Episode 8 Strictly - It Takes Two


Episode 8

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Coming up on Wednesday's It Takes Two: Last weekend, Nancy and Anton

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were bottom of the leaderboard. Jason and Kristina foxtrotted to

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the top. Both couples are here. It's taken him 60 years for a

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standing ovation, now he's had two. Dancing queen Russell and Flavia

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drop in for a chat. Plus, I've been waiting all week to see him again,

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Ian is back to give us his low down on the training in Waite's

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Wednesday Warm Up. This is Strictly Live from Television Centre, this

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is Strictly It Takes Two. Please welcome your host, Zoe Ball!

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# And all that jazz # APPLAUSE

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I can only apologise. Hello and welcome to the spectacular It Takes

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Two. I've got my jazz hands out for a reason today, not just for fun,

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because today is our first glimpse of this weekend's Broadway routines.

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It is going to be a show stopper. CHEERING

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It's going to be better than that, but before we get started, I have

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breaking news. Everyone at It Takes Two and strictly would like to say

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hearty congratulations to Bruce Forsyth, as today his title was

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made official when he was knighted by the Queen!

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APPLAUSE Congratulations Sir Bruce. Well

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done. Now onto our first act. Last Saturday, their dance left Bruno

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amazed, Alesha confused and gave Len a right eyeful. Nancy and Anton

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will be here after this reminder of Absolutely no idea where you were.

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But with great style and glamour. The most exciting part when -- was

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when I took a crafty glance up your dress. I'm confused I couldn't work

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out if you were trying to be funny or if it was just funny. I've never

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been so insulted in my life. think you broke records actually

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how many times somebody went wrong. So that's an achievement. I thought

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it was good, didn't snu I thought it was definitely good. The judges

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were silly tonight. They were being silly and provocative. No, they're

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completely wrong. Please welcome Nancy and Anton!

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APPLAUSE Nice to see you. Lovely to see you.

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Congratulations first, may have been bottom of the leaderboard but

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not in the bottom two, how did that feel when you heard your name

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called out? Of course, we were happy. I was happy. I have to say

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something I learned, a moment we couldn't really express because at

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the same time, somebody has this called off, it was a strange moment.

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It was mixed emotion. Sad to see people go. Yes, it's not nice, was

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not really enough time, you know somebody else is going to leave and

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was not very nice. Bless you. But you're still here. I'm here. That

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can only be a good thing. Alesha was confused. Was it supposed to be

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funny or not? Clear that up for us. No. We can have some subtitles next

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week so everybody can understand what kind of reaction we can have,

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they have to laugh or cry. We make it easy. So it wasn't supposed to

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be funny then Anton. When Alesha They'll be smooching in a moment.

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Yes, yes. You were hurt? Oh, yes. To be honest with you, I'd

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forgotten what you'd said. Ask me another. There was one judge who

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definitely enjoyed that little number and that was Len. He had you

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there legs akimbo on the desk. That must have been an exciting moment

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for Len. That should have been an incredible exciting moment for her

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-- for him. We got a five. I was disappointed with a five. I think

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you should have got a seven for that. You give him your best side

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and everything. They were not judging that part of my body.

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If they were judging that part of your body, it would have been a

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full ten. Ten? 11! Were you nervous. You had some risque moves, sweeping

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around, big lifts, jumping off the desk, going down into the kind of

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vacuum thing. That's the floor traditionally. I was little bit

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scared but we had time to try and rehearsal so everything fine. I

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like to take risk. It was controlled risk. I knew that I can

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rely on his shoulders and his lift. It was fun. It definitely was fun.

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I thought the beginning was the best bit. After that you didn't

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want to think about it. All the judge as greed that you bring

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glamour to this competition, even in the training room. Have a look

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at this. She's a very stylish woman, very

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sophisticated, very stylish. Glamorous. I love that. She's

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changed to something more glamorous. Yes, matching with the shoes. This

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is for you. This is very glamorous. I like this.

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You have to go on the coach up to Blackpool with everybody. No, no,

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no. Is this first class? It's a Dangerously foxy. This week tango.

