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It's Tuesday. Coming up: Alex and James are here. | :00:08. | :00:13. | |
Karen Hardy will be getting her teeth into the weekend's routines. | :00:13. | :00:17. | |
She may look sweet, but she knows how to fight with her feet. Flavia | :00:17. | :00:22. | |
takes on the Pro Dance Challenge. A fashion designer, Ben De Lisi, will | :00:22. | :00:32. | |
:00:32. | :01:03. | ||
be critiquing the weekend's outfits. This is Strictly: It Takes Two. | :01:03. | :01:11. | |
Please welcome your host, Zoe Ball. Hello. Welcome to It Takes Two. | :01:11. | :01:14. | |
Strictly was full of movie magic at the weekend leaving us with plenty | :01:14. | :01:18. | |
of box office hits to review. I will be chatting to the kind of | :01:18. | :01:24. | |
people I like to meet - "Pretty Woman" Alex and "Pretty Boy" James. | :01:24. | :01:28. | |
Here is a reminder of their Saturday night moves. You came out | :01:28. | :01:35. | |
and sold it. Well done to you. APPLAUSE For me, you have been | :01:35. | :01:40. | |
consistently improving in this competition. There was a tiny | :01:40. | :01:46. | |
incident. But I tell you, it doesn't spoil the gorgeousness of | :01:46. | :01:55. | |
this dance. You have learned how to put sexy into dance. Well done! | :01:55. | :02:00. | |
comepts were pretty positive. I wish -- the comments were pretty | :02:00. | :02:04. | |
positive. I wish we could have shown them how good it could have | :02:04. | :02:14. | |
:02:14. | :02:19. | ||
Luckily for us, she did. Please welcome Alex and James! APPLAUSE | :02:19. | :02:22. | |
are still here! Congratulations. You did brilliantly on Saturday | :02:22. | :02:27. | |
night. You seemed so disappointed. What happened out there? Well, I | :02:27. | :02:31. | |
mean, there was a point. It wasn't going incredibly well from two- | :02:31. | :02:35. | |
thirds of the way through. The dress got caught in the heel, the | :02:35. | :02:42. | |
same old. It is annoying when that happens! Then, I glanced at James, | :02:42. | :02:47. | |
lovingly, and saw him doing something completely different. | :02:47. | :02:51. | |
was when we were side by side. We were supposed to start on the right | :02:51. | :02:55. | |
leg. I said to her, it's got to be the right leg! If you do start on | :02:55. | :03:00. | |
the left, keep going. She started on her left leg. Off we went. Is | :03:00. | :03:10. | |
:03:10. | :03:10. | ||
this it? Here it comes. Look at the face! I'm smiling. Then she turns | :03:10. | :03:17. | |
here. Then she came at me on the wrong leg. It was lovely. Listen, I | :03:17. | :03:20. | |
admit, your choreography was better than mine! That wasn't what we were | :03:20. | :03:24. | |
supposed to do. LAUGHTER I tell you, I lost the plot by that point! I | :03:24. | :03:31. | |
didn't know what was going on. good that was! None of us had any - | :03:31. | :03:36. | |
we were none the wiser. Rachel said, "Alex was the epitome of elegance, | :03:36. | :03:40. | |
love it!" You were much happier with the scores this week, James? | :03:40. | :03:50. | |
:03:50. | :03:52. | ||
was. I said to Alex, "I hope they haven't overmarked us this week!" I | :03:52. | :03:56. | |
want it to be consistent. I was worried because I knew there were a | :03:56. | :04:01. | |
lot of mistakes in the routine, but I didn't realise how well she did | :04:01. | :04:06. | |
them wrong! LAUGHTER That shows me how much she has moved on as a | :04:06. | :04:09. | |
dancer. If that had happened week one to five, you would have freaked | :04:09. | :04:15. | |
out. I would have stopped! Recue the band! Let's start again. | :04:15. | :04:20. | |
carried on. And got to the end. I was very proud of you. Thank you. | :04:20. | :04:25. | |
