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It's Monday and what a weekend! We have the latest Broadway news for | :00:09. | :00:15. | |
you. Coming up: Another couple bites the dust. Dan and Katya are | :00:15. | :00:17. | |
here. Holly's been released from her cage | :00:17. | :00:23. | |
and will be dropping in with Artem. His scores may be lower than one of | :00:23. | :00:29. | |
Robin's tops, but we still love him - Craig Revel Horwood is here. | :00:29. | :00:33. | |
Strictly favourite Dr Pamela Stephenson will be analysing what's | :00:33. | :00:37. | |
really going on between the couples in the training room. This is It | :00:37. | :00:47. | |
:00:47. | :01:16. | ||
Live from Television Centre, this is Strictly. It Takes Two. Please | :01:16. | :01:21. | |
welcome your host, Zoe Ball. APPLAUSE | :01:21. | :01:27. | |
Hello. You all right? Thank you! Hello and welcome to It Takes Two, | :01:27. | :01:31. | |
Broadway weekend did not disappoint. Wasn't it good? There were lights, | :01:31. | :01:35. | |
cameras and action. Unfortunately, it was the final curtain for Dan | :01:35. | :01:40. | |
and Katya. They will be joining me in a moment. First, if you missed | :01:40. | :01:48. | |
out, do not despair. Here is a round-up of the highs and the lows. | :01:48. | :01:54. | |
For me, you are the most improved dancer. You looked elegant and | :01:54. | :02:01. | |
dreamy. Wonderful! You didn't really capture for me the spirit of | :02:01. | :02:10. | |
the samba. Mr Mr Showbiz! There were lots of style but no substance. | :02:10. | :02:20. | |
Illegal lifts will not be tolerated and will be penalised. Stu-pen- | :02:20. | :02:30. | |
:02:30. | :02:33. | ||
dous! The couple leaving tonight is Oh, please give it up for Dan and | :02:33. | :02:39. | |
Katya. APPLAUSE Oh. Bless you. You look gorgeous tonight. She looks | :02:39. | :02:43. | |
great. Thank you. You don't look so bad yourself. If she had worn that | :02:43. | :02:49. | |
in training I might have given it an extra 10%! The second couple to | :02:49. | :02:54. | |
leave. Where did it go wrong? What happened? I think I concentrated | :02:54. | :02:59. | |
too much on the dancing element of Strictly Come Dancing. When you | :02:59. | :03:02. | |
should have been concentrating on what? I don't know! I'm not sure. | :03:02. | :03:05. | |
That was the best thing about working with Katya. She was | :03:05. | :03:09. | |
teaching me how to dance and I didn't do it particularly well. We | :03:09. | :03:13. | |
had a lot of dancing in our routines and therefore during | :03:13. | :03:16. | |
training and I am grateful for that. That is what I wanted to do. | :03:16. | :03:20. | |
saying you had too much dancing during training? I don't know. | :03:20. | :03:23. | |
Maybe that is what the judges weren't looking for. I don't know. | :03:23. | :03:29. | |
No, Dan is not - he's kind of the only celeb that's not really a | :03:29. | :03:34. | |
showbiz celeb and... We should talk about this. You are not from a | :03:34. | :03:38. | |
showbusiness background. There are a number of us like that. It is | :03:39. | :03:44. | |
weighted towards those that have had experience in the performing | :03:44. | :03:49. | |
arts. That is not true. saying... Now I can argue with him! | :03:49. | :03:55. | |
I went this week. First to go was Edwina. Audley was in the bottom | :03:55. | :04:01. | |
two in the first eviction week - sorry, eviction? Wrong show. Nancy | :04:01. | :04:05. | |
of course. The four people that have been involved in the bottom | :04:05. | :04:10. | |
two, they don't have any connection with the performing arts. Robbie is | :04:10. | :04:14. | |
