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-Previously... -To put on a Broadway play or musical, you need backers. | 0:00:02 | 0:00:05 | |
Your task is to produce a backers' audition. | 0:00:05 | 0:00:09 | |
On the men's team, project manager Steuart | 0:00:09 | 0:00:12 | |
found a way to manage David, by utilising his talents. | 0:00:12 | 0:00:15 | |
I want Nan centre stage. | 0:00:15 | 0:00:17 | |
-And we begin. -While on the women's team... | 0:00:17 | 0:00:20 | |
..Stephanie was disappointed by the role given to her | 0:00:24 | 0:00:27 | |
-by project manager Liza. -I'm a musical expert! | 0:00:27 | 0:00:29 | |
I studied with the Royal Conservatory. | 0:00:29 | 0:00:31 | |
-Why am I out -BLEEP -printing a flier? | 0:00:31 | 0:00:33 | |
The next day, after two strong presentations, | 0:00:33 | 0:00:36 | |
Mr Trump announced the winner... | 0:00:36 | 0:00:38 | |
-The men's team. -..and David's efforts were recognised. | 0:00:38 | 0:00:41 | |
One of the best comebacks I've seen. | 0:00:41 | 0:00:43 | |
But the women came under fire for their marketing materials. | 0:00:43 | 0:00:47 | |
I don't even know how to get in touch with anybody. | 0:00:47 | 0:00:49 | |
-Whose fault is it? -Ultimately, the ladies who went to do the graphic design... | 0:00:49 | 0:00:52 | |
-I am a music expert. -I know. And why weren't you the project manager? | 0:00:52 | 0:00:56 | |
At the beginning, I thought it was "theatre." | 0:00:56 | 0:00:58 | |
-You knew it was musical, because I said musical. -No, I didn't. | 0:00:58 | 0:01:00 | |
You lied to me. | 0:01:00 | 0:01:02 | |
Left to face Mr Trump, Brandy brought up new information | 0:01:02 | 0:01:04 | |
that turned the boardroom on its ear. | 0:01:04 | 0:01:07 | |
Mahsa told the men's team, in the last task, | 0:01:07 | 0:01:09 | |
how much we made in the task. | 0:01:09 | 0:01:11 | |
-It's such -BLEEP! | 0:01:11 | 0:01:13 | |
Is that true? | 0:01:13 | 0:01:14 | |
Yes. Clint told me, too, sir. | 0:01:14 | 0:01:16 | |
And Mahsa's accusations forced Clint to take action. | 0:01:16 | 0:01:20 | |
I wanted to come back and clear my name. | 0:01:20 | 0:01:22 | |
I never divulged the number that our team made. | 0:01:22 | 0:01:25 | |
In the end, Mahsa paid for her mistake. | 0:01:25 | 0:01:27 | |
-Do you think you made a mistake? -I absolutely made a mistake. | 0:01:27 | 0:01:30 | |
Mahsa, you're fired. | 0:01:30 | 0:01:31 | |
TENSE MUSIC PLAYS | 0:01:33 | 0:01:36 | |
CLINT: You know, Mahsa and I have never had a cross word. | 0:01:38 | 0:01:42 | |
Why do you think she invoked my name? | 0:01:42 | 0:01:44 | |
Because she was... it was a sinking ship. | 0:01:44 | 0:01:46 | |
-You didn't say anything, so why would...? -Of course not. | 0:01:46 | 0:01:49 | |
I was shocked that she would actually tell me a number. | 0:01:49 | 0:01:52 | |
'The win is very bittersweet.' | 0:01:52 | 0:01:53 | |
It's more bitter than sweet, but I feel like I've been vindicated. | 0:01:53 | 0:01:56 | |
'I'm here for a bigger reason than myself,' | 0:01:56 | 0:01:58 | |
and I'm not gonna be thrown under the bus like that. | 0:01:58 | 0:02:00 | |
I fundamentally disagreed with Mahsa's approach to the game, | 0:02:00 | 0:02:03 | |
and that's why I brought it up in the boardroom today. | 0:02:03 | 0:02:06 | |
'I definitely have a fire within me, | 0:02:06 | 0:02:08 | |
'and I will stand up for what I believe in.' | 0:02:08 | 0:02:10 | |
She was gonna be a tough one to take down, and I'm glad she's gone. | 0:02:10 | 0:02:14 | |
And I'm glad I was the one that did it, to be quite honest. | 0:02:14 | 0:02:17 | |
I have rid myself of my problems. | 0:02:17 | 0:02:19 | |
I like everybody else on the team now. | 0:02:19 | 0:02:21 | |
Who did the graphic-design stuff? Who did the promotional items? | 0:02:21 | 0:02:24 | |
No-one. That's the thing. We were supposed to focus on marketing. | 0:02:24 | 0:02:26 | |
Who worked with the printer? Who worked with the designer? | 0:02:26 | 0:02:29 | |
-You were... -I wasn't there. -The last person to work | 0:02:29 | 0:02:31 | |
with the printer, you forgot to put the contact information. | 0:02:31 | 0:02:34 | |
-Why aren't you minding your own -BLEEP -business? | 0:02:34 | 0:02:36 | |
That's a great comeback. Ohh! | 0:02:36 | 0:02:38 | |
-Who are you to call me out?! Who are you to call me out? -You're a liar. | 0:02:38 | 0:02:41 | |
-You lied to Mr Trump! -You weren't even there! | 0:02:41 | 0:02:43 | |
-I didn't lie! -You lied to Mr Trump. | 0:02:43 | 0:02:44 | |
-You're such an idiot! Shut the -BLEEP -up! | 0:02:44 | 0:02:47 | |
I think you're really classless. | 0:02:47 | 0:02:48 | |
-I have never been called classless by some -BLEEP -punk. | 0:02:48 | 0:02:51 | |
And anyone who pushes me up against a wall | 0:02:51 | 0:02:53 | |
and criticises me out of the blue, who are you to judge me? | 0:02:53 | 0:02:57 | |
You weren't even there. | 0:02:57 | 0:02:59 | |
No-one has the right to call anyone out unless you were there. | 0:02:59 | 0:03:02 | |
-I'm sorry. -You just need to convince yourself, | 0:03:02 | 0:03:04 | |
and it looks like you've done that, so congratulations. | 0:03:04 | 0:03:06 | |
'He's on his high horse, thinking he has the right to judge everyone.' | 0:03:06 | 0:03:09 | |
Talk about classless, Anand. | 0:03:09 | 0:03:11 | |
'I wouldn't want to work with someone like that.' | 0:03:11 | 0:03:13 | |
MUSIC: "For The Love Of Money" by The O'Jays | 0:03:13 | 0:03:16 | |
# Money, money, money, money | 0:03:18 | 0:03:21 | |
# Money | 0:03:21 | 0:03:23 | |
# Money, money, money, money | 0:03:23 | 0:03:26 | |
# Money | 0:03:26 | 0:03:28 | |
# Some people got to have it | 0:03:28 | 0:03:31 | |
# Hey, hey | 0:03:31 | 0:03:33 | |
# Some people really need it | 0:03:33 | 0:03:36 | |
# Hey, listen to me, y'all | 0:03:36 | 0:03:38 | |
# Do things, do things, do things | 0:03:38 | 0:03:41 | |
# Bad things with it | 0:03:41 | 0:03:43 | |
# Dollar bills, y'all, come on | 0:03:44 | 0:03:47 | |
# That mean | 0:03:47 | 0:03:49 | |
# Oh, mean | 0:03:49 | 0:03:51 | |
# Mean green | 0:03:51 | 0:03:53 | |
# Almighty dollar | 0:03:53 | 0:03:56 | |
# Don't you know that money | 0:03:56 | 0:04:00 | |
# Give me a nickel, brother | 0:04:00 | 0:04:03 | |
# Can you spare a dime? | 0:04:03 | 0:04:05 | |
# Money can drive some people out of their minds | 0:04:05 | 0:04:10 | |
# Ah-ah-ah ah | 0:04:10 | 0:04:12 | |
# No good, no good Money! | 0:04:12 | 0:04:15 | |
# Money, money, money, money | 0:04:15 | 0:04:18 | |
# Money! # | 0:04:18 | 0:04:19 | |
CLASSICAL MUSIC PLAYS | 0:04:22 | 0:04:24 | |
AIR HORN BLOWS | 0:04:24 | 0:04:26 | |
STEUART: Mr Young. | 0:04:26 | 0:04:28 | |
-Steuart, how are you? -Very good. -Nice to see you. | 0:04:28 | 0:04:31 | |
-Welcome to Snapple theatre. -Thank you for having me. -Have a seat. | 0:04:31 | 0:04:33 | |
'I won the Broadway task' | 0:04:33 | 0:04:35 | |
and got the opportunity to now meet Larry Young, | 0:04:35 | 0:04:38 | |
'the CEO Of Snapple. What's great about it for me is, | 0:04:38 | 0:04:40 | |
'I want to be in the distribution business.' | 0:04:40 | 0:04:42 | |
So it'll be really awesome to leverage his knowledge | 0:04:42 | 0:04:45 | |
and be able to just learn anything I can | 0:04:45 | 0:04:47 | |
in the amount of time I've got with him. | 0:04:47 | 0:04:48 | |
It's a complex business. | 0:04:48 | 0:04:50 | |
It's something you have to stay on top of all the time. | 0:04:50 | 0:04:52 | |
-It's tough. It's very tough. -It is. -Especially in this, this economy. | 0:04:52 | 0:04:55 | |
I tell the guys at work, | 0:04:55 | 0:04:56 | |
whether you're marketing a brand or just your name, | 0:04:56 | 0:04:59 | |
you got to believe in it | 0:04:59 | 0:05:00 | |
and really make people know who you are out there. | 0:05:00 | 0:05:03 | |
'My meeting with Larry was really informative.' | 0:05:03 | 0:05:06 | |
