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You haven't used any of your skills, | 0:00:02 | 0:00:04 | |
any of the things that you claim that you're experts in. | 0:00:04 | 0:00:06 | |
A disgusting result. I don't want to hear anything more from you. | 0:00:06 | 0:00:09 | |
You're fired. | 0:00:09 | 0:00:10 | |
You're fired. | 0:00:10 | 0:00:12 | |
You're fired. | 0:00:12 | 0:00:13 | |
APPLAUSE | 0:00:13 | 0:00:14 | |
CHEERING AND APPLAUSE | 0:00:17 | 0:00:19 | |
Thank you very much. Thank you. | 0:00:21 | 0:00:23 | |
Thank you. Good evening. | 0:00:26 | 0:00:27 | |
I'm Jack Dee, welcome to The Apprentice - You're Fired. | 0:00:27 | 0:00:30 | |
Tonight's task was all about dictionaries. | 0:00:30 | 0:00:33 | |
No, statues. | 0:00:33 | 0:00:34 | |
Behind you is the house of Dr Samuel Johnson, | 0:00:34 | 0:00:38 | |
where the most famous dictionary in the English language was written | 0:00:38 | 0:00:42 | |
and it's commemorated by this statue. | 0:00:42 | 0:00:45 | |
Sitting on top is Dr Johnson's beloved cat, Hodge. | 0:00:45 | 0:00:49 | |
Oh, yeah, that's it. Dictionaries for cats. | 0:00:49 | 0:00:52 | |
Is it? No, wait. | 0:00:52 | 0:00:55 | |
People will stop at nothing to pamper their pets, | 0:00:55 | 0:00:58 | |
and the pet market is worth a massive ?4.6 billion per year. | 0:00:58 | 0:01:03 | |
Now I want you to get a piece of that action, | 0:01:03 | 0:01:05 | |
so I'm sending you to the London pet show. | 0:01:05 | 0:01:08 | |
Oh, yeah, that all makes perfect sense. | 0:01:08 | 0:01:10 | |
And Lord Sugar let us in on one of his secrets of business success. | 0:01:10 | 0:01:15 | |
Bottom line, yeah, you've got no money. Sod off. | 0:01:15 | 0:01:18 | |
OK. | 0:01:18 | 0:01:19 | |
Well, you don't actually say "sod off" to them, | 0:01:19 | 0:01:21 | |
but in your mind, you do. | 0:01:21 | 0:01:22 | |
Yeah. I tried that on my kids. It didn't work. | 0:01:22 | 0:01:25 | |
Joining me to discuss tonight's task are three top pedigree guests. | 0:01:25 | 0:01:29 | |
Entrepreneur and inventor | 0:01:29 | 0:01:31 | |
of award-winning pet product Natalie Ellis. | 0:01:31 | 0:01:33 | |
Comedian, writer and self-confessed cat lady Susan Calman. | 0:01:33 | 0:01:36 | |
And remember, you don't actually say "sod off", you just think it. | 0:01:36 | 0:01:39 | |
It's Romesh Ranganathan. Welcome to You're Fired. | 0:01:39 | 0:01:41 | |
APPLAUSE | 0:01:41 | 0:01:43 | |
In tonight's task, one candidate showed dogged determination, | 0:01:47 | 0:01:51 | |
but her performance turned out to be PAW. | 0:01:51 | 0:01:55 | |
GROANING | 0:01:55 | 0:01:56 | |
I know I claimed to be good at puns, | 0:01:56 | 0:01:58 | |
but on this occasion, I accept that I have let myself down. | 0:01:58 | 0:02:01 | |
Let's have a look. | 0:02:01 | 0:02:03 | |
Ruth, I don't dispute your enthusiasm. | 0:02:03 | 0:02:08 | |
But you claim to be a salesperson, | 0:02:08 | 0:02:11 | |
you came to train people how to sell. | 0:02:11 | 0:02:14 | |
Here we are in a sales task and you failed miserably. | 0:02:14 | 0:02:18 | |
So, Ruth, you're fired. | 0:02:18 | 0:02:20 | |
Thank you. | 0:02:20 | 0:02:22 | |
Ladies and gentlemen, please welcome Ruth Whiteley. | 0:02:27 | 0:02:30 | |
CHEERING AND APPLAUSE | 0:02:30 | 0:02:32 | |
Oh. | 0:02:40 | 0:02:41 | |
Welcome. Welcome to You're Fired. | 0:02:43 | 0:02:45 | |
Thank you. Oh, I see you've put a pet tie on for me. | 0:02:45 | 0:02:48 | |
Yes, I have. It's a dog, it's themed. It's pet-themed. | 0:02:48 | 0:02:51 | |
I try to do a themed tie every night. Fabulous. | 0:02:51 | 0:02:53 | |
The ideas are running thin, but we're getting there. | 0:02:53 | 0:02:56 | |
You look amazing, by the way. Well, I'm trying. | 0:02:56 | 0:02:58 | |
Put the immersion on last week, got myself ready. | 0:02:58 | 0:03:01 | |
Here we are, great stuff. | 0:03:01 | 0:03:03 | |
So that look that you gave at the end, | 0:03:03 | 0:03:05 | |
what was going on in your head then? | 0:03:05 | 0:03:07 | |
Eh, I was just traumatised. | 0:03:07 | 0:03:09 | |
You were traumatised, I could see. | 0:03:09 | 0:03:10 | |
Yes, I was just going through trauma. | 0:03:10 | 0:03:12 | |
The colour just drained from your jacket, didn't it? | 0:03:12 | 0:03:15 | |
LAUGHTER | 0:03:15 | 0:03:17 | |
I wanted to say, "I think you've got it wrong", | 0:03:17 | 0:03:20 | |
but who am I to say that to Lord Sugar? | 0:03:20 | 0:03:23 | |
So I just thought, "Say nothing, leave with some dignity | 0:03:23 | 0:03:27 | |
"and give them a hug and get yourself home", | 0:03:27 | 0:03:31 | |
well, get yourself here. | 0:03:31 | 0:03:32 | |
Yeah, and here you are. It's great to have you. | 0:03:32 | 0:03:35 | |
Because, you know, usually it's a combination of things | 0:03:35 | 0:03:39 | |
that leads to a candidate being told to pack their bags and go, | 0:03:39 | 0:03:43 | |
but for you, really, it all boiled down to the S-word, didn't it? | 0:03:43 | 0:03:46 | |
Let's have a look at this, see what went wrong. | 0:03:46 | 0:03:49 | |
I do know how to stop people and how to get people to interact. | 0:03:49 | 0:03:52 | |
Morning. | 0:03:52 | 0:03:53 | |