a sportsman. I'm not saying - but four out of the six... That is how | :04:14. | :04:17. | |
training goes! What did you feel like when your name was read out | :04:17. | :04:21. | |
and you realised you were in the bottom two with Nancy and Anton? | :04:21. | :04:26. | |
Did you think we are going to go? Yes, I thought we were going to go. | :04:26. | :04:31. | |
Really? Yes. I know how entertaining Nancy is. She might | :04:31. | :04:35. | |
not be the best dancer, but she offers a lot of entertainment and | :04:35. | :04:41. | |
fun and Anton is so well-loved. is OK. I love it when it all comes | :04:41. | :04:47. | |
out! You can let rip now! You had an awful lot of support online. And | :04:47. | :04:53. | |
a lot of people saying you are a bit of a pin-up. Ladies, who have | :04:54. | :05:01. | |
we got here? Louisb says, "I fancy Dan lob!" That is you. And Goldi | :05:01. | :05:06. | |
Loxx88 commentated that Dan Lobb ain't too bad for a silver fox! | :05:06. | :05:15. | |
That is what I called him. You are a bit younger than George Clooney? | :05:15. | :05:19. | |
I am. Are you really?! Is that silver fox coloured? Are you going | :05:19. | :05:24. | |
to keep up the spray tans? No. you keep that waistcoat? No, it was | :05:24. | :05:29. | |
taken off me. I was stripped naked as soon as I... I was thrown out of | :05:30. | :05:35. | |
the building within ten minutes of the Results Show. Did Kate give you | :05:35. | :05:39. | |
a ribbing this morning? No, she was supportive and sympathetic. Deep | :05:39. | :05:45. | |
down she was yes! She stayed in a bit longer than you? I am the worst | :05:45. | :05:49. | |
Breakfast TV presenter ever to appear on your show. No, I am! It | :05:49. | :05:53. | |
is a matter-of-fact. Even Fiona Phillips stayed in four weeks! | :05:53. | :05:57. | |
right! Well, Mr Lobb, we have loved having you on. Here is your best | :05:57. | :06:07. | |
:06:07. | :06:09. | ||
bits! It is time to reveal your Strictly partner. Shall we start? | :06:09. | :06:13. | |
think it will be a successful partnership. I'm not against you. | :06:13. | :06:23. | |
:06:23. | :06:24. | ||
Do it again! Very nice. Don't sound so surprised! Transitions were a | :06:24. | :06:28. | |
bit crumbley. I found the judges' comments confusing. I have worked | :06:29. | :06:34. | |
hard on my transitions! Can I give you some criticism? No. Dan is | :06:34. | :06:39. | |
sensitive. We are going to go crazy. Sounds like farting a bit. Stop! | :06:39. | :06:49. | |
:06:49. | :06:52. | ||
Are you done? Yeah. OK. It was lum- pest-uous! Craig will lose some | :06:52. | :06:57. | |
credibility. The story she's come up with fits beautifully. She is an | :06:57. | :07:04. | |
actress. I can act. Look at this. Generally, you move well around the | :07:04. | :07:08. | |
floor. I would have liked to have seen a little bit more fluidity | :07:08. | :07:16. | |
overall. The couple leaving tonight is Dan and Katya. Thanks very much | :07:16. | :07:20. | |
indeed. It was a fantastic thing to do. I'm grateful that you were | :07:20. | :07:24. | |
there with me to experience it. thank you so much for this | :07:24. | :07:27. | |
wonderful, wonderful time. I will miss you and I will always remember | :07:27. | :07:37. | |
:07:37. | :07:38. | ||
you. Mwah! Even during that, Katya is saying look how high your | :07:38. | :07:42. | |
shoulders are! He never allowed me to say it during training. That is | :07:42. | :07:47. | |
so unfair! Who do you want to win? Russell! He has your vote? He would | :07:47. | :07:53. | |
be the perfect Strictly dancing. is amazing. Everyone is great. | :07:53. | :07:59. | |
Jason, Harry, Holly. Everyone. They are amazing. We will miss you. | :07:59. | :08:06. | |
