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It's Friday. Coming up on tonight's show, he's Strictly's head judge | :00:12. | :00:16. | |
and I've got an audience with him. Len Goodman is here. The curtain | :00:16. | :00:23. | |
about to go up on the Broadway special. I'll chat to an anyone ta | :00:23. | :00:28. | |
and Chelsee and Pasha. John Barrowman and the stars of | :00:28. | :00:37. | |
Footloose join us for our first Friday panel. This is Strictly - It | :00:37. | :00:47. | |
:00:47. | :01:13. | ||
Live from Television Centre, this is Strictly - It Takes Two. Here's | :01:13. | :01:22. | |
Zoe! Hello. Welcome to Friday's It Takes | :01:22. | :01:27. | |
Two. I don't know if we've mentioned it, but it is a Broadway | :01:27. | :01:30. | |
special tomorrow. Yes, in less than 24 hours, the | :01:30. | :01:35. | |
stage will be set for our 13 remaining couples. Between them | :01:35. | :01:40. | |
they are tackling seven different dances with a lot of props, themes | :01:40. | :01:43. | |
and costumes. It will be a heck of a show. One man they all have to | :01:43. | :01:47. | |
impress is good gd good. His word is final. | :01:47. | :01:56. | |
-- is good good good. -- is Len Goodman. Don't go on like that. You | :01:56. | :02:01. | |
are getting on my wick. There was a tendency for you to be standing | :02:01. | :02:09. | |
there while Ola flew about like a waps at a picnic. It was like a | :02:09. | :02:16. | |
mechanic checking for an oil leak. As Michael Winner would say, "Calm | :02:16. | :02:22. | |
down, dear." I took a crafty look up your dress! | :02:22. | :02:28. | |
Please welcome Strictly's head judge, Mr Len Goodman. | :02:28. | :02:34. | |
Oh, welcome, Sir. Welcome, Sir. Lovely to have you. Lovely to be | :02:34. | :02:41. | |
here. You grace our sofa. We are a tiny bit excited about the Broadway | :02:41. | :02:47. | |
week. What will it bring to the show? I think the big problem is | :02:47. | :02:55. | |
for the professionals. We want to see Broadway. I don't want it to | :02:55. | :02:59. | |
lose, whichever dance they do, the character of the dance. And my | :02:59. | :03:07. | |
worry and fear, because you know I'm the old fuddy-duddy. I want to | :03:07. | :03:15. | |
see elements of the dance. I don't want wham-bam thank you mam - I | :03:15. | :03:19. | |
want to see proper dancing. If they get that right it will be fantastic. | :03:19. | :03:23. | |
Are you impressed with the tricks and the throws? Look, I do | :03:23. | :03:28. | |
understand the professionals have got a challenge. They've got to try | :03:28. | :03:35. | |
and please us judges, especially me, the old technical guy. Also they've | :03:35. | :03:40. | |
got to be flamboyant and impress the viewers and give everybody | :03:40. | :03:45. | |
something to wow about. They have to get that balance - the wow and | :03:45. | :03:50. | |
the how. Get them right and there we go! Then you'll be happy. What | :03:50. | :03:54. | |
about Nancy and Anton. They have struggled a bit. What would your | :03:54. | :04:00. | |
advice be to them? Anton is a superb ballroom dancer. He's | :04:00. | :04:07. | |
dancing a tango. If anyone can dance the tango, it's Anton. He's a | :04:07. | :04:14. | |
wonderful teacher. If I was given Anton advice, I would say, "Anton, | :04:14. | :04:20. | |
don't mess about." A proper dance. It doesn't have to be overly | :04:20. | :04:25. | |
flamboyant, a proper tango, and you'll make me happy. All that | :04:25. | :04:35. | |
:04:35. | :04:37. | ||
Aliona was on the show and she apologised for saying she never | :04:38. | :04:41. | |
listened to the dances. What do you think about the pro dancers when | :04:41. | :04:46. | |
they give you back-chat? I don't mind, to a degree. We are the | :04:47. | :04:52. | |
judges and they are on trial. So you can't be the judge at your own | :04:52. | :04:56. | |
trial, really. I do understand. Especially if we are over critical | :04:56. | :05:02. | |
and they say, well they want to defend their celebrities and too | :05:02. | :05:07. | |
rightly. It is about a partnership. Good on them. She did some good | :05:07. | :05:13. | |
