Episode 47 Strictly - It Takes Two


Episode 47

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It's Tuesday. Coming up: Alex and James are here.

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Karen Hardy will be getting her teeth into the weekend's routines.

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She may look sweet, but she knows how to fight with her feet. Flavia

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takes on the Pro Dance Challenge. A fashion designer, Ben De Lisi, will

:00:22.:00:32.
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be critiquing the weekend's outfits. This is Strictly: It Takes Two.

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Please welcome your host, Zoe Ball. Hello. Welcome to It Takes Two.

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Strictly was full of movie magic at the weekend leaving us with plenty

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of box office hits to review. I will be chatting to the kind of

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people I like to meet - "Pretty Woman" Alex and "Pretty Boy" James.

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Here is a reminder of their Saturday night moves. You came out

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and sold it. Well done to you. APPLAUSE For me, you have been

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consistently improving in this competition. There was a tiny

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incident. But I tell you, it doesn't spoil the gorgeousness of

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this dance. You have learned how to put sexy into dance. Well done!

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comepts were pretty positive. I wish -- the comments were pretty

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positive. I wish we could have shown them how good it could have

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:02:14.:02:19.

Luckily for us, she did. Please welcome Alex and James! APPLAUSE

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are still here! Congratulations. You did brilliantly on Saturday

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night. You seemed so disappointed. What happened out there? Well, I

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mean, there was a point. It wasn't going incredibly well from two-

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thirds of the way through. The dress got caught in the heel, the

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same old. It is annoying when that happens! Then, I glanced at James,

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lovingly, and saw him doing something completely different.

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was when we were side by side. We were supposed to start on the right

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leg. I said to her, it's got to be the right leg! If you do start on

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the left, keep going. She started on her left leg. Off we went. Is

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this it? Here it comes. Look at the face! I'm smiling. Then she turns

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here. Then she came at me on the wrong leg. It was lovely. Listen, I

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admit, your choreography was better than mine! That wasn't what we were

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supposed to do. LAUGHTER I tell you, I lost the plot by that point! I

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didn't know what was going on. good that was! None of us had any -

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we were none the wiser. Rachel said, "Alex was the epitome of elegance,

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love it!" You were much happier with the scores this week, James?

:03:40.:03:50.
:03:50.:03:52.

was. I said to Alex, "I hope they haven't overmarked us this week!" I

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want it to be consistent. I was worried because I knew there were a

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lot of mistakes in the routine, but I didn't realise how well she did

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them wrong! LAUGHTER That shows me how much she has moved on as a

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dancer. If that had happened week one to five, you would have freaked

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out. I would have stopped! Recue the band! Let's start again.

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carried on. And got to the end. I was very proud of you. Thank you.

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Still second from the bottom, that must have been tough knowing how so

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many of you want to get through to the semifinal. How were you feeling

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after the whole evening? That is the disappointment. I had to

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convince myself - even if we didn't go, I felt there was a good chance

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Robbie and Ola and us would be in the bottom two. Why couldn't we do

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a nice dance to go out with? I thought oh no, I can't believe I

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have messed our last dance up! I believed we were off. When you

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heard your names called out... First! I know. How good is that?

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Shock. You can see me mouthing to James, "How did that happen?"

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LAUGHTER You said to Claudia, you wanted a recount because you were

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worried it wasn't true. Have they counted the votes wrong?! It was a

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brilliant feeling. Just so grateful that obviously my choreography

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worked well. LAUGHTER Oh no... can choreograph this week! We must

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talk about your bruised ribs. Going up into that incredible lift, you

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have bruised your ribs. How much pain were you in? Quite a lot. A

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few painkillers were taken before. It is part and parcel of the

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experience. You can't go 13 weeks when I have no clue what I am doing.

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He has this habit of telling me what's going to happen! I stiffen

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like a board. It is natural there is going to be... It's the

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intercostal muscles. It was very painful. I kept saying I didn't

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want to talk about it. I don't like going for the sympathy vote.