Thank you so much, Dan, Mr Lobb, and Katya. Thanks. In a few | :08:06. | :08:10. | |
moments... Let's go for a kiss! a few moments, Craig Revel Horwood | :08:10. | :08:14. | |
will be gracing the sofa, but before we hear from Les Miserable | :08:14. | :08:19. | |
himself, let's listen to what you had to say about Strictly's | :08:19. | :08:28. | |
Broadway weekend. I've got to tell you Alex and James, I cried, it was | :08:28. | :08:35. | |
so beautiful. I haven't got much to say except what a show tonight! | :08:35. | :08:42. | |
Fantastic. Thank you very much. comment that poor Dan received from | :08:42. | :08:48. | |
all of the judges was really harsh. I'm quite cross. In fact, I'm very | :08:48. | :08:57. | |
cross:I'm so cross. They were fabulous. There you go, Dan, he can | :08:57. | :09:01. | |
take comfort from Donna's words. If you want to have your say, pick up | :09:01. | :09:07. | |
the phone right now. You can phone us on 09011 98 66 22. Calls cost | :09:07. | :09:11. | |
10p from a BT landline. Other networks may vary. Calls from | :09:11. | :09:15. | |
mobiles will cost considerably more. Now, my next guest is never short | :09:15. | :09:21. | |
for words, oh no, it is of course the stu-pen-dous Craig Revel | :09:21. | :09:31. | |
:09:31. | :09:31. | ||
Horwood! APPLAUSE Oh! Look at you! Kick, step! Finish. I landed at | :09:31. | :09:35. | |
least! You did. Did you enjoy Broadway weekend? I did. I was very | :09:35. | :09:40. | |
excited about it. I loved Broadway. If we had our way we would have | :09:41. | :09:46. | |
Broadway every week? Yes, absolutely. I felt a bit more | :09:46. | :09:49. | |
lenient actually. You did pull out some high scores this weekend? We | :09:49. | :09:54. | |
will talk about that. Let's talk about Lulu and Brendan. I had tears | :09:54. | :09:59. | |
in my eyes watching this, I thought it was so beautiful. So did I. That | :09:59. | :10:03. | |
frock covered up all her hip action! Then there was this | :10:03. | :10:08. | |
disastrous lift. I love a lift as much as any other person. Yes, as a | :10:08. | :10:12. | |
choreographer, I would say the music is telling me to lift. | :10:12. | :10:18. | |
Unfortunately, the rules tell you you can't! Could you not have bent | :10:18. | :10:21. | |
the rules slightly because it was Broadway week? We do in the | :10:21. | :10:26. | |
American Smooth. You have an opportunity in the show to do three | :10:26. | :10:30. | |
fabulous lifts why not save them for then? Otherwise it will be | :10:30. | :10:35. | |
complete carnage, isn't it, darling? There will be lifts... | :10:35. | :10:38. | |
Lift City. I am going to keep penalising it because it is | :10:39. | :10:42. | |
ridiculous to do it. I know. Brendan did give a bit of defence | :10:42. | :10:46. | |
there, but you were not having it? That is fine, you know, if you want | :10:46. | :10:51. | |
to take the risk of losing points, then lift all you want! Maybe not | :10:51. | :10:56. | |
fair on Lulu? I agree. You are right. I'm glad you mentioned that. | :10:56. | :11:01. | |
I'm glad too. You were scaring me! Chelsee and Pasha did the cha-cha. | :11:01. | :11:06. | |
I thought this was fantastic. You were saying it was too disco? | :11:06. | :11:11. | |
She's bending her legs through it a lot. It is more - she is using the | :11:11. | :11:16. | |
ground a little bit too in a disco fashion. That is the music she had | :11:16. | :11:20. | |
to dance to. She is a brilliant dancer, don't get me wrong. I want | :11:20. | :11:29. | |
to see it done properly. Tech anyly... Absolutely. -- | :11:29. | :11:34. | |
Technically?... Absolutely. She needs to calm down. She is going to | :11:34. | :11:39. | |