things. I've gree with them. Especially if -- a-- I agree with | :05:13. | :05:21. | |
them, especially if old frosty knickers is grumpy. He said some | :05:21. | :05:25. | |
harsh things. Is it healthy for judges to have different opinions? | :05:25. | :05:31. | |
When the show first started and I heard who was judging, I thought | :05:31. | :05:37. | |
"This is madness," you should have four ballroom and Latin judges. I | :05:37. | :05:43. | |
was so wrong. If you had got them, you would have has four of me. Who | :05:43. | :05:47. | |
wants that?! We are all very experienced in our own fields. You | :05:47. | :05:53. | |
look at dance through the eyes of your past, you know? So, I think | :05:53. | :06:00. | |
it's great. You get Craig, who is very Finnic ki about this, that and | :06:01. | :06:04. | |
the other. You have Alesha who talks about the fin niece and the | :06:04. | :06:08. | |
fact that she's been on the show. She knows the process. And then you | :06:08. | :06:13. | |
get me, talking about all the funny footwork thing. So everything is | :06:13. | :06:18. | |
covered. It is a nice balance. you had four the same, then you'd | :06:18. | :06:23. | |
only need one judge. It is great. You are doing with Dancing the | :06:23. | :06:27. | |
Stars in America as well. What is the difference with the show in the | :06:27. | :06:33. | |
States? It is basically the same show. You have the person who is | :06:33. | :06:36. | |
Bruce and the person who is Tess. You have three judges, not four. | :06:36. | :06:41. | |
Other than that, it's very, very similar. I would say the Americans | :06:41. | :06:49. | |
are a little bit more up and down, they are standing up with ovations. | :06:49. | :06:53. | |
So they are standing up and giving it plenty of that, which does give | :06:53. | :06:57. | |
a little bit more electricity in the actual room. But you know, we | :06:57. | :07:03. | |
are British. We have reserve. have a bit of reserve. Now, | :07:03. | :07:12. | |
speaking of Dancing With The Stars we have Julianne Huff. What is she | :07:12. | :07:20. | |
like on the dance floor? Here and her brother, Derek and her partner | :07:20. | :07:24. | |
was Mark. I judged them. They all lived in Britain for a long while, | :07:24. | :07:31. | |
from ten to 16. So I judged them as kids, many, many times. From that | :07:31. | :07:39. | |
age onwards they, I knew they were something special. Julianne is a | :07:39. | :07:43. | |
fantastic dancer. It doesn't matter if it is ballroom, contemporary. | :07:43. | :07:50. | |
She can do it all. She's a singer. She's got.... I hate her! Don't it | :07:50. | :07:55. | |
get on your wick! She's good at everything. She's on the show later | :07:55. | :08:03. | |
on. We've some quick-fire questions for you now. Here we go. | :08:03. | :08:10. | |
Question one: Who surprised you the most? Anita Dobson. Who from, the | :08:10. | :08:12. | |
celebrities has shown the most improvement since the launch show? | :08:12. | :08:16. | |
Robbie Savage. Question three, who do you think | :08:16. | :08:21. | |
will be the dark horse of the competition? Chelsee. | :08:21. | :08:25. | |
Question four - how close are you pulling out the first ten of the | :08:25. | :08:30. | |
series? Not close at all, at the moment! And question five, who gets | :08:30. | :08:40. | |
:08:40. | :08:44. | ||
on your wick? Frosty knickers. Thank you so much, Len Goodman. | :08:44. | :08:47. | |
We've been out getting the gossip on another pro dancer. See if you | :08:47. | :08:51. | |
can tell who they are talking about here. Can you guess the dance frer | :08:51. | :08:58. | |
these clues. -- dancer from the clues. She is | :08:58. | :09:03. | |
known as Miss Whiplash. favourite catchphrase is "Shut up." | :09:03. | :09:11. | |
That's all she says. This person is a fan of Michael Buble and me. | :09:11. | :09:15. | |
dancer is very well known for her ballroom dancing. | :09:15. | :09:20. | |
So, who do you think it is? Find out later in the show. Do you know | :09:20. | :09:25. | |
who it is, Len? Of course I know. Don't tell. They are coming up next, | :09:25. | :09:30. | |
but here is a reminder of how Chelsee and Pasha found their Latin | :09:30. | :09:40. | |
