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TRUMP: Two years ago, it began. | 0:00:05 | 0:00:08 | |
An economic crisis that swept the world | 0:00:08 | 0:00:10 | |
And almost brought our country into another Great Depression. | 0:00:10 | 0:00:14 | |
You may think the worst is over, | 0:00:14 | 0:00:17 | |
But still, talented, smart people are unemployed. | 0:00:17 | 0:00:21 | |
They're looking for work. They have no prospects. | 0:00:21 | 0:00:24 | |
I hate what I'm seeing, | 0:00:24 | 0:00:26 | |
And I'm going to do something about it. | 0:00:26 | 0:00:28 | |
From across the country, | 0:00:32 | 0:00:33 | |
I've chosen 16 of the very best candidates, | 0:00:33 | 0:00:36 | |
All vying to become my Apprentice. | 0:00:38 | 0:00:41 | |
ALEX: I used to be an actual engineer. | 0:00:41 | 0:00:44 | |
Now I drive a tow truck, cashed out my 401(k). | 0:00:44 | 0:00:47 | |
My biggest fear is not being able to provide for my family. | 0:00:47 | 0:00:51 | |
BRANDY: I used to be a corporate attorney, you know, | 0:00:51 | 0:00:53 | |
on really big deals. | 0:00:53 | 0:00:54 | |
Millions and millions and millions of dollars, | 0:00:54 | 0:00:56 | |
And now I'm selling cupcakes for 2 apiece | 0:00:56 | 0:00:59 | |
out of a hot pink truck. | 0:00:59 | 0:01:00 | |
ANAND: I worked in private equity real estate. | 0:01:00 | 0:01:02 | |
I managed a portfolio of about 500 million, | 0:01:02 | 0:01:04 | |
and I used to make a six-figure salary, | 0:01:04 | 0:01:07 | |
and now I'm making no income and living with roommates. | 0:01:07 | 0:01:09 | |
NICOLE: My dream was to become an attorney, to fight for justice. | 0:01:09 | 0:01:12 | |
I didn't go to law school to scan documents. | 0:01:12 | 0:01:15 | |
WADE: Prior to the recession, | 0:01:15 | 0:01:16 | |
I owned and operated my own real estate company. | 0:01:16 | 0:01:18 | |
I was one of the top 30 realtors under the age of 30 | 0:01:18 | 0:01:20 | |
and featured on the cover of Realtor magazine, | 0:01:20 | 0:01:22 | |
but struggling to make ends meet right now. | 0:01:22 | 0:01:24 | |
GENE: I used to be a financial advisor, thought I had made it. | 0:01:24 | 0:01:27 | |
That money was just going to fall out of people's pockets. | 0:01:27 | 0:01:29 | |
I don't think that I'm the kind of person | 0:01:29 | 0:01:30 | |
that knows how to quit. | 0:01:30 | 0:01:32 | |
If I don't win this competition, there is no plan B. | 0:01:32 | 0:01:35 | |
CLINT: When I was at my highest high, | 0:01:35 | 0:01:37 | |
I had two construction companies and a title company. | 0:01:37 | 0:01:40 | |
Our profits were millions. | 0:01:40 | 0:01:42 | |
And now we had to sell our house, sold all our belongings. | 0:01:42 | 0:01:44 | |
If I can't make a living for my family, what good am I? | 0:01:44 | 0:01:48 | |
TRUMP: The world has changed. | 0:01:48 | 0:01:50 | |
The way we do business has changed. | 0:01:50 | 0:01:53 | |
But one thing is still the same. | 0:01:53 | 0:01:55 | |
This is the toughest job interview of them all. | 0:01:55 | 0:01:59 | |
STEPHANIE: I'm tired of these recession sob stories. | 0:01:59 | 0:02:02 | |
If you want yours, you need to go out and get it. | 0:02:02 | 0:02:04 | |
I am going to be the next Apprentice. | 0:02:04 | 0:02:05 | |
STEUART: Being an entrepreneur | 0:02:05 | 0:02:07 | |
is a key advantage in this competition. | 0:02:07 | 0:02:09 | |
I AM the Apprentice. | 0:02:09 | 0:02:10 | |
DAVID: The Apprentice is the most important job interview in my life. | 0:02:10 | 0:02:14 | |
KELLY: You're looking at the next Apprentice. | 0:02:14 | 0:02:17 | |
MAHSA: I AM the next Apprentice. | 0:02:17 | 0:02:19 | |
There's only one way to find out. | 0:02:19 | 0:02:21 | |
Let's get down to business. | 0:02:21 | 0:02:23 | |
MUSIC: "For The Love Of Money" by The O'Jays | 0:02:28 | 0:02:30 | |
# Money, money, money, money | 0:02:32 | 0:02:35 | |
# Money | 0:02:36 | 0:02:38 | |
# Money, money, money, money | 0:02:38 | 0:02:40 | |
# Money | 0:02:41 | 0:02:43 | |
# Some people got to have it | 0:02:43 | 0:02:45 | |
# Hey, hey | 0:02:45 | 0:02:47 | |
# Some people really need it | 0:02:47 | 0:02:50 | |
# Hey, listen to me, y'all | 0:02:50 | 0:02:52 | |
# Do things, do things, do things | 0:02:52 | 0:02:54 | |
# Bad things with it | 0:02:54 | 0:02:56 | |
# Dollar bills, y'all, come on | 0:02:59 | 0:03:01 | |
# That mean | 0:03:01 | 0:03:03 | |
# Oh, mean | 0:03:03 | 0:03:05 | |
# Mean green | 0:03:05 | 0:03:08 | |
# Almighty dollar | 0:03:08 | 0:03:11 | |
# Don't you know that money | 0:03:11 | 0:03:14 | |
# Give me a nickel, brother | 0:03:14 | 0:03:16 | |
# Can you spare a dime? | 0:03:16 | 0:03:19 | |
# Money can drive some people out of their minds | 0:03:19 | 0:03:24 | |
# Ah-ah-ah-ah | 0:03:24 | 0:03:26 | |
# No good, no good, money | 0:03:26 | 0:03:29 | |
# Money, money, money, money | 0:03:29 | 0:03:31 | |
# Money. # | 0:03:33 | 0:03:34 | |
ELEVATOR BELL DINGS | 0:03:45 | 0:03:48 | |
TYANA: I pretty much went from six figures | 0:03:50 | 0:03:52 | |
to buying second hand clothing | 0:03:52 | 0:03:55 | |
and saving every penny I can | 0:03:55 | 0:03:57 | |
just to be able to pay the rent. | 0:03:57 | 0:03:59 | |
I am a fighter. | 0:03:59 | 0:04:00 | |
I'm going to do whatever it takes to win the apprenticeship. | 0:04:00 | 0:04:03 | |
STEUART: I'm 100% here to win. | 0:04:03 | 0:04:06 | |
The guy in the red tie, | 0:04:06 | 0:04:07 | |
a little apprehensive about this guy. | 0:04:07 | 0:04:09 | |
He's got big bags under his eyes, so he looks tired, stressed. | 0:04:09 | 0:04:12 | |
I don't know if he's prepared | 0:04:12 | 0:04:13 | |
for coming into this competition. | 0:04:13 | 0:04:16 | |
JAMES: The fact that this is a recession-themed Apprentice | 0:04:18 | 0:04:20 | |
is going to make the competition a lot tougher. | 0:04:20 | 0:04:24 | |
I know, from where I'm sitting, | 0:04:24 | 0:04:25 | |
having been unemployed for so long, | 0:04:25 | 0:04:27 | |
I'm hungry. I'm ready to get after it. | 0:04:27 | 0:04:30 | |
I'm sure everyone else feels the same way. | 0:04:30 | 0:04:32 | |
PHONE RINGS Yes, sir. | 0:04:32 | 0:04:35 | |
Mr Trump is ready for you. You can head into the boardroom. | 0:04:37 | 0:04:41 | |
DRAMATIC MUSIC | 0:04:41 | 0:04:44 | |
Welcome to the boardroom. | 0:05:06 | 0:05:08 | |
Not the most pleasant place on Earth, | 0:05:08 | 0:05:10 | |
but a place that you have to survive | 0:05:10 | 0:05:12 | |
in order to become the next Apprentice. | 0:05:12 | 0:05:15 | |
I think, before we begin, | 0:05:16 | 0:05:18 | |
I want to find out a little bit about you. | 0:05:18 | 0:05:20 | |
So, tell me, why are you here? | 0:05:20 | 0:05:22 | |
You're all sort of victims of the recession. | 0:05:22 | 0:05:24 | |
Some are doing better than others, | 0:05:24 | 0:05:26 | |
and some are pretty much down and out. | 0:05:26 | 0:05:28 | |
David, what about you? | 0:05:28 | 0:05:29 | |
I married my high school sweetheart. | 0:05:29 | 0:05:31 | |
We produced five wonderful children. | 0:05:31 | 0:05:34 | |
I worked in telecom for 10 years, successful sales. | 0:05:34 | 0:05:38 | |
And when my customers stopped paying their bills, | 0:05:38 | 0:05:40 | |
a reduction in force happened, and I was one of the victims. | 0:05:40 | 0:05:44 | |
Cost me a marriage, as well. | 0:05:44 | 0:05:46 | |
And the ultimate goal is to bring my family back together, | 0:05:46 | 0:05:49 | |
and it is why I'm here. | 0:05:49 | 0:05:51 | |
Good luck. | 0:05:51 | 0:05:52 | |
Thank you, sir. | 0:05:52 | 0:05:54 | |
Tougher than most because you have the children. | 0:05:54 | 0:05:55 | |
- Yes, sir. - So, it's a tough position to be in. | 0:05:55 | 0:05:58 | |
Poppy? | 0:05:58 | 0:05:59 | |
Last year, I graduated from Stanford | 0:05:59 | 0:06:02 | |
and, at 22, had a bachelor's and a master's degree. | 0:06:02 | 0:06:04 | |
and one would think that's a shoo-in for a job, | 0:06:04 | 0:06:07 | |
but it's been really difficult. | 0:06:07 | 0:06:09 | |
And now I'm back at home | 0:06:09 | 0:06:11 | |
and helping to care for my grandmother. | 0:06:11 | 0:06:14 | |
OK. Stephanie? | 0:06:14 | 0:06:15 | |
I was a commercial banker in Chicago, | 0:06:15 | 0:06:17 | |
and all of a sudden, I became the cause of this recession. | 0:06:17 | 0:06:20 | |
And now I'm called the fat cat banker, | 0:06:20 | 0:06:23 | |
and I sure don't feel like the fat cat now. | 0:06:23 | 0:06:25 | |
I feel as though I always did a great job. | 0:06:25 | 0:06:27 | |
I served the small business community for ten years, | 0:06:27 | 0:06:29 | |
and I helped a lot of people get their businesses off the ground. | 0:06:29 | 0:06:32 | |
And now I'm out of a job, basically, | 0:06:32 | 0:06:34 | |
and at the short end of the stick. | 0:06:34 | 0:06:36 | |
Nicole, what about you? | 0:06:36 | 0:06:39 | |
Mr Trump, I was a runner-up at Miss California USA, | 0:06:39 | 0:06:41 | |
and I was fortunate enough after law school | 0:06:41 | 0:06:44 | |
to have several offers for jobs, | 0:06:44 | 0:06:46 | |
And I took one, because beggars can't be choosers in this environment. | 0:06:46 | 0:06:49 | |
But it wasn't the dream job that I was really passionate about, | 0:06:49 | 0:06:52 | |
and I don't think I should have to settle. | 0:06:52 | 0:06:54 | |
Even if it is a recession, I think you have to push harder. | 0:06:54 | 0:06:58 | |
Gene, you're a little older than these folks, right? Like me? | 0:06:58 | 0:07:01 | |
I am, yeah. | 0:07:01 | 0:07:03 | |
- A little hair on this dog. - That's good. | 0:07:03 | 0:07:05 | |
Ex-military, | 0:07:05 | 0:07:06 | |
last ten years, been a financial adviser. | 0:07:06 | 0:07:08 | |
And what happened? | 0:07:08 | 0:07:10 | |
They cut us by 85%, laid us off, | 0:07:10 | 0:07:12 | |
almost every single one of us. | 0:07:12 | 0:07:13 | |
Just lived on my personal savings | 0:07:13 | 0:07:15 | |
for probably the last three years. | 0:07:15 | 0:07:17 | |
TRUMP: All right, look. | 0:07:17 | 0:07:19 | |
Life is tough. Life is mean. | 0:07:19 | 0:07:21 | |
The fact is, you thought you were doing well at one time. | 0:07:21 | 0:07:25 | |
You can do better than that. | 0:07:25 | 0:07:27 | |
You can really top it, | 0:07:27 | 0:07:28 | |
and that's what I want to see out of you folks. | 0:07:28 | 0:07:32 | |
For the next 13 weeks, | 0:07:32 | 0:07:34 | |
I will push you, I will motivate you, | 0:07:34 | 0:07:36 | |
I will hopefully inspire you, | 0:07:36 | 0:07:38 | |
and some of you will go on to really big things, | 0:07:38 | 0:07:41 | |
and the ultimate will be | 0:07:41 | 0:07:43 | |
somebody's going to be working for me. | 0:07:43 | 0:07:45 | |
It's going to be a great job, and it's going to pay a lot of money. | 0:07:45 | 0:07:47 | |
It's going to be wonderful. | 0:07:47 | 0:07:49 | |
Now, I'm going to break up the teams. | 0:07:50 | 0:07:54 | |
It's men versus women. | 0:07:54 | 0:07:56 | |
You go back, and you pick a team name. | 0:07:56 | 0:07:59 | |
You then pick the project manager. | 0:07:59 | 0:08:02 | |
Now, the project manager has an advantage, | 0:08:02 | 0:08:03 | |
but they have a big disadvantage, | 0:08:03 | 0:08:05 | |
cos if your team loses, | 0:08:05 | 0:08:07 | |
you're really in line to be fired, | 0:08:07 | 0:08:09 | |
and being fired is never fun. | 0:08:09 | 0:08:10 | |
Do we agree? | 0:08:10 | 0:08:11 | |
ALL: Right. TRUMP: Now, I have a building. | 0:08:11 | 0:08:14 | |
It's the Trump building at 40 Wall Street. | 0:08:14 | 0:08:17 | |
It's right opposite the New York Stock Exchange. | 0:08:17 | 0:08:20 | |
We're going to all meet there, and I'm going to give you your task. | 0:08:20 | 0:08:23 | |
And I will say this. | 0:08:23 | 0:08:26 | |
You're really not dealing with friends right now. | 0:08:26 | 0:08:28 | |
You're dealing to win, | 0:08:28 | 0:08:30 | |
so I'd go all-out, be strong, and win. | 0:08:30 | 0:08:34 | |
Be tough. You'll need to be. | 0:08:34 | 0:08:36 | |
Go ahead. Good luck. | 0:08:36 | 0:08:38 | |
JAMES: So, let's work on team name first | 0:08:48 | 0:08:50 | |
And then project manager and all that other stuff. | 0:08:50 | 0:08:54 | |
What kind of identity do we want to have? | 0:08:54 | 0:08:56 | |
CLINT: We know, obviously, this is about coming back. | 0:08:56 | 0:08:59 | |
It's about recovering. | 0:08:59 | 0:09:00 | |
Anybody have any names along those lines? | 0:09:00 | 0:09:02 | |
ANAND: Something that looks towards the future. | 0:09:02 | 0:09:04 | |
What about Next, cos we're ready for the next level in our lives? | 0:09:04 | 0:09:07 | |
CLINT: I like that. | 0:09:07 | 0:09:08 | |
ANAND: 'Anytime you have a roomful of alpha males, | 0:09:08 | 0:09:11 | |
'everyone wants to be heard,' | 0:09:11 | 0:09:12 | |
but I know I'm one of the most confident people here. | 0:09:12 | 0:09:14 | |
'I'm ready to win. I'm ready to compete. | 0:09:14 | 0:09:16 | |
'I'm ready to get my hands dirty.' | 0:09:16 | 0:09:18 | |
JAMES: I thought of Phoenix. | 0:09:18 | 0:09:20 | |
ALEX: How about Icarus? Rising from the ashes? | 0:09:20 | 0:09:22 | |
JAMES: Well, no, that's Phoenix. | 0:09:22 | 0:09:23 | |
CLINT: That's phoenix, yeah. Same thing. | 0:09:23 | 0:09:24 | |
JAMES: Icarus flew too close to the sun. | 0:09:24 | 0:09:26 | |
STEUART: 'Everyone, individually, I feel, brought their A-game, | 0:09:26 | 0:09:31 | |
'But I don't know how bright Alex is.' | 0:09:31 | 0:09:33 | |
To be Trump's Apprentice, | 0:09:33 | 0:09:34 | |
you not only have to be a hard worker, | 0:09:34 | 0:09:36 | |
'you have to be able to remember that fifth grade mythology stuff.' | 0:09:36 | 0:09:40 | |
ANAND: How about Blast Off? | 0:09:40 | 0:09:42 | |
DAVID: Octane! | 0:09:42 | 0:09:43 | |
CLINT: That's a great one. I like Octane. | 0:09:43 | 0:09:45 | |
Octane? I dig Octane. | 0:09:45 | 0:09:47 | |
JAMES: I'd prefer not to do something, too, like, "Awesome!" | 0:09:47 | 0:09:50 | |
DAVID: I like Octane. I think Octane is a winner. | 0:09:50 | 0:09:53 | |
I'm Octane, man. I like it. | 0:09:53 | 0:09:55 | |
- Let's go with that. - There it is. | 0:09:55 | 0:09:57 | |
Octane? | 0:09:57 | 0:09:59 | |
JAMES: 'I'm not thrilled with Team Octane. | 0:10:00 | 0:10:02 | |
'It seems a little hokey. | 0:10:02 | 0:10:03 | |
'I would have preferred a name | 0:10:03 | 0:10:04 | |
'that was something a little more symbolic for us' | 0:10:04 | 0:10:06 | |
rather than kind of a buzzword. | 0:10:06 | 0:10:08 | |
GENE: Next order of business is, who is going to be project manager? | 0:10:08 | 0:10:11 | |
CLINT: Well, who wants to do it first? | 0:10:11 | 0:10:13 | |
Is there anybody that wants to volunteer to be the project manager? | 0:10:13 | 0:10:17 | |
WADE: Nobody wants to volunteer? | 0:10:17 | 0:10:18 | |
I think you've got some good leadership skills. | 0:10:18 | 0:10:20 | |
You were in the military. | 0:10:20 | 0:10:22 | |
I vote for Gene. I think Gene's got some leadership qualities in him. | 0:10:22 | 0:10:24 | |
I think that...I think we can all respect Gene and look up to Gene. | 0:10:24 | 0:10:27 | |
'This is our first battle of a long war, | 0:10:27 | 0:10:29 | |
And I don't know that I want to be the guy that, you know, | 0:10:29 | 0:10:32 | |
sticks my head out of the bunker first, | 0:10:32 | 0:10:33 | |
'But I think Gene might lead us to a victory.' | 0:10:33 | 0:10:36 | |
CLINT: Let's not just throw Gene out there. | 0:10:36 | 0:10:38 | |
No, I mean, that's my personal opinion. | 0:10:38 | 0:10:40 | |
You know what I say? I say, let's do it, all right? | 0:10:40 | 0:10:42 | |
So, if you guys want to go for it, I'll take it. | 0:10:42 | 0:10:44 | |
CLINT: You want to do it, Gene? I like that. | 0:10:44 | 0:10:46 | |
Let's go for it. Let's make it happen. | 0:10:46 | 0:10:48 | |
DAVID: All right, let's win. Let's win. | 0:10:48 | 0:10:49 | |
GENE: 'I had mixed feelings about them choosing me so quickly.' | 0:10:49 | 0:10:52 | |
