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It's Thursday. Coming up: Big improvements - Lulu and Brendan and | :00:10. | :00:15. | |
Holly and Artem are here to tell me if they can deliver another sell- | :00:15. | :00:19. | |
out performance. Harry was criticised for his posture. Can | :00:19. | :00:22. | |
Aliona set him straight? I get the first look inside the Strictly | :00:22. | :00:27. | |
costume cupboard to find out what the celebrity also be wearing for | :00:27. | :00:37. | |
:00:37. | :00:38. | ||
Broadway week. This is It Takes Two. -- celebrities will be wearing for | :00:38. | :00:48. | |
:00:48. | :01:08. | ||
Live from Television Centre, this is Strictly Come Dancing: It Takes | :01:08. | :01:18. | |
Two. Here's Zoe! Hello. Welcome to It Takes Two. 47 | :01:18. | :01:22. | |
hours 53 minutes and 15 seconds until show time. We can officially | :01:22. | :01:27. | |
get excited about the weekend. A seven different dance styles are | :01:27. | :01:32. | |
being showcased this weekend. Every routine will have a Broadway twist. | :01:32. | :01:36. | |
In a moment, I will be talking to Harry and Aliona. Before that, | :01:36. | :01:46. | |
:01:46. | :01:52. | ||
let's look at how the boys are It's Broadway week. This is my | :01:52. | :01:57. | |
backyard. I have never played in Broadway. It will be a bit camp. | :01:57. | :02:03. | |
It's going to have strength, body, passion. I want to map out again | :02:03. | :02:06. | |
from here. Jason is a perfectionist. He works so hard. He is so | :02:06. | :02:12. | |
dedicated. He is wearing me out. One... Two, three, four. I have | :02:12. | :02:17. | |
never had a student like him. I'm so happy that we work well together. | :02:17. | :02:21. | |
It has to be entertainment at the end of the day. That is what I am | :02:21. | :02:25. | |
interested in. Petrified! We will try our hardest to be the best. | :02:25. | :02:35. | |
Camp, entertainment, lots of fun. Job done! It is the first time ever | :02:35. | :02:45. | |
:02:45. | :02:47. | ||
on Strictly they have done a Broadway week. Ah! He is musical. | :02:47. | :02:54. | |
He has to relax. You have to let everything out that is in your mind | :02:54. | :02:59. | |
and leave it outside. Count. aware she is challenging me this | :02:59. | :03:04. | |
week. That is why I get so disappointed. Arms up. Rory is | :03:04. | :03:10. | |
starting to get it. This is my week, if I can get it right. I have to | :03:10. | :03:20. | |
:03:20. | :03:26. | ||
get it right first! Yes! A little This week, it's tango to Mama Mia! | :03:26. | :03:31. | |
We raised the bar last Saturday. We need to make sure we do another | :03:31. | :03:35. | |
amazing dance. The judges' scores have given me confidence. I know I | :03:35. | :03:41. | |
can do it now. No, not around me. It is quick. I felt so ill today. | :03:41. | :03:51. | |
:03:51. | :03:54. | ||
One, two... That's horrible. Struggling. I can't spin. I am | :03:54. | :03:59. | |
horrendous at spinning around. That was horrible. Is he throwing up? | :03:59. | :04:09. | |
:04:09. | :04:11. | ||
I can be the first person to be So far so good. Some similaritys to | :04:12. | :04:16. | |
the waltz. Characters will hopefully come from the story. | :04:16. | :04:22. | |
going to try to get Dan into the character of the dance. I want to | :04:22. | :04:28. | |
do it justice. You can go like... As well as doing Katya justice of | :04:28. | :04:37. | |
course. Like what? I can act, look at this. Worried. Scared. It was | :04:37. | :04:47. | |
good. Horror! That will be a challenge to get to the acting | :04:47. | :04:51. | |
levels that I will need to really sell it. Good. I felt the passion | :04:51. | :05:01. | |
:05:01. | :05:03. | ||
