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It is Thursday, coming up: Chelsee and Pasha had a fairy-tale ending | :00:11. | :00:17. | |
to their jive on Saturday. They are here live. I will be taking a sneak | :00:17. | :00:21. | |
preview at what they will be wearing on Saturday. It is time to | :00:21. | :00:28. | |
set a brand-new, world record. We reveal which of our pro dancers has | :00:28. | :00:38. | |
:00:38. | :01:07. | ||
won hour botafago challenge. This Live from Television Centre, days | :01:07. | :01:17. | |
:01:17. | :01:20. | ||
is It Takes Two. Hello and welcome. The pressure is now on. Our five | :01:20. | :01:24. | |
remaining couples have two dances to perfect for Saturday night, one | :01:24. | :01:30. | |
ballroom and one Latin. With just three places up for grabs in the | :01:30. | :01:34. | |
Blackpool final, the training rooms have become their second homes. | :01:34. | :01:38. | |
Here is how they are getting on. The it is the Argentine tango, a | :01:38. | :01:43. | |
very precise dance, it is very passionate and fiery. It is like | :01:43. | :01:48. | |
you are showing your power to meet. It has to be powerful and strong, | :01:48. | :01:53. | |
but not aggressive. I need to make sure his frame is smoother and | :01:53. | :02:01. | |
drops down from the elbows. Elbows down. Elbows down. There is a story | :02:01. | :02:08. | |
to be told as always. I like the strength of character. Nothing is | :02:08. | :02:13. | |
coming easy, but if something does not come easy, you dig a little | :02:13. | :02:18. | |
deeper and get the result you want. That is really good. Whatever | :02:18. | :02:28. | |
:02:28. | :02:28. | ||
happens on Saturday, I am going to go out and give it won big shot. | :02:28. | :02:35. | |
This week I am dancing the American Smooth. It is very nice and it is a | :02:35. | :02:40. | |
love story. It always makes you a bit more nervous knowing you have | :02:41. | :02:49. | |
got lift. I hope to God I can pull it off. Slow down, slow down. I | :02:49. | :02:53. | |
think Chelsee is OK with picking up the steps. The challenge is to | :02:53. | :03:01. | |
become the character. And trying to find something. Trying to find | :03:01. | :03:07. | |
something. That is perfect. The judges have picked up on the lack | :03:07. | :03:13. | |
of passion. I am going to try my best and put it out this week. | :03:13. | :03:19. | |
is concentrated love in a minute and a half on the dancefloor. Save | :03:19. | :03:29. | |
:03:29. | :03:30. | ||
it for the next dance. The Paso Lots to learn this week. First up | :03:30. | :03:40. | |
is the Viennese waltz. Harry is looking smoother than ever. He is | :03:40. | :03:50. | |
becoming quite a little ballroom dancer. The main problem that | :03:50. | :03:56. | |
usually people find with the waltz is getting dizzy. At the beginning | :03:56. | :04:00. | |
we did a section where we were going round and round and you come | :04:00. | :04:07. | |
out and you are like... He is coping with motion sickness pretty | :04:07. | :04:17. | |
:04:17. | :04:19. | ||
well. We have to nail both of the dances. If we mess up, we could be | :04:19. | :04:27. | |
going home. The first dance we are doing is the | :04:27. | :04:30. | |
waltz and I am looking forward to this one. We have only done a | :04:31. | :04:36. | |
little bit, and so far it seems OK. When I watch James doing it, it | :04:36. | :04:43. | |
looks lovely and beautiful and I think, I can do that, and I cannot. | :04:43. | :04:47. | |
Alex has improved massively since the beginning of the show, but she | :04:47. | :04:53. | |
does not believe in herself. There are these bits where you do your | :04:53. | :04:59. | |
arms. I just feel like a crow and that is not the idea, but it is | :04:59. | :05:03. | |
supposed to be romantic and beautiful. I have 100% faith in | :05:03. | :05:13. | |
:05:13. | :05:14. | ||
