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Coming up on tonight's show, despite the high score, Jason and | :00:14. | :00:24. | |
:00:24. | :00:26. | ||
Kristina ended up in the bottom two. Find out how Brendan did in our | :00:26. | :00:32. | |
botafogo challenge. Ian Waite gives us a sneaky peak of | :00:32. | :00:42. | |
:00:42. | :01:15. | ||
the couples in training. This is It Live from Television Centre, this | :01:15. | :01:18. | |
is It Takes Two. Please welcome your host, Zoe Ball. | :01:18. | :01:24. | |
Hello and welcome to It Takes Two. Not long until our famous five take | :01:24. | :01:29. | |
on the Strictly semi-final. This weekend our couples will perform | :01:29. | :01:37. | |
two dances and attempt to make it into the Grand Final. Jason and | :01:37. | :01:40. | |
Kristina performed a stunning American smooth, but ended up in | :01:41. | :01:45. | |
the bottom twoment here is a reminder of what happened. | :01:45. | :01:50. | |
Gene Kelly's shoes are hard to fill, but I I loved it. Jason, you did | :01:50. | :01:53. | |
really well. It was elegantly played and you | :01:54. | :01:58. | |
made it look easy. The foxtrot was excellently | :01:58. | :02:02. | |
executed. It was a very, very special performance. | :02:02. | :02:11. | |
I really loved it, for the charisma, it was really fantastic. | :02:11. | :02:15. | |
This woman's choreography is outstanding. It is a great piece of | :02:15. | :02:19. | |
story telling. When I get into that groove, I get a a buzz and that's | :02:19. | :02:26. | |
what I live for in this competition. Amazing. Perfect. | :02:26. | :02:33. | |
Please welcome Jason and Kristina. Thank you so much. Hello. Well done | :02:33. | :02:39. | |
on Saturday night. I was dewey eyed watching that. Lots of people were | :02:39. | :02:43. | |
shocked that you were in the bottom two. Were you surprised yourselves? | :02:43. | :02:52. | |
Yeah. As Holly said, it is not the | :02:52. | :02:56. | |
greatest feeling in the world, but I think it is a public vote and you | :02:56. | :03:00. | |
just, any of us at any stage could be in that position, you know. I | :03:00. | :03:04. | |
think as the competition has gone on it has become more difficult and | :03:05. | :03:09. | |
you know, we found ourselves in the middle of the leaderboard. I am not | :03:09. | :03:13. | |
making excuses, but I guess I'm trying to find reasons, I guess | :03:13. | :03:21. | |
that's the main thing Christine narks Kristina you were | :03:21. | :03:27. | |
visibly upset during the results show. How pleased were you? It is | :03:27. | :03:31. | |
one more chance. I think I was convinced we were going home | :03:31. | :03:37. | |
because I said to Jason "we're out. Just make your final speech.". | :03:37. | :03:41. | |
you have a speech written already? Yes. Yeah, it is a wonderful | :03:41. | :03:45. | |
opportunity. One more time to go out there and entertain together | :03:45. | :03:50. | |
with him. One more time, it could be two more times. Alesha was in | :03:50. | :03:55. | |
the bottom two and went on to win, remember that Donovan! | :03:55. | :04:03. | |
A lot of support for you online. Carole said, "Wow, wow, that's the | :04:03. | :04:08. | |
best dance of the night. You should have got more tens." You didn't get | :04:08. | :04:12. | |
any negative comments from the judges and they were dishing the | :04:12. | :04:17. | |
tens out. I think they would have rewarded us with better scores. I | :04:17. | :04:24. | |
did a long solo by himself and he takes chances and I'm so proud of | :04:24. | :04:26. | |
him because it was a beautiful special dance. | :04:26. | :04:32. | |
I love the way you say proud. Can you say it one more time? I am very | :04:32. | :04:35. | |