This week, I'm doing the quickstep which is Natalie Lowes' favourite | :05:03. | :05:08. | |
dance. I am driven not to be in that bottom two. I will be working | :05:08. | :05:12. | |
around-the-clock to learn the dance routines. It will make us pull our | :05:12. | :05:18. | |
finger out. This is Natalie in focus mode. Up and toe and toe... | :05:18. | :05:20. | |
I'm fighting my way through with that motivation. I will try and | :05:20. | :05:26. | |
clean myself up a bit so I look more polished. That is one of my | :05:26. | :05:31. | |
focuses. It will be fantastic. I'm making him work. It is not going to | :05:31. | :05:36. | |
be easy. I'm working so, so hard so I'm not in the bottom two. I got | :05:36. | :05:46. | |
This is our first ballroom dance this week, Broadway week. It's a | :05:46. | :05:49. | |
fabulous number. We are doing the foxtrot. I am very nervous about | :05:49. | :05:53. | |
this. It is a different technique. It is a different style. I want him | :05:53. | :05:57. | |
to dance, which he's been doing. I want there to be some technical | :05:57. | :06:03. | |
element. When you get to foxtrot, it is more contained. It will be a | :06:03. | :06:07. | |
hard one for me. I don't know if this is the week I'm born to do | :06:07. | :06:11. | |
Broadway week. Museically, it is. Not sure about the dance. I want to | :06:11. | :06:21. | |
be where the music takes me -- musically, it is. Where does it | :06:21. | :06:27. | |
take me? To a theatre, the West End! We are dancing the jive. The | :06:27. | :06:30. | |
problem is the technique seems to be the complete opposite to the | :06:30. | :06:38. | |
first Latin dance. I feel like Bambi. We are doing Grease. I'm | :06:38. | :06:45. | |
sure he can pull off the character. Getting into the character help mes. | :06:45. | :06:54. | |
Yeah. If you look -- Getting into the character helps me. Yeah. | :06:54. | :06:58. | |
you look silly, you can blame it on the character. This routine is cool. | :06:58. | :07:07. | |
If I can get the steps, we can have fun. Very good. First on the sofa | :07:07. | :07:15. | |
tonight, please welcome Harry and Aliona. APPLAUSE Well done on | :07:15. | :07:20. | |
Saturday night. They like you. Well done on Saturday night. We couldn't | :07:20. | :07:24. | |
help but notice that Len, who looked a bit upset, that on the | :07:24. | :07:28. | |
show last week, on this very show, you happened to say that you didn't | :07:28. | :07:34. | |
listen to what the judges said. Naughty girl! Yes. We have had | :07:34. | :07:40. | |
words. If Len is watching at home - morning - have you got a message | :07:40. | :07:46. | |
for him? Well, as I said last week, I do listen. I do respect the | :07:46. | :07:52. | |
comments. We had a great dance last Saturday. Yeah. We were pleased | :07:52. | :07:58. | |
with it. The comments were very fair and very supportive, which was | :07:58. | :08:02. | |
really good. Well done! APPLAUSE Let's hope she's done enough. Len | :08:02. | :08:08. | |
is here tomorrow. We will see. Harry, there was a lot of chat | :08:08. | :08:13. | |
about you being undermarked. Any comment on that? Well, that's | :08:13. | :08:19. | |
lovely to hear. As Aliona said, when we watched it back, we were | :08:19. | :08:23. | |
pleased. But there were posture issues there. What the judges said, | :08:23. | :08:28. | |
they were right. Looking back, I was happy. The first ballroom dance | :08:28. | :08:32. | |
I have ever done so obviously lots of room for improvement. I am | :08:32. | :08:37. | |
pleased people felt that we did well. It is a good sign. They are | :08:37. | :08:40. | |
obviously enjoying what you are doing. Craig said he would have | :08:40. | :08:44. | |
given you one or two more points if your posture was better. Have you | :08:44. | :08:51. | |