And, hopefully, all the information I gain from him, | 0:05:06 | 0:05:08 | |
'I can use back in the real world.' | 0:05:08 | 0:05:10 | |
You got to love what you do, and you got to laugh every day. | 0:05:10 | 0:05:12 | |
Maybe he'll start distributing one of my brands one day. | 0:05:12 | 0:05:15 | |
-All the best, pal. -Appreciate it. -All right. | 0:05:15 | 0:05:18 | |
HEROIC MUSIC PLAYS | 0:05:18 | 0:05:20 | |
-Good morning. -ALL: Good morning. | 0:05:30 | 0:05:32 | |
Now, what I'm going to do is switch teams. | 0:05:32 | 0:05:36 | |
And I want Brandy and Liza to go with Clint and Steuart. Switch over. | 0:05:36 | 0:05:40 | |
-Come on, let's go. -Here we go, boys. | 0:05:40 | 0:05:42 | |
Liza, Steuart, Brandy, Clint, you're a team. | 0:05:42 | 0:05:46 | |
Stephanie, David, Anand, Poppy, you're a team. | 0:05:46 | 0:05:49 | |
'I didn't want to be with Anand.' | 0:05:49 | 0:05:50 | |
If he tries to bully me around, | 0:05:50 | 0:05:52 | |
'I will put him in his place any time of day.' | 0:05:52 | 0:05:54 | |
I'm not gonna break. I'm gonna come at you. | 0:05:54 | 0:05:56 | |
OK, we're standing in front of Macy's at Herald Square, | 0:05:56 | 0:06:01 | |
the largest department store anywhere in the world. | 0:06:01 | 0:06:05 | |
To my right is Terry Lundgren, | 0:06:05 | 0:06:07 | |
the president and chairman of Macy's. | 0:06:07 | 0:06:10 | |
Years ago, Terry approached me about doing a line | 0:06:10 | 0:06:14 | |
of Donald Trump shirts, ties, and cuff links. | 0:06:14 | 0:06:18 | |
They've been a tremendous success. Is that right, Terry? | 0:06:18 | 0:06:21 | |
That's absolutely right. I'm dressed head to toe in Donald Trump. | 0:06:21 | 0:06:24 | |
Oh, very good. Very good. And so am I. | 0:06:24 | 0:06:26 | |
What you're going to do is a four-page advertisement | 0:06:26 | 0:06:31 | |
for Donald J Trump signature line shirts, ties, and cuff links. | 0:06:31 | 0:06:37 | |
Terry, how will you be judging them? | 0:06:37 | 0:06:40 | |
I'm gonna judge your advertisements on the following criteria - | 0:06:40 | 0:06:42 | |
creativity, brand integration, | 0:06:42 | 0:06:45 | |
and of course the overall presentation of the work. | 0:06:45 | 0:06:47 | |
With me are my advisers - | 0:06:47 | 0:06:51 | |
my sons, Eric and Don. | 0:06:51 | 0:06:55 | |
Who is your project manager? Decide. | 0:06:55 | 0:06:57 | |
-I mean, I haven't been one. I can be it. -OK. | 0:06:57 | 0:06:59 | |
You guys will have to back me up, | 0:06:59 | 0:07:00 | |
cos I don't know anything about shirts and cuff links. | 0:07:00 | 0:07:02 | |
-I'll take it. -Oh, yeah. | 0:07:02 | 0:07:05 | |
-And I got a good layout. -You got a good team. -OK. That sounds good. | 0:07:05 | 0:07:07 | |
David, who's your project manager? | 0:07:07 | 0:07:09 | |
-Mr Trump, I am, sir. -You are again, David? -Yes, sir. | 0:07:09 | 0:07:12 | |
'I'm on a hot streak. | 0:07:12 | 0:07:14 | |
'I got some praise from Mr Trump in the boardroom.' | 0:07:14 | 0:07:16 | |
And when you have a hot hand, you play it. And so I decided to step up | 0:07:16 | 0:07:20 | |
'and be project manager.' | 0:07:20 | 0:07:21 | |
-Clint, who is your project manager? -Brandy has stepped up. -Brandy. | 0:07:21 | 0:07:25 | |
I love a well-dressed man, so... | 0:07:25 | 0:07:26 | |
All right. Very good. Remember one thing - | 0:07:26 | 0:07:29 | |
this is a very personal task, because it has to do with me. | 0:07:29 | 0:07:32 | |
Do a great ad and impress me, please. | 0:07:32 | 0:07:36 | |
Good luck. | 0:07:36 | 0:07:37 | |
JAZZY MUSIC PLAYS | 0:07:39 | 0:07:41 | |
This is gonna be fun. | 0:07:43 | 0:07:44 | |
All right. | 0:07:46 | 0:07:48 | |
'Team Fortitude is now David, Anand, Stephanie, and myself.' | 0:07:48 | 0:07:52 | |
David has been described as a loose cannon | 0:07:52 | 0:07:54 | |
'by his fellow male teammates.' | 0:07:54 | 0:07:56 | |
We'll see. | 0:07:56 | 0:07:58 | |
-I think I'm pretty strong working with models. -Two parts to this. | 0:07:58 | 0:08:01 | |
I've been assigned working with models, with actors every time. | 0:08:01 | 0:08:04 | |
Wait. Let me chime in for one second. | 0:08:04 | 0:08:05 | |
-This is a male line of clothing. -It is. -Right. | 0:08:05 | 0:08:08 | |
-So I think we need men's input, as well. -'Anand and Poppy - ' | 0:08:08 | 0:08:11 | |
they got a good eye for fashion. | 0:08:11 | 0:08:13 | |
This is what I want you to do. | 0:08:13 | 0:08:14 | |
Get the models in here, make sure everything fits, they look good. | 0:08:14 | 0:08:18 | |
'Poppy's got, you know, youthful appeal' | 0:08:18 | 0:08:20 | |
that will, you know, relate to the models in many ways. | 0:08:20 | 0:08:23 | |
We need a concept, of course. | 0:08:23 | 0:08:26 | |
What if you did black-and-white? | 0:08:26 | 0:08:27 | |
Like the Trump bar scene was all black-and-white. | 0:08:27 | 0:08:29 | |
-But everybody was in colour! -Except for the shirts. | 0:08:29 | 0:08:31 | |
-Except for the shirts and ties. -Yeah. -That's artistic. | 0:08:31 | 0:08:34 | |
-And that showcases the... -And the cuff links, of course, so you get | 0:08:34 | 0:08:37 | |
cuff links are popping, shirts and ties. | 0:08:37 | 0:08:39 | |
-Everything else is in black-and-white. -Yes! | 0:08:39 | 0:08:41 | |
We want to take the focus off the very good-looking people | 0:08:41 | 0:08:44 | |
that we'll have in this shot and put it on the clothing. | 0:08:44 | 0:08:47 | |
So I figured, black-and-white for the non-important parts | 0:08:47 | 0:08:51 | |
and vivid colour for the clothing we're showing off. | 0:08:51 | 0:08:54 | |
I think it'll be eye-catching. I think it'll be original. | 0:08:54 | 0:08:57 | |
-It'll look frickin' swanky. -FINGERS SNAPPING | 0:08:57 | 0:08:59 | |
-Swank and flair. -Yeah. | 0:08:59 | 0:09:01 | |
CLINT: There are three things | 0:09:01 | 0:09:03 | |
-that men want. -Yeah. The money, power, sex? | 0:09:03 | 0:09:06 | |
-And Mr Trump bespeaks all three of those. -Absolutely. | 0:09:06 | 0:09:09 | |
'This is Mr Trump's baby.' | 0:09:09 | 0:09:11 | |
These are his shirts. This is his tie. | 0:09:11 | 0:09:13 | |
'When I think of Trump products,' | 0:09:13 | 0:09:15 | |
it's power, it's wealth, it's sexual prowess. | 0:09:15 | 0:09:18 | |
How about, like, tying in a story? | 0:09:18 | 0:09:20 | |
Like, as you open the pages, it just kind of | 0:09:20 | 0:09:21 | |
leads you into, like, this guy's life. I don't know... | 0:09:21 | 0:09:24 | |
He's at work. He goes out to a nightclub. | 0:09:24 | 0:09:27 | |
I was thinking the morning-after scene. | 0:09:27 | 0:09:29 | |
-Yeah, yeah. -Like, the woman wearing the men's shirt. | 0:09:29 | 0:09:31 | |
See, that's exactly what I was thinking. | 0:09:31 | 0:09:33 | |
-And the man on the bed... -Yeah. -You know, something very sexual. | 0:09:33 | 0:09:36 | |
'As project manager, | 0:09:36 | 0:09:37 | |
'I just wanted to do something that pushed the envelope.' | 0:09:37 | 0:09:41 | |
And I think the idea of a woman wearing a man's dress shirt | 0:09:41 | 0:09:45 | |
is sort of unexpected - certainly, in a Macy's ad. | 0:09:45 | 0:09:48 | |
I don't even mind having the words "power," "sex," "wealth." | 0:09:48 | 0:09:52 | |
-I don't actually like using the word "sex," so let's just... -No, I... | 0:09:52 | 0:09:55 | |
I think we're gonna convey them in a way without saying the words. | 0:09:55 | 0:09:58 | |
-That's the way to go. -'When the team was throwing the word "sex" out,' | 0:09:58 | 0:10:01 | |
every time I would hear it, I felt kind of, | 0:10:01 | 0:10:04 | |
"is that appropriate?" You know? | 0:10:04 | 0:10:05 | |
'I really didn't feel like sex | 0:10:05 | 0:10:07 | |
'was part of the Donald J Trump signature collection. | 0:10:07 | 0:10:09 | |
'It was his name on this brand. | 0:10:09 | 0:10:11 | |
'And so we really have to be careful how we portray his image.' | 0:10:11 | 0:10:13 | |
I think it's so sexy, you guys. I'm really excited about it. | 0:10:13 | 0:10:17 | |
