Browse content similar to Episode 46. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
It's Monday, coming up: Robbie and Ola were sharp-suited but sadly | :00:18. | :00:22. | |
booted out of Strictly. And Bruno Tonioli here with his verdict on | :00:22. | :00:32. | |
:00:32. | :00:33. | ||
the weekend. And Botafogo ya or bust Pasha discovers the verdict on | :00:33. | :00:43. | |
:00:43. | :01:12. | ||
Live from Television Centre, this is Strictly, It Takes Two. Our host, | :01:12. | :01:20. | |
Zoe Ball Hello, and welcome to It Takes Two. What a triller movie | :01:21. | :01:29. | |
week it turned out to be -- action, drama, suspense, green ears and a | :01:29. | :01:36. | |
donkey who will not leave! We have our life semifinalists. Sadly a | :01:36. | :01:42. | |
wrap for Robbie and Ola. Their quickstep landed them at the bottom | :01:42. | :01:47. | |
of the leaderboard, and they are the latest to leave the competition. | :01:47. | :01:54. | |
They are here live. It was like a rabbit doing a trot around. | :01:54. | :01:59. | |
have given me a lot of pleasure through the series. You didn't | :01:59. | :02:04. | |
disappoint tonight. You turned something that was tragic into a | :02:04. | :02:13. | |
bit of magic. Due to the tightness just that little incident. Well | :02:13. | :02:22. | |
done. You have finally learned how to put sexy into dance. Finally | :02:22. | :02:30. | |
Holly, you Spanish sorceress. Totally in character. You stepped | :02:30. | :02:37. | |
it up. Gene Kelly's shoes big to fill. I loved it. I genuinely | :02:37. | :02:45. | |
believe you zerb to be in the semifinals. You found your dance. | :02:45. | :02:53. | |
This was incredible. Leaving tonight, Robbie and Ola. Welcome | :02:53. | :03:02. | |
Robbie and Ola. Well done, it's always sad to see people go. Be | :03:02. | :03:10. | |
encouraged because you have had so many -- many amazing messages. | :03:10. | :03:17. | |
Beverley says: You have done yourself proud. And allie texted me | :03:17. | :03:27. | |
:03:27. | :03:28. | ||
to say Noah said you're his favourite. You had a look on your | :03:28. | :03:37. | |
face, saying, I'm going. Me and Alex were the two non-dancers left, | :03:37. | :03:44. | |
and when Alex went through, deservedly so, I knew it was our | :03:44. | :03:49. | |
time. And I was a winner anyway. This show has been a tremendous, | :03:49. | :03:56. | |
and Ola has been great. I loved it. I was -- it was our time. If I | :03:56. | :04:00. | |
stayed in, it would have been wrong for the other people. They are | :04:00. | :04:07. | |
better than me. Craig's final words to me, I know how you have craved | :04:07. | :04:12. | |
his approval. I did love the concept. I did your performance of | :04:12. | :04:21. | |
the dance. Was that a nice consolation to leave with it? | :04:21. | :04:26. | |
It was! He was horrible to us all through the competition. He picked | :04:26. | :04:32. | |
on the littlest things. I'm bitter with Craig. That's what this show | :04:32. | :04:37. | |
is for, therapy. 30 was still a good score. I was happy with the | :04:38. | :04:43. | |
performance, unfortunately it wasn't enough. Bless you. Have you | :04:43. | :04:50. | |
seen a change in Mr Savage since the first time he walked into the | :04:50. | :04:54. | |
training room? Massive change. I don't think he could do the | :04:54. | :04:59. | |
quickstep in week one and other dances, he's improved so much. I'm | :04:59. | :05:04. | |
very proud. So you should be? Has it been tougher than you imagined | :05:04. | :05:11. | |
it could be? All the dances, and athletes... You're an athlete. A | :05:11. | :05:21. | |
footballer. It was hard for me. My hat goes off to Russell Grant, even | :05:21. | :05:26. | |
ee Anita, to perform. If anybody asked me about the show, I would | :05:26. | :05:32. | |
say it's very, very hard work but do it. People don't realise how | :05:32. | :05:40. | |
much it takes out of you. I've lost nine pounds. Some might say from | :05:40. | :05:48. | |
where! Robbie Williams came to see you, Lord Sugar said unlucky Robbie | :05:48. | :05:54. | |
but you have done well. Has the attention from the public surprised | :05:54. | :06:01. | |
you? It has been amazed. I've been spat out in the street, just | :06:01. | :06:06. | |