Either I was going to set the bar high, | 0:10:52 | 0:10:54 | |
Or I was going to be the first one | 0:10:54 | 0:10:56 | |
that everyone is going to say, | 0:10:56 | 0:10:57 | |
"OK, don't do what that guy did." | 0:10:57 | 0:11:00 | |
Nice job. | 0:11:00 | 0:11:01 | |
ANAND: We got your back. We're going to win this for you. | 0:11:01 | 0:11:04 | |
CLINT: Gene, tomorrow night, we're going to be celebrating. | 0:11:04 | 0:11:06 | |
GENE: We got to. Let's go, man. We got to. Let's dance. | 0:11:06 | 0:11:08 | |
JAMES: 'Once the townfolk grabbed their pitchforks' | 0:11:08 | 0:11:11 | |
And said, "Gene, you should be project manager," | 0:11:11 | 0:11:14 | |
There wasn't really any way for him to back down. | 0:11:14 | 0:11:16 | |
But I am surprised not one of them | 0:11:16 | 0:11:18 | |
stepped up to be project manager. | 0:11:18 | 0:11:20 | |
As for me, I'm a lawyer. | 0:11:20 | 0:11:22 | |
I stand back and try to advise from a distance. | 0:11:22 | 0:11:27 | |
ALL: 1, 2, 3...Octane! | 0:11:27 | 0:11:29 | |
ANAND: You think the girls are having this much fun next door? | 0:11:29 | 0:11:32 | |
DAVID: Are they having a catfight? | 0:11:32 | 0:11:33 | |
Probably. | 0:11:33 | 0:11:35 | |
NICOLE: So why don't we just all throw out the different ideas we had? | 0:11:37 | 0:11:40 | |
And then we can sort out which ones we think are keepers. | 0:11:40 | 0:11:43 | |
BRANDY: What about Phoenix? POPPY: That's what I thought too. | 0:11:43 | 0:11:46 | |
STEPHANIE: Well, we've all risen from the ashes of the economy. | 0:11:46 | 0:11:49 | |
LIZA: 'All 16 of us are here for a reason. | 0:11:49 | 0:11:51 | |
'Everybody here is fighting | 0:11:51 | 0:11:53 | |
'to really make a difference in our lives,' | 0:11:53 | 0:11:55 | |
and the best man wins, you know? | 0:11:55 | 0:11:57 | |
Best WOMAN'S going to win. | 0:11:57 | 0:11:58 | |
TYANA: I like Inspire. | 0:11:58 | 0:12:01 | |
Does everyone like Inspire? POPPY: I love Inspire. | 0:12:01 | 0:12:03 | |
NICOLE: If it just means the actual word that it is, | 0:12:03 | 0:12:05 | |
to me, I would like to have it be dimensional. | 0:12:05 | 0:12:07 | |
BRANDY: Yeah. | 0:12:07 | 0:12:08 | |
KELLY: OK, there's Vigorous. NICOLE: Stamina. | 0:12:08 | 0:12:11 | |
TYANA: Stamina? That's the boys' team. | 0:12:11 | 0:12:13 | |
LAUGHTER | 0:12:13 | 0:12:16 | |
Fortitude. It's strength of mind and having guts. | 0:12:16 | 0:12:19 | |
MAHSA: Oh! | 0:12:19 | 0:12:20 | |
NICOLE: That's good. I like it. I like it. | 0:12:20 | 0:12:22 | |
KELLY: 'When the name Fortitude came up, | 0:12:22 | 0:12:24 | |
'It really resonated within the group.' | 0:12:24 | 0:12:27 | |
I mean, the name was strong, it's resilient, | 0:12:27 | 0:12:29 | |
and it makes a statement. | 0:12:29 | 0:12:30 | |
LIZA: Y'all, our name is Fortitude? | 0:12:30 | 0:12:33 | |
Let's get excited. Does that sound like a good name? | 0:12:33 | 0:12:36 | |
MAHSA: I think it's awesome. Fortitude. | 0:12:36 | 0:12:39 | |
NICOLE: Can I just throw it out there right now? | 0:12:39 | 0:12:41 | |
I totally volunteer to be the first project manager. | 0:12:41 | 0:12:43 | |
You know, I saw you as our first project manager. | 0:12:43 | 0:12:45 | |
MAHSA: 'Picking a project manager was a cinch.' | 0:12:45 | 0:12:48 | |
'Nicole said, "All right, guys,' | 0:12:48 | 0:12:49 | |
"I just wanted to let everyone know | 0:12:49 | 0:12:50 | |
"that I'm going to be the project manager. | 0:12:50 | 0:12:52 | |
"I'm volunteering to do it." | 0:12:52 | 0:12:53 | |
'Very ballsy move to make at the very beginning.' | 0:12:53 | 0:12:57 | |
I think going to we're win, so... NICOLE: I think we're going to win too. | 0:12:57 | 0:13:00 | |
I think we just need to ride on, like...we have a lot of, like, | 0:13:00 | 0:13:03 | |
synergistic energy going on right now. We just need to... | 0:13:03 | 0:13:05 | |
NICOLE: 'I definitely knew that I wanted to be the first project manager. | 0:13:05 | 0:13:08 | |
'I think it's great to make that strong first impression.' | 0:13:08 | 0:13:13 | |
And none of the women even had any problems with it! | 0:13:13 | 0:13:15 | |
It was the easiest thing I probably will ever do on The Apprentice. | 0:13:15 | 0:13:18 | |
NICOLE: Let's go, guys. A good leader has a team! | 0:13:18 | 0:13:21 | |
We're right next to the New York Stock Exchange, | 0:13:42 | 0:13:45 | |
right in the middle of downtown Manhattan. | 0:13:45 | 0:13:48 | |
Behind me is the Trump building at 40 Wall Street. | 0:13:48 | 0:13:52 | |
It was built in 1929, a really bad time. | 0:13:52 | 0:13:55 | |
You folks have a little bit of a problem. | 0:13:58 | 0:14:00 | |
You're going to rise like 40 Wall Street rose, | 0:14:00 | 0:14:03 | |
and I think you'll be bigger and better than ever before. | 0:14:03 | 0:14:07 | |
But right now, I want to know, | 0:14:08 | 0:14:10 | |
who is your project manager, and what is your team name? | 0:14:10 | 0:14:14 | |
Our team name is Octane, and Gene is your project manager. | 0:14:14 | 0:14:17 | |
Gene is our project manager. | 0:14:17 | 0:14:19 | |
Why did you pick Gene? Because he's younger than you? | 0:14:19 | 0:14:23 | |
CLINT: We like his style, | 0:14:23 | 0:14:25 | |
and we think he's going to lead us to victory at this first task. | 0:14:25 | 0:14:28 | |
He has a good style. You DO have a good style, Gene. | 0:14:28 | 0:14:30 | |
Thank you, sir. | 0:14:30 | 0:14:31 | |
Who is your project manager? | 0:14:31 | 0:14:33 | |
I am, Mr Trump. | 0:14:33 | 0:14:35 | |
- What is your team name? - Our team name is Fortitude, | 0:14:35 | 0:14:37 | |
because it means strength of mind and having guts. | 0:14:37 | 0:14:39 | |
All right, that sounds good. | 0:14:39 | 0:14:41 | |
All right, Don and Ivanka will be my eyes and ears. | 0:14:41 | 0:14:46 | |
Ivanka, what is the task? | 0:14:46 | 0:14:48 | |
IVANKA: The first task is to design and build an ultramodern workspace. | 0:14:48 | 0:14:52 | |
You'll be judged on execution, | 0:14:52 | 0:14:55 | |
on functionality, and on originality. | 0:14:55 | 0:14:57 | |
TRUMP: OK, I am going to make the final decision, | 0:14:57 | 0:15:00 | |
but here's the good news - | 0:15:00 | 0:15:03 | |
the winning project manager | 0:15:03 | 0:15:04 | |
is going to receive something very special. | 0:15:04 | 0:15:08 | |
The losing team, somebody will be fired, | 0:15:08 | 0:15:11 | |
and it won't be nice, because you'll be the first one fired. | 0:15:11 | 0:15:15 | |
That's never great. | 0:15:15 | 0:15:17 | |
So you've got to build really great space. | 0:15:17 | 0:15:20 | |
Use this. Use imagination. Good luck. | 0:15:20 | 0:15:23 | |
ALL: Thank you. TRUMP: Good luck. | 0:15:23 | 0:15:25 | |
MAHSA: Is this it? KELLY: Wow. | 0:15:45 | 0:15:47 | |
NICOLE: Ladies, this is our space. So, here's the thing. | 0:15:47 | 0:15:50 | |
POPPY: Let's pull up some chairs so we can sit down and write stuff. | 0:15:50 | 0:15:52 | |
NICOLE: 'Our task was to create a modern office.' | 0:15:52 | 0:15:55 | |
So we get to our space. | 0:15:55 | 0:15:56 | |
'No walls, completely open, and there's all these windows.' | 0:15:56 | 0:16:00 | |
Our designer's going to be here in half an hour, | 0:16:00 | 0:16:02 | |
so let's use this half an hour | 0:16:02 | 0:16:04 | |
so that we have a general consensus about what we want. | 0:16:04 | 0:16:06 | |
KELLY: I think we should do something really opulent and, you know... | 0:16:06 | 0:16:08 | |
NICOLE: Oh, like luxury...like Trump. | 0:16:08 | 0:16:10 | |
Luxury - exactly. | 0:16:10 | 0:16:11 | |
KELLY: 'When Mr Trump told us | 0:16:11 | 0:16:12 | |
'that he was going to actually judge the task, | 0:16:12 | 0:16:15 | |
'I thought, "Oh, my goodness!"' | 0:16:15 | 0:16:18 | |
He has set the standard | 0:16:18 | 0:16:20 | |
for what luxury and what office space | 0:16:20 | 0:16:22 | |
SHOULD BE in American business. | 0:16:22 | 0:16:24 | |
'We have got to pull this together, and it has to be mind-blowing.' | 0:16:24 | 0:16:28 | |
We have something lofty. Why don't we do something artistic, | 0:16:28 | 0:16:31 | |
like a photography studio, or... | 0:16:31 | 0:16:33 | |
STEPHANIE: But that's gallery, not office. | 0:16:33 | 0:16:34 | |
No, you can make it an office. | 0:16:34 | 0:16:36 | |
TYANA: 'My background is in new home sales. | 0:16:36 | 0:16:38 | |
'Three of my last projects have been urban loft spaces. | 0:16:38 | 0:16:41 | |
'This couldn't have been' | 0:16:41 | 0:16:43 | |
more well-suited for me. I know exactly...I had a vision. | 0:16:43 | 0:16:46 | |
NICOLE: We have to figure out what to do with these columns. | 0:16:46 | 0:16:50 | |
I've always wanted to do something on the pole, | 0:16:50 | 0:16:53 | |
if we can design a round table around the pole. | 0:16:53 | 0:16:56 | |
So we can use that as the space. | 0:16:56 | 0:16:59 | |
And I think it needs to be like an urban downtown loft. | 0:16:59 | 0:17:02 | |
Like, a black accent wall and grey paint. | 0:17:02 | 0:17:05 | |
NICOLE: 'Tyana said she has design or style experience. | 0:17:05 | 0:17:09 | |
'I didn't get any of that from what she wore.' | 0:17:09 | 0:17:12 | |
I just thought it was tacky. | 0:17:12 | 0:17:14 | |
TYANA: I have done grey with black | 0:17:14 | 0:17:16 | |
as an accent wall, and it was gorgeous. | 0:17:16 | 0:17:18 | |
NICOLE: No. | 0:17:18 | 0:17:19 | |
WADE: Whoo! STEUART: We're here. | 0:17:27 | 0:17:30 | |
ANAND: 'Immediately when we walked in the workspace, I was stunned. | 0:17:30 | 0:17:32 | |
'Here, we had a bare-bones office, | 0:17:32 | 0:17:34 | |
'and there was a lot of work to be done.' | 0:17:34 | 0:17:36 | |
This area is known for a lot of more e-commerce-style companies. | 0:17:36 | 0:17:40 | |
This is SoHo. This is very high-end. | 0:17:40 | 0:17:41 | |
This is going to be an exclusive space. | 0:17:41 | 0:17:44 | |
I do have an extensive commercial office real estate background, | 0:17:44 | 0:17:47 | |
'but it's been almost nine months since I was last in real estate, | 0:17:47 | 0:17:49 | |
'so it feels good to be back involved.' | 0:17:49 | 0:17:53 | |
What's our demo? | 0:17:53 | 0:17:54 | |
We're going to have, like, young, urban professionals, graphic designers... | 0:17:54 | 0:17:58 | |
The way we design it doesn't necessarily have to only cater to those types of people. | 0:17:58 | 0:18:02 | |
Mr Trump is going to come back to us and say, | 0:18:02 | 0:18:03 | |
"This is no good for a financial firm or a law office." | 0:18:03 | 0:18:07 | |
It needs to be applicable to any industry. | 0:18:07 | 0:18:10 | |
GENE: Any industry, exactly. | 0:18:10 | 0:18:11 | |
GENE: 'This is my first day of work in a long time. | 0:18:11 | 0:18:14 | |
To go from figuring out what I'm going to do every day' | 0:18:14 | 0:18:17 | |
to be thrown kind of right back into the fray, | 0:18:17 | 0:18:21 | |
it kind of takes you a minute | 0:18:21 | 0:18:22 | |
'to think about, "Wow, I'm working!"' | 0:18:22 | 0:18:24 | |
Here's what I'm thinking, | 0:18:24 | 0:18:27 | |
since we are in SoHo, it's a funky area, kind of on the edge, | 0:18:27 | 0:18:29 | |
we do a green, modern workspace, with some foliage, | 0:18:29 | 0:18:33 | |
but green is the theme right now for everything that we're doing. | 0:18:33 | 0:18:37 | |
JAMES: 'Gene's idea was, "We're going to make this a green office space,"' | 0:18:37 | 0:18:42 | |
which was a terrific idea. | 0:18:42 | 0:18:45 | |
It turns out Gene had no idea what that meant. | 0:18:45 | 0:18:47 | |
GENE: So, we want a reception area. | 0:18:47 | 0:18:49 | |
OK, so, I'm thinking... | 0:18:49 | 0:18:50 | |
Uh... | 0:18:50 | 0:18:52 | |
So, wow, all this could be used right here. | 0:18:54 | 0:18:59 | |
OK. That's great. | 0:18:59 | 0:19:00 | |
How you doing? | 0:19:00 | 0:19:02 | |
JAMES: 'The architectural renderer showed up, | 0:19:02 | 0:19:04 | |
'and we have a limited amount of time with this guy. | 0:19:04 | 0:19:07 | |
'I was expecting Gene to sit down and say,' | 0:19:07 | 0:19:10 | |
"OK, let's work on some designs." | 0:19:10 | 0:19:12 | |
GENE: OK, now, the details that Anand had mentioned, | 0:19:12 | 0:19:15 | |
OK, which...we don't want to forget the windows. | 0:19:15 | 0:19:18 | |
We still have yet to work the windows in. | 0:19:18 | 0:19:20 | |
And I'm thinking more like a linen. | 0:19:20 | 0:19:21 | |
That's what I was saying, like a linen fabric. | 0:19:21 | 0:19:24 | |
JAMES: 'Instead, Gene was off discussing, you know,' | 0:19:24 | 0:19:27 | |
what colour the drapes should be. | 0:19:27 | 0:19:29 | |
'We're getting nowhere.' | 0:19:29 | 0:19:30 | |
NICOLE: If all of us talk to the architect, it's going to be crazy, | 0:19:44 | 0:19:47 | |
so I want to talk about the design. TYANA: I can, too. | 0:19:47 | 0:19:50 | |
Who else feels, creatively, that they could really...OK, Poppy. | 0:19:52 | 0:19:55 | |
STEPHANIE: I think people should get paint while you guys are meeting. | 0:19:55 | 0:19:58 | |
ALL: Hi. | 0:19:58 | 0:20:01 | |
I'm Nicole. | 0:20:01 | 0:20:02 | |
NICOLE: 'Once our architectural designer had arrived, | 0:20:02 | 0:20:05 | |
'it was time for us to talk specifics of layout. | 0:20:05 | 0:20:07 | |
'The concept we decided to go with' | 0:20:07 | 0:20:10 | |
was modern executive, | 0:20:10 | 0:20:11 | |
meaning that we wanted to keep it | 0:20:11 | 0:20:13 | |
a little bit traditional, | 0:20:13 | 0:20:14 | |
'but having a modern edge to it.' | 0:20:14 | 0:20:17 | |
MAHSA: So, do you want us to skip this creative meeting and go buy paint? | 0:20:17 | 0:20:20 | |
NICOLE: People that feel they need to be here, stay. | 0:20:20 | 0:20:23 | |
MAHSA: I can do whatever you want. Tell me what to do. | 0:20:23 | 0:20:25 | |
Why don't you guys go get food? > | 0:20:25 | 0:20:26 | |
Food or paint? I don't mind getting food. | 0:20:26 | 0:20:29 | |
KELLY: Let's just do food AND paint. Do both. | 0:20:29 | 0:20:31 | |
MAHSA: 'I'm an assistant district attorney in Brooklyn. | 0:20:31 | 0:20:33 | |
'I'm used to communicating, like, being precise. | 0:20:33 | 0:20:37 | |
'I think Nicole has a little bit of a problem being the project manager,' | 0:20:37 | 0:20:40 | |
because she keeps asking what I want to do. | 0:20:40 | 0:20:42 | |
You tell me what to do. | 0:20:42 | 0:20:43 | |
You're the leader. You need to lead. | 0:20:43 | 0:20:45 | |
MAHSA: Right now, I'm getting dark grey, | 0:20:45 | 0:20:48 | |
this colour, for that wall, | 0:20:48 | 0:20:50 | |
and I'm getting silver to paint this area, is that correct? | 0:20:50 | 0:20:53 | |
You guys decide amongst yourselves. I trust you. | 0:20:53 | 0:20:56 | |
MAHSA: 'She has a lot of grace,' | 0:20:56 | 0:20:57 | |
and on the outside it looks good, but she's lacking some substance. | 0:20:57 | 0:21:00 | |
Do you guys want Tyana to go? BRANDY: If she would be more use | 0:21:03 | 0:21:06 | |
with her design experience with us, then that's fine. | 0:21:06 | 0:21:08 | |
If you guys need her here, that's also fine. | 0:21:08 | 0:21:10 | |
- We can handle... - OK, then go, go, go. | 0:21:10 | 0:21:12 | |
TYANA: 'Since all my ideas had been already ignored by Nicole, | 0:21:14 | 0:21:17 | |
I thought the next most crucial thing would be the paint colour, | 0:21:17 | 0:21:20 | |
'and I knew I could go in and get the job done quickly.' | 0:21:20 | 0:21:23 | |
Let's go. | 0:21:23 | 0:21:25 | |
GENE: I think we should paint this wall. | 0:21:29 | 0:21:31 | |
Anand, what do you think? That's what I think. | 0:21:31 | 0:21:33 | |
I think I kind of like it white. | 0:21:33 | 0:21:35 | |
That whole corner white? | 0:21:35 | 0:21:36 | |
Anytime you have white, | 0:21:36 | 0:21:37 | |
it definitely makes it look like a more big space. | 0:21:37 | 0:21:39 | |
Gene, I'm worried that we're losing sight of the fact | 0:21:39 | 0:21:41 | |
that we got the architect... | 0:21:41 | 0:21:43 | |