be doing the quickstep next week. Hopefully, her top half won't be | :11:39. | :11:44. | |
sort of motoring along! As long as her feet are, it will be fine. | :11:44. | :11:50. | |
Anita and Robin. They did the jive and you said great characterisation, | :11:50. | :11:54. | |
but both you and Bruno agreed she needs to tighten up technically? | :11:54. | :12:00. | |
She needs to keep her legs together as well! Steady on! She does. It is | :12:00. | :12:03. | |
a little bit loose. For instance, that, she didn't finish the move. | :12:03. | :12:08. | |
She just went like that. There was no sort of finish, edge, to it. | :12:08. | :12:12. | |
There was no real quality to the dancing. The verve, the attitude | :12:12. | :12:16. | |
was there, but no quality. OK. Did you enjoy it at all? Yes, I enjoyed | :12:16. | :12:23. | |
it. I enjoyed it. Great song, great outfit. It won't get high scores. | :12:23. | :12:30. | |
Robin's hair? I wouldn't mind that wig! I might wear it next week! | :12:30. | :12:35. | |
Robbie and Ola, he did a tango. He's come a long way from that 2 in | :12:35. | :12:45. | |
:12:45. | :12:46. | ||
week one. You gave him a 7 in tango. You have to be confidence. He is | :12:46. | :12:50. | |
well studied. That is showing some example of what you can go from to, | :12:50. | :12:54. | |
you know. That is what this show is about. It is about having the right | :12:54. | :12:58. | |
attitude and not being alarmed if a judge says, "Well, your fingers are | :12:58. | :13:02. | |
out of place, your back is not quite right, your bum needs tucking | :13:02. | :13:08. | |
under. "Yt you have to take those criticisms -- you have to take | :13:08. | :13:12. | |
those criticisms on board." Let's squeeze in Harry and Aliona. You | :13:12. | :13:18. | |
gave them an 8 for this jive and you said he had finally arrived in | :13:18. | :13:23. | |
the competition. You liked this? did. We saw his personality really | :13:23. | :13:28. | |
for the first time. Nothing to do with seeing his chest? Nothing at | :13:28. | :13:34. | |
all to do with that wonderful sculpted chest and abdominal muscle | :13:34. | :13:38. | |
wall he possesses! He might have got an extra point if the top had | :13:38. | :13:47. | |
come off completely! We can save that for a couple of weeks' time. | :13:47. | :13:50. | |
Nancy and Anton and their tango, the lowest score you gave of the | :13:50. | :13:54. | |
night and you said she was like a plodding mule trudging through mud? | :13:54. | :13:59. | |
That is true. You only have to look at - look at that! This is rag doll | :13:59. | :14:04. | |
city now. It is a nightmare. Brave to attempt some tango steps, | :14:04. | :14:09. | |
which was good. They did more dancing. I gave her 1 the week | :14:09. | :14:14. | |
before, so 4, that is a huge mark- up, really. I was being generous to | :14:14. | :14:20. | |
be honest. OK. She is going to be doing the paso next week. LAUGHTER | :14:20. | :14:24. | |
Don't pull that face. Jason and Kristina, top dog again this week. | :14:24. | :14:29. | |
Why did you love Jason's routine? You gave him a 9? I loved it. I'm | :14:29. | :14:34. | |
loving it because of Kristina and what she did with it. I thought it | :14:34. | :14:38. | |
was really good advice and good steerage if you like to get him to | :14:38. | :14:43. | |
do a bit of Priscilla and show the difference between the aggression | :14:43. | :14:49. | |
of the tango and that happy-go- lucky very sort of camp Priscilla | :14:49. | :14:54. | |
Queen of the Desert stuff. We do love a bit of that. We do. Some | :14:54. | :14:58. | |
people in the competition, what shall remain nameless, need to do a | :14:58. | :15:02. | |