walking for a paper. Now people stop me and say nice things. It's | :06:06. | :06:14. | |
very nice. I wanted to do the show for my family and mother. Your mum, | :06:14. | :06:24. | |
:06:24. | :06:29. | ||
Val, evening, Val is she proud of her boy. She took my dad to | :06:29. | :06:35. | |
hospital today, he fell over and broke his hip. Bishe loved it. My | :06:35. | :06:43. | |
little boys were crying. My five- year-old was crying his eyes out. | :06:43. | :06:50. | |
We loved having you on the show. Robert William Savage. You're been | :06:50. | :06:56. | |
tackling your dances with Jordan. My partner is probably thinking | :06:57. | :07:06. | |
she's sweet. He is in for a boss. When she says good, it's like a | :07:06. | :07:14. | |
manager! All about the look and absolutely no dancing. I -- being | :07:14. | :07:20. | |
annihilated by a judge was hard to swallow. He has to run up. It only | :07:20. | :07:27. | |
takes practice. If it means we have to do it 100 times we will. | :07:27. | :07:32. | |
little beauty. That was show business and I loved it. One of the | :07:32. | :07:39. | |
best nights of my life. I can't spin. That is horrible. Even one | :07:39. | :07:44. | |
spin I don't know where I am. I struggle with businessness | :07:44. | :07:49. | |
massively. Yur fast becoming one of the strongest contenders in the | :07:49. | :07:58. | |
competition! The jive make very, very, very nervous. I need him to | :07:58. | :08:06. | |
go for it, and I'm sure he will. You supposed to stop me before the | :08:06. | :08:15. | |
camera, and give me love. Straight into the camera, nose. I would like | :08:15. | :08:21. | |
to think I'm a masculine dancer, even though I tend to look like a | :08:21. | :08:28. | |
girl. My hair is better, and teeth are better, and eyes are better, | :08:28. | :08:36. | |
and body is better. Because I'm worth it. I... I would have -- | :08:36. | :08:41. | |
could have done without the hip movements. I need to impress Craig. | :08:41. | :08:51. | |
Treat him mean and keep him keen. Devoid of any emotion, and you are | :08:51. | :09:01. | |
:09:01. | :09:01. | ||
tense and angry on the pistols. Have it! -- on the pivets. I | :09:01. | :09:09. | |
thought that the whole routine was rather good. Wembley, yeah. I am so | :09:09. | :09:15. | |
pumped from this week, I think people will be blown away by this | :09:15. | :09:25. | |
:09:25. | :09:30. | ||
routine. You went at it as if it was a primeval... You can't teach | :09:30. | :09:38. | |
somebody to have natural rhythm. I'm the entertainment factor. It | :09:38. | :09:44. | |
wasn't completely successful Samba you can keep on stripping. When | :09:44. | :09:49. | |
Strictly goes, part of your life goes. I have fallen in love with it. | :09:49. | :09:59. | |
:09:59. | :10:00. | ||
You have the sportsman'slogical Robbie go. He will be sorely missed. | :10:00. | :10:05. | |
Could he entertain an audience. He gives it everything he has got. It | :10:05. | :10:11. | |
has been brilliant to watch him. I'm going to miss Ola, she has been | :10:11. | :10:17. | |
amazing. I have a friend for life. Savage satisfying thank you so much | :10:17. | :10:27. | |
for being a fabulous partner. I have enjoyed every single day -- | :10:27. | :10:33. | |
Robbie Savage thank you so much. Apart from the spray continues a, | :10:33. | :10:38. | |
what are you going to miss? I am going to miss everybody. People | :10:38. | :10:45. | |
don't understand the programme. It's not just the dancers, the | :10:45. | :10:53. | |
make-up behind the scenes, and runners, and everybody, They're big | :10:53. | :11:00. | |
fans of yours. They're nice people. I love Craig really. He does love | :11:00. | :11:06. | |
Craig. Literally loves Craig. Who would you like to see in the final? | :11:06. | :11:11. | |
You're all such good buddies. Everybody has been so nice. I would | :11:11. | :11:21. | |
:11:21. | :11:21. | ||
like to see Harry win it. They're all great. Holly and Chelsee... | :11:21. | :11:29. | |
rocked it Robbie and Ola. Thank you so much. Bless them. Rocking a polo | :11:29. | :11:34. | |
neck as well. In a few minutes Pasha will be here for the results | :11:35. | :11:43. | |