Still second from the bottom, that must have been tough knowing how so | :04:25. | :04:30. | |
many of you want to get through to the semifinal. How were you feeling | :04:30. | :04:35. | |
after the whole evening? That is the disappointment. I had to | :04:35. | :04:39. | |
convince myself - even if we didn't go, I felt there was a good chance | :04:39. | :04:44. | |
Robbie and Ola and us would be in the bottom two. Why couldn't we do | :04:44. | :04:48. | |
a nice dance to go out with? I thought oh no, I can't believe I | :04:48. | :04:53. | |
have messed our last dance up! I believed we were off. When you | :04:53. | :04:58. | |
heard your names called out... First! I know. How good is that? | :04:58. | :05:03. | |
Shock. You can see me mouthing to James, "How did that happen?" | :05:03. | :05:07. | |
LAUGHTER You said to Claudia, you wanted a recount because you were | :05:07. | :05:12. | |
worried it wasn't true. Have they counted the votes wrong?! It was a | :05:12. | :05:20. | |
brilliant feeling. Just so grateful that obviously my choreography | :05:20. | :05:25. | |
worked well. LAUGHTER Oh no... can choreograph this week! We must | :05:25. | :05:30. | |
talk about your bruised ribs. Going up into that incredible lift, you | :05:30. | :05:35. | |
have bruised your ribs. How much pain were you in? Quite a lot. A | :05:35. | :05:39. | |
few painkillers were taken before. It is part and parcel of the | :05:39. | :05:46. | |
experience. You can't go 13 weeks when I have no clue what I am doing. | :05:46. | :05:54. | |
He has this habit of telling me what's going to happen! I stiffen | :05:54. | :06:02. | |
like a board. It is natural there is going to be... It's the | :06:02. | :06:06. | |
intercostal muscles. It was very painful. I kept saying I didn't | :06:06. | :06:11. | |
want to talk about it. I don't like going for the sympathy vote. | :06:11. | :06:15. | |
Toughen up! Is he being serious? Take the pain. And take a couple of | :06:15. | :06:20. | |
pills, you'll be wonderful. You were? Na is why I went on the wrong | :06:20. | :06:26. | |
foot! LAUGHTER -- That is why I went on the wrong foot! This week, | :06:26. | :06:32. | |
waltz and salsa. Sounds lovely. Waltz, lovely dance. In hold, | :06:32. | :06:38. | |
beautiful. Salsa, I just think - shall we freestyle it? You are good | :06:39. | :06:44. | |
at that! Alex's choreography! LAUGHTER He gets scared! I didn't | :06:44. | :06:51. | |
know what a salsa looked like until this morning. Your friends go, | :06:51. | :06:58. | |
"Let's go to salsa nights!" No. I'm gutted I didn't go. You have worked | :06:58. | :07:01. | |
miracles before. There is only three places in the final. How much | :07:01. | :07:08. | |
do you want to be in that final? Well, now that we have got this far, | :07:08. | :07:16. | |
it would be incredible, just as well to shut you up! I'm joking. | :07:16. | :07:20. | |
You have had so much patience and we have had such a laugh. To be | :07:20. | :07:24. | |
able to enjoy the experience to the end would be the perfect outcome. I | :07:24. | :07:28. | |
mean, as you say, there's incredible dancers left. Only three | :07:28. | :07:32. | |
places. There is more chance of hell freezing over than us being | :07:32. | :07:35. | |
there. You have said that before. You never know! We couldn't help | :07:35. | :07:39. | |
but notice during that dance the Pretty Woman nod he gave you a box | :07:39. | :07:44. | |
of jewels. This is what we think perhaps James should have given you | :07:44. | :07:53. | |
on Saturday. It is not a spider? Open it up. Yes! It is your very | :07:53. | :07:59. | |
own James Jordan medallion which you must wear with pride at all | :07:59. | :08:04. | |