-STEUART: -So, you're just dropping us off. | 0:10:20 | 0:10:23 | |
-We literally are getting out. -And we're heading home. | 0:10:23 | 0:10:25 | |
'Our task is to create' | 0:10:25 | 0:10:27 | |
a four-page magazine advertisement | 0:10:27 | 0:10:28 | |
for the Donald J Trump signature collection | 0:10:28 | 0:10:31 | |
'at Macy's. So, Clint and Liza were going to run a few errands, | 0:10:31 | 0:10:35 | |
'and Brandy and I were gonna be dropped off at Trump SOHO to get started on the photo shoot.' | 0:10:35 | 0:10:39 | |
Hi, this is Steuart from Octane. | 0:10:39 | 0:10:41 | |
-'How are you?' -Good. We don't see anybody here. | 0:10:41 | 0:10:43 | |
We're in the - we're in the lobby. And no models. | 0:10:43 | 0:10:47 | |
TENSE MUSIC PLAYS | 0:10:47 | 0:10:48 | |
-'No models?' -'Before we left for the Trump SOHO,' | 0:10:48 | 0:10:50 | |
we called the modelling agency | 0:10:50 | 0:10:53 | |
and told them to send over our models. | 0:10:53 | 0:10:55 | |
Well, there are no models. | 0:10:55 | 0:10:57 | |
Yeah, we're on the main floor and there's not a single person here. | 0:10:57 | 0:10:59 | |
They knew that we were under such a time deadline | 0:10:59 | 0:11:02 | |
that we just weren't gonna be able | 0:11:02 | 0:11:03 | |
'to get the shots done if we didn't have some models.' | 0:11:03 | 0:11:07 | |
-OK? -Yeah. Done. Good decision. | 0:11:10 | 0:11:13 | |
'I think I'm a pretty good-looking guy, so I don't think Mr Trump' | 0:11:13 | 0:11:17 | |
is gonna have an issue with me being the featured actor, | 0:11:17 | 0:11:20 | |
so to speak, in this advertisement. | 0:11:20 | 0:11:21 | |
So, we're having a little issue here. | 0:11:21 | 0:11:24 | |
'Right now, Brandy and I are gonna shoot the bedroom scene.' | 0:11:24 | 0:11:26 | |
We're gonna keep this pretty simplistic, | 0:11:26 | 0:11:28 | |
and we're gonna utilise the models in the other scenes. | 0:11:28 | 0:11:30 | |
-So I... -'The model has to be, uh,' | 0:11:30 | 0:11:33 | |
you know, the legs are gonna have to be really something. | 0:11:33 | 0:11:36 | |
-She has beautiful... -You know, stunning. | 0:11:36 | 0:11:38 | |
-I got to admit, I've never looked at Brandy's legs. -She has good legs. | 0:11:38 | 0:11:42 | |
'All right, I'm told that she has good legs.' I'm sure Steuart | 0:11:42 | 0:11:45 | |
had to have his arm twisted | 0:11:45 | 0:11:47 | |
halfway up his back to where he finally had to say, | 0:11:47 | 0:11:49 | |
"Oh, well. The models aren't here. I guess I'll be the model." | 0:11:49 | 0:11:52 | |
'There is a lot of risk for them to be models in their own ad campaign. | 0:11:52 | 0:11:55 | |
'That could come back to bite us.' | 0:11:55 | 0:11:57 | |
This is not how I wanted this to go. | 0:11:57 | 0:12:00 | |
INSTRUMENTAL MUSIC PLAYS | 0:12:00 | 0:12:02 | |
-Oh, here are some of our models. -Oh, our models. | 0:12:03 | 0:12:06 | |
-Hello. -'We were assigned' | 0:12:06 | 0:12:07 | |
12 models. And from those 12, we could pick 6 models. | 0:12:07 | 0:12:11 | |
You guys want to start, you know, | 0:12:11 | 0:12:12 | |
wearing some of these clothes, just seeing how they look? | 0:12:12 | 0:12:14 | |
But the actual first one through the door | 0:12:14 | 0:12:16 | |
had the look we were looking for. | 0:12:16 | 0:12:18 | |
I liked it. It was regal. It was youthful. | 0:12:18 | 0:12:21 | |
I think he's great. I think he's definitely... | 0:12:21 | 0:12:25 | |
I mean, I just imagine pulling his hair to the side. | 0:12:25 | 0:12:27 | |
-So do I. -Here, check him out. | 0:12:27 | 0:12:29 | |
SHE CHUCKLES I like him. | 0:12:29 | 0:12:31 | |
I mean, I don't even care who else comes in the door. | 0:12:31 | 0:12:33 | |
-This is definite. -So, you want him front page? | 0:12:33 | 0:12:35 | |
-I want front page. -All right. | 0:12:35 | 0:12:36 | |
-Oh, yeah. -Congratulations. You're gonna be on the front page. | 0:12:36 | 0:12:39 | |
-You just made front page. -Oh, nice. -'David had made a decision, | 0:12:39 | 0:12:41 | |
'when he saw that first model walk in the door,' | 0:12:41 | 0:12:44 | |
that this was gonna be the face of our advertorial. | 0:12:44 | 0:12:46 | |
-He's awesome. He's awesome. -Yeah, he's awesome. | 0:12:46 | 0:12:48 | |
'David seems to have some man-crush on this model, | 0:12:48 | 0:12:51 | |
'because he was all over this guy from the moment he walked in.' | 0:12:51 | 0:12:54 | |
I love your look. You're the star of my show. | 0:12:54 | 0:12:57 | |
-SUSPENSEFUL MUSIC PLAYS -Out of all the models, like, | 0:12:57 | 0:13:00 | |
not a single model's in the lobby. | 0:13:00 | 0:13:02 | |
Good thing you're cute, huh? | 0:13:02 | 0:13:03 | |
-Hey! How are you? -What's going on? How are you? | 0:13:03 | 0:13:05 | |
-Real good. -Is everything well? | 0:13:05 | 0:13:07 | |
Wow! Hey, look at this. | 0:13:07 | 0:13:08 | |
We don't have any models, so we're playing house. | 0:13:08 | 0:13:11 | |
Hey, you're both good-looking people, right? | 0:13:11 | 0:13:12 | |
'It's great to see Brandy take the initiative and be in the ad. | 0:13:12 | 0:13:15 | |
'The risk she ultimately faces is the fact that she's spending' | 0:13:15 | 0:13:18 | |
more time getting hair and make-up done | 0:13:18 | 0:13:20 | |
and less time actually making sure | 0:13:20 | 0:13:22 | |
that everybody else is doing their jobs. | 0:13:22 | 0:13:24 | |
We're gonna kind of get a little risque, | 0:13:24 | 0:13:26 | |
and he's gonna have his hand on her thigh | 0:13:26 | 0:13:27 | |
so that we can see the cuff link very clearly. | 0:13:27 | 0:13:29 | |
And then the next is, | 0:13:29 | 0:13:31 | |
they're gonna be waking up in a room together, | 0:13:31 | 0:13:33 | |
and she's gonna be wearing his shirt. | 0:13:33 | 0:13:35 | |
And that's what we're gonna shoot right now. | 0:13:35 | 0:13:37 | |
The one concern I really have is that it's too racy. | 0:13:37 | 0:13:40 | |
I think they have to think of the whole Trump Corporation, | 0:13:40 | 0:13:42 | |
as opposed to just what they're doing in this message. | 0:13:42 | 0:13:45 | |
If they really go over the edge, I think it might be too much. | 0:13:45 | 0:13:48 | |
Anthony, throw this on for me just real quick to see - | 0:13:50 | 0:13:53 | |
just so I can get an image with you. Ohh! How dapper can you be. | 0:13:53 | 0:13:57 | |
CAMERA SHUTTER CLICKING MAN: Eyes to me. | 0:13:57 | 0:13:59 | |
-That looks good! That looks really good. -It looks great. | 0:13:59 | 0:14:02 | |
'Thank god I have Stephanie on the team.' | 0:14:02 | 0:14:04 | |
Stephanie seemed to get my vision. | 0:14:04 | 0:14:06 | |
'I think it was clear for her.' | 0:14:06 | 0:14:08 | |
Anand, you have to see this. | 0:14:08 | 0:14:09 | |
'You know, it just felt really good' | 0:14:10 | 0:14:13 | |
to have that reassurance from a fellow teammate, | 0:14:13 | 0:14:14 | |
-'and Stephanie gave me that.' -Love it. | 0:14:14 | 0:14:17 | |
CAMERA SHUTTER CLICKING | 0:14:17 | 0:14:19 | |
God, he's good, though, isn't he? | 0:14:19 | 0:14:22 | |
SUSPENSEFUL MUSIC PLAYS | 0:14:22 | 0:14:24 | |
I think - I mean... | 0:14:27 | 0:14:30 | |
Is that a problem with any of these other guys? | 0:14:30 | 0:14:33 | |
What about this guy in the pink? | 0:14:33 | 0:14:36 | |
Much to my dismay, the shirt didn't even fit the model. | 0:14:36 | 0:14:39 | |
-But with a face like that, do you think I can lose? -Let's hope not. | 0:14:39 | 0:14:42 | |
We were working with several models | 0:14:42 | 0:14:44 | |
who did fit a lot of the shirts that we had. | 0:14:44 | 0:14:47 | |
But David just was so in love with this guy, | 0:14:47 | 0:14:49 | |
and thought that he was the perfect man for the cover, | 0:14:49 | 0:14:51 | |
that David didn't care, and he wouldn't listen to anybody. | 0:14:51 | 0:14:54 | |
A good-looking man. Like I said, if I didn't have all these kids, | 0:14:54 | 0:14:57 | |
you know, might go gay. SHE LAUGHS | 0:14:57 | 0:15:00 | |