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How lucky are you? I am. How is the tango going? Very nicely, thank you

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very much. And this week, no comedy, totally straight? We didn't do

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comedy last week. Bless you. It makes us smile though. It makes us

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joyful, looking good I have to say. Isn't she just. Look at that.

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some of that, come on. We wish you all the luck in the world this

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weekend for Broadway. Thank you. Nice to see you, always. Nancy and

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Anton! APPLAUSE

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Our professional dancers need no excuse to get dressed up and show

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off. But can you guess which one of them is dancing in disguise? Steady

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# In the jungle the mighty jungle, the lion sleeps tonight. #

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So who is the dancer in disguise. Find out later in the show.

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Now, it's Wednesday, which can only mean one thing. He's been waiting

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in the wings all week for this moment, it is the collectable Ian

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Waite with Waite's Wednesday Warm He's here Ian Waite, thank goodness.

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It is our first ever Strictly Broadway special. I know!

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# That jazz! # Seven styles of dancing this week.

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Let's have the first peek at couples in the training room.

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difficult to compare everybody's dancing. They're doing a jive.

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Anita and Robin here. If I stop it here, look at his knee. Nice and

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bent. He's creating this pumping action with the knee. I'd like to

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see that a bit more with Anita's legs, all the way through that.

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do we need a bent knee with the jive? If we pick up the knee it's

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creates the jive look. It's a bit too close to the ground at the

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moment. I like that. Let's have a look at Holly and Artem, who are

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doing the tango this week. Holly's been doing very well. I'm always

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excited when I see these two. You never know what they're going to

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bring to the table. The beginning is very lyrical, it's very acting.

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Here I've stopped it for the reason that she's creating a very long arm

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with his connecting hand. Is that not good. No, it's so far above her

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head. If she bent her arm more, he would get a more compact lead.

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Would that be ease tkwror turn her around? Yeah it would make her

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quicker in effect. Holly, take note. Lulu and Brendan did great last

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week. She got through the routine. We were thrilled. This week a rumba.

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That's a very difficult dance. Rumba is a difficult dance. It's so

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slow and controlled. To be honest, Lulu is falling over all over the

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place. But, I will say, there say light at the end of the tunnel.

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Watch here, we're going to slow this down, look at her do this

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standing eros around, perfectly without any wobbles. That's good.

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That's quite amazing. You're pleased with her? That's the

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hardest step and she does it perfectly. If only she could walk

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like that. Take encouragement from that. Let's talk about Alex and

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James. Ballroom again this week. She's doing... Hang on Lulu's face

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here, hilarious. "Will that do?" Yes. We love you. Alex and James

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with the Viennese waltz. quality of movement has improved

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again. I'm not completely happy with the hold. The reason is...

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What's wrong? I'll highlight that. Alex's hand. If you're going to do

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man. Why am I always the man? It's the size of me. You just want to be

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the girl. It's a bit kinky like that. I want it to be nice and flat.

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If she gets the shoulder back she'll have more room. Last week

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everyone was saying I was shamelessly flirting with you. It's

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all right he's a close personal friend of my husband. I have

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permission. Let's look at Chelsee and Paddy Ashdown ya. The footage

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has come hot off the press. We haven't had much chance to look at

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this. She's doing the cha-cha. I think it will suit her. She's

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very cheeky Chelsee. This dance is compact, Latin, it suits her

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character. She looks so confident, the way she's looking into Pasha's

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eyes. She looks like she's having a good time. You're looking forward

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to Broadway week? I am. All that jazz! We will talk about the boys

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later. The gorgeous, Ian Waite! APPLAUSE

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In a few moments, the king and queen of the leaderboard, Jason and

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Kristina, will be here. First a taster of our Bondi boy's weekend

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highlights. Jason, you are a real showman. You

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were in character, even before the music started. You commit 100% to

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your performance. Your head position needs attention,

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especially in the standing spin. But classy, stylish, magnificent

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routine! Can you be top of the leaderboard two weeks running? I

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think so. I can't believe it. Living up to last week is a

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difficult thing. I think nine is pretty damn good week two. He knows

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how to act and that's what we have to do on the floor.

