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Coming up on Wednesday's It Takes Two: Last weekend, Nancy and Anton | :00:09. | :00:14. | |
were bottom of the leaderboard. Jason and Kristina foxtrotted to | :00:14. | :00:18. | |
the top. Both couples are here. It's taken him 60 years for a | :00:18. | :00:22. | |
standing ovation, now he's had two. Dancing queen Russell and Flavia | :00:22. | :00:26. | |
drop in for a chat. Plus, I've been waiting all week to see him again, | :00:26. | :00:31. | |
Ian is back to give us his low down on the training in Waite's | :00:31. | :00:41. | |
:00:41. | :01:14. | ||
Wednesday Warm Up. This is Strictly Live from Television Centre, this | :01:14. | :01:19. | |
is Strictly It Takes Two. Please welcome your host, Zoe Ball! | :01:19. | :01:29. | |
:01:29. | :01:31. | ||
# And all that jazz # APPLAUSE | :01:31. | :01:35. | |
I can only apologise. Hello and welcome to the spectacular It Takes | :01:35. | :01:40. | |
Two. I've got my jazz hands out for a reason today, not just for fun, | :01:40. | :01:44. | |
because today is our first glimpse of this weekend's Broadway routines. | :01:44. | :01:47. | |
It is going to be a show stopper. CHEERING | :01:47. | :01:53. | |
It's going to be better than that, but before we get started, I have | :01:53. | :01:59. | |
breaking news. Everyone at It Takes Two and strictly would like to say | :01:59. | :02:03. | |
hearty congratulations to Bruce Forsyth, as today his title was | :02:03. | :02:05. | |
made official when he was knighted by the Queen! | :02:05. | :02:13. | |
APPLAUSE Congratulations Sir Bruce. Well | :02:13. | :02:18. | |
done. Now onto our first act. Last Saturday, their dance left Bruno | :02:18. | :02:23. | |
amazed, Alesha confused and gave Len a right eyeful. Nancy and Anton | :02:23. | :02:33. | |
:02:33. | :02:36. | ||
will be here after this reminder of Absolutely no idea where you were. | :02:36. | :02:43. | |
But with great style and glamour. The most exciting part when -- was | :02:43. | :02:48. | |
when I took a crafty glance up your dress. I'm confused I couldn't work | :02:48. | :02:53. | |
out if you were trying to be funny or if it was just funny. I've never | :02:53. | :02:57. | |
been so insulted in my life. think you broke records actually | :02:57. | :03:02. | |
how many times somebody went wrong. So that's an achievement. I thought | :03:02. | :03:06. | |
it was good, didn't snu I thought it was definitely good. The judges | :03:06. | :03:10. | |
were silly tonight. They were being silly and provocative. No, they're | :03:10. | :03:18. | |
completely wrong. Please welcome Nancy and Anton! | :03:18. | :03:23. | |
APPLAUSE Nice to see you. Lovely to see you. | :03:23. | :03:25. | |
Congratulations first, may have been bottom of the leaderboard but | :03:25. | :03:29. | |
not in the bottom two, how did that feel when you heard your name | :03:29. | :03:33. | |
called out? Of course, we were happy. I was happy. I have to say | :03:33. | :03:37. | |
something I learned, a moment we couldn't really express because at | :03:38. | :03:43. | |
the same time, somebody has this called off, it was a strange moment. | :03:43. | :03:48. | |
It was mixed emotion. Sad to see people go. Yes, it's not nice, was | :03:48. | :03:51. | |
not really enough time, you know somebody else is going to leave and | :03:51. | :03:57. | |
was not very nice. Bless you. But you're still here. I'm here. That | :03:57. | :04:01. | |
can only be a good thing. Alesha was confused. Was it supposed to be | :04:02. | :04:11. | |
funny or not? Clear that up for us. No. We can have some subtitles next | :04:11. | :04:13. | |
week so everybody can understand what kind of reaction we can have, | :04:13. | :04:22. | |
they have to laugh or cry. We make it easy. So it wasn't supposed to | :04:22. | :04:32. | |
:04:32. | :04:46. | ||
be funny then Anton. When Alesha They'll be smooching in a moment. | :04:46. | :04:52. | |
Yes, yes. You were hurt? Oh, yes. To be honest with you, I'd | :04:52. | :04:57. | |