It says here "sales training". | 0:03:53 | 0:03:55 | |
We're going to be explosive. | 0:03:55 | 0:03:57 | |
You sold nothing. | 0:03:57 | 0:03:58 | |
Your sales technique was | 0:03:58 | 0:04:00 | |
talk, talk, talk, talk, talk. | 0:04:00 | 0:04:02 | |
You are a beautiful couple, you're fabulous. | 0:04:02 | 0:04:04 | |
Are you happy? Are we happy? | 0:04:04 | 0:04:07 | |
She doesn't stop talking. | 0:04:07 | 0:04:08 | |
She confuses the customers. | 0:04:08 | 0:04:10 | |
I love speaking to young people making their way. | 0:04:10 | 0:04:13 | |
I think it's great. | 0:04:13 | 0:04:14 | |
She's not closing the sale. | 0:04:14 | 0:04:16 | |
You want this so badly and it's going to happen. | 0:04:16 | 0:04:18 | |
But you're amazing. | 0:04:18 | 0:04:19 | |
How have you got out of the house today? | 0:04:19 | 0:04:21 | |
You've got to get rid of the people | 0:04:21 | 0:04:23 | |
who can't pay. | 0:04:23 | 0:04:24 | |
What do you want to say to them? | 0:04:24 | 0:04:25 | |
"Please, can you just go away?" Yeah. | 0:04:25 | 0:04:27 | |
I probably had the most frustrating day | 0:04:27 | 0:04:30 | |
in the whole of my sales career. | 0:04:30 | 0:04:32 | |
You claim to be a salesperson. | 0:04:32 | 0:04:34 | |
I am a salesperson. | 0:04:34 | 0:04:35 | |
It seemed to me like you couldn't sell a bone | 0:04:35 | 0:04:37 | |
to Battersea Dogs Home. | 0:04:37 | 0:04:38 | |
Strong words, isn't it? You know what? | 0:04:40 | 0:04:41 | |
It happens a lot on The Apprentice, | 0:04:41 | 0:04:43 | |
that the candidate goes out on a task which you would have thought | 0:04:43 | 0:04:48 | |
would have showcased their particular talent, | 0:04:48 | 0:04:50 | |
which in your case was selling. | 0:04:50 | 0:04:52 | |
Did you put undue pressure on yourself, do you think? | 0:04:52 | 0:04:55 | |
Em, well, at lunchtime, I was nearly having a nervous breakdown. | 0:04:55 | 0:04:58 | |
Yeah, because you'd not sold anything. | 0:04:58 | 0:05:00 | |
Because I hadn't sold anything. | 0:05:00 | 0:05:02 | |
I went into the toilet to talk to myself, | 0:05:02 | 0:05:03 | |
which is the best office in the world. | 0:05:03 | 0:05:06 | |
I stood there in front of the mirror, | 0:05:06 | 0:05:08 | |
turned the taps on and said, | 0:05:08 | 0:05:09 | |
"You know, you are a superstar, you can make this happen." | 0:05:09 | 0:05:13 | |
I just genuinely believed that as a hard worker | 0:05:13 | 0:05:16 | |
that my work would pay off. | 0:05:16 | 0:05:18 | |
Unfortunately, it wasn't my day. | 0:05:18 | 0:05:20 | |
On that day... | 0:05:20 | 0:05:22 | |
Because week one, selling the seafood, | 0:05:22 | 0:05:25 | |
you were a star, really. | 0:05:25 | 0:05:27 | |
Karren singled you out for praise. | 0:05:27 | 0:05:29 | |
A STARfish. Yeah. | 0:05:29 | 0:05:31 | |
LAUGHTER | 0:05:31 | 0:05:33 | |
(That was smart.) | 0:05:33 | 0:05:35 | |
LAUGHTER | 0:05:35 | 0:05:37 | |
Don't put it away, there's more. | 0:05:37 | 0:05:39 | |
Yeah, if you want to use any more of those jokes I gave you earlier, | 0:05:39 | 0:05:42 | |
Ruth, just feel free. | 0:05:42 | 0:05:44 | |
Why do you think you lost your magic touch? | 0:05:44 | 0:05:46 | |
I just think, you know, Rooney has an off day, doesn't he? | 0:05:46 | 0:05:48 | |
Ronaldo has an off day. Ruth has an off day. | 0:05:48 | 0:05:56 | |
Now, Natalie, you've sold at hundreds of these fairs all around the world. | 0:05:56 | 0:06:00 | |
Obviously you're competing with other people selling at the same time. | 0:06:00 | 0:06:07 | |
I think one of the problems you had was where | 0:06:07 | 0:06:10 | |
you could have closed a deal, possibly, | 0:06:10 | 0:06:12 | |
you're talking to them about the product. | 0:06:12 | 0:06:14 | |
You're probably selling the product but then you go on and start to talk | 0:06:14 | 0:06:17 | |
to the child or ask them how long they've been together. | 0:06:17 | 0:06:20 | |
Then you lose where they were at... Losing focus. Yeah, absolutely. | 0:06:20 | 0:06:26 | |
Susan, you've got cats. Yes. | 0:06:26 | 0:06:27 | |
Would you have bought one of those cat towers? | 0:06:27 | 0:06:30 | |
I would have bought it from Ruth. | 0:06:30 | 0:06:32 | |
In my view, I'm just going to lay it out straightaway. | 0:06:32 | 0:06:40 | |
You were my winner from week one. | 0:06:40 | 0:06:46 | |
Aw. SCATTERED LAUGHTER | 0:06:46 | 0:06:47 | |
Personally speaking, | 0:06:47 | 0:06:55 | |
who doesn't understand what us cat lovers require, | 0:06:55 | 0:07:01 | |
LAUGHTER | 0:07:01 | 0:07:03 | |
I think you are brilliant. You should have won. | 0:07:03 | 0:07:10 | |
OK, OK, well, you sit on the fence, that's fine by me. | 0:07:10 | 0:07:14 | |
Going back to your cat, | 0:07:14 | 0:07:19 | |
What's the most you've ever spent on your cats in terms of presents? | 0:07:19 | 0:07:23 | |
Well, em... | 0:07:23 | 0:07:25 | |
Birthday presents and Christmas presents. What?! | 0:07:25 | 0:07:28 | |
Do you do that? Are you joking? No. | 0:07:28 | 0:07:30 | |
How do you know...how do you know they're not Hindu? | 0:07:30 | 0:07:33 | |
LAUGHTER | 0:07:33 | 0:07:36 | |
Natalie, is this unusual? How much to people generally spend on their pets? | 0:07:36 | 0:07:39 | |