times. Look at how good I was! will never pull this off! LAUGHTER | :08:04. | :08:09. | |
We want to see that on The One Show tomorrow. Can you wear that | :08:09. | :08:16. | |
tomorrow? Yes! I bet you don't! Say now on TV that you will wear that | :08:16. | :08:22. | |
on The One Show. I will wear it on The One Show! Good luck. Alex and | :08:22. | :08:31. | |
James. APPLAUSE In a moment, we will be finding out how Flavia | :08:31. | :08:36. | |
fared in this week's Pro Dance Challenge. Our experts are great | :08:36. | :08:42. | |
gossipers but who are they talking about. This dancer was born and | :08:42. | :08:46. | |
raised in Poland but lives in England. This dancer claims her | :08:46. | :08:51. | |
favourite pastime is yoga, I know better, it is shopping! This dancer | :08:51. | :08:56. | |
was once accidentally headbutted by her celebrity dance parter. She is | :08:56. | :09:01. | |
best-known for her sexy dance routines. This person is always | :09:01. | :09:05. | |
telling me off! She can get away with it. Who do you think it is? | :09:05. | :09:12. | |
Find out later in the show. In over a week-and-a-half, one couple will | :09:12. | :09:16. | |
walk away with the glitterball trophy. The prize our professionals | :09:16. | :09:20. | |
want to win is the It Takes Two Pro Dance Challenge. It is time to | :09:20. | :09:29. | |
welcome our next contender, Flavia "Fast Feet" Cacace. APPLAUSE Hello, | :09:29. | :09:35. | |
Flavia. Welcome back. What a frock! Thank you. How nervous were you | :09:35. | :09:39. | |
before the Pro Dance Challenge? was really nervous. I was the first | :09:39. | :09:44. | |
one to do it. I got dl in the morning. I thought it was going -- | :09:44. | :09:48. | |
I got there in the morning. I thought it was going to be a bit of | :09:48. | :09:51. | |
fun. There's all these serious people there. This is a world | :09:51. | :09:55. | |
record. I know. It is a serious business. We had this square | :09:55. | :09:59. | |
dancefloor and they told me the rules and they said if you don't do | :10:00. | :10:04. | |
it correct, we will deduct points. OK. Shall we see how you have done? | :10:04. | :10:09. | |
No. You are desperate to know! It is time to see how you did in your | :10:09. | :10:14. | |
Guinness World Record Botafogo Challenge. Let's take a look. | :10:14. | :10:24. | |
have the world record at stake. The most botafogos in 30 seconds. We | :10:24. | :10:34. | |
:10:34. | :10:35. | ||
As a competitive dancer, to have a world record would be pretty | :10:35. | :10:39. | |
special. It would be another thing to tick off the list. Will the next | :10:39. | :10:44. | |
challenger please come to the floor? Hello, Flavia. Hello. | :10:44. | :10:48. | |
nervous? No. I'm going to wish you all the luck in the world. Thank | :10:48. | :10:55. | |
you very much. Please take to the floor. Dancer ready? Adjudicator | :10:55. | :11:05. | |
:11:05. | :11:36. | ||
ready? Ready. For the record, three, How did you find that? Good. A good | :11:37. | :11:42. | |
workout. You were tearing up the floor! Fantastic work. Really well | :11:42. | :11:49. | |
done. Thank you. Precise. Thank you. I have no idea if I have the world | :11:49. | :11:53. | |
record. I went as fast as I could in the space that I had. I'm going | :11:53. | :12:03. | |
:12:03. | :12:03. | ||
to keep my fingers crossed. APPLAUSE You could barely look at | :12:03. | :12:08. | |
the screen. Top at the moment is Pasha with 65. He is fast! Do you | :12:08. | :12:13. | |
think you could have beaten him? I don't know. I have no idea. 65 | :12:13. | :12:19. | |
sounds a lot. OK. Shall we find out? Can I hide? Flavia, your | :12:19. | :12:28. | |
botafogos have been counted and verified. Oh no! How do I find out? | :12:28. | :12:38. | |
:12:38. | :12:39. | ||