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Toughen up! Is he being serious? Take the pain. And take a couple of

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pills, you'll be wonderful. You were? Na is why I went on the wrong

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foot! LAUGHTER -- That is why I went on the wrong foot! This week,

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waltz and salsa. Sounds lovely. Waltz, lovely dance. In hold,

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beautiful. Salsa, I just think - shall we freestyle it? You are good

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at that! Alex's choreography! LAUGHTER He gets scared! I didn't

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know what a salsa looked like until this morning. Your friends go,

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"Let's go to salsa nights!" No. I'm gutted I didn't go. You have worked

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miracles before. There is only three places in the final. How much

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do you want to be in that final? Well, now that we have got this far,

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it would be incredible, just as well to shut you up! I'm joking.

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You have had so much patience and we have had such a laugh. To be

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able to enjoy the experience to the end would be the perfect outcome. I

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mean, as you say, there's incredible dancers left. Only three

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places. There is more chance of hell freezing over than us being

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there. You have said that before. You never know! We couldn't help

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but notice during that dance the Pretty Woman nod he gave you a box

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of jewels. This is what we think perhaps James should have given you

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on Saturday. It is not a spider? Open it up. Yes! It is your very

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own James Jordan medallion which you must wear with pride at all

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times. Look at how good I was! will never pull this off! LAUGHTER

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We want to see that on The One Show tomorrow. Can you wear that

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tomorrow? Yes! I bet you don't! Say now on TV that you will wear that

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on The One Show. I will wear it on The One Show! Good luck. Alex and

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James. APPLAUSE In a moment, we will be finding out how Flavia

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fared in this week's Pro Dance Challenge. Our experts are great

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gossipers but who are they talking about. This dancer was born and

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raised in Poland but lives in England. This dancer claims her

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favourite pastime is yoga, I know better, it is shopping! This dancer

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was once accidentally headbutted by her celebrity dance parter. She is

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best-known for her sexy dance routines. This person is always

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telling me off! She can get away with it. Who do you think it is?

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Find out later in the show. In over a week-and-a-half, one couple will

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walk away with the glitterball trophy. The prize our professionals

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want to win is the It Takes Two Pro Dance Challenge. It is time to

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welcome our next contender, Flavia "Fast Feet" Cacace. APPLAUSE Hello,

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Flavia. Welcome back. What a frock! Thank you. How nervous were you

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before the Pro Dance Challenge? was really nervous. I was the first

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one to do it. I got dl in the morning. I thought it was going --

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I got there in the morning. I thought it was going to be a bit of

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fun. There's all these serious people there. This is a world

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record. I know. It is a serious business. We had this square

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dancefloor and they told me the rules and they said if you don't do

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it correct, we will deduct points. OK. Shall we see how you have done?

:10:04.:10:09.

No. You are desperate to know! It is time to see how you did in your

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Guinness World Record Botafogo Challenge. Let's take a look.

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have the world record at stake. The most botafogos in 30 seconds. We

:10:24.:10:34.
:10:34.:10:35.

As a competitive dancer, to have a world record would be pretty

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special. It would be another thing to tick off the list. Will the next

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challenger please come to the floor? Hello, Flavia. Hello.

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nervous? No. I'm going to wish you all the luck in the world. Thank

:10:48.:10:55.

you very much. Please take to the floor. Dancer ready? Adjudicator

:10:55.:11:05.
:11:05.:11:36.

ready? Ready. For the record, three, How did you find that? Good. A good

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workout. You were tearing up the floor! Fantastic work. Really well

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done. Thank you. Precise. Thank you. I have no idea if I have the world

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record. I went as fast as I could in the space that I had. I'm going

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to keep my fingers crossed. APPLAUSE You could barely look at

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the screen. Top at the moment is Pasha with 65. He is fast! Do you

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think you could have beaten him? I don't know. I have no idea. 65

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sounds a lot. OK. Shall we find out? Can I hide? Flavia, your

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botafogos have been counted and verified. Oh no! How do I find out?

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Where do I look? I can now reveal Flavia your result. You received

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two disqualifications giving you a total of - cushion-down - 67

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botafogos! Wooh! Look, lady, at the leaderboard. You are the top.