- I know. Give me a sec. - ..on a ticking clock. | 0:21:43 | 0:21:45 | |
GENE: OK, hang on. | 0:21:45 | 0:21:47 | |
This is going to be coloured. | 0:21:47 | 0:21:50 | |
It always helps to sort of start sketching small. | 0:21:50 | 0:21:52 | |
So I think we'll just sort of start | 0:21:52 | 0:21:54 | |
to lay out a little road map here, a little plan. | 0:21:54 | 0:21:56 | |
JAMES: 'After mentioning to Gene' | 0:21:56 | 0:21:59 | |
that we need to use our time with the architectural renderer | 0:21:59 | 0:22:02 | |
and him ignoring it... | 0:22:02 | 0:22:03 | |
What we're going to do is move that conference room more inwards... | 0:22:03 | 0:22:06 | |
JAMES: In the back corner. ANAND: Yeah. | 0:22:06 | 0:22:08 | |
JAMES: '...Anand and I stepped up and said, | 0:22:08 | 0:22:10 | |
'"OK, we need to get some ideas on paper."' | 0:22:10 | 0:22:12 | |
ANAND: We're going to flip this around. | 0:22:12 | 0:22:13 | |
We're going to get rid of these tables, | 0:22:13 | 0:22:15 | |
and, instead, we're going to move... | 0:22:15 | 0:22:16 | |
we're going to add more desks along these windows. | 0:22:16 | 0:22:18 | |
What's down here in either one? Just empty space? | 0:22:18 | 0:22:21 | |
CLINT: 'It was a little frustrating that James and Anand | 0:22:21 | 0:22:23 | |
'had sidled up close to the sketch artist' | 0:22:23 | 0:22:25 | |
and kind of protected their territory over there, | 0:22:25 | 0:22:27 | |
because I think I had a few good ideas to offer, | 0:22:27 | 0:22:29 | |
as a real estate developer. | 0:22:29 | 0:22:30 | |
All those elements that we're looking for, | 0:22:30 | 0:22:32 | |
I mean, desks, that only gets us...a tenth of the way there. | 0:22:32 | 0:22:37 | |
It's - it's the little, like...accoutrements. | 0:22:37 | 0:22:41 | |
In terms of design concepts, we've incorporated | 0:22:41 | 0:22:44 | |
'the windows and the natural light really well. | 0:22:44 | 0:22:46 | |
'We've incorporated a conference area.' | 0:22:46 | 0:22:48 | |
Once you put a couch and maybe a couple chairs, | 0:22:48 | 0:22:50 | |
we're taking up most of this wall. | 0:22:50 | 0:22:52 | |
JAMES: 'Our lack of focus has to be Gene's fault. | 0:22:52 | 0:22:55 | |
'We've got eight people that are motivated, | 0:22:55 | 0:22:58 | |
'that are ready to work,' | 0:22:58 | 0:22:59 | |
and he needs to take that energy and direct it. | 0:22:59 | 0:23:01 | |
STEPHANIE: Here they are! | 0:23:15 | 0:23:16 | |
BRANDY: I think we've got it all. NICOLE: All right! | 0:23:16 | 0:23:20 | |
OK, so, we got your paint supplies, | 0:23:20 | 0:23:21 | |
your cleaning supplies, and we got you sandwiches. | 0:23:21 | 0:23:23 | |
Thank you! | 0:23:23 | 0:23:25 | |
While most of the team stayed behind to take care of the creative aspect, | 0:23:25 | 0:23:28 | |
Brandy, Tyana, and I | 0:23:28 | 0:23:29 | |
'picked up all the supplies | 0:23:29 | 0:23:30 | |
'we would need to make the place sparkly for Mr Trump.' | 0:23:30 | 0:23:33 | |
BRANDY: I can spearhead the manual labour, if you want me to paint. | 0:23:33 | 0:23:36 | |
NICOLE: Awesome! BRANDY: Yes? | 0:23:36 | 0:23:38 | |
NICOLE: So, then, I think that that means two of us are going shopping. | 0:23:38 | 0:23:41 | |
NICOLE: 'I knew that we were going to have to get' | 0:23:41 | 0:23:44 | |
the electronics that we needed | 0:23:44 | 0:23:45 | |
'while the paint group would start painting and cleaning.' | 0:23:45 | 0:23:48 | |
OK, let's go. | 0:23:48 | 0:23:49 | |
NICOLE: Do we know what we're getting at the AV store? | 0:23:51 | 0:23:53 | |
It would be really great if we could be | 0:23:53 | 0:23:55 | |
in and out of there super-duper fast. OK. Yes. | 0:23:55 | 0:23:57 | |
'I decided to bring Stephanie with me' | 0:23:57 | 0:23:59 | |
because she was the one who was sitting down with me the whole time | 0:23:59 | 0:24:02 | |
and understood the renderings. | 0:24:02 | 0:24:04 | |
STEPHANIE: OK. AV, what do you want to get? | 0:24:04 | 0:24:06 | |
Well, we need to get computer screens. 10. | 0:24:06 | 0:24:09 | |
I say we get laptops. Don't you think laptops are more functional? | 0:24:09 | 0:24:11 | |
OK, but the executive needs to have a desktop. | 0:24:11 | 0:24:13 | |
STEPHANIE: 'We're very stressed out | 0:24:13 | 0:24:15 | |
'cos we know that there's still a lot to do,' | 0:24:15 | 0:24:18 | |
and I've come as far as I want to go with the whole design. | 0:24:18 | 0:24:20 | |
I'm not a decorator! | 0:24:20 | 0:24:22 | |
STEPHANIE: I wish Tyana would chime in now with the creativity. | 0:24:22 | 0:24:25 | |
NICOLE: Well, maybe we stop by | 0:24:25 | 0:24:27 | |
before we go to get all of our shopping done. | 0:24:27 | 0:24:29 | |
I think we have to get Tyana. | 0:24:29 | 0:24:30 | |
She has more of an eye than I do, don't you think? | 0:24:30 | 0:24:33 | |
I don't know. Tyana frustrated me. I'm going to be honest. | 0:24:33 | 0:24:37 | |
STEPHANIE: 'I don't know where Nicole's biases come from | 0:24:37 | 0:24:39 | |
'with regards to Tyana,' | 0:24:39 | 0:24:41 | |
but she's in the design, real estate space business. | 0:24:41 | 0:24:43 | |
Use her abilities. | 0:24:43 | 0:24:45 | |
Focus, girl! | 0:24:45 | 0:24:47 | |
BRANDY: 1, 2, 3...Unh! | 0:24:47 | 0:24:49 | |
KELLY: 'Today is my first day of work in a long time, | 0:24:56 | 0:25:00 | |
'and it was so much work that had to go in | 0:25:00 | 0:25:02 | |
'to bringing the place up to par,' | 0:25:02 | 0:25:04 | |
but it felt great to just get back to work. | 0:25:04 | 0:25:07 | |
My God, doing these windows is taking FOR EVER! | 0:25:07 | 0:25:12 | |
We can do windows tomorrow. We can't do paint tomorrow. | 0:25:12 | 0:25:14 | |
I think it's the centrepiece of the place... | 0:25:14 | 0:25:17 | |
BRANDY: I'm not saying we don't do the windows, | 0:25:17 | 0:25:19 | |
but we can't paint tomorrow. That's my only... | 0:25:19 | 0:25:21 | |
See, I just don't think they're getting | 0:25:24 | 0:25:26 | |
-how this is just as big of a -BLEEP -problem. | 0:25:26 | 0:25:29 | |
I don't think they're getting it. | 0:25:29 | 0:25:31 | |
MAHSA: 'I would like Brandy | 0:25:31 | 0:25:32 | |
'to take her little butt off from using a roller' | 0:25:32 | 0:25:35 | |
and come and scrape and break HER back to make that window shine. | 0:25:35 | 0:25:38 | |
'So I'm just very annoyed at her right now.' | 0:25:38 | 0:25:41 | |
BRANDY: I was not meaning to boss the group around. | 0:25:41 | 0:25:43 | |
I was just raising a point. | 0:25:43 | 0:25:44 | |
MAHSA: I just want you to understand. | 0:25:44 | 0:25:46 | |
It's not like I'm not doing anything. | 0:25:46 | 0:25:48 | |
We're trying to get it done. | 0:25:48 | 0:25:49 | |
POPPY: 'Mahsa was trying to say that the windows were a lot of work | 0:25:53 | 0:25:57 | |
'and they had to be done,' | 0:25:57 | 0:25:59 | |
but Mahsa's a prosecutor. | 0:25:59 | 0:26:00 | |
She's got that harsh edge. | 0:26:00 | 0:26:02 | |
'So the things she says, I'm sure, come out the wrong way frequently.' | 0:26:02 | 0:26:06 | |
So what I need you guys to do is plants. | 0:26:20 | 0:26:22 | |
Are you serious?! | 0:26:22 | 0:26:23 | |
GENE: Yeah, I'm serious. | 0:26:23 | 0:26:25 | |
Oh, man! We can do the plants! | 0:26:25 | 0:26:26 | |
DAVID: 'Gene tasked Clint and I' | 0:26:26 | 0:26:30 | |
with ordering trees | 0:26:30 | 0:26:31 | |
or flowers or plants. | 0:26:31 | 0:26:32 | |
GENE: So let's go with some colour. | 0:26:32 | 0:26:35 | |
CLINT: I mean, we ought to explode colour all across there, yeah. | 0:26:35 | 0:26:38 | |
Like, some orange and yellow flowers and some green. Make it pop. | 0:26:38 | 0:26:41 | |
I don't want flowers. I want plants. I want trees. | 0:26:41 | 0:26:44 | |
I want bonsai-ish or... | 0:26:44 | 0:26:46 | |
Do they have anything that looks tropical? | 0:26:46 | 0:26:48 | |
Yeah, but we're not...I don't want to put a palm tree. | 0:26:48 | 0:26:51 | |
DAVID: 'I want to win this task. I want to stay out of the boardroom.' | 0:26:51 | 0:26:55 | |
I have everything on the line. | 0:26:55 | 0:26:56 | |
I have my life on the line. | 0:26:56 | 0:26:58 | |
'And I was very frustrated | 0:26:58 | 0:26:59 | |
'with a lot of the chaos and mismanagement.' | 0:26:59 | 0:27:02 | |
CLINT: Hey, Gene? GENE: Yes, sir. | 0:27:02 | 0:27:04 | |
CLINT: Are we dead sold on the little feng shui pine-type stuff, | 0:27:04 | 0:27:06 | |
Or do you care if we go with the tropical plants? | 0:27:06 | 0:27:09 | |
Make the decision on the plants, | 0:27:09 | 0:27:10 | |
and if anybody's got a problem, come see me. | 0:27:10 | 0:27:12 | |
I'm fine. I'm fine doing it, | 0:27:12 | 0:27:14 | |
I just want you to know in advance. I'm handling it. | 0:27:14 | 0:27:16 | |
No, you're good. OK, you know what I'm saying. | 0:27:16 | 0:27:18 | |
I got what you're saying. You're covered, OK? | 0:27:18 | 0:27:19 | |
I got your back, seriously. | 0:27:19 | 0:27:21 | |
CLINT: 'I pulled Gene aside. | 0:27:21 | 0:27:23 | |
I said, "Gene, I'd start calling to get these colourful plants. | 0:27:23 | 0:27:26 | |
'"It's going to be tense. I just want you to know that."' | 0:27:26 | 0:27:29 | |
He said, "Oh, no, no. If anything happens, it'll be on me." | 0:27:29 | 0:27:31 | |
DAVID: What are you doing? Are you doing flowers? | 0:27:31 | 0:27:33 | |
I need to call this lady back, get my TVs ordered, | 0:27:33 | 0:27:36 | |
and I don't have time to mess around with these guys. | 0:27:36 | 0:27:38 | |
If you need to call them to get here in time, go ahead and call them. | 0:27:38 | 0:27:40 | |
I can call the local branch in a little bit. | 0:27:40 | 0:27:42 | |
OK. That sounds good. I'm going to call these guys too. | 0:27:42 | 0:27:44 | |
No, you're...David, give me that back right now. | 0:27:44 | 0:27:47 | |
Hey, Dave, give me that right now. | 0:27:47 | 0:27:48 | |
I'm not going to screw around with this. | 0:27:48 | 0:27:50 | |
DAVID: 'I said I was going to call back my AV department,' | 0:27:50 | 0:27:53 | |
knowing that I was going to call the flower shop | 0:27:53 | 0:27:55 | |
that I had already been talking to, | 0:27:55 | 0:27:57 | |
'and so I grabbed the list of floral shops.' | 0:27:57 | 0:28:00 | |
Gene told me to call these people and get this stuff ordered. | 0:28:00 | 0:28:02 | |
Now, did he tell you to call them? | 0:28:02 | 0:28:05 | |
He told me to call people... | 0:28:05 | 0:28:06 | |
If you put your hands on me again, you're going to have a problem. Now, now, listen... | 0:28:06 | 0:28:10 | |
CLINT: 'David could not be reasoned with.' | 0:28:10 | 0:28:12 | |
He just went from one extreme, this goofy, happy, you know, "Golly!" | 0:28:12 | 0:28:16 | |
'to this just flaming, ignited human.' | 0:28:16 | 0:28:19 | |
Dave, just settle down. | 0:28:19 | 0:28:22 | |
ANAND: Settle down. Go make the call. | 0:28:22 | 0:28:23 | |
Don't argue. Make the call. | 0:28:23 | 0:28:25 | |
We can talk about this later on. | 0:28:25 | 0:28:27 | |
Tell him to stop wasting time. | 0:28:27 | 0:28:29 | |
It's fine. You make the call. You have a job to do... | 0:28:29 | 0:28:31 | |
'I don't look for a fight, I don't pick a fight,' | 0:28:31 | 0:28:34 | |
but I'm older than a lot of the candidates. | 0:28:34 | 0:28:36 | |
I have more experience | 0:28:36 | 0:28:37 | |
than almost all of them, | 0:28:37 | 0:28:38 | |
'and so I do not like being brushed off.' | 0:28:38 | 0:28:43 | |
Dave, please... | 0:28:43 | 0:28:44 | |
Clint, it's all right. Everything's good... | 0:28:44 | 0:28:46 | |
Don't put your hands...I'm serious. | 0:28:46 | 0:28:48 | |
I don't care, buddy. Don't touch me. Seriously. | 0:28:48 | 0:28:50 | |
CLINT: 'If I had been the PM, | 0:28:50 | 0:28:53 | |
'David would have been out because of his distraction.' | 0:28:53 | 0:28:56 | |
He was the biggest distraction we had, | 0:28:56 | 0:28:58 | |
but I don't think David was the cause of all the distractions. | 0:28:58 | 0:29:01 | |
The cause of the distractions was the chaos | 0:29:01 | 0:29:02 | |
'that came from Gene's lack of leadership.' | 0:29:02 | 0:29:07 | |
Squash it. We're done. I love you. | 0:29:07 | 0:29:08 | |
I want to make sure you're OK. | 0:29:08 | 0:29:10 | |
Call some flowers so I can call this AV girl back. | 0:29:10 | 0:29:12 | |
Cool? | 0:29:12 | 0:29:14 | |
- Bonus? - OK. | 0:29:14 | 0:29:16 | |
So let's go do what we got to do. | 0:29:27 | 0:29:28 | |
Thank you guys very much for your help. | 0:29:28 | 0:29:31 | |
GENE: 'Since Anand and I were going to go run some errands, | 0:29:31 | 0:29:34 | |
'I thought it was better that people start working on the space | 0:29:34 | 0:29:37 | |
'to basically maximise the time that we had. | 0:29:37 | 0:29:39 | |
'And the biggest thing for me was getting the space painted,' | 0:29:39 | 0:29:43 | |
so that we could come in the next day | 0:29:43 | 0:29:45 | |
and just basically build around that scheme. | 0:29:45 | 0:29:46 | |
Hi, folks. | 0:29:54 | 0:29:56 | |
Nice to meet you all. | 0:29:56 | 0:29:57 | |
- Nice to meet you. I'm a little... - Oh, yeah, don't shake my hand! | 0:29:57 | 0:30:00 | |
So what's the general concept, then, | 0:30:02 | 0:30:03 | |
in terms of the theme for this ultramodern office space? | 0:30:03 | 0:30:07 | |
Gene, the project manager, came up with the idea of a green office. | 0:30:08 | 0:30:12 | |
Not overly original! | 0:30:12 | 0:30:13 | |
The green stuff is more in the details | 0:30:15 | 0:30:18 | |
of how we're executing it. | 0:30:18 | 0:30:20 | |
JAMES: 'Ivanka scared the crap out of me! | 0:30:20 | 0:30:23 | |
'And I immediately was concerned that Gene wasn't there,' | 0:30:23 | 0:30:26 | |
and that we had seemingly accomplished nothing. | 0:30:26 | 0:30:29 | |
Are you going to utilize this space at all, for the laptop stations? | 0:30:29 | 0:30:32 | |
Well, no, the laptops will go on the desks, and... | 0:30:32 | 0:30:35 | |
Which are where? | 0:30:35 | 0:30:36 | |
Well, they're going to run along this...this wall here. | 0:30:36 | 0:30:39 | |
I want to be supportive of you guys, | 0:30:39 | 0:30:41 | |
but I haven't heard anything that's blowing my socks off, | 0:30:41 | 0:30:43 | |
in terms of concept. | 0:30:43 | 0:30:44 | |
'This is a group being judged' | 0:30:44 | 0:30:47 | |
on how to build, develop, design New York real estate. | 0:30:47 | 0:30:51 | |
This is not a task anyone wants to be sitting across the boardroom | 0:30:53 | 0:30:56 | |
from my father, having screwed up on, | 0:30:56 | 0:30:57 | |
because my father's seen everything when it comes to real estate. | 0:30:57 | 0:31:01 | |
This looks so awesome! | 0:31:15 | 0:31:17 | |
Hi! I feel like I should take my shoes off! | 0:31:17 | 0:31:21 | |
STEPHANIE: 'So when we came back, I felt good. | 0:31:21 | 0:31:23 | |
'The paint was well underway.' | 0:31:23 | 0:31:25 | |
They were doing really well with that. They were coming along. | 0:31:25 | 0:31:27 | |
The floors looked great. | 0:31:27 | 0:31:28 | |
So a lot of work had been done. | 0:31:28 | 0:31:29 | |
NICOLE: Who wants to go with me to CORT right now? | 0:31:29 | 0:31:33 | |
I think you should go. Who else feels design-inclinated? | 0:31:33 | 0:31:35 | |
STEPHANIE: That's the office furniture. | 0:31:35 | 0:31:37 | |
I need people who know what they can do with furniture. | 0:31:37 | 0:31:40 | |
TYANA: Poppy, did you want to go? - Do you want to go? | 0:31:40 | 0:31:42 | |
POPPY: I'll go. I will go. | 0:31:42 | 0:31:43 | |
NICOLE: OK. Poppy and Tyana are going to come with me. | 0:31:43 | 0:31:45 | |
NICOLE: 'There's a lot of pressure right now | 0:31:45 | 0:31:47 | |
'because I'm the first project manager, | 0:31:47 | 0:31:49 | |
'but at the same time, I'm thinking about' | 0:31:49 | 0:31:51 | |
how I would defend the decisions I made. | 0:31:51 | 0:31:53 | |
STEPHANIE: Have fun, guys. NICOLE: Thanks! | 0:31:53 | 0:31:55 | |
We're going to be pushing it at the furniture place. | 0:31:55 | 0:31:57 | |