Thousands. It's a big thing, isn't it? It's not unusual at all. | 0:07:39 | 0:07:42 | |
You have about 150 cats, don't you? Well, I want 150 cats. | 0:07:42 | 0:07:48 | |
And to, you know, live in one of those houses | 0:07:48 | 0:07:51 | |
that children point at and say, "Don't go to that house." | 0:07:51 | 0:08:00 | |
Now, Claude mentioned that you maybe talked too much to the customers | 0:08:00 | 0:08:05 | |
and he came up with that thing of the silence - | 0:08:05 | 0:08:09 | |
give the customer time to think rather than keep going on. | 0:08:09 | 0:08:29 | |
"try and make more eye contact with people." | 0:08:29 | 0:08:32 | |
It was weird, because the sales technique that you used | 0:08:32 | 0:08:39 | |
was the same thing that you were doing for this one. | 0:08:39 | 0:08:52 | |
"I want to buy something from her so I'm going to buy this salad." | 0:08:52 | 0:08:55 | |
Then the conversation would be over and I can get on with my life. | 0:08:55 | 0:08:59 | |
Whereas with that, you're not going to just hand over 600 quid | 0:08:59 | 0:09:03 | |
because they like you, that's the thing. | 0:09:03 | 0:09:06 | |
I mean, some people did. I just couldn't find the way. | 0:09:06 | 0:09:08 | |
It just wasn't going to happen. | 0:09:08 | 0:09:10 | |
Well, although it was Ruth who paid the price for losing tonight's task, | 0:09:10 | 0:09:14 | |
someone else whose sales technique wasn't up to scratch was Selina. | 0:09:14 | 0:09:18 | |
He's not very happy with you. | 0:09:23 | 0:09:30 | |
My feeling was you were not exhibiting enthusiasm | 0:09:30 | 0:09:33 | |
in the way that I think you should have done. | 0:09:33 | 0:09:37 | |
I'm someone that works extremely hard. | 0:09:37 | 0:09:39 | |
Can you help me with this questionnaire? Sure. | 0:09:39 | 0:09:41 | |
I am actually attending these guys. | 0:09:41 | 0:09:42 | |
OK. Hi, guys, sorry - how are we all? | 0:09:42 | 0:09:44 | |
I'm Scott, how are you doing? | 0:09:44 | 0:09:50 | |
Scott, you're being very generous. | 0:09:50 | 0:09:52 | |
There's no reason why Selina couldn't have worked it out - she didn't. | 0:09:52 | 0:09:55 | |
Well, it is my sale. | 0:09:55 | 0:09:56 | |
When Selina made her sale, I think she felt she'd done her job. | 0:09:56 | 0:09:59 | |
I don't know why you're talking up, Ruth. | 0:09:59 | 0:10:01 | |
Who should be fired? | 0:10:01 | 0:10:02 | |
I think Selina should be fired, cos she's hard work. | 0:10:02 | 0:10:04 | |
She just didn't put her back into it. | 0:10:04 | 0:10:06 | |
She looks like she's got the hump to me. | 0:10:06 | 0:10:08 | |
Which would you rather have, Karren - somebody who's very enthusiastic, | 0:10:08 | 0:10:11 | |
or somebody who doesn't seem to care that much? | 0:10:11 | 0:10:14 | |
I'd rather have neither, actually, Claude. | 0:10:14 | 0:10:15 | |
Selina, there's an old saying - no smoke without fire. | 0:10:17 | 0:10:21 | |
Last chance. | 0:10:21 | 0:10:23 | |
Close shave. | 0:10:25 | 0:10:26 | |
Why do you think Lord Sugar gave Selina a second chance? | 0:10:26 | 0:10:29 | |
I think it's because in the boardroom, | 0:10:29 | 0:10:31 | |
Selina is quite a forceful presence... Mm-hm. | 0:10:31 | 0:10:35 | |
..and this is where I think being nice, actually, as Ruth was, | 0:10:35 | 0:10:40 | |
actually was a disadvantage. | 0:10:40 | 0:10:42 | |
I think sometimes the people who aren't as nice, | 0:10:42 | 0:10:45 | |
and who are quite grumpy, do better in the process, | 0:10:45 | 0:10:48 | |
because that's almost easier to deal with. | 0:10:48 | 0:10:50 | |
It says "business", you know? If you're nasty, it means business, | 0:10:50 | 0:10:52 | |
if you're nice, it means you're a bit flaky, | 0:10:52 | 0:10:54 | |
which I don't think is actually correct. | 0:10:54 | 0:10:56 | |
What I found incredible about Selina is at the end of it, | 0:10:56 | 0:10:59 | |
when she said she said, "No more Mr Nice Girl." | 0:10:59 | 0:11:02 | |
Sorry, were you under the impression | 0:11:02 | 0:11:04 | |
that you've been nice up to this point? Yeah. | 0:11:04 | 0:11:06 | |
You've been a bloody nightmare. | 0:11:06 | 0:11:08 | |
Natalie, was that lack of knowledge of the price structure | 0:11:08 | 0:11:12 | |
that Selina demonstrated there...? | 0:11:12 | 0:11:14 | |
How important was that? Do you think that's a real flaw? | 0:11:14 | 0:11:17 | |
I think maybe, in fairness to Selina, | 0:11:17 | 0:11:19 | |
she was just checking that she'd got the price right, | 0:11:19 | 0:11:21 | |
she didn't want to rip someone off. | 0:11:21 | 0:11:23 | |
No, that was a fundamental error, because she lost time. | 0:11:23 | 0:11:26 | |
She could have, you know, had the sale, there, | 0:11:26 | 0:11:28 | |
but she lost time not knowing what the price was, | 0:11:28 | 0:11:32 | |
and she looked that she wasn't prepared, | 0:11:32 | 0:11:34 | |
she didn't know her product, perhaps, | 0:11:34 | 0:11:36 | |
if she didn't know the price. | 0:11:36 | 0:11:38 | |
She had to interrupt Scott, | 0:11:38 | 0:11:39 | |
and then he could have lost his sale, also. | 0:11:39 | 0:11:42 | |
If you look at it, she would not have closed that sale | 0:11:42 | 0:11:45 | |