proud. You always give your all. How | :04:35. | :04:38. | |
difficult is it at this stage because you are exhausted, going | :04:38. | :04:42. | |
into the training room on a Monday picking yourself up and getting at | :04:42. | :04:46. | |
it again? That's really tough. The cycle of this week and these weeks | :04:46. | :04:51. | |
just keep sort of going on and going on, but I think what keeps me | :04:51. | :04:55. | |
going and keeps us going is just that magic when you dance, you know. | :04:55. | :05:00. | |
It is a skill for me personally that I'm going to take for years | :05:00. | :05:04. | |
and years professionally ahead of me, but you know, it is that sort | :05:04. | :05:10. | |
of, that magic, we are doing the Argentine tango this week. As I | :05:10. | :05:16. | |
refer to it as the birth of a dance. There is some dance that you just | :05:16. | :05:19. | |
connect with and that's one of those dances and that's what gets | :05:19. | :05:23. | |
me excited about this competition. And our relationship. | :05:23. | :05:29. | |
I heard, a little birdie told me, you learned the Argentine tango | :05:30. | :05:35. | |
routine in a day. Is that a record for you guys? Well, by now he is | :05:35. | :05:39. | |
learning quick. I think the Argentine tango is one of those | :05:39. | :05:42. | |
dances which kind of came together with the music and the storyline | :05:42. | :05:45. | |
and everything, you know. It is just a really special dance. The | :05:45. | :05:48. | |
second dance, the samba is more difficult as we all know. | :05:48. | :05:54. | |
Let's talk about the samba. It is very tricky. | :05:54. | :05:59. | |
Some people really struggle with it. Tell me, do you love it, not so | :05:59. | :06:04. | |
much? It is a dance that requires very little sort of effort, but at | :06:04. | :06:09. | |
the same time I I guess not knowing where to place your body is part of | :06:09. | :06:13. | |
going too far sometimes. I guess less is more, but it is a hard | :06:13. | :06:16. | |
dance to know where to pitch it, really. | :06:16. | :06:20. | |
You have that straight hips going side ways, rotating. | :06:20. | :06:27. | |
He has good hip action so that's a big plus. The music is wonderful. | :06:27. | :06:37. | |
:06:37. | :06:40. | ||
Let's hear your music. Are you doing that move? | :06:40. | :06:44. | |
I love it! Well done. Now you are a family man. | :06:44. | :06:50. | |
We know you are a big family man, what did your kids think of daddy | :06:50. | :06:54. | |
getting into the semi-finals? they haven't been embarrassed by | :06:54. | :06:58. | |
dad's shapes on television so far and that's unique. They can get | :06:58. | :07:02. | |
embarrassed by my singing and acting, but the dancing has been | :07:02. | :07:07. | |
good. It means a hell of a lot to them and they were devastated last | :07:07. | :07:12. | |
Sunday night, but you know, onwards and upwards and I think hopefully, | :07:12. | :07:17. | |
they are going to be voting for us this week ten fold! | :07:17. | :07:21. | |
On the phone constantly. The thing we love about you, how | :07:21. | :07:25. | |
you keep yourself focused during the week with a range of | :07:25. | :07:30. | |
inspirational man tras. Let's remind ourselves of some of our | :07:30. | :07:32. | |
favourites. It is about the journey and not | :07:32. | :07:37. | |
necessarily about the destination. Keep on keeping on. | :07:37. | :07:41. | |
Bring on the tools. Fortune favours the brave. | :07:41. | :07:50. | |
Sometimes when you you jump, you fly. | :07:50. | :07:57. | |
You have alnumber of savings -- a number of sayings. We have a range | :07:57. | :08:01. | |
of Jason merchandise. Here is a very special person to model the | :08:01. | :08:11. | |