been working on this? I am sat here like that! LAUGHTER This week is | :08:51. | :08:55. | |
different. Completely different technique. So hopefully if we get | :08:55. | :08:59. | |
through next week, we will be working hard on the posture. OK. It | :08:59. | :09:08. | |
is Broadway this week. Harry, we are concerned that you might be | :09:08. | :09:11. | |
underdressed! Harry needs to remember to play it | :09:11. | :09:18. | |
up to the audience and to enjoy himself. I need you to smile. | :09:18. | :09:23. | |
# Smile, smile... # Where's the smile? It is pretty | :09:23. | :09:31. | |
funny to see him kind of go... # Show us your teeth. # | :09:31. | :09:37. | |
I'm not used to smiling. I'm not used to dancing! If I start smiling, | :09:37. | :09:44. | |
it might distract me. You look so serious. What do you want me to do? | :09:44. | :09:50. | |
Smile! Smile! I always laugh when he's trying to concentrate and he | :09:50. | :10:00. | |
:10:00. | :10:01. | ||
gets the serious face. You don't want a big cheesy grin either. | :10:01. | :10:08. | |
LAUGHTER Where have I got this reputation from? You have to follow | :10:09. | :10:14. | |
Aliona's advice. Look at that. Is it awkward when Aliona is giggling | :10:14. | :10:20. | |
at you? She laughs at me. When I'm trying my hardest, with my game | :10:20. | :10:25. | |
face on... It is worse for me! She's gone! The foxtrot last week. | :10:25. | :10:30. | |
The jive couldn't be further apart. The jive this week. We have some | :10:30. | :10:36. | |
footage of you in training. You are dancing to Grease. You are doing | :10:36. | :10:41. | |
Grease Lightning. This is quite a nice tale. Didn't you miss out | :10:41. | :10:48. | |
playing Danny? Yes, I auditioned for Grease at school to be a T-Bird, | :10:48. | :10:52. | |
but I didn't make it. I was put in the chorus line. This is my chance. | :10:52. | :10:57. | |
This is your moment. What did get the part? My best friend who I | :10:57. | :11:04. | |
ended up living with for four years. He is jealous now. Has he given you | :11:04. | :11:08. | |
any tips on being Danny? He said you have to give it a bit of that. | :11:08. | :11:12. | |
I have my leathers on today. are getting into character now. The | :11:12. | :11:16. | |
hair is going up at the front. Who do you think your main competition | :11:16. | :11:20. | |
is? The boys - everyone has been saying the boys are very strong | :11:20. | :11:24. | |
this year. Who are your biggest rivals? I get asked this. I think | :11:24. | :11:28. | |
everyone, really. Everyone's amazing. The girls, too, are | :11:28. | :11:33. | |
fantastic. They are all so lovely. Some great dancers, great | :11:33. | :11:37. | |
personalities in it. It is impossible to say. It is only early | :11:37. | :11:40. | |
days. It will all change. I was looking around on Sunday, thinking | :11:40. | :11:46. | |
who is going to go? You can never tell. Exactly. I agree with that. | :11:46. | :11:50. | |
Everyone is doing great. You have done well for Len. Well done. Good | :11:50. | :11:56. | |
luck on Saturday. Harry and Aliona. APPLAUSE Earlier today, I managed | :11:56. | :12:00. | |
to grab a couple of minutes with the Strictly costume department to | :12:00. | :12:04. | |
get a first glimpse at what the couples will be wearing this | :12:04. | :12:08. | |
weekend. Hello, this is Vicky from the wardrobe department. Possibly | :12:08. | :12:12. | |
the hardest working part of the Strictly family. Broadway week this | :12:12. | :12:17. | |
week. Is that exciting for you to dress them in Broadway themes? | :12:17. | :12:24. | |
really exciting. It is a good week. We are working with choreography, | :12:24. | :12:28. | |