without Scott's intervention, | 0:11:45 | 0:11:47 | |
so she had to rely on him to make that sale, and then she said, | 0:11:47 | 0:11:50 | |
"I don't think Scott will try and claim credit for it." | 0:11:50 | 0:11:52 | |
I mean, have you ever watched The Apprentice?! | 0:11:52 | 0:11:54 | |
Like, they try and claim credit | 0:11:54 | 0:11:56 | |
if they walk through the background of the shot | 0:11:56 | 0:11:58 | |
while the sale's happening. But if you take that, | 0:11:58 | 0:12:00 | |
the fact that she wouldn't have closed that sale, | 0:12:00 | 0:12:02 | |
so let's imagine that sale didn't happen, | 0:12:02 | 0:12:04 | |
and then you look at Selina's performance compared to Ruth's - | 0:12:04 | 0:12:07 | |
and Ruth, the whole way through, was bang, bang, | 0:12:07 | 0:12:09 | |
talking to people the whole way through. | 0:12:09 | 0:12:11 | |
Selina just dropped out of it. | 0:12:11 | 0:12:12 | |
So, if you didn't have that sale in place, it would be no contest. | 0:12:12 | 0:12:15 | |
Lord Sugar said that Selina has one face for the boardroom | 0:12:15 | 0:12:18 | |
and one face for the task. | 0:12:18 | 0:12:20 | |
What did you think of her? How did you find her? | 0:12:20 | 0:12:22 | |
I genuinely think she gave up. | 0:12:22 | 0:12:24 | |
You know, she tucked a sale away, and that was it. | 0:12:24 | 0:12:27 | |
But it annoyed the pants off me. | 0:12:27 | 0:12:29 | |
I know Selina was yawning, but it was a tough day, | 0:12:29 | 0:12:31 | |
it was a very long day - it's as if you've got some secret way | 0:12:31 | 0:12:34 | |
of keeping up your energy. | 0:12:34 | 0:12:35 | |
Let's have a look. | 0:12:35 | 0:12:37 | |
JUICER WHIRS | 0:12:37 | 0:12:38 | |
I am a juicer. I am...juice. | 0:12:38 | 0:12:42 | |
Oh... Whoa! | 0:12:42 | 0:12:43 | |
It's a bloodbath! | 0:12:43 | 0:12:46 | |
It is juice, juice, juice after juice. | 0:12:47 | 0:12:50 | |
Sometimes I go to bed and I just hear the juicer running in my head. | 0:12:50 | 0:12:54 | |
You'd have a full fridge of food, | 0:12:56 | 0:12:58 | |
you know, like 20 packets of berries | 0:12:58 | 0:13:00 | |
and nine carrots and everything, | 0:13:00 | 0:13:02 | |
and the next day, she'd be, like, making her juice, | 0:13:02 | 0:13:04 | |
and she'd be like, "Nine packets of berries! | 0:13:04 | 0:13:07 | |
"Four bananas, five carrots... | 0:13:07 | 0:13:08 | |
"Oh, here's a baby, I'll put that in, too!" | 0:13:08 | 0:13:10 | |
And you're just like, "Ruth! You can't blend all this!" | 0:13:10 | 0:13:13 | |
Juice is me - I'm juice. I can't do without it. | 0:13:13 | 0:13:16 | |
To long life, health and happiness. | 0:13:16 | 0:13:18 | |
I'll let you know when I get there! | 0:13:19 | 0:13:22 | |
So, tell us about the juicing - tell us a good recipe for a juicer. | 0:13:22 | 0:13:26 | |
Er, well, if you want to feel very energised... Yes. | 0:13:26 | 0:13:30 | |
..you could go for some celery, cucumber, carrot, some spinach - | 0:13:30 | 0:13:34 | |
make sure you wash it, it gets a bit crunchy... OK. | 0:13:34 | 0:13:36 | |
..um, beetroot... Oh, yeah? ..lemon, and then quite a big... | 0:13:36 | 0:13:40 | |
Let me stop you here just for one second, | 0:13:40 | 0:13:41 | |
cos Susan's from Scotland and I feel we've lost you - | 0:13:41 | 0:13:44 | |
these are all vegetables, Susan. | 0:13:44 | 0:13:46 | |
It's a type of fresh food that grows in the ground | 0:13:47 | 0:13:50 | |
and on plants and stuff. | 0:13:50 | 0:13:52 | |
Ooh, he's mean, isn't he? Well... | 0:13:52 | 0:13:54 | |
He's mean, but he's keen. | 0:13:54 | 0:13:56 | |
One person... Go on. ..who was supportive of you was... | 0:13:56 | 0:13:59 | |
Yeah? | 0:13:59 | 0:14:01 | |
One person who was very supportive of you was Scott in the boardroom, | 0:14:01 | 0:14:05 | |
wasn't he? Too right. He was... | 0:14:05 | 0:14:07 | |
Well, he knew - he's a salesperson, I'm a salesperson, | 0:14:07 | 0:14:11 | |
he knew how badly I wanted it. | 0:14:11 | 0:14:13 | |
And he knew your potential, didn't he? | 0:14:13 | 0:14:14 | |
Although he seemed a popular project manager, | 0:14:14 | 0:14:17 | |
Scott came under some flak from Lord Sugar | 0:14:17 | 0:14:19 | |
for not being decisive enough. | 0:14:19 | 0:14:21 | |
Really? Who, Scott?! | 0:14:21 | 0:14:23 | |
I want to get your guys' input first. | 0:14:23 | 0:14:24 | |
Two products for me could be the poop bags and the T-shirts. | 0:14:24 | 0:14:28 | |
I was thinking exactly the same thing. | 0:14:28 | 0:14:31 | |
Are we sure we don't want to go with the balloons? | 0:14:31 | 0:14:33 | |
I mean, the thing is, with the balloons, I think | 0:14:33 | 0:14:35 | |
we could probably sell a lot of them, | 0:14:35 | 0:14:37 | |
and also get quite a bit of buzz around them. | 0:14:37 | 0:14:40 | |
So far, Scott has been a totally noncommittal project manager - | 0:14:40 | 0:14:45 | |
dancing around any decisions that have to be made, hoping, perhaps, | 0:14:45 | 0:14:48 | |
that his team-mates will make the decision for him. | 0:14:48 | 0:14:50 | |
It's a call that we're all going to have to kind of make. | 0:14:50 | 0:14:53 | |