:08:11. | :08:14. | ||
collection. In he comes, Mr Russell Grant. | :08:14. | :08:17. | |
Such lovies, get back to the catwalk, Grant. | :08:17. | :08:22. | |
Pause. Pause. Pause. Right, here he is, wearing a | :08:23. | :08:29. | |
fetching T-shirt with the the slogan "it's about the journey, not | :08:29. | :08:38. | |
the destination with a matching tote bag." There is an apron which | :08:38. | :08:43. | |
says, "Fortune favours the brave. Sometimes when you jump, you fly." | :08:43. | :08:46. | |
Which goes delightfully with the rest of the outfit and it is | :08:46. | :08:55. | |
suitable for most occasions. Not forgetting the the the handy place | :08:55. | :09:05. | |
:09:05. | :09:14. | ||
mat, reminding you keep on. All available in a store near you! | :09:14. | :09:15. | |
APPLAUSE You can take those home with you. | :09:15. | :09:18. | |
He is back. Good luck this weekend. Thank you. | :09:18. | :09:21. | |
He will teach you how to do a samba! | :09:21. | :09:31. | |
:09:31. | :09:37. | ||
Jason and Kristina, he is samba. Only one man has the real low down | :09:37. | :09:44. | |
on how they are getting on this training and he is here now. Mr Ian | :09:44. | :09:53. | |
Waite. Not only have I I been ruffled by | :09:53. | :09:58. | |
Russell, Ian Waite is here. Hello blondy. | :09:58. | :10:02. | |
I want Russell Russell round my house. | :10:02. | :10:10. | |
Everybody needs a Russell Grant. Let's start with Alex even though | :10:10. | :10:20. | |
:10:20. | :10:27. | ||
her shoe got stuck in her dress. The judges and ladies have | :10:27. | :10:32. | |
struggled with the salsa. It is a difficult dance to master and co- | :10:32. | :10:37. | |
ordinate and be smooth with it. What I wanted to emphasise the hips | :10:37. | :10:45. | |
basically. She needs to be able to be loose and give lots of rhythm | :10:45. | :10:49. | |
and a little bit later I'm hoping they will get together and do a | :10:50. | :10:59. | |
:11:00. | :11:08. | ||
little bit of salsa. It is all in the hips. She does a | :11:08. | :11:15. | |
ballroom dance so well Alex. How is her waltz looking. She is looking | :11:15. | :11:18. | |
really good. Her eye levels. She has really improved her posture and | :11:18. | :11:23. | |
her arms. This is a great step running around the man. | :11:23. | :11:32. | |
Is that his technical term, running around the man? It is an easy dance. | :11:32. | :11:35. | |
James has been clever with the steps because here they have just | :11:35. | :11:40. | |
done a changing step around the outside, but without closing which | :11:40. | :11:47. | |
makes it easier. I'm hoping later on they will do a few more closes | :11:47. | :11:51. | |
because it is waltz, but doing very well. | :11:51. | :11:55. | |
Chelsee seems unstoppable. You were Saying last week, that you were | :11:55. | :11:59. | |
looking at her jive training and you knew it was going to be a goody. | :11:59. | :12:04. | |
She got three tens. She did an amazing job and we will all all | :12:05. | :12:09. | |
agree she was fantastic. She was. Looking at this... What are we | :12:09. | :12:14. | |
looking at first? American smooth. They did a lovely lift at the | :12:14. | :12:20. | |
beginning with a hug. What I love is everything is rerched towards | :12:20. | :12:25. | |
him -- referenced towards him. She is becoming one with Pasha. I want | :12:25. | :12:29. | |
to emphasise and slow this down, all her arms have finished off and | :12:29. | :12:33. | |
she is acting the part already. She has really got the character of | :12:33. | :12:38. | |
this American smooth and it is very smooth as you can see and she is | :12:38. | :12:41. | |
finishing off the arms there, look at her. | :12:41. | :12:46. | |