:09:40. | :09:43. | ||
You have the energy of a wild kitten. It was too full on. Take it | :09:43. | :09:46. | |
calmer. I would rather you go for it, like that, than hold back. I | :09:47. | :09:50. | |
have to commend you for the lifts. They were daring. Overall, for me, | :09:50. | :09:58. | |
it was brilliant. Such a good jump. I am so proud of | :09:58. | :10:03. | |
you. It was nerve-racking. My legs felt like jelly before we went on. | :10:03. | :10:12. | |
That is good for salsa. She gave everything she'd got and nailed it. | :10:12. | :10:17. | |
Thank you. Thank you. No, thank you. Right! | :10:17. | :10:22. | |
I thought she might lump him then, please welcome Chelsee and Pasha. | :10:22. | :10:27. | |
Can I say, you both look absolutely adorable. Did you hear that, Len | :10:28. | :10:33. | |
said he thought you were the dark horse in this competition? I am | :10:33. | :10:36. | |
surprised. That's really encouraging. He thinks you might go | :10:36. | :10:42. | |
a long, long way. You have a mad schedule at the moment. You are | :10:42. | :10:46. | |
doing Waterloo Road and squeezing in training for this in the | :10:46. | :10:51. | |
evenings, how are you finding it? am shattered. It is so tiring. I am | :10:51. | :10:58. | |
finishing at 7pm filming. Then I'm going to rehearsal until 10.30-11pm. | :10:58. | :11:04. | |
It has took it right out of me. she giving it her all? The good | :11:04. | :11:10. | |
quality she has is she goes for it, no matter what, no matter how tired | :11:10. | :11:14. | |
she is. A top gold star for you. Karen was on the show, and she said | :11:14. | :11:19. | |
she's very impressed with your choreography. You are making it | :11:20. | :11:23. | |
quite tough for Chelsee, aren't you? You are pushing her hard. | :11:23. | :11:28. | |
trying to get it up to the level where it is challenging for her, so | :11:28. | :11:32. | |
she improves every week and not boring for the audience. Do you | :11:32. | :11:35. | |
think, you are doing ambitious leaps and steps. How are you | :11:35. | :11:40. | |
finding that, Chelsee? I am out of my depth. It's too hard for me. It | :11:40. | :11:45. | |
is too hard. I'm having trouble. Do you know what, that's part of | :11:45. | :11:49. | |
the thing we love about you. We see you training during the week. It | :11:49. | :11:52. | |
looks like you are struggling. Come Saturday night, you pull it out the | :11:52. | :11:57. | |
bag. He's like if you can't do it, you've got to fake it. I'm trying | :11:57. | :12:01. | |
to fake it. It is hard. He's pushing me to my limits, which is | :12:01. | :12:04. | |
good. How are you getting on. You are training in Manchester. That is | :12:04. | :12:09. | |
where you are filming. How are you getting on with the lin go? I keep | :12:09. | :12:14. | |
teaching him some, don't I? Just a little bit. At least now I can | :12:14. | :12:20. | |
understand. I cannot speak it. I say certain things to him, he | :12:20. | :12:25. | |
gets what I'm saying, don't I? Are you sure he does? We've had a | :12:25. | :12:31. | |
look at you in training. Sometimes things get Lost in Translation. | :12:31. | :12:39. | |
Every time I say something to Pasha, he'll be like, "What, what - I | :12:39. | :12:49. | |
:12:49. | :12:53. | ||
A nana! It aiz a good 'un. | :12:53. | :13:03. | |
:13:03. | :13:06. | ||
What is that? Don't be draft. What Fussy. | :13:06. | :13:12. | |
What is fossy? Can you send me over e-mail the same thing? Honestly, I | :13:12. | :13:18. | |
don't just understand what she says! | :13:18. | :13:24. | |
That is so glorious. We thought you were talking about Bob Fossy, it | :13:24. | :13:32. | |
was fussy. This week, cha-cha-cha, Broadway theme - how are you | :13:32. | :13:37. | |
finding it? Easy easier than the past two weeks. I haven't got it. | :13:37. | :13:41. | |
Because we've come out of salsa which is the same kind of dance. | :13:41. | :13:47. | |
I've come from that straight into another Latin one, so.... Shall we | :13:47. | :13:55. | |
listen to what you're dancing to. It is from Jersey Boys. You didn't | :13:55. | :14:02. | |