NICOLE: 'And I honestly was only bringing Tyana' | 0:31:57 | 0:32:01 | |
because, if we failed and Donald Trump asked, | 0:32:01 | 0:32:04 | |
"Why didn't you take the one person that has experience | 0:32:04 | 0:32:06 | |
"staging for loft space?" I would have no good excuse. | 0:32:06 | 0:32:09 | |
This door's really heavy! | 0:32:12 | 0:32:15 | |
Hello. Welcome to CORT. > | 0:32:17 | 0:32:19 | |
Hi, Nicole from Team Fortitude. | 0:32:19 | 0:32:20 | |
POPPY: 'We definitely left way too late for CORT Furniture. | 0:32:20 | 0:32:23 | |
'I was really nervous, | 0:32:23 | 0:32:25 | |
and we had a serious time crunch. | 0:32:25 | 0:32:27 | |
We need to pick everything in the next 45 minutes. | 0:32:27 | 0:32:30 | |
ASSISTANT: This could function very easily as a desk. | 0:32:32 | 0:32:34 | |
Say that we divide this, and we have someone sitting there and there? | 0:32:34 | 0:32:37 | |
Yeah, it's very modern. | 0:32:37 | 0:32:39 | |
We want four of these. | 0:32:39 | 0:32:40 | |
Four of these, and eight chairs. | 0:32:40 | 0:32:42 | |
TYANA: 'I know Nicole was kind of stressing a little bit, | 0:32:42 | 0:32:45 | |
'But I've done this. | 0:32:45 | 0:32:46 | |
I literally can walk in, and, boom! I know what I want. | 0:32:46 | 0:32:49 | |
I can point at it and say, "this is it." | 0:32:49 | 0:32:51 | |
TYANA: Or throw in two of those, | 0:32:51 | 0:32:53 | |
cos we might be able to put one in the executive office. | 0:32:53 | 0:32:56 | |
NICOLE: Yes, two of these. | 0:32:56 | 0:32:57 | |
TYANA: I'd rather have this as the reception desk | 0:32:57 | 0:32:59 | |
with the white leather chairs. | 0:32:59 | 0:33:01 | |
OK, yes. Yes. Let's do that. | 0:33:01 | 0:33:02 | |
ASSISTANT: Conference tables are going to be | 0:33:02 | 0:33:04 | |
rectangular shape in wood tones. | 0:33:04 | 0:33:06 | |
TYANA: All right, the darkest mahogany you have in this. | 0:33:06 | 0:33:08 | |
- Let's find nice chairs... - I mean, do we like those chairs? | 0:33:08 | 0:33:11 | |
Yes, with those chairs. | 0:33:11 | 0:33:13 | |
NICOLE: 'I was checking my watch every five minutes, | 0:33:13 | 0:33:16 | |
'and Tyana started going, "I like that. I like that. | 0:33:16 | 0:33:18 | |
'"I don't like that. I don't like that."' | 0:33:18 | 0:33:19 | |
- They're comfortable! - Oh, my goodness! | 0:33:19 | 0:33:21 | |
TYANA: Eight of these. NICOLE: Eight. | 0:33:21 | 0:33:23 | |
And my opinion of her shifted | 0:33:23 | 0:33:25 | |
'because she really did get the job done in 45 minutes.' | 0:33:25 | 0:33:27 | |
NICOLE: Love it! Love it! Done! | 0:33:27 | 0:33:29 | |
GENE: What you got? CLINT: We may have a "wow" factor. | 0:33:40 | 0:33:42 | |
DAVID: Each workstation would have its own Zen garden. | 0:33:42 | 0:33:44 | |
CLINT: 'Well, right now,' | 0:33:44 | 0:33:45 | |
we don't have that "pow" factor, | 0:33:45 | 0:33:47 | |
but I think we're going to come up with something great | 0:33:47 | 0:33:49 | |
that really knocks Mr Trump off his feet. | 0:33:49 | 0:33:51 | |
I really hope so. | 0:33:51 | 0:33:53 | |
GENE: Make it happen, all right? | 0:33:53 | 0:33:54 | |
DAVID: How about Clint and I do the window box? | 0:33:54 | 0:33:56 | |
We'll get it done. We'll get the materials. | 0:33:56 | 0:33:59 | |
We'll get it cut. We'll build it for you. | 0:33:59 | 0:34:01 | |
'Gene is a strong person, | 0:34:01 | 0:34:02 | |
'and I think that he's shown a lot of weakness' | 0:34:02 | 0:34:06 | |
because he doesn't know how to lead a talented group of people. | 0:34:06 | 0:34:09 | |
L-brackets, L-connectors, | 0:34:09 | 0:34:11 | |
rocks poured in, five pans, sand. | 0:34:11 | 0:34:16 | |
All right, we need an executive decision, | 0:34:16 | 0:34:19 | |
and I can't have this, "I'm going to do this. I'm going to build this." | 0:34:19 | 0:34:22 | |
Gene, what do you want us to build? | 0:34:22 | 0:34:24 | |
GENE: OK, you know what? Time out. | 0:34:24 | 0:34:26 | |
Just nobody talk at all. | 0:34:26 | 0:34:29 | |
-This is becoming a cluster -BLEEP. -The Zen garden's scrapped. | 0:34:29 | 0:34:32 | |
I'm trying to keep everybody happy, I'm also trying to win a task. | 0:34:32 | 0:34:37 | |
So unless you guys want to go in the flipping boardroom, | 0:34:37 | 0:34:39 | |
which I don't want to do, | 0:34:39 | 0:34:40 | |
you're going to trust each other, and you're going to trust me. | 0:34:40 | 0:34:42 | |
There is no more conversation. | 0:34:42 | 0:34:45 | |
You have taken this from a democracy | 0:34:45 | 0:34:47 | |
into where it's going to be me. | 0:34:47 | 0:34:49 | |
My ass is on the line. | 0:34:49 | 0:34:50 | |
- Are we crystal clear on that? - We're clear. Are YOU clear? | 0:34:50 | 0:34:52 | |
OK, you know I'm a military man, so this is not a conversation. | 0:34:52 | 0:34:56 | |
I'm clear. We got a bunch of stuff that we got to go through. | 0:34:56 | 0:34:58 | |
-I don't have time for this -BLEEP, -OK? | 0:34:58 | 0:35:01 | |
ANAND: 'Gene kind of got everyone in line,' | 0:35:01 | 0:35:04 | |
but David, he wants to be heard, | 0:35:04 | 0:35:07 | |
and when he gets kind of pushed aside, he acts out. | 0:35:07 | 0:35:10 | |
Gene's giving 19 orders and no direction. | 0:35:10 | 0:35:12 | |
David. David! I'm talking to you. | 0:35:12 | 0:35:15 | |
I want you to lower it down. | 0:35:15 | 0:35:16 | |
You can talk to me nicely and command respect. | 0:35:16 | 0:35:19 | |
OK, well, here's the thing. | 0:35:19 | 0:35:20 | |
You're actually talking over me, so what I need you to do... | 0:35:20 | 0:35:23 | |
No one's talking over you. | 0:35:23 | 0:35:25 | |
Actually, when I'm talking to you, when you're talking to somebody else, | 0:35:25 | 0:35:28 | |
- what I need you to do is zip it. - Your orders are confusing. | 0:35:28 | 0:35:30 | |
They're confusing? You just keep talking. | 0:35:30 | 0:35:32 | |
I'll tell you what, you want to go sit down? You go have a seat. | 0:35:32 | 0:35:35 | |
I'm not going to have a seat, because nothing's going to get done and you're going to go home. | 0:35:35 | 0:35:38 | |
Sit still. | 0:35:38 | 0:35:39 | |
Do you want to go home? I'm asking a question. | 0:35:39 | 0:35:41 | |
- Bye-bye. - Do you want to go home? | 0:35:41 | 0:35:42 | |
I'm tired of talking to you. Let's go paint. | 0:35:42 | 0:35:44 | |
Gene, the answer when you walk away is, "Yes." | 0:35:44 | 0:35:47 | |
OK, but I'll tell you what, we'll see who goes home. | 0:35:47 | 0:35:49 | |
That's fine with me. | 0:35:49 | 0:35:50 | |
Ladies, first of all, awesome job yesterday, | 0:35:59 | 0:36:02 | |
but, obviously, we have to be | 0:36:02 | 0:36:03 | |
super on-task this morning. | 0:36:03 | 0:36:05 | |
So those of us that went to CORT yesterday, | 0:36:05 | 0:36:07 | |
which is Poppy, Tyana, and me, | 0:36:07 | 0:36:09 | |
we're going to go to the prop store. | 0:36:09 | 0:36:10 | |
I really think that I kind of have Donald Trump's taste | 0:36:10 | 0:36:12 | |
cos it's, like, Persian, extravagant, gold, | 0:36:12 | 0:36:15 | |
like, big, so I thought maybe I could help with that. | 0:36:15 | 0:36:17 | |
'Last night, I realised that doing all the manual labour, | 0:36:17 | 0:36:20 | |
'Nicole had no idea what I was doing,' | 0:36:20 | 0:36:23 | |
But I wasn't about to be left out | 0:36:23 | 0:36:25 | |
of the entire vision | 0:36:25 | 0:36:26 | |
altogether and not contribute. | 0:36:26 | 0:36:28 | |
KELLY: If you think that's where your skill set is, you should go. | 0:36:28 | 0:36:31 | |
I think I have, like, a lot of... | 0:36:31 | 0:36:33 | |
THEY TALK OVER EACH OTHER | 0:36:33 | 0:36:36 | |
OK, ladies, we're going to come to a decision, cos we need to go. | 0:36:36 | 0:36:39 | |
What do you think you want to do? | 0:36:39 | 0:36:41 | |
KELLY: I think you should go with them. | 0:36:41 | 0:36:42 | |
No, you're the leader. What do you want me to do? | 0:36:42 | 0:36:44 | |
But I'm telling you to tell me what you're best at, cos I don't know. | 0:36:44 | 0:36:47 | |
I think I'd be really good at picking out extravagant stuff with you guys. | 0:36:47 | 0:36:50 | |
OK, then let's go. | 0:36:50 | 0:36:52 | |
MAHSA: 'Once I stepped up and asked Nicole to make a decision, | 0:36:52 | 0:36:55 | |
'she immediately got really turned off by me, but I didn't care. | 0:36:55 | 0:36:59 | |
I definitely wanted to insert myself into the vision today, | 0:36:59 | 0:37:02 | |
so that way, I'm covered for the boardroom. | 0:37:02 | 0:37:04 | |
I worked really hard manually, | 0:37:04 | 0:37:06 | |
and I helped with the vision. I'm covered. | 0:37:06 | 0:37:08 | |
OK, did you want to focus on the coffee, the microwave, the toaster..? | 0:37:10 | 0:37:12 | |
No, I want to focus on the conference room. | 0:37:12 | 0:37:15 | |
OK, so, conference room, we need... | 0:37:15 | 0:37:17 | |
We need to create partitions for three walls. | 0:37:17 | 0:37:19 | |
ASSISTANT: Got it. | 0:37:19 | 0:37:20 | |
NICOLE: 'I had said our main concerns are that we have separated areas | 0:37:20 | 0:37:23 | |
'because Mr Trump's going to want to see' | 0:37:23 | 0:37:25 | |
that whoever's working in that space would be able to do their business. | 0:37:25 | 0:37:28 | |
'He's going to want some separation.' | 0:37:28 | 0:37:31 | |
NICOLE: I like the white leather. | 0:37:31 | 0:37:33 | |
- I LOVE this too. - I love it. | 0:37:33 | 0:37:35 | |
This is regal. And probably the only unirom thing we're going to find. | 0:37:35 | 0:37:38 | |
ASSISTANT: How about 4-even? | 0:37:38 | 0:37:40 | |
Awesome. 4-even is awesome. | 0:37:40 | 0:37:42 | |
TYANA: Here, Nicole. | 0:37:42 | 0:37:43 | |
This is our painting for behind the executive desk. | 0:37:43 | 0:37:47 | |
It could be his father! | 0:37:47 | 0:37:49 | |
If you think it matches with what we're doing... | 0:37:49 | 0:37:51 | |
Yeah, I think so! | 0:37:51 | 0:37:52 | |
We could call him Uncle Forti, like, Fortitude | 0:37:52 | 0:37:55 | |
Oh, my gosh! | 0:37:55 | 0:37:57 | |
NICOLE: 'Tyana fell in love | 0:37:57 | 0:37:59 | |
'with a painting of some old white guy. | 0:37:59 | 0:38:02 | |
'I don't know who it is.' | 0:38:02 | 0:38:03 | |
Tyana's the one who has experience staging places. | 0:38:03 | 0:38:06 | |
She thought that it matched the rest of our decor, | 0:38:06 | 0:38:08 | |
so I went with it, but I hate Uncle Forti. | 0:38:08 | 0:38:11 | |
So I want to make sure that we don't repeat yesterday. | 0:38:22 | 0:38:24 | |
Here's what I want to make sure that we do today. | 0:38:24 | 0:38:26 | |
If you take a task, own that task. | 0:38:26 | 0:38:30 | |
And I'm going to ask our fellow teammates | 0:38:30 | 0:38:32 | |
to respect that person with the task. | 0:38:32 | 0:38:35 | |
'I think, initially, I had a lot coming at me, | 0:38:35 | 0:38:38 | |
'and so I wanted to let them know' | 0:38:38 | 0:38:39 | |
we're not going to have today what we had the day before. | 0:38:39 | 0:38:42 | |
'You have to manage people.' | 0:38:42 | 0:38:43 | |
The bottom line with me is that I'll hear you, | 0:38:43 | 0:38:46 | |
but when I say, "Go," the discussion's over. | 0:38:46 | 0:38:48 | |
-We're behind you 110%. Let's just -BLEEP -get this done. | 0:38:48 | 0:38:51 | |
CLINT: 'When Gene said, "I'm going to give you a job. Own it," I said, | 0:38:51 | 0:38:55 | |
'"That's what I wanted to hear you say' | 0:38:55 | 0:38:57 | |
"3/4 of this task ago." | 0:38:57 | 0:38:59 | |
JAMES: We have the time now to take a step back and say, | 0:38:59 | 0:39:02 | |
"OK, how do we really make this pop?" | 0:39:02 | 0:39:04 | |
STEUART: Why don't we frame the windows? | 0:39:04 | 0:39:05 | |
In the actual window, | 0:39:05 | 0:39:08 | |
We hang an empty picture frame. | 0:39:08 | 0:39:11 | |
GENE: Mm-hmm. | 0:39:11 | 0:39:13 | |
JAMES: We've also got the idea of painting this wall | 0:39:13 | 0:39:14 | |
with symmetrical shapes. | 0:39:14 | 0:39:15 | |
Steuart and James, the picture frames, the artwork, | 0:39:15 | 0:39:18 | |
you guys own that. And so you guys know, | 0:39:18 | 0:39:21 | |
David's going to be in charge of technology. | 0:39:21 | 0:39:23 | |
He's going to own that. | 0:39:23 | 0:39:25 | |
GENE: 'So today, my challenge was going to be | 0:39:25 | 0:39:26 | |
'to make sure that everyone had ownership of the task | 0:39:26 | 0:39:29 | |
'and that we worked as a cohesive team.' | 0:39:29 | 0:39:32 | |
For us to have that cohesiveness, I needed to get David under control. | 0:39:32 | 0:39:35 | |
GENE: Anyone that steps on your toes with AV...- | 0:39:35 | 0:39:37 | |
- Yeah, no one's stepping on my toes. - OK, good. | 0:39:37 | 0:39:39 | |
I got your point on it. It's done. I like it. | 0:39:39 | 0:39:42 | |
I've got an important call to make. | 0:39:42 | 0:39:43 | |
Give me five minutes. | 0:39:43 | 0:39:45 | |
DAVID: 'I used to make six figures consistently.' | 0:39:47 | 0:39:51 | |
Now I make unemployment compensation | 0:39:51 | 0:39:54 | |
from the state of Michigan, | 0:39:54 | 0:39:56 | |
and it's very...humbling. | 0:39:56 | 0:39:59 | |
PHONE LINE: 'To claim weeks of unemployment, press 1.' | 0:39:59 | 0:40:04 | |
DAVID: 'Don't like doing it, but I have a family, | 0:40:04 | 0:40:06 | |
'and I take what I can get.' | 0:40:06 | 0:40:07 | |
PHONE LINE: 'Are you back to work full time? | 0:40:07 | 0:40:10 | |
PHONE BEEPS No! | 0:40:10 | 0:40:13 | |
DAVID: 'I would never imagine having to support five children | 0:40:13 | 0:40:16 | |
'on an unemployment cheque. It DOESN'T support them.' | 0:40:16 | 0:40:19 | |
Always the same questions, too. | 0:40:19 | 0:40:22 | |
I just feel like a loser. | 0:40:22 | 0:40:24 | |
PHONE LINE: 'Did you quit any work or get fired from a job?' | 0:40:24 | 0:40:26 | |
Nope. | 0:40:26 | 0:40:29 | |
'Being unemployed has shattered me as a man. | 0:40:29 | 0:40:31 | |
'I am embarrassed. | 0:40:31 | 0:40:33 | |
'I have shame for the first time in my entire life. | 0:40:33 | 0:40:36 | |
'I have a lot more to lose than any of the other contestants. | 0:40:36 | 0:40:40 | |
'I feel, by winning The Apprentice,' | 0:40:40 | 0:40:44 | |
that this is the catalyst | 0:40:44 | 0:40:46 | |
that will bring my life back. | 0:40:46 | 0:40:48 | |
PHONE LINE: Thank you for calling the telephone certification system.' | 0:40:48 | 0:40:52 | |
'Goodbye.' | 0:40:52 | 0:40:54 | |
And that's it, every other week. | 0:40:54 | 0:40:56 | |
Is this my stuff over here, unloaded? | 0:41:11 | 0:41:12 | |
- Yes, sir. - All right. | 0:41:12 | 0:41:14 | |
I want to link my monitors. | 0:41:14 | 0:41:15 | |
I don't know if it's something simple like a VGA splitter | 0:41:15 | 0:41:17 | |
Or even, you know, Wi-Fi, or what they are... | 0:41:17 | 0:41:20 | |
You sound like a AV guy! "VGA splitter!" | 0:41:20 | 0:41:21 | |
DAVID: 'I have a technical background. | 0:41:21 | 0:41:24 | |
'I was a telecommunications account manager.' | 0:41:24 | 0:41:27 | |
I wasn't the AV guy in high school in any way... | 0:41:27 | 0:41:30 | |
not that there's anything wrong with AV guys. I love you. | 0:41:30 | 0:41:32 | |
ANAND: Gene. GENE: Yes? | 0:41:34 | 0:41:35 | |
ANAND: Are we on board with these trees? | 0:41:35 | 0:41:37 | |
Love it! Rock on, baby, yes! | 0:41:37 | 0:41:39 | |
Follow me. So, we have, like, a white canvas with a blue line. | 0:41:39 | 0:41:42 | |
OK. | 0:41:42 | 0:41:43 | |
And that line continues off on the wall. | 0:41:43 | 0:41:46 | |
Yeah. Yeah, yeah. | 0:41:46 | 0:41:47 | |
And then we go up and over this, come down, | 0:41:47 | 0:41:49 | |
Continue on the wall and in the canvas. | 0:41:49 | 0:41:52 | |
DAVID: I've got all of it networked. | 0:41:52 | 0:41:54 | |
OK, let me see what you got. | 0:41:54 | 0:41:56 | |
Dude, amazing job, by the way. | 0:41:56 | 0:41:58 | |
I think the team's been responding great | 0:41:58 | 0:42:00 | |
to having ownership of their task, | 0:42:00 | 0:42:01 | |
'cos they know I trust their judgment, | 0:42:01 | 0:42:03 | |