It almost looks like they are falling in love. Fingers crossed. | :12:46. | :12:52. | |
It would be so nice to have a bit of romance. The paso doble, it is | :12:52. | :12:57. | |
hard to follow Holly was so good. How is it looking in rehearsals? | :12:57. | :13:02. | |
She has has got a prop here. Hopefully she won't throw it in the | :13:02. | :13:07. | |
wrong place and it will fall over like you did Zoe! | :13:07. | :13:13. | |
I never did. You fell over. He fell over, not my fault, thank you! | :13:13. | :13:20. | |
need to throw it out of the way the next next time. She has got very | :13:20. | :13:27. | |
straight arms. We need to lift up this arm with | :13:27. | :13:34. | |
the fans so she has a a more the fans so she has a a more | :13:34. | :13:40. | |
Spanish arms. Creating space with the flamenco arms. | :13:40. | :13:43. | |
Good luck to Chelsee. Let's talk about Holly and Artem. | :13:43. | :13:49. | |
She was shocked she wasn't in the bottom two. Well, she should have | :13:49. | :13:53. | |
watched Wednesday's programme, I watched the footage and I said, "I | :13:53. | :13:58. | |
would be amazed if they are in the bottom two this week." They weren't. | :13:58. | :14:03. | |
Sure enough. It is spooky. They have changed their music at | :14:03. | :14:07. | |
the last minute yesterday so we can't see any of their Charleston, | :14:07. | :14:10. | |
but we can see their Argentine tango, what do you think? This will | :14:10. | :14:14. | |
be a great dance for her. It really does, I talked about it before, but | :14:14. | :14:19. | |
it is all about the legs. A lot about the leg extensions and stuff. | :14:19. | :14:26. | |
For Holly she has the advantage of the great, lovely long legs, a bit | :14:26. | :14:29. | |
like you, Zoe. I stopped it here because I wanted | :14:29. | :14:34. | |
to show that lovely length of line that she is creating throughout the | :14:34. | :14:40. | |
dance and she is stretching the inside of her legs. Nice and low. | :14:40. | :14:48. | |
can't get low, I'm seizing up. Can you help me back up | :14:48. | :14:54. | |
Join in, everybody. Have you ever thought about doing a | :14:54. | :14:59. | |
DVD? You never know, there might be one in the pipeline, darling. | :14:59. | :15:03. | |
Jason and Kristina ended up in the bottom two, but they were saved. | :15:03. | :15:08. | |
Jason has been talking about the samba being tricky. What are you | :15:08. | :15:11. | |
thinking of his training? This will be a challenge for him. Tas | :15:12. | :15:16. | |
difficult dance to master. -- it is a difficult dance to master. You | :15:16. | :15:24. | |
are one of the rare celebrities that mastered the samba. But it is | :15:24. | :15:30. | |
a difficult dance, but he has the bounce in there. I'm more concerned | :15:30. | :15:34. | |
about his arms really. I would like to see, he needs to keep them | :15:34. | :15:43. | |
compact so at times they flail around. Show us the samba arms? | :15:43. | :15:46. | |
Every time you go into something, you are creating a line with the | :15:46. | :15:51. | |
arms. Can you watch him do that for | :15:51. | :15:57. | |
hours? Yes, watch him doing that for hours. He is doing the | :15:57. | :16:01. | |
Argentine tango which he does like. This is better for him. It suits | :16:01. | :16:05. | |
him. He is creating fantastic lines. He is precise and clean which is | :16:05. | :16:09. | |
what you need in an Argentine tango and what I love here is look at | :16:09. | :16:16. | |
that. Now look at all that passion going into that dance. I want to | :16:16. | :16:22. | |
show everybody at home. Come in here. You get around me this. | :16:22. | :16:32. | |
happily. Turn around. Bring it in. Hello, smoulder. Can you take me | :16:32. | :16:38. | |
