
Stay # Don't leave me alone like this | :24:59. | :25:03. | |
# Stay for a final kiss # Would you stay another day | :25:03. | :25:13. | |
:25:13. | :25:33. | ||
# Stay now D they are, your five semi- | :25:33. | :25:39. | |
finalists. I think you would agree, telly gold. I have popped to the | :25:39. | :25:43. | |
BBC One studio for the last time. This time last week the whole of | :25:43. | :25:49. | |
the circus will be up at the ballroom. We have a special next | :25:49. | :25:53. | |
week for you live from Tess's area. I thought I would come and get | :25:54. | :26:01. | |
acquainted. Jason Donovan and Kristina Rihanoff | :26:01. | :26:04. | |
are here. Are you more nervous than before? I think in a funny way, | :26:05. | :26:08. | |
having been in the position we were in last week, we are going to go | :26:08. | :26:13. | |
for it this week. Have some fun and enjoy ourselves. You are doing the | :26:13. | :26:18. | |
samba. I did have a sneaky look around the corner earlier on. I | :26:18. | :26:24. | |
want to do a samba check for you. Promenade runs? Check. The frilling | :26:24. | :26:33. | |
of the skirt? Check. Vol ters? Just say yes. It will be a whole in one. | :26:33. | :26:38. | |
Fingers crossed. Are you enjoying it? I soo to say the run-through -- | :26:38. | :26:44. | |
I have to say the run-through today has been a pleasure. Whatever | :26:44. | :26:47. | |
happens, this weekend that will be the last time you dance in this | :26:47. | :26:52. | |
studio here, here in London. Sad times. How does that make you feel? | :26:52. | :26:58. | |
I have done some shows during my time. The atmosphere here on a | :26:58. | :27:02. | |
Saturday night is unbelievable. Maybe it is due to anxiety. Nervous, | :27:02. | :27:06. | |
shock and fear. You know, it's a wonderful show. I'm very proud to | :27:06. | :27:12. | |
have been part of it, to work with this one. She is good. You are a | :27:12. | :27:16. | |
very lucky boy. You had a sneaky look at the competition. Do you | :27:16. | :27:21. | |
look at the dancers and get an idea? We were in a bubble today. We | :27:21. | :27:28. | |
enjoyed our run-through. It was great. We had a fun dance. You are | :27:28. | :27:34. | |
dancing to the Jackson Five. It is a happy tune. Listen, good luck | :27:34. | :27:39. | |
this weekend. I will be your alarm call tomorrow morning. I will speak | :27:39. | :27:48. | |
to you on my radio show. 6-8am. I will wake you up. You will give us | :27:48. | :27:55. | |
a sneaky peek of the samba. While they prepare themselves we'll | :27:55. | :28:05. | |
:28:05. | :28:12. | ||
have a reminder of who was dancing Who needs Skippy when you have | :28:12. | :28:19. | |
Robin Windsor? As promised, you can have a sneaky peek of the samba, as | :28:19. | :28:29. | |
:28:29. | :28:29. | ||
Apology for the loss of subtitles for 41 seconds | :28:29. | :29:10. |