Alex now. In this waltz potentially she could get her first 10. I have | :05:14. | :05:18. | |
got the Charleston and the Argentine tango this week. I think | :05:18. | :05:22. | |
I relate more to the Argentine tango. It is very strong and | :05:22. | :05:29. | |
serious, but I love that. As long as we can get the usual aspect of | :05:29. | :05:33. | |
tango and the intensity of last week, it might be a good dance for | :05:33. | :05:42. | |
us. The hardest part of the tango so far is my chair dancing. I think | :05:42. | :05:47. | |
this is going to look awkward. I can barely bounce standing on my | :05:47. | :05:53. | |
feet, let alone on my bottom. We are cramming too learnt everything. | :05:53. | :05:59. | |
You are facing this way. It has not happened yet. I am hoping that on | :05:59. | :06:07. | |
Saturday it will. 10 days ago we launched the it takes to Pro Dance | :06:07. | :06:11. | |
Challenge to see who could set a brand-new world record for the most | :06:11. | :06:17. | |
number of botafagos in 30 seconds. Please welcome our last two | :06:17. | :06:27. | |
:06:27. | :06:28. | ||
contenders, Mr James children and Mr our temp Tiggerdine said. -- | :06:28. | :06:33. | |
Artem Chigvintsev. You can tell it is getting competitive because the | :06:33. | :06:40. | |
guns are out today. He said, I am sitting in the celebrity seats will | :06:40. | :06:47. | |
stop how nervous are you about the results? This is a big deal. James | :06:47. | :06:53. | |
is worried because he lost to Brendan. Brendan did pretty well. | :06:53. | :06:57. | |
It did not really resemble a botafago to be fair. Let's have a | :06:57. | :07:07. | |
:07:07. | :07:17. | ||
She stopped and had another cup of tea. Flavia beat Pasha. Do you | :07:17. | :07:27. | |
think you will be Brendan? I do not know. Flavia said she but you might | :07:27. | :07:32. | |
be the most accurate. We will see about that. Technically mine were | :07:33. | :07:38. | |
perfect. My heel was going on the floor on every single one. Shall we | :07:38. | :07:45. | |
find out for real? I am not competitive at all. Artem is going | :07:45. | :07:51. | |
first. We have the world record at stake. | :07:51. | :08:01. | |
:08:01. | :08:05. | ||
The most botafagos in 30 seconds. We want a world champion. It sounds | :08:05. | :08:09. | |
amazing to have your own world record. I will believe it when I | :08:09. | :08:17. | |
see it. Will the next challenger please make their way to the floor. | :08:17. | :08:23. | |
Artem, how are you feeling? I am feeling good. I am intimidated by | :08:23. | :08:28. | |
this flawed. Do you think you are going to fly to Russia with Love, | :08:28. | :08:36. | |
darling? Hopefully. Good luck, please take to the floor. Are you | :08:36. | :08:46. | |
:08:46. | :09:23. | ||
ready? Hopefully. OK, for the How do you feel? I am exhausted. | :09:23. | :09:32. | |
Did you feel the burn? Yes, my feet are burning. You did very well. | :09:32. | :09:38. | |
This is the hardest thing I have ever done. It was so hard. At first | :09:38. | :09:45. | |
you expect it to be easy. Then 10 seconds a new deal, I am exhausted. | :09:45. | :09:55. | |
Hopefully I kept the pace. Fingers crossed. Well done, Artem. Having | :09:55. | :10:03. | |
seen that, how anxious are you now? It did not look great, did it? | :10:03. | :10:08. | |
Let's be honest. The arms are women sing about and everything. Fighting | :10:08. | :10:17. | |
talk, let's see how James got on. don't want to look. I want to win | :10:17. | :10:24. | |
and I want to be in the world record book. The most botafago's in | :10:24. | :10:29. | |
30 seconds by James children. the next competitor please come to | :10:29. | :10:39. | |
:10:39. | :10:40. | ||
the floor. How do you feel? Nervous. Please, take to the floor. Dancer | :10:40. | :10:50. | |
:10:50. | :11:26. | ||
ready? Yes. Ready. For the record, It is actually more difficult than | :11:26. | :11:32. | |