forgotten what you'd said. Ask me another. There was one judge who | :04:57. | :05:02. | |
definitely enjoyed that little number and that was Len. He had you | :05:02. | :05:08. | |
there legs akimbo on the desk. That must have been an exciting moment | :05:08. | :05:12. | |
for Len. That should have been an incredible exciting moment for her | :05:12. | :05:16. | |
-- for him. We got a five. I was disappointed with a five. I think | :05:16. | :05:20. | |
you should have got a seven for that. You give him your best side | :05:20. | :05:24. | |
and everything. They were not judging that part of my body. | :05:24. | :05:30. | |
If they were judging that part of your body, it would have been a | :05:30. | :05:36. | |
full ten. Ten? 11! Were you nervous. You had some risque moves, sweeping | :05:36. | :05:42. | |
around, big lifts, jumping off the desk, going down into the kind of | :05:42. | :05:47. | |
vacuum thing. That's the floor traditionally. I was little bit | :05:47. | :05:52. | |
scared but we had time to try and rehearsal so everything fine. I | :05:52. | :05:57. | |
like to take risk. It was controlled risk. I knew that I can | :05:57. | :06:03. | |
rely on his shoulders and his lift. It was fun. It definitely was fun. | :06:03. | :06:08. | |
I thought the beginning was the best bit. After that you didn't | :06:08. | :06:12. | |
want to think about it. All the judge as greed that you bring | :06:12. | :06:15. | |
glamour to this competition, even in the training room. Have a look | :06:15. | :06:20. | |
at this. She's a very stylish woman, very | :06:20. | :06:27. | |
sophisticated, very stylish. Glamorous. I love that. She's | :06:27. | :06:31. | |
changed to something more glamorous. Yes, matching with the shoes. This | :06:31. | :06:36. | |
is for you. This is very glamorous. I like this. | :06:36. | :06:39. | |
You have to go on the coach up to Blackpool with everybody. No, no, | :06:39. | :06:49. | |
:06:49. | :07:05. | ||
no. Is this first class? It's a Dangerously foxy. This week tango. | :07:05. | :07:10. | |
How lucky are you? I am. How is the tango going? Very nicely, thank you | :07:10. | :07:14. | |
very much. And this week, no comedy, totally straight? We didn't do | :07:14. | :07:18. | |
comedy last week. Bless you. It makes us smile though. It makes us | :07:18. | :07:22. | |
joyful, looking good I have to say. Isn't she just. Look at that. | :07:23. | :07:26. | |
some of that, come on. We wish you all the luck in the world this | :07:26. | :07:31. | |
weekend for Broadway. Thank you. Nice to see you, always. Nancy and | :07:31. | :07:33. | |
Anton! APPLAUSE | :07:33. | :07:37. | |
Our professional dancers need no excuse to get dressed up and show | :07:37. | :07:41. | |
off. But can you guess which one of them is dancing in disguise? Steady | :07:41. | :07:51. | |
:07:51. | :08:01. | ||
# In the jungle the mighty jungle, the lion sleeps tonight. # | :08:01. | :08:07. | |
So who is the dancer in disguise. Find out later in the show. | :08:07. | :08:10. | |
Now, it's Wednesday, which can only mean one thing. He's been waiting | :08:10. | :08:16. | |
in the wings all week for this moment, it is the collectable Ian | :08:16. | :08:26. | |
:08:26. | :08:29. | ||
Waite with Waite's Wednesday Warm He's here Ian Waite, thank goodness. | :08:29. | :08:36. | |
It is our first ever Strictly Broadway special. I know! | :08:36. | :08:40. | |
# That jazz! # Seven styles of dancing this week. | :08:40. | :08:46. | |
Let's have the first peek at couples in the training room. | :08:46. | :08:50. | |
difficult to compare everybody's dancing. They're doing a jive. | :08:50. | :08:56. | |
Anita and Robin here. If I stop it here, look at his knee. Nice and | :08:56. | :09:00. | |
bent. He's creating this pumping action with the knee. I'd like to | :09:00. | :09:05. | |
see that a bit more with Anita's legs, all the way through that. | :09:05. | :09:10. | |
do we need a bent knee with the jive? If we pick up the knee it's | :09:10. | :09:14. | |
creates the jive look. It's a bit too close to the ground at the | :09:14. | :09:18. | |