Where do I look? I can now reveal Flavia your result. You received | :12:39. | :12:49. | |
:12:49. | :12:51. | ||
two disqualifications giving you a total of - cushion-down - 67 | :12:51. | :13:01. | |
:13:01. | :13:01. | ||
botafogos! Wooh! Look, lady, at the leaderboard. You are the top. | :13:02. | :13:08. | |
Well done. You still have Brendan, Artem and James... That says it all. | :13:08. | :13:15. | |
Who would be the top out of those three? Brendan went mad. Doesn't | :13:15. | :13:23. | |
mean... All I am hoping is he got lots of disqualifications. James is | :13:23. | :13:27. | |
always up for a challenge. Artem would be quite precise. I don't | :13:27. | :13:34. | |
know. I have a feeling it will be one of the boys. Give it up for | :13:34. | :13:39. | |
Flavia! APPLAUSE Give my love to Russell. I will. At the weekend, | :13:39. | :13:43. | |
the Strictly dancefloor almost froze over when Craig complimented | :13:44. | :13:49. | |
everyone. Was our choreography critic, Karen Hardy, impressed? | :13:50. | :13:59. | |
:14:00. | :14:07. | ||
Here is our girl, Karen Hardy! the music! APPLAUSE Can't be The | :14:07. | :14:14. | |
Monkeys! On the whole, Karen, did movie week deliver? It delivered | :14:14. | :14:19. | |
far and beyond anybody's expectation, including mine. One | :14:19. | :14:24. | |
great big fight and it will be all the way to the final! It is so | :14:24. | :14:32. | |
gripping. I think we got a happy from Craig, did we not? Craig | :14:32. | :14:36. | |
seemed pleased. Let's start talking about the routines from Saturday. | :14:37. | :14:42. | |
"The comeback kid"s, Holly and Artem in their paso doble. Such a | :14:42. | :14:45. | |
great night for Holly. A disagreement between Bruno and | :14:45. | :14:52. | |
Craig about her looking down and whether that is a paso thing? | :14:52. | :14:57. | |
simple, in a nutshell, basically, we dance the paso doble, which is | :14:57. | :15:01. | |
depicting a bullfight. The audience is up in the air. The eye line | :15:01. | :15:07. | |
should be up to where the audience are, we have the flamenco work here. | :15:07. | :15:12. | |
Once you start flamenco work it is an influence within the dance of | :15:12. | :15:17. | |
paso doble. The entire dance is not flamenco. When we do a lot of | :15:17. | :15:20. | |
flamenco work the eyes are down. The important thing we were looking | :15:20. | :15:24. | |
for from her here, the great choreography I got to say, | :15:25. | :15:29. | |
fantastic... Well done, Artem! you are going to do the flamenco | :15:29. | :15:33. | |
you have to finish with the grand elevation out to that audience of | :15:33. | :15:39. | |
the bull ring. Yes. And then the audience. That is the big thing we | :15:39. | :15:43. | |
work on. The main thing I loved here, he brought some great | :15:43. | :15:48. | |
choreography into this. There was a moment where we had no music at all | :15:48. | :15:54. | |
and then she was having to keep the beats going. Oh! Fabulous! That was | :15:54. | :15:58. | |
clever. Very difficult to do. and Kristina and their American | :15:58. | :16:02. | |
Smooth. A bit of a shocker that Jason was in the bottom two. In | :16:02. | :16:07. | |
hindsight, do you think it was a mistake for Jason to try and | :16:07. | :16:13. | |
replicate Gene Kelly's moves? at all. To be given that | :16:13. | :16:16. | |
opportunity, to show the youngsters this great music, this great | :16:16. | :16:19. | |
choreography, that they wouldn't have seen from back in the 1950s, | :16:19. | :16:25. | |
this is what I want you to look at. The brolly lift! The brolly! Now, | :16:25. | :16:29. | |
how I relate to that, that is like having three people in a | :16:29. | :16:33. | |