Tell you what, shall we turn it up and just go balloons and heat mats? | 0:14:53 | 0:14:56 | |
And heat mats as well? Yeah. To be fair, the heat mats were... | 0:14:56 | 0:14:59 | |
I dunno, I'm tied up between the two. | 0:14:59 | 0:15:01 | |
The thing about the heat mats, as well, | 0:15:01 | 0:15:03 | |
they cater for small animals, but also cats. | 0:15:03 | 0:15:05 | |
Shall we just go for the balloons and heat mats? | 0:15:05 | 0:15:07 | |
I reckon we should. Yeah? Yeah. | 0:15:07 | 0:15:10 | |
I-I definitely think the heat pads | 0:15:10 | 0:15:12 | |
and the balloons is probably the best products for us. | 0:15:12 | 0:15:15 | |
So, that's sorted(!) | 0:15:15 | 0:15:17 | |
Natalie, how important is it in business | 0:15:17 | 0:15:20 | |
to be able to make quick decisions, be decisive? | 0:15:20 | 0:15:22 | |
Yeah, really important. You have to be able to just think on your feet. | 0:15:22 | 0:15:27 | |
You need to be able to just go with what you feel. | 0:15:27 | 0:15:29 | |
He's a very nice guy that has poor people management skills - I think. | 0:15:29 | 0:15:34 | |
Because, for example, | 0:15:34 | 0:15:35 | |
he was trying to make everyone feel like their opinions | 0:15:35 | 0:15:38 | |
were being heard when he was deciding which product to pick, | 0:15:38 | 0:15:40 | |
but actually what he did end up doing was make a real mess of it. | 0:15:40 | 0:15:43 | |
If he'd listened to what they said and gone, | 0:15:43 | 0:15:45 | |
"Right, I've heard everything you've got to say, | 0:15:45 | 0:15:47 | |
"these are the ones I'm going for, that's the decision made." | 0:15:47 | 0:15:49 | |
Everyone would have felt like they'd got their opinions across, | 0:15:49 | 0:15:52 | |
but there'd be no confusion or any resentment. | 0:15:52 | 0:15:54 | |
It's those little things that he did that were a little but silly. | 0:15:54 | 0:15:57 | |
But isn't it so often the case on The Apprentice | 0:15:57 | 0:15:59 | |
where a project manager does make these big decisions, | 0:15:59 | 0:16:02 | |
are very, very straightforward about it, | 0:16:02 | 0:16:03 | |
and they get punished because everyone goes, | 0:16:03 | 0:16:05 | |
"Oh, you didn't listen to us, you didn't listen to us"? | 0:16:05 | 0:16:08 | |
But isn't it better to go down in a blaze of glory? | 0:16:08 | 0:16:11 | |
I think it's better to just say, | 0:16:11 | 0:16:14 | |
"We're doing the poop bags and the guinea pig T-shirts, | 0:16:14 | 0:16:16 | |
"and I'm going to hear no more about it," | 0:16:16 | 0:16:19 | |
and then just believe in what it is? | 0:16:19 | 0:16:21 | |
And I actually think that in the boardroom | 0:16:21 | 0:16:23 | |
that comes across slightly better. | 0:16:23 | 0:16:25 | |
I think Scott is on the verge of not looking... | 0:16:25 | 0:16:28 | |
He's a nice guy, but he's actually been quite a weak team player. OK. | 0:16:28 | 0:16:33 | |
Well, taking an uncharacteristically straightforward approach | 0:16:33 | 0:16:36 | |
to the matter in hand this week was Brett. | 0:16:36 | 0:16:38 | |
Natalie, you've got distributors for your products | 0:16:38 | 0:16:41 | |
all over the world. Yeah. | 0:16:41 | 0:16:42 | |
Would you have entrusted you product to someone like Brett? | 0:16:42 | 0:16:46 | |
No. I don't expect them to be as passionate as I am | 0:16:46 | 0:16:49 | |
about my products... No. ..because it's MY product, | 0:16:49 | 0:16:52 | |
but you do want to see a level of passion and commitment. | 0:16:52 | 0:16:55 | |
I felt a little bit sorry for him, | 0:16:55 | 0:16:56 | |
because the reason he was cutting straight to the chase was cos | 0:16:56 | 0:16:59 | |
he'd been told to, you know. | 0:16:59 | 0:17:01 | |
He was so waffly before, he'd been given the specific instruction | 0:17:01 | 0:17:04 | |
to get straight down to business, and that's what he did. | 0:17:04 | 0:17:06 | |
The other thing that he does, cos he was in the arena | 0:17:06 | 0:17:10 | |
showing things off, and he was holding things up... | 0:17:10 | 0:17:13 | |
"THIS... | 0:17:13 | 0:17:15 | |
"THIS IS TOY FOR YOUR CATS." | 0:17:15 | 0:17:17 | |
He's terrifying people. I mean, the sense of... There's no... | 0:17:24 | 0:17:27 | |
What that needs is someone going, "Hey, have you got any cats? | 0:17:27 | 0:17:30 | |
"They'll love this - look at the little ball that goes round!" | 0:17:30 | 0:17:33 | |
"THIS... | 0:17:33 | 0:17:34 | |
"IS A CAT TOY. | 0:17:34 | 0:17:36 | |
"Yeah?" | 0:17:36 | 0:17:37 | |
Well, although Brett did try and use fewer words this week, | 0:17:37 | 0:17:41 | |
there are still four words in particular | 0:17:41 | 0:17:43 | |
which he still needs to work on. | 0:17:43 | 0:17:45 | |
We've got a game called the Generally As It Stands game, | 0:17:45 | 0:17:47 | |
so basically you've just literally got to count how many times | 0:17:47 | 0:17:50 | |
Brett says, "Generally, as it stands". | 0:17:50 | 0:17:52 | |
I mean, generally, as it stands, it's a new product... | 0:17:52 | 0:17:54 | |
Generally, as it stands, when we were stood there... | 0:17:54 | 0:17:57 | |
Generally, as it stands, I didn't have any sort of feelings about them walking in. | 0:17:57 | 0:18:00 | |