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Well done. You still have Brendan, Artem and James... That says it all.

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Who would be the top out of those three? Brendan went mad. Doesn't

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mean... All I am hoping is he got lots of disqualifications. James is

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always up for a challenge. Artem would be quite precise. I don't

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know. I have a feeling it will be one of the boys. Give it up for

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Flavia! APPLAUSE Give my love to Russell. I will. At the weekend,

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the Strictly dancefloor almost froze over when Craig complimented

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everyone. Was our choreography critic, Karen Hardy, impressed?

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Here is our girl, Karen Hardy! the music! APPLAUSE Can't be The

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Monkeys! On the whole, Karen, did movie week deliver? It delivered

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far and beyond anybody's expectation, including mine. One

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great big fight and it will be all the way to the final! It is so

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gripping. I think we got a happy from Craig, did we not? Craig

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seemed pleased. Let's start talking about the routines from Saturday.

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"The comeback kid"s, Holly and Artem in their paso doble. Such a

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great night for Holly. A disagreement between Bruno and

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Craig about her looking down and whether that is a paso thing?

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simple, in a nutshell, basically, we dance the paso doble, which is

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depicting a bullfight. The audience is up in the air. The eye line

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should be up to where the audience are, we have the flamenco work here.

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Once you start flamenco work it is an influence within the dance of

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paso doble. The entire dance is not flamenco. When we do a lot of

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flamenco work the eyes are down. The important thing we were looking

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for from her here, the great choreography I got to say,

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fantastic... Well done, Artem! you are going to do the flamenco

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you have to finish with the grand elevation out to that audience of

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the bull ring. Yes. And then the audience. That is the big thing we

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work on. The main thing I loved here, he brought some great

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choreography into this. There was a moment where we had no music at all

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and then she was having to keep the beats going. Oh! Fabulous! That was

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clever. Very difficult to do. and Kristina and their American

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Smooth. A bit of a shocker that Jason was in the bottom two. In

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hindsight, do you think it was a mistake for Jason to try and

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replicate Gene Kelly's moves? at all. To be given that

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opportunity, to show the youngsters this great music, this great

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choreography, that they wouldn't have seen from back in the 1950s,

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this is what I want you to look at. The brolly lift! The brolly! Now,

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how I relate to that, that is like having three people in a

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partnership now. You have Jason, Kristina and the umbrella. That

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means three people, three of those, one of those could go wrong. Could

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have missed the umbrella, could have got the connection wrong.

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What's important for me to highlight here, an American Smooth

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is all about the lift work. Don't think it is more difficult for the

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ladies than it is for the men. The male celebrities if they get the

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timings wrong, if they get the connections wrong, and if they

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remember - they haven't had their Shreddies, the lady goes nowhere!

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Jason should remain a front-runner. I was upset to see him down there.

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The thing to highlight, a competition is not only about how

:17:12.:17:16.

much you are improving yourself, you have to watch what all the

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others are doing. Keep an eye on the competition. Alesha was in the

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bottom two and she went on to win. Exactly. Don't assume they are

:17:30.:17:34.

making it. Harry and Aliona did an incredible rumba. Alesha said one

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of the best she has seen on a male celebrity for a long time. He still

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hard for a male and how did you think he coped? Harry was fantastic.

:17:45.:17:50.

Aliona with her choreography, again, my gosh, she is on a roll! Look at

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this, he does not stop. He is assertive. I will die for you! I'll

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pertrued my chest for you! The secret to this rumba, when a male

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celebrity is dancing it, you do not make them static at any time. You

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keep them active, assertive. We had everything from the body moving,

:18:15.:18:20.

the arms moving, dropping into lines, elevations. For me, that was

:18:20.:18:27.

a top rumba. I was shocked to see him in fourth. Chelsee and Pasha's

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jive. Jam-packed with content. loved this jive! It was brilliant.

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How tight is this competition? know. Everybody brought something

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great. This is what I want to show you. Kick, kick, but there is is a

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slow-motion, see that bit there, that... What do you call those?

:18:47.:18:53.