moment. I like that. Let's have a look at Holly and Artem, who are | :09:18. | :09:22. | |
doing the tango this week. Holly's been doing very well. I'm always | :09:22. | :09:25. | |
excited when I see these two. You never know what they're going to | :09:25. | :09:31. | |
bring to the table. The beginning is very lyrical, it's very acting. | :09:31. | :09:36. | |
Here I've stopped it for the reason that she's creating a very long arm | :09:36. | :09:42. | |
with his connecting hand. Is that not good. No, it's so far above her | :09:42. | :09:47. | |
head. If she bent her arm more, he would get a more compact lead. | :09:47. | :09:51. | |
Would that be ease tkwror turn her around? Yeah it would make her | :09:51. | :09:56. | |
quicker in effect. Holly, take note. Lulu and Brendan did great last | :09:56. | :10:00. | |
week. She got through the routine. We were thrilled. This week a rumba. | :10:00. | :10:05. | |
That's a very difficult dance. Rumba is a difficult dance. It's so | :10:05. | :10:09. | |
slow and controlled. To be honest, Lulu is falling over all over the | :10:09. | :10:13. | |
place. But, I will say, there say light at the end of the tunnel. | :10:13. | :10:18. | |
Watch here, we're going to slow this down, look at her do this | :10:18. | :10:22. | |
standing eros around, perfectly without any wobbles. That's good. | :10:22. | :10:26. | |
That's quite amazing. You're pleased with her? That's the | :10:26. | :10:30. | |
hardest step and she does it perfectly. If only she could walk | :10:30. | :10:35. | |
like that. Take encouragement from that. Let's talk about Alex and | :10:35. | :10:41. | |
James. Ballroom again this week. She's doing... Hang on Lulu's face | :10:41. | :10:49. | |
here, hilarious. "Will that do?" Yes. We love you. Alex and James | :10:49. | :10:54. | |
with the Viennese waltz. quality of movement has improved | :10:54. | :11:00. | |
again. I'm not completely happy with the hold. The reason is... | :11:00. | :11:05. | |
What's wrong? I'll highlight that. Alex's hand. If you're going to do | :11:05. | :11:10. | |
man. Why am I always the man? It's the size of me. You just want to be | :11:10. | :11:17. | |
the girl. It's a bit kinky like that. I want it to be nice and flat. | :11:17. | :11:22. | |
If she gets the shoulder back she'll have more room. Last week | :11:22. | :11:27. | |
everyone was saying I was shamelessly flirting with you. It's | :11:27. | :11:31. | |
all right he's a close personal friend of my husband. I have | :11:31. | :11:37. | |
permission. Let's look at Chelsee and Paddy Ashdown ya. The footage | :11:37. | :11:40. | |
has come hot off the press. We haven't had much chance to look at | :11:40. | :11:46. | |
this. She's doing the cha-cha. I think it will suit her. She's | :11:46. | :11:51. | |
very cheeky Chelsee. This dance is compact, Latin, it suits her | :11:51. | :11:55. | |
character. She looks so confident, the way she's looking into Pasha's | :11:55. | :11:58. | |
eyes. She looks like she's having a good time. You're looking forward | :11:58. | :12:04. | |
to Broadway week? I am. All that jazz! We will talk about the boys | :12:04. | :12:06. | |
later. The gorgeous, Ian Waite! APPLAUSE | :12:07. | :12:12. | |
In a few moments, the king and queen of the leaderboard, Jason and | :12:12. | :12:17. | |
Kristina, will be here. First a taster of our Bondi boy's weekend | :12:17. | :12:22. | |
highlights. Jason, you are a real showman. You | :12:22. | :12:29. | |
were in character, even before the music started. You commit 100% to | :12:29. | :12:32. | |
your performance. Your head position needs attention, | :12:32. | :12:37. | |
especially in the standing spin. But classy, stylish, magnificent | :12:37. | :12:43. | |
routine! Can you be top of the leaderboard two weeks running? I | :12:43. | :12:53. | |
:12:53. | :12:57. | ||
think so. I can't believe it. Living up to last week is a | :12:57. | :13:03. | |
difficult thing. I think nine is pretty damn good week two. He knows | :13:03. | :13:11. | |