bit of less. You might be talking about Russell! I might be. Will you | :15:02. | :15:07. | |
come back next week? Yes, I will. Please do. Craig Revel Horwood. We | :15:07. | :15:12. | |
can't wait! APPLAUSE On Saturday, Holly certainly showed Artem who | :15:12. | :15:16. | |
was boss in their rather hot tango. I will be chatting to them in a | :15:16. | :15:21. | |
moment. First, here is how they made such a sizzling impression. | :15:21. | :15:27. | |
was a great start and a great dance. Well done. Craig did some stunning | :15:27. | :15:32. | |
lines. I thought he would be more feisty. You got me going. I want to | :15:32. | :15:37. | |
be a criminal! Everybody will queue up to join you in jail! Getting out | :15:37. | :15:41. | |
of the costume scenario, that was a bit messy. You got out of that | :15:41. | :15:48. | |
beautifully. I very much enjoyed it. Thank you. 8! It's a bit sad that | :15:48. | :15:55. | |
it didn't go perfect. 7 was good from Craig. Going to come back | :15:55. | :15:59. | |
bigger and better next week. Hopefully with no wardrobe | :15:59. | :16:04. | |
malfunctions. Wouldn't that be nice?! Holly-smoking and Artem are | :16:04. | :16:08. | |
here! That is a great name for you. Holly, you looked amazing on | :16:09. | :16:12. | |
Saturday. First out again, they loved pushing you out first. How | :16:12. | :16:16. | |
was Broadway week? It was really fun. We got to dress up and I got | :16:16. | :16:20. | |
the Wear the wig and play someone else, I was more comfortable and | :16:20. | :16:23. | |
I'm good being someone else and I feel a little shy being myself. | :16:23. | :16:28. | |
do you think she coped, Artem, with the little wardrobe malfunction, | :16:28. | :16:34. | |
heel stuck in your frock, it happens? I thought she dealt with | :16:34. | :16:39. | |
it so well? Absolutely. She carried on and normally people stop and | :16:39. | :16:46. | |
freak out. It was good. Handled like a pro? I get the attitude hair | :16:46. | :16:52. | |
flick! I know. I might be trying that myself. And the buzz online, | :16:52. | :16:57. | |
everybody loving your racy outfit and your wig. Did that help you get | :16:57. | :17:00. | |
into character? Yes, definitely. You don't feel like yourself. You | :17:00. | :17:03. | |
look different and I was passing people in the hall backstage and | :17:03. | :17:08. | |
they were going, "Hi, it's you." That was fun. You were saying to | :17:08. | :17:13. | |
Tess how much you enjoyed killing Artem here. Very much so. We are | :17:13. | :17:18. | |
going to work that into the choreography every week. I think | :17:18. | :17:24. | |
it's going to be like a South Park and character of Kenny who is dying | :17:24. | :17:29. | |
every episode. Who killed Artem?! You are fifth on the leaderboard. | :17:29. | :17:35. | |
How much do you think, Artem... thought we were fourth. Joint | :17:35. | :17:41. | |
fifth... Ooh! How do you feel you can get further up that | :17:41. | :17:50. | |
leaderboard? I think not cutting up in skirt with the heel would help. | :17:50. | :17:56. | |
We need a translator! That is a costume thing! We can get one | :17:56. | :17:59. | |
rushed in! What about the dancing steps? What more do you want from | :17:59. | :18:06. | |
Holly? You are quite tough with her? I am, always! Every rehearsal. | :18:06. | :18:11. | |
You seem quite laid-back today. Yeah. I did slip something in his | :18:11. | :18:15. | |
coffee! How is the Viennese waltz going? It is going! It is day one. | :18:15. | :18:19. | |
Usually in day one I am always tracing out to make a good routine | :18:19. | :18:23. | |
and you try a different variation so we can see if it works. It is on | :18:24. | :18:30. | |