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I can't believe it. I love that bit. Jason and Kristina, welcome to the

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show. APPLAUSE

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Second week at the top. Congratulations. That's great. You

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must have been so confident in your routine when you went out on

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Saturday? Kristina shaking her head? The foxtrot is a very

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concentrated dance. I think with the cha-cha-cha, I had a bit more

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of my personality, if I'm true, trying to find the character, the

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precision, being slower is a bit more difficult, I think. Once

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you're in a moment... You look like you're enjoying it there. That's a

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big smile. That's a professional smile, I have to say. And you got

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the first nine of the series. Just week two. Kristina, your first ever

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nine on Strictly. I know, thank you. She deserves it. Well deserved.

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Thank you. Where do you go from here? Will we see tens? Well, I

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don't know. You know what, I hope we're not going to go down, that's

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for sure. Not every single dance is going to suit Jason I suppose.

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There will be some difficult weeks ahead and some good weeks ahead.

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But all I can say is that he's an amazing pupil to have. He's so

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dedicated and so wants to get it right. We work our hardest. We're

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going to try and do another great performance. And a politicianist

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that's what I am. We love Vincent for inventing that word. The scores

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are irrelevant on the basis that you go out and dot best job you can.

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You're not thinking about being top of the leaderboard. I'm thinking,

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how can I get a buzz from this routine. That drives me, personally

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each week. That's little hairs and when you go, wow, this feels good.

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It felt good. The second one not so much as the first one, but you know,

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this week is going to be amazing. We must say, you take your training

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very seriously as is apparent. Occasionally there's a crazy side

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to Jason that's emerging in training. I don't want your

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insanity in my head. Just random... ( unintelligible chanting) Don't

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get frustrated. Toe, heel, toe... When you think about the step ahead,

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you're already in the wrong position. Turn, heel... Oh, the

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cameraman. Five, six, seven, eight. You did say you had a warped sense

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of humour. It's so intense training that you have to let it out. This

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week Broadway, you're doing the tango to Gloria Gaynor's I Will

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Survive, which is from Priscilla. You were in the stage show of that.

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You must be excited. Really excited. This is my spiritual home, as it

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were. I think the wonderful thing about the tango is the passion and

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the fire and what we've got with Priscilla is a bit opposite to that

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as well. You are driving two cars at one time. I was saying to

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someone before it's like a Monet painting and a Gilbert and George.

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I hope you're following all these cultural references. Sorry, it's

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exciting. It's a really exciting and fun. We have to switch

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characters. I like that. Unlike Priscilla you're not in drag.

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You're in traditional dress, are you? You'll have to watch! Nice

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tease! And Craig mentioned when he was on the show, head position, are

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you working on that? Yes he was absolutely right. We worked on it

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very hard and hopefully in tango it will be better. It's a shame,

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because in rehearsals his posture was much better. You get so nervous

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when you're out there. Yeah, yeah. It doesn't matter how many shows

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you do professionally in theatre or whatever you do, I still can't, you

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still can't understand how difficult it is to hit it right in

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those one minute 30 seconds. much to remember. Good luck with

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the tango. Maybe we'll seat tens, who knows. Jason and Kristina!

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APPLAUSE Right, now Ian is back for more

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Waite's Wednesday Warm Up. We're going to talk about the boys now in

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their Broadway week. Who's first? First up Rory and Erin. They're

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dancing a quickstep. I'm going to stop it very early on because I

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have a few issues really. Oh, dear. have a few issues really. Oh, dear.

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Yes, first with this leg... What's wrong? It shouldn't be so high.

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When you're dancing in quickstep, you should just pick up the knee

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and lift the foot under you. flicking out. Unless you have a

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charleston step. Like that. If they carry on, you can see Erin has

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given him quite tricky steps. that a good thing? I think at this

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early stage it's quite a risk, but he seems to be coping very well. He

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has a very good fluid moving in the ballroom dancing. I think it will

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be a good dance for him. That was Tuesday's training. Harry and

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Aliona are doing the jive this week. Talk me through their training.

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This is quite a long intro without any jive steps, now they're doing

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all of this, which is all very lyrical and acting. It is Broadway.