UPBEAT MUSIC PLAYS | 0:15:02 | 0:15:05 | |
I can either be in a Trump shirt, like, | 0:15:07 | 0:15:10 | |
-looking through ties... -Yeah, you should be picking out your tie. | 0:15:10 | 0:15:14 | |
'Our concept is a day in the life of a Trump-type man.' | 0:15:14 | 0:15:18 | |
He wakes up with his woman, he goes to the boardroom, | 0:15:18 | 0:15:20 | |
then he goes to happy hour at night. | 0:15:20 | 0:15:21 | |
When I originally saw it in my mind, | 0:15:21 | 0:15:23 | |
I saw, like, a really tall skinny model. | 0:15:23 | 0:15:26 | |
I didn't see my stubby legs sticking out of the bottom. | 0:15:26 | 0:15:28 | |
But that's why, you know, | 0:15:28 | 0:15:30 | |
-maybe in the bed might be just more appropriate? -Yes. | 0:15:30 | 0:15:32 | |
'We didn't have any models when we needed to start shooting,' | 0:15:32 | 0:15:35 | |
so Steuart and I had to step in and act as the faux models | 0:15:35 | 0:15:38 | |
in order to get this task done. | 0:15:38 | 0:15:40 | |
'We look like people that others can relate with, | 0:15:40 | 0:15:43 | |
'and I do think it was the right decision.' | 0:15:43 | 0:15:45 | |
-MAN: -You're - you're flirting by not looking at him. | 0:15:45 | 0:15:48 | |
Everything just worked out really nice last night, | 0:15:48 | 0:15:50 | |
-whatever happened. -SHE CHUCKLES | 0:15:50 | 0:15:52 | |
'I am a really conservative person. | 0:15:52 | 0:15:54 | |
'And the photographer was trying to get me to make the sexy looks, | 0:15:54 | 0:15:57 | |
'and I just didn't think - I was, like, giggling.' | 0:15:57 | 0:16:00 | |
-MAN: -Looking over at your lover. | 0:16:00 | 0:16:01 | |
-Mm-hm. -CAMERA SHUTTER CLICKS | 0:16:01 | 0:16:03 | |
'I didn't even shave my legs. I was wearing granny panties.' | 0:16:03 | 0:16:06 | |
It was so embarrassing. | 0:16:06 | 0:16:07 | |
-MAN: -Get a little smirk, like, "Hmm, yeah, something nice, yeah." | 0:16:07 | 0:16:11 | |
MAN: Checking in? | 0:16:11 | 0:16:12 | |
Oh, perfect. We need that. Thank you. We're going to the 20th floor. | 0:16:12 | 0:16:15 | |
LIZA: 'Clint and I were out shopping,' | 0:16:15 | 0:16:17 | |
so I haven't actually been able to see the shoot going on. | 0:16:17 | 0:16:20 | |
-MAN: -Show me some teeth | 0:16:20 | 0:16:21 | |
-CAMERA SHUTTER CLICKS -There they are. Oh, yeah. Mm-hm. | 0:16:21 | 0:16:24 | |
LIZA: 'I don't know if the bedroom | 0:16:24 | 0:16:26 | |
'is really what Mr Trump is looking for, so I was like,' | 0:16:26 | 0:16:28 | |
"Oh, my god," you know? | 0:16:28 | 0:16:30 | |
'I did not like that.' CAMERA SHUTTER CLICKS | 0:16:30 | 0:16:32 | |
MID-TEMPO JAZZ PLAYS | 0:16:32 | 0:16:34 | |
Update, please. | 0:16:36 | 0:16:38 | |
David sent Anand and I to do some photography at Trump bar, | 0:16:38 | 0:16:41 | |
because we wanted to really integrate the Trump brand. | 0:16:41 | 0:16:44 | |
Now - what? You guys didn't order food? | 0:16:44 | 0:16:46 | |
-No. -We didn't have time. -We didn't have time. | 0:16:46 | 0:16:48 | |
'I tasked Anand and Poppy' | 0:16:48 | 0:16:51 | |
with the "simple" job of getting food for their models. | 0:16:51 | 0:16:55 | |
Five minutes. | 0:16:58 | 0:17:00 | |
I begged them, begged them, begged them to order lunch. | 0:17:01 | 0:17:03 | |
Begged them. | 0:17:03 | 0:17:05 | |
'Poppy and Anand said that they didn't find food,' | 0:17:05 | 0:17:07 | |
that they couldn't go to the food court. | 0:17:07 | 0:17:09 | |
Blah-blah blah, blah-blah. I don't care. Figure it out. | 0:17:09 | 0:17:11 | |
-DRAMATIC MUSIC PLAYS -Hello. | 0:17:11 | 0:17:13 | |
-Sorry, I'm on the phone, trying to get food for everyone. -No problem. | 0:17:13 | 0:17:16 | |
-How are you? -It's a late lunch. It's almost 5:00. -I know. | 0:17:16 | 0:17:19 | |
-We were - we were at Trump tower. -Mm-hm. | 0:17:19 | 0:17:21 | |
'It's past 5:00 right now,' | 0:17:21 | 0:17:23 | |
and they're still dealing with ordering lunch for the models. | 0:17:23 | 0:17:26 | |
If your models aren't happy, that could create a problem for them. | 0:17:26 | 0:17:29 | |
You guys were responsible for the models. | 0:17:29 | 0:17:31 | |
They're sitting around being like, "Where's my food?" | 0:17:31 | 0:17:34 | |
And it's just like - it's not working. | 0:17:34 | 0:17:37 | |
'David decided' | 0:17:37 | 0:17:39 | |
to completely harp on us about the lunches for the models. | 0:17:39 | 0:17:42 | |
-OK. -The food just showed up? -Yeah. Not so good. | 0:17:42 | 0:17:44 | |
So, what do you want us to do now? | 0:17:44 | 0:17:46 | |
-Entertain the models? -I want you to entertain the models. | 0:17:46 | 0:17:49 | |
I don't really know what bug went up his ass, | 0:17:49 | 0:17:51 | |
because it was awful, the way he was treating us. | 0:17:51 | 0:17:53 | |
Hey, Poppy, go back over there, please. | 0:17:53 | 0:17:56 | |
Anand can do that himself. | 0:17:56 | 0:17:58 | |
OK. | 0:17:58 | 0:17:59 | |
SUSPENSEFUL MUSIC PLAYS | 0:18:02 | 0:18:05 | |
-I like that one. -Her vodka's in the picture. That's a good one. | 0:18:06 | 0:18:10 | |
-That's not bad. -I like that a lot. | 0:18:10 | 0:18:11 | |
Yeah, I like that one. | 0:18:11 | 0:18:13 | |
'We have to start picking photos. And, you know, I really kind of' | 0:18:13 | 0:18:15 | |
felt like it's maybe a little too much. | 0:18:15 | 0:18:18 | |
'You know, the hand on the thigh and, you know, the bedroom scene.' | 0:18:18 | 0:18:21 | |
It was just more sex stuff than I would have done. | 0:18:21 | 0:18:24 | |
Yeah, we just got to pick. | 0:18:24 | 0:18:26 | |
I love it! We're gonna do | 0:18:28 | 0:18:30 | |
-models on the back, too? -Can I propose this to you? | 0:18:30 | 0:18:32 | |
Having the T come down and have just product, no people. | 0:18:32 | 0:18:36 | |
So it would be shirt, tie product, cuff-link product | 0:18:36 | 0:18:40 | |
-down in boxes. -OK. | 0:18:40 | 0:18:42 | |
We're making the back page in the shape of a T | 0:18:42 | 0:18:46 | |
to really get that trademark branding in there, | 0:18:46 | 0:18:48 | |
that it is Trump signature wear that we're selling. | 0:18:48 | 0:18:51 | |
I think that one is OK. I don't really like... | 0:18:51 | 0:18:53 | |
-This is not gonna work. We have the camera guy. -We can take him out. | 0:18:53 | 0:18:56 | |
DRAMATIC MUSIC PLAYS | 0:18:56 | 0:18:58 | |
You know, that - that was a - that was during the day or... | 0:18:58 | 0:19:02 | |
-All right, uh, hey. -Dude, I'm just tell... Listen. | 0:19:02 | 0:19:04 | |
Just hold on. I haven't seen these yet. | 0:19:04 | 0:19:06 | |
I'm telling you which ones were actually in the moment | 0:19:06 | 0:19:09 | |
and which ones we're actually giving them direction, all right? | 0:19:09 | 0:19:12 | |
Let me go through them and look at them myself | 0:19:12 | 0:19:14 | |
without any interpretation and see what I think, | 0:19:14 | 0:19:16 | |
and then you point out the ones you like. | 0:19:16 | 0:19:18 | |
'I was enjoying the pictures for the first time.' | 0:19:18 | 0:19:20 | |
I wanted to make my own decision of what I liked. | 0:19:20 | 0:19:23 | |
-Wait. So, why do you want to use this one? -I-I wasn't... | 0:19:23 | 0:19:26 | |
I didn't want someone over my shoulder saying, | 0:19:26 | 0:19:28 | |
"Oh, that one's great, that one's great!" | 0:19:28 | 0:19:30 | |
I want to find what's great for myself. | 0:19:30 | 0:19:32 | |
I've never seen these before. You were there. | 0:19:32 | 0:19:34 | |
I'm not pointing out anything I like. You're picking them. | 0:19:34 | 0:19:37 | |
Go over to the table, if you could. | 0:19:37 | 0:19:40 | |
-All right, man. -Just go. Thanks. -No problem. | 0:19:40 | 0:19:42 | |
-I'll drop you like a bleep sack of -BLEEP -if you touch me again. | 0:19:42 | 0:19:46 | |
-I hate that mother -BLEEP. -I'm so sorry. -I can tell. | 0:19:46 | 0:19:49 | |
-I hate him. He's a piece of -BLEEP! -OK... -Anyway, all right. | 0:19:49 | 0:19:52 | |