partnership now. You have Jason, Kristina and the umbrella. That | :16:33. | :16:37. | |
means three people, three of those, one of those could go wrong. Could | :16:37. | :16:41. | |
have missed the umbrella, could have got the connection wrong. | :16:41. | :16:45. | |
What's important for me to highlight here, an American Smooth | :16:45. | :16:49. | |
is all about the lift work. Don't think it is more difficult for the | :16:49. | :16:53. | |
ladies than it is for the men. The male celebrities if they get the | :16:53. | :16:57. | |
timings wrong, if they get the connections wrong, and if they | :16:57. | :17:05. | |
remember - they haven't had their Shreddies, the lady goes nowhere! | :17:05. | :17:09. | |
Jason should remain a front-runner. I was upset to see him down there. | :17:09. | :17:12. | |
The thing to highlight, a competition is not only about how | :17:12. | :17:16. | |
much you are improving yourself, you have to watch what all the | :17:16. | :17:23. | |
others are doing. Keep an eye on the competition. Alesha was in the | :17:23. | :17:30. | |
bottom two and she went on to win. Exactly. Don't assume they are | :17:30. | :17:34. | |
making it. Harry and Aliona did an incredible rumba. Alesha said one | :17:34. | :17:38. | |
of the best she has seen on a male celebrity for a long time. He still | :17:38. | :17:45. | |
hard for a male and how did you think he coped? Harry was fantastic. | :17:45. | :17:50. | |
Aliona with her choreography, again, my gosh, she is on a roll! Look at | :17:50. | :17:57. | |
this, he does not stop. He is assertive. I will die for you! I'll | :17:57. | :18:05. | |
pertrued my chest for you! The secret to this rumba, when a male | :18:05. | :18:10. | |
celebrity is dancing it, you do not make them static at any time. You | :18:10. | :18:15. | |
keep them active, assertive. We had everything from the body moving, | :18:15. | :18:20. | |
the arms moving, dropping into lines, elevations. For me, that was | :18:20. | :18:27. | |
a top rumba. I was shocked to see him in fourth. Chelsee and Pasha's | :18:27. | :18:32. | |
jive. Jam-packed with content. loved this jive! It was brilliant. | :18:32. | :18:35. | |
How tight is this competition? know. Everybody brought something | :18:35. | :18:40. | |
great. This is what I want to show you. Kick, kick, but there is is a | :18:40. | :18:47. | |
slow-motion, see that bit there, that... What do you call those? | :18:47. | :18:53. | |
It's kicks but it is what we dropped in our era. It took a lot | :18:53. | :18:59. | |
of work. I'm going to show you! I have the worst outfit ever! I will | :18:59. | :19:05. | |
do the impossible. This is a normal jive kick that we can get a lot of | :19:05. | :19:09. | |
effect from. She kicks forward, twists back, kicks forward, twists | :19:09. | :19:15. | |
back, all on one foot. At high speed. How you jump up-and-down at | :19:15. | :19:25. | |
:19:25. | :19:25. | ||
the same time and you twist your body. APPLAUSE That is why she is a | :19:25. | :19:30. | |
goddess! Everyone said I should come back and dance, they should go | :19:30. | :19:34. | |
quiet now! Moment over. Semifinal this weekend. I can't sleep at | :19:34. | :19:39. | |
night. Two dances for our couples. What would your advice be to them | :19:39. | :19:45. | |
this week? They eyes are on the final? It is a lot of psychology | :19:45. | :19:48. | |
versus physical energy now. Your mind is saying I'm exhausted but | :19:49. | :19:53. | |
the mind is also saying I have a chance now. It is only now that you | :19:53. | :19:57. | |
suddenly believe I could make that final. Then you know what it takes | :19:57. | :20:06. | |
to make that final. And suddenly you feel there is this heavyweight | :20:06. | :20:11. | |