It's kicks but it is what we dropped in our era. It took a lot

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of work. I'm going to show you! I have the worst outfit ever! I will

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do the impossible. This is a normal jive kick that we can get a lot of

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effect from. She kicks forward, twists back, kicks forward, twists

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back, all on one foot. At high speed. How you jump up-and-down at

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the same time and you twist your body. APPLAUSE That is why she is a

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goddess! Everyone said I should come back and dance, they should go

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quiet now! Moment over. Semifinal this weekend. I can't sleep at

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night. Two dances for our couples. What would your advice be to them

:19:39.:19:45.

this week? They eyes are on the final? It is a lot of psychology

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versus physical energy now. Your mind is saying I'm exhausted but

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the mind is also saying I have a chance now. It is only now that you

:19:53.:19:57.

suddenly believe I could make that final. Then you know what it takes

:19:57.:20:06.

to make that final. And suddenly you feel there is this heavyweight

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on you. Don't think about anything else. You deliver the steps you

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practice. It will be over in a heart beat. I can't wait! Will you

:20:17.:20:24.

see us next week? I will be here. Karen Hardy! APPLAUSE Now, believe

:20:24.:20:29.

it or not, the quickstep has been performed on Strictly over 75 times.

:20:29.:20:34.

Mastering this speedy dance is no mean feat. Here is Erin Boag with

:20:34.:20:44.
:20:44.:20:49.

her tips on creating the perfect Hi, it is me, Erin Boag. Welcome to

:20:49.:20:53.

my step by step guide of my favourite ballroom dance, the

:20:53.:21:01.

quickstep. I love the quickstep more than any other dance because

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it is full of energy, it is fast and it is fun to do. Three very

:21:06.:21:14.

popular steps you would see in the quickstep on Strictly Come Dancing

:21:14.:21:24.
:21:24.:21:24.

are the Charleston. The Lockstep is done going forward or backward in

:21:24.:21:34.
:21:34.:21:35.

hold. You can do a single lock, or maybe a double lock, or you can do

:21:35.:21:44.

a pepper pot. It gets harder and harder. You definitely see it in

:21:44.:21:49.

probably every quickstep that is ever done on Strictly. Quickstep

:21:49.:21:53.

Runs, couples are in promenade position, they are facing the same

:21:53.:21:57.

way and they run down the side of the floor. There's so many

:21:57.:22:03.

different variations of a kick and rush. Be in tune and dance with

:22:03.:22:07.

your partner in harmony. If you are doing different things but your

:22:07.:22:14.

body is together, it will be a disaster. My favourite quickstep of

:22:14.:22:21.

all time was the Christmas Special with Colin Jackson and he received

:22:21.:22:25.

four tens. We were perfectly in harmony with each other. Colin

:22:26.:22:31.

Jackson is probably the King of the Quickstep! I hope you have enjoyed

:22:31.:22:41.
:22:41.:22:43.

my step to step guide of the quickstep. I love it. Bye! Action

:22:43.:22:50.

Jackson! Thank you, Erin. Have you guessed who wur professionals were

:22:50.:22:53.

talking about? -- were our professionals were talking about?

:22:53.:23:01.

Did you guess it? It was me! Cheeky Mrs Jordan. Strictly was

:23:01.:23:08.

reminiscent of the Oscars. Pasha dressed as Shrek! Ben De Lisi will

:23:08.:23:12.

be reviewing the weekend's frocks. Here is is a reminder of Saturday's

:23:12.:23:22.
:23:22.:23:32.

show-stealing looks. Please welcome Ben De Lisi and our resident

:23:32.:23:42.
:23:42.:23:44.

fashion fact expert, Oonagh O'Hagan. She is senior fashion editor at

:23:44.:23:49.

Central St Martin's. First, Chelsee. Was this an outfit suitable for a

:23:49.:23:54.

princess? I loved this one. One of the reasons I loved this was that

:23:54.:23:58.

amazing bright green which was brighter than the colours we

:23:58.:24:06.

associate with Shrek. I loved it. It reminded me of a designer who

:24:06.:24:12.

used a neoc lace and he's done loads of stuff. I loved it. Give me

:24:12.:24:19.

some more details about what was going on in Chelsee's frock? --

:24:19.:24:29.
:24:29.:24:30.

neon. We are looking at the bodice here. The beads gave it texture.