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It is Broadway, obviously we're going to be doing that, swing there.

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Then we're going into some chassis, pivoting. Tha all jive? Jive-ish.

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You want more jive. If I show you here, he missed the flicks there,

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but here he's going to do flicks and kicks. Pointy toe, good.

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does it very well. I'm hoping there's more to the routine that we

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can see at the moment. Dan and Katya are doing the Viennese waltz

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for Broadway. Back to ballroom. I think this dance suits him

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tremendously and for such a difficult dance, he's doing

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extremely well. Here, we're going to stop it here. He's going into an

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oversway. Now can you see that gap? Yeah. Is that not good? No, it's

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not. I would like his elbows kept up. Keep the T shape in the back. I

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keep on about that. He needs to maintain it even when going into an

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oversway like that. Could that make the difference between a six and a

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seven? It would for me, if I was judging. One day, it may come.

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Always the bridesmaid. Audley and Natalie and their quickstep, how's

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Audley looking? You know, we're only seeing the intro again. I

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think it's early days. It's a bit unfair to be judging him too much.

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What I would like personally with Audley is to see him when he's

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making a step or making an arm movement is dance it through the

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body to create that. Through the body to a hand finishing or through

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the body to a step. It all looks very pedestrianised with arms and

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legs at the moment. But this is very early on. It's difficult to

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say. You may see that. Let's look at Robbie and Ola. Robbie did

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brilliant last week. This week the tango. Another ballroom dance. It

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should suit Robbie, although I'm not too happy with his hold. What's

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wrong with it? Now I'm going to highlight the whole thing because

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the top half needs to be much stronger in tango. It's very

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willowy and all over the place. He's overrotating. This is a

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ballroom, a normal ballroom hold, waltz or foxtrot, which is quite

:21:06.:21:16.
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Now tango, more compact and we maintain that strong frame.

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gosh. Break my neck there. Never in time. Lovely to be back there.

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That was good. It's the only dancing I get to do these days.

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That was Robbie and Ola from Monday. They will have improved vastly by

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Wednesday. Thank sow much. Will you come back next week? It's always a

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pleasure to be here with you. Waite!

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APPLAUSE Now,

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Now, can

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Now, can you

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Now, can you predict

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Now, can you predict who my next couple is? He's been described as

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camper than a row of tents. Yes, Russell and his partner, Flavia are

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here. First here's how they lit up the dance floor at the weekend.

:21:59.:22:03.

What it lacked in technique and content, it made up for in fun and

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entertainment. You put the boy in flamboyant. Jo a dancing queen you

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You have more glitter, fun and enjoyment than a carnival float.

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Amazing marks! I'm here to really, really enjoy myself. I love Flavia.

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I love the judges. I love the audience. I love life because I've

:22:34.:22:44.
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It's Russell and Flavia! APPLAUSE

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Welcome. Lovely to see you both again. Your second standing ovation,

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Russell. How did that feel? weren't just me. And Flavia. Sorry.

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It was both of us. I never know it's happening. It's normally

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Flavia and Bruce who say "Look, look." I'm so grateful to everyone.

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I mean, I never expected standing ovations. I expected tolerance.

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Can I say by the way, Ola and James, it's their anniversary today.

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anniversary. Happy anniversary. many years, do we know? Eight.

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that pick lily or something? Let's talk about the boa, it made another

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appearance. It did. We can see it here. Was that wise? I think so,

:23:39.:23:45.

yeah. We had a little costume malfunction at the end where the

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flower wasn't sewn on strongly enough. You dealt with it well. I

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hadn't even noticed. Exactly. We had done the dancing by then. It

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was fine. The thing we're loving about you two is that you enjoy

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yourselves so much. It is infectious. If I had a pound for

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every time you said "fabulous" or "love it" I'd be a very rich woman.

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Check this out. Shall we... Dance. Fabulous. Oh, wonderful. I love

:24:17.:24:24.

that. Oh, divine. I love it. It's so sexy. Fabulous. How mad is this,

:24:25.:24:34.
:24:35.:24:35.

it's fabulous. Fantastic. Music, lights, action! Fabulous number.