how to act and that's what we have to do on the floor. | :13:11. | :13:16. | |
I can't believe it. I love that bit. Jason and Kristina, welcome to the | :13:16. | :13:16. | |
show. APPLAUSE | :13:17. | :13:21. | |
Second week at the top. Congratulations. That's great. You | :13:21. | :13:23. | |
must have been so confident in your routine when you went out on | :13:23. | :13:31. | |
Saturday? Kristina shaking her head? The foxtrot is a very | :13:31. | :13:36. | |
concentrated dance. I think with the cha-cha-cha, I had a bit more | :13:36. | :13:41. | |
of my personality, if I'm true, trying to find the character, the | :13:41. | :13:46. | |
precision, being slower is a bit more difficult, I think. Once | :13:46. | :13:51. | |
you're in a moment... You look like you're enjoying it there. That's a | :13:51. | :13:55. | |
big smile. That's a professional smile, I have to say. And you got | :13:55. | :14:00. | |
the first nine of the series. Just week two. Kristina, your first ever | :14:00. | :14:05. | |
nine on Strictly. I know, thank you. She deserves it. Well deserved. | :14:05. | :14:09. | |
Thank you. Where do you go from here? Will we see tens? Well, I | :14:09. | :14:13. | |
don't know. You know what, I hope we're not going to go down, that's | :14:13. | :14:19. | |
for sure. Not every single dance is going to suit Jason I suppose. | :14:19. | :14:22. | |
There will be some difficult weeks ahead and some good weeks ahead. | :14:22. | :14:27. | |
But all I can say is that he's an amazing pupil to have. He's so | :14:27. | :14:32. | |
dedicated and so wants to get it right. We work our hardest. We're | :14:32. | :14:36. | |
going to try and do another great performance. And a politicianist | :14:36. | :14:43. | |
that's what I am. We love Vincent for inventing that word. The scores | :14:43. | :14:47. | |
are irrelevant on the basis that you go out and dot best job you can. | :14:47. | :14:50. | |
You're not thinking about being top of the leaderboard. I'm thinking, | :14:51. | :14:56. | |
how can I get a buzz from this routine. That drives me, personally | :14:56. | :15:01. | |
each week. That's little hairs and when you go, wow, this feels good. | :15:01. | :15:05. | |
It felt good. The second one not so much as the first one, but you know, | :15:05. | :15:10. | |
this week is going to be amazing. We must say, you take your training | :15:10. | :15:16. | |
very seriously as is apparent. Occasionally there's a crazy side | :15:16. | :15:19. | |
to Jason that's emerging in training. I don't want your | :15:19. | :15:29. | |
:15:29. | :15:38. | ||
insanity in my head. Just random... ( unintelligible chanting) Don't | :15:38. | :15:48. | |
:15:48. | :15:51. | ||
get frustrated. Toe, heel, toe... When you think about the step ahead, | :15:51. | :15:58. | |
you're already in the wrong position. Turn, heel... Oh, the | :15:58. | :16:07. | |
cameraman. Five, six, seven, eight. You did say you had a warped sense | :16:07. | :16:11. | |
of humour. It's so intense training that you have to let it out. This | :16:11. | :16:15. | |
week Broadway, you're doing the tango to Gloria Gaynor's I Will | :16:15. | :16:19. | |
Survive, which is from Priscilla. You were in the stage show of that. | :16:19. | :16:25. | |
You must be excited. Really excited. This is my spiritual home, as it | :16:25. | :16:30. | |
were. I think the wonderful thing about the tango is the passion and | :16:30. | :16:34. | |
the fire and what we've got with Priscilla is a bit opposite to that | :16:34. | :16:38. | |
as well. You are driving two cars at one time. I was saying to | :16:38. | :16:43. | |
someone before it's like a Monet painting and a Gilbert and George. | :16:43. | :16:49. | |
I hope you're following all these cultural references. Sorry, it's | :16:49. | :16:53. | |
exciting. It's a really exciting and fun. We have to switch | :16:53. | :16:57. | |
characters. I like that. Unlike Priscilla you're not in drag. | :16:58. | :17:02. | |
You're in traditional dress, are you? You'll have to watch! Nice | :17:03. | :17:08. | |