know what it was from. You had to talk to your Nana. That is in | :14:02. | :14:12. | |
grandma, not as in banana. Didn't she tell you about Jersey boy? | :14:12. | :14:17. | |
- Jersey Boys. My gran told me. Does she approve, Chelsee? I am | :14:17. | :14:25. | |
sure she wants to dance with him. She loves him. If we notice | :14:25. | :14:30. | |
something different about Chelsee on the show tomorrow it is because | :14:30. | :14:35. | |
your Nana has slipped in. Look at her dance slippers. Will | :14:35. | :14:41. | |
they make an appearance tomorrow night? I don't think Pasha will let | :14:41. | :14:46. | |
me wear them. Third on the leaderboard last week - can you be | :14:46. | :14:52. | |
nearer the top? We will try our best. We will try our best. | :14:52. | :14:56. | |
hours, 40 minutes and 14 seconds until the live show. We wish you | :14:56. | :15:01. | |
both all the best. Chelsee and Pasha. | :15:01. | :15:05. | |
As we wait in the wings for the Broadway special, what are you | :15:05. | :15:13. | |
making of the show so far? Here's points of view. | :15:13. | :15:18. | |
I've just watched Robbie Savage on It Takes Two with his hair pulled | :15:18. | :15:23. | |
back into a pony tail, please tell him to cut his hair, he would look | :15:23. | :15:31. | |
so much more handsome. They did a great job with the foxtrot last | :15:31. | :15:41. | |
week. I thought Alex did great when she kissed brun know -- Bruno. | :15:41. | :15:46. | |
I would like to see the judges dance, please. | :15:46. | :15:51. | |
Natalie I am hoping to get to dance with Len Goodman in this studio | :15:51. | :15:56. | |
very soon. Don't forget to call us over the weekend to let us know | :15:56. | :16:00. | |
what you think. The phone line is always open. Don't hold back. We | :16:00. | :16:07. | |
will play you some of the best ones on Monday. Call us on: | :16:07. | :16:13. | |
Calls cost 10p from a BT land line. Other networks may vary. Calls from | :16:13. | :16:16. | |
mobiles will cost considerably more. Now time to welcome a panel of | :16:16. | :16:20. | |
guests who know their way around a dance floor and a man who knows a | :16:20. | :16:25. | |
thing or two about musicals. Welcome John Barrowman and the | :16:25. | :16:31. | |
special guests of the new Footloose movie, Julianne Hough and Kenny | :16:31. | :16:41. | |
:16:41. | :16:49. | ||
What an entrance! What an entrance! You are my first Friday panel. Go | :16:49. | :16:55. | |
easy with me. I am so excited for you. Thank goodness you are here. | :16:55. | :16:59. | |
You have won Dancing With The Stars, America's version of Strictly Come | :16:59. | :17:05. | |
Dancing. Twice. Back to back. very impressed. Who out of our | :17:05. | :17:09. | |
couples has stood out for you? There's been a couple. I watched | :17:09. | :17:18. | |
Chelsee and Holly and Jason. Those were the three. Also the astrologer. | :17:18. | :17:24. | |
Russell He is fantastic. I love him. Chelsee has the fire and Holly is | :17:24. | :17:29. | |
technical. They all, you spotted good bits in all of them. Kenny | :17:29. | :17:35. | |
very exciting for us. You will perform with Julianne. What will | :17:35. | :17:42. | |
you do? We're doing a duet to one of the songs from Footloose. It is | :17:42. | :17:52. | |
:17:52. | :17:52. | ||
a remake of Holding out For A Hero. You are the new Kevin Bacon. | :17:52. | :17:59. | |
John.... I will be dancing in the living room. You remember it the | :17:59. | :18:06. | |
first time around. Shut up! It's a Broadway show. How jealous are you, | :18:06. | :18:10. | |
John? I am jealous in the way that I got to do the Christmas show. I | :18:10. | :18:19. | |
won the Christmas show - I thought I'd drop that in - me and my | :18:19. | :18:23. | |
quickstep. I would love to do the series but I don't have the time. | :18:23. | :18:28. | |
That is why I am an avenue individual watcher. Let's look then | :18:28. | :18:33. | |
at all our couples. First Audley and Natalie. This weekend they are | :18:33. | :18:38. | |
doing the quickstep. What do you think Audley needs to work on | :18:38. | :18:43. | |
before tomorrow? He's got the smile. He's got the sexiest smile ever. I | :18:43. | :18:53. | |