it looks. There are some really fast dancers out there, but whether | :11:32. | :11:40. | |
or not they are as fast as me is another question. Artem, what do | :11:40. | :11:45. | |
you think? I think it was impressive. It was technically the | :11:45. | :11:51. | |
best I have seen so far. You would say that. It is the moment of truth. | :11:51. | :11:58. | |
It is time to find out. But the curtain down. Which of our strictly | :11:58. | :12:08. | |
:12:08. | :12:11. | ||
pro dancers has set a new world I feel I am under the red light. | :12:11. | :12:18. | |
You have already got a trophy. can reveal that you both had two | :12:18. | :12:23. | |
disallowed for a start how can I have two of mind disallowed? They | :12:23. | :12:32. | |
were perfect. Shatter it. The brand-new record holder with 79 is | :12:32. | :12:42. | |
:12:42. | :12:49. | ||
a... Artem. No, I disagree. You have already got a trophy at home. | :12:49. | :12:54. | |
Why couldn't you just pull out? you want to know how many you got? | :12:54. | :13:04. | |
No, I am not bothered. You got 66. Artem, you are either new world | :13:04. | :13:11. | |
record holder. Here to present your certificate, from the Guinness Book | :13:11. | :13:19. | |
of World Records. Were you impress? Yes, as you can tell it is a very | :13:19. | :13:26. | |
technical dance. There was no technique when he did that. It is a | :13:26. | :13:28. | |
brand-new world record achievement and we are thrilled to present you | :13:28. | :13:35. | |
with your certificate. Congratulations, 79. Whatever. | :13:35. | :13:41. | |
will you be celebrating your record tonight? I am going to go ordinaire | :13:42. | :13:46. | |
with my girlfriend. You brought me all the way here to tell me that I | :13:46. | :13:52. | |
lost. I do not want to touch it. Well done to everybody for taking | :13:52. | :14:02. | |
:14:02. | :14:05. | ||
part. Well done James and well done Artem. James only got 66. Sorry. | :14:05. | :14:10. | |
Our five remaining couples will be negotiating a quick costume change | :14:10. | :14:15. | |
on Saturday night. I caught up with the head designer Vicki to find out | :14:15. | :14:19. | |
what wonders you will be working this weekend. I am with a Bickley, | :14:19. | :14:24. | |
the head of costumes. The semi- finals, two dances each. How easy | :14:24. | :14:30. | |
is it for them to change? It is not that easy, but our wardrobe ped | :14:30. | :14:35. | |
make sure everything is under control. But their hair, make-up | :14:35. | :14:40. | |
and everybody has to make sure they work as a team. Maybe we can show | :14:40. | :14:45. | |
you next week how quick it is. You have got to know them all. Is it | :14:45. | :14:50. | |
easier to design for them now you know them well? I think it is. They | :14:50. | :14:55. | |
might disagree with me tomorrow. I feel over the series we learnt a | :14:55. | :14:58. | |
lot about them, what they liked and what they disliked and how they | :14:58. | :15:04. | |
feel. Alex was amazing last week in American Smooth. This week she is | :15:04. | :15:13. | |
doing a waltz. It is a similar theme. We worked with lines that | :15:13. | :15:20. | |
work well for her last week. This is a nice, long line. It fades down | :15:20. | :15:24. | |
into the skirt. The skirt is a little bit fuller than last week | :15:24. | :15:31. | |
because it is the waltz. Yes, I think it should make for a very | :15:31. | :15:41. | |
:15:41. | :15:42. | ||
The colour is called champagne, she has not worn that this series, it | :15:42. | :15:47. | |
is a first. Holly had an incredible buzz adobe last week and this week, | :15:47. | :15:57. | |
:15:57. | :15:57. | ||
she is doing the Argentine tango -- incredible paso doble last week. | :15:57. | :16:01. | |
Really tight fitting, long-line dress, but she has got a very high | :16:01. | :16:06. | |
split. Although the rest of the dress is quite covered, in terms of | :16:06. | :16:12. | |