of his prochallenge record attempt. In the semifinal nerves were | :11:43. | :11:47. | |
jangling more than usual on Saturday night. Our cameras were | :11:47. | :11:52. | |
there. It's movie week. Strictly come dancing, lights, camera, | :11:52. | :12:02. | |
:12:02. | :12:02. | ||
action. I feel sick with nerves. I've been up all night. Absolutely | :12:02. | :12:06. | |
hideous. Everybody is so good. Almost thinking it's probably going | :12:06. | :12:15. | |
to be us this week. Proud owner of a very bad back. At the moment, | :12:15. | :12:20. | |
kapblt walk let alone dance. No-one knows who is going to go home. | :12:20. | :12:24. | |
That's a movie within itself. Who will be in the bottom two this | :12:24. | :12:34. | |
:12:34. | :12:38. | ||
week? One of the best things about doing Strictly is getting to see | :12:38. | :12:44. | |
the pros do their thing. It makes you feel insignificant but also to | :12:44. | :12:54. | |
:12:54. | :12:59. | ||
slightly inspiring. I'll take the positive from that. Smile through | :12:59. | :13:09. | |
:13:09. | :13:24. | ||
I feel like a star. -- I don't feel like a star, hopefully I'll act | :13:24. | :13:34. | |
:13:34. | :13:39. | ||
like one, perform like one. I'm an old Neighbours fans. Craig has got | :13:39. | :13:49. | |
:13:49. | :13:54. | ||
a chance. Ow! Pick on the new boy! Ouch. That was good. Going to make- | :13:54. | :14:02. | |
up. Wait and you will see. Pasha is in make-up in the minute. Getting | :14:02. | :14:12. | |
his green make-up on. For Shrek. Ready! Actually I was never really | :14:12. | :14:19. | |
voted out, so I could still dance. True, who would you have to dance | :14:19. | :14:29. | |
:14:29. | :14:33. | ||
with! Guys life minutes. The fun is tinged with panic. This is the | :14:33. | :14:40. | |
fight for the semifinal. Anyone can get knocked out. It all comes down | :14:40. | :14:47. | |
to 24 one live performance. To get kicked out early is disappointing, | :14:47. | :14:55. | |
to get kicked out near the end, devastating. Last week we kicked | :14:55. | :15:03. | |
off our pro-dancer challenge, who could get the record number of | :15:03. | :15:10. | |
Botafogos in 30 seconds. It's time to welcome our new contender, | :15:10. | :15:19. | |
Pasha! Disappointing not to see you in the green ogre. Well done on | :15:19. | :15:25. | |
Saturday. Incredible. Will talk to you and Chelsee later in the week. | :15:25. | :15:31. | |
How confident are you you've done well in the challenge? Not at all. | :15:31. | :15:38. | |
I'm thinking back, can I do it again? No you can't do it again. | :15:38. | :15:48. | |
:15:48. | :15:49. | ||
Come on, let's see how you did. have the -- world record at stake. | :15:49. | :15:55. | |
The most Botafogos in 30 seconds. We want a world champion. Think | :15:56. | :16:01. | |
people need to prepare very, very intense before this one. Never been | :16:01. | :16:05. | |
done before. That's why we're going for it. Will the next challenger | :16:05. | :16:15. | |
please make their way to the floor. Hello Pasha. How are you feeling? | :16:15. | :16:22. | |
Feeling good. You're going for a world record. Remember that. | :16:22. | :16:29. | |
Absolutely. Take to the floor. Richard record We're ready. | :16:29. | :16:39. | |
:16:39. | :17:10. | ||
Guinness book of world Records, Stop! You did very, very well. That | :17:10. | :17:19. | |
was real quick. Did you feel the burn? Not yet. Any discrepancies. | :17:19. | :17:27. | |
You were very fast. I think there could be been seven possible | :17:27. | :17:34. | |
illegal Botafogos there. It will be checked. Well done. Attempting this | :17:34. | :17:42. | |
record was actually so much harder than I thought. You would like to | :17:42. | :17:47. | |
have a person in that mind, thinking I would like to beat that | :17:47. | :17:54. | |
person. Only one person here to beat, it is myself. I salute those | :17:54. | :18:02. | |
faces. Naughty faces. You must have been thinking of someone? Nobody, I | :18:02. | :18:08. | |
was just like concentrate... Ready to find out? Can I come back | :18:08. | :18:12. | |
tomorrow. Your Botafogos have been counted and verified. It is time to | :18:13. | :18:21. | |
get your result. I can... Reveal... That you had three Botafogos | :18:21. | :18:27. | |