home? I didn't ask about the leg. They have got that intensity | :16:38. | :16:42. | |
between them. That's what you need, intensity. | :16:42. | :16:45. | |
Harry and Aliona and he has been training so hard. It has been | :16:45. | :16:55. | |
:16:55. | :17:02. | ||
paying off. Amazing rumba last week. Two dances for Harry, va The waltz. | :17:02. | :17:06. | |
He is up on the balls of his feet too much. He does the correct | :17:06. | :17:10. | |
footwork, brilliantly, just a bit flatter in the feet. | :17:10. | :17:17. | |
Did you get that Judd? With his headline, sometimes he is | :17:17. | :17:24. | |
looking at Aliona as he is turning foo the natural turns -- into the | :17:24. | :17:27. | |
natural turns and I would like him to look out more. He is looking out | :17:27. | :17:30. | |
to the direction that he is going on a natural turn, out towards the | :17:31. | :17:35. | |
corner of the room. A bit more. It is looking fantastic. | :17:35. | :17:43. | |
It is just that little bit extra which I I would like to see. | :17:43. | :17:47. | |
And also doing the Charleston this week. We love the Charleston | :17:47. | :17:50. | |
generally. I can't find my card. You know it. | :17:50. | :17:55. | |
It is looking fantastic and I am loving these moves that he has got | :17:55. | :17:59. | |
here and it is going to be humour. There will be lots of humour. I'm | :17:59. | :18:03. | |
hoping that will come out in Harry this week. We don't tend to see a | :18:03. | :18:07. | |
lot of expression from him. He has had serious dances and | :18:07. | :18:09. | |
romantic dances. This time he gets to be daft. | :18:10. | :18:15. | |
I am hoping he will come out with the smiles and razzmatazz. When he | :18:15. | :18:21. | |
is going the Charleston steps, he is doing it brilliantly. He has got | :18:21. | :18:25. | |
the swivel. He has got the swivel, ladies and | :18:25. | :18:32. | |
gentlemen. He has got the swivel. | :18:32. | :18:38. | |
Do you do chicken arms? He has the lovely swivels with the feet. | :18:38. | :18:44. | |
And of course they want to get to Blackpool. We never had the chance, | :18:44. | :18:50. | |
but we have news just in, we're going too! Yes, we are, ladies and | :18:50. | :18:55. | |
gentlemen. We are packing up the It Takes Two team and next Friday we | :18:55. | :19:03. | |
will have a one hour long show live from Blackpool Tower. We're very, | :19:03. | :19:08. | |
very excited. Thank you very much blondy, we will see you soon. Ian | :19:08. | :19:17. | |
Waite. APPLAUSE | :19:17. | :19:19. | |
As well as lifting the Strictly glitter ball, there is another | :19:19. | :19:22. | |
important competition that our pro pro dancers want to win. It is our | :19:22. | :19:26. | |
2011 It Takes Two World Pro Challenge. We have the record at | :19:26. | :19:32. | |
stake. The most botafogos in 30 seconds. | :19:32. | :19:42. | |
:19:42. | :19:46. | ||
And we want a world champion. Please welcome Brendan Cole. | :19:46. | :19:50. | |
Come on Coley. How are you? I am amazing, thank you very much. | :19:50. | :19:54. | |
You are quite amazing actually. This could be a year you will never | :19:54. | :20:01. | |
forget super pro. In the the title will you be able to live up to your | :20:01. | :20:07. | |
your... This has been the best year of Strictly, dancing with Holly and | :20:07. | :20:17. | |
:20:17. | :20:19. | ||
dancing with Anita. And dancing with Lulu. Let's see you you you | :20:19. | :20:23. | |
got on with your record attempt? would be lovely to have a world | :20:23. | :20:27. | |
record. I make no bones about it. Second place is a loss. | :20:27. | :20:31. | |
Would the next challenger please make their way to the floor? Hello | :20:31. | :20:34. | |