I tried to give him the input, being that I was there and he wasn't, | 0:19:52 | 0:19:56 | |
and he refused to listen, so, finally, I said, "You know what, | 0:19:56 | 0:19:58 | |
"you're the project manager. You can go burning in flames." | 0:19:58 | 0:20:00 | |
He's got to go. It's as simple as that. | 0:20:00 | 0:20:03 | |
I'm trying to get a job with Mr Trump and I can tell you one thing. | 0:20:03 | 0:20:06 | |
Mr Trump is not in the business of rehabbing a lost cause, | 0:20:06 | 0:20:09 | |
and that's what David is. | 0:20:09 | 0:20:11 | |
DRAMATIC MUSIC PLAYS | 0:20:14 | 0:20:16 | |
VEHICLES PASSING | 0:20:16 | 0:20:19 | |
HORN HONKS | 0:20:19 | 0:20:20 | |
-Want to try it again right from here? -Here, the consumer is | 0:20:20 | 0:20:23 | |
able to identify with Donald Trump the businessman. | 0:20:23 | 0:20:26 | |
'Today we're gonna be presenting to Mr Trump's brand executive' | 0:20:26 | 0:20:30 | |
and also an executive from Macy's. | 0:20:30 | 0:20:32 | |
'There's a lot of pressure here, because this is Mr Trump's baby.' | 0:20:32 | 0:20:35 | |
We got to hit our presentation right on the nose. | 0:20:35 | 0:20:39 | |
'We got to be right on the money.' | 0:20:39 | 0:20:41 | |
Let's go, team. | 0:20:41 | 0:20:43 | |
SUSPENSEFUL MUSIC PLAYS | 0:20:45 | 0:20:47 | |
Good morning, Ms Glosser and Mr Lundgren. | 0:20:47 | 0:20:51 | |
-LUNDGREN: Thank you. -Team Octane is proud | 0:20:51 | 0:20:53 | |
to present a four-page promotional advertising layout | 0:20:53 | 0:20:56 | |
for the Donald J Trump shirts, ties, and cuff links | 0:20:56 | 0:21:00 | |
sold exclusively at Macy's. | 0:21:00 | 0:21:01 | |
'The team agreed that I would be the one' | 0:21:01 | 0:21:03 | |
to do the presentation, because I had been | 0:21:03 | 0:21:06 | |
'singled out as a good speaker by Mr Trump in a previous task.' | 0:21:06 | 0:21:10 | |
But I was really nervous. I could hear my voice shaking a bit. | 0:21:10 | 0:21:15 | |
Here, a strong male figure is getting ready | 0:21:15 | 0:21:17 | |
to take on his busy day | 0:21:17 | 0:21:18 | |
while his wife or girlfriend lounges playfully in the bedroom | 0:21:18 | 0:21:22 | |
as if the two enjoyed a romantic evening on... | 0:21:22 | 0:21:24 | |
and a night on the town the evening before. | 0:21:24 | 0:21:27 | |
In the next shot, we see our alpha male again | 0:21:27 | 0:21:29 | |
with his buddies smartly dressed | 0:21:29 | 0:21:31 | |
in the Trump signature collection apparel and acc...accessories. | 0:21:31 | 0:21:34 | |
With his hand resting gently on her thigh, | 0:21:34 | 0:21:37 | |
we see a self-assured man who commands respect. | 0:21:37 | 0:21:40 | |
As she plays with his tie, | 0:21:40 | 0:21:41 | |
we also appreciate the great attention to detail | 0:21:41 | 0:21:44 | |
that is a hallmark of the Trump signature collection. | 0:21:44 | 0:21:47 | |
Thank you very much for your presentation. | 0:21:47 | 0:21:48 | |
Great. Thank you so much. | 0:21:48 | 0:21:50 | |
'I am the one to blame if we lose on this task. | 0:21:50 | 0:21:52 | |
'And I really want to stay in the game.' | 0:21:52 | 0:21:54 | |
I really love my team, and, hopefully, we succeeded. | 0:21:54 | 0:21:57 | |
MID-TEMPO JAZZ PLAYS | 0:21:57 | 0:21:59 | |
-Hello. -LUNDGREN: Hello. | 0:22:00 | 0:22:02 | |
-Hello. -Hi. -Thank you for having us. | 0:22:02 | 0:22:04 | |
I decided to go with a... | 0:22:04 | 0:22:07 | |
"Let the clothing speak for itself" theme. | 0:22:07 | 0:22:09 | |
So we decided to mute down the tone of our models | 0:22:09 | 0:22:12 | |
and bring out the clothing so that we could see | 0:22:12 | 0:22:15 | |
what is important to the businessman. | 0:22:15 | 0:22:17 | |
And it is clothing. | 0:22:17 | 0:22:19 | |
'I like to just go' | 0:22:19 | 0:22:21 | |
and let it all out without rehearsing. | 0:22:21 | 0:22:23 | |
'Think of what you want to say and just let it go.' | 0:22:23 | 0:22:26 | |
I wanted to make the feel of the '20s, if you will, | 0:22:26 | 0:22:30 | |
when the youth could change the shape of America. | 0:22:30 | 0:22:33 | |
'I am so proud of what I've created,' | 0:22:33 | 0:22:35 | |
I just wanted to show it off. | 0:22:35 | 0:22:37 | |
We also wanted to highlight, you know, the looks. | 0:22:37 | 0:22:40 | |
We shaped it kind of as the symbol of Mr Trump, with a T. | 0:22:40 | 0:22:44 | |
I just want to say, you know, in closing, | 0:22:44 | 0:22:46 | |
thank you for letting us work | 0:22:46 | 0:22:47 | |
with a great product and a great company like Macy's. | 0:22:47 | 0:22:50 | |
-Thank you. -Terrific. -Thank you very much. -Thanks. | 0:22:50 | 0:22:53 | |
Let's talk about Octane's presentation. | 0:22:55 | 0:22:57 | |
First of all, the brochure. | 0:22:57 | 0:22:59 | |
I thought the creativity here really demonstrated the points | 0:22:59 | 0:23:02 | |
-they were trying to make about the brand. -I was a little bit concerned. | 0:23:02 | 0:23:06 | |
I thought this first page of the ad, with the woman lying on the bed, | 0:23:06 | 0:23:09 | |
could be a little bit racy for the brand. | 0:23:09 | 0:23:11 | |
Right, and as a store that sells to families, | 0:23:11 | 0:23:14 | |
you know, I'm always concerned about that subject. | 0:23:14 | 0:23:16 | |
I think that Brandy was very articulate. | 0:23:16 | 0:23:19 | |
But, a few times, Brandy did refer to the line | 0:23:19 | 0:23:22 | |
as the Trump signature collection. | 0:23:22 | 0:23:24 | |
It is called the Donald J Trump signature collection. | 0:23:24 | 0:23:27 | |
So, let's talk about Fortitude. | 0:23:27 | 0:23:28 | |
-David's actual presentation was quite good. -Yes, very much so. | 0:23:28 | 0:23:31 | |
I actually like the way that they did the background | 0:23:31 | 0:23:34 | |
in black-and-white, | 0:23:34 | 0:23:36 | |
and it did make the product pop a little bit more. | 0:23:36 | 0:23:39 | |
Right, right. The colours really come through with that background. | 0:23:39 | 0:23:42 | |
But what bothers me, these models do not fit the clothes. | 0:23:42 | 0:23:45 | |
This guy's neck is too small for this shirt on the front page here. | 0:23:45 | 0:23:48 | |
I was interested in their T design. | 0:23:48 | 0:23:50 | |
However, I didn't love that their product shots were very small. | 0:23:50 | 0:23:54 | |
Too small. Details missing. So we've got a lot of pros and cons. | 0:23:54 | 0:23:58 | |
And now we're gonna have to make the final decision. | 0:23:58 | 0:24:01 | |
But they both did a great job, both teams, | 0:24:01 | 0:24:03 | |
and I think it's gonna be tough. | 0:24:03 | 0:24:05 | |
SUSPENSEFUL MUSIC PLAYS | 0:24:07 | 0:24:09 | |
TRUMP INHALES DEEPLY | 0:24:28 | 0:24:29 | |
Brandy, how were you as a project manager? | 0:24:29 | 0:24:31 | |
Do you feel you were, like, a winner? | 0:24:31 | 0:24:34 | |
I think that our pictorial layout is beautiful. | 0:24:34 | 0:24:37 | |
-And yet you were in the ad. -That was... | 0:24:37 | 0:24:39 | |
Do you think you look beautiful in the ad? | 0:24:39 | 0:24:41 | |
It was a little uncomfortable to get behind the camera... | 0:24:41 | 0:24:44 | |
You were also in front of the camera? | 0:24:44 | 0:24:46 | |
-That's true. -Didn't I see you in the Trump shirt? -You did, sir. | 0:24:46 | 0:24:50 | |
We really wanted to showcase the sexuality of the Trump brand | 0:24:50 | 0:24:53 | |
and put it in an eye-catching manner. | 0:24:53 | 0:24:56 | |
And by placing the shirt on a woman, we think we accomplished just that. | 0:24:56 | 0:24:59 | |
Liza, what do you think of Brandy? What did you think? | 0:24:59 | 0:25:02 | |
Brandy did an amazing job. I mean, I had no doubt, going into | 0:25:02 | 0:25:06 | |
this task that, when she was project manager, we'd have a good leader. | 0:25:06 | 0:25:09 | |
OK, good. | 0:25:09 | 0:25:11 | |
-So, Clint? -Yes, sir? -Did you miss David? | 0:25:11 | 0:25:15 | |
I think we got a great team, sir. I think we got a great team now. | 0:25:15 | 0:25:19 | |