Generally, as it stands! | 0:18:00 | 0:18:02 | |
Generally, as it stands. | 0:18:02 | 0:18:03 | |
Generally, as it stands... | 0:18:03 | 0:18:09 | |
"Generally, as it stands, I want a cup of tea." | 0:18:09 | 0:18:11 | |
And you're like, "What is general about, like...?" | 0:18:11 | 0:18:13 | |
What?! | 0:18:13 | 0:18:15 | |
Well, maybe they should try turning Brett off and back on again, | 0:18:15 | 0:18:19 | |
see if that helps. | 0:18:19 | 0:18:21 | |
Did you notice that when you were around Brett? | 0:18:21 | 0:18:23 | |
That he used "generally, as it stands" a lot? | 0:18:23 | 0:18:26 | |
Yes - he is quite repetitive... Yes. ..about things. | 0:18:26 | 0:18:29 | |
He did say it a lot. But hey, he fixed the juicer. | 0:18:29 | 0:18:32 | |
So, he's useful... Did he? ..generally, as it stands, yes. | 0:18:32 | 0:18:34 | |
So, what about the winning team - Team Versatile? | 0:18:36 | 0:18:39 | |
Natalie, Richard placed a lot of importance | 0:18:39 | 0:18:43 | |
on the fact that three out of four members of his team were dog owners. | 0:18:43 | 0:18:48 | |
They went for the high-end item of the dog sofas. | 0:18:48 | 0:18:51 | |
How important is it to have personal experience | 0:18:51 | 0:18:54 | |
when you're selling a product? | 0:18:54 | 0:18:55 | |
I don't really think it's important, | 0:18:55 | 0:18:57 | |
as long as you can see the product and the uniqueness of the product, | 0:18:57 | 0:19:00 | |
and its best selling point, | 0:19:00 | 0:19:02 | |
it's not really important to have experience. | 0:19:02 | 0:19:06 | |
You don't have to have experience of having a dog...you know, | 0:19:06 | 0:19:09 | |
to sell that product. | 0:19:09 | 0:19:11 | |
At one point, Sam goes - after he'd heard about the sofas, | 0:19:11 | 0:19:13 | |
he goes, "Well, I've got a dog, so I totally get it." | 0:19:13 | 0:19:16 | |
I mean, I get it, too - the dog sits on the sofa. | 0:19:16 | 0:19:19 | |
It's not a complicated thing to work out. | 0:19:19 | 0:19:21 | |
"How the devil does a dog interact with this unit? | 0:19:21 | 0:19:24 | |
"Can't figure it out." | 0:19:24 | 0:19:26 | |
Richard sold the most sofas, he did very well there. | 0:19:26 | 0:19:30 | |
He, er, he pitched himself as cheeky chappie this week, didn't he? | 0:19:30 | 0:19:34 | |
Whereas before, when he was on the buying task, | 0:19:34 | 0:19:37 | |
he was the bumbling Englishman. | 0:19:37 | 0:19:39 | |
The thing about Richard is, he can say he's playing bumbling Englishman | 0:19:39 | 0:19:43 | |
or cheeky chappie, but he's like Sean Connery. | 0:19:43 | 0:19:45 | |
It's the same part every time. | 0:19:45 | 0:19:48 | |
I thought Richard was really manipulative, actually. | 0:19:49 | 0:19:52 | |
Particularly at one point where he wanted the dog sofas, | 0:19:52 | 0:19:56 | |
he was desperate for the dog sofas, | 0:19:56 | 0:19:58 | |
and he said, "Well, I think we should go with what the PM wants. | 0:19:58 | 0:20:01 | |
"He's leaning towards the dog sofas." | 0:20:01 | 0:20:03 | |
Whereas if the opposite had been true, | 0:20:03 | 0:20:05 | |
he'd have gone, "I think he's got it wrong." | 0:20:05 | 0:20:07 | |
Basically he's very good at getting his own way | 0:20:07 | 0:20:09 | |
in a way where people don't feel like it is him getting his own way. | 0:20:09 | 0:20:12 | |
Project Manager for Team Versatile was David. | 0:20:12 | 0:20:15 | |
He took on the task with what we're coming to know | 0:20:15 | 0:20:18 | |
as his customary enthusiasm. | 0:20:18 | 0:20:19 | |
Which team would like to kick off? I'll kick off, if that's OK. | 0:20:19 | 0:20:22 | |
Last thing people want is people hitting them with question, | 0:20:22 | 0:20:25 | |
question, question, question, question. | 0:20:25 | 0:20:27 | |
Really need to be exciting | 0:20:27 | 0:20:28 | |
and enthusiastic about all the products. | 0:20:28 | 0:20:30 | |
David said, "We'll schmooze them", | 0:20:30 | 0:20:31 | |
and schmooze them they certainly did. | 0:20:31 | 0:20:33 | |
ALL: Awww! | 0:20:33 | 0:20:35 | |
Awesome. | 0:20:35 | 0:20:37 | |
How did you show enthusiasm for the hi-vis jacket for chickens? | 0:20:37 | 0:20:42 | |
This is Henrietta. | 0:20:42 | 0:20:43 | |
And she is modelling the hi-vis chicken jacket. Brilliant. | 0:20:43 | 0:20:47 | |
He was enthusiastic. | 0:20:47 | 0:20:48 | |
THEY CHEER | 0:20:48 | 0:20:50 | |
Wow! That's amazing! I like that. That struck me straight away. | 0:20:51 | 0:20:55 | |
Soon as you walked through the door, | 0:20:55 | 0:20:56 | |
it was like, "Wow, bang!" Right there. | 0:20:56 | 0:20:58 | |
Am I allowed to put one on? | 0:20:58 | 0:21:00 | |
David was gushing over the T-shirt. | 0:21:00 | 0:21:02 | |
He was talking like his brain was on fire. | 0:21:02 | 0:21:04 | |
Wow! | 0:21:04 | 0:21:05 | |
What did we think of David as Project Manager? | 0:21:05 | 0:21:08 | |
He made the right move in being enthusiastic | 0:21:08 | 0:21:10 | |
and that certainly helped them win the task. | 0:21:10 | 0:21:15 | |
I do think his enthusiasm | 0:21:15 | 0:21:16 | |
has to be based in some sort of reality, though. | 0:21:16 | 0:21:19 | |