its way. It will work. It will be better dance than anything we have | :18:30. | :18:34. | |
done so far. How are you going to be getting into character for the | :18:34. | :18:37. | |
Viennese waltz, Holly? Slightly different to your tango? It will be | :18:37. | :18:41. | |
interesting this week. I flow's a few ideas to get me into the | :18:41. | :18:46. | |
elegant and graceful mindset. You will have to wait and see. Oh. You | :18:46. | :18:50. | |
are such a tease! And do you think it would - do you like Holly doing | :18:50. | :18:55. | |
ballroom? Is that a place you think she is quite natural? Yeah, I think | :18:55. | :18:58. | |
definitely it helps because you are always in the frame. You feel more, | :18:58. | :19:02. | |
you know, more supported. I guess being on your own, if you have | :19:02. | :19:05. | |
never danced before, is always stressful because you feel so | :19:05. | :19:09. | |
lonely. I think being in ballroom hold... You are in the safety of | :19:09. | :19:17. | |
his arms this week. Not so lonely. Good luck with the Viennese waltz. | :19:17. | :19:24. | |
Holly and Artem! APPLAUSE I'm not playing short Top Trumps with you | :19:24. | :19:30. | |
any more! We saw many theatrical moments on stage at the weekend. | :19:30. | :19:40. | |
:19:40. | :19:43. | ||
What dramas occurred behind scenes? Top Hat! Cane! It's Broadway week, | :19:43. | :19:51. | |
baby! Nice throwing(!) showbiz! Mixture of feeling cold and nervous. | :19:51. | :19:57. | |
Broadway is my spiritual home. I cannot wait. Broadway week, jazz | :19:57. | :20:04. | |
hands. Straight in. Bless! Someone has to go home in week -- home this | :20:04. | :20:08. | |
week t. Never mind. I'm not going home this week. Do I need my | :20:08. | :20:14. | |
dancing shoes on? I do. I'm dancing! I don't know what's going | :20:14. | :20:24. | |
:20:24. | :20:30. | ||
on in this show! Chelsee has bashed her head! I've got a lump. | :20:30. | :20:37. | |
Apparently she walked into a door, or the door walked into her! It's a | :20:37. | :20:47. | |
little bit swollen. We love the shoe! I'm gutted. I'm more worried | :20:47. | :20:50. | |
about the Viennese waltz than who won the Rugby World Cup! Get over | :20:50. | :20:55. | |
it! Nice shorts. This is what happens when you spend too late a | :20:55. | :21:02. | |
night out. This is what I call genius movement of a cape! Last | :21:02. | :21:07. | |
week it was the boa, this week it is the hat! We will have no props | :21:07. | :21:16. | |
next week. We have done the opening to tonight's massive show. Towards | :21:16. | :21:22. | |
the end of the number, the celebrities join the professionals. | :21:22. | :21:27. | |
I thought a pile-up on the M25 would look better than that. The | :21:27. | :21:31. | |
expression it will be all right on the night? It's a lie. They need to | :21:31. | :21:41. | |
:21:41. | :21:46. | ||
This is the first time anyone's ever going to see me with hair! | :21:46. | :21:56. | |
:21:56. | :22:00. | ||
Five minutes. To countdown. Wrong! Woah! Oh dear. What I'll be | :22:00. | :22:04. | |
looking for is the acting. Basically, what Broadway is all | :22:04. | :22:09. | |
about. It is so hectic. There is no time to be nervous. Footballers | :22:09. | :22:18. | |
wear lipstick! It's gloss. That's worse! This is Broadway. We are | :22:18. | :22:24. | |
talking New York razzmatazz, come on! I can't wait to see what they | :22:24. | :22:30. | |
are going to do. APPLAUSE Oh, we loved the jazz hands. Anyway, | :22:30. | :22:34. | |
we are very excited because now as you know we always keep an eye on | :22:34. | :22:40. | |
training and love nothing more than a bit of analysis. To help us with | :22:40. | :22:44. | |