'and now David is performing and producing.' | 0:42:03 | 0:42:07 | |
Everybody's got their departments and what they need? | 0:42:07 | 0:42:08 | |
We're good. You're in charge of everything else. | 0:42:08 | 0:42:11 | |
If you need something, call me, brother. OK. We're out. | 0:42:11 | 0:42:14 | |
GENE: 'I took Steuart and Wade to get some office supplies. | 0:42:14 | 0:42:17 | |
'I felt like I had given very clear instructions | 0:42:17 | 0:42:19 | |
'for the guys back at the space.' | 0:42:19 | 0:42:21 | |
I felt very comfortable with that decision. | 0:42:21 | 0:42:23 | |
The faster, the better, | 0:42:23 | 0:42:24 | |
cos we got four hours at this point. | 0:42:24 | 0:42:26 | |
Four hours. | 0:42:26 | 0:42:28 | |
- Is that ours? - Furniture's here. | 0:42:38 | 0:42:41 | |
Thank you. | 0:42:41 | 0:42:43 | |
Hello, ladies. | 0:42:44 | 0:42:45 | |
STEPHANIE: Oh, y'all are back! Oh, my gosh! | 0:42:45 | 0:42:49 | |
NICOLE: 'We get back from the prop house, | 0:42:49 | 0:42:51 | |
'and CORT has just got there' | 0:42:51 | 0:42:53 | |
with their first truck, and they're starting to unload things. | 0:42:53 | 0:42:55 | |
'It's just chaotic.' | 0:42:55 | 0:42:58 | |
NICOLE: This is a table that's not done, | 0:43:01 | 0:43:03 | |
and it's going to go in front of the chair. Hi, Don! | 0:43:03 | 0:43:05 | |
- Hi. How are you? - Good. | 0:43:05 | 0:43:07 | |
- So, what do you think? - We're in the final crunch. | 0:43:07 | 0:43:09 | |
- Yeah, it looks like it! - I think it'll get done. | 0:43:09 | 0:43:12 | |
What's the theme? What's the motif that you guys are going with? | 0:43:12 | 0:43:14 | |
The motif we were going for was a combination | 0:43:14 | 0:43:17 | |
of modern executive and modern green. | 0:43:17 | 0:43:20 | |
That doesn't necessarily surprise me, | 0:43:20 | 0:43:22 | |
but that doesn't mean it necessarily works with this space. | 0:43:22 | 0:43:24 | |
DON: 'Right now, it's a total mess. It's a big void. | 0:43:24 | 0:43:27 | |
'They have a long way to go before pulling this together' | 0:43:27 | 0:43:29 | |
to be any kind of office space that we would find acceptable. | 0:43:29 | 0:43:33 | |
Who's been your biggest help, | 0:43:33 | 0:43:35 | |
and who's been your biggest detriment so far? | 0:43:35 | 0:43:37 | |
My biggest help has probably been Tyana, | 0:43:37 | 0:43:40 | |
because she has really helped with the creative, | 0:43:40 | 0:43:43 | |
but ask me yesterday, and I would have said | 0:43:43 | 0:43:45 | |
she was my biggest detriment. | 0:43:45 | 0:43:47 | |
She was like my Cyndi Lauper. | 0:43:47 | 0:43:49 | |
She said I'm her Cyndi Lauper. | 0:43:50 | 0:43:53 | |
I couldn't make up my mind yesterday. | 0:43:53 | 0:43:55 | |
Look, you picked out the paint. | 0:43:55 | 0:43:56 | |
You picked out the furniture. Hello?! | 0:43:56 | 0:43:59 | |
TYANA: 'Nicole just has it in for me. | 0:43:59 | 0:44:01 | |
'She's your pageant princess lawyer' | 0:44:01 | 0:44:03 | |
and looks at me probably like the homeless dog | 0:44:03 | 0:44:05 | |
living in the alley. | 0:44:05 | 0:44:07 | |
It's a huge mistake on her part. | 0:44:07 | 0:44:10 | |
Tyana. | 0:44:10 | 0:44:12 | |
- How are you? - Pleasure. | 0:44:12 | 0:44:13 | |
- Very nice to meet you. - Nice to meet you, too. | 0:44:13 | 0:44:15 | |
- So what do you think so far? - Um... | 0:44:15 | 0:44:17 | |
You got to be candid. | 0:44:17 | 0:44:18 | |
If you're not candid about it now and it comes up later on | 0:44:18 | 0:44:21 | |
and you didn't do anything about it, then, you know... | 0:44:21 | 0:44:23 | |
I think the leadership was missing. I think there was no delegation. | 0:44:23 | 0:44:26 | |
I think every time I tried to give ideas, they were rejected. | 0:44:26 | 0:44:29 | |
So you think your PM is pretty weak? | 0:44:29 | 0:44:31 | |
She's not making strong decisions. | 0:44:31 | 0:44:33 | |
She's just kind of letting people do what they want. | 0:44:33 | 0:44:35 | |
DON: 'The team dynamic is really interesting. | 0:44:35 | 0:44:37 | |
'If there's been a lack of leadership coming from the PM, | 0:44:37 | 0:44:40 | |
'that could be something that affects the team.' | 0:44:40 | 0:44:42 | |
They have to get a lot done in a very short period of time, | 0:44:42 | 0:44:44 | |
so it's going to be difficult | 0:44:44 | 0:44:45 | |
if someone's not making the decisions right off the bat. | 0:44:45 | 0:44:48 | |
Well, I'm going to let you get back to work. | 0:44:48 | 0:44:50 | |
- Thank you. - Speak to you soon. | 0:44:50 | 0:44:51 | |
All right. | 0:44:51 | 0:44:52 | |
OK, do we have time | 0:45:01 | 0:45:02 | |
to make that complicated? James, come here one second. | 0:45:02 | 0:45:05 | |
GENE: 'So when I got back to the office space, | 0:45:05 | 0:45:07 | |
There were some things that were | 0:45:07 | 0:45:09 | |
taking a little bit more time than I would have liked. | 0:45:09 | 0:45:12 | |
I want this straight. | 0:45:12 | 0:45:13 | |
Boom, boom, up, over, boom, boom, done. | 0:45:13 | 0:45:16 | |
Yeah, but it's... | 0:45:16 | 0:45:18 | |
I don't have time for that. | 0:45:18 | 0:45:19 | |
Just do what I ask you to do, and we'll call it a day. | 0:45:19 | 0:45:21 | |
Well, if you had been here two hours ago... | 0:45:21 | 0:45:23 | |
I had to go do something else. | 0:45:23 | 0:45:24 | |
Yeah, well... Do what I ask you to do and be done, please. | 0:45:24 | 0:45:27 | |
Gene, we're two thirds done here. | 0:45:27 | 0:45:29 | |
JAMES: 'When Gene finally got back from wherever he was, | 0:45:29 | 0:45:32 | |
'He came in and said, "I hate this. Take it down."' | 0:45:32 | 0:45:35 | |
I don't know how I can own the project, | 0:45:35 | 0:45:37 | |
but then also be micromanaged. | 0:45:37 | 0:45:39 | |
What did we talk about in the beginning? | 0:45:39 | 0:45:40 | |
Didn't I say, "Boom, boom, boom, boom, boom?" | 0:45:40 | 0:45:43 | |
I was very specific. | 0:45:43 | 0:45:44 | |
Right, and I'm doing the art, and so I'm taking that vision | 0:45:44 | 0:45:46 | |
and turning it into something different. | 0:45:46 | 0:45:48 | |
If it's not done on time, you own it. | 0:45:48 | 0:45:50 | |
- Yeah, I do own it. - Go. Do your thing. | 0:45:50 | 0:45:52 | |
James' painting was | 0:45:54 | 0:45:55 | |
a little bit more complicated than what I was looking for. | 0:45:55 | 0:45:58 | |
I was very conscious to how much time we had. | 0:45:58 | 0:45:59 | |
I thought he made it harder than what it needed to be, | 0:45:59 | 0:46:02 | |
to where it could have sabotaged the entire project. | 0:46:02 | 0:46:05 | |
These rugs...I'm afraid somebody's going to slip on this, | 0:46:05 | 0:46:07 | |
so we're going to have to move these. | 0:46:07 | 0:46:09 | |
OK, and where is the furniture? ALEX: We don't know. | 0:46:09 | 0:46:11 | |
She's supposed to deliver our damn desks and all our chairs. | 0:46:11 | 0:46:13 | |
I don't know where the hell she is. | 0:46:13 | 0:46:15 | |
GENE: OK, what's our backup plan? | 0:46:15 | 0:46:16 | |
We got to get the furniture. There's no backup plan. | 0:46:16 | 0:46:19 | |
Hello? PHONE BEEPS AND CRACKLES | 0:46:19 | 0:46:21 | |
-But we've run out of -BLEEP -time! | 0:46:21 | 0:46:24 | |
KELLY: Do we have two more chairs coming? | 0:46:38 | 0:46:40 | |
TYANA: I don't think so. | 0:46:40 | 0:46:41 | |
So now we have the furniture in. | 0:46:41 | 0:46:43 | |
We have the electronics. | 0:46:43 | 0:46:44 | |
Now we're ready to dress the room | 0:46:44 | 0:46:46 | |
and make it this beautiful modern workspace | 0:46:46 | 0:46:48 | |
that we know Mr Trump is going to be looking for. | 0:46:48 | 0:46:51 | |
Are we doing the crisscross side or this side? | 0:46:51 | 0:46:53 | |
Which one do you want, Nicole? | 0:46:53 | 0:46:55 | |
Whatever. I don't know. Come on. Come on. Come on. | 0:46:55 | 0:46:58 | |
Yeah, the crisscross on the outside. | 0:46:58 | 0:47:00 | |
LIZA: 'Every time we would ask Nicole a question, | 0:47:00 | 0:47:02 | |
'she would say, "What do you think?" | 0:47:02 | 0:47:03 | |
'She's going to come out looking like she did a great job. | 0:47:03 | 0:47:05 | |
'Regardless of if she was' | 0:47:05 | 0:47:06 | |
the worst project manager and didn't do anything. | 0:47:06 | 0:47:08 | |
'It didn't matter.' | 0:47:08 | 0:47:10 | |
NICOLE: We have to figure out our presentation. | 0:47:10 | 0:47:12 | |
LIZA: I think we should all stand, like, in a horseshoe. | 0:47:12 | 0:47:14 | |
TYANA: No, no, no. We're going to say... | 0:47:14 | 0:47:17 | |
like, when you're working, this is sales, that's accounting. | 0:47:17 | 0:47:19 | |
TYANA: 'For the presentation, girls can act like employees' | 0:47:19 | 0:47:22 | |
so we can show it as a working office. | 0:47:22 | 0:47:24 | |
I'll be the receptionist, and I'll greet Mr Trump. | 0:47:24 | 0:47:27 | |
- You should pretend buzz me. - Yes! | 0:47:27 | 0:47:28 | |
- I'll be in the executive room. - Yes, yes! | 0:47:28 | 0:47:31 | |
I can be like, "Why am I waiting? She should have been ready to go." | 0:47:31 | 0:47:34 | |
No, because I'm just going to say, "Welcome to..." | 0:47:34 | 0:47:36 | |
Just be really cute, so he thinks it's adorable. | 0:47:36 | 0:47:39 | |
GENE: We got 30 minutes left, guys. Make it happen. | 0:47:48 | 0:47:51 | |
There we go. There's our furniture. Great! | 0:47:51 | 0:47:53 | |
STEUART: Chair! | 0:47:57 | 0:47:58 | |
GENE: No, I don't want that there. | 0:48:01 | 0:48:04 | |
That's going to take away from what we're trying to do. | 0:48:04 | 0:48:06 | |
Put it right there. | 0:48:06 | 0:48:08 | |
Scheisse! | 0:48:08 | 0:48:09 | |
JAMES: 'The last time I worked this hard was about a year ago, | 0:48:09 | 0:48:12 | |
'and it was a lot of fun to be,' | 0:48:12 | 0:48:15 | |
you know, hard at work at something | 0:48:15 | 0:48:16 | |
that I was really personally invested in. | 0:48:16 | 0:48:18 | |
GENE: Guys, we got 15 minutes. | 0:48:18 | 0:48:21 | |
Guys, no offence, I'm the oldest guy here, | 0:48:21 | 0:48:24 | |
and I need you guys to move a little bit faster. | 0:48:24 | 0:48:27 | |
Two minutes. Can we move that damn cord, please? | 0:48:27 | 0:48:29 | |
Let's go! | 0:48:29 | 0:48:31 | |
Move that one over to that table. | 0:48:31 | 0:48:33 | |
GENE: Hey, take that all the way to the back, please. | 0:48:33 | 0:48:36 | |
We did it! We did it! | 0:48:39 | 0:48:41 | |
ANAND: 'I think it's a beautiful workspace.' | 0:48:43 | 0:48:46 | |
Men aren't always known for having that nice, Midas touch | 0:48:46 | 0:48:48 | |
when it comes to arrangement and layout, | 0:48:48 | 0:48:50 | |
'but I feel very good about it. | 0:48:50 | 0:48:52 | |
'I think my teammates did a great job. We're going to win.' | 0:48:52 | 0:48:54 | |
All right! Let's see what you got, Fortitude! | 0:48:54 | 0:48:57 | |
REGAL MUSIC | 0:48:57 | 0:49:00 | |
- Hello. - Welcome to Fortitude, Mr Trump. | 0:49:06 | 0:49:08 | |
Nice to see you. | 0:49:08 | 0:49:10 | |
Nice to see you. Nicole is expecting you. | 0:49:10 | 0:49:11 | |
- OK, where's Nicole? - Just a second. | 0:49:11 | 0:49:13 | |
Nicole, Mr Trump is here. | 0:49:13 | 0:49:15 | |
Good evening, Mr Trump. Nice to see you again. | 0:49:16 | 0:49:18 | |
Nice to see you. | 0:49:18 | 0:49:19 | |
This is the floor plan that we decided on, | 0:49:19 | 0:49:21 | |
The modern executive, but let me walk you through it right now. | 0:49:21 | 0:49:24 | |
- OK. Good. - So, if you'll follow me, | 0:49:24 | 0:49:26 | |
I'll show you over to the executive's office. | 0:49:26 | 0:49:28 | |
As you can see, it is somewhat open, | 0:49:28 | 0:49:30 | |
and that's because we were going for a modern feel. | 0:49:30 | 0:49:32 | |
Who's that? | 0:49:32 | 0:49:33 | |
That is what we decided is the grandfather of Fortitude, inc. | 0:49:33 | 0:49:38 | |
OK. | 0:49:38 | 0:49:39 | |
So, this would be one of our workspaces, | 0:49:39 | 0:49:41 | |
perhaps for the sales team. | 0:49:41 | 0:49:43 | |
And you got your breakup where? | 0:49:43 | 0:49:45 | |
And we've got our breakup at Props For Today as well. | 0:49:45 | 0:49:48 | |
- Do you like it? - I do. | 0:49:48 | 0:49:50 | |
We tried to pick the ones that we thought represented class. | 0:49:50 | 0:49:52 | |
OK, let's go. | 0:49:52 | 0:49:54 | |
Next, we move into kind of our piece de resistance, | 0:49:54 | 0:49:57 | |
which is our conference room. | 0:49:57 | 0:49:59 | |
We have a large plasma on the wall, | 0:49:59 | 0:50:01 | |
so that everyone would be able to watch if needed. | 0:50:01 | 0:50:04 | |
we kept this room large so that, | 0:50:04 | 0:50:06 | |
if we needed to have a large meeting, | 0:50:06 | 0:50:08 | |
- everyone would be accommodated. - OK. Good. | 0:50:08 | 0:50:11 | |
'I was really proud of ourselves. | 0:50:11 | 0:50:13 | |
'I think it looked really good, | 0:50:13 | 0:50:14 | |
'But if we lose and it's because of our design, | 0:50:14 | 0:50:17 | |
'a lot of that responsibility' | 0:50:17 | 0:50:18 | |
fell to Tyana. A lot of placement responsibility fell to her. | 0:50:18 | 0:50:22 | |
That's why, on the second day, when we were staging, | 0:50:22 | 0:50:24 | |
I made sure to say, "Tyana, where do you think we should put this?" | 0:50:24 | 0:50:27 | |
OK. See you in the boardroom. NICOLE: Thank you so much. | 0:50:27 | 0:50:30 | |
Thank you. Thank you. | 0:50:30 | 0:50:31 | |
GENE: What a difference a day makes! | 0:50:39 | 0:50:40 | |
You guys brought your A-game. | 0:50:40 | 0:50:43 | |
'I was very pleased,' | 0:50:43 | 0:50:44 | |
seeing that vision come together. I believe it accomplished | 0:50:44 | 0:50:47 | |
exactly what we were looking for. | 0:50:47 | 0:50:49 | |
a modern, green space. | 0:50:49 | 0:50:52 | |
ALL: Octane! | 0:50:52 | 0:50:53 | |
- How are you, Gene? - How you doing, Mr Trump? | 0:50:53 | 0:50:56 | |
- Good. Nice to see you. - Nice to see you, too. | 0:50:56 | 0:50:58 | |
'We didn't really have a solid plan for the presentation.' | 0:50:58 | 0:51:02 | |
I really was just going to let the space speak for itself. | 0:51:02 | 0:51:04 | |
The decoration on the wall, whose idea was that? | 0:51:04 | 0:51:07 | |
JAMES: That's me. TRUMP: Oh, did you do that? | 0:51:07 | 0:51:10 | |
I did, yeah. | 0:51:10 | 0:51:11 | |
TRUMP: Do you have some kind of an artistic background? | 0:51:11 | 0:51:15 | |
None at all! | 0:51:15 | 0:51:16 | |
TRUMP: That your boardroom table? GENE: Yes, sir. | 0:51:16 | 0:51:18 | |
TRUMP: It's really not a boardroom look. | 0:51:18 | 0:51:20 | |
JAMES: Certainly, but it fits the space. | 0:51:20 | 0:51:22 | |
It fits with the burnt orange wall. | 0:51:22 | 0:51:24 | |
And who picked these tables? | 0:51:24 | 0:51:26 | |
CLATTER | 0:51:26 | 0:51:27 | |
Whoops. You OK? MAN: Yep, I'm good. | 0:51:27 | 0:51:29 | |
I think we got to do something with this rug. | 0:51:29 | 0:51:32 | |
Trump: You all right? MAN: Yeah. | 0:51:32 | 0:51:33 | |
STEUART: 'Mr Trump literally standing there | 0:51:33 | 0:51:36 | |
'while two people tanked on those rugs | 0:51:36 | 0:51:38 | |
'is going to be something brought up in the boardroom, no question,' | 0:51:38 | 0:51:41 | |
Because, you know, having a liability like that | 0:51:41 | 0:51:44 | |
is not something any businessman wants. | 0:51:44 | 0:51:46 | |
And the rugs? | 0:51:46 | 0:51:47 | |
ANAND: That would be me, Mr Trump. | 0:51:47 | 0:51:49 | |
I placed the order for all the rugs. | 0:51:49 | 0:51:51 | |
We were looking for, you know, a lot of colours. | 0:51:51 | 0:51:52 | |
So, we, unfortunately, didn't have a chance to tape those down. | 0:51:52 | 0:51:54 | |
Was this hard work? ALL: Very hard. | 0:51:54 | 0:51:56 | |
You worked hard? ALL: Very hard. | 0:51:56 | 0:51:58 | |
OK, good. See you later. | 0:51:58 | 0:51:59 | |
GENE: 'I'm not sure if I were able to gauge | 0:51:59 | 0:52:02 | |
'whether or not he liked our workspace or not. | 0:52:02 | 0:52:05 | |
'And I came here without a plan B.' | 0:52:05 | 0:52:07 | |