on you. Don't think about anything else. You deliver the steps you | :20:11. | :20:17. | |
practice. It will be over in a heart beat. I can't wait! Will you | :20:17. | :20:24. | |
see us next week? I will be here. Karen Hardy! APPLAUSE Now, believe | :20:24. | :20:29. | |
it or not, the quickstep has been performed on Strictly over 75 times. | :20:29. | :20:34. | |
Mastering this speedy dance is no mean feat. Here is Erin Boag with | :20:34. | :20:44. | |
:20:44. | :20:49. | ||
her tips on creating the perfect Hi, it is me, Erin Boag. Welcome to | :20:49. | :20:53. | |
my step by step guide of my favourite ballroom dance, the | :20:53. | :21:01. | |
quickstep. I love the quickstep more than any other dance because | :21:01. | :21:06. | |
it is full of energy, it is fast and it is fun to do. Three very | :21:06. | :21:14. | |
popular steps you would see in the quickstep on Strictly Come Dancing | :21:14. | :21:24. | |
:21:24. | :21:24. | ||
are the Charleston. The Lockstep is done going forward or backward in | :21:24. | :21:34. | |
:21:34. | :21:35. | ||
hold. You can do a single lock, or maybe a double lock, or you can do | :21:35. | :21:44. | |
a pepper pot. It gets harder and harder. You definitely see it in | :21:44. | :21:49. | |
probably every quickstep that is ever done on Strictly. Quickstep | :21:49. | :21:53. | |
Runs, couples are in promenade position, they are facing the same | :21:53. | :21:57. | |
way and they run down the side of the floor. There's so many | :21:57. | :22:03. | |
different variations of a kick and rush. Be in tune and dance with | :22:03. | :22:07. | |
your partner in harmony. If you are doing different things but your | :22:07. | :22:14. | |
body is together, it will be a disaster. My favourite quickstep of | :22:14. | :22:21. | |
all time was the Christmas Special with Colin Jackson and he received | :22:21. | :22:25. | |
four tens. We were perfectly in harmony with each other. Colin | :22:26. | :22:31. | |
Jackson is probably the King of the Quickstep! I hope you have enjoyed | :22:31. | :22:41. | |
:22:41. | :22:43. | ||
my step to step guide of the quickstep. I love it. Bye! Action | :22:43. | :22:50. | |
Jackson! Thank you, Erin. Have you guessed who wur professionals were | :22:50. | :22:53. | |
talking about? -- were our professionals were talking about? | :22:53. | :23:01. | |
Did you guess it? It was me! Cheeky Mrs Jordan. Strictly was | :23:01. | :23:08. | |
reminiscent of the Oscars. Pasha dressed as Shrek! Ben De Lisi will | :23:08. | :23:12. | |
be reviewing the weekend's frocks. Here is is a reminder of Saturday's | :23:12. | :23:22. | |
:23:22. | :23:32. | ||
show-stealing looks. Please welcome Ben De Lisi and our resident | :23:32. | :23:42. | |
:23:42. | :23:44. | ||
fashion fact expert, Oonagh O'Hagan. She is senior fashion editor at | :23:44. | :23:49. | |
Central St Martin's. First, Chelsee. Was this an outfit suitable for a | :23:49. | :23:54. | |
princess? I loved this one. One of the reasons I loved this was that | :23:54. | :23:58. | |
amazing bright green which was brighter than the colours we | :23:58. | :24:06. | |
associate with Shrek. I loved it. It reminded me of a designer who | :24:06. | :24:12. | |
used a neoc lace and he's done loads of stuff. I loved it. Give me | :24:12. | :24:19. | |
some more details about what was going on in Chelsee's frock? -- | :24:19. | :24:29. | |
:24:29. | :24:30. | ||
neon. We are looking at the bodice here. The beads gave it texture. | :24:30. | :24:35. | |
Then there was that skirt, where it is all about the legs and the | :24:35. | :24:39. | |
bounce. It enhanced and added to the movement of that dance. | :24:39. | :24:44. | |
little bit longer than your traditional jive dresses? That's | :24:44. | :24:50. | |