Cos his reaction to the T-shirts | 0:21:19 | 0:21:22 | |
was absolutely unacceptable. | 0:21:22 | 0:21:25 | |
It's a T-shirt, mate. Why don't you chill out? | 0:21:27 | 0:21:30 | |
And then he was going, "You can wear them with anything! | 0:21:30 | 0:21:36 | |
That doesn't mean you should, all right? | 0:21:36 | 0:21:38 | |
Just because you can physically get it on, David, | 0:21:38 | 0:21:41 | |
that doesn't mean that's now a look. | 0:21:41 | 0:21:43 | |
Ruth, you were praised by various people - | 0:21:43 | 0:21:45 | |
Scott and Claude - for your enthusiasm. | 0:21:45 | 0:21:49 | |
Now, you can't be enthusiastic like that all the time, surely. | 0:21:49 | 0:21:52 | |
What are you like first thing in the morning? Let's have a look. | 0:21:52 | 0:21:55 | |
# I'm alive, awake, alert Enthusiastic! # | 0:21:55 | 0:21:59 | |
# I'm alive, awake, alert Enthusiastic! # | 0:21:59 | 0:22:02 | |
Join in when you can. | 0:22:02 | 0:22:03 | |
I'm awake, alive, alert... | 0:22:03 | 0:22:05 | |
# I'm alive, awake, alert I'm alert, awake, alive | 0:22:05 | 0:22:08 | |
# I'm alive, awake, alert Enthusiastic! # | 0:22:08 | 0:22:10 | |
All together! | 0:22:10 | 0:22:11 | |
APPLAUSE | 0:22:11 | 0:22:13 | |
JACK: # I'm alive, awake, alert Enthusiastic | 0:22:13 | 0:22:16 | |
ALL: # I'm alive, alert, awake I'm awake, alert, alive | 0:22:16 | 0:22:19 | |
# I'm alive, awake, alert Enthusiastic! # | 0:22:19 | 0:22:22 | |
APPLAUSE AND CHEERING | 0:22:22 | 0:22:24 | |
Welcome to Nursing Home Live! | 0:22:26 | 0:22:29 | |
Now, this is all very well, | 0:22:32 | 0:22:34 | |
but one burning question about this week's task remains unanswered. | 0:22:34 | 0:22:37 | |
Just what is the purpose of a hi-vis chicken jacket?! | 0:22:37 | 0:22:41 | |
And to answer that question, | 0:22:44 | 0:22:45 | |
I'm delighted to welcome James Tuthill. | 0:22:45 | 0:22:47 | |
Welcome to You're Fired. Very nice to have you on the show. | 0:22:52 | 0:22:54 | |
Who is your model friend? Well, this is Henrietta. | 0:22:54 | 0:22:58 | |
She was there at the actual product demonstration. | 0:22:58 | 0:23:01 | |
She was the one who shat on the desk? That's right. | 0:23:01 | 0:23:05 | |
So talk us through the hi-vis jacket. | 0:23:05 | 0:23:08 | |
What are they for and what do they do? | 0:23:08 | 0:23:11 | |
Primarily, it's to keep the chickens warm. | 0:23:11 | 0:23:14 | |
There's a lot more people keeping chickens now, | 0:23:14 | 0:23:17 | |
especially in towns, and... | 0:23:17 | 0:23:19 | |
And this is in case they get on the road? Yeah, exactly that. | 0:23:19 | 0:23:23 | |
In fact, our chickens at home would go round | 0:23:23 | 0:23:26 | |
and hop into the neighbours' garden | 0:23:26 | 0:23:28 | |
and there'd be a whole group of them going round town, | 0:23:28 | 0:23:31 | |
literally going around... What, you mean a hen party? | 0:23:31 | 0:23:34 | |
Thank you very much, James and Henrietta. | 0:23:36 | 0:23:39 | |
So, Ruth, sadly Lord Sugar | 0:23:42 | 0:23:43 | |
isn't going to be investing in your business idea, | 0:23:43 | 0:23:46 | |
but he has got some advice for you for the future. | 0:23:46 | 0:23:49 | |
Ruth was a very bubbly character. | 0:23:50 | 0:23:52 | |
A little more mature than the normal candidates that we have, | 0:23:52 | 0:23:55 | |
but I was interested in that in respect that she may have | 0:23:55 | 0:23:59 | |
a wealth of experience already. | 0:23:59 | 0:24:02 | |
She is a very genuine person. | 0:24:02 | 0:24:05 | |
But she will spend a lot of time talking to somebody | 0:24:05 | 0:24:09 | |
where in fact there is no end result. | 0:24:09 | 0:24:11 | |
Ruth is a hard worker, and she wants to be a team player, | 0:24:11 | 0:24:15 | |
and she threw herself into things | 0:24:15 | 0:24:17 | |
that took her out of her comfort zone from time to time, | 0:24:17 | 0:24:19 | |
and I think that's very, very commendable. | 0:24:19 | 0:24:22 | |
And she should continue doing that in whatever business career | 0:24:22 | 0:24:26 | |
that she decides to pursue. | 0:24:26 | 0:24:29 | |
Fabulous. Isn't that nice? Lots of positive stuff there | 0:24:29 | 0:24:32 | |
for you to take away, good comments. | 0:24:32 | 0:24:34 | |
What are your plans at the moment, what are you doing now? | 0:24:34 | 0:24:36 | |
Well, I've got my sales training company. Two sides to it - | 0:24:36 | 0:24:39 | |
telephone sales training and face-to-face sales training. | 0:24:39 | 0:24:42 | |
And I also have a beauty and wellness and nutrition company. | 0:24:42 | 0:24:47 | |
So I'm continuing with that, just expanding... | 0:24:47 | 0:24:51 | |
Will you be taking on board any of Lord Sugar's advice? | 0:24:51 | 0:24:54 | |
Absolutely. I can't thank him enough. | 0:24:54 | 0:24:56 | |
Well, it's time to find out whether we agree that Ruth | 0:24:56 | 0:24:59 | |
was the right person to be fired tonight. | 0:24:59 | 0:25:02 | |
Natalie, do you think Lord Sugar was right to fire Ruth at this point? | 0:25:02 | 0:25:05 | |
On the basis of your sales, then yeah, I think fired. | 0:25:05 | 0:25:10 | |
Susan, I hardly need ask, but what are your thoughts? | 0:25:10 | 0:25:13 | |