So it's a lot on the line for me right now. | 0:52:07 | 0:52:09 | |
I want to start by saying | 0:52:40 | 0:52:42 | |
I...have found this very difficult. | 0:52:42 | 0:52:48 | |
I didn't like either space very much. | 0:52:48 | 0:52:50 | |
With that being said, | 0:52:53 | 0:52:55 | |
I think I slightly liked one more than the other. Gene. | 0:52:55 | 0:52:57 | |
Yes, sir. | 0:52:57 | 0:52:58 | |
We almost lost one of our crew members | 0:52:58 | 0:53:00 | |
because you didn't have the carpets. That's dangerous stuff. | 0:53:00 | 0:53:04 | |
It is. | 0:53:04 | 0:53:05 | |
That's called litigation all over the place, right? | 0:53:05 | 0:53:07 | |
GENE: Absolutely. | 0:53:07 | 0:53:08 | |
I mean, in my office, | 0:53:08 | 0:53:09 | |
People don't fall down because the carpet isn't attached. | 0:53:09 | 0:53:12 | |
Right. | 0:53:12 | 0:53:13 | |
Who was responsible for the rugs? | 0:53:13 | 0:53:15 | |
I was, Mr Trump. | 0:53:15 | 0:53:16 | |
And you didn't have the brainpower to go and just, like, | 0:53:16 | 0:53:18 | |
you know, put some tape on there? | 0:53:18 | 0:53:20 | |
Put something on? | 0:53:20 | 0:53:23 | |
- Absolutely, Mr Trump. - Did you see the people fall? | 0:53:23 | 0:53:24 | |
I did, and I felt really bad about it. | 0:53:24 | 0:53:26 | |
- They were going down like flies. - They absolutely did. | 0:53:26 | 0:53:28 | |
- Right. Right. - I almost lost my crew. | 0:53:28 | 0:53:30 | |
Not what you want during a presentation. | 0:53:30 | 0:53:32 | |
ANAND: Absolutely not. | 0:53:32 | 0:53:33 | |
That is exactly not what we want to do in a presentation. | 0:53:33 | 0:53:35 | |
OK, so, David, | 0:53:35 | 0:53:37 | |
what did you think of Gene as project manager? | 0:53:37 | 0:53:40 | |
I was proud of Gene at the end of our task. | 0:53:40 | 0:53:44 | |
At the beginning? | 0:53:44 | 0:53:46 | |
At the beginning, I think we have | 0:53:46 | 0:53:47 | |
eight different personalities that are coming together | 0:53:47 | 0:53:50 | |
for the first time in a task. | 0:53:50 | 0:53:52 | |
I think Gene wanted to take charge of it right away, | 0:53:52 | 0:53:56 | |
and his orders were barked, but they were sporadic. | 0:53:56 | 0:54:00 | |
So, what did you really think of Gene? | 0:54:00 | 0:54:03 | |
By day two, I was very impressed. | 0:54:03 | 0:54:07 | |
I thought we ended it great. | 0:54:07 | 0:54:09 | |
I thought Gene was confident in our final product, | 0:54:09 | 0:54:12 | |
and I honestly can say that I liked it and I was proud of it. | 0:54:12 | 0:54:17 | |
STEUART: And, Mr Trump, I think, as a team, cohesively, | 0:54:17 | 0:54:19 | |
on the first day, we were a little mismatched. | 0:54:19 | 0:54:21 | |
The second day, we really pulled together as a team. | 0:54:21 | 0:54:24 | |
Gene, who was your weakest link? | 0:54:24 | 0:54:27 | |
Weakest link... | 0:54:28 | 0:54:29 | |
um, there was some conflict, | 0:54:29 | 0:54:31 | |
obviously, the first day. I was really... | 0:54:31 | 0:54:33 | |
Who was the weakest member of your team, in your opinion? | 0:54:33 | 0:54:36 | |
As far as adding chaos to the entire team? | 0:54:36 | 0:54:39 | |
Everything. Everything. No, not chaos. No imagination, | 0:54:39 | 0:54:41 | |
no brain, no nothing. Who was your weakest person? | 0:54:41 | 0:54:44 | |
Wow. No imagination? | 0:54:44 | 0:54:47 | |
Um...that's hard. | 0:54:47 | 0:54:50 | |
Um. Hmm. | 0:54:50 | 0:54:51 | |
Was he this indecisive during the task? | 0:54:55 | 0:54:57 | |
- I was not this indecisive. - This is something you should know. | 0:54:57 | 0:54:59 | |
I would think, by now, you would have thought about it. | 0:54:59 | 0:55:01 | |
It's really between David and James, actually, | 0:55:01 | 0:55:04 | |
and there's reasons for that. | 0:55:04 | 0:55:06 | |
David, obviously, is how David is. | 0:55:06 | 0:55:08 | |
As far as personality, added discord to the team. | 0:55:08 | 0:55:10 | |
I'm very decisive as far as that. | 0:55:10 | 0:55:12 | |
James, on the other hand, I had a feeling | 0:55:12 | 0:55:13 | |
about a sense of negativity and a subversive-type attitude | 0:55:13 | 0:55:17 | |
That - you know what? - I kind of like to see mine coming. | 0:55:17 | 0:55:19 | |
I don't like to be... | 0:55:19 | 0:55:21 | |
What do you think of that, James? | 0:55:21 | 0:55:22 | |
JAMES: I'm shocked to hear that, actually, | 0:55:22 | 0:55:25 | |
because I felt that I really made | 0:55:25 | 0:55:26 | |
some significant contributions to the team, | 0:55:26 | 0:55:30 | |
and any disagreement that I had with Gene, | 0:55:30 | 0:55:32 | |
or any disagreement with the direction, I was able to bring up. | 0:55:32 | 0:55:36 | |
You appeared as though you were the leader | 0:55:36 | 0:55:38 | |
when I came down to visit. | 0:55:38 | 0:55:39 | |
When you came down to visit, Gene wasn't there. | 0:55:39 | 0:55:41 | |
You took a very active role, a very assertive role. | 0:55:41 | 0:55:43 | |
and he very much stepped in for you, Gene, | 0:55:43 | 0:55:45 | |
so I'm very surprised to have heard you said that he contributed the least. | 0:55:45 | 0:55:49 | |
Gene, you said there was conflict on your team. Who? | 0:55:49 | 0:55:52 | |
Actually, between David and Clint. | 0:55:52 | 0:55:54 | |
There was a lot of conflict. | 0:55:54 | 0:55:55 | |
There was a lot of, I felt, distraction from the task at hand. | 0:55:55 | 0:55:58 | |
We had very little allotted time. | 0:55:58 | 0:55:59 | |
David, why was there conflict with you and Clint? | 0:55:59 | 0:56:02 | |
And Gene's actually going to end up | 0:56:02 | 0:56:03 | |
throwing himself under the bus for what he just said, | 0:56:03 | 0:56:05 | |
because the conflict, actually, is Gene's fault. | 0:56:05 | 0:56:09 | |
Gene gave me a task of picking out the plants and trees. | 0:56:09 | 0:56:12 | |
That's not exactly true, but, OK. | 0:56:12 | 0:56:14 | |
I was called away to another task, which was my audiovisual, | 0:56:14 | 0:56:18 | |
which I owned and completed successfully on all facets. | 0:56:18 | 0:56:20 | |
You did. You did. | 0:56:20 | 0:56:22 | |
Upon my return, I ask Clint what he's doing. | 0:56:22 | 0:56:25 | |
Clint said, "I'm calling the flower shop." | 0:56:25 | 0:56:28 | |
And I asked him to stop cos he was wasting time. It was my task. | 0:56:28 | 0:56:32 | |
So I grabbed the flower list from the table in front of Clint | 0:56:32 | 0:56:35 | |
and said, "I'm going to get these trees ordered. It's my job," | 0:56:35 | 0:56:38 | |
and Clint did not like that at all. | 0:56:38 | 0:56:40 | |
Why not, Clint? | 0:56:42 | 0:56:44 | |
Well, I was left in charge, Mr Trump. | 0:56:44 | 0:56:46 | |
And if I'm in charge and a man charges me with a job to do, | 0:56:46 | 0:56:49 | |
- I'm going to get it done. - Do you not like David? | 0:56:49 | 0:56:52 | |
I don't think that's an accurate statement. | 0:56:52 | 0:56:54 | |
I have compassion on David. | 0:56:54 | 0:56:55 | |
TRUMP: Why compassion? | 0:56:55 | 0:56:57 | |
Well, gosh, the guy is going through hell right now in his life | 0:56:57 | 0:56:59 | |
and the situation with his wife. | 0:56:59 | 0:57:00 | |
You know, that's where the compassion comes from. | 0:57:00 | 0:57:03 | |
Compassion for what? That I'm here? | 0:57:03 | 0:57:04 | |
IVANKA: Do you feel that that was | 0:57:04 | 0:57:07 | |
an appropriate statement about almost pitying you? | 0:57:07 | 0:57:09 | |
You used the word compassion, but it sounded more like pity. | 0:57:09 | 0:57:12 | |
DAVID: He inserted that word. | 0:57:12 | 0:57:14 | |
I knew what he was, you know, meaning, | 0:57:14 | 0:57:15 | |
and it's one of these that... | 0:57:15 | 0:57:18 | |
it's a stigma that I have with me. | 0:57:18 | 0:57:19 | |
I don't want it because it's not true. | 0:57:19 | 0:57:21 | |
But you can get rid of that stigma. You know that, right? | 0:57:21 | 0:57:24 | |
I can, sir, and that's why I'm here. | 0:57:24 | 0:57:25 | |
All you have to do is be successful. | 0:57:25 | 0:57:26 | |
Yes, sir. Great advice, sir. | 0:57:26 | 0:57:28 | |
Clint, you're trying to get a job at the Trump Organisation. | 0:57:28 | 0:57:31 | |
You're the only one not wearing a tie. | 0:57:31 | 0:57:33 | |
Do you think...you know, I'm all for the informal dress code, | 0:57:33 | 0:57:36 | |
but do you think that's appropriate? | 0:57:36 | 0:57:38 | |
If y'all suggest to me it's appropriate | 0:57:38 | 0:57:42 | |
to go coat and tie or tuxedo, whatever, I'm there. | 0:57:42 | 0:57:44 | |
I want this job. | 0:57:44 | 0:57:46 | |
TRUMP: There was a time, four or five years ago, | 0:57:46 | 0:57:49 | |
when guys would walk into my office, Wall Street guys, | 0:57:49 | 0:57:51 | |
in shorts on Friday and a t-shirt. | 0:57:51 | 0:57:53 | |
Then Wall Street crashed, now they all wear ties again. | 0:57:55 | 0:57:57 | |
So I don't know. I just think ties are better. It's true. | 0:57:57 | 0:58:00 | |
I'm happy to do whatever it takes. | 0:58:00 | 0:58:01 | |
What do you think about ties, Nicole? | 0:58:01 | 0:58:03 | |
I think you always overdress. | 0:58:03 | 0:58:05 | |
My whole personal philosophy | 0:58:05 | 0:58:06 | |
is everything is about presentation | 0:58:06 | 0:58:08 | |
because you ARE your brand. You are what you're selling. | 0:58:08 | 0:58:11 | |
What did you think of your team? | 0:58:11 | 0:58:14 | |
First of all, I think all my women did an incredible, incredible job. | 0:58:14 | 0:58:18 | |
TRUMP: Well, they couldn't have done incredible, | 0:58:18 | 0:58:20 | |
cos I didn't think...look, I'm the judge, whether we like it or not, | 0:58:20 | 0:58:23 | |
and it wasn't great, OK? | 0:58:23 | 0:58:25 | |
It wasn't great, and I don't think you thought it was great. | 0:58:25 | 0:58:28 | |
I think it was great, given the space that we had and the time limitations. | 0:58:28 | 0:58:32 | |
Tyana, what did you think of Nicole as a leader? | 0:58:34 | 0:58:36 | |
I didn't think she led. | 0:58:39 | 0:58:41 | |
Why? | 0:58:43 | 0:58:44 | |
Um, she didn't delegate. | 0:58:44 | 0:58:47 | |
I didn't think she managed. | 0:58:47 | 0:58:49 | |
And I think she doesn't respect me. | 0:58:49 | 0:58:50 | |
And you didn't really love the office, either, right? | 0:58:50 | 0:58:53 | |
I actually loved the office, Mr Trump. | 0:58:53 | 0:58:55 | |
I personally think we did great, | 0:58:55 | 0:58:57 | |
because all our team, as a whole, are stronger than... | 0:58:57 | 0:59:00 | |
But you don't give a lot of the credit to Nicole? | 0:59:00 | 0:59:02 | |
I give it to these ladies. | 0:59:02 | 0:59:04 | |
Nicole, are you surprised | 0:59:07 | 0:59:08 | |
that she spoke up so negatively about you? | 0:59:08 | 0:59:11 | |
- I'm not surprised at all. - Why? | 0:59:11 | 0:59:13 | |
Because I know that she spoke poorly about me to Don | 0:59:13 | 0:59:15 | |
when he came to talk about our space. | 0:59:15 | 0:59:18 | |
Is that true, Don? | 0:59:18 | 0:59:20 | |
Yeah, there was definitely an element where she said, | 0:59:20 | 0:59:22 | |
again, the delegation aspect wasn't done. | 0:59:22 | 0:59:24 | |
She also really said that you were wishy-washy | 0:59:24 | 0:59:26 | |
in a lot of the decisions that you were making. | 0:59:26 | 0:59:28 | |
It was kind of, "Well, it can go either way," leave it to you. | 0:59:28 | 0:59:30 | |
I was trying to delegate there. | 0:59:30 | 0:59:32 | |
I don't see her as...I don't see her that way. | 0:59:32 | 0:59:34 | |
She is SO wishy-washy. | 0:59:34 | 0:59:37 | |
Mr Trump, every decision she was making was, | 0:59:37 | 0:59:39 | |
"What do you think? What does the team think?" | 0:59:39 | 0:59:41 | |
I didn't want it to be a dictatorship... | 0:59:41 | 0:59:43 | |
But you're the leader. | 0:59:43 | 0:59:44 | |
Yes, and I think I said it. | 0:59:44 | 0:59:45 | |
I said, "Listen, guys, this is my idea on colour schemes. | 0:59:45 | 0:59:48 | |
"Can we get behind it?" They did. | 0:59:48 | 0:59:49 | |
But I do think you should be able to delegate and say, | 0:59:49 | 0:59:52 | |
"I trust you with the paint colours. | 0:59:52 | 0:59:54 | |
"We decided on grey as our base. Go get it." | 0:59:54 | 0:59:55 | |
And I felt like some of them came back to me. | 0:59:55 | 0:59:57 | |
LIZA: You didn't even paint. Did you paint? | 0:59:57 | 0:59:59 | |
You're talking about yourself painting. | 0:59:59 | 1:00:00 | |
Nicole: Sorry if I misspoke. | 1:00:00 | 1:00:02 | |
I wasn't talking about the physical act of painting... | 1:00:02 | 1:00:04 | |
OK, so you weren't involved in painting. | 1:00:04 | 1:00:06 | |
What does that mean, Liza? | 1:00:06 | 1:00:08 | |
That means that, at the end of the day, | 1:00:08 | 1:00:09 | |
she left to go do whatever work she thought was important, | 1:00:09 | 1:00:12 | |
getting furniture, but she left us with not a point person | 1:00:12 | 1:00:15 | |
to tell us what was going on. | 1:00:15 | 1:00:17 | |
All right, Brandy, what did you think of Nicole? | 1:00:19 | 1:00:22 | |
I think that she is a leader, | 1:00:22 | 1:00:25 | |
but I think that, if pressed, | 1:00:25 | 1:00:27 | |
I would say that, ultimately, sub-delegation | 1:00:27 | 1:00:30 | |
would benefit the team better in the future. | 1:00:30 | 1:00:32 | |
Who was your best person on your team? | 1:00:32 | 1:00:35 | |
You know, honestly, Mr Trump, | 1:00:35 | 1:00:36 | |
every single one of the girls worked very hard. | 1:00:36 | 1:00:39 | |
We were all pretty tired and pretty sweaty by the end of the day, so... | 1:00:39 | 1:00:42 | |
Slutty?! | 1:00:42 | 1:00:43 | |
ALL: Sweaty! | 1:00:43 | 1:00:45 | |
LAUGHTER | 1:00:45 | 1:00:47 | |
- You said, "sweaty?" - I said, "sweaty!" | 1:00:47 | 1:00:49 | |
I thought you said "slutty." | 1:00:49 | 1:00:52 | |
Mahsa, what do you think? | 1:00:53 | 1:00:55 | |
I'm going to give it to you straight, Mr Trump. | 1:00:55 | 1:00:58 | |
I thought that Nicole would be one of the strongest contenders here. | 1:00:58 | 1:01:01 | |
That's ABSOLUTELY not the case. | 1:01:01 | 1:01:03 | |
She made three critical errors that I have to point out to you. | 1:01:03 | 1:01:07 | |
First, there's one designer on our team. | 1:01:07 | 1:01:11 | |
It's this girl right here. | 1:01:11 | 1:01:12 | |
She has previously designed loft space. | 1:01:12 | 1:01:14 | |
Were you impressed by Tyana? | 1:01:14 | 1:01:16 | |
Tyana was the most valuable player on this task for her, | 1:01:16 | 1:01:19 | |
so I don't really understand why she's so disloyal | 1:01:19 | 1:01:22 | |
and throw her under the bus like that. | 1:01:22 | 1:01:24 | |
And yet, we don't like her design. | 1:01:24 | 1:01:25 | |
I don't think I threw Tyana under the bus. | 1:01:25 | 1:01:26 | |
Actually, Tyana threw HER under the bus. | 1:01:26 | 1:01:28 | |
Actually, Nicole, when she first met with Don Jr, | 1:01:28 | 1:01:30 | |
said Tyana was the weakest member, | 1:01:30 | 1:01:32 | |
so I believe that Nicole first threw Tyana under the bus. | 1:01:32 | 1:01:34 | |
But can I just finish, Mr Trump? | 1:01:34 | 1:01:36 | |
You'll have your say, Nicole. | 1:01:36 | 1:01:37 | |
Let me finish, Mr Trump. I'm sorry. | 1:01:37 | 1:01:39 | |
TRUMP: This is a district attorney over here, so we have to listen. | 1:01:39 | 1:01:42 | |
I'm trying to be respectful. | 1:01:42 | 1:01:44 | |
MAHSA: So THE most critical part of the entire task | 1:01:44 | 1:01:48 | |
was that three-hour time period when the artist was coming, | 1:01:48 | 1:01:51 | |
and if I were the project manager, | 1:01:51 | 1:01:53 | |
I would have had our designer sitting in on that meeting. | 1:01:53 | 1:01:56 | |
Instead, she was getting sandwiches and supplies with me and Brandy. | 1:01:56 | 1:02:00 | |
That's a critical mistake. NICOLE: Can I speak on that? | 1:02:00 | 1:02:02 | |
No, you can't until I'm finished. | 1:02:02 | 1:02:03 | |
Can I finish, Mr Trump? | 1:02:03 | 1:02:05 | |
All right, real quick. | 1:02:05 | 1:02:06 | |