disallowed. And there was a spell where you were going too fast and | :18:27. | :18:37. | |
lost control and weren't performing complete Botafogos, but... You | :18:37. | :18:45. | |
still scored 65 Botafogos! You looked slightly disappointed there. | :18:45. | :18:51. | |
It does make you top of the leaderboard! That's exciting. | :18:51. | :18:58. | |
do you feel about that? Well, 65 is good. Only one more than the girls! | :18:58. | :19:04. | |
Flavia is here tomorrow. I didn't want to say it, but thank you for | :19:04. | :19:10. | |
voicing it. Flavia is here tomorrow. Do you think you can beat her? | :19:10. | :19:16. | |
She's quite a fast cracker. I've heard that said. You have American | :19:16. | :19:23. | |
smooth in the week and pasa doble. Give my love to Chelsee. What did | :19:23. | :19:32. | |
you make of the Strictly movie weekend. It's Points of You. | :19:32. | :19:40. | |
ringing to say Len lighten up. Your face is like a pickled walnut when | :19:40. | :19:45. | |
face is like a pickled walnut when Bruno is doing his wonderful stuff. | :19:45. | :19:51. | |
I really liked Chelsee and Pasha's dance on Saturday. It was great | :19:51. | :19:58. | |
they got three tens. Me and my family would love to know the name | :19:58. | :20:07. | |
of the bass guitarist in the park pie hat, with a lovely smile every | :20:07. | :20:17. | |
:20:17. | :20:18. | ||
time Dave Archer is introduced. He makes our evening special. Ola and | :20:18. | :20:28. | |
:20:28. | :20:31. | ||
Robbie look -- like a lot like bash -- barbie and Ken. The man in the | :20:31. | :20:34. | |
-- barbie and Ken. The man in the pork pie hat is Trevor Barry. He | :20:34. | :20:40. | |
has played with them all. And he rocks. We love all the judges here | :20:40. | :20:45. | |
but I've been jumping up and down with excitement almost as much as | :20:45. | :20:53. | |
him, in a moment I'll be joined by the jak in the box judge. Bruno | :20:53. | :21:03. | |
:21:03. | :21:05. | ||
Tonioli. He's a reminder why we enjoy him so. Let me entertain you. | :21:05. | :21:12. | |
Frission of excitement. With a hint of madness. Moodier of the thunder | :21:12. | :21:20. | |
storm... Christmas... Doing this, and you you have got to keep it | :21:20. | :21:26. | |
going. You never went for it with passion. You're like a cocking | :21:26. | :21:34. | |
rooster. Glistening in the light like spun gold. Hands are delicious. | :21:34. | :21:44. | |
:21:44. | :21:46. | ||
Now Strictly is in business. Please welcome Bruno Tonioli! Darling! | :21:46. | :21:52. | |
Where have you been? Lovely to see you. Busy, busy. You have been | :21:52. | :22:01. | |
quite busy. Very, very busy. So busy. I love the way you sit on the | :22:01. | :22:09. | |
somewhere. I have to see quite somewhere. It's quite tight. I got | :22:09. | :22:16. | |
it from Robbie. You -- I heard him saying if you did not give me that | :22:16. | :22:26. | |
:22:26. | :22:26. | ||
nice guy. How difficult has 2 been doing Strictly and dancing in | :22:26. | :22:34. | |
America? I love doing the show. For two months Len and I I are zonked. | :22:34. | :22:41. | |
It's not the flying. It's the eight hour difference. We land on a | :22:41. | :22:48. | |
Sunday, and we go on a meeting. It's a long meeting. I don't know | :22:48. | :22:55. | |
what they are talking about, and then I have to do a big show on the | :22:55. | :23:00. | |
Monday, praying to get the energy to do it. You always get the energy. | :23:00. | :23:05. | |
I have to be honest the energy comes from them. I am as good as | :23:05. | :23:10. | |
they are. They give me all the material. I have no idea what is | :23:10. | :23:16. | |
going to happen. Especially this year... Amazing this year. They | :23:16. | :23:22. | |
have been fantastic. You feed -- I feed from them. I thank them for | :23:22. | :23:28. | |
what I do. If they did not give such good performance. Even the bad | :23:28. | :23:34. | |
ones are good. There aren't bad ones. In aren't. The dancing | :23:34. | :23:40. | |
standard is not equal. Especially this season everybody is so in it. | :23:40. | :23:47. | |
Giving their all. Three tens you gave on Saturday night. Movie night. | :23:47. | :23:53. | |