tease! And Craig mentioned when he was on the show, head position, are | :17:08. | :17:13. | |
you working on that? Yes he was absolutely right. We worked on it | :17:13. | :17:17. | |
very hard and hopefully in tango it will be better. It's a shame, | :17:17. | :17:21. | |
because in rehearsals his posture was much better. You get so nervous | :17:21. | :17:26. | |
when you're out there. Yeah, yeah. It doesn't matter how many shows | :17:26. | :17:32. | |
you do professionally in theatre or whatever you do, I still can't, you | :17:32. | :17:34. | |
still can't understand how difficult it is to hit it right in | :17:34. | :17:38. | |
those one minute 30 seconds. much to remember. Good luck with | :17:38. | :17:41. | |
the tango. Maybe we'll seat tens, who knows. Jason and Kristina! | :17:41. | :17:46. | |
APPLAUSE Right, now Ian is back for more | :17:46. | :17:49. | |
Waite's Wednesday Warm Up. We're going to talk about the boys now in | :17:49. | :17:54. | |
their Broadway week. Who's first? First up Rory and Erin. They're | :17:54. | :17:58. | |
dancing a quickstep. I'm going to stop it very early on because I | :17:58. | :18:03. | |
have a few issues really. Oh, dear. have a few issues really. Oh, dear. | :18:03. | :18:06. | |
Yes, first with this leg... What's wrong? It shouldn't be so high. | :18:06. | :18:09. | |
When you're dancing in quickstep, you should just pick up the knee | :18:09. | :18:14. | |
and lift the foot under you. flicking out. Unless you have a | :18:14. | :18:21. | |
charleston step. Like that. If they carry on, you can see Erin has | :18:21. | :18:25. | |
given him quite tricky steps. that a good thing? I think at this | :18:25. | :18:30. | |
early stage it's quite a risk, but he seems to be coping very well. He | :18:30. | :18:35. | |
has a very good fluid moving in the ballroom dancing. I think it will | :18:35. | :18:38. | |
be a good dance for him. That was Tuesday's training. Harry and | :18:38. | :18:43. | |
Aliona are doing the jive this week. Talk me through their training. | :18:43. | :18:47. | |
This is quite a long intro without any jive steps, now they're doing | :18:47. | :18:53. | |
all of this, which is all very lyrical and acting. It is Broadway. | :18:53. | :18:57. | |
It is Broadway, obviously we're going to be doing that, swing there. | :18:57. | :19:05. | |
Then we're going into some chassis, pivoting. Tha all jive? Jive-ish. | :19:05. | :19:10. | |
You want more jive. If I show you here, he missed the flicks there, | :19:10. | :19:14. | |
but here he's going to do flicks and kicks. Pointy toe, good. | :19:14. | :19:17. | |
does it very well. I'm hoping there's more to the routine that we | :19:17. | :19:22. | |
can see at the moment. Dan and Katya are doing the Viennese waltz | :19:22. | :19:26. | |
for Broadway. Back to ballroom. I think this dance suits him | :19:26. | :19:29. | |
tremendously and for such a difficult dance, he's doing | :19:29. | :19:35. | |
extremely well. Here, we're going to stop it here. He's going into an | :19:35. | :19:40. | |
oversway. Now can you see that gap? Yeah. Is that not good? No, it's | :19:40. | :19:45. | |
not. I would like his elbows kept up. Keep the T shape in the back. I | :19:45. | :19:50. | |
keep on about that. He needs to maintain it even when going into an | :19:50. | :19:55. | |
oversway like that. Could that make the difference between a six and a | :19:55. | :19:59. | |
seven? It would for me, if I was judging. One day, it may come. | :19:59. | :20:05. | |
Always the bridesmaid. Audley and Natalie and their quickstep, how's | :20:05. | :20:08. | |
Audley looking? You know, we're only seeing the intro again. I | :20:08. | :20:12. | |
think it's early days. It's a bit unfair to be judging him too much. | :20:13. | :20:18. | |
What I would like personally with Audley is to see him when he's | :20:18. | :20:22. | |
making a step or making an arm movement is dance it through the | :20:22. | :20:27. | |
body to create that. Through the body to a hand finishing or through | :20:27. | :20:31. | |