don't know, he's got big feet. It looks like you. When you have | :18:53. | :18:59. | |
Masai feet, what is the key to look -- When you have massive feet what, | :19:00. | :19:04. | |
is the key to looking like a dancer? This is what they are | :19:04. | :19:10. | |
dancing to. # It's too darn hot # | :19:10. | :19:14. | |
Very sexy. A good rhythm song. Audley, surprisingly enough he | :19:14. | :19:22. | |
might be flat-footed, but he has great rhythm. He did a Michael | :19:22. | :19:26. | |
Jackson number. The first week. think he'll be OK with this. One of | :19:26. | :19:29. | |
these things, in selling it with Broadway, sometimes if you cannot | :19:29. | :19:33. | |
get the hands or feet right, the best thing they tell you is keep | :19:33. | :19:38. | |
smiling and moving. Give us a show of how that is. Tinge! That is how | :19:38. | :19:47. | |
you do it, ladies and gentlemen. Now they are doing the Viennese | :19:47. | :19:52. | |
Wales. They are listening to Queen. You have been on tour with Justin | :19:52. | :19:56. | |
Timberlake and pussy cat dolls. What would your tip be to Dan to | :19:56. | :20:00. | |
bring out the best? You have to match it with the attitude. Maybe a | :20:00. | :20:05. | |
little more than that tape was. That is rehearsals. You save it for | :20:05. | :20:11. | |
the stage. Feed off the audience. Everyone loves that song. How will | :20:11. | :20:17. | |
he channel his inner Freddie Mercury? Eye liner. Eye liner and | :20:17. | :20:23. | |
hair spray. You have two cans on tonight says she! Robbie and ol la | :20:23. | :20:30. | |
will be doing the -- Ola will be doing the tango. When you won, both | :20:30. | :20:35. | |
times sportsmen. I had athletes. What do they bring? The aggression | :20:35. | :20:40. | |
and the work ethic and they work harder than anybody. So Robbie's | :20:40. | :20:47. | |
doing tango. Yes. I think so. By the way he's a hot little mama. | :20:47. | :20:53. | |
wears more hair spray than any of us. His hair is like thick. He had | :20:54. | :20:59. | |
a flip going on last week. That is a consensus. They are dancing to | :20:59. | :21:05. | |
this. # Give me, give me a man after mied | :21:05. | :21:11. | |
night # How do we -- after midnight How do we bring out the ab ba? | :21:11. | :21:14. | |
He'll look fine. I don't know, the problem I get | :21:14. | :21:24. | |
:21:24. | :21:26. | ||
with him, his legs don't move as ello gapbtly. He's -- elegantly. | :21:26. | :21:31. | |
is a footballer, so he'll be quick. That is all we have time for. That | :21:31. | :21:38. | |
is such a shame. One name from each of you. Who will lift the | :21:39. | :21:44. | |
glitterball? Anita. Audley. They will go into an envelope. I | :21:44. | :21:48. | |
will let you know if you win a prize at the end of the series. | :21:48. | :21:53. | |
What's the prize. Thank you for joining us. John Barrowman, | :21:53. | :22:02. | |
Julianne Hough and Kenny Wormald. I think that was a good first | :22:02. | :22:05. | |
Friday panel. Earlier we set you a teaser. | :22:05. | :22:15. | |
:22:15. | :22:15. | ||
Who was everyone talking about? Did you guess. You guessed it, it's me. | :22:15. | :22:22. | |
Miss Whiplash herself, Erin Boag. I'll be in the studio next store | :22:22. | :22:27. | |
where I hope to talk with Anita and Robin. What is it like to take to | :22:27. | :22:30. | |
the Strictly dance floor and perform live in front of the | :22:30. | :22:36. | |
nation? I still get clamy palms thinking about it. For our couples | :22:36. | :22:41. | |
it's the most intense 90 seconds of their lives. | :22:41. | :22:47. | |
Performing live on Strictly is an unreal feeling. I feel sick. I feel | :22:47. | :22:53. | |
like I get hot and cold. Sweaty palms. I kind of lose my mind. I'm | :22:53. | :22:59. | |
not in my body when I'm doing the dance live, at all. It is terror. | :22:59. | :23:02. | |
Then you have to concentrate and hold that concentration through the | :23:02. | :23:08. | |
90 seconds. It is like a first date. You have the nerves and the | :23:08. | :23:12. | |
butterflies. You know you'll go out and perform or you'll not get a | :23:12. | :23:22. | |