our Strictly psychology, we have enlisted the help of a glamorous | :22:45. | :22:48. | |
blonde - Dr Pamela Stephenson! APPLAUSE Lovely to be back. I was | :22:48. | :22:52. | |
going to say isn't it wonderful to be back here? Welcome back. Thank | :22:52. | :22:57. | |
you. We have both been there. We know what it is like. It is quite a | :22:57. | :22:59. | |
big thing when you are thrown together with somebody you have | :22:59. | :23:03. | |
never met before in your life into quite an alien world, the world of | :23:03. | :23:07. | |
dancing. It is not just the dancing, it is a psychological mind field? | :23:07. | :23:11. | |
Absolutely. If you think the dancing is tough, the relationships, | :23:11. | :23:15. | |
the instanceness of them can be worse. I have been looking at some | :23:15. | :23:18. | |
of the training footage. I have been looking at their personality | :23:18. | :23:22. | |
styles, the conflict, the power struggles, their ability to handle | :23:22. | :23:25. | |
stress and the family roles they bring into the Strictly | :23:25. | :23:28. | |
relationship and also a bit of about the attraction between | :23:29. | :23:33. | |
couples. Which is our favourite bit! We will look at the boys this | :23:33. | :23:37. | |
week. So let's have a look at Jason and Kristina. They have been top of | :23:37. | :23:40. | |
the leaderboard for three weeks running. Obviously doing something | :23:40. | :23:43. | |
right. You know, outside Strictly this probably wouldn't have been a | :23:43. | :23:47. | |
natural match. They are doing very, very well because they are very | :23:47. | :23:53. | |
alike in certain ways. People think that Australians are laid-back. But | :23:53. | :23:58. | |
the Australian theatre training is very disciplined, it matches the | :23:58. | :24:01. | |
Russian training and so both of these are highly motivated, they | :24:01. | :24:06. | |
want to win. Yeah, you can tell that from Jason. Let's look at some | :24:06. | :24:09. | |
of their training footage. This is from 5th October. What can you tell | :24:09. | :24:13. | |
us from examining this? Look at this, he is very intense, his hands | :24:14. | :24:16. | |
are going, he does have some anxiety and she will have to | :24:16. | :24:21. | |
contain that. She is swinging her heads. She doesn't mean to be | :24:21. | :24:24. | |
flirtatious, but that is a flirtatious act. He is ignoring it. | :24:24. | :24:29. | |
He has got his eye on the prize. He is not going to be distracted by | :24:29. | :24:34. | |
Kristina's beauty. OK. I will try swinging my legs next time Robbie | :24:34. | :24:40. | |
is in! Harry and Aliona. He is our youngest celebrity. What are you | :24:40. | :24:44. | |
making of this? These two are like twins! Look at their features, they | :24:44. | :24:48. | |
are very similar. They are beautifully matched. They will have | :24:48. | :24:52. | |
to contain the romantic aspect of their relationship. You are looking | :24:52. | :24:56. | |
so excited. Harry is naturally introverted but he is having a lot | :24:56. | :25:02. | |
of fun with Aliona. Let's have a look at them in training here. | :25:02. | :25:05. | |
how seductive she is. It is very smart of her. She is getting the | :25:05. | :25:09. | |
best out of him. Look, little pat on the backside. She knows how to | :25:09. | :25:15. | |
get him to do a good job. He is loving it. He just loves being | :25:15. | :25:21. | |
dominated by a sexy fit Russian woman. Who wouldn't?! I would love | :25:21. | :25:25. | |
to be! Audley and Natalie. Big powerful man, how is he coping with | :25:25. | :25:29. | |
being bossed around by a lady? Sparks could fly. I have some | :25:29. | :25:34. | |