Amazing. Let's talk about Robbie and Ola. You said with Robbie you | :23:53. | :23:59. | |
have seen improvement. Look at the attention to being erect. His frame. | :23:59. | :24:05. | |
Posture. We all say that. Week one I thought problem -- Robbie is | :24:05. | :24:12. | |
going to be out. He will never last. He really has applied himself. His | :24:12. | :24:17. | |
posture has improved enormously. There was meny, plenty content in | :24:17. | :24:22. | |
the scene. He worked on his footwork and frame. He has improved. | :24:22. | :24:25. | |
Obviously at this stage everybody is very, very good. Somebody has to | :24:25. | :24:34. | |
go. It is tough. He look it well. He took it like a man. I like that. | :24:34. | :24:42. | |
Robbie I -- you can take it like a man. He's a great guy. They all are. | :24:42. | :24:49. | |
Harry and Aliona. Everybody falls for the man. It's hard. | :24:49. | :24:55. | |
definition of the rumba is the woman's dance. The man has to be a | :24:55. | :25:02. | |
frame in which the woman shines. If you push it too far, it's | :25:02. | :25:08. | |
uncomfortable. If you underdo it it looks stifled. It's a very, very | :25:08. | :25:13. | |
slow dance. The simplest things are the hardest. The backwards and | :25:13. | :25:18. | |
forward things they get a little bit jangling. For the men it's very, | :25:18. | :25:23. | |
very hard. What would he have needed to do to get a ten from you. | :25:23. | :25:28. | |
What was missing. He got nines. really want to be very, very picky. | :25:28. | :25:34. | |
It was the basics. All the big figures were great. When he was | :25:34. | :25:39. | |
doing the slow forward and backwards it wasn't quite as | :25:39. | :25:46. | |
shrinky. I say! Alex and James. Stop it. I'm not doing anything. | :25:46. | :25:52. | |
Nothing at all. Alex and James they did the American smooth. Gorgeous. | :25:52. | :25:57. | |
Somebody who has improved so much. She just is so much more confident | :25:58. | :26:06. | |
with -- with herself, she allows herself to shine. Being more sexy | :26:06. | :26:15. | |
is comes from within. Not being self-aware. Her movement has | :26:15. | :26:20. | |
improved enormously. Her fluidity is good. She had an incident. It | :26:20. | :26:28. | |
was only a bar or two. Overall fantastic improvement. She has | :26:28. | :26:35. | |
improved so much. You can see the way you're at ease with yourself. | :26:35. | :26:45. | |
:26:45. | :26:45. | ||
I'm turning into Kate Bush. Stop! Holly and Artem, 35 -- Paso Doble. | :26:45. | :26:55. | |
Incredible. You take it a ten. You had gone into a tet atet. The music | :26:55. | :27:03. | |
started with a paso flamenco session, you a lot of time you | :27:03. | :27:09. | |
start down before you bring it up. You interpret it misfrom within. | :27:09. | :27:16. | |
It's like an explosion from within your body. You don't do it all the | :27:16. | :27:22. | |
time like that. That is flamenco side is correct. Do you think being | :27:23. | :27:29. | |
in the bottom two twice has pur approximate -- spurred her on. | :27:29. | :27:36. | |
penny dropped, significant to get to the final I have to ignite | :27:36. | :27:42. | |
everything. She has all the elements. Great arms and legs, muse | :27:42. | :27:49. | |
kalt. That extra fire. Now we have seen it. We want to see it again. | :27:50. | :27:59. | |
:28:00. | :28:00. | ||
Jason and Kristina. You gave a ten. I liked the concept. When you start, | :28:00. | :28:07. | |
this is such an iconic number. Most people would imitate gene Kelly. He | :28:07. | :28:15. | |
didn't do that. He went into a very good and simple and correct foxtrot. | :28:15. | :28:21. | |
They went into a beautiful Hollywood ending. The structure and | :28:21. | :28:27. | |
the performance worked very well. I loved it. When you do an American | :28:27. | :28:32. | |
smooth it's the elements you put together. It's subjective. For me | :28:32. | :28:41. | |
it was great. Chelsee and Pasha. She was on fire. Grand finale, the | :28:41. | :28:46. | |
timing was just brilliant. She enjoyed it. Sometimes you're | :28:46. | :28:52. | |
performing, but you don't think about the steps, you don't think | :28:52. | :29:00. | |
about anything just giving it all. She was dancing and enjoying it. | :29:00. | :29:07. |