the body to a step. It all looks very pedestrianised with arms and | :20:31. | :20:36. | |
legs at the moment. But this is very early on. It's difficult to | :20:36. | :20:40. | |
say. You may see that. Let's look at Robbie and Ola. Robbie did | :20:40. | :20:45. | |
brilliant last week. This week the tango. Another ballroom dance. It | :20:45. | :20:49. | |
should suit Robbie, although I'm not too happy with his hold. What's | :20:49. | :20:54. | |
wrong with it? Now I'm going to highlight the whole thing because | :20:54. | :20:57. | |
the top half needs to be much stronger in tango. It's very | :20:57. | :21:01. | |
willowy and all over the place. He's overrotating. This is a | :21:01. | :21:06. | |
ballroom, a normal ballroom hold, waltz or foxtrot, which is quite | :21:06. | :21:16. | |
:21:16. | :21:17. | ||
Now tango, more compact and we maintain that strong frame. | :21:17. | :21:23. | |
gosh. Break my neck there. Never in time. Lovely to be back there. | :21:23. | :21:30. | |
That was good. It's the only dancing I get to do these days. | :21:30. | :21:35. | |
That was Robbie and Ola from Monday. They will have improved vastly by | :21:35. | :21:40. | |
Wednesday. Thank sow much. Will you come back next week? It's always a | :21:40. | :21:44. | |
pleasure to be here with you. Waite! | :21:44. | :21:45. | |
APPLAUSE Now, | :21:45. | :21:46. | |
Now, can | :21:46. | :21:46. | |
Now, can you | :21:46. | :21:46. | |
Now, can you predict | :21:46. | :21:49. | |
Now, can you predict who my next couple is? He's been described as | :21:49. | :21:54. | |
camper than a row of tents. Yes, Russell and his partner, Flavia are | :21:54. | :21:59. | |
here. First here's how they lit up the dance floor at the weekend. | :21:59. | :22:03. | |
What it lacked in technique and content, it made up for in fun and | :22:03. | :22:08. | |
entertainment. You put the boy in flamboyant. Jo a dancing queen you | :22:08. | :22:18. | |
:22:18. | :22:24. | ||
You have more glitter, fun and enjoyment than a carnival float. | :22:24. | :22:30. | |
Amazing marks! I'm here to really, really enjoy myself. I love Flavia. | :22:30. | :22:34. | |
I love the judges. I love the audience. I love life because I've | :22:34. | :22:44. | |
:22:44. | :22:45. | ||
It's Russell and Flavia! APPLAUSE | :22:45. | :22:49. | |
Welcome. Lovely to see you both again. Your second standing ovation, | :22:49. | :22:54. | |
Russell. How did that feel? weren't just me. And Flavia. Sorry. | :22:54. | :22:59. | |
It was both of us. I never know it's happening. It's normally | :22:59. | :23:04. | |
Flavia and Bruce who say "Look, look." I'm so grateful to everyone. | :23:04. | :23:11. | |
I mean, I never expected standing ovations. I expected tolerance. | :23:11. | :23:16. | |
Can I say by the way, Ola and James, it's their anniversary today. | :23:16. | :23:25. | |
anniversary. Happy anniversary. many years, do we know? Eight. | :23:25. | :23:34. | |
that pick lily or something? Let's talk about the boa, it made another | :23:34. | :23:39. | |
appearance. It did. We can see it here. Was that wise? I think so, | :23:39. | :23:45. | |
yeah. We had a little costume malfunction at the end where the | :23:45. | :23:52. | |
flower wasn't sewn on strongly enough. You dealt with it well. I | :23:53. | :23:57. | |
hadn't even noticed. Exactly. We had done the dancing by then. It | :23:57. | :24:01. | |
was fine. The thing we're loving about you two is that you enjoy | :24:01. | :24:04. | |
yourselves so much. It is infectious. If I had a pound for | :24:04. | :24:09. | |
every time you said "fabulous" or "love it" I'd be a very rich woman. | :24:09. | :24:17. | |
Check this out. Shall we... Dance. Fabulous. Oh, wonderful. I love | :24:17. | :24:24. | |
that. Oh, divine. I love it. It's so sexy. Fabulous. How mad is this, | :24:25. | :24:34. | |
:24:35. | :24:35. | ||
it's fabulous. Fantastic. Music, lights, action! Fabulous number. | :24:35. | :24:44. | |
Love it. Fab. Britain today, the world tomorrow. Love that. I love | :24:44. | :24:52. | |