production and our skill designing the costumes. Great skills you | :12:28. | :12:34. | |
have! Let's talk about Nancy. Is she fun to dress? Yes, I love Nancy. | :12:34. | :12:38. | |
This is Nancy's dress. She is doing This is Nancy's dress. She is doing | :12:38. | :12:44. | |
the tango? Look at that. She is in her hot fiery red. We have a corset | :12:44. | :12:48. | |
detail running down the dress with open sides. Open sides? She had | :12:48. | :12:55. | |
mesh before. Is there no mesh? mesh. She is going meshless! Let's | :12:55. | :13:02. | |
look at the material. She will be in red. Yes. Looks quite sexy. It | :13:02. | :13:11. | |
isn't a corset. She needs to be able to move. And are there lots of | :13:11. | :13:17. | |
fittings for each costume? Nancy has had the most fittings thus far. | :13:17. | :13:22. | |
Why does that not surprise me?! week she was very quick. She knew | :13:22. | :13:29. | |
from one This week she was very quick. She knew from one look. Who | :13:29. | :13:34. | |
is going for the most daring this week? Holly. It is bra cups, | :13:34. | :13:39. | |
elastic and a lot of mesh. Wow! The thing is, she is doing a number | :13:39. | :13:43. | |
from Chicago. If you think of the stage show, the girls did wear very | :13:43. | :13:50. | |
little. Yes. What about the boys? Jason is not going to shy away from | :13:50. | :13:56. | |
a fancy number. He is doing tango. We have a classic number where he | :13:56. | :14:02. | |
will have a tux and a pink shirt! We have another option which is a | :14:02. | :14:11. | |
lot of pink. Two options for Jason. He is doing something from | :14:11. | :14:18. | |
Priscilaa. It has to be the pink. I am loving the fact he has not made | :14:18. | :14:21. | |
a decision yet. How close to the wire do you work with the costumes? | :14:21. | :14:25. | |
We say Wednesday. It is never Wednesday. It is always Thursday. | :14:25. | :14:31. | |
Today we cut a new frock for someone. You won't say who? What is | :14:31. | :14:35. | |
under the gold cloth? We have lots of sparkle. It is beautiful! Looks | :14:35. | :14:39. | |
like a Princess. Somebody is going to be wearing that on Saturday? | :14:39. | :14:44. | |
They are. I can't tell you who it is. Russell?! I think I might know | :14:44. | :14:47. | |
who will be wearing that. It is beautiful. We can't wait to see | :14:48. | :14:53. | |
what they are wearing on Saturday, especially Holly. Good luck. Thank | :14:53. | :14:59. | |
you. See you next week. Thank you very much. Now we all | :14:59. | :15:03. | |
breathed a huge sigh of relief when Lulu and Brendan got through their | :15:03. | :15:06. | |
routine on Saturday night. They will be joining me in a second. | :15:06. | :15:14. | |
First, let's take a look at how they did it. So much better than | :15:14. | :15:18. | |
last week. You look much more focused and in control. Now you | :15:18. | :15:21. | |
have to work on the polish. Your feet need a bit more conviction. | :15:21. | :15:28. | |
Your posture needs to be a bit stronger. You played it with the | :15:28. | :15:32. | |
emotional fragility of a teenager in love whose heart is about to be | :15:32. | :15:38. | |
broken. What an improvement on last week! I think they were very | :15:38. | :15:44. | |
generous to me tonight. I feel relieved that it wasn't ones and | :15:44. | :15:53. | |
twos and threes. I love you Alesha and even Craig wasn't so bad! Yes! | :15:53. | :16:00. | |
Lulu and Brendan are here. APPLAUSE We are here! We are not home. | :16:00. | :16:08. | |
done, that girl. I can't tell you! She did it! I got through. | :16:08. | :16:12. | |
nervous were you? Before going on and doing that dance that you would | :16:12. | :16:18. | |
forget the steps again? I was nervous about everything. He was - | :16:18. | :16:24. | |