You say that great leaders should have a plan B. | 1:02:06 | 1:02:08 | |
She didn't even have a plan A. | 1:02:08 | 1:02:09 | |
- In fact, I... - OK, thank you. | 1:02:09 | 1:02:12 | |
You have a lot to say, don't you? | 1:02:15 | 1:02:16 | |
Mr Trump, she was awful! | 1:02:16 | 1:02:18 | |
Are you a little surprised | 1:02:18 | 1:02:19 | |
the team is being a little bit vicious toward you so early, | 1:02:19 | 1:02:21 | |
and you don't even know if you lost? | 1:02:21 | 1:02:23 | |
I am a little surprised. | 1:02:23 | 1:02:25 | |
As far as delegation, I think I did delegate, | 1:02:25 | 1:02:28 | |
but I got...I kept passing off the ball, saying, | 1:02:28 | 1:02:30 | |
"OK, you guys handle the paint," | 1:02:30 | 1:02:32 | |
and then I felt like it got passed back to me. | 1:02:32 | 1:02:34 | |
I think that this is a total misrepresentation of what happened. | 1:02:34 | 1:02:39 | |
TRUMP: OK. | 1:02:39 | 1:02:41 | |
Let's take a look on the screen at your office. | 1:02:41 | 1:02:43 | |
- Men first. - Sure. | 1:02:43 | 1:02:45 | |
TRUMP: Maybe that's not so bad. How do you feel about that? | 1:02:49 | 1:02:52 | |
THEY TALK OVER EACH OTHER | 1:02:52 | 1:02:53 | |
POPPY: I hope that's not the conference room, though. | 1:02:53 | 1:02:55 | |
STEPHANIE: I don't like that. | 1:02:55 | 1:02:57 | |
It's way too colourful. It looks like a kids' playroom. | 1:02:57 | 1:03:00 | |
Well, it's SoHo. | 1:03:00 | 1:03:01 | |
It is actually SoHo. It's supposed to be a little bit hip. | 1:03:01 | 1:03:03 | |
Yeah, it's urban hip, funky. | 1:03:03 | 1:03:05 | |
Let me see the men's boardroom, please. | 1:03:05 | 1:03:08 | |
Hmm. It's a lot of activity. | 1:03:08 | 1:03:11 | |
TYANA: Yeah, and those aren't conference chairs, either. | 1:03:11 | 1:03:14 | |
Those ARE chairs that one normally has at a conference table. | 1:03:14 | 1:03:16 | |
I agree. | 1:03:16 | 1:03:18 | |
TRUMP: But your table is so small, Gene. | 1:03:18 | 1:03:20 | |
It's just so small and so weak. | 1:03:20 | 1:03:23 | |
Who liked it? Somebody said they liked it. | 1:03:23 | 1:03:25 | |
- I stood up for it. - Why? | 1:03:25 | 1:03:27 | |
We weren't going for a boardroom feel. | 1:03:27 | 1:03:29 | |
We were going for more of an open conference area | 1:03:29 | 1:03:32 | |
where people could come together | 1:03:32 | 1:03:33 | |
and wouldn't be as formal as a boardroom. | 1:03:33 | 1:03:35 | |
But you could only seat six people at the table. | 1:03:35 | 1:03:37 | |
That's not really an open conference area | 1:03:37 | 1:03:39 | |
if you can only seat six people at a table. | 1:03:39 | 1:03:41 | |
I've never seen a meeting with less than six people. | 1:03:41 | 1:03:43 | |
Well, we also had the breakout space, | 1:03:43 | 1:03:45 | |
which had seating for nine and standing room. | 1:03:45 | 1:03:47 | |
We tried to incorporate multiple interactive spaces. | 1:03:47 | 1:03:52 | |
All right, I want to see the women's office. | 1:03:54 | 1:03:57 | |
DON: Nicole, who's the guy behind the desk in the picture? | 1:03:59 | 1:04:01 | |
LAUGHTER | 1:04:01 | 1:04:04 | |
TYANA: We like to call him Uncle Forti! | 1:04:04 | 1:04:06 | |
You can ask Tyana about that one. | 1:04:06 | 1:04:08 | |
We knew we needed a piece of art there... | 1:04:08 | 1:04:09 | |
But, Tyana, was that your picture? | 1:04:09 | 1:04:11 | |
Right. Mahsa and I were looking for a picture. | 1:04:11 | 1:04:14 | |
I know, but how did you pick a guy... | 1:04:14 | 1:04:15 | |
I don't know who this poor guy is, but he had no relevance to anything. | 1:04:15 | 1:04:19 | |
Well, we needed artwork, and so... | 1:04:19 | 1:04:21 | |
But given the contemporary workspace you were told to build, | 1:04:21 | 1:04:25 | |
that looks like a 200-year-old law firm. | 1:04:25 | 1:04:26 | |
The original founding partner looking over your desk. | 1:04:26 | 1:04:29 | |
I mean, that doesn't feel modern to me. | 1:04:29 | 1:04:31 | |
TYANA: We just needed artwork up there, | 1:04:31 | 1:04:32 | |
and it had to match the style of that room. | 1:04:32 | 1:04:34 | |
TRUMP: All right, let's see the next one. | 1:04:34 | 1:04:36 | |
Well, that's all right. That's not so bad. | 1:04:36 | 1:04:40 | |
Do you think that's a little bit more of a reception area than yours, Gene? | 1:04:40 | 1:04:43 | |
I'll give it credit for being a bit...yeah, the desk. | 1:04:43 | 1:04:46 | |
I'll give it credit for being a little bit more of a reception area. | 1:04:46 | 1:04:48 | |
TRUMP: I'm not in love with that desk, by the way. | 1:04:48 | 1:04:50 | |
I do like the fact that you walk in and there's... | 1:04:50 | 1:04:52 | |
there's something. GENE: It's definitive. | 1:04:52 | 1:04:56 | |
All right, I want to see the women's boardroom, please. | 1:04:56 | 1:04:59 | |
That's almost boring. | 1:05:01 | 1:05:03 | |
I don't love the chairs. | 1:05:03 | 1:05:05 | |
I don't love the colour of the wood. | 1:05:05 | 1:05:08 | |
I do like the fact that | 1:05:08 | 1:05:09 | |
there's a television right smack in your view. | 1:05:09 | 1:05:12 | |
That's a great thing, very much like we're looking at right now. | 1:05:12 | 1:05:14 | |
I mean, you turn to the right, and you have a television. | 1:05:14 | 1:05:16 | |
Mm-hmm. | 1:05:16 | 1:05:18 | |
But I don't love either boardroom. | 1:05:20 | 1:05:23 | |
And, in fact, I didn't love either space, OK? | 1:05:23 | 1:05:25 | |
What can I tell you? What can I tell you? | 1:05:25 | 1:05:27 | |
Ivanka, what do you think? | 1:05:27 | 1:05:31 | |
I preferred the men's whole setup. | 1:05:31 | 1:05:32 | |
I liked the fact that it was open-plan. | 1:05:32 | 1:05:34 | |
I think, given the size of the space and the lack of room, | 1:05:34 | 1:05:37 | |
having the rooms closed off is constrictive, | 1:05:37 | 1:05:41 | |
and it really just closes in the space. | 1:05:41 | 1:05:44 | |
I like the colour. | 1:05:44 | 1:05:45 | |
I like the lightness. I far preferred it. | 1:05:45 | 1:05:47 | |
- Don? - Well, I tend to agree. | 1:05:47 | 1:05:50 | |
They were given the assignment of a modern workspace, | 1:05:50 | 1:05:52 | |
and you definitely did that. | 1:05:52 | 1:05:53 | |
If I wanted to work at a 200-year-old law firm, | 1:05:53 | 1:05:55 | |
the ladies' was definitely the way to go. | 1:05:55 | 1:05:57 | |
But people today, you know, they congregate. | 1:05:57 | 1:05:59 | |
They get together. I mean, people work collectively. | 1:05:59 | 1:06:02 | |
And in a small space in SoHo in downtown New York, | 1:06:02 | 1:06:04 | |
I think that was the way to go. | 1:06:04 | 1:06:06 | |
Thank you. | 1:06:06 | 1:06:08 | |
Well, look. | 1:06:10 | 1:06:12 | |
I don't love either. | 1:06:12 | 1:06:15 | |
I don't love either. | 1:06:15 | 1:06:17 | |
But in this case, | 1:06:17 | 1:06:19 | |
I have to tell you I agree with Don and Ivanka. | 1:06:19 | 1:06:22 | |
So I'm giving this victory to the men. | 1:06:22 | 1:06:25 | |
CHEERS AND APPLAUSE | 1:06:25 | 1:06:28 | |
Thank you, guys. | 1:06:28 | 1:06:30 | |
TRUMP: I like their space better. I like the openness. | 1:06:30 | 1:06:33 | |
I like the work they did with the art, | 1:06:33 | 1:06:36 | |
And I think that was done by James, right, James? | 1:06:36 | 1:06:38 | |
Yep. All original. All original. | 1:06:38 | 1:06:40 | |
James has some latent talent! | 1:06:40 | 1:06:42 | |
So, congratulations. | 1:06:42 | 1:06:43 | |
And this season on The Apprentice, | 1:06:43 | 1:06:45 | |
when you win as project manager, | 1:06:45 | 1:06:46 | |
you're going to meet with top CEOs and business leaders. | 1:06:46 | 1:06:51 | |
And, Gene, you're going to meet one of the best of them all. | 1:06:51 | 1:06:54 | |
You know who that is? Me. | 1:06:54 | 1:06:56 | |
- And we're going to have some fun. - Yes, sir. | 1:06:56 | 1:06:58 | |
You're going to love being the winning project manager. | 1:06:58 | 1:07:01 | |
Go back to your room right now. | 1:07:01 | 1:07:03 | |
You can watch, if you want, these people go through hell. | 1:07:03 | 1:07:07 | |
We wouldn't miss it! | 1:07:07 | 1:07:09 | |
Have a good time. Congratulations. | 1:07:09 | 1:07:10 | |
Good job, guys. | 1:07:10 | 1:07:12 | |
STEUART: Best of luck, girls. | 1:07:12 | 1:07:14 | |
Good job. | 1:07:14 | 1:07:16 | |
Women, you're going to stay here. | 1:07:21 | 1:07:22 | |
Somebody will be fired. | 1:07:22 | 1:07:24 | |
Ladies, I just didn't like your work. | 1:07:35 | 1:07:38 | |
I liked aspects of the men's work. | 1:07:38 | 1:07:40 | |
I'm not a big fan of what they did. | 1:07:40 | 1:07:42 | |
I just thought it was sort of a cooler office. | 1:07:42 | 1:07:45 | |
IVANKA: It was modern, and that was the mandate of this task. | 1:07:45 | 1:07:48 | |
Mm-hmm. | 1:07:48 | 1:07:50 | |
Why did you lose, Tyana? | 1:07:50 | 1:07:52 | |
Lack of leadership. | 1:07:52 | 1:07:53 | |
That's tough. It's a tough statement. | 1:07:56 | 1:07:59 | |
I think she leads maybe in a different way, | 1:07:59 | 1:08:01 | |
but I think a good leader. | 1:08:01 | 1:08:03 | |
I love the way she greeted me. | 1:08:03 | 1:08:05 | |
I love the way she took me around. | 1:08:05 | 1:08:06 | |
There's nothing bad about that kind of leadership. | 1:08:06 | 1:08:10 | |
Liza, why'd you lose? | 1:08:12 | 1:08:14 | |
Ultimately, the goal was to create something | 1:08:14 | 1:08:15 | |
that you walked in and you felt it was a modern workspace, | 1:08:15 | 1:08:18 | |
and so we would have to say that it was part of the creative. | 1:08:18 | 1:08:20 | |
Part of the people who picked the colour scheme. | 1:08:20 | 1:08:22 | |
IVANKA: Who was in charge of design? | 1:08:22 | 1:08:24 | |
For me, when I hear that the mandate | 1:08:24 | 1:08:26 | |
is to design a modern office space, | 1:08:26 | 1:08:29 | |
I wouldn't choose leather wingback chairs. | 1:08:29 | 1:08:32 | |
I would say Nicole. | 1:08:35 | 1:08:37 | |
IVANKA: Would you agree with that, Nicole? | 1:08:37 | 1:08:39 | |
I would say it was a joint effort between myself and Tyana. | 1:08:39 | 1:08:42 | |
And I think that that's true because I wanted to use Tyana... | 1:08:42 | 1:08:45 | |
Is that true, Tyana? | 1:08:45 | 1:08:47 | |
Um, I think we split. | 1:08:47 | 1:08:49 | |
I would say yes... | 1:08:49 | 1:08:51 | |
Do you think you should be fired for that? | 1:08:51 | 1:08:52 | |
Absolutely not, because the most modern aspects, | 1:08:52 | 1:08:55 | |
like the reception area, I chose. | 1:08:55 | 1:08:58 | |
Brandy, who should I fire? | 1:08:58 | 1:09:01 | |
I understand that it's a difficult choice, | 1:09:01 | 1:09:02 | |
but, you know, Nicole took a very large risk | 1:09:02 | 1:09:05 | |
and would certainly be revelling in the joy of a victory, | 1:09:05 | 1:09:07 | |
and as such, she should be willing and understand | 1:09:07 | 1:09:09 | |
when she has to accept responsibility for a loss. | 1:09:09 | 1:09:11 | |
And in what way did she take a risk, other than working with you killers? | 1:09:11 | 1:09:14 | |
You are killers. You are brutal. | 1:09:14 | 1:09:17 | |
GENE: They ARE brutal. Wow! | 1:09:17 | 1:09:19 | |
CLINT: They didn't even know they had lost | 1:09:19 | 1:09:21 | |
before they started ripping each other's hair out. | 1:09:21 | 1:09:23 | |
In what way did she take a risk? | 1:09:23 | 1:09:25 | |
BRANDY: Volunteering to be the project manager. | 1:09:25 | 1:09:29 | |
- Did you volunteer? - I did. | 1:09:29 | 1:09:30 | |
Could have been a mistake, right? | 1:09:30 | 1:09:33 | |
It could have. | 1:09:33 | 1:09:34 | |
Brandy, how about just generally | 1:09:34 | 1:09:36 | |
not supporting one's boss and leader? | 1:09:36 | 1:09:39 | |
I mean, Mahsa was BRUTAL! | 1:09:39 | 1:09:40 | |
I mean, you were so excited to speak and to yell... | 1:09:40 | 1:09:42 | |
It's the truth. | 1:09:42 | 1:09:44 | |
..I was shocked! | 1:09:44 | 1:09:46 | |
I am too. | 1:09:46 | 1:09:48 | |
You didn't know you had lost! | 1:09:48 | 1:09:49 | |
Because it would be an injustice | 1:09:49 | 1:09:52 | |
if anyone was fired here except her. | 1:09:52 | 1:09:54 | |
She didn't tell us what was going on. | 1:09:54 | 1:09:56 | |
Everything that she did was by consensus. | 1:09:56 | 1:10:00 | |
"What do you guys think? Do you think we should do this?" | 1:10:00 | 1:10:03 | |
And I pushed her. | 1:10:03 | 1:10:04 | |
Did I not push you? Did I...let me finish. | 1:10:04 | 1:10:07 | |
I pushed her, and I said...I said to her... | 1:10:07 | 1:10:11 | |
Oh, I just lost my train of thought... | 1:10:11 | 1:10:12 | |
That's enough. You lost your train of thought. | 1:10:12 | 1:10:15 | |
Poppy. | 1:10:15 | 1:10:17 | |
Who should I fire? | 1:10:17 | 1:10:20 | |
If you're going on leadership, | 1:10:20 | 1:10:22 | |
which is the job of the PM, it should be Nicole. | 1:10:22 | 1:10:24 | |
I know you think she's a great leader... | 1:10:24 | 1:10:26 | |
OK, and as a second choice, What else am I supposed to go on? | 1:10:26 | 1:10:29 | |
As a second choice, do you have somebody else in mind? | 1:10:29 | 1:10:32 | |
Do you have somebody in mind that did a bad job, other than Nicole? | 1:10:32 | 1:10:34 | |
No. | 1:10:34 | 1:10:36 | |
Wow! She's just...oh! | 1:10:36 | 1:10:39 | |
It seems like they've all decided, | 1:10:39 | 1:10:41 | |
"This is who we're going to gang up against." | 1:10:41 | 1:10:43 | |
ALEX: There goes the knives! Thunk, thunk! | 1:10:43 | 1:10:45 | |
TRUMP: Liza? | 1:10:45 | 1:10:47 | |
I think, ultimately, Nicole is to blame for our loss. | 1:10:47 | 1:10:49 | |
Nicole, let me ask you this question. | 1:10:51 | 1:10:53 | |
if you were to bring two people | 1:10:53 | 1:10:54 | |
back to the boardroom, who would it be? | 1:10:54 | 1:10:56 | |
I think I would bring back Mahsa and Tyana. | 1:10:59 | 1:11:02 | |
Why Tyana? | 1:11:02 | 1:11:04 | |
I picked Tyana purely from the professional standpoint | 1:11:04 | 1:11:06 | |
because one of your main problems and concerns, | 1:11:06 | 1:11:09 | |
all three of you, was the furnishings, | 1:11:09 | 1:11:11 | |
and Tyana played an integral role at the prop store | 1:11:11 | 1:11:13 | |
and at the CORT Furniture. | 1:11:13 | 1:11:15 | |
And why Mahsa? | 1:11:16 | 1:11:18 | |
Mahsa because she did play an integral role | 1:11:18 | 1:11:20 | |
when we went to the prop store, | 1:11:20 | 1:11:23 | |
and I think that she hopped in right away | 1:11:23 | 1:11:25 | |
before it had been announced that we had lost, | 1:11:25 | 1:11:27 | |
And I think that that's a weakness with your team. | 1:11:27 | 1:11:29 | |
Mr Trump, can I respond? | 1:11:29 | 1:11:30 | |
Yes. | 1:11:30 | 1:11:32 | |
Nicole didn't tell us what to do. She said nothing. | 1:11:32 | 1:11:34 | |
I am the one that said, "Let's go to the paint store." | 1:11:34 | 1:11:36 | |
I worked like a dog until the second... | 1:11:36 | 1:11:39 | |
and every single person is going to back me up on this. | 1:11:39 | 1:11:42 | |
I did the windows. I scraped paint off them... | 1:11:42 | 1:11:45 | |
TRUMP: Is that true? Is that true? | 1:11:45 | 1:11:47 | |
ALL: Yes. | 1:11:47 | 1:11:49 | |
TRUMP: That's true, Liza? | 1:11:49 | 1:11:51 | |
OK, that's enough. | 1:11:51 | 1:11:53 | |
Liza: She's talking about painting. She didn't paint. | 1:11:53 | 1:11:56 | |
TRUMP: Who didn't paint? LIZA: Nicole. | 1:11:56 | 1:11:57 | |
She didn't do anything! | 1:11:57 | 1:11:58 | |
She was the project manager. She's supposed to lead. | 1:11:58 | 1:12:00 | |
I was going and buying things... | 1:12:00 | 1:12:03 | |
We all had to work. | 1:12:03 | 1:12:04 | |
Nicole, you're being very respectful, | 1:12:04 | 1:12:06 | |
but these guys are killing you, and you're not stepping in. | 1:12:06 | 1:12:08 | |
I'd like to defend myself... | 1:12:08 | 1:12:09 | |
Is this the wishy-washy that you spoke about yesterday? | 1:12:09 | 1:12:12 | |
Yes, even with Mahsa going to the prop store. | 1:12:12 | 1:12:14 | |