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Love it. Fab. Britain today, the world tomorrow. Love that. I love

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it so much. Wonderful. And you've still got to fight a little bit to

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keep those elbows up. Elbows up. Always up. Is it

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wonderful to train someone who is so enthusiastic? Absolutely, yes. I

:25:04.:25:08.

couldn't ask for more. It's a joy every day. The hours fly by. It's

:25:08.:25:13.

5pm before we know it and it feels like 12 o'clock. It's Broadway this

:25:13.:25:18.

week. Fabulous. Wonderful. You did a little sneaky audition for the

:25:18.:25:22.

judges. They didn't seem that impressed. Let's have a look.

:25:22.:25:32.
:25:32.:25:35.

you're ready girls. I quite like the short one.

:25:35.:25:39.

They were impressed. Holly went. I'm in. You're still there. Will

:25:39.:25:43.

you be wearing that little number on the show on Saturday? We did try

:25:43.:25:49.

to go for it, but Moira, the producer, she's the boss. We love

:25:49.:25:54.

her. She decide today must wait. I don't know when till. I'll be voted

:25:54.:25:58.

out before we can wear it. after you said that. They'll be

:25:58.:26:02.

voting like crazy. You're so embroiled in the whole thing you're

:26:02.:26:07.

even dancing in bed. I am. It's true. I bashed into my poor old dad

:26:07.:26:12.

the other night coming out of the loo at 3am. I was doing a salsa...

:26:12.:26:18.

I thought you were saying the whole family is in one bed. Like Willy

:26:18.:26:26.

Wonka! I said "Sorry dad." And moved off. About 4am I had the

:26:26.:26:29.

World Service on, suddenly I felt the duvet moving, I thought what's

:26:29.:26:34.

going on here. It was my feet! They were doing what Flavia had taught

:26:34.:26:40.

me the day before. See, he is such a guy. What a lovely picture of

:26:40.:26:43.

life. You're doing the foxtrot. It's the first time we're going to

:26:44.:26:47.

see you doing ballroom. Are we going to see a different side to

:26:47.:26:52.

ballroom? Here I go, look at me there, wow.

:26:52.:26:56.

Good chest movement. Coming together. I'm very jealous as well

:26:56.:27:00.

because you are dancing to one of my favourite songs of all time.

:27:01.:27:05.

yes. Don't Rain On My Parade from Funny Girl. Fab. Great number.

:27:05.:27:10.

Barbara Streisand. Why did you choose that one? We were given that,

:27:10.:27:17.

weren't we. Yeah we were, but it's one of yours. Yeah it is. We now

:27:17.:27:22.

want Fanny Bryce, we'll find something for Flavia. Our producers

:27:22.:27:26.

have taken note. It has been written down. A great number though.

:27:26.:27:33.

You're loving it. The judges loving the entertainment factor and May

:27:33.:27:36.

posted "Of course Russell is entertaining, why don't they give

:27:36.:27:41.

him credit for being a great dancer too." Would you like more

:27:41.:27:44.

constructive criticism? No, not really. What they're saying is

:27:44.:27:47.

really nice. It's wonderful that people have said that. Did it

:27:48.:27:53.

really say that? Yes. Thank you. Lovely May. So good to see you both.

:27:53.:27:58.

We do adore you. I want to give you a standing ovation. Thank you, I'll

:27:58.:28:00.

give you one back. It's all love here.

:28:00.:28:05.

APPLAUSE Great to see you both again. Good

:28:05.:28:09.

luck this weekend. I'm sitting down now, come with me, earlier on we

:28:09.:28:12.

set you a cheeky It Takes Two challenge to see if you could

:28:12.:28:22.
:28:22.:28:28.

recognise which of our pros was Ah, he may be out of the

:28:28.:28:32.

competition but Vincent is still our main attraction. Thanks to all

:28:32.:28:37.

our guests today. I'm back live tomorrow at 6.30pm with Harry and

:28:37.:28:39.

Aliona, Harry and Artem and Lulu and Brendan, plus all the latest

:28:39.:28:43.

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