before I was going... Don't focus on anyone, keep focused. Just | :16:24. | :16:29. | |
before we do the live show, when the music starts, Lulu is like this | :16:29. | :16:34. | |
talking to the crowd. "Can you please focus on your dance?!" | :16:34. | :16:37. | |
was beautiful. You made it through it. That is the most important | :16:37. | :16:42. | |
thing. Brendan, did you choreograph it with Lulu's ability to get | :16:42. | :16:52. | |
through it in mind? Not so much... Yes, you did! That is the trick. | :16:52. | :16:56. | |
listened to the music and I don't know why but the mirror came to me | :16:56. | :17:00. | |
and seeing each other in the mirror. I wanted to do it justice | :17:00. | :17:04. | |
emotionally. I love dance that is really emotional and attached to | :17:04. | :17:09. | |
the music. I think we achieved that. We had lovely comments on Twitter | :17:09. | :17:13. | |
and Facebook. It's a lovely little thing to keep you going for the | :17:13. | :17:21. | |
next week. Yes. Jon said, "Lulu was amazing, she will keep getting | :17:21. | :17:26. | |
better and better." Isn't it sweet when people have that optimism? | :17:26. | :17:31. | |
did demonstrate such vulnerability. Did you have to dig deep to convey | :17:31. | :17:36. | |
those emotions? He did! I did. I tried really hard. I think after | :17:37. | :17:43. | |
the first week, it was such a mess. I'm finding it difficult this week, | :17:43. | :17:51. | |
too. This week is worse! It doesn't get easier! The song we are dancing | :17:51. | :17:58. | |
to, the way we are doing it, it is very emotional. He has done the | :17:58. | :18:03. | |
most beautiful choreography that I actually feel like I'm Jennifer | :18:04. | :18:10. | |
Gray and he is Patrick Swayze! Before we talk about that because | :18:10. | :18:14. | |
you are doing the rumba, we have a lovely moment from Saturday night. | :18:14. | :18:17. | |
This is where you are in the studio and you are getting ready to do | :18:17. | :18:23. | |
your dance. This is moments before and this is when we are watching | :18:23. | :18:29. | |
the story of your training and this is what was happening in the studio. | :18:29. | :18:34. | |
To your spot, nice and calm. Focus on the beginning. Focus on the | :18:34. | :18:40. | |
mirror. Look at each other and it will be beautiful. Knock them dead. | :18:40. | :18:50. | |
:18:50. | :18:55. | ||
You can do it. Whatever happens, I'm here to hold you! You and me. | :18:55. | :19:05. | |
:19:05. | :19:06. | ||
No audience. Just you. It is a real touching moment. The things you get. | :19:06. | :19:12. | |
A side of Brendan you don't get to see! I look after my girls, if I | :19:12. | :19:17. | |
can. Rumba this week, it is Broadway, what techniques are you | :19:17. | :19:21. | |
using to remember your steps? remember the steps? Practising with | :19:21. | :19:27. | |
him! I video him on my camera and try to copy him. If I can get | :19:27. | :19:33. | |
anywhere near as good, look... is looking good. Nice legs. It is | :19:33. | :19:40. | |
controversial. I have bruised ribs. We are doing a dance that's - it is | :19:40. | :19:46. | |
Broadway week. To do it justice, it can't be a simple rumba. I haven't | :19:46. | :19:51. | |
got that much rumba content in it. I never saw any rumba in there. | :19:51. | :19:56. | |
Craig will love it. Len might not. I am hoping the audience will love | :19:56. | :20:06. | |
:20:06. | :20:08. | ||
it. I don't know any other girl who would want to do that dance with | :20:08. | :20:13. | |
him! How is it, transferring it from the dance studio into the | :20:13. | :20:20. | |
television studio, which you do tomorrow? Where am I?! It is mind- | :20:20. | :20:24. | |