A better team with or without David? | 0:25:19 | 0:25:22 | |
Uh, I think that these two ladies have brought | 0:25:22 | 0:25:24 | |
some amazing insight and some amazing tools to our team | 0:25:24 | 0:25:28 | |
that we grossly lacked. | 0:25:28 | 0:25:30 | |
And what about Steuart? I heard he was a model. | 0:25:30 | 0:25:32 | |
-CHUCKLES: He was a model. -Was he a good model? | 0:25:32 | 0:25:34 | |
Well, he, uh, embodied what I think is the...the Trump attribute. | 0:25:34 | 0:25:39 | |
-Yes, sir, I think he did a good job. -What is the Trump attribute? | 0:25:39 | 0:25:42 | |
That is, uh, wealth, power, and sexual prowess. | 0:25:42 | 0:25:47 | |
The last one is the most important above all. | 0:25:47 | 0:25:49 | |
LAUGHTER | 0:25:49 | 0:25:50 | |
-Without that, it doesn't matter. You do know that? -I understand that. | 0:25:50 | 0:25:53 | |
CHUCKLES | 0:25:53 | 0:25:55 | |
-OK, David, talk to me. -Sir. | 0:25:55 | 0:25:57 | |
-Talk to me, David. -I will talk to you, sir. | 0:25:57 | 0:25:59 | |
What are you liking about what you did? | 0:25:59 | 0:26:02 | |
I like everything about what we did. | 0:26:02 | 0:26:04 | |
I'm very proud of our end result. | 0:26:04 | 0:26:07 | |
Who is your...? Oh, I see you're wearing the ties. | 0:26:07 | 0:26:09 | |
-Yes, sir. -Let me just... Oh! | 0:26:09 | 0:26:10 | |
-Lookee. Lookee what we have. Poppy, that's very nice. -Thank you. | 0:26:10 | 0:26:15 | |
-Stephanie, very nice. -Thank you. I love it. | 0:26:15 | 0:26:17 | |
-Stephanie, what do you think of David? -Coming in, I was unsure, | 0:26:17 | 0:26:20 | |
just because of the history and what we've seen. | 0:26:20 | 0:26:22 | |
And I was a nervous, thinking, "Oh, this is gonna be a train wreck." | 0:26:22 | 0:26:25 | |
However, I must say, he is a definite personality. | 0:26:25 | 0:26:29 | |
-That's for sure. -He's eccentric. He's very dynamic. | 0:26:29 | 0:26:32 | |
But I really enjoyed meshing with the men, | 0:26:32 | 0:26:34 | |
because it brought new energy. | 0:26:34 | 0:26:36 | |
That's interesting. So, David, who was your weakest player? | 0:26:36 | 0:26:40 | |
SUSPENSEFUL MUSIC PLAYS | 0:26:40 | 0:26:42 | |
You know, this is a very tough question to answer, | 0:26:42 | 0:26:45 | |
because 90% of this task was mine. | 0:26:45 | 0:26:47 | |
I feel like I shouldered most of it. | 0:26:47 | 0:26:49 | |
So it's hard to say "weak." | 0:26:49 | 0:26:52 | |
I know, as far as limited involvement, | 0:26:52 | 0:26:55 | |
Poppy had the least involvement. | 0:26:55 | 0:26:57 | |
Was that because of you or because of Poppy? | 0:26:57 | 0:26:59 | |
SIGHS: There was some miscommunication. | 0:26:59 | 0:27:01 | |
I delegated a job to her and Anand. | 0:27:01 | 0:27:05 | |
And I hate to call her "Poppy the puppy", | 0:27:05 | 0:27:08 | |
but it just seemed like she would follow Anand around | 0:27:08 | 0:27:12 | |
on the task I gave them together. | 0:27:12 | 0:27:13 | |
Poppy, how do you respond to that? | 0:27:13 | 0:27:15 | |
I was actually, um, talked to and spoken to | 0:27:15 | 0:27:19 | |
-in a very demeaning way. -By who? | 0:27:19 | 0:27:21 | |
-Project manager. -By David? -Yes. -I see. | 0:27:21 | 0:27:24 | |
How did he speak to you? | 0:27:24 | 0:27:26 | |
When Anand and I were working on the final page of the presentation, | 0:27:26 | 0:27:30 | |
which, I might add, was entirely my creation, he came up to me, | 0:27:30 | 0:27:34 | |
because the food for the models wasn't there yet. | 0:27:34 | 0:27:37 | |
And he came up to me and said, "Stop messing with the ties. | 0:27:37 | 0:27:41 | |
-"Your job is to entertain the models." -Correct. | 0:27:41 | 0:27:45 | |
-What do you mean? Who gives a -BLEEP -about the models? | 0:27:45 | 0:27:48 | |
-Thank you. -They're getting paid to be models. | 0:27:48 | 0:27:50 | |
-You don't have to entertain models. -It wasn't just to entertain. | 0:27:50 | 0:27:53 | |
I tasked Anand and Poppy with the job | 0:27:53 | 0:27:56 | |
of dressing the models, feeding the models, | 0:27:56 | 0:27:59 | |
taking them from place to place. | 0:27:59 | 0:28:01 | |
None of it was done by Poppy. | 0:28:01 | 0:28:03 | |
I picked the models myself. She did not. | 0:28:03 | 0:28:05 | |
-I did not task her with doing... -That's not true. -Anand? | 0:28:05 | 0:28:09 | |
-Yes, sir? -I picked five of the six models. -Hold it, hold it, hold it. | 0:28:09 | 0:28:11 | |
-That's not true. -What is true, Anand? | 0:28:11 | 0:28:14 | |
Well, David's making the claim that he picked all of the models. | 0:28:14 | 0:28:17 | |
He picked one model in particular, | 0:28:17 | 0:28:19 | |
and it was very, like, homoerotic what I saw. | 0:28:19 | 0:28:21 | |
I picked five out of six. | 0:28:21 | 0:28:23 | |
-It was very surprising, to be honest with you. -What does that mean? | 0:28:23 | 0:28:26 | |
The moment he saw this one model, | 0:28:26 | 0:28:28 | |
who's the cover of our... of our advertisement, | 0:28:28 | 0:28:31 | |
David just had this ridiculous man-crush on this guy | 0:28:31 | 0:28:35 | |
and was just all goo-goo-gaga over this guy. | 0:28:35 | 0:28:39 | |
-It was very odd. It was very odd. -David, are you gay? | 0:28:39 | 0:28:41 | |
Not at all, sir. Not... LAUGHTER | 0:28:41 | 0:28:44 | |
I wasn't insinuating that. I just thought it was very odd. | 0:28:44 | 0:28:46 | |
-Oh, god! -I think you might have been! | 0:28:46 | 0:28:48 | |
-But the guy has five kids. I don't know. -It happens. | 0:28:48 | 0:28:51 | |
You never know. And who cares, right, David? | 0:28:51 | 0:28:53 | |
I know guys who were married for 20 years that left with a guy. | 0:28:53 | 0:28:56 | |
I mean, they liked a guy, so, you know. | 0:28:56 | 0:28:58 | |
-Right, David? But that's not you? -That's not me, sir, at all. | 0:28:58 | 0:29:01 | |
Are you sure you don't want to come out? | 0:29:01 | 0:29:02 | |
I am 100% sure I am not coming out. | 0:29:02 | 0:29:06 | |
LAUGHTER | 0:29:06 | 0:29:07 | |
But, Anand, you're not saying David's gay, are you? | 0:29:07 | 0:29:09 | |
Not that there's anything wrong with that, Mr Trump. | 0:29:09 | 0:29:12 | |
-LAUGHTER -You know? | 0:29:12 | 0:29:13 | |
No, no. I think it's fine. | 0:29:13 | 0:29:14 | |
LAUGHTER FADES CHUCKLING: I mean, what do I say? | 0:29:14 | 0:29:18 | |
I mean, I'm not gay, damn it! | 0:29:18 | 0:29:19 | |
The model... the model was fantastic. | 0:29:19 | 0:29:21 | |
-If you look at his picture... -David, David. -..he's the man. | 0:29:21 | 0:29:24 | |
-That sounds pretty gay. -Maybe you were trying it out. | 0:29:24 | 0:29:27 | |
DAVID LAUGHS | 0:29:27 | 0:29:29 | |
OK. | 0:29:29 | 0:29:31 | |
I'd like to see the two ads. Please show them the ad. | 0:29:31 | 0:29:35 | |
Swap them. | 0:29:35 | 0:29:36 | |
SUSPENSEFUL MUSIC PLAYS | 0:29:36 | 0:29:39 | |
-Done. -This doesn't look like up-and-coming professionals. | 0:29:42 | 0:29:46 | |
-All right. -This is over. | 0:29:46 | 0:29:47 | |
DAVID GRIMACES I do not like that at all. | 0:29:47 | 0:29:50 | |
I can't do that. | 0:29:50 | 0:29:51 | |
We talked about that, and we said no. | 0:29:51 | 0:29:53 | |
Poppy, which ad do you like better? | 0:29:53 | 0:29:56 | |
I like the product placement of the Trump vodka | 0:29:56 | 0:29:59 | |
-and other Trump items in the Octane ad. -Yeah. | 0:29:59 | 0:30:03 | |
However...the one thing that sets our ad apart is our actual - | 0:30:03 | 0:30:08 | |
the colouring and the last page, that we have everything featured. | 0:30:08 | 0:30:13 | |
-Right. Product information. -And explicitly featured. -Mm-hm. | 0:30:13 | 0:30:16 | |
-And I think that is very important. -OK. | 0:30:16 | 0:30:19 | |
Clint, how do you feel about their ad? | 0:30:19 | 0:30:21 | |
It leaves me wanting, compared to our ad. | 0:30:21 | 0:30:23 | |
I think our ad hits all the points, | 0:30:23 | 0:30:26 | |
many more points than their ad hits. | 0:30:26 | 0:30:28 | |