right. It was longer to give it that princess feel. You had the | :24:50. | :24:57. | |
layers, like Ben was saying. It had the godets in. All these crystals. | :24:57. | :25:02. | |
There were three colours to give it depth and 4,000 crystals altogether. | :25:02. | :25:09. | |
There's a fact! I know. Stamp it with a big fact stamp! Such an | :25:09. | :25:14. | |
energetic dance. This will hit the High Streets any moment now! I love | :25:14. | :25:21. | |
a green man! I had heard that about you! Let's talk about Alex and her | :25:21. | :25:25. | |
American Smooth dress. Very reminiscent to one Julia Roberts | :25:25. | :25:31. | |
wore in Pretty Woman? It is very similar but not exactly the same | :25:31. | :25:36. | |
and that is because this dress has a function - she has to dance in | :25:36. | :25:41. | |
it! You might have this in the movie, you can see here it is off | :25:41. | :25:48. | |
the shoulder, but it's got - we can make a comparison. It has this | :25:48. | :25:50. | |
halterneck as well to hold everything in place. That goes | :25:50. | :25:56. | |
round the back as well. For support. It is reminiscent but they have to | :25:56. | :26:00. | |
tailor it to the needs of the dancer. You can see this beautiful | :26:00. | :26:07. | |
sweeping back here. I loved this one. They are not randomly put on, | :26:07. | :26:17. | |
:26:17. | :26:19. | ||
they have this pattern. It is very beautiful. Very classy. Look at | :26:19. | :26:25. | |
you! It is all about the glamour, the American Smooth. How did that, | :26:25. | :26:28. | |
this dress, capture that for you, Ben? It was considered and very | :26:28. | :26:37. | |
precise, all the beading was very accurately done. It had the sort of | :26:37. | :26:41. | |
a tapestry effect. The skirt, to me, not having seen it close up, looked | :26:41. | :26:51. | |
like it was a full circular skirt that had a tape to it. You do need | :26:51. | :26:56. | |
that halterneck to keep everything. I thought the very low back had a | :26:56. | :27:01. | |
really alluring slant to it. Holly's dress from her paso doble | :27:01. | :27:07. | |
with Zorro. It is here in the studio. How did this style help | :27:07. | :27:17. | |
:27:17. | :27:22. | ||
with the drama of the dance? It was that high split I think. It was | :27:22. | :27:28. | |
Catherine Zeta Jones. That was genius. On television, it looked | :27:28. | :27:33. | |
velvet because of the sheen to the fabric, but then it is not velvet, | :27:33. | :27:39. | |
it is a satin Lycra which is really lofty and heavy. It swings. I think | :27:39. | :27:44. | |
that whole edging of red just sort of made you think of a swish of a | :27:44. | :27:50. | |
sword! The slashes to it. That was spot on! Great. Didn't she have her | :27:50. | :27:53. | |
the bottom half of the dress changed at the last minute on the | :27:53. | :27:58. | |
Friday? Yes, I know. They had to do it on the Friday because she had | :27:58. | :28:04. | |
been in rehearsal using a flamenco skirt which she loved. They had to | :28:04. | :28:09. | |
re-make it with this paired-down layers. It's quite a modern take on | :28:09. | :28:12. | |
the flamenco. You have the traditional colours, but less of | :28:12. | :28:20. | |
the layers. I loved the hem because it looked like a gymnastic ribbon. | :28:20. | :28:27. | |
I used to do that! I was brilliant! That is another show! Thank you so | :28:27. | :28:32. | |
much for coming back, Ben. Looking gorgeous! I am liking the country | :28:32. | :28:39. | |
look. Oonagh, one more week next week. I'll come back. Ben De Lisi | :28:39. | :28:45. | |
and Oonagh O'Hagan. APPLAUSE Thank you to all my guests tonight. Join | :28:45. | :28:49. | |
me tomorrow on BBC Two whenly be chatting to Harry and Aliona and | :28:49. | :28:53. |