Brendan. Hello Craig. | :20:34. | :20:38. | |
How are you feeling about this? Very good. Very confident. | :20:38. | :20:43. | |
Anyone you want to beat. Irrelevant question, they will all be be | :20:43. | :20:48. | |
beaten. Please take to the floor. Dancer | :20:48. | :20:52. | |
ready? Ready. Adjudicator, are you ready? I am | :20:52. | :20:56. | |
ready. For the record, in three, two, one | :20:56. | :21:06. | |
:21:06. | :21:36. | ||
Well done. Are you feeling the burn I'm feeling the burn. | :21:36. | :21:41. | |
I saw three possible possible dodgy botafogo, but we will review that | :21:41. | :21:47. | |
in slow motion. It is exhausting. A long time to | :21:47. | :21:51. | |
move at that intensity. You start running out of steam and when you | :21:51. | :21:58. | |
lose the steam, you start not not being able to control wru control | :21:58. | :22:02. | |
where you put your legs which is integral to dance. | :22:02. | :22:07. | |
How do you think you did there? That looked fast? I felt like I did | :22:07. | :22:11. | |
really well. Like I have just seen in the video there, you have no | :22:11. | :22:15. | |
control over your legs, they just go. The fake tan, I just had it | :22:15. | :22:19. | |
done! We won't mention that. | :22:19. | :22:24. | |
I'm not normally that orange. It was pretty intense. I am excited | :22:24. | :22:29. | |
about this. Mr Cole, your bots botafogos have | :22:29. | :22:39. | |
:22:39. | :22:41. | ||
been counted and verified and I can now reveal the result. | :22:41. | :22:51. | |
:22:51. | :22:52. | ||
Boyfriend Brendan Cole, you had ten disallowed botafogos because you | :22:52. | :23:00. | |
did not maintain your centre meaning your final score is 70. | :23:00. | :23:03. | |
APPLAUSE He is not happy. Cole is not happy. | :23:03. | :23:08. | |
Because I didn't maintain my centre. Let's look at the leaderboard. You | :23:08. | :23:14. | |
are still top. Look, you are top of the leaderboard. I can see this one | :23:14. | :23:19. | |
may have to go to the committee. disagree because I didn't maintain | :23:19. | :23:25. | |
my centre? Yes. Tomorrow James and Artem face the | :23:25. | :23:31. | |
Pro Challenge and the new record holder will be reveal. | :23:31. | :23:37. | |
Check out my theatre tour online. It is all very exciting. Embrace | :23:37. | :23:41. | |
the dance of love. I feel like Anton. | :23:41. | :23:51. | |
:23:51. | :23:55. | ||
The best rumba I have seen from a male celebrity in a long time. | :23:55. | :23:59. | |
You have obviously been working on your hip action. | :23:59. | :24:04. | |
A great mix of steps. Great shapes. You turned something that could | :24:04. | :24:09. | |
have been tragic into magic. It is movie night tonne and | :24:09. | :24:12. | |
someone's dreams are going to be left on the cutting room floor, but | :24:12. | :24:18. | |
I tell you what, it won't be you. I'm so happy. | :24:18. | :24:23. | |
It has been really tough and I have enjoyed it and it is good to finish | :24:23. | :24:33. | |
:24:33. | :24:37. | ||
on a high note there. Here they are. Harry was saying | :24:37. | :24:42. | |
that is a Busted record and not a McFly one and Christmas jumper | :24:42. | :24:51. | |
time! We saw that was one of the best | :24:51. | :24:56. | |
male rumbas Alesha has seen in a long time. How do you think the | :24:56. | :24:59. | |
performance went? I was nervous about the rumba because the slow | :24:59. | :25:02. | |
ones are intense. You really feel like you are under the microscope | :25:02. | :25:10. | |
and I think it went well. There is only one tiny mistake. | :25:10. | :25:17. | |
I was pleased. I really enjoyed it. I loved the song and it was a | :25:17. | :25:20. | |
pleasure. You had a dream the night before | :25:20. | :25:25. | |