Do you mind the fact that the shirt's | 0:30:28 | 0:30:30 | |
about nine sizes too big for the model that David's so in love with? | 0:30:30 | 0:30:33 | |
-It looks... -That's something I don't like there. | 0:30:33 | 0:30:36 | |
I mean, the model - I know you think he's great, | 0:30:36 | 0:30:39 | |
but he's obviously got a very small neck. | 0:30:39 | 0:30:41 | |
Did you have a shirt that fit? | 0:30:41 | 0:30:43 | |
I mean, we make them in all different sizes. | 0:30:43 | 0:30:45 | |
So why did you pick a shirt that's about, I would say, | 0:30:45 | 0:30:49 | |
-two or three sizes too big for the model? -I'll answer that. | 0:30:49 | 0:30:53 | |
Go ahead. | 0:30:53 | 0:30:54 | |
If Anand and I were permitted a little bit more jurisdiction | 0:30:54 | 0:30:58 | |
in the task that we were assigned, | 0:30:58 | 0:31:00 | |
we wouldn't have taken models with such small necks. | 0:31:00 | 0:31:02 | |
But, Poppy, did you ever actually protest the model to David? | 0:31:02 | 0:31:05 | |
-Um, actually, yes, I did. -She did, she did. | 0:31:05 | 0:31:07 | |
-SUSPENSEFUL MUSIC PLAYS -OK. | 0:31:07 | 0:31:09 | |
Just out of curiosity, Brandy, | 0:31:09 | 0:31:12 | |
you know, it seems to me that you've been very prudish. | 0:31:12 | 0:31:15 | |
You know, you don't like the outward-sex thing and all that, | 0:31:15 | 0:31:18 | |
although you're beautiful. How did you feel doing that ad? | 0:31:18 | 0:31:21 | |
A little risque, isn't it? | 0:31:21 | 0:31:24 | |
We didn't have any models arrive at the Trump SOHO. | 0:31:24 | 0:31:27 | |
And if I had not made the decision | 0:31:27 | 0:31:29 | |
for Steuart and I to be in the photo, | 0:31:29 | 0:31:31 | |
then we wouldn't have made our deadline. | 0:31:31 | 0:31:33 | |
So I think it was 100% the right choice. | 0:31:33 | 0:31:34 | |
Are you having an affair with Steuart? | 0:31:34 | 0:31:36 | |
-CHUCKLES: No, sir. -Would you like to? | 0:31:36 | 0:31:38 | |
No, I would not, sir. I like older men, sir. | 0:31:38 | 0:31:40 | |
Oh. Oh. | 0:31:40 | 0:31:42 | |
That was a very smart... | 0:31:42 | 0:31:44 | |
You're hired! LAUGHTER | 0:31:44 | 0:31:46 | |
Brandy, you can head back to the suite(!) | 0:31:46 | 0:31:48 | |
LAUGHTER | 0:31:48 | 0:31:50 | |
Anyway... | 0:31:50 | 0:31:51 | |
OK. | 0:31:51 | 0:31:53 | |
Let's find out who won. | 0:31:53 | 0:31:55 | |
-All right? -Yes, sir. | 0:31:55 | 0:31:57 | |
SUSPENSEFUL MUSIC PLAYS | 0:31:57 | 0:31:58 | |
You think you won, David, right? | 0:31:58 | 0:32:00 | |
I have a lot riding on winning, so... | 0:32:00 | 0:32:02 | |
Well, do you think you won? | 0:32:02 | 0:32:04 | |
I still do. | 0:32:04 | 0:32:06 | |
Well, you didn't. | 0:32:09 | 0:32:11 | |
-Terry preferred Brandy's team. -Good job, Brandy. | 0:32:11 | 0:32:15 | |
And, frankly... He's going to use the ad in a major Macy's campaign. | 0:32:15 | 0:32:19 | |
-Oh! -Oh, my god! -Awesome. -He thought it was great work. | 0:32:19 | 0:32:22 | |
He thought it was imaginative. He thought it was beautiful. | 0:32:22 | 0:32:25 | |
And he really felt very strongly, | 0:32:25 | 0:32:28 | |
and there's nobody like Terry Lundgren. | 0:32:28 | 0:32:30 | |
So I want to congratulate you, Brandy, and your team. | 0:32:30 | 0:32:32 | |
-Thank you, sir. -And as your award - and I think it's fantastic, | 0:32:32 | 0:32:35 | |
because he is the king - you're going to meet with Terry Lundgren... | 0:32:35 | 0:32:39 | |
-Oh, wow. -That's too wonderful. | 0:32:39 | 0:32:40 | |
..head of Macy's, and spend some time with him. | 0:32:40 | 0:32:42 | |
And if you learn just a little bit of what he knows, | 0:32:42 | 0:32:45 | |
you're gonna be very successful. | 0:32:45 | 0:32:46 | |
-Thank you so much, sir. -OK? Congratulations. | 0:32:46 | 0:32:48 | |
Go back to your suite. You can watch on television if you like. | 0:32:48 | 0:32:51 | |
ALL: Thank you. | 0:32:51 | 0:32:52 | |
-Good job. -Thank you, Don. -Thank you. -Good job, guys. | 0:32:52 | 0:32:56 | |
BRANDY SHRIEKS | 0:32:56 | 0:32:58 | |
-It's a new team. -I can't believe it. | 0:32:58 | 0:33:00 | |
The rest of you, stay here. Somebody will be fired. | 0:33:00 | 0:33:03 | |
David, that's very disappointing. | 0:33:11 | 0:33:14 | |
I thought your ad was very disappointing. | 0:33:14 | 0:33:16 | |
I thought your choice of the model was disappointing, | 0:33:16 | 0:33:19 | |
not because he's a bad-looking guy - he's a great-looking guy - | 0:33:19 | 0:33:21 | |
but I thought the worst thing in the whole deal | 0:33:21 | 0:33:24 | |
was the size of the shirt | 0:33:24 | 0:33:26 | |
not fitting properly around the neck. | 0:33:26 | 0:33:28 | |
What do you say? | 0:33:30 | 0:33:31 | |
When you create something and run it cradle to grave... | 0:33:31 | 0:33:35 | |
and you take ownership and you stand by something, | 0:33:35 | 0:33:38 | |
I have to absorb all the criticism as it is, | 0:33:38 | 0:33:42 | |
and it's all mine. | 0:33:42 | 0:33:44 | |
Poppy, did you want to choose a different model, right? | 0:33:44 | 0:33:48 | |
-Yes. -Why didn't you? | 0:33:48 | 0:33:50 | |
David was extremely firm, | 0:33:50 | 0:33:51 | |
and it was more like a dictatorship, | 0:33:51 | 0:33:54 | |
-rather than a leadership. -But that's OK, cos he's the project manager. | 0:33:54 | 0:33:58 | |
But sometimes, David, you have to listen to people. | 0:33:58 | 0:34:00 | |
Never was there a suggestion to me of, "let's use this." | 0:34:00 | 0:34:04 | |
I even had backup from Stephanie, saying, "Oh, yeah, he's our guy." | 0:34:04 | 0:34:08 | |
-STEUART: -"Never was there a suggestion." -CLINT: Oh, no! | 0:34:08 | 0:34:11 | |
-Don't go down that road, virus! -CLINT LAUGHS | 0:34:11 | 0:34:13 | |
Maybe he can get Stephanie to lie in this boardroom. | 0:34:13 | 0:34:15 | |
LAUGHTER | 0:34:15 | 0:34:17 | |
I did like that model, because he was the tall... | 0:34:17 | 0:34:19 | |
he was the biggest, the tallest. | 0:34:19 | 0:34:21 | |
He was like 6'2". he was very big. | 0:34:21 | 0:34:23 | |
But in the shirt ad, like, you don't really see the tallness. | 0:34:23 | 0:34:26 | |
Right, but I didn't... I thought a guy that big will fit in the shirts. | 0:34:26 | 0:34:29 | |
I mean, he seemed like a big guy. | 0:34:29 | 0:34:31 | |
Poppy, you were very proud of the last page, | 0:34:31 | 0:34:34 | |
with the small pictures and the tie, | 0:34:34 | 0:34:36 | |
and yet that's what Terry liked the least. | 0:34:36 | 0:34:39 | |
Mm-hm. | 0:34:39 | 0:34:40 | |
Why shouldn't I fire you? | 0:34:40 | 0:34:42 | |
What I was proud about was the fact | 0:34:42 | 0:34:43 | |
that we discussed the product and what it is about. | 0:34:43 | 0:34:46 | |
The photos that Anand and I took | 0:34:46 | 0:34:48 | |
had a lot more product placement in them, | 0:34:48 | 0:34:50 | |
and David chose to not even consult anyone. | 0:34:50 | 0:34:52 | |
I didn't cho... I didn't choose any product photos at all. | 0:34:52 | 0:34:55 | |
It was your task. You did the back page solely. | 0:34:55 | 0:34:58 | |
You picked the photos of the cuff links... | 0:34:58 | 0:35:00 | |
Stephanie, is that right? Hold it. Is that right or not? | 0:35:00 | 0:35:02 | |
The back page was the products page that they provided, yes. | 0:35:02 | 0:35:06 | |
-It was for the product. -So, could you see me firing Poppy? | 0:35:06 | 0:35:10 | |
SUSPENSEFUL MUSIC PLAYS | 0:35:10 | 0:35:11 | |
Not in this case, sir, unfortunately, no. | 0:35:11 | 0:35:15 | |
I think that it's...it's sad, but I think David had a great vision, | 0:35:15 | 0:35:19 | |
but this was really his vision, and he made the decisions. | 0:35:19 | 0:35:23 | |
But what do you mean, "unfortunately," | 0:35:23 | 0:35:26 | |
I shouldn't fire Poppy? You said that before. | 0:35:26 | 0:35:28 | |
Well, I said, unfortunate for David. | 0:35:28 | 0:35:30 | |
Right. What do you mean by that? | 0:35:30 | 0:35:32 | |
Well, this was all his. | 0:35:32 | 0:35:33 | |