it so much. Wonderful. And you've still got to fight a little bit to | :24:52. | :24:58. | |
keep those elbows up. Elbows up. Always up. Is it | :24:58. | :25:03. | |
wonderful to train someone who is so enthusiastic? Absolutely, yes. I | :25:04. | :25:08. | |
couldn't ask for more. It's a joy every day. The hours fly by. It's | :25:08. | :25:13. | |
5pm before we know it and it feels like 12 o'clock. It's Broadway this | :25:13. | :25:18. | |
week. Fabulous. Wonderful. You did a little sneaky audition for the | :25:18. | :25:22. | |
judges. They didn't seem that impressed. Let's have a look. | :25:22. | :25:32. | |
:25:32. | :25:35. | ||
you're ready girls. I quite like the short one. | :25:35. | :25:39. | |
They were impressed. Holly went. I'm in. You're still there. Will | :25:39. | :25:43. | |
you be wearing that little number on the show on Saturday? We did try | :25:43. | :25:49. | |
to go for it, but Moira, the producer, she's the boss. We love | :25:49. | :25:54. | |
her. She decide today must wait. I don't know when till. I'll be voted | :25:54. | :25:58. | |
out before we can wear it. after you said that. They'll be | :25:58. | :26:02. | |
voting like crazy. You're so embroiled in the whole thing you're | :26:02. | :26:07. | |
even dancing in bed. I am. It's true. I bashed into my poor old dad | :26:07. | :26:12. | |
the other night coming out of the loo at 3am. I was doing a salsa... | :26:12. | :26:18. | |
I thought you were saying the whole family is in one bed. Like Willy | :26:18. | :26:26. | |
Wonka! I said "Sorry dad." And moved off. About 4am I had the | :26:26. | :26:29. | |
World Service on, suddenly I felt the duvet moving, I thought what's | :26:29. | :26:34. | |
going on here. It was my feet! They were doing what Flavia had taught | :26:34. | :26:40. | |
me the day before. See, he is such a guy. What a lovely picture of | :26:40. | :26:43. | |
life. You're doing the foxtrot. It's the first time we're going to | :26:44. | :26:47. | |
see you doing ballroom. Are we going to see a different side to | :26:47. | :26:52. | |
ballroom? Here I go, look at me there, wow. | :26:52. | :26:56. | |
Good chest movement. Coming together. I'm very jealous as well | :26:56. | :27:00. | |
because you are dancing to one of my favourite songs of all time. | :27:01. | :27:05. | |
yes. Don't Rain On My Parade from Funny Girl. Fab. Great number. | :27:05. | :27:10. | |
Barbara Streisand. Why did you choose that one? We were given that, | :27:10. | :27:17. | |
weren't we. Yeah we were, but it's one of yours. Yeah it is. We now | :27:17. | :27:22. | |
want Fanny Bryce, we'll find something for Flavia. Our producers | :27:22. | :27:26. | |
have taken note. It has been written down. A great number though. | :27:26. | :27:33. | |
You're loving it. The judges loving the entertainment factor and May | :27:33. | :27:36. | |
posted "Of course Russell is entertaining, why don't they give | :27:36. | :27:41. | |
him credit for being a great dancer too." Would you like more | :27:41. | :27:44. | |
constructive criticism? No, not really. What they're saying is | :27:44. | :27:47. | |
really nice. It's wonderful that people have said that. Did it | :27:48. | :27:53. | |
really say that? Yes. Thank you. Lovely May. So good to see you both. | :27:53. | :27:58. | |
We do adore you. I want to give you a standing ovation. Thank you, I'll | :27:58. | :28:00. | |
give you one back. It's all love here. | :28:00. | :28:05. | |
APPLAUSE Great to see you both again. Good | :28:05. | :28:09. | |
luck this weekend. I'm sitting down now, come with me, earlier on we | :28:09. | :28:12. | |
set you a cheeky It Takes Two challenge to see if you could | :28:12. | :28:22. | |
:28:22. | :28:28. | ||
recognise which of our pros was Ah, he may be out of the | :28:28. | :28:32. | |
competition but Vincent is still our main attraction. Thanks to all | :28:32. | :28:37. | |
our guests today. I'm back live tomorrow at 6.30pm with Harry and | :28:37. | :28:39. | |
Aliona, Harry and Artem and Lulu and Brendan, plus all the latest | :28:39. | :28:43. |