fabric, but we have sheer mesh alongside a matt crepe. Although it | :16:12. | :16:15. | |
is covered it is very revealing that the same time. It references | :16:15. | :16:23. | |
when she did the Cell Block Tango. And Chelsee, let's look at her paso | :16:23. | :16:29. | |
doble dress. They are not traditional colours, although it is | :16:29. | :16:33. | |
a traditional silhouette. Fullness in the skirts so she can use it as | :16:33. | :16:38. | |
a cape. The dress itself is quite modern. And a bit quirky, to suit | :16:38. | :16:43. | |
Chelsee's personality. Because she is so young as well. I am loving | :16:43. | :16:48. | |
these colours. And I like the lacing up the side. We have a tape | :16:48. | :16:51. | |
which runs down the right side and on the left hip, it is quite | :16:51. | :16:55. | |
revealing but covered at the same time, shouldn't have any wardrobe | :16:56. | :17:01. | |
malfunctions. Fingers crossed. Harry and Jason, the only boys left | :17:01. | :17:06. | |
in the competition, what is Harry wearing for his Charleston? They | :17:06. | :17:13. | |
contrast. Harry is quite classic, in a navy shirt and tie. Very | :17:13. | :17:21. | |
officer like. Not YMCA? No! Days and is at the other end of the | :17:21. | :17:26. | |
spectrum, he is very flamboyant -- Jason is that the other end. He is | :17:26. | :17:34. | |
doing the samba and his outfit may go with this one... Here we go... | :17:34. | :17:39. | |
That is Kristina's Sam Bird dress. What do you call the material? | :17:39. | :17:49. | |
:17:49. | :17:51. | ||
is called Crane. -- Sam Bird dress. -- samba dress. You are off on the | :17:51. | :17:56. | |
bus up to Blackpool, we will see them, enjoy the semi-final. | :17:56. | :18:02. | |
She is amazing. News just in, next week's final is going to be so big, | :18:02. | :18:07. | |
it is in an extra dimension. Yes, it will be shown in 3D, live on the | :18:07. | :18:17. | |
:18:17. | :18:17. | ||
BBC HD channel. Impressive. And... It is also going to be live in 3D | :18:17. | :18:23. | |
in selected cinemas across the country. I know! It is incredible. | :18:23. | :18:28. | |
I want to come with you. Tickets are available now. For more details, | :18:28. | :18:33. | |
are available now. For more details, are available now. For more details, | :18:33. | :18:35. | |
go to the strictly website. Before our celebrities clamber into their | :18:35. | :18:39. | |
costumes, there is the nitty-gritty of learning the routines. I will be | :18:39. | :18:44. | |
chatting to Chelsee and Pasha in a moment, but first, here is how our | :18:44. | :18:49. | |
couples are getting on with their Latin dances. | :18:49. | :18:58. | |
The samba is quite a difficult dance. 7, 8... Oh, confused. | :18:58. | :19:01. | |
think it is definitely more difficult because there is so much | :19:01. | :19:08. | |
more content in it. But it is a party dance as well. I think that | :19:08. | :19:18. | |
kind of happy mood always suited This is one of those dances that | :19:18. | :19:23. | |
people fear, lots of hip movement. It is all about hips. And back, and | :19:23. | :19:30. | |
back. Last week's situation definitely knocked our confidence, | :19:30. | :19:33. | |
but we are fighting and we are going to go out there and perform | :19:33. | :19:43. | |
:19:43. | :19:46. | ||
The Charleston is a funny dance. It is a lot of fun, a lot of character. | :19:46. | :19:53. | |
It is kind of taking a laugh at yourself. Right now, the Charleston | :19:53. | :19:57. | |
is going pretty badly. I am not catching on to anything Artem is | :19:57. | :20:01. | |
telling me and I think I have about 15 moves to remember, which have | :20:01. | :20:07. | |
not quite sunk in. I am going to have to dig deep, to get the | :20:07. | :20:13. | |
Charleston looking good. Hopefully she is going to pick up quick and | :20:13. | :20:17. | |
we will be able to do it on Saturday. I have to pick my game up | :20:17. | :20:20. | |