-It was 90% his, as he stated, so he made all the decisions. -I see. | 0:35:33 | 0:35:37 | |
So you're saying the word "unfortunately" related to David. | 0:35:37 | 0:35:40 | |
-To David. Yeah. -OK. I get it. | 0:35:40 | 0:35:41 | |
-Yes. -Anand, should I fire Poppy? | 0:35:41 | 0:35:44 | |
Absolutely not, sir. | 0:35:44 | 0:35:45 | |
You know, David put Poppy and I in charge of doing the photo shoot. | 0:35:45 | 0:35:50 | |
He gave us a vision, and we hit a home run with it. | 0:35:50 | 0:35:53 | |
He wanted us to actually shoot a scene at the Trump bar, | 0:35:53 | 0:35:57 | |
utilising every single one of our models, | 0:35:57 | 0:35:59 | |
showing a variety of ties, shirts, cuff links. | 0:35:59 | 0:36:01 | |
-That was David? -That was David. -But isn't that a good concept? | 0:36:01 | 0:36:04 | |
It's a great concept. | 0:36:04 | 0:36:05 | |
But where David screwed up was, when we came back | 0:36:05 | 0:36:08 | |
and we were very excited about the photographs that we had taken, | 0:36:08 | 0:36:11 | |
I sat David down and I said, "David, come check this out. | 0:36:11 | 0:36:14 | |
"We've got some great photos." David shunned me away. | 0:36:14 | 0:36:16 | |
-He did not want my input... -I did. | 0:36:16 | 0:36:18 | |
-Why did you shun him away? -Very simple. | 0:36:18 | 0:36:20 | |
-Why? -I wanted a fresh look at all the photos. | 0:36:20 | 0:36:23 | |
We should be able to give input. This is a team effort. | 0:36:23 | 0:36:25 | |
-Do you agree that...? -You picked a photograph that didn't show... -No. | 0:36:25 | 0:36:28 | |
It only showed two models. | 0:36:28 | 0:36:30 | |
-It showed three. -Two similar- coloured ties. -Three models. | 0:36:30 | 0:36:33 | |
-And one of them was a woman. -It adds to the mood, and it sets... | 0:36:33 | 0:36:36 | |
Were there any comments on the middle page? | 0:36:36 | 0:36:38 | |
You picked a photograph that didn't show any of the Trump vodka, any... | 0:36:38 | 0:36:42 | |
I'm not selling Trump vodka. I'm selling shirts, ties. | 0:36:42 | 0:36:44 | |
But one of the concepts that we were being graded on | 0:36:44 | 0:36:47 | |
was brand integration, and you picked the one photo | 0:36:47 | 0:36:50 | |
that didn't have any brand integration at all. | 0:36:50 | 0:36:52 | |
Also, the page on the back, | 0:36:52 | 0:36:54 | |
we actually needed to put all the models in there | 0:36:54 | 0:36:58 | |
and as much product as possible, because we were, at that point, | 0:36:58 | 0:37:01 | |
only showing three shirts with the first three pages. | 0:37:01 | 0:37:04 | |
-Poppy, but the pictures were this big. -Agreed, agreed... | 0:37:04 | 0:37:07 | |
-You couldn't even see product in them, they were so small. -I agree. | 0:37:07 | 0:37:10 | |
-That is something that... -But that was your decision. | 0:37:10 | 0:37:14 | |
All right. David, I want you to let one person go. | 0:37:14 | 0:37:17 | |
So, tell me, who is the person | 0:37:17 | 0:37:19 | |
that least deserves to be fired on your team? | 0:37:19 | 0:37:22 | |
SUSPENSEFUL MUSIC PLAYS | 0:37:22 | 0:37:24 | |
Uh, uh, Anand. | 0:37:27 | 0:37:29 | |
-Anand? Oh. -Yes. | 0:37:29 | 0:37:30 | |
-So, you're going to keep Stephanie instead of Anand? -I am. Yes. | 0:37:30 | 0:37:34 | |
-Interesting, Stephanie, isn't it? -Mm-hm. | 0:37:34 | 0:37:36 | |
It's not for any other reason than we collaborated together, | 0:37:36 | 0:37:40 | |
and we were kind of in agreeance with this through the whole thing. | 0:37:40 | 0:37:43 | |
I got a lot of support from Stephanie. And when I have | 0:37:43 | 0:37:46 | |
a wingman who gives me their, "You got it, this is great," | 0:37:46 | 0:37:50 | |
and I hear, "You should fire David, not Poppy," | 0:37:50 | 0:37:52 | |
when Poppy did nothing, it's ridiculous. | 0:37:52 | 0:37:56 | |
-All right. Anand, go back to the suite. -Thank you, Mr Trump. | 0:37:58 | 0:38:01 | |
Excuse me. | 0:38:01 | 0:38:03 | |
-Stephanie, sit down next to Poppy, please. -Good luck, guys. | 0:38:03 | 0:38:07 | |
Thank you. | 0:38:07 | 0:38:09 | |
Stephanie, can the case be made that I should fire you? | 0:38:11 | 0:38:13 | |
No, I don't believe so, sir. | 0:38:13 | 0:38:16 | |
Can that case be made, Poppy? Should I fire Stephanie? | 0:38:16 | 0:38:20 | |
SUSPENSEFUL MUSIC PLAYS | 0:38:20 | 0:38:21 | |
I honestly believe that David is the person to be fired, sir. | 0:38:21 | 0:38:25 | |
You know, David, as a project manager, | 0:38:25 | 0:38:28 | |
-you're taking a big risk. -Yes, sir. | 0:38:28 | 0:38:30 | |
-Because if you look at the great history of The Apprentice... -Mm-hm. | 0:38:30 | 0:38:33 | |
..a project manager just... It's tough. | 0:38:33 | 0:38:35 | |
-Yes, sir. -If you lose, the chances are you're not | 0:38:35 | 0:38:38 | |
gonna do as well as everybody else, and you understand that. | 0:38:38 | 0:38:42 | |
You know, I guess, if my first three pages | 0:38:42 | 0:38:44 | |
were good enough to maybe squeak by, | 0:38:44 | 0:38:47 | |
and the killer was the last page - I had no creative input at all. | 0:38:47 | 0:38:51 | |
-I let them run with it. -But you know as project manager... | 0:38:51 | 0:38:54 | |
-I do, sir. -..if you didn't love the last page, | 0:38:54 | 0:38:56 | |
you could've said, "Let's make the pictures bigger. | 0:38:56 | 0:38:58 | |
"Let's make something else." | 0:38:58 | 0:39:00 | |
-You could've done other things. -That I could, sir. | 0:39:00 | 0:39:02 | |
We also had other photos that were magnificent | 0:39:02 | 0:39:05 | |
that Anand and I had taken and those could have been taken in place. | 0:39:05 | 0:39:10 | |
-Are you talking product photos or people photos? -People photos. | 0:39:10 | 0:39:13 | |
You were very adamant, and everyone agreed, | 0:39:13 | 0:39:14 | |
that product needed to be put on the back. | 0:39:14 | 0:39:16 | |
-But she can't be adamant, cos you're the boss. -Agreed. | 0:39:16 | 0:39:19 | |
-Are you the boss? -I am the boss. | 0:39:19 | 0:39:20 | |
David, you're fired. | 0:39:20 | 0:39:22 | |
-Can I say something? -Yes. -It has been a pleasure. | 0:39:27 | 0:39:30 | |
I appreciate, you know, from all of you, the time of my life. | 0:39:30 | 0:39:32 | |
-So, Mr Trump, sir, thank you very much. -Thank you, David. | 0:39:32 | 0:39:35 | |
-Good job. -Mr Trump, thank you very much. | 0:39:35 | 0:39:37 | |
You've done yourself proud. Now get the hell out of here. | 0:39:37 | 0:39:39 | |
-Thank you, David. Pleasure working with you. -Thank you, as well. | 0:39:39 | 0:39:42 | |
DRAMATIC MUSIC PLAYS | 0:39:42 | 0:39:44 | |
-Hey, goodbye. -You did great, OK? -So did you. | 0:39:53 | 0:39:57 | |
-You're a gentleman, David. -Thank you, guys. Good luck. -Thank you. | 0:39:57 | 0:40:00 | |
-Hello, sir. -How's it going? | 0:40:02 | 0:40:04 | |
It's been better. I'll just say that. | 0:40:04 | 0:40:07 | |
Down, please. | 0:40:07 | 0:40:09 | |
Well, the risk goes with being project manager. We had no choice. | 0:40:09 | 0:40:14 | |
DRAMATIC MUSIC PLAYS | 0:40:14 | 0:40:16 | |
TRIUMPHANT MUSIC PLAYS | 0:40:31 | 0:40:33 | |
You know, based on the circumstance, | 0:40:45 | 0:40:49 | |
I don't think Mr Trump had any other option than to fire me. | 0:40:49 | 0:40:52 | |
I was project manager. I took ownership of it. | 0:40:52 | 0:40:55 | |
There's a few things I could have done different. | 0:40:55 | 0:40:57 | |
And looking back, I can't change anything about it. | 0:40:57 | 0:41:01 | |
Woulda, shoulda, couldas. And, you know, I didn't. | 0:41:01 | 0:41:04 | |
Rockport presents Next Steps. | 0:41:07 | 0:41:09 | |
Now that The Apprentice is over, I have focus. | 0:41:09 | 0:41:11 | |
I've started my own company. I control my own destiny. | 0:41:11 | 0:41:15 | |
You know, Donald Trump is a great businessman, | 0:41:15 | 0:41:17 | |
and he does it, and he's built himself to what he is today. | 0:41:17 | 0:41:21 | |
So, you know, I figure, it's my turn. | 0:41:21 | 0:41:23 |