that you got four nines? Yes. And you got four nines. Do you | :25:25. | :25:30. | |
think a bit of Russell's magic is rubbing off on you? I hope so. And | :25:30. | :25:32. | |
he is here today. Have you had any dreams about the | :25:32. | :25:39. | |
semi-final scores? Not yet, I will keep you updated. | :25:39. | :25:43. | |
Craig pointed out that Harry's hip action had improved. It must be | :25:43. | :25:46. | |
encouraging when the judges point out something that you have been | :25:46. | :25:51. | |
working so hard on. Samba is all about hip action and we worked a | :25:51. | :25:55. | |
lot on that to get the technical lot on that to get the technical | :25:55. | :26:00. | |
aspect of rumba right. Clearly we did and I'm glad Craig | :26:00. | :26:04. | |
pointed that out. But fourth on the leaderboard, not | :26:04. | :26:07. | |
nice at all even with those amazing scores. Were you nervous that you | :26:07. | :26:12. | |
could be in the bottom to? I was really nervous, yes. I was really | :26:13. | :26:17. | |
pleased with four nines and especially with the rumba, but | :26:17. | :26:23. | |
there was brilliant performances so and we were fourth and I was a | :26:23. | :26:29. | |
little bit scared. I have clammy palms all the the time and they | :26:29. | :26:32. | |
were dripping. I was really worried when we heard | :26:32. | :26:37. | |
our name screamed out loud with joy! | :26:37. | :26:42. | |
This This weekend, the waltz and the Charleston, how are you finding | :26:42. | :26:47. | |
them both? Good. Yeah, we started on the Charleston and I have been | :26:47. | :26:50. | |
looking forward to it. It is a chance for me to perform it and | :26:50. | :26:55. | |
smile a little bit. Yeah, we have been loving it and I think we're | :26:55. | :27:01. | |
nearly there. I hope it is looking good. Yeah, it is a good fun dance. | :27:01. | :27:11. | |
This is what you're dancing to. A bit of Peggy Lee. | :27:11. | :27:19. | |
How are you bringing the funny side of Harry out? I'm not funny. | :27:19. | :27:27. | |
make Aliona laugh? All the time. You should see him do the cha-cha | :27:27. | :27:31. | |
cha-cha-cha. You are laughing at him? He really | :27:31. | :27:34. | |
embraced that dance and when he practises it, he looks so cute, | :27:34. | :27:41. | |
yeah. Very adorable. The waltz, you did really well with | :27:41. | :27:46. | |
the waltz. What do you reckon, is it good? I don't know. I hope so. | :27:46. | :27:53. | |
Is it good? Really good. He is looking smoother than ever. And all | :27:53. | :28:03. | |
:28:03. | :28:07. | ||
the training from the waltz helps in these Vienesse waltz. | :28:07. | :28:17. | |
:28:17. | :28:19. | ||
Congratulations to Dougie, king of the jungle. Is he bring bringing | :28:20. | :28:24. | |
his crown crown? He is coming to the semi-finals on Saturday. | :28:24. | :28:30. | |
you make it a McFly double and win the glitter ball? We will see. We | :28:30. | :28:34. | |
are just doing our our thing. We are working hard and that's all we | :28:34. | :28:41. | |
can do. Taking it dance by dance. There is five of us left and it is | :28:41. | :28:46. | |
awesome to be in the final. Aliona, you were in the final last | :28:46. | :28:51. | |
year with Matt Baker and what is your advice? Work hard. I can't ask | :28:51. | :29:00. | |
anymore of him. He is doing amazing. I love your Christmas jumper. | :29:00. | :29:04. | |
Thank you very much. Good luck on Saturday. Harry and | :29:04. | :29:08. | |
Aliona. It is going to be so good. Thank | :29:08. | :29:12. | |
you to my guests tonne. Tune in tomorrow live at 6.30pm and when I | :29:12. | :29:17. | |
will be chatting to Chelsee and Pasha and having a look at the | :29:17. | :29:21. |