and make sure there is no reason for anyone to think I don't deserve | :20:20. | :20:28. | |
to be here. This week, we are dancing the salsa. | :20:28. | :20:34. | |
This won't go well, just to warn you. It fills me with absolute | :20:35. | :20:40. | |
dread, freer and horror. I am not a big fan of Latin, if the truth be | :20:40. | :20:45. | |
known. Me and my hips are not friendly. It is supposed to be | :20:45. | :20:52. | |
quite fun. I am not seeing the fun side. Slightly more nervous, | :20:52. | :21:00. | |
because it is a difficult dance. have got a few lifts in the salsa. | :21:00. | :21:05. | |
Not sure about this. It is not pleasant, I will be honest. | :21:05. | :21:08. | |
Hopefully it looks better than it feels. We are just going to give it | :21:08. | :21:16. | |
a good go, that is all you can do, Bring It On. | :21:16. | :21:20. | |
Our second dance is the night is the Charleston. It will be so | :21:20. | :21:24. | |
different, we just have to practise smiling a bit more. The Charleston | :21:24. | :21:31. | |
is quite a slapstick, cartoon style dance. A lot of the dances I have | :21:31. | :21:34. | |
done before have been serious and I am looking forward to letting | :21:34. | :21:40. | |
myself go and having a good time. So acute! As always, we are going | :21:40. | :21:50. | |
:21:50. | :21:52. | ||
for some tough lifts. My neck is hurting. It is a dangerous sport, | :21:52. | :22:02. | |
:22:02. | :22:06. | ||
dancing. It is tough, but I think I The second dance I am dancing is | :22:06. | :22:11. | |
the paso doble. It could be the last time I dance on Strictly and I | :22:11. | :22:16. | |
want to give it my all. Key points for paso doble for Chelsee, her | :22:16. | :22:21. | |
posture, their shape. It is a different kind of dance. Of course, | :22:21. | :22:26. | |
footwork, and most importantly, character. The fact we have to do | :22:26. | :22:29. | |
two dances is scaring the hell out of me. I am not getting on well | :22:29. | :22:34. | |
with the paso doble, the attitude, the character, finding it really | :22:34. | :22:44. | |
:22:44. | :22:47. | ||
But can't do it, I am not an angry girl. Be an actress, for once in | :22:47. | :22:51. | |
your life! Hold on, you are an actress! I think it will be so | :22:51. | :22:55. | |
amazing, to get to Blackpool, this is the final stage of the | :22:55. | :23:01. | |
competition, which you put so much work into. Please welcome, Chelsee | :23:01. | :23:10. | |
and Pasha. Hello. Welcome, well done. I am sorry about your score. | :23:10. | :23:15. | |
Don't bring it up again. Julie said after your jive last week, | :23:15. | :23:20. | |
brilliant, Chelsee is a contender for the final. Did you enjoy it? | :23:20. | :23:23. | |
you know what? On Saturday, I you know what? On Saturday, I | :23:24. | :23:26. | |
you know what? On Saturday, I absolutely loved it. I gave it my | :23:26. | :23:30. | |
all, I really enjoyed being out there. I didn't think about the | :23:30. | :23:34. | |
steps, I was so in the moment. is how much of a dancer you have | :23:34. | :23:40. | |
become. You don't have to think about it. Normally, I do. You give | :23:40. | :23:48. | |
of such amazing energy. Pasha, you looked amazing as Shrek. I know it | :23:48. | :23:53. | |
is an improvement! I am not sure about that! Craig said your ears | :23:53. | :23:57. | |
were disconcerting. Was it off- putting, dancing next to him? | :23:57. | :24:04. | |
wasn't my Pasha! I couldn't take him seriously. You normally taken | :24:04. | :24:11. | |
so seriously... All right! You got three tens, and a nine. Do you | :24:11. | :24:16. | |
think this will finally showed that she is doing so brilliantly? I hope | :24:16. | :24:22. | |
so. I keep telling her and her first reaction is, I don't think so. | :24:22. | :24:27. | |
Not as much, any more. She is learning to take it. Len said he | :24:27. | :24:30. | |
thought it was incredible that a celebrity could get to that | :24:30. | :24:35. | |