It's the biggest mistake Lord Sugar has ever made in his life. | 0:25:13 | 0:25:18 | |
And I hope at some point in the future I meet him | 0:25:18 | 0:25:23 | |
and he can tell me to my face | 0:25:23 | 0:25:25 | |
why he fired the best candidate The Apprentice has ever seen. | 0:25:25 | 0:25:29 | |
Bless you. | 0:25:29 | 0:25:30 | |
APPLAUSE AND CHEERING | 0:25:30 | 0:25:32 | |
Romesh? | 0:25:36 | 0:25:38 | |
I don't agree with the decision to fire you. | 0:25:38 | 0:25:40 | |
I think that Selina should have gone. I think that her... | 0:25:40 | 0:25:43 | |
You take that sale away that she couldn't have closed alone, | 0:25:43 | 0:25:46 | |
and look at her performance versus your performance, | 0:25:46 | 0:25:50 | |
you were putting the effort in the whole way through and she wasn't. | 0:25:50 | 0:25:53 | |
And for that reason, I think you were unlucky to go. Thank you. | 0:25:53 | 0:25:56 | |
So to the audience vote. | 0:25:56 | 0:25:57 | |
If you agree with Lord Sugar, hold up FIRED, | 0:25:57 | 0:26:00 | |
if you don't agree, hold up HIRED. | 0:26:00 | 0:26:02 | |
I think this is a Hired from the audience as well! | 0:26:07 | 0:26:10 | |
It's a Hired, congratulations! Thank you. Thank you. | 0:26:10 | 0:26:13 | |
Well done. Ruth, we're sorry to see you leaving The Apprentice. | 0:26:13 | 0:26:16 | |
You've been a great candidate and a wonderful guest on this show. | 0:26:16 | 0:26:19 | |
As you know, no-one leaves You're Fired empty-handed, | 0:26:19 | 0:26:22 | |
so I've had a thought what we can get you | 0:26:22 | 0:26:24 | |
and I decided because of your busy mornings and some juicing, | 0:26:24 | 0:26:28 | |
we thought that would help you get up in the morning and get going | 0:26:28 | 0:26:31 | |
with all your favourite lyrics on it. | 0:26:31 | 0:26:33 | |
"I'm alive, awake, alert, enthusiastic." | 0:26:33 | 0:26:35 | |
Yes, if I was in any doubt, this will remind me. Good stuff. | 0:26:35 | 0:26:37 | |
Ruth, you've given us some great moments. Here are your highlights. | 0:26:37 | 0:26:40 | |
Ruth, great person, | 0:26:40 | 0:26:42 | |
but will always be to me The Human Kebab. | 0:26:42 | 0:26:45 | |
Oh, my gosh! | 0:26:47 | 0:26:48 | |
This is, like, the best... | 0:26:48 | 0:26:50 | |
Boo! | 0:26:50 | 0:26:52 | |
..the worst... | 0:26:52 | 0:26:53 | |
Ugh! ..the most pressured... | 0:26:53 | 0:26:55 | |
Sorry, your hair looks... We're filming! We're filming! | 0:26:55 | 0:26:58 | |
..the most insane business experience I've ever had. | 0:26:58 | 0:27:03 | |
Oh! | 0:27:03 | 0:27:04 | |
Bang. Boom. | 0:27:04 | 0:27:06 | |
Ruth is a really funny person. | 0:27:06 | 0:27:08 | |
Sometimes you'll just turn round and she'll be dancing round the kitchen. | 0:27:08 | 0:27:12 | |
I'm not touching it, it's stinking, it's slimy. | 0:27:12 | 0:27:14 | |
What a load of rubbish. | 0:27:14 | 0:27:15 | |
She was a lot of fun, | 0:27:15 | 0:27:17 | |
she had a lot to say and she's a great person. | 0:27:17 | 0:27:19 | |
You should dare to dream big. | 0:27:19 | 0:27:21 | |
Gosh, aren't you solid? Ooh, aren't you lovely? | 0:27:21 | 0:27:24 | |
I'm suited. I'm booted. Come on! | 0:27:24 | 0:27:25 | |
Ladies and gentlemen, Ruth Whiteley! | 0:27:26 | 0:27:29 | |
APPLAUSE AND CHEERING | 0:27:29 | 0:27:31 | |
And that's all for tonight. | 0:27:35 | 0:27:36 | |
Thank you to Natalie, Susan, and of course Romesh, | 0:27:36 | 0:27:39 | |
and so it's on to task number five for our candidates. | 0:27:39 | 0:27:43 | |
I want you to create a children's book | 0:27:43 | 0:27:45 | |
for three- to five-year-olds. | 0:27:45 | 0:27:47 | |
Bzz, bzz, bzz! | 0:27:47 | 0:27:49 | |
I'm not going to say I have the best vocabulary | 0:27:49 | 0:27:51 | |
or the best English skills. | 0:27:51 | 0:27:53 | |
I think language and communication is key to existence. | 0:27:53 | 0:27:57 | |
Ah-choo! | 0:27:57 | 0:27:58 | |
Bizzy got lost after being tossed. | 0:27:58 | 0:28:00 | |
What about Snuffle Gruffle? | 0:28:00 | 0:28:02 | |
In, bang, bang. | 0:28:02 | 0:28:04 | |
Can we have Snufflebum? That line shouldn't be in a children's book. | 0:28:04 | 0:28:07 | |
Snifflebottom? | 0:28:07 | 0:28:08 | |
What word is he trying to say? | 0:28:08 | 0:28:10 | |
Snozzledink. Snottledink? | 0:28:10 | 0:28:12 | |
Snotty...dink? | 0:28:12 | 0:28:13 | |
SHE SOBS | 0:28:13 | 0:28:14 | |
# Bizzy buzzy buzzy buzzy... # | 0:28:14 | 0:28:16 | |
Swishing and swirling and tumbling and turning. | 0:28:16 | 0:28:18 | |
It's not this hard, I don't think. | 0:28:18 | 0:28:20 | |
Richard, I'm going to have to stop you. | 0:28:21 | 0:28:23 | |
I'll be outside. I'll see you later. | 0:28:23 | 0:28:26 | |
Well, if you've missed any episodes of The Apprentice, go to BBC iPlayer | 0:28:26 | 0:28:29 | |
to watch Matt Edmondson's summaries of each episode | 0:28:29 | 0:28:32 | |
delivered through the medium of rap. | 0:28:32 | 0:28:34 | |
We'll be back next Wednesday at 10 for more You're Fired, | 0:28:34 | 0:28:37 | |
when alongside Romesh, I'll be joined by | 0:28:37 | 0:28:39 | |
bestselling children's author Cressida Cowell. Goodnight. | 0:28:39 | 0:28:42 | |
APPLAUSE | 0:28:42 | 0:28:44 |