If these guys were going after me, right or wrong, I'd be fighting back. | 1:12:14 | 1:12:17 | |
Mahsa said, "I want to go," and she's like, "Do you want to go or stay?" | 1:12:17 | 1:12:21 | |
She's like, "well, what do you want me to do?" | 1:12:21 | 1:12:22 | |
I said, "you're the leader." | 1:12:22 | 1:12:24 | |
Your silence is encouraging them. | 1:12:24 | 1:12:26 | |
I want to talk. | 1:12:26 | 1:12:27 | |
I said, "You are the leader. Make a decision." TYANA: And she did not. | 1:12:27 | 1:12:30 | |
Why are you now deciding to bring me back into the boardroom? How dare you?! | 1:12:30 | 1:12:32 | |
I am one of the strongest members of this team. | 1:12:32 | 1:12:34 | |
I worked my butt off. NICOLE: Mm-hmm. | 1:12:34 | 1:12:36 | |
You just made a mistake, honey, Bringing me back into the boardroom. | 1:12:36 | 1:12:39 | |
NICOLE: I would like to speak now. | 1:12:39 | 1:12:40 | |
Nobody should be fired except you. You deserve it. | 1:12:40 | 1:12:44 | |
NICOLE: I think you've had your turn. And now it's my turn to speak. | 1:12:44 | 1:12:46 | |
Go for it. | 1:12:46 | 1:12:48 | |
MAHSA: And tell the truth. | 1:12:48 | 1:12:49 | |
ANAND: She's scary. ALEX: Wow. | 1:12:49 | 1:12:51 | |
Nicole needs to defend herself. | 1:12:51 | 1:12:53 | |
She's laying down. | 1:12:53 | 1:12:54 | |
GENE: Yeah, she's laying down. | 1:12:54 | 1:12:56 | |
I am perfectly happy to defend myself and the decisions that I made, | 1:12:56 | 1:12:59 | |
but I will not get in a yelling match over her | 1:12:59 | 1:13:01 | |
when I think that her claims are unfounded. | 1:13:01 | 1:13:03 | |
I would like to make my point, and my point is I never... | 1:13:03 | 1:13:06 | |
Do you see what she does? | 1:13:06 | 1:13:08 | |
She takes the focus off of what I actually talked about | 1:13:08 | 1:13:10 | |
And doesn't rebut my argument. | 1:13:10 | 1:13:12 | |
Yeah, but a lot of people agree with her. | 1:13:12 | 1:13:14 | |
NICOLE: Did I ever say anything that she didn't do the work? No. | 1:13:14 | 1:13:16 | |
All right, you will have your chance to make your point, OK? | 1:13:16 | 1:13:21 | |
Mahsa, Tyana, you're coming back to the boardroom. | 1:13:21 | 1:13:24 | |
The rest of you, go. You got lucky. | 1:13:24 | 1:13:27 | |
Go outside, please. You'll come right back. | 1:13:27 | 1:13:30 | |
All right, men, turn off your television. | 1:13:36 | 1:13:38 | |
That's enough. You've seen plenty. | 1:13:38 | 1:13:41 | |
They were not that unified as we thought. | 1:13:41 | 1:13:43 | |
I was praying for something like this. | 1:13:43 | 1:13:45 | |
You know, it's... Mahsa's...you almost want to... | 1:13:47 | 1:13:49 | |
She's a district attorney in Brooklyn. | 1:13:49 | 1:13:51 | |
You almost want to fire her for being so unprofess... | 1:13:51 | 1:13:54 | |
She's so... her voice and yelling. | 1:13:54 | 1:13:56 | |
MAHSA: I don't know why she brought me back in - | 1:13:56 | 1:13:59 | |
the hardest-working person. | 1:13:59 | 1:14:00 | |
Every single girl up there had my back. That was a mistake. | 1:14:00 | 1:14:03 | |
Not one person backed her. | 1:14:03 | 1:14:05 | |
We have to point out every single person backed us | 1:14:24 | 1:14:27 | |
and not one person backed her | 1:14:27 | 1:14:30 | |
and both of us were gone during the designing process, | 1:14:30 | 1:14:33 | |
which is why we failed. | 1:14:33 | 1:14:34 | |
That's right. That's right. | 1:14:34 | 1:14:35 | |
But don't get too crazy, | 1:14:35 | 1:14:37 | |
cos Ivanka was calling you out for being so aggressive. | 1:14:37 | 1:14:39 | |
OK, fine. | 1:14:39 | 1:14:40 | |
Ivanka, what do you think? | 1:14:42 | 1:14:44 | |
I think Nicole is the obvious choice. | 1:14:44 | 1:14:46 | |
With that said, I think Mahsa has a terrible attitude. | 1:14:46 | 1:14:49 | |
Don? | 1:14:49 | 1:14:51 | |
I think Nicole really isn't taking the fight back to the people who are attacking her. | 1:14:51 | 1:14:54 | |
I mean, that, to me, is a sign of weakness. | 1:14:54 | 1:14:56 | |
She is the PM. She took the risk. It doesn't look like she pulled it off. | 1:14:56 | 1:14:59 | |
'Amanda, bring them in.' | 1:14:59 | 1:15:01 | |
Ladies, you can head back in. Mr Trump is ready for you. | 1:15:01 | 1:15:04 | |
TRUMP: Sit down, please. | 1:15:13 | 1:15:16 | |
MAHSA: Mr Trump, I don't understand why I'm in here. | 1:15:21 | 1:15:23 | |
We lost this task because of design. | 1:15:23 | 1:15:25 | |
But for an hour and a half, | 1:15:25 | 1:15:27 | |
I was in charge of manual labour. | 1:15:27 | 1:15:30 | |
And the only reason I left to go to the prop store | 1:15:30 | 1:15:33 | |
is that we had finished with all the manual labour. | 1:15:33 | 1:15:35 | |
So my first question is, why am I in here? | 1:15:35 | 1:15:37 | |
Mr Trump, you want to see the bulldog? | 1:15:37 | 1:15:40 | |
You want to see it? Here's the bulldog. If you attack me... | 1:15:40 | 1:15:43 | |
- We haven't seen it so far. - And let me tell you something... | 1:15:43 | 1:15:46 | |
- You know that, right? - I waited for the right time. | 1:15:46 | 1:15:48 | |
These two came out as my attackers, now I'm going for the jugular. | 1:15:48 | 1:15:51 | |
And your instinct - you have a killer instinct. | 1:15:51 | 1:15:54 | |
Your instinct is that I'm a good leader, | 1:15:54 | 1:15:56 | |
And the way that I lead is by collaboration, by delegation, | 1:15:56 | 1:16:00 | |
and unfortunately, Mahsa, in particular, | 1:16:00 | 1:16:03 | |
didn't want to take the delegation that I gave her. | 1:16:03 | 1:16:05 | |
She was the one that... I kept giving her the ball to run with it, | 1:16:05 | 1:16:07 | |
and she would hand it back to me and be like, | 1:16:07 | 1:16:09 | |
"No, what do you think? You're the project manager." | 1:16:09 | 1:16:11 | |
I kept trying to delegate it to her, And she didn't want to accept it. | 1:16:11 | 1:16:14 | |
But why is it that every member of your team threw you under the bus? | 1:16:14 | 1:16:18 | |
Exactly. | 1:16:18 | 1:16:19 | |
Many of them said I should take the blame because I'm project manager | 1:16:19 | 1:16:23 | |
because that's the default answer - I am the project manager. | 1:16:23 | 1:16:26 | |
Tyana, your main problem was with furniture. | 1:16:26 | 1:16:28 | |
Let me respond. | 1:16:28 | 1:16:29 | |
Tyana was the principal one with furniture that was responsible. TRUMP: No, hold it. | 1:16:29 | 1:16:33 | |
Why would I fire Tyana? | 1:16:33 | 1:16:34 | |
Tyana you would fire because she was principally responsible | 1:16:34 | 1:16:37 | |
because she said she had experience in staging, | 1:16:37 | 1:16:40 | |
so she picked stuff at the prop store and at CORT Furniture. | 1:16:40 | 1:16:43 | |
She picked the boring board table. | 1:16:43 | 1:16:45 | |
I said that I wasn't thrilled with it because I thought it was boring. | 1:16:45 | 1:16:47 | |
Tyana, is that true? | 1:16:47 | 1:16:49 | |
No, both of us agreed on that cos there was nothing else | 1:16:49 | 1:16:51 | |
and we had 45 minutes to make a decision and pick everything. | 1:16:51 | 1:16:54 | |
Time management, which comes back to project manager. | 1:16:54 | 1:16:58 | |
And every idea I threw out, | 1:16:58 | 1:17:00 | |
which were the exact ones you came back, were ignored. | 1:17:00 | 1:17:03 | |
That was why I decided to go, | 1:17:03 | 1:17:05 | |
"Well, if I'm not going to be utilised here, | 1:17:05 | 1:17:07 | |
"I'm going to go and make sure we get the right paint colour," | 1:17:07 | 1:17:09 | |
which is why I left. | 1:17:09 | 1:17:10 | |
When I came back, everything had been designed. | 1:17:10 | 1:17:13 | |
I had no idea what was going on. | 1:17:13 | 1:17:15 | |
The layout had been designed, Mr Trump. | 1:17:15 | 1:17:17 | |
And I thought she was staying. | 1:17:17 | 1:17:19 | |
And then, when she was staying, she said, "I think I should do the colour." | 1:17:19 | 1:17:22 | |
I never said, "I think I should do the colour." | 1:17:22 | 1:17:24 | |
- She did. - I said, "Do you want me to stay?" | 1:17:24 | 1:17:26 | |
And I said, "Go where you think you will be best used | 1:17:26 | 1:17:29 | |
"because you know your strengths better than I do," | 1:17:29 | 1:17:31 | |
and she decided to go with colour. TYANA: No. | 1:17:31 | 1:17:33 | |
Also, I think this points out that neither of these two are a team player, | 1:17:33 | 1:17:36 | |
and that's why one of them should be fired. | 1:17:36 | 1:17:38 | |
Every single person has my back in there, and she is a liar. She said she delegated. | 1:17:38 | 1:17:42 | |
The bottom line is... - Not one person said she delegated. | 1:17:42 | 1:17:44 | |
How is she going to be part of the Trump Organisation? | 1:17:44 | 1:17:49 | |
- It's about teamwork. - First-class products... | 1:17:49 | 1:17:51 | |
The whole team worked without direction! | 1:17:51 | 1:17:54 | |
You had nothing to do with the team. | 1:17:54 | 1:17:57 | |
You didn't make any creative choices. You didn't help with manual labour. | 1:17:57 | 1:17:59 | |
I think you are a bit of a polarizing personality. | 1:17:59 | 1:18:02 | |
I think you put yourself here | 1:18:02 | 1:18:03 | |
because of your sort of abrasive style. | 1:18:03 | 1:18:06 | |
Maybe that just is who you are. | 1:18:06 | 1:18:08 | |
What I can't reconcile, though, Nicole, | 1:18:08 | 1:18:10 | |
as strong as you seem here right now, when you start to fight back, | 1:18:10 | 1:18:14 | |
why does everyone say that you are not a good leader? | 1:18:14 | 1:18:17 | |
- Because my leadership style... - What did you do wrong? | 1:18:17 | 1:18:21 | |
I think what I did wrong is I was not bossy, | 1:18:21 | 1:18:23 | |
And the reason I wasn't bossy is because, having worked with women, | 1:18:23 | 1:18:26 | |
I feel like women tend to rebel against bossy, | 1:18:26 | 1:18:28 | |
so I tried to make sure everyone felt a part of it, | 1:18:28 | 1:18:31 | |
and that was my mistake. | 1:18:31 | 1:18:33 | |
I should have said, "You're doing this." | 1:18:33 | 1:18:34 | |
- Yes. You should have. - Instead of saying... | 1:18:34 | 1:18:36 | |
You're the project manager. | 1:18:36 | 1:18:37 | |
"What do you think you would be best with?" Because I trust that. | 1:18:37 | 1:18:40 | |
I should not have trusted them in that way. | 1:18:40 | 1:18:42 | |
- But let me tell you... - That's... | 1:18:42 | 1:18:44 | |
All right, OK, OK, OK. Mahsa, let me ask you this. | 1:18:44 | 1:18:46 | |
What would you say if I fired Tyana? How would you feel about that? | 1:18:46 | 1:18:50 | |
I'm an assistant district attorney, and it would be a terrible injustice. | 1:18:50 | 1:18:54 | |
- That's what I would say. - Why? Why? | 1:18:54 | 1:18:57 | |
Because she could never be your leader, | 1:18:57 | 1:19:00 | |
and this one worked her butt off. | 1:19:00 | 1:19:03 | |
She had sweat dripping off her. She got on the floor. | 1:19:03 | 1:19:06 | |
She did everything. Why would you fire her? | 1:19:06 | 1:19:08 | |
- I got on the floor, and I cleaned. - Do you dislike Nicole? | 1:19:08 | 1:19:10 | |
- No-one likes Nicole, Mr Trump. - Why would they not like her? | 1:19:10 | 1:19:12 | |
- Because, Mr Trump... - News to me. | 1:19:12 | 1:19:14 | |
I think she's a very nice person. What do I know? | 1:19:14 | 1:19:16 | |
And everyone thought the Titanic was nice until it went out and sank. | 1:19:16 | 1:19:18 | |
She's a beauty queen. She knows how to present herself. | 1:19:18 | 1:19:20 | |
I'm a good person. | 1:19:20 | 1:19:22 | |
It's not that she's not nice. It's that she didn't make any decisions. | 1:19:22 | 1:19:24 | |
It wasn't personal. | 1:19:24 | 1:19:26 | |
Ivanka, can I justify why Mahsa's here? Because I know that's one of your main concerns. | 1:19:26 | 1:19:30 | |
TRUMP: Why did you bring in Mahsa? | 1:19:30 | 1:19:32 | |
She's tough, and you know she's going to kill you. | 1:19:32 | 1:19:33 | |
NICOLE: Can I tell you? | 1:19:33 | 1:19:35 | |
Why wouldn't you have brought in one of the softer, nicer, gentler women? | 1:19:35 | 1:19:38 | |
You brought this woman that just is killing you. | 1:19:38 | 1:19:41 | |
I brought in Mahsa | 1:19:41 | 1:19:42 | |
because she's disloyal and she's not a team player. | 1:19:42 | 1:19:45 | |
- She was ready to sell our team out. - That's not true. | 1:19:45 | 1:19:48 | |
Should I fire Mahsa? | 1:19:48 | 1:19:50 | |
You should fire Tyana. | 1:19:50 | 1:19:51 | |
You should fire... | 1:19:51 | 1:19:53 | |
But, Nicole, wait. When you spoke to me yesterday, you said that, | 1:19:53 | 1:19:56 | |
day one, Tyana was your biggest liability. | 1:19:56 | 1:19:58 | |
On day two, she was your most valuable player. | 1:19:58 | 1:20:01 | |
Thank you. DON: You said that to me, | 1:20:01 | 1:20:03 | |
- and that was a half an hour... - And that's why she should be fired. | 1:20:03 | 1:20:06 | |
Did you say that to Don, that she was MVP? | 1:20:06 | 1:20:08 | |
I did say the first day I was incredibly disappointed. | 1:20:08 | 1:20:11 | |
TRUMP: She was most valuable player? | 1:20:11 | 1:20:12 | |
For the furniture and picking out the stuff we did on the second day. | 1:20:12 | 1:20:15 | |
Well, that's a big thing, right? | 1:20:15 | 1:20:17 | |
And that's what you didn't like. TRUMP: Do you think she's great now? | 1:20:17 | 1:20:19 | |
No. I... My first... What's funny... | 1:20:19 | 1:20:21 | |
Why did you tell Don that she was your most valuable player? | 1:20:21 | 1:20:26 | |
Because, at that point, she was the one that was working on the creative | 1:20:26 | 1:20:29 | |
- and on pulling it together with... - And the labour... I did... | 1:20:29 | 1:20:32 | |
We all did labour. | 1:20:32 | 1:20:33 | |
You liked the furniture, so you can't now disown responsibility for the decision. | 1:20:33 | 1:20:37 | |
MAHSA: Right. TYANA: And she did half of it. | 1:20:37 | 1:20:39 | |
- No, but I can tell you... - We did it together. | 1:20:39 | 1:20:41 | |
I'm disowning some of the responsibility on the furniture | 1:20:41 | 1:20:43 | |
because the pieces that you didn't like are the pieces Tyana picked. | 1:20:43 | 1:20:47 | |
I hated the painting of Uncle Forti, and it was actually these two... | 1:20:47 | 1:20:50 | |
Well, then, it shouldn't have been there. | 1:20:50 | 1:20:52 | |
- Why didn't you overrule that? - She didn't make any decisions. | 1:20:52 | 1:20:55 | |
We hadn't decided it was going to be used... | 1:20:55 | 1:20:58 | |
OK, you hated the painting. I hated the painting, also. | 1:20:58 | 1:21:00 | |
And in this case, you were the project manager and you lost, | 1:21:00 | 1:21:02 | |
- And I didn't like what you did. - I know. | 1:21:02 | 1:21:05 | |
Nicole, you're fired. | 1:21:05 | 1:21:07 | |
Go. Go. Everyone, go. | 1:21:12 | 1:21:14 | |
MAHSA: Thank you, Mr Trump. TYANA: Thank you, Mr Trump. | 1:21:14 | 1:21:16 | |
You were the project manager. You lost. Sorry. | 1:21:16 | 1:21:19 | |
NICOLE: Thank you for the opportunity. | 1:21:19 | 1:21:20 | |
TRUMP: OK, thank you very much. | 1:21:20 | 1:21:23 | |
Thank you. | 1:21:35 | 1:21:36 | |
She's very nice, but I had no choice. | 1:21:38 | 1:21:40 | |
It's tough. The rest of the team didn't respect her, and they said she couldn't lead. | 1:21:40 | 1:21:44 | |
She took a gamble, and it didn't work out. It happens. | 1:21:44 | 1:21:46 | |
Well, I think Nicole is a good person. I think she's a leader. | 1:21:46 | 1:21:50 | |
And I'm going to set her up for an interview | 1:21:50 | 1:21:52 | |
at the Miss Universe pageant. | 1:21:52 | 1:21:53 | |
It's been a dream of mine | 1:22:26 | 1:22:28 | |
to work for the Trump Organisation, and I got my chance. | 1:22:28 | 1:22:31 | |
It was short-lived, but it's been an incredible experience. | 1:22:31 | 1:22:34 | |
I certainly didn't think I'd be the first to go, | 1:22:34 | 1:22:37 | |
but at the same time, | 1:22:37 | 1:22:38 | |
I don't regret the way that I played the game. | 1:22:38 | 1:22:41 |