standard in just a couple of days of learning and dancing. That is a | :24:35. | :24:39. | |
brilliant thing to hear, that is how good you are. How gobsmacked | :24:39. | :24:44. | |
were you to go to the semi-final? was so gobsmacked. Sorry, that is | :24:44. | :24:52. | |
an excited dance! I was gobsmacked. I was shocked. It is the best | :24:52. | :25:02. | |
:25:02. | :25:04. | ||
feeling ever. I was made up. I felt Pasha, it is your first series of | :25:04. | :25:09. | |
Strictly, what a first year. Let's remind ourselves, last year the | :25:09. | :25:14. | |
gettable Trophy was won by a new boy, Artem. -- glitter ball trophy. | :25:14. | :25:19. | |
Do you think you are in with a chance? Everybody is on the top of | :25:19. | :25:23. | |
their game and it is so unpredictable. We can just go out | :25:23. | :25:28. | |
there and try our best. I have to say, you certainly deserve it, if | :25:28. | :25:33. | |
your team talks are anything to go by. It is double the time, double | :25:33. | :25:40. | |
the work, double the pressure. It is all about attitude. That is all | :25:40. | :25:46. | |
you have got? Come on. You need to be over exaggerated. The hands are | :25:46. | :25:49. | |
very important. We need to show that we have improved from the | :25:49. | :25:54. | |
previous week, yes? If you just do it normal, the way you feel, it is | :25:54. | :26:00. | |
not going to be enough. This is the tricky bit. This dance is like a | :26:00. | :26:03. | |
mountain, to push hard to get to the top, then you let it go and | :26:03. | :26:11. | |
roll down the mountain. Focus. don't understand what he is talking | :26:11. | :26:16. | |
about. Grace, beauty, light on their feet, ready to jump at any | :26:16. | :26:25. | |
moment. Focus. This stance is going to kill me. If it is not going to | :26:25. | :26:29. | |
kill you, it is going to make you stronger. Far from positive right | :26:29. | :26:37. | |
now. So good! It is the way you roll your eyes! You have two dances | :26:37. | :26:46. | |
this week. American smooth, how is it going? I love it, I love the | :26:46. | :26:56. | |
music. Yeah, I love it. You are dancing to Cyndi Lauper... She is | :26:56. | :27:01. | |
singing it and everything. It is very romantic. You do look really | :27:01. | :27:04. | |
romantic, can you give us your romantic look that you do on the | :27:04. | :27:11. | |
floor to each other? No! Almost! Let's talk about the paso doble, | :27:11. | :27:16. | |
what is so hard about it? character, I am finding difficult. | :27:16. | :27:25. | |
The steps. The anger? I said, I am not an angry girl. He makes you | :27:25. | :27:30. | |
angry, when he gives you those pep talks! This is Your paso doble | :27:30. | :27:40. | |
:27:40. | :27:40. | ||
music. James Bond goes to Spain, I love it! Two dances, two couples | :27:41. | :27:46. | |
are going to go this weekend. How much extra pressure busy placing on | :27:46. | :27:54. | |
you? A lot, a real lot, isn't it, Pasha? Do you know what, it is | :27:54. | :28:01. | |
extra pressure. On pressure. are starting to sound like Jason | :28:01. | :28:07. | |
Donovan. Honestly, I am so scared. I think, if I go out and another | :28:07. | :28:11. | |
person goes out, I have a bit of support there. I don't have the | :28:11. | :28:15. | |
feel daft and do the dance on my own. How disappointed would you be, | :28:15. | :28:21. | |
if you didn't get to the final? would be so upset. I would be | :28:21. | :28:26. | |
gutted. What can you say? Devastated. Fingers crossed, that | :28:26. | :28:33. | |
is not going to happen. Good luck with your dances. We adore you both. | :28:33. | :28:36. | |
with your dances. We adore you both. Chelsee and Pasha. Thank you to all | :28:36. | :28:40. | |
of our guests. Join me again tomorrow night, I will catch up | :28:40. | :28:46. | |
with Holly and Artem, and what a Friday panel. Pixie Lott is here, | :28:46. | :28:50. |