concerns. I don't think he has ever met anyone quite like Natalie. She | :25:34. | :25:38. | |
is gorgeous, she is strong, she is not going to flirt with him. She is | :25:38. | :25:42. | |
not going to cuddle him. She is just going to expect the best from | :25:42. | :25:46. | |
him. In his world of boxing, probably most of his coaches have | :25:46. | :25:51. | |
been male, so this is a switch for him. Not many women in boxing. This | :25:51. | :26:01. | |
:26:01. | :26:04. | ||
is them in training. Let's do it. Mmm. Turn it on. Turn it on! Green | :26:04. | :26:10. | |
corner, round three. Keep it small. Keep it tight. Keep those knees | :26:10. | :26:15. | |
pumping. She is saying to Audley keep it small! Look at the size of | :26:15. | :26:19. | |
him! Absolutely. He was talking to the camera there and not talking to | :26:19. | :26:24. | |
Natalie? This will make her crazy. She is very competitive. She is | :26:24. | :26:26. | |
quite competitive with him physically which doesn't go down | :26:26. | :26:31. | |
well with him. She is very smart and she is doing a great job with | :26:31. | :26:37. | |
him. Let's talk about Robbie and Ola. Another sportsman here. How is | :26:37. | :26:41. | |
he keeping? Look at the two of them. I call them the Dazzle Twins! They | :26:41. | :26:45. | |
have the same hair, the same tan, the same teeth. He's a wonderful | :26:45. | :26:51. | |
athlete. My husband says he is like an animal on the football pitch. | :26:51. | :26:58. | |
was. The thing is, h is very sensitive. He's the opposite. He's | :26:58. | :27:01. | |
very vulnerable. Even here on It Takes Two, he said something about, | :27:01. | :27:08. | |
"I have never felt so wanted." He is quite needy. He needs Ola to be | :27:08. | :27:11. | |
very nurturing. Almost to be mummy, to be good mummy. The trouble is | :27:12. | :27:18. | |
that Ola, who is very good at being nurturing, can also be bad! She is | :27:18. | :27:24. | |
our favourite! When she's bad Flavia. Always having a laugh. Are | :27:24. | :27:29. | |
they a match made in heaven? It is a very good match. Essentially, he | :27:29. | :27:34. | |
does pay a lot of attention to what she says. Russell is a very big | :27:34. | :27:37. | |
personality. Here, he really is focused, he is doing things, he | :27:37. | :27:41. | |
gives her the control. The thing is, he is a very big personality and | :27:41. | :27:45. | |
that can be a problem for an introvert like Flavia. Sometimes | :27:45. | :27:50. | |
when somebody is taking up all the space in the room, it can be | :27:50. | :27:54. | |
exhausting, it can even make the other person put on weight. | :27:54. | :27:59. | |
Really? You want to take up more space in the room. Wouldn't that be | :27:59. | :28:03. | |
incredible if they swapped physiques! LAUGHTER That would be | :28:03. | :28:10. | |
amazing. Good Lord. Let's talk about Rory and Erin. Erin is over | :28:10. | :28:13. | |
the moon with this partnership? This is is a very good pairing. She | :28:13. | :28:16. | |
has a lot of respect for her. He has worked with women before. He | :28:16. | :28:21. | |
doesn't mind being bossed around by a woman. Erin is being very smart | :28:21. | :28:26. | |
with him. She's - he gets frustrated but she knows how to get | :28:26. | :28:30. | |
him out of the frustration. She does it in a very adult way. She is | :28:30. | :28:34. | |
not babying him. I loved this. It is like watching apes. Will you | :28:34. | :28:38. | |
talk to us about the girls next week? I would love to. Dr Pamela | :28:38. | :28:41. | |
Stephenson! That is it for tonight. Thank you to all my guests this | :28:41. | :28:45. | |
evening and make sure you join me tomorrow asly be chatting to Alex | :28:45. | :28:49. |