blowing to get on that stage because there's all the history | :20:24. | :20:29. | |
with the show and everything. Then you go, where was it we did it? | :20:29. | :20:32. | |
is an amazing feeling to be doing what you have worked so hard for. | :20:32. | :20:36. | |
You have one chance to do it and the audience are anticipating what | :20:36. | :20:43. | |
is... It is amazing. You know how it feels! I'm getting clammy palms. | :20:43. | :20:50. | |
Good luck on Saturday. Lulu and Brendan! APPLAUSE Oh. Before I chat | :20:50. | :20:54. | |
to Holly and Artem, let's take a trip back to the training rooms | :20:54. | :20:59. | |
where the girls are working hard to embrace the leading lady within | :20:59. | :21:09. | |
:21:09. | :21:10. | ||
them. This week myself and Alex are dancing the Viennese waltz. It is | :21:10. | :21:13. | |
from Cats. The difficulty we have got is theming our dance to the | :21:13. | :21:19. | |
musical. We have been crawling around like cats. Can't dance as a | :21:19. | :21:25. | |
cat! The dance is kind of atmospheric and quite dramatic. | :21:25. | :21:31. | |
What is difficult is the tempo changes. I'm going hell-for-leather | :21:31. | :21:39. | |
around the studio. All of a sudden in the zone. I don't know which | :21:39. | :21:49. | |
:21:49. | :21:53. | ||
country I'm in let alone which step This week we are doing the jive. | :21:53. | :22:00. | |
I'm ecstatic about doing this dance. The jive is another mad, busy dance. | :22:00. | :22:05. | |
We could both go for the hairspray! Yes! It is going to be fun and | :22:05. | :22:12. | |
fabulous. We have got a lift - two lifts I suppose in the jive. Some | :22:12. | :22:20. | |
are scary and some are not so scary. It's great fun. I'm loving learning | :22:20. | :22:30. | |
:22:30. | :22:33. | ||
This week I'm doing a slow rumba. Whatever that is. I'm really | :22:33. | :22:39. | |
excited about this week. The song we've got is fantastic. Yes. Turn. | :22:39. | :22:47. | |
Between the feet. Like a clutz! This dance is about the emotion. I | :22:47. | :22:53. | |
want to have Craig crying his eyes out at the end of the number. There | :22:54. | :23:00. | |
was not enough... I can't get it. I'm worried. Very worried. Get your | :23:00. | :23:05. | |
head up and get over it! Here it is. There. Oh that's different, Lulu! | :23:05. | :23:09. | |
Isn't it?! If she trusts me, I will get her through it. If she doesn't, | :23:09. | :23:19. | |
it will be tough. I don't know if I This week, we are doing cha-cha. A | :23:19. | :23:24. | |
little bit similar to salsa. A lot of hip action. We can take a lot of | :23:24. | :23:27. | |
comments which judges gave us and put them into dance right away. It | :23:27. | :23:32. | |
is about your position, it is all about your body movement. I will | :23:32. | :23:36. | |
try and tone it down a little so it is not as full-on. One, two - stop. | :23:36. | :23:41. | |
That was so much better. It feels like last week was a breaking point | :23:41. | :23:46. | |
for Chelsea. Now she got into the groove and she becomes a dancer. | :23:46. | :23:51. | |
She is like boom, boom! Sorry. love it. You are putting energy | :23:51. | :23:54. | |
into it. I'm picking the steps up quicker than I have done for the | :23:54. | :24:04. | |
:24:04. | :24:07. | ||
past two weeks. The first part was This week it will be a tango. The | :24:07. | :24:12. | |
truth is, who knows! I will do something to you that will surprise | :24:12. | :24:20. | |
you. Told you. Good. Absolutely brilliant. Nice. Then we go... I | :24:20. | :24:27. | |
like that. I said nothing. You kick-off. Why you kick-off? We will | :24:27. | :24:33. | |
serious today or not? Don't start. Get over there. When I leave you, | :24:33. | :24:41. | |
you go home and do you sleep? Things are getting better. | :24:41. | :24:50. | |
This week, we are doing a tango from a musical Chicago. The | :24:50. | :24:55. | |
standard of that song is so high that we will have to push the bar | :24:55. | :25:03. | |
further. Broadway week is just not my bag. This is my payback for | :25:03. | :25:10. | |
never going to musicals. I can't stand them. Why are you stepping? | :25:10. | :25:14. | |
Ow! We need to nail the timing of it. The problem we had was the | :25:14. | :25:19. | |
timing. Not eight - seven. It's a brain-teaser with the footwork. | :25:19. | :25:27. | |
Five, six, seven. Why am I getting there for seven? This is super-hard. | :25:27. | :25:33. | |
Give it up for Holly and Artem. APPLAUSE Obviously the training is | :25:34. | :25:39. | |
paying off. Did I see you biting him there? Quite possibly! That was | :25:39. | :25:43. | |
probably not the worst thing I did to him that day. Great scores once | :25:43. | :25:52. | |
again. The judges seem to want you to let go? This week is easier. It | :25:52. | :25:56. | |
is Broadway week. It is easier for me to play characters than be | :25:56. | :26:00. | |
myself. I feel exposed. This week I can have more fun. Your acting | :26:01. | :26:08. | |
skills must come in handy? They do now, I hope. Fingers crossed. We | :26:08. | :26:15. | |
must mention Len on Saturday said the limbo bit was like a mechanic | :26:15. | :26:19. | |
checking for an oil leak. What did you think of their comments? | :26:19. | :26:25. | |
loved it. I try to make exciting routines. If it works, it works. | :26:25. | :26:31. | |
worked for us. We loved it. We were quite excited to spot a | :26:31. | :26:34. | |
reappearance of The Terminator on the BBC One show on Saturday night. | :26:34. | :26:42. | |
Look at this. It is really quick. Thank you for that. That was such a | :26:42. | :26:47. | |
gift. Holly, you have shown you are confident in the Latin. How is it | :26:47. | :26:50. | |
different with the ballroom? Well, I wish I could say I knew the | :26:50. | :26:58. | |
difference. I thought I was doing Latin until yesterday. Posture and | :26:58. | :27:05. | |
holding my head a certain way, that's been difficult. A frame. | :27:05. | :27:09. | |
frame. I'm working on my frame. are learning a new word each day. | :27:09. | :27:14. | |
Sometimes it is too much to take on board. We can see a bit of your | :27:14. | :27:20. | |
training here. Oh God! Timing is critical in the tango, I am told. | :27:20. | :27:25. | |
Craig was pointing out your timing last week. How is that going? | :27:25. | :27:34. | |
going! LAUGHTER It is going great. That was the beginning of the week. | :27:34. | :27:41. | |
Yeah, you know... You have got an incredible set, can you reveal a | :27:41. | :27:47. | |
bit about your set... Of what? Studio set! Sorry. This is a family | :27:47. | :27:57. | |
:27:57. | :27:59. | ||
show! Thanks, Zoe! Bring it back, Artem! Anyway, we have - because we | :27:59. | :28:05. | |
are doing this song, it's from Chicago, we are getting this cell | :28:05. | :28:11. | |
cage... There's a cage?! She has been a bad student so if she is not | :28:11. | :28:17. | |
doing a good job, she is staying in the cell cage! I'm loving the idea | :28:17. | :28:23. | |
of this. Let's check out the outfit. Your Holly - temperatures will be | :28:23. | :28:27. | |
rising. That is what Holly is wearing. Artem, we are worried they | :28:27. | :28:30. | |
might not finish yours in time. We have this for you should you need | :28:31. | :28:35. | |
it on Saturday night. Thank you very much. Give it up for Holly and | :28:35. | :28:39. | |
Artem. Good luck this weekend. That is all we have time for tonight. | :28:39. | :28:48. |