:24:30.:24:35.

Then there was that skirt, where it is all about the legs and the

:24:35.:24:39.

bounce. It enhanced and added to the movement of that dance.

:24:39.:24:44.

little bit longer than your traditional jive dresses? That's

:24:44.:24:50.

right. It was longer to give it that princess feel. You had the

:24:50.:24:57.

layers, like Ben was saying. It had the godets in. All these crystals.

:24:57.:25:02.

There were three colours to give it depth and 4,000 crystals altogether.

:25:02.:25:09.

There's a fact! I know. Stamp it with a big fact stamp! Such an

:25:09.:25:14.

energetic dance. This will hit the High Streets any moment now! I love

:25:14.:25:21.

a green man! I had heard that about you! Let's talk about Alex and her

:25:21.:25:25.

American Smooth dress. Very reminiscent to one Julia Roberts

:25:25.:25:31.

wore in Pretty Woman? It is very similar but not exactly the same

:25:31.:25:36.

and that is because this dress has a function - she has to dance in

:25:36.:25:41.

it! You might have this in the movie, you can see here it is off

:25:41.:25:48.

the shoulder, but it's got - we can make a comparison. It has this

:25:48.:25:50.

halterneck as well to hold everything in place. That goes

:25:50.:25:56.

round the back as well. For support. It is reminiscent but they have to

:25:56.:26:00.

tailor it to the needs of the dancer. You can see this beautiful

:26:00.:26:07.

sweeping back here. I loved this one. They are not randomly put on,

:26:07.:26:17.
:26:17.:26:19.

they have this pattern. It is very beautiful. Very classy. Look at

:26:19.:26:25.

you! It is all about the glamour, the American Smooth. How did that,

:26:25.:26:28.

this dress, capture that for you, Ben? It was considered and very

:26:28.:26:37.

precise, all the beading was very accurately done. It had the sort of

:26:37.:26:41.

a tapestry effect. The skirt, to me, not having seen it close up, looked

:26:41.:26:51.

like it was a full circular skirt that had a tape to it. You do need

:26:51.:26:56.

that halterneck to keep everything. I thought the very low back had a

:26:56.:27:01.

really alluring slant to it. Holly's dress from her paso doble

:27:01.:27:07.

with Zorro. It is here in the studio. How did this style help

:27:07.:27:17.
:27:17.:27:22.

with the drama of the dance? It was that high split I think. It was

:27:22.:27:28.

Catherine Zeta Jones. That was genius. On television, it looked

:27:28.:27:33.

velvet because of the sheen to the fabric, but then it is not velvet,

:27:33.:27:39.

it is a satin Lycra which is really lofty and heavy. It swings. I think

:27:39.:27:44.

that whole edging of red just sort of made you think of a swish of a

:27:44.:27:50.

sword! The slashes to it. That was spot on! Great. Didn't she have her

:27:50.:27:53.

the bottom half of the dress changed at the last minute on the

:27:53.:27:58.

Friday? Yes, I know. They had to do it on the Friday because she had

:27:58.:28:04.

been in rehearsal using a flamenco skirt which she loved. They had to

:28:04.:28:09.

re-make it with this paired-down layers. It's quite a modern take on

:28:09.:28:12.

the flamenco. You have the traditional colours, but less of

:28:12.:28:20.

the layers. I loved the hem because it looked like a gymnastic ribbon.

:28:20.:28:27.

I used to do that! I was brilliant! That is another show! Thank you so

:28:27.:28:32.

much for coming back, Ben. Looking gorgeous! I am liking the country

:28:32.:28:39.

look. Oonagh, one more week next week. I'll come back. Ben De Lisi

:28:39.:28:45.

and Oonagh O'Hagan. APPLAUSE Thank you to all my guests tonight. Join

:28:45.:28:49.

me tomorrow on BBC Two whenly be chatting to Harry and Aliona and

:28:49.:28:53.

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