second date. It is tuch. It is like you have to -- Tough. It is like | :23:22. | :23:26. | |
you have to step on a train at 100 miles per hour. If you miss it you | :23:26. | :23:31. | |
never get the moment back. It is so encompassing that it is difficult | :23:31. | :23:35. | |
to be aware of anything else. Enjoyment is like in another | :23:35. | :23:40. | |
country. It's like being an athlete. It's | :23:40. | :23:45. | |
one minute and 30 seconds. If you jump the gun, you are out of the | :23:45. | :23:49. | |
World Championships. Full stop. bigest fear is forgetting the steps. | :23:49. | :23:56. | |
The best way to deal with it is finding confidence in your ability | :23:56. | :24:00. | |
to remember. Being so scared to the point you are shaking. You think | :24:00. | :24:06. | |
everyone can see me. My face looks awkward because I am so nervous. | :24:06. | :24:13. | |
Petrified. All I can feel is Ola squeezing my hand. | :24:13. | :24:20. | |
Go slower. Slow down. The most excruciating, the most nerve- | :24:20. | :24:25. | |
racking, but the most wonderful thing I've ever experienced in the | :24:25. | :24:30. | |
whole of my television career. It's 90 seconds and the music goes | :24:30. | :24:33. | |
away. Then we sort of go, what happened? I don't remember any of | :24:33. | :24:43. | |
:24:43. | :24:45. | ||
it. You are not there. It is like Oh, look, a giant handbag. It might | :24:45. | :24:51. | |
be a clue. We're in the studio. This is where | :24:52. | :24:56. | |
the script is done. We could be naugtdy and change all the words. - | :24:56. | :25:01. | |
- naughty and change all the words. Look, Dan, hello Dan. You are | :25:02. | :25:04. | |
looking calm. You not worried about tomorrow at all. | :25:04. | :25:09. | |
I am, now you have reminded me. Brendan, you are not worried about | :25:09. | :25:19. | |
:25:19. | :25:26. | ||
The first time you've done the jive on the studio. How has it gone? | :25:26. | :25:32. | |
bad. Not bad. Happy Bobby. We like that. Any niggles or anything you | :25:32. | :25:36. | |
have to straighten out for tomorrow's show? The direction of | :25:36. | :25:42. | |
where we're dancing on the floor. It is bigger than our training room. | :25:42. | :25:46. | |
Everything feels bigger. We have to mark it around. Do you get long | :25:46. | :25:50. | |
enough on this big floor before the real show? No. It's what it is. | :25:50. | :25:57. | |
That's all you get. You've got a great tune. Last week, | :25:57. | :26:02. | |
your salsa put Alesha in the mood for cocktails. You are dancing from | :26:02. | :26:09. | |
hair spray. What kind of mood? retro. And it is, has it been easy | :26:09. | :26:19. | |
to learn? It's stamina really. As Leanne said, who was in the | :26:19. | :26:25. | |
original Hair spray, it's about focus. She wanted 50% technique and | :26:25. | :26:32. | |
50% to marry. And the other good thing is, because it's Broadway, | :26:32. | :26:37. | |
you've had a lot of West End experience, does it help you? | :26:37. | :26:43. | |
helps present the character. Usually we get longer. Just a bit, | :26:43. | :26:48. | |
but down to the breaks. Have you given Robin any tips? He does not | :26:48. | :26:55. | |
need tips. He needs holding back. Stop it! Your outfit last week was | :26:55. | :27:02. | |
incredible. What is your jiving costume like? It is very '60s, very | :27:02. | :27:07. | |
Hairspray. It is traditional '60s. Last week you were compared to a | :27:07. | :27:17. | |
:27:17. | :27:18. | ||
barking dal maytion. What role will you -- Dalmation. | :27:18. | :27:24. | |
I will be the dobber man. Are you loving the experience? | :27:24. | :27:31. | |
adore it. Everything about it. 100%. Will you do us a favour? Will you | :27:31. | :27:38. | |
give us a sneaky preview of your jive? Go on! Give them some | :27:38. | :27:43. | |
encouragement. Especially for all of you It Takes Two fans watching | :27:43. | :27:53. | |
:27:53. | :28:29. | ||
at home, here you go, a sneaky look Oh, utterly fabulous. I can't wait. | :28:29. | :28:33. | |
Strictly Come Dancing is on BBC One tomorrow at 6.25pm. Join us on